Podcast appearances and mentions of erica weiss

We present our Cleaner/Alarum/G20 review!Cleaner is a 2025 British action thriller film directed by Martin Campbell, written by Simon Uttley, Paul Andrew Williams, and Matthew Orton, and starring Daisy Ridley, Taz Skylar and Clive Owen. The film was released in theatres in the United States on 21 February 2025, and is set to be released in the United Kingdom on Sky Cinema in April 2025. Alarum is a 2025 American action crime thriller film directed by Michael Polish and starring Scott Eastwood, Sylvester Stallone, Mike Colter, Willa Fitzgerald, Ísis Valverde, and D. W. Moffett. G20 is a 2025 American action thriller film directed by Patricia Riggen and written by Caitlin Parrish, Erica Weiss, and Logan and Noah Miller. The film stars Viola Davis as a president who must use her military skills to fight off terrorists who have taken over a G20 conference venue, with Anthony Anderson, Marsai Martin, Ramón Rodríguez, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, Clark Gregg, and Antony Starr. G20 was released worldwide by Amazon MGM Studios via Prime Video on April 10, 2025. The film received generally mixed reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Get ready as our hosts, Josh and Jade, review the Amazon Prime film, G20. The movie is directed by Patricia Riggen and written by Caitlin Parrish, Erica Weiss, and Logan and Noah Miller. G20 stars Viola Davis as a president who must use her military skills to fight off terrorists who have taken over a G20 conference venue, with Anthony Anderson, Marsai Martin, Ramón Rodríguez, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, Clark Gregg, and Antony Starr.Also, our hosts discuss their reactions to the season 2 premiere of The Last of Us (HBO) and the upcoming Clueless sequel. Click play and give us a listen so that we can go from 3 to 4 listeners, ok?

Adwin and Raina may be out of time, but Bartholomew is questioning his actions -- and his programming. Can Adwin convince him to help them? Or will Grigory intervene? For Bartholomew, it's a decision that will have an impact for generations to come. This series contains graphic depictions of sex and violence. Listener discretion is advised. Rebel Moon is streaming now on Netflix CREDITS Netflix Podcasts Presents A Wolf At The Door Production: Zack Snyder's The Seneschal Starring Ella Purnell Jason Isaacs Alfred Enoch Naveen Andrews Peter Serafinowicz ----- Also in this episode: Nazneen Contractor Adam Sinclair  Maury Sterling Kevin Stidham   Jo Troy ----- Created by Zack Snyder Directed by Alex Kemp Produced by Chica Barbosa Production Coordinator: Louise Netz Script Supervisors: Mokotsi Rukundo and Jo Troy Sound Design: Tim West and Beau Milkis Mixed by Beau Milkis Dialogue Editing by Ruge Sun Original Music Composition by Jonathan Sanford Executive Producer: Zack Snyder For Netflix, Executive Producers: David Markowitz and Rae Votta For Wolf at the Door, Executive Producers: Alex Kemp and Winnie Kemp For The Stone Quarry, Executive Producers: Debbie Snyder and Wes Coller.  Supervising Producer: Adam Forman Creative Producers: Caitlin Parrish, Erica Weiss and Magdalene Visaggio Recorded in London at Red Light Studios and Sonica Studios, and at Wolf at the Door Studios in Venice, California. Recording Engineers were Matt Bainbridge, Drew Simmonds, Mat Clark and Beau Milkis. Original art by Jared Purrington Special Thanks to John Dryden, Eleanor Mein and the team at Goldhawk Productions in London. Also to Sarah Whitehouse, Bruno Sanchez, and Alyssa Appleton. And the Loop Group: Will Howard, John Hasler, Jenny Bryce, Jessica Carroll, Nigel Pilkington, and Julie Maisey.

