Podcasts about bartholomew

And Jesus went throughout all the cities and villages, teaching in their synagogues and proclaiming the Gospel of the kingdom and healing every disease and every affliction. When He saw the crowds, He had compassion for them, because they were harassed and helpless, like sheep without a shepherd. Then He said to His disciples, “The harvest is plentiful, but the laborers are few; therefore pray earnestly to the Lord of the harvest to send out laborers in His harvest.” And He called to Him His twelve disciples and gave them authority over unclean spirits, to cast them out, and to heal every disease and every affliction. The names of the twelve apostles are these: first, Simon, who is called Peter, and Andrew his brother; James the son of Zebedee, and John his brother; Philip and Bartholomew; Thomas and Matthew the tax collector; James the son of Alphaeus, and Thaddaeus; Simon the Zealot, and Judas Iscariot, who betrayed Him. These twelve Jesus sent out … (Matthew 9:35-10:5a)

Saint Bartholomew was one of the Twelve Apostles, a Galilean; the Gospel accounts say little more about him. It is said that, after receiving the Holy Spirit at Pentecost, he traveled in the service of the Gospel to Arabia and Persia, and brought to India a translation of the Gospel according to Matthew. Eusebius writes that one hundred years later Pantaenus, an illustrious Alexandrian scholar, found this gospel when he traveled in India. By most accounts Bartholomew ended his life in Armenia, where he met his martyrdom by crucifixion. According to many, he and Nathaniel are the same person: the Gospel accounts that speak of Bartholomew do not mention Nathaniel; and St John's Gospel,which mentions Nathanael as one of the Twelve, does not mention Bartholomew. But according to the Greek Synaxarion, Bartholomew and Simon the Zealot are one and the same.   Saint Barnabas was one of the Seventy, from Cyprus, a Levite and at one time a fellow-student with St Paul under Gamaliel. After Christ's Ascension, he led the Seventy until the Apostle Paul's conversion. He is mentioned often in the Acts of the Apostles, which describes some of his travels as a companion of St Paul. By all accounts, he was the first to preach the Gospel of Christ in Rome and in Milan. His wonder-working relics were discovered on the island of Cyprus in the time of the Emperor Zeno; on this basis the Church of Cyprus was established as an independent Church, since it had an apostolic foundation.

ACTS 1:12-26 - THE APOSTLES - BRIAN SUMNER - 2026"Then they returned to Jerusalem from the mount called Olivet, which is near Jerusalem, a Sabbath day's journey. 13 And when they had entered, they went up into the upper room where they were staying: Peter, James, John, and Andrew; Philip and Thomas; Bartholomew and Matthew; James the son of Alphaeus and Simon the Zealot; and Judas the son of James. 14 These all continued with one accord in prayer and supplication, with the women and Mary the mother of Jesus, and with His brothers.Matthias Chosen15 And in those days Peter stood up in the midst of the disciples (altogether the number of names was about a hundred and twenty), and said, 16 “Men and brethren, this Scripture had to be fulfilled, which the Holy Spirit spoke before by the mouth of David concerning Judas, who became a guide to those who arrested Jesus; 17 for he was numbered with us and obtained a part in this ministry.”18 (Now this man purchased a field with the [g]wages of iniquity; and falling headlong, he burst open in the middle and all his entrails gushed out. 19 And it became known to all those dwelling in Jerusalem; so that field is called in their own language, Akel Dama, that is, Field of Blood.)20 “For it is written in the Book of Psalms:‘Let his dwelling place be desolate,And let no one live in it';and,‘Let another take his office.'21 “Therefore, of these men who have accompanied us all the time that the Lord Jesus went in and out among us, 22 beginning from the baptism of John to that day when He was taken up from us, one of these must become a witness with us of His resurrection.”23 And they proposed two: Joseph called Barsabas, who was surnamed Justus, and Matthias. 24 And they prayed and said, “You, O Lord, who know the hearts of all, show which of these two You have chosen 25 to take part in this ministry and apostleship from which Judas by transgression fell, that he might go to his own place.” 26 And they cast their lots, and the lot fell on Matthias. And he was numbered with the eleven apostles."To support this channel and partner with Brian in Ministryhttps://www.briansumner.net/support/For more on Brianhttp://www.briansumner.nethttps://www.instagram.com/BRIANSUMNER/https://www.facebook.com/BRIANSUMNEROFFICIALTo listen to Brians Podcast, click below.https://podcasts.apple.com/us/podcast...Purchase Brians Marriage book at https://www.amazon.com/Never-Fails-Da...Brian is a full time "Urban Missionary" both locally and internationally with a focus on MISSIONS - MARRIAGES - MINISTRY. Since coming to faith in 2004 doors continued opening locally and internationally to do more and more ministry with a focus on Evangelism, Outreach Missions, Marriage, Counsel, Schools, Festivals, Conferences and the like.  Everything about this ministry is made possible because of people personally partnering through the non profit. God Bless and thank you. †Support the showSUPPORT THE SHOW

