Podcast appearances and mentions of Carter Burwell

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify) or you can also download it from the website at https://seehearpodcast.blogspot.com/2025/02/see-hear-episode-124-inside-llewyn-davis.html Proudly Pantheon Learn more about your ad choices. Visit megaphone.fm/adchoices

We've recently lost one of the great directors over the last few decades in David Lynch who was known for showing the dreamy and nightmarish side of America (and we need you now, David). The other great tellers of American stories over the same period have been Joel and Ethan Coen. They have protagonists who start out in precarious positions in life....then things go downhill. Welcome to episode 124 of See Hear Podcast. There's definitely a rhythm to the Coen Brothers' films....even if their films are not ABOUT music or musicians, they feel musical (and having Carter Burwell score many of their films doesn't hurt in that regard). Two films, however, stick out as music films in their catalogue – O Brother, Where Art Thou and Inside Llewyn Davis – it's the latter that is the focus of this episode. Sadly, neither Kerry nor Tim were available to record this show, but I welcome back film professor, author, and fellow podcaster Neil Fox back to the show. He selected Inside Llewyn Davis for our discussion, and I couldn't have been happier to revisit this 2013 film that has seemingly divided people on its merits (spoiler alert – we both love it). The film starts off in Greenwich Village in 1961, and is about a few days in the life of folk musician Llewyn Davis (Oscar Isaac) as he moves from couch to couch, gig to gig, kindness to kindness....and he responds poorly despite being the recipient of others' good nature towards him. Is he an awful human being, or is he lashing out due to a terrible event regarding a former musical partner? Neil and I had a great conversation about this film and a variety of related issues. Since the film is Bob Dylan adjacent, we had to bring in our thoughts about the recently released Dylan biopic focusing on his early years, A Complete Unknown and see how its tone contrasts with the Coens outlook. I am grateful for Neil giving over his time to chat with me. He brings a perspective I was fascinated to hear. If you wish to hear more of Neil, you should tune into his show The Cinematologists hosted with Dario Llinares. Info at https://cinematologists.com/ Also, look into his great book “Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music”. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com . Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). You can also download from the website at https://seehearpodcast.blogspot.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode two of our Visionary Remakes season, we survey the recent Coen brothers remake of True Grit (2010) and compare it to the original film, a John Wayne vehicle from 1969.Special Guest: Brian Eggert is the owner and film critic of Deep Focus Review, where he has written movie reviews, in-depth essays, and critical analyses since 2007. Brian also regularly appears on KARE 11, the NBC affiliate for the Twin Cities, to review and discuss movies. He belongs to the Society For Cinema and Media Studies, Minnesota Film Critics Alliance, Online Film & Television Association, International Film Society Critics, Independent Film Critics of America, The Critics Circle, and National Coalition of Independent Scholars.Westerns have gone through many cycles since the beginning of filmmaking. Right now, we are seeing an uptick in interest as the tv show Yellowstone dominates the traditional tv market. But back in 2010, Westerns were definitely far off in the background as comic book movies had begun to take over the box office. In 2010, the Coen brothers were coming off a very successful adaption of No Country for Old Men (2007) as well as two more left of center films, the sprightly spy romp Burn After Reading from 2008 and the niche existentialist A Serious Man from 2009. It is unclear why they decided to remake True Grit and focus on the novel from 1968 instead of the John Wayne movie which came a year later in 1969, but the choice was very successful. True Grit (2010) became the 2nd biggest Western in the modern box office.The 2010 True Grit showcases the refined talents of the Coens alongside the gorgeous cinematography of Roger Deakins, the layered and rich music from Carter Burwell, and a smashing breakout debut performance from Hailee Steinfeld as the lead Mattie Ross. The 1969 version of True Grit offers so much less. Despite John Wayne winning an Oscar for his portrayal of Rooster Cogburn, the original film seems totally out of step and out of time. In hindsight, it was an end-of-the-line production for the core creatives involved. The director, writer, and star actor were all at the end of their careers. Indeed this very type of Western was on its last leg as evidenced by the giant leap the genre made at the same time this film was being produced and released. Watch any of the bigger westerns from the late 1960s and then try to sit through True Grit (1969). The dislocation and disorientation is severe. The original True Grit was a swan song that came about a decade too late.

Bienvenidos al último programa de 2024 de El Rugido de mi Impala. Si bien este episodio puede resultaros breve, creerme si os digo que es como los buenos perfumes: reducido pero intenso. Dejarme llevaros a un viaje diferente por la obra de este no tan laureado compositor, pero que ha gestado melodías maravillosas llenas de encanto, misterio, pasión, intriga, solemnidad, locura, algarabías y melancolía desde que arrancó en el mundilo de las soundracks allá por los 80. Destino de Caballero, El Gran Lebowski, Fargo, El mundo de wayne, Donde viven los monstruos, Chacal, Tres Reyes y un largo etc de grandes producciones cinematográficas, han contado con su genialidad. ¿Te atreves a descubrirlo? Descarga, escucha, comparte, disfruta Yo me encargo del resto. "Así que lo que te preocupa no es que estarás en una casa llena de vampiros, sino saber si les caerás bien" Arrancamos La portada del episodio así como el logo del podcast son obra de José Antonio Moreno (@reditweet) Anuncia tu negocio en EL RUGIDO DE MI IMPALA. Te espero en: https://advoices.com/el-rugido-de-mi-impala Únete y hablemos -*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*- Recuerda, que puedes unirte a los FANS del Impala, con acceso a "bonus", y sin publicidad, accediendo a través de este enlace, y eligiendo la opción "Apoyar": https://www.ivoox.com/podcast-rugido-mi-impala_sq_f1450351_1.html O invitarme a un ko-fi si crees que el rugido lo merece: https://ko-fi.com/rugidoimpala -*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*- Contacta conmigo a través de https://t.co/HYRFXv06tg

'Raising Arizona' was the 2nd film written and directed by The Coen Brothers, and it's one of my most foundational movies; a movie that spoke to who I was at 18, when I first saw it in 1987 and continues to be one of my favorites today. In this episode I revisit the film, tell some anecdotes about the making-of, and revel in the wonderful, nuanced performances, Carter Burwell's brilliantly distinctive and pitch-perfect score, and more! I must not tarry.   Some of My Foundational Movies: My Blade Runner 2049 Episode  My Once Upon a Time In Hollywood Episode My Blade Runner Episode Pink Floyd Live At Pompeii All The President's Men Close Encounters Being There Brazil Chameleon Street