The prophesy of Issa has successfully spread throughout the Realm, and with it a growing horde of believers. Ulmer confides in Adwin his trepidation about becoming a father -- and the potential threat the baby may pose. This series contains graphic depictions of sex and violence. Listener discretion is advised. Rebel Moon is streaming now on Netflix. CREDITS Netflix Podcasts Presents A Wolf At The Door Production: Zack Snyder's The Seneschal Starring: Ella Purnell Jason Isaacs Alfred Enoch Naveen Andrews Peter Serafinowicz ----- Also in this episode: Nazneen Contractor Kevin Stidham  ----- Created by Zack Snyder Directed by Alex Kemp Produced by Chica Barbosa Production Coordinator: Louise Netz Script Supervisors: Mokotsi Rukundo and Jo Troy Sound Design: Tim West and Beau Milkis Mixed by Beau Milkis Dialogue Editing by Ruge Sun Original Music Composition by Jonathan Sanford Executive Producer: Zack Snyder For Netflix, Executive Producers: David Markowitz and Rae Votta For Wolf at the Door, Executive Producers: Alex Kemp and Winnie Kemp For The Stone Quarry, Executive Producers: Debbie Snyder and Wes Coller.  Supervising Producer: Adam Forman Creative Producers: Caitlin Parrish, Erica Weiss and Magdalene Visaggio Recorded in London at Red Light Studios and Sonica Studios, and at Wolf at the Door Studios in Venice, California. Recording Engineers were Matt Bainbridge, Drew Simmonds, Mat Clark and Beau Milkis. Original art by Jared Purrington Special Thanks to John Dryden, Eleanor Mein and the team at Goldhawk Productions in London. Also to Sarah Whitehouse, Bruno Sanchez, and Alyssa Appleton. 

Adwin hopes to win back his position in Ulmer's court -- and Raina's heart -- by building his most advanced Juris Machina yet: Bartholomew. This series contains graphic depictions of sex and violence. Listener discretion is advised. Rebel Moon is streaming now on Netflix. CREDITS Netflix Podcasts Presents A Wolf At The Door Production: Zack Snyder's The Seneschal Starring • Ella Purnell • Jason Isaacs • Alfred Enoch • Naveen Andrews • Peter Serafinowicz ----- Also in this episode: Ian James Corlett   Darren Darnborough  Bella Delong   Jim Pirri  Brock Powell Adam Sinclair Maury Sterling and Kevin Stidham ----- Created by Zack Snyder Directed by Alex Kemp Produced by Chica Barbosa Production Coordinator: Louise Netz Script Supervisors: Mokotsi Rukundo and Jo Troy Sound Design: Tim West and Beau Milkis Mixed by Beau Milkis Dialogue Editing by Ruge Sun Original Music Composition by Jonathan Sanford Executive Producer: Zack Snyder For Netflix, Executive Producers: David Markowitz and Rae Votta For Wolf at the Door, Executive Producers: Alex Kemp and Winnie Kemp For The Stone Quarry, Executive Producers: Debbie Snyder and Wes Coller.  Supervising Producer: Adam Forman Creative Producers: Caitlin Parrish, Erica Weiss and Magdalene Visaggio Recorded in London at Red Light Studios and Sonica Studios, and at Wolf at the Door Studios in Venice, California. Recording Engineers were Matt Bainbridge, Drew Simmonds, Mat Clark and Beau Milkis. Original art by Jared Purrington Special Thanks to John Dryden, Eleanor Mein and the team at Goldhawk Productions in London. Also to Sarah Whitehouse, Bruno Sanchez, and Alyssa Appleton.

King Ulmer agrees to heed the prophecy and quickly enters into a royal marriage. But who is his mysterious new bride? And what does this mean for the King's newly installed Seneschal? This series contains graphic depictions of sex and violence. Listener discretion is advised. Rebel Moon is streaming now on Netflix CREDITS Netflix Podcasts Presents A Wolf At The Door Production: Zack Snyder's The Seneschal Starring Ella Purnell Jason Isaacs Alfred Enoch Naveen Andrews Peter Serafinowicz ----- Also in this episode: Nazneen Contractor Ian James Corlett Niko Gerentes Atticus Kemp Adam Sinclair Maury Sterling Kevin Stidham   Jo Troy ----- Created by Zack Snyder Directed by Alex Kemp Produced by Chica Barbosa Production Coordinator: Louise Netz Script Supervisors: Mokotsi Rukundo and Jo Troy Sound Design: Tim West and Beau Milkis Mixed by Beau Milkis Dialogue Editing by Ruge Sun Original Music Composition by Jonathan Sanford Executive Producer: Zack Snyder For Netflix, Executive Producers: David Markowitz and Rae Votta For Wolf at the Door, Executive Producers: Alex Kemp and Winnie Kemp For The Stone Quarry, Executive Producers: Debbie Snyder and Wes Coller.  Supervising Producer: Adam Forman Creative Producers: Caitlin Parrish, Erica Weiss and Magdalene Visaggio Recorded in London at Red Light Studios and Sonica Studios, and at Wolf at the Door Studios in Venice, California. Recording Engineers were Matt Bainbridge, Drew Simmonds, Mat Clark and Beau Milkis. Original art by Jared Purrington Special Thanks to John Dryden, Eleanor Mein and the team at Goldhawk Productions in London. Also to Sarah Whitehouse, Bruno Sanchez, and Alyssa Appleton. 