A biker gang and a glee club go into a bar... That's not a joke setup. It's just the cold open.This week the angel turf war between Bartholomew and Malachi escalates fast, Castiel shows up with his FBI badge still very much in hand, and Metatron is lurking in alleyways because heaven is boring.Meanwhile, the Gadreel situation is unraveling, and this midseason finale does not pull its punches. Berly and LA break down the big reveals, debate Metatron's jarring villain pivot, mourn a beloved character, and address the show's angel-power inconsistencies.We close out with a mid-season check-in: too many factions, Abaddon still out there with a list of every hunter's name, Crowley in the basement probably judging everyone's choices, and Gabriel still nowhere to be found despite promises he's coming. Berly is keeping score.The midseason finale came for our throats, and we were NOT prepared.Drop a comment with your theories, and if you're enjoying the show, a review helps other fans find their way to the bunker. Jerk. Bitch.Sources:https://supernatural.fandom.com/wiki/Holy_Terrorhttps://www.biblword.net/why-did-the-cherubim-guard-the-garden-of-eden/https://www.biblegateway.com/verse/en/Genesis%203%3A24https://redemptivebiblestudies.com/the-mysterious-cherubim-their-symbolism/Send us your review!Support the showTHANK YOU FOR LISTENING!Please rate and review Denim-Wrapped Nightmares wherever you get your podcasts! Find social channels and more on our Linktree.  

In Matthew 9 and 10, Jesus looks out at a world of harassed and helpless sheep and responds not with more demands, but with compassion and the proclamation of the kingdom. In this episode we explore the difference between teaching and preaching, why miracles point beyond themselves, and how Christ sends his disciples with his own authority to deliver what they themselves first received. Following the emphasis of Gerhard Forde, the heart of the mission is not moral improvement or religious achievement, but announcing to lost sheep that the kingdom of heaven has come near in Jesus Christ.GOSPEL Matthew 9:35-10:835 Then Jesus went about all the cities and villages, teaching in their synagogues, and proclaiming the good news of the kingdom, and curing every disease and every sickness. 36 When he saw the crowds, he had compassion for them, because they were harassed and helpless, like sheep without a shepherd. 37 Then he said to his disciples, "The harvest is plentiful, but the laborers are few; 38 therefore ask the Lord of the harvest to send out laborers into his harvest."1 Then Jesus summoned his twelve disciples and gave them authority over unclean spirits, to cast them out, and to cure every disease and every sickness. 2 These are the names of the twelve apostles: first, Simon, also known as Peter, and his brother Andrew; James son of Zebedee, and his brother John; 3 Philip and Bartholomew; Thomas and Matthew the tax collector; James son of Alphaeus, and Thaddaeus; 4 Simon the Cananaean, and Judas Iscariot, the one who betrayed him.5 These twelve Jesus sent out with the following instructions: "Go nowhere among the Gentiles, and enter no town of the Samaritans, 6 but go rather to the lost sheep of the house of Israel. 7 As you go, proclaim the good news, "The kingdom of heaven has come near.' 8 Cure the sick, raise the dead, cleanse the lepers, cast out demons. You received without payment; give without payment.Support the showInterested in sponsoring an episode of Scripture First?Email Sarah at sarah@lhos.org or visit our donation page: lutherhouseofstudy.org/donate

Are you feeling stuck, burnt out, or like you're living life on autopilot? In this powerful episode, transformational coach Karen Bartholomew shares her signature Pause Method framework for helping women break free from limiting beliefs and step into their full potential.Discover how to:Recognize when you're triggered and use it as an opportunity for growthUncover the root stories and messages holding you backChoose a new truth and embody it dailyBuild a supportive community on your own termsGive yourself permission to rest and recharge without guiltIf you're ready to trade hustle for intention, fear for clarity, and old stories for