Alex Venguer is an engineer who is comfortable with recording and mixing as small or large a project as can come and who has had great experience working with the top names in styles as varied as jazz, rock, folk, classical, pop, hip hop, broadway, R&B, electronic, film scores and many others. Some examples of the artists he's worked with include: Sting, John Legend, Maria Schneider, Marcus Miller, Aretha Frankiln, Wynton Marsalis, Yo-Yo Ma, Renee Fleming, Juan Luis Guerra, Herbie Hancock, Lady Gaga, Woody Allen, Philip Glass, Christian McBride, Cassandra Wilson, Sufjan Stevens, Regina Spektor, Train, Punch Brothers, My Brightest Diamond, Loudon, Martha and Rufus Wainwright, John Patitucci, Hildur Guonadottir, Ryuichi Sakamoto, Mark Ronson, Carter Burwell and many others.  In 2009 he was awarded a Grammy for recording and mixing Loudon Wainwright III's record "High Wide & Handsome: The Charlie Pool Project" ("Best Traditional Folk"), then, in 2010 he won his second Grammy for John Legend & The Roots album "Wake Up" ("Best R&B") and in 2018 he won his first Latin Grammy for Pedro Giraudo's “Vigor Tanguero” (Best Tango Album) which he produced, recorded and mixed. Two years later, in 2020 he won his second Latin Grammy for Gustavo Casenave's album “Fuelle y Cuerda” (Best Tango Album) and his third Grammy for his work on the score for the film “Joker” (Best Score Soundtrack for Visual Media). He's also been involved in various other Grammy winning and nominated albums such as “Barbie” with Mark Ronson, Andrew Wyatt, Billie Eilish and Dua Lipa, Maria Schneider's "Sky Blue", John Legend's "Evolver" and the song "Shine," Punch Brother's "The Phosphorescent Blues" as well as the cast albums for the Broadway productions of "Shrek" and "9 to 5" and Yo-Yo Ma's Silk Road Ensemble “Sing Me Home” which he helped produce and record. Besides working on records and Broadway cast albums, he's also been very involved in various movies and tv shows such as “Joker,” “Barbie”, “A Dog's Purpose,” “Mother,” “The Revenant,” “The Tragedy of Macbeth,” “Fosse/Verdon,” “Little Voice" and “The Marvelous Mrs. Maisel.” IN THIS EPISODE, YOU'LL LEARN ABOUT: Studying the techniques of other productions The role of a producer vs engineer in the modern-day Making organic-sounding mixes Not overdoing your processing Hearing small mix details in an untreated toom How to optimize your home studio on a budget Focusing on frequency balance, rather than on the instruments Getting the groove of a song right in a mix Setting up ambiance to make your audience feel like they're in a specific environment with the artist Determining what effects to use Should you use pre-delay on reverb? How to approach room micing for size and frequency balance To learn more about Alex Venguer, visit: https://alexvenguer.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download Waves Plugins here: https://waves.alzt.net/EK3G2K Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books: The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Subscribe to the show: Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Have your questions answered on the show. Send them to questions@masteryourmix.com

Sometimes a movie comes along and it just is a movie. We felt left out the loop here with A Serious Man. We didn't quite understand it, and thats okay. Not every movie is going to work for us. We enjoyed some of the performances, the cinematography and really struggled just about everywhere else. Do we need to delve further into the Coen filmography to better understand the way their minds work? Let us know on Twitter and Instagram! NerdWriter1- A Serious Man: Can Life Be Understood? Listen to the score Read the screenplay "Remember That We Suffered" Watch A Single Man Watch our other episode about another Coen Brothers film - True Grit Watch The Tragedy of Macbeth Listen to our episodes about other Carter Burwell scored movies - The Banshees of Inisherin, Three Billboards Outside Ebbing Missouri, True Grit, The Kids Are All Right and The Blind Side Listen to our episodes about other Roger Deakins shot films - 1917 and True Grit More Michael Stuhlbarg talk - The Post, The Shape of Water, Call Me By Your Name, Arrival, Lincoln and Hugo Theme music by RomanBelov   #ASeriousMan #BestPicture #BestOriginalScreenplay #MichaelStuhlbarg #RogerDeakins #Oscars2010 #2010Oscars #AcademyAwards #Oscars 

Logan Nelson Reveals Secrets Behind HBO's Elizabeth Taylor - Lost Tapes

Malkovich. Malkovich Malkovich Malkovich. Malkovich Malkovich. Malkovich Malkovich Malkovich, Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich. Malkovich! Malkovich Malkovich Malkovich Malkovich, Malkovich Malkovich Malkovich Malkovich, Malkovich Malkovich. Malkovich Malkovich Malkovich Malkovich, Malkovich Malkovich!Malkovich!Music Heard This Episode:"Five Miles High" by Anne Dudley and Chris Seefried"Craig's Overture" by Carter Burwell"Subcon Chase"  by Carter Burwell"Amphibian" by Björk (Film Mix)"Malkovich Masterpiece Remix" by John MalkovichIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

Diane and Sean discuss the Coen Brothers' version of Charles Portis' novel, True Grit. Episode music is, "Ride to Death", by Carter Burwell from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the Show.

This week we watched ‘White Savior' the movie. All of us were on the same page about this movie being completely tone deaf to the actual story or actual Christian values. While we adore Sandra Bullock and will forever worship our congenial Queen, she was not enough to make this an enjoyable experience. Listen as we discuss how this “feel good” movie left feeling anything but good. What did you think of The Blind Side? Let us know on Twitter and Instagram! Listen to the score Read about the true story of Michael Oher Listen to our episodes about other Michael Lewis movies - Moneyball and The Big Short Watch Sandra Bullock's Oscar speech Listen to our episodes about other Carter Burwell scored movies - The Banshees of Inisherin, Three Billboards Outside Ebbing Missouri, True Grit and The Kids Are All Right Watch Remember the Titans Listen to our other episodes - American Fiction, Dallas Buyers Club, The Help, Green Book, The Wolf of Wall Street and Vice Watch Sharp Objects Theme music by RomanBelov   #TheBlindSide #BestPicture #BestActress #SandraBullock #Oscars2010 #2010Oscars #AcademyAwards #Oscars

"You may have a sister in front of you, but Mother is superior." ~ Old Tomato Face improving the script. The next topic in April Showers Month is Psycho IV: The Beginning.