Desperate to prove himself to the King, Adwin risks everything on an untested experiment, while Raina decides to take matters into her own hands. This series contains graphic depictions of sex and violence. Listener discretion is advised. Rebel Moon is streaming now on Netflix. CREDITS Netflix Podcasts Presents A Wolf At The Door Production: Zack Snyder's The Seneschal Starring Ella Purnell Jason Isaacs Alfred Enoch Naveen Andrews Peter Serafinowicz Also in this episode: Nazneen Contractor  Tania Gunadi  Jim Pirri  Brock Powell Adam Sinclair Maury Sterling Jo Troy Created by Zack Snyder Directed by Alex Kemp Produced by Chica Barbosa Production Coordinator: Louise Netz Script Supervisors: Mokotsi Rukundo and Jo Troy Sound Design: Tim West and Beau Milkis Mixed by Beau Milkis Dialogue Editing by Ruge Sun Original Music Composition by Jonathan Sanford Executive Producer: Zack Snyder For Netflix, Executive Producers: David Markowitz and Rae Votta For Wolf at the Door, Executive Producers: Alex Kemp and Winnie Kemp For The Stone Quarry, Executive Producers: Debbie Snyder and Wes Coller.  Supervising Producer: Adam Forman Creative Producers: Caitlin Parrish, Erica Weiss and Magdalene Visaggio Recorded in London at Red Light Studios and Sonica Studios, and at Wolf at the Door Studios in Venice, California. Recording Engineers were Matt Bainbridge, Drew Simmonds, Mat Clark and Beau Milkis. Original art by Jared Purrington Special Thanks to John Dryden, Eleanor Mein and the team at Goldhawk Productions in London. Also to Sarah Whitehouse, Bruno Sanchez, and Alyssa Appleton. 

Adwin and Raina are renowned throughout Saaldoran for their exotic automatons. When they are invited to Moa to present their latest work to the mad King Ulmer, they're wary but hopeful. This could be the ticket to a better life. But at what cost? This series contains graphic depictions of sex and violence. Listener discretion is advised. Rebel Moon is streaming now on Netflix. CREDITS Netflix Podcasts Presents A Wolf At The Door Production: Zack Snyder's The Seneschal Starring: Ella Purnell Jason Isaacs Alfred Enoch Naveen Andrews Peter Serafinowicz Also in this episode: Nazneen Contractor   Ian James Corlett Darren Darnborough   Bella Delong   Tania Gunadi   Brock Powell Kevin Stidham   and Jo Troy Created by Zack Snyder Directed by Alex Kemp Produced by Chica Barbosa Production Coordinator: Louise Netz Script Supervisors: Mokotsi Rukundo and Jo Troy Sound design: Tim West and Beau Milkis Mixed by Beau Milkis Dialogue Editing by Ruge Sun Original Music Composition by Jonathan Sanford Executive Producer: Zack Snyder Executive Producers, Netflix: David Markowitz and Rae Votta Executive Producers, Wolf at the Door: Alex Kemp and Winnie Kemp Executive Producers, The Stone Quarry: Debbie Snyder and Wes Coller.  Supervising Producer: Adam Forman Creative Producers: Caitlin Parrish, Erica Weiss and Magdalene Visaggio Recorded in London at Red Light Studios and Sonica Studios, and at Wolf at the Door Studios in Venice, California. Recording Engineers: Matt Bainbridge, Drew Simmonds, Mat Clark and Beau Milkis. Original art by Jared Purrington Special Thanks to John Dryden, Eleanor Mein and the team at Goldhawk Productions in London. Also to Sarah Whitehouse, Bruno Sanchez, and Alyssa Appleton.

