In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven in…
The Soundtracking with Edith Bowman podcast is a true gem that I am grateful to have discovered. It has quickly become one of my favorite podcasts to listen to, and I find myself hooked on every episode as I make my way through the back catalogue. This show has introduced me to new films and composers that I would have never discovered otherwise, enriching my Spotify playlists and expanding my watch queue. Edith is a fantastic interviewer, with her enthusiasm for music shining through in every conversation. The inclusion of excerpts from the discussed pieces adds another layer of immersion and enhances the listening experience.
One of the best aspects of this podcast is Edith's ability to create a welcoming and comfortable environment for her guests. She allows them ample time to speak and share their experiences, resulting in open and authentic conversations. Her knowledge about soundtracks and films is impressive, but she remains humble throughout, always eager to learn more from her guests. This combination of expertise and genuine curiosity makes for engaging interviews that leave me feeling informed and inspired.
Another great aspect of Soundtracking is its variety of guests. From directors to actors and composers, each episode offers a unique perspective on the world of film music. It's fascinating to hear about what films influenced these individuals or which scores made them fall in love with the craft. The diverse range of guests ensures that there is always something new and exciting to discover in each episode.
If there were any downsides to this podcast, they would be few and far between. Occasionally, some listeners may find the discussions overly gushing or enthusiastic. However, this can be seen as a testament to Edith's passion for the subject matter rather than a negative aspect. Additionally, while the inclusion of excerpts from the discussed pieces is usually a highlight, it may sometimes feel too brief or leave listeners wanting more.
In conclusion, Soundtracking with Edith Bowman is a must-listen for anyone who loves both music and film. Edith's warmth, charm, and skillful interviewing make each episode a joyous experience. Whether you're familiar with the subject matter or not, this podcast will leave you with a warm fuzzy glow and inspire you to explore the films and soundtracks discussed. Thank you, Edith, for giving voice to soundtracks and creating a space for film music fans like myself to indulge in our love for this art form.

It's a Frankenstein special on our latest episode of Soundtracking, as first Guillermo del Toro and then composer Alexandre Desplat join us to discuss their collaboration on the Netflix reimagining. Starring Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz, Frankenstein is a beautiful interpretation of the classic tale, brought to life by Guillermo's characteristic stylistic flair. As ever, Alexandre's score is the perfect compliment.

Jonny emails Edith on Monday to say his available to chat about his score for One Battle After Another between Radiohead duties, and we bring it to you at the first opportunity. This is a fabulous deep dive into his process and the imagination and innovation he brings to his film work. Enjoy!

Edgar makes a welcome return to Soundtracking to discuss his take on Stephen King's novel, The Running Man. Very much not a remake of the 1987 movie, it remains faithful to King's novel, and features an incredible array of needle drops to compliment Steven Price's score. This is the first of two bonus episodes with total legends in quick succession. Tune in to find out who's next ...

Our latest guests on Soundtracking is Lynne Ramsay and music supervisor Raife Burchell who join us to discuss their collaboration on Lynne's latest film, Die My Love. Starring Jennifer Lawrence, Robert Pattinson, Sissy Spacek and Nick Nolte, it tells the story of a writer and mother who slps into psychosis following the birth of her child after she and her husband move from New York to Vermont. Lynne herself contributed music to the film, alongside Raife and George Vjestica, and we're hugely grateful to Raife for providing it to us.

Our latest in a long line of bonus guests on Soundtracking is Ronan Day Lewis, who joins Edith to discuss his directorial feature debut Anemone, which he co-wrote with his dad, Daniel Day-Lewis. Starring Daniel. Sean Bean and Samantha Morten, it tells the story of two estranged brothers who meet at a primitive cabin in northern England, where tensions simmer as hidden secrets and long-buring resentments come to light. Bobby Krilic's score is sensational, and he's a future guest on the podcast.

Something a little different for you on our latest episode of Soundtracking, as we approach our latest film from 3 perspectives, all of which are obviously very much focussed on the same objective. Namely, to make the best movie that they can. And boy, have our guests succeeded. Netflix's Train Dreams is co-written and directed by Clint Bentley, who has admirable support from his cinematographer Adolpho Veloso and composer Bryce Dessner. We dive deep into their collaboration.