Every major filmmaker has to start somewhere....and this Neo-Noir thriller was the feature filmmaking debut for Joel and Ethan Coen forty years ago.  Yes the same brothers who have delivered many memorable films since then including Fargo, The Big Lebowski, O Brother Where Art Thou, Inside Llewelyn Davis, and No Country For Old Men for which they won Best Picture at the Oscars.  This is the simple story of four people in the heart of Texas: a bar owner (Dan Hedaya), his wife (Frances McDormand), her secret lover (John Getz), and the mysterious stranger (M. Emmet Walsh) hired by the bar owner to spy on them....and possibly more? :o Of course, things get increasingly dicey and violent from there....it's time to revisit one of the more influential thrillers of the 1980's. Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ABOUT DYNAMIC MUSIC PARTNERS: Emmy Award-winning composers Michael McCuistion, Lolita Ritmanis and Kristopher Carter, collectively known as Dynamic Music Partners, have created hundreds of hours of music for a variety of different genres, including TV series, independent films, video games and live performance events. They have collectively earned twenty-eight Emmy Award nominations and six Annie Award nominations as composers for Marvel's Avengers Assemble, Batman: The Brave And The Bold, Justice League, Teen Titans, Batman Beyond, The Zeta Project and The New Batman Superman Adventures. Original concert works and suites of their scores have been performed in festivals and special events; from New York's Lincoln Center to The Hollywood Bowl, The Kennedy Center, The Griffith Observatory in Los Angeles, Tenerife – Spain and beyond, their music has received critical acclaim. Their Prime-time Emmy Award nominated musical Batman: The Brave and the Bold: Mayhem of the Music Meister, starring Neil Patrick Harris was a historic first Batman musical to ever be composed. They began their careers composing music for Batman: The Animated Series, Superman: The Animated Series and Batman Beyond, for which they each received the Emmy Award in Music Direction and Composition. As orchestrators they have worked with many of Hollywood's A-list composers, including Michael Kamen, Basil Poledouris, Howard Shore, Carter Burwell, Elliot Goldenthal, Mark Snow and Shirley Walker. Kristopher, Michael and Lolita are currently working on the third season of Marvel's Avengers Assemble. They recently completed scoring a feature length documentary An Act of Love, which received the silver award at the Mill Valley Film Festival, as well as composed 4 hours of original music for radio-play audio book Rain of the Ghosts. Their feature film Marvel Superhero Adventures: Frost Fight will premiere in December 2015. They are working on 3 top secret feature length animated projects, with announcements coming in 2016. Kristopher, Michael and Lolita work both collectively and individually. Kristopher recently completed the score to the Webby-nominated short film The Birds Of Anger for G4TV and just returned from a series of lectures at the North Carolina School of the Arts. Michael recently scored the latest Griffith Observatory production Time's Up which is now playing at the observatory in the Samuel Oschin Planetarium. Lolita has been very active in the concert music arena this past season, having had works performed at The Kennedy Center in Washington, D.C, 2 original musicals – receiving performances in Latvia throughout 2014-2015, as well as the premiere of her symphonic work Overture to Light. This remarkable and very contemporary trio of composers and performers is an example of creative collaboration, business savvy, and artistic expression of the highest, most original level. They are currently working in today's industry and are examples and role models for aspiring film composers everywhere.

Velvet Goldmine (Music From The Original Motion Picture) :Brian Eno “Needle In The Camel's Eye”Shudder To Think “Hot One”Placebo “20th Century Boy”The Venus In Furs “2HB”              Shudder To Think “Ballad Of Maxwell Demon”Grant Lee Buffalo “The Whole Shebang”Pulp “We Are The Boyz”Roxy Music “Virginia Plain”         Teenage Fanclub & Donna Matthews “Personality Crisis”Lou Reed “Satellite Of Love”T-Rex “Diamond Meadows”Paul Kimble & Andy Mackay “Bitter's End”Carter Burwell “Velvet Spacetime”The Venus In Furs “Tumbling Down”Steve Harley “Make Me Smile (Come Up And See Me)”Escuchar audio

Dana and Tom discuss the first feature film by Joel and Ethan Coen, Blood Simple (1984): directed and written by Joel Coen, with Ethan Coen, music by Carter Burwell, starring John Getz, Frances McDormand, and M. Emmet Walsh.Plot Summary: "Blood Simple," directed by Joel and Ethan Coen, is a neo-noir thriller that unravels a web of deceit and violence in the sweltering Texas landscape. The film follows a bar owner, played by Dan Hedaya, who suspects his wife, portrayed by Frances McDormand, of infidelity. When he hires a private investigator, played by M. Emmet Walsh, to confirm his suspicions, the situation takes a dark and twisted turn.The Coen brothers masterfully blend suspense, dark humor, and stark visuals, creating a tension-laden narrative where misunderstandings and ruthless choices lead to a series of unpredictable and bloody consequences. "Blood Simple" is a gripping exploration of human frailty and moral ambiguity, showcasing the Coen brothers' distinctive style and storytelling prowess.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/blood-simple-1984For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Carter Burwell, a Public Interest Declassification Board board member, moderated a discussion with Erin Mahan, Chief Historian at the Office of the Secretary of Defense; Adam Howard, the director of the Office of the Historian at the U.S. Department of State; and John Fox, a historian at the Federal Bureau of Investigation. The conversation discussed the role of historians and archivists inside the U.S. government, the role that historians play in preserving institutional knowledge, and how that role intersects with classification/declassification issues.