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week's friend is Erica Weiss with special guest friend and fiddler Mitch Depew. We recorded this at Clifftop! Tune in this episode: * Bucking Mule (0:37) * Old Time Sally Ann (15:06) * Marion Reece's Cumberland Gap (25:45) * Jim Bowles' Christmas Eve (42:12) * Jaybird in a High Oak Tree (56:20) * Bonus Track: Jim Bowles' Calico Visit Erica Weiss' website (http://www.ericaweiss.com/) Buy Galax, NYC from Square Peg Rounders (https://squarepegrounders.bandcamp.com/album/galax-nyc) Buy So Nice from Erica Weiss and the Louisiana Shindig (https://music.apple.com/us/album/so-fine-ep/1280510227) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Check out Cameron's old time trio Tall Poppy String Band (https://www.tallpoppystringband.com/)

You may think of TikTok users as very young and outside of the target audience of B2B marketers, but you may want to advertise on TikTok.    In this episode of AMP Up Your Digital Marketing, Glenn Gaudet speaks with Erica Weiss, Brand and Campaign Marketing Manager at SparkPost, an email intelligence software company. They discuss TikTok, how it’s used, who uses it, what the concerns are, and whether or not you should advertise on TikTok.    What you’ll learn:      What are the TikTok privacy concerns?  What is TikTok, and how does its algorithm work?  What does it look like to advertise on TikTok, how does its targeting work, and should you do it?     

The grand finale of Notes From The Red Line is a super-sized, super delightful episode with all three show runners: Sunil Nayar, Caitlin Parrish, and Erica Weiss. We talk about the last two episodes of The Red Line, the legacy of the show, and so much more.  You're going to love it!

Welcome to Notes from The Red Line, a podcast look into writing one of television's most exciting new shows. On this podcast I will interview the writers of The Red Line, and what better way to start than with the show's creators, Caitlin Parrish & Erica Weiss? Enjoy! Twitter: @NotesFromRedPodNotesFromTheRedLine@gmail.comReach out if you want to submit questions. And please rate & review us!

110th episode of 'That went well, I think' with a guest woman named Erica W. She's also a jew. A jew meets a jew, what a delight! Erica wants every man to have desire of dating her and is disappointed that she has never been sent a dick pic. The episode is full of profanities. It seems David Cooper only know one form of comedy, that is sexual or vulgar comedy. If you want to break up with your boyfriend, call this show because David will manage to do that. He will tell you hidden desires of your boyfriend, without even speaking to him, that will make you vomit. I'm glad the couple that called in this episode hung up before they reached that stage. I pray for their quick recovery for the trauma they sustained by talking to David. And for the trauma these 3 hours of listening to this show caused me, I will call this show a podcast, because I know that pisses David off. Sandeep from India is rating this show 4 stars for teaching me new vulgarities and showing me new depths to which humans are capable of falling. [Editor's note: it's not a podcast, it's a radio show.]

In this week’s episode of Supergirl Radio, Morgan Glennon and Rebecca Johnson discuss the Supergirl season three episode titled "Trinity"!  Official Description by The CW for Supergirl 3.17: "Still reeling after learning about Lena's secret, Supergirl asks Guardian for a favor that could alter his relationship with Lena forever. Meanwhile, with all three Worldkillers united, Supergirl and the team brace for an epic battle. Guest Stars include Chris Wood (Mon-El), Amy Jackson (Imra Ardeen/Saturn Girl), Jesse Rath (Querl Dox/Brainiac-5), Angela Zhou (Dr. Grace Parker/Pestilence), Krys Marshall (Julia Freeman/Purity), Anjali Jay (Dark Kryptonian), Yuvraj Kalsi (Young Boy)." Supergirl stars Melissa Benoist (Kara Danvers/Supergirl), Chyler Leigh (Alex Danvers), Mehcad Brooks (James Olsen), David Harewood (Hank Henshaw/Martian Manhunter), Jeremy Jordan (Winslow “Winn” Schott), Katie McGrath (Lena Luthor), and Odette Annable (Samantha Arias/Reign). STORY BY: Jessica Queller. WRITTEN BY: Caitlin Parrish and Derek Simon. DIRECTED BY: Caitlin Parrish and Erica Weiss. You can find Supergirl Radio on: Social Media: Facebook – Twitter – Instagram  Subscribe: Apple Podcasts – Stitcher Radio – DC TV Podcasts - Google Play - Spotify Playlist - iHeartRadio Contact: supergirlradio@gmail.com  Support: TeePublic

Dr. Erica Weiss, Tel Aviv University anthropologist and author of “Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty”, tackles the concept of conscientious objection in Israel – a democratic society that honors the freedom of conscience while fighting for its survival. This episode originally aired March 15, 2015.