The bonuses keep on coming here on Soundtracking, as Edward Berger makes a welcome return to discuss his new film, Ballad Of A Small Player, which is streaming right now on Netflix. Starring Colin Farrell and Tilda Swinton, it tells the story of a high-stakes gambler lying low(ish) in Macau, who can't quite hide from his past.

Our latest guests on Soundtracking are director Yorgos Lanthimos and screenwriter Will Tracy, who join me to discuss their collaboration on Bugonia. A remake of the 2003 South Korean film, Save The Green Planet, it follows the story of two men who kidnap the CEO of a pharmaceutical company, convinced she is an alien intent on destroying Earth.

Boy, do we have a treat for you on our latest episode of Soundtracking, as four of the key players from the biopic Springsteen: Deliver Me From Nowhere join us to discuss the film. First up is director Scott Cooper, followed by leading man Jeremy Allen White (who stars as Bruce, of course), Jeremy Strong, who plays his manager Jon Landau, and Odessa Young, Bruce's love interest.

Our latest guest on Soundtracking is Derek Cianfrance, co-writer and director of the comedy crime thriller, Roofman, who returns to the podcast after a decade's absence. Based loosely on his life, it tells the story of spree-robber Jeffrey Manchester, who his out undetected in a Toys R Us having escaped prison.

Our latest guest on Soundtracking is Aziz Ansari, who joins Edith live in front of an audience at Whiteley's Everyman for one of our Everyman Soundtracking Film clubs following a screening of his film, Good Fortune, which he wrote, produced, directed AND appears in. Also starring Seth Rogan, Sandra Oh and former guest on Soundtracking, Keanu Reeves, it tells the story of a well-meaning if inept angel who gets involved in the lives of a gig worker and wealthy venture capitalist

Our latest guests on Soundtracking are Joachim Rønning and Jared Leto, respectively the director and star in the latest installment of the Tron series, Ares. In it, two rival companies compete to harness AI technology for very different reasons, with Jared's character from the digital realm entering the real world on the instruction of his programmer with, well, consequences! Tron: Ares has been scored by Trent Reznor and Atticus Ross in their Nine Inch Nails guise, and it is an absolutely banging piece of work.

We are really spoiling you on Soundtracking at the moment, with bonus episode after bonus episode. Our latest is a bit of a legend, too, Steven Knight, writer of Peaky Blinders, the next James Bond, and most recently House Of Guinness, which is streaming on Netflix now. With a fabulous ensemble cast, House Of Guinness tells the story of the famed brewing company, as it becomes established in Ireland and New York.

Our latest guest on Soundtracking is Brett Goldstein, who joins me to discuss the film he co-wrote and stars in All Of You. Streaming now on Apple TV, it tells the story of two best friends who struggle to deal with their relationship and respective love lives, after he pays for her to take a test which claims to establish who your soulmate is.

It's the second part of our Steve Special, as composers Ben Salisbury and Geoff Barrow join me to discuss their score from the film. We've already heard from writer Max Porter and leading man Cillian Murphy, and that's available to listen to now. Big thanks to the team at the legendary Invada Records for providing us with the score before it was released.

We are double dropping bonus episodes of Soundtracking this week, as first Max Porter and Cillian Murphy and then composers Geoff Barrow and Ben Salisbury join us to discuss the brilliant new Netflix drama, Steve. Written by Max and based on his novel, Shy, Steve stars Cillian as a teacher at a reform school who struggles to deal with his troubled students while battling his own mental health issues. The music in this film is incredible, not least Geoff and Ben's score. Big thanks to Geoff, Redg and James at Invada Records for sneaking us a copy before it was released.

Our latest guest on Soundtracking is the legend that is Sean Penn, who joins us to discuss his role in Paul Thomas Anderson's One Battle After Another. Also starring Leonardo Di Caprio, Regina King and former Soundtracking guest, Benicio Del Toro, One Battle After Another tells the story of an ex-revolutionary who must rescue his daughter from a corrupt military official, played by Sean. We discuss his stellar performance, but also how important music has been to him in his own filmmaking.

Our latest guest on Soundtracking is Dame Emma Thompson, who joins us to discuss her leading role in the thriller, Dead Of Winter. It tells the story of a grief stricken widow who stops at a remote cabin in snowy Minnesota having got lost, and soon finds herself in a desperate fight for survival.