We're flung out of space this week for “Carol”! We have been sleeping on potentially the best LGBT movie on the shelf, with Oscar nominated and worthy performances by Her Majesty Cate Blanchett and the BSA with the dragon tattoo herself, Rooney Mara, as well as Sarah Paulson as Best Supporting Abbie and that Glassy score by Carter Burwell, We may not necessarily want to eat Carol's lunch (so to speak), but we'd definitely go on a cross country adventure with her, especially if it involves staying in the presidential suite. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

Only a few episodes left in this season of Oscar Rewind. This week we're talking about True Grit. At least we mostly talk about True Grit. We get side tracked a lot in this one folks, so please try and keep up. We wouldn't say western is our favorite genre, but the Coen brothers made this one a hit for us. The cinematography by the genius that is Roger Deakins, and the beautiful, show stopping performance by Hailee Steinfeld had us glued to our screens! What's your favorite western? Let us know on Twitter and Instagram and leave us a review where ever you listen to podcasts! Listen to Delilah and have a relaxing night Listen to the score Listen to our Django Unchained episode Read Cultish by Amanda Montell Listen to Sounds Like A Cult Listen to our other episodes about other Carter Burwell scored movies - The Banshees of Inisherin, Three Billboards Outside Ebbing Missouri and The Kids Are All Right Watch The Harder They Fall Listen to our other Roger Deakins episode - 1917 Listen to our episode about The Martian Listen to our episode about Good Will Hunting Listen to our episode about Butch Cassidy and the Sundance Kid Theme music by RomanBelov  #TrueGrit #BestPicture #BestDirector #BestActor #BestSupportingActress #BestAdaptedScreenplay #BestSoundEditing #BestSoundMixing #BestArtDirection #BestCinematography #BestCostumeDesign #RogerDeakins #HaileeSteinfeld #JeffBridges #JoelCoen #EthanCoen #TheCoenBrothers #Oscars2011 #2011Oscars #AcademyAwards #Oscars

Okay then! Jack, Justin and Corey are joined by actor Bob Turton (Barry, Black Monday, Happy!) to talk the Coen Brothers comedy classic, RAISING ARIZONA (1987)! The four talk about being sick, preparing to have kids, movies hitting harder in adulthood, Nicolas Cage's acting style, celebrity sightings, celebrity roommates, tasers, unfinished documentaries, manifestations of fear, unpainted furniture and Carter Burwell's score.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

A sleaze masterpiece directed by star Anthony Perkins, PSYCHO 3 plunges Norman Bates deep into the vibe & venom of the mid 80s Nashville's pre-eminent film critic, curator & connoisseur Jason Shawhan joins me to talk Perkins magic, the consistent brilliance of the PSYCHO franchise, the horror of Bill Wyman, Alfred Hitchcock, lurid lighting, Michael Mann's BATMAN, Siskel & Ebert's review, Brian De Palma, Perkins' personal life, Quentin Tarantino, the silky synth score from Carter Burwell, Katt Shea, Diana Scarwid, Jeff Fahey and more. Head over to ⁠⁠⁠⁠⁠⁠https://www.patreon.com/CraigAndFriends⁠⁠⁠⁠⁠⁠⁠ Snatch up ad-free & early versions of these episodes, exclusive bonus episodes AND get in early on Movie Clubs. Add your questions, comments (and maybe be directed to certain places where certain films might be) while supporting the show. .For more Jason Shawhan: ⁠https://x.com/jshawhan?s=21&t=2TXy7cSLOHZN-Ef4khov0A⁠ ⁠http://rebirthoftheflesh.blogspot.com/⁠ Jason & Sam Inglis host FEARLESS PRETENDER- The Only Podcast That Provides Extensive Analysis of Every-Single Film & Television Show Featuring Jennifer Jason-Leigh. ⁠https://open.spotify.com/show/17u9DSmsiByQ56LijyERoo⁠ Hear my guest spot on the episode devoted to the bizarro Rodney Dangerfield classic EASY MONEY

This season, we are following each feature episode by shining a light on an up and coming young composer. Natalie has been a mentor to this bright London-based talent, Florence Sabeva. Flo plays her own rendition of Carter Burwell's "Mystery of Inisherin" to start the episode!

We're starting off Season 2 with the bar set high! The great composer Natalie Holt joins Charles as co-host for this next round of talks with some of the most talented composers in the world, and our first guest is none other than Carter Buwell. Get ready to get schooled!

Part 2 of our talk with the honorable Carter Burwell. Class resumes session.

Min 4: EL FILTRO RACHEL En la semana más floja del año en las salas de cine, la oferta en plataformas se hace fuerte con títulos y novedades como las que nos recomiendan en este capítulo Raquel Hernández y Roberto Lancha. Min 5: THE CONTINENTAL reactiva el efecto Wick Atención a los amantes de la exitosa saga de John Wick porque Prime Video va con todo en “The Continental”. El icónico hotel neoyorquino que tanto juego ha dado en esta trama de venganza sin fin ya tiene su propio spin off en forma de miniserie de tres capítulos. En El Filtro Rachel concretamos los puntos fuertes y los débiles del título más llamativo de la semana, en el que llama la atención la presencia como villano del mismísimo Mel Gibson. Min 12: “SEX EDUCATION”: Despedida y cierre Después de dar en la diana con “EL cuerpo en llamas”, Netflix saca brillo a una de sus bazas seguras. La comedia “Sex Education” echa el cierre en su cuarta temporada garantizando nuevas dosis de aprendizaje sexual a la americana. Nuestra Rachel justifica por qué le parece una de los títulos más refrescantes y libremente divulgativos que han ofrecido las plataformas en el último lustro. Min 21: DÉJATE VER: surrealismo Made in Spain Y atención a la trasgresora propuesta que llega a AtresPlayer porque le da una vuelta al conocido humor chanante y se va un surrealismo fantasioso que ha captado la atención de nuestra experta seriéfila. “Déjate ver” mezcla el tipo humor que vimos en “Poquita fe” con dosis de distopía y cienca ficción que convierten a la serie dirigida por Álvaro Carmona en una buena solución para reír y flipar sin complejos. Min 30: AHSOKA 1X05, la larga sombra de Anakin Analizamos el capítulo que ha descorchado la mejor esencia de Ahsoka y el fuerte vínculo que siempre ha tenido con su maestro, Anakin Skywalker. Para muchos estamos ante el gran capítulo de la serie de Disney Plus que navega ya por su sexto episodio y que está solo a dos de cerrar temporada. Min 34. La BSO sorpresa de “The Morning Show” Y el broche musical de este capítulo viene con sorpresa. Resulta que detrás de una de las series estrella de Apple TV, la recientemente comentada “The Morning Show”, nos encontramos con el sello musical de uno de los compositores clave para entender el cine de los Coen. Carter Burwell, el creador de bandas sonoras como “Muerte entre las flores”, “Tres anuncios en las afueras” o “Carol” es el responsable de poner la pausa, la reflexión y el toque humano al universo que rodea al crudo Matinal televisivo que protagonizan Jennifer Aniston, Reese Witherspoon, Steve Carell o Billy Crudup. Para valorar la calidad de esta BSO, nuestro crítico musical, Ángel Luque, nos ofrece una variada selección de temas de sus tres temporadas.