From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

A tune from West Virginia fiddler Burl Hammons. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs. The recording starts out with a slow preview of the A part, followed by a few comments about the tune, before launching into the tune itself - typical of live festival session recordings!

A beautiful, archaic-sounding tune from the beloved West Virginia fiddler Melvin Wine. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

This is a tune from the great Kentucky fiddler Buddy Thomas, who died far too young at age 39. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

This is a tune from the great Kentucky fiddler Buddy Thomas, who died far too young at age 39. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

A beautiful, archaic-sounding tune from the beloved West Virginia fiddler Melvin Wine. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

A tune from West Virginia fiddler Burl Hammons. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs. The recording starts out with a slow preview of the A part, followed by a few comments about the tune, before launching into the tune itself - typical of live festival session recordings!

This tune is from the great Tennessee fiddler John Sharp. From a late night Clifftop 2016 session with Rhys Jones and Tashina Clarridge, fiddles; Brendan Doyle, banjo; Erica Weiss, guitar; Simon Chrisman, bass. Recorded by Keith Stubbs.

In Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty (University of Pennsylvania Press, 2014), Erica Weiss, assistant professor in the Department of Sociology and Anthropology at Tel Aviv University, examines the lives and choices Israeli conscientious objectors, those who have refused to perform military service for reasons of conscience. As an ethnographer, Weiss takes us into the the lives of two generations of conscientious objectors in a state that valorizes what she calls the “economy of sacrifice.” The tale of the Israeli conscientious objection sheds light on the nature of contemporary citizenship more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty (University of Pennsylvania Press, 2014), Erica Weiss, assistant professor in the Department of Sociology and Anthropology at Tel Aviv University, examines the lives and choices Israeli conscientious objectors, those who have refused to perform military service for reasons of conscience. As an ethnographer, Weiss takes us into the the lives of two generations of conscientious objectors in a state that valorizes what she calls the “economy of sacrifice.” The tale of the Israeli conscientious objection sheds light on the nature of contemporary citizenship more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty (University of Pennsylvania Press, 2014), Erica Weiss, assistant professor in the Department of Sociology and Anthropology at Tel Aviv University, examines the lives and choices Israeli conscientious objectors, those who have refused to perform military service for reasons of conscience. As an ethnographer, Weiss takes us into the the lives of two generations of conscientious objectors in a state that valorizes what she calls the “economy of sacrifice.” The tale of the Israeli conscientious objection sheds light on the nature of contemporary citizenship more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty (University of Pennsylvania Press, 2014), Erica Weiss, assistant professor in the Department of Sociology and Anthropology at Tel Aviv University, examines the lives and choices Israeli conscientious objectors, those who have refused to perform military service for reasons of conscience. As an ethnographer, Weiss takes us into the the lives of two generations of conscientious objectors in a state that valorizes what she calls the “economy of sacrifice.” The tale of the Israeli conscientious objection sheds light on the nature of contemporary citizenship more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty (University of Pennsylvania Press, 2014), Erica Weiss, assistant professor in the Department of Sociology and Anthropology at Tel Aviv University, examines the lives and choices Israeli conscientious objectors, those who have refused to perform military service for reasons of conscience. As an ethnographer, Weiss takes us into the the lives of two generations of conscientious objectors in a state that valorizes what she calls the “economy of sacrifice.” The tale of the Israeli conscientious objection sheds light on the nature of contemporary citizenship more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty (University of Pennsylvania Press, 2014), Erica Weiss, assistant professor in the Department of Sociology and Anthropology at Tel Aviv University, examines the lives and choices Israeli conscientious objectors, those who have refused to perform military service for reasons of conscience. As an ethnographer, Weiss takes us into the the lives of two generations of conscientious objectors in a state that valorizes what she calls the “economy of sacrifice.” The tale of the Israeli conscientious objection sheds light on the nature of contemporary citizenship more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