It's part two of our Caught Stealing sonic special, as composer Rob Simonsen joins us to discuss his contribution to Darren Aronofsky's latest movie, and plenty more besides. Edith's chat with Joe from IDLES is also available, as indeed is the episode with Darren, so do check those out if you haven't already. But it was great to get Rob on his own so we could dive deep into his own process, as well as some of his other career highlights.

It's bonus time again, as we bring you not one but two episodes relating to the music of Darren Aronofsky's riotous and darkly comic thriller, Caught Stealing. We'll drop the episode featuring composer Rob Simonsen shortly, but first it's the turn of Joe from IDLES, who collaborated with Rob and the score and also provided original songs for the film. Appropriately, Joe joined us walking through the streets of Brooklyn!

Our latest guest on Soundtracking is Kogonada, director of a wonderful film called A Big Bold Beautiful Journey. Starring Margot Robbie and Colin Farrell, it tells the story of David and Sarah, two strangers who meet at a mutual friend's wedding and embark on a fantastical exploration of their respective pasts. A Big Bold Beautiful Journey is scored by the legend that is Joe Hisaishi - and we feature extracts from his score throughout the conversation.

It's bonus time again here on Soundtracking, as director Jay Roach and writer Tony McNamara join me to discuss their collaboration on The Roses - a reimagining of the classic 1989 black comedy, The War Of The Roses. Starring Benedict Cumberbatch and Olivia Coleman - with stellar support from the likes of Zoe Chao, Kate McKinnon and Ncuti Gatwa - it tells the story of a successful couple whose seemingly pitch-perfect marriage starts falling apart. It's scored by Theodore Shapiro, and also features two covers performed by Jay's wife, Susanna Hoffs from The Bangles in the company of Rufus Wainwright & Eric Johnson.

Our latest guest on Soundtracking is a true cultural legend. It's only Python Eric Idle, who joins us to promote his show Always Look On The Bright Side Of Life - Live. It kicks off on Wednesday with dates around the country, and you can find details and buy tickets at ericidle.com

It's bonus time, as we bring you an extra episode of Soundtracking with Chris Columbus, director of the adaptation of Richard Osman's bestseller, The Thursday Murder Club. With a stellar cast including Hellen Mirren, Pierce Brosnan, Sir Ben Kingsley & Celia Imrie, it tells the story of Four retirees who spend their time solving cold case murders for fun, only to find themselves with a real whodunit on their hands.

Our latest guest on Soundtracking is Darren Aronofsky, who returns to the podcast to discuss his comedy crime thriller, Caught Stealing. Starring Austin Butler, Regina King, Matt Smith, Zoe Kravitz and Liev Schreiber among others, it tells the story of New York bartender Hank Thompson, who finds himself in all manner of trouble with a motley crue of gangsters and lowlives when he agrees to look after his neighbours cat. The score was written by Rob Simonson and performed hy IDLES, who also wrote some original pieces for the film themselves. Darren goes into great detail about their collaboration.

Our latest guest on soundtracking is Ari Aster, writer and director of Eddington. Starring Joaquin Phoenix, Pedro Pascal and Emma Stone, it tells the story of a standoff between the mayor and sheriff of Eddington during Covid, which quickly escalates into all manner of chaos as battle lines are drawn. Eddington is scored by Daniel Pemberton and Bobby Krilic, and we'll hear plenty of their music throughout the conversation.

We promised you a bonus, so here it is, as Mark Hamill joins Edith to discuss his role in The Life Of Chuck, and reminisce about Star Wars. Enjoy!

Our latest guests on Soundtracking are Tom Hiddleston and Chiwetel Ejiofor, who join us ahead of the release of the quite wonderful The Life Of Chuck. Based on a short story by Stephen King, it tells the story of 'everyman' Chuck Krantz, charting his life in reverse order, chronicling a death that coincides with the end of the universe to his formative years.

From a waiting room at a railway station, Edith is joined by Michael Pearce. Michael is the director of the Apple TV + film, Echo Valley. Starring Julianne Moore and Sydney Sweeney, Echo Falls tells the story of a mother who comes to the aid of her daughter when she turns up in somewhat of an alarming state. It's scored by Jed Kurzel - soon to be a guest on this show

Our latest guest on Soundtracking is Celine Song, writer and director of romantic comedy, The Materialists. Starring Dakota Johnson, Chris Evans and Pedro Pascal, the film follows the story of a New York City matchmaker torn between her aspiring-actor ex-boyfriend and a charming millionaire. It's scored beautifully by our old friend, Daniel Pemberton.