Charles Skaggs & Xan Sprouse are joined by special guest Christine Peruski as they watch Buffy the Vampire Slayer, the 1992 comedy horror film directed by Fran Rubel Kuzui, featuring Kristy Swanson as Buffy Summers, Rutger Hauer as Lothos, Donald Sutherland as Merrick Jamison-Smythe, and Paul Reubens as Amilyn! Find us here:Twitter: @DrunkCinemaCast @CharlesSkaggs @udanax19 @C_Peruski Facebook: @DrunkCinema Email: DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Film writer, editor, and podcaster Jake Tropila joins from Los Angeles to discuss the Coen Brothers' 1998 comedy 'The Big Lebowski', starring Jeff Bridges, John Goodman, Julianne Moore, and Philip Seymour Hoffman. Though middlingly received both critically and commercially upon release, the film has gone on to become a genuine cult classic, launching a cottage industry of fan screenings, conventions, and even a religion.We discuss the film's patchwork of influences, including larger-than-life characters withing the Coens' orbit and the works of author Raymond Chandler, especially as adapted by Robert Altman for his 1973 film 'The Long Goodbye'. Then we discuss the film's unrivaled cast, including a superb John Goodman, who turns in an awards-caliber performance as the gun-toting, militant bowling enthusiast Walter Sobchak. Finally, we discuss the film's windy, inarticulable plot, and the way that its mechanics might conceal a deeper level of criticism about the sociopolitical landscape of America on the eve of The End of History. Watch the trailer for The Big Lebowski. Watch Mortimer Young for Forever Young Films #1 - The Grand Lebowski.Follow Jake Tropila on Twitter.Read Film Inquiry.Listen and Subscribe to Optimism Vaccine.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Today we're so excited to be joined by our dear friend, composer and musician, Dan Romer. We read pages 15-16 and discuss Dan's unique, POV-driven approach to composing scores for films and TV shows. Then we freefall through this week's prism: it's all about moments in Coens films when the tone shifts radically. Along the way we read from Carter Burwell's notes on how the films and their scores came together. Coens covered: Fargo, The Man Who Wasn't There, Intolerable Cruelty, The Big Lebowski If you're enjoying the show please follow us on social media, tell people about the show, and rate and review us on iTunes. Go crazy. You can also support us directly at https://ko-fi.com/tothewhitesea. For all things TTWS visit tothewhitesea.me

Episode 48 - Three Billboards Outside Ebbing, Missouri - Full Review Movie PodcastGet ready for a gripping tale of grief, anger, and justice as we delve into the critically acclaimed film, Three Billboards Outside Ebbing, Missouri. Join the BTW team as we explore the powerful performances, nuanced characters, and thought-provoking themes that make this movie a must-see.Three Billboards Outside Ebbing, Missouri is a 2017 dark comedy-drama film written, directed, and produced by Martin McDonagh. The movie was nominated for seven Academy Awards, including Best Picture, and won two of them - Best Actress for Frances McDormand and Best Supporting Actor for Sam Rockwell. The film is a thought-provoking exploration of grief, anger, justice, and redemption that is sure to leave a lasting impression on viewers.The plot revolves around a grieving mother named Mildred Hayes, played brilliantly by Frances McDormand, who rents three billboards on the outskirts of Ebbing, Missouri to call out the town's police department for their lack of progress in solving her daughter's rape and murder case. The billboards read "Raped While Dying", "And Still No Arrests?", and "How Come, Chief Willoughby?" The town is thrown into chaos as the billboards become a source of controversy, with the police department, led by Chief Bill Willoughby, played by Woody Harrelson, and his officer, Dixon, played by Sam Rockwell, feeling personally attacked and outraged by Mildred's actions.The film's strength lies in its complex and flawed characters. Mildred is a force to be reckoned with, a grieving mother who refuses to be silenced and is willing to take matters into her own hands to get justice for her daughter. She is angry, abrasive, and unapologetic, but she is also vulnerable, grieving, and deeply empathetic. Frances McDormand's performance as Mildred is nothing short of remarkable, and she brings a raw authenticity and depth to the character that makes her both relatable and unforgettable.Woody Harrelson's portrayal of Chief Willoughby is also noteworthy. He is a compassionate and well-intentioned police chief who is struggling with a terminal illness and the guilt of not being able to solve the case. He recognizes the pain and anger that Mildred is feeling and sympathizes with her, even though he knows he cannot do much to help her. Sam Rockwell's character, Dixon, is initially presented as a racist and violent police officer, but as the film progresses, we see that he is also a product of his environment and upbringing. The film challenges us to consider how people are shaped by their surroundings and how they can change if given the opportunity.The movie's themes are heavy and thought-provoking, and the film does not shy away from difficult topics such as rape, murder, police brutality, racism, and the justice system. However, the film manages to balance its dark subject matter with humour and wit, making it an engaging and entertaining watch. McDonagh's signature blend of humour and drama is evident throughout the film, and he manages to keep the audience engaged and invested in the story even during its bleakest moments.The film's cinematography and music are also worth mentioning. The movie is shot beautifully, capturing the stark beauty of the Missouri countryside and the grittiness of the town's surroundings. The music, composed by Carter Burwell, complements the film perfectly, providing an atmospheric and haunting backdrop to the story.Overall, Three Billboards Outside Ebbing, Missouri is a film that will stay with you long after the credits roll. It is a powerful and emotional story that explores some of the most difficult aspects of the human experience. The film is anchored by incredible performances from its cast, a sharp script, and a unique blend of humour and drama. It is a must-watch for anyone who enjoys thought-provoking and impactful cinema.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