More than moneylending: The economic history of the Jews Economist Zvi Eckstein of the Interdisciplinary Center in Herzliya offers an original and compelling explanation of the demographic meanders of the Jewish people in the common era.   Israeli conscientious objectors: Torn between values and struggle for survival Dr. Erica Weiss, Tel Aviv University anthropologist  and author of Conscientious Objectors in Israel: Citizenship, Sacrifice, Trials of Fealty, tackles the concept of conscientious objection in Israel – a democratic society that honors the freedom of conscience while fighting for its survival.   Music: Liron Amram - HashacharBlues LaHofesh Hagadol Cast - Lo RotsimTiny Grimes Quintette (with Charlie Parker) -Romance Without Finance (Is a Nuisance)

A continuación, estudiando la viruela, el greening de cítricos, los perros que se enferman de influenza, y el declive en el consumo de alimentos peligrosos.Estudiando la viruelaPara el episodio de esta semana en MicrobeWorld Radio, yo soy John Doe junto con Jane Smith, con el reporte de la inmunidad a la viruela.¿Por cuánto tiempo dura la inmunidad a la viruela?  Nadie sabe en realidad, así que el gobierno alemán les pidió a los expertos en estadística que hicieran un estudio para simular un ataque biológico usando la viruela, y que estimaran cómo responderían aquellos que habían sido vacunados hace veinte o treinta años.Desde que se erradicó la enfermedad no ha habido brotes recientes para estudiar.  Hiroshi Nishiura y Martin Eichner, investigadores en la Universidad Tubingen, revisaron datos de epidemias bien documentadas que ocurrieron en el Reino Unido hace más de cien años.  Eichner dice que los datos demuestran que las vacunaciones durante la niñez fueron las más efectivas.De acuerdo a Eichner, muchas personas nunca se enfermaron después de una vacunación inicial contra la viruela.En algunos casos, sin embargo, la protección disminuyó gradualmente después de quince a treinta años.  Y las personas que  se enfermaron de viruela después de una vacunación cuando niños, usualmente desarrollaron un caso menos grave y sólo rara vez murieron de la infección.Por supuesto, aquellos que nunca se vacunaron son altamente susceptibles.  Aun así, Eichner piensa que la viruela no debe ser un buen agente para bioterrorismo.Eichner dice que la viruela es una enfermedad muy lenta.  Toma un tiempo para que  alguien que se infecte lo transmita a otros.  Por esto, los trabajadores de salud pública tienen tiempo de localizar y poner en aislamiento a cualquiera que haya estado en contacto con la víctima.El greening de cítricosLa enfermedad bacteriana conocida como Greening cítrico ha devastado millones de árboles cítricos en el mundo-desde Asia e India hasta África y la península arábiga.  Se descubrió por primera vez en Estados Unidos en el otoño pasado y se ha encontrado en más de cuatrocientos cuarenta lugares, a lo largo de once condados de Florida. Mark Fagan, vocero del Departamento de Agricultura y Servicios al Consumidor de Florida, dice que una de las razones por la que esta enfermedad es perjudicial a los cítricos es porque deja al árbol completamente inservible.Los árboles infectados dan frutas torcidas y con sabor amargo y no desarrollan un color normal; por esa razón, el nombre de greening o “enverdecimiento”. Fagan dice que el vector o el portador de la enfermedad, es un insecto llamado Citrus psyllid (sil-id)Sin embargo, hay muchas otras plantas que pueden ser portadoras, como el jazmín naranjo o la naranja china.  A pesar de que estas plantas no se enferman, pueden hospedar el vector de la enfermedad. La industria cítrica de nueve mil millones de dólares en Florida está en riesgo, y sin ninguna cura para la enfermedad. Las autoridades se están concentrando en la detección temprana en un intento de contener al insecto vector.  El plan incluye el uso limitado de insecticidas y de insectos beneficiosos-predadores naturales, como las catarinas  y las arañas, y dos avispas importadas de Tailandia y Taiwán.El greening de cítricosHay una enfermedad emergente que ha sido identificada en las poblaciones de perros en veinte estados. La influenza canina, que se descubrió primero en los perros de carrera Greyhound, se cree que es una mutación en el mismo subtipo viral al que los caballos son susceptibles.En las etapas iniciales, la enfermedad se caracteriza por una tos persistente, similar a la que se da en la enfermedad común de los perros, llamada tos Kennel.   Pero al contrario de la influenza, la tos Kennel es una infección bacteriana para la que existe una vacuna.  Cynda Crawford, asistente científico en la Facultad de Veterinaria de la Universidad de Florida, dice que rara vez es mortal y que muchos perros se recuperan de ella sin problemas, sin ninguna complicación del virus de la influenza.Sin embargo, se puede desarrollar una infección bacteriana secundaria: un estudio demuestra que aproximadamente cinco por ciento de los perros afectados por este virus mueren-usualmente porque la infección se convierte en neumonía.La influenza canina es altamente contagiosa y los perros que están en ambientes comunitarios, como en albergues, son especialmente vulnerables.  Crawford dice que un perro con influenza debe tener mucho descanso, debe ser aislado de otros perros, y su condición debe ser vigilada por un veterinario.El declive en el consumo de alimentos peligrososEl consumo de alimentos peligrosos ha declinado.  Los americanos están comiendo cantidades menores de alimentos que contienen microbios como E. coli y Salmonella los cuales se sabe que causan enfermedades.  Los alimentos peligrosos identificados en este estudio incluyen huevos crudos, pescado crudo, ostras crudas, hamburguesas rosadas -poco cocidas, carne molida poco cocida, leche sin pasteurizar y brotes de alfalfa. Erica Weiss (weiss se pronunca uáis) es una investigadora científica en el Departamento de Servicios de Salud de California.  Ella dice que la comparación de dos estudios por teléfono, conducidos con cuatro años de diferencia por la red de vigilancia activa de enfermedades causadas por los alimentos, demuestra que el consumo de alimentos riesgosos ha bajado una tercera parte.  Aún así, algunos grupos continúan comiendo estos alimentos en mayor índice que otros.Weiss dice que ha encontrado que los habitantes del pacífico asiático comieron más alimentos peligrosos que los de la raza blanca.  Los hombres comieron más que las mujeres, y los inmunocomprometidos, menores de dieciocho años, comieron más alimentos peligrosos que los saludables menores de dieciocho años.De acuerdo a Weiss hay maneras de reducir los riesgos que estos alimentos representan como, por ejemplo, cocinar la carne molida y los huevos muy bien, lavar bien los brotes de alfalfa y usar huevos pasteurizados en recetas que incluyen huevos crudos.Cuando se trata de comer pescado y ostras crudas, Weiss dice que usted debe estar seguro de tomar una decisión con conocimiento.