Hello again, friends, and welcome to the second part of our Superman double bill with the composers that collaborated on James Gunn's movie. First up was David Fleming, in an episode that's already available for your listening pleasure. Now it's the turn of John Murphy, who has worked with James on a number of projects, but has a compiled a rich body of work that includes 28 Days Later and. Sunshine.

CONTAINS BIG SPOILER ABOUT LAST OF US!!! We have a double header of you to start your week, as both composers who worked on James Gunn's Superman join me to discuss their collaboration on the film. We'll release our chat with John Murphy shortly, but first it's the turn of David Fleming, who was previously a guest on this show to talk about his contribution to The Last Of Us.

Our latest guest on Soundtracking is Matt Shakman, director of the latest adventure in the MCU - The Fantastic Four: First Steps. Starring Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn as the titular team, it's set in the 1960s of a retro-futuristic world where the Fantastic Four must protect against the planet consuming cosmic being, Galactus.

Our latest guests on Soundtracking are wife and husband Lena Dunham and Luis Felber - aka musician Attawalpa - who join us to discuss the Netflix TV show they co-created, Too Much. Starring Megan Stalter and Will Sharpe, it tells the story of Jessica, a New Yorker who starts a new life in London after a disastrous breakup, only to meet musician Felix, who proves hard to ignore despite her better judgment. As well as working as music producer on the show, Luis provided the score with his musical partner, Matt Allchin. AND he also provided us with said score, as it's yet to be released. Thank you Luis!

We have another bonus episode of Soundtracking for you, recorded in front of an audience at Apple Regent Street (London). The subject of this genuinely fascinating conversation is all about the recent release of F1® The Movie, and features key members of the production team. Edith is joined by cinematographer Claudio Miranda, editor Stephen Mirrione, production designer Ben Munro and casting director Lucy Bevan for an exclusive conversation about the Apple Original film — all of whom share wonderful insights into their craft and how they applied it to this extraordinary film.

Welcome James Gunn, writer and director of the latest iteration of Superman. Starring David Corenswet, Rachel Brosnehan, Nicholas Hoult and James's dog, it sees billionaire Lex Luther attempt to undermine our hero by turning public opinion against him. James is on cracking form, and is particularly passionate about his music, even writing a song for the movie.

We're back with the second of our Jurassic Park Rebirth specials to kick off your week. We released Edith's chat with director Gareth Edwards a little earlier. Now it's the turn of his composer Alexandre Desplat, who of course had to contend with the legacy of all the wonderful music associated with the franchise, not least John Williams's iconic theme.

It's another two show week here on Soundtracking, as first director Gareth Edwards and then composer Alexandre Desplat join us to discuss their work on Jurassic World: Rebirth. In this first of the interviews, Gareth gives us the inside line on how he got the gig, cast members peeing in mangrove swamps, and Alexandre's last ditch efforts to land the choral section of the iconic Jurassic Park theme.

King Of The Drums, Antonio Sanchez, joins us to discuss his work on Apple TV+ hit, The Studio, and his seminal, groundbreaking score for Birdman. He is an absolute delight, and fascinating in his exploration of his process.

In the second interview marking the release of 28 Years Later, G & Kayus from Young Fathers join Edith to discuss the score for the film (miss you Alloyssious). We've already heard from director Danny Boyle, so be sure to check that interview out if you haven't already. Danny is, as ever, in cracking form.

We've got two hits of Soundtracking for you to start your week, as we bring you a double-bill to celebrate the release of 28 Years Later. In our first episode, director Danny Boyle joins us to discuss the third film in the series, which stars Jodie Comer, Ralph Feinnes, Aaron Taylor-Johnson, Erin Kellyman and Alfie Williams. 28 Years Later is scored by Young Fathers - who, by the way, are the subject of our second episode today

It's bonus time once more for you on here Soundtracking, as music supervisor / producer / editor Cecile Tournesac & composers Alfie Godfrey and Max Aruj join us to discuss their formidable contribution to Mission Impossible: The Final Reckoning. We've spoken to director Christopher McQuarrie on the podcast, who couldn't have been more complimentary about their work on the movie. Hopefully, this chat with Cecile, Alfie and Max we'll shed further light on how much thought went into the score, and how important it was to our viewing experience.