The Big Lebowski (/ləˈbaʊski/) is a 1998 crime comedy film written, produced, and directed by Joel and Ethan Coen. It stars Jeff Bridges as Jeffrey "The Dude" Lebowski, a Los Angeles slacker and avid bowler. He is assaulted as a result of mistaken identity, then learns that a millionaire also named Jeffrey Lebowski (David Huddleston) was the intended victim. The millionaire Lebowski's trophy wife is kidnapped, and millionaire Lebowski commissions The Dude to deliver the ransom to secure her release; the plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the ransom money for himself. Sam Elliott, Julianne Moore, Steve Buscemi, John Turturro, Philip Seymour Hoffman, Tara Reid, David Thewlis, Peter Stormare, Jon Polito, and Ben Gazzara also appear, in supporting roles.The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically, and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant."[5] The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers.The Big Lebowski received mixed reviews at the time of its release. Over time, reviews have become largely positive, and the film has become a cult favorite,[6] noted for its eccentric characters, comedic dream sequences, idiosyncratic dialogue, and eclectic soundtrack.[7] In 2014, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". A spin-off, titled The Jesus Rolls, was released in 2020, with Turturro reprising his role and also serving as writer and director.[8][9][10]WebsitePatreonTwitterFacebookInstagramRetro Latefee Podcast (@retrolatefeepod) • Instagram photos and videosTikTok ★ Support this podcast on Patreon ★

In this special pre-Oscars episode of Score: The Podcast, Oscar-nominated composer Carter Burwell speaks with Robert Kraft about his latest score for The Banshees of Inisherin. Will his third nomination be the charm? Carter talks about meeting the other nominees at the Academy luncheon, recording at Abbey Road, and working with directors.

Happy Oscar Season! Dan and Lyra discuss Everything Everywhere All at Once,The Banshees of Inisherin, maximalism, depression, whether mean people make for better drama, dead donkeys, and Raccacoonie.   Intro music: Son Lux's score from Everything Everywhere All at Once. Outro music: Carter Burwell's score from The Banshees of Inisherin.

Our London editor Ella Kemp joins hosts Mia, Brian and Gemma from the BAFTA winners' circle as we cover the victors and snubs. The Banshees of Inisherin composer Carter Burwell dives deep into his Twilight memories, and ‘Naatu Naatu' songwriters M.M. Keeravani and Chandrabose join us for an AfteRRR PaRRRty, along with RRR star Ram Charan, to tell us how they celebrated their Oscar nomination and whether we'll see the hook step at the 95th Academy Awards! We also hear from Triangle of Sadness star Dolly de Leon on the BAFTA red carpet; the brand new Michelle Yeoh tee collab between Letterboxd and Girls on Tops; a lightning round of guild awards so far; Avatar: The Way of Water has its water much-awarded; a rant about the workers' crisis inside VFX studios; the Tom Hooper industrial complex; and a little tease of the upcoming lesbian road trip comedy from Ethan Coen. Credits: Recorded in Los Angeles, Auckland and London. Edited by Slim. Facts by Jack. Transcript by Sophie. Theme: ‘Hyperlight' by Letterboxd member Trent Walton (AKA Echo Wolf). Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest. Lists & Links: The Letterboxd list of films mentioned; BAFTA HQ on Letterboxd; the Girls on Tops Michelle Yeoh and Sandy Powell tees; Alison Hammond interview with Harrison Ford and Ryan Gosling; Pixel f*cked—Simon Parkin's GQ story on Hollywood's VFX crisis; Carter Burwell's soundtrack to The Banshees of Inisherin on YouTube, Spotify and Apple Music.

Three-time Oscar nominated composer Carter Burwell joins The Film Scorer Podcast! We primarily talk about his latest score, which also happened to land him his third Oscar nomination (as well as another BAFTA nom), The Banshees of Inisherin! This includes determining the sound palette (going from initial ideas for period-appropriate Irish music to incorporating an Indonesian gamelan), pulling out the essence of Colin Farrell's character, and more. Along the way, he gives his thoughts on experimentation in film music and the benefit of having more time to sit down and score, while briefly covering his a capella score for Catherine Called Birdy. I was immediately drawn to Carter's score, in part because it deviates from and subverts expectation. Carter creates a sort of dark fairy tale, balancing a childlike sense with melancholy and foreboding, all through a minimal and restrained sound palette. On this point, he told me "When I started really thinking why does this music work or what am I trying to achieve, I began thinking that what it really is doing is turning the movie into a fable. It's playing a little more like a fairytale.” This comes, in part, because of Carter's choice to largely use the music to play off of Colin Farrell's character, to embody him and his troublesome journey through the film. You can find out more about Carter on his website. The Banshees of Inisherin is currently available on HBO Max and Carter's score, as well as many of his other works, is available digitally on all major platforms.

Today we kick off our annual series, The Big Picture, which features interviews with Oscar nominees who work primarily behind the camera, with a conversation with nominee Carter Burwell. Burwell is a composer who has worked closely with director Martin McDonagh for years, and is nominated for scoring the film, "The Banshees of Inisherin." He joins us to discuss his work on that film, and his career more broadly.

Returning to your ears for the first time this year, the boys bring with them a film-music special. Sam unwraps Carter Burwell's magnificent score to The Banshees of Inisherin while Tim quizzes Sam on Oscar nominations, German model trains and a certain topless dictator. …Music ReferencedJohn Williams's soundtracks to Jaws, ET, Schindler's List, Superman and Star WarsRichard Strauss's Death and TransfigurationCarter Burwell's score toThe Banshees of Inisherin: ‘The Mystery of Inisherin', ‘Walking Home Alone'Bulgarian Women's Choir: Polegnala E ToudoraJohn McCormack: ‘Siciliana / Cavalleria'… Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Fresh off the back of its huge success at the Golden Globes - and multiple BAFTA nominations - we're delighted to welcome The Banshees Of Inisherin composer Carter Burwell back to Soundtracking. Little did we know when we recorded this interview at the end of last year that the film would win best picture in a musical or comedy AND best screenplay for Martin McDonagh, as well as a best actor gong for Colin Farrell. Carter was pipped in the Best Score category by our last guest on Soundtracking, Justin Hurwitz, but that takes nothing away from the excellence of his work on the project

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, alcohol, drinking, racism, antisemitism, fascism, Nazis, gunshots. We continue our Oscars ‘91 series this week with yet another dark movie about Hollywood. Though this version has a twist: it's the Coen brothers, and they're making things incredibly weird, as they're known to do. For a movie written about writer's block by two writers dealing with writer's block, it happens to be a fairly decent movie. It's just that the Coens hadn't struck that balance of digging up obscure references and making them instantly relatable. John Turturro and John Goodman give truly incredibly performances, but the Coens seem to have internalized the story a bit too much. Roll in some paper and get to typing as we watch Barton Fink on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records. Excerpts taken from the film Barton Fink, © 1991 Circle Films, Inc. Excerpt taken from “The Red Knight Suite” from the soundtrack to the motion picture The Fisher King, composed by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, gun violence, gangs, racism, police, gang violence, crime, death. Oscars ‘91 continues this week with a movie that lives up to the title of the show, because we really should have seen this movie already. John Singleton, right out of film school, created a narrative that was so authentic and poignant that it didn't matter how predictable the story arc was. The plot isn't complicated, the characters are relatively simple, but it's the reality of life in South Central LA that makes this movie so incredibly powerful. That, and incredible performances from a cast of rising stars, all poised to become household names in the wake of the movie. Grab some barbecue and settle in for Boyz n The Hood on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “How to Survive in South Central,” written and performed by Ice Cube and produced by Ice Cube and Sir Jinx. © 1991 Columbia Pictures Industries, Inc.; Qwest Records. Excerpts taken from the film Boyz n The Hood, © 1991, 1992 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records.

On episode 164 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Sophia Ciminello, Dan Bayer and special guest, Kevin Jacobsen (host of And the Runner Up Is) give their predictions for the 2023 Golden Globes Before the gang get into their predictions, Ryan, Erik, Sophia and Dan give their thoughts on the first major release of 2023, the horror-comedy M3GAN. Talked about already as a new camp classic, they go through their brief reactions to this wild little film, which they all can't wait to see the next film featuring the new horror icon. Moving on from there, the full group talks about their Golden Globe predictions. While they are a wild, controversial bunch, this will be marked as the first big televised event of award season, and could be big for many films that need to keep up or get some momentum in the race. First up were the television categories, followed by the film categories. The group picks were a mixture of safe plays and big swings, leading to a fun conversation. Stay tuned for the end of the episode, as everyone gives their wild prediction for what might come on SAG nomination morning. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h31m. We will be back next week to give our reactions to the Golden Globe winners, as well as PGA and DGA nominations. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) and the Original Motion Picture Soundtrack of The Banshees of Inisherin by Carter Burwell used with permission. This podcast is sponsored by Searchlight Pictures presenting The Banshees of Inisherin – one of the best reviewed films of the year with a 97% on Rotten Tomatoes, a Metacritic “Must See” film, and named one of the top 10 films of the year by the National Board of Review. Now nominated for nine Critic's Choice Awards including Best Director Martin McDonagh, Best Actor Colin Farrell, Best Screenplay, and Best Feckin' Picture of the Year. For your consideration in all categories.

Carter Burwell is one of the most iconic auteur composers working today, whose sound is instantly recognizable from the first few notes you hear. Carter's unique voice also attracts unique filmmakers from the Coen brothers, Spike Jonze, and of course Martin McDonagh. For this interview we focus heavily on the work Carter has done with McDonagh with In Bruges, Seven Psychopaths, Three Billboards Outside Ebbing Missouri, and The Banshees Of Inisherin. Before we dive into Carter's scores for McDonagh, we take a look back at Thick Pigeon. Carter recounts stories of how he and Stanton Miranda formed Thick Pigeon as a musical group that came onto the NYC music scene before Carter was pulled into the world of film composition. Carter reflects back on his early career a bit, and how he ended up scoring films like Psycho III and Blood Simple. As we dive into McDonagh's films, Carter takes us into his approach for The Banshees Of Inisherin and how the score's simple approach and sound was settled upon. We also touch upon his absolutely unique a cappella inspired score he did for Lena Dunham's Catherine Called Birdy. Carter also talks about what he has coming up in the future including re-teaming with Ethan Coen, who is currently in post production with his next film. It's been a few years since we had Carter as a guest, and it's always a massive treat to get to hear all of Carter's wonderful insights. A Film.Music.Media Interview | Produced & Presented by Kaya Savas  

Episode 345."Pig"Composer: Philip Klein.Philip Klein's music has been heard in film and television projects for Sony, Disney, Pixar, Lionsgate, ABC and CBS. Recent projects include Sony Animation's "Wish Dragon", “The Last Full Measure” and Neon's "Pig". He also penned 18 new orchestral arrangements for Aerosmith's Las Vegas residency, “Deuces Are Wild.” As an additional writer, Philip has collaborated with some of the finest composers working in film and TV, including Harry Gregson-Williams, Carter Burwell, Alex Heffes and Fil Eisler.  He is also in demand as an orchestrator, having had the honor of working with James Newton Howard, Alexandre Desplat, Ludwig Göransson, Hildur Guðnadóttir, Steve Jablonsky, David Buckley, Stewart Copeland and several other amazing artists.  Recent orchestration credits include the Oscar winning "Joker", Oscar nominated "News of the World" and Disney's "The Mandalorian".Philip studied trumpet performance and composition at Northwestern University. In 2011 he was selected as one of six fellows for the Sundance Institute's Film Composing Lab.  Philip is infinitely indebted to his mentors: Harry Gregson-Williams, Alan Silvestri, Penka Kouneva and Peter Golub.Welcome, Philip Klein.Darek Thomas.Instagram, YouTube and Facebook:  Monday Morning Critic Podcast.Twitter:@mdmcriticwww.imdb.com/title/tt12597724/www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com

This week on the pod Jeff, Dave, & John discuss The Banshees of Inisherin, writer/director Martin McDonagh's first Irish-set feature film. The Irishman won an Oscar for the 2004 short film Six Shooter, which was set in Ireland, and he wrote lots of plays set in- and of the coast of- Ireland, but In Bruges, Seven Psychopaths, Three Billboards... It was time to return to the land of the Eire. Brendan Gleeson, Kerry Condon, Barry Keoghan- all Irish- star in a tale of friendship, conflict, loneliness, legacy, and feckin' pub life. This movie is goddamn good. Go see it, then grab a beer and listen- or watch on YouTube- along with us! Find all of our Socials at: https://linktr.ee/theloveofcinema Additional Cast/Creatives: Pat Shortt, Aaron Monaghan, David Pearse, Carter Burwell, Ben Davis, Mikkel E.G. Nielsen, Mark Tildesley, Michael Standish. Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Additional Tags: Innocence, abuse, Jenny the Donkey, librarians, The Irish Civil War, The IRA, fiddles, music, peace and quiet. 

"The Banshees Of Inisherin" is one of the year's most acclaimed films. The winner of two prizes at the Venice Film Festival, including Best Actor for Colin Farrell and Best Screenplay for Martin McDonagh, the film is now playing in theaters and has once again brought about Oscar buzz for McDonagh, who previously won an Oscar for Best Live Action Short and was nominated for his work on "In Bruges" and "Three Billboards Outside Ebbing, Missouri." His latest feature reunites him with Colin Farrell and Brendan Gleeson while giving Irish actress Kerry Condon a showcase role for which she has received rave reviews. Please take a listen below as I take you behind the scenes in the making of the film featuring interviews with director/writer Martin McDonagh, followed by cinematographer Ben Davis, composer Carter Burwell and ending with Kerry Condon. We hope you enjoy it. Thank you!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

It's a welcome return to Soundtracking for our guest this week, as Martin McDonagh joins us to discuss his new movie, The Banshees of Inisherin Starring Brendan Gleeson, Colin Farrell, Kerry Condon and Barry Keoghan, it is set on a small Irish island in the 1920s and tells the story of a musician who suddenly ends his friendship with a lifelong drinking buddy.  The Banshees of Inisherin sees Martin reunited with composer Carter Burwell, and you'll hear plenty of his score throughout the conversation.

Zo welcomes Special Guest Host, Jenn, from My Streaming Bubble Podcast to join him on a trek though the Midwest to uncover the true life/not true life events of the goings on of Brainerd, MN. There's murder, kidnapping, inept criminals and a very polite, yet persistent police chief. This episode will feature Zo's first time watch ever of the movie Fargo and Jenn will be right there to guide him.  Episode TimestampsOpening Credits . . . . . . 00:29:55Favorite Parts . . . . . . . . 00:46:15Trivia . . . . . . . . . . . . . . .  01:20:09Critics' Thoughts . . . . . 01:47:21 My Streaming Bubble Podcast Links:Podbeam:  https://www.podbean.com/pa/pbblog-8cbk3-bddf23Pod.link:  https://pod.link/1471803231Twitter: @StreamingBubble  https://twitter.com/StreamingBubbleFacebook: @MyStreamingBubble  https://m.facebook.com/mystreamingbubble/?__xts__%5B0%5DInstagram: @MyStreamingBubble https://www.instagram.com/mystreamingbubble/?hl=en Back Look Cinema: The Podcast Links:www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/backlookcinemapodcastInstagram: https://instagram.com/backlookcinemapodcastTicTok: https://www.tiktok.com/@backlookcinemaBack Look Cinema Merch at Teespring.com (https://back-look-cinema-merch.creator-spring.com/)Back Look Cinema Merch at Teepublic.com (https://www.teepublic.com/user/back-look-cinema-podcast-merch?utm_source=designer&utm_medium=social&utm_campaign=G1VQNMthhSg) Made-For-TV Movie Podcasthttps://pod.link/1547103380#mftvmcpodcast on Google

Were the critics being goofy or was this beloved '90s animation with the baddest AF music just not their cup of tea? Special guest Dani Fernandez joins us to chat about “A Goofy Movie” and why Rotten Tomatoes is Wrong about the barely Fresh 61% Tomatometer score.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ley's eleventh FILMIC episode on THE CINEMATIC SOUND RADIO PODCAST is another eclectic mix of old and new scores featuring the work of Oleska Lozochuk, Carter Burwell, Jonny Greenwood, Clare Manchon, Olivier Manchon, Donovan Colton, John Barry, Grant Kirkhope, Isobel Waller-Bridge, Dickon Hinchliffe, Quincy Jones, Thomas Wander, Harald Kloser, Thaman S, George Fenton and John Williams. Check out the playlist at cinematicsound.net for the full rundown! —— This episode is brought to you by APM Music. APM is a top-tier music source for production and creative needs - consistently adding new music and new genres, offering an unmatched catalog via simple licensing. Visit APM Music at apmmuisic.com —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

You know that feeling when you wanna say something really respectful, that recognizes someone's personhood and beauty both inner and outer? Akon had that feeling, and it ended badly. Andrew and Evan bring in Actual Music Podcaster Justin Richmond to help figure out this completely insane song, and on their journey they find similarities to Point Break, suspiciously strong similarities to this one 80s hit, and similarities to how your history paper turns out when you try to do it all in one night.  Guest: Justin Richmond Walk-in music: 'Ode to Joy (Banjo)' by Carter Burwell from the Raising Arizona ending credits; 'Hit 'Em Up' by 2Pac; 'Big Sur' by The Thrills Listen to Justin's podcast, Broken Record, on Pushkin Follow Punch Up The Jam on Twitter and Instagram Become a Patron on Patreon Like the show? Rate Punch Up The Jam 5 stars on Spotify and Apple Podcasts and leave a review for Andrew and Evan. Advertise on Punch Up The Jam via Gumball.fm See omnystudio.com/listener for privacy information.

Joel Coen (of the Coen Brothers) directs this latest adaptation of one of William Shakespeare's most celebrated plays, this time starring two-time Oscar winner Denzel Washington as the titular Macbeth and co-starring three-time Oscar winner Frances McDormand as Lady Macbeth.   And what a memorable adaptation it is – everything is filmed in black and white with stark visuals and piercing sound design.  Also starring Brendan Gleason and Corey Hawkins and featuring plenty of…double, double toil and trouble, fire burn, and cauldron bubble!Host: Geoff Gershon Producer: Marlene Gershonhttps://livingforthecinema.com/#livingforthecinema #moviereviews #macbeth #tragedyofmacbeth #joelcoen #denzelwashington #francesmcdormand #brunodelbonnel #carterburwell #stefandechant #bertiecarvel #alexhassell #coreyhawkins #harrymelli #somethingwickedthiswaycomes #doubledoubletoilandtrouble #shakespeare #StefanDechant #coenbrothers