This week, comedian, writer, and actor Rasheda Crockett (The Changeling, Unbreakable Kimmy Schmidt, @RashedaCrockett on IG and all socials) joins James and Jon to cover G20, directed by Patricia Riggen, screenplay by Caitlin Parrish, Erica Weiss, Logan Miller, and Noah Miller, story by Logan Miller and Noah Miller, starring Viola Davis, Anthony Anderson, Marsai Martin, Ramón Rodríguez, Douglas Hodge, Elizabeth Marvel, Sabrina Impacciatore, Clark Gregg, and Antony Starr. Together, they discuss which president solved racism, who's to blame for the film's Rotten Tomatoes score, Homelander memes, the other recent-ish projects G20 reminded them of, where James dropped off with Atlanta, and much, much more! Listen to the full episode on Patreon or Red Circle's Exclusive Feed!SUBSCRIBE TO EXCLUSIVE CONTENT AND OUR BACK CATALOG OF 400+ EPISODES: https://app.redcircle.com/shows/7655b7ec-dc57-47c9-ab96-1a8fa02f6573/exclusive-content JOIN OUR PATREON:https://www.patreon.com/BMCJFOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]:https://twitter.com/blackmenpodcasthttps://www.instagram.com/blackmenpodcastBUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH:https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywoodProduced by Skyler HanrathOur Sponsors:* Check out PrizePicks: https://prizepicks.onelink.me/LME0/HOLLYWOODSupport this podcast at — https://redcircle.com/black-men-cant-jump-in-hollywood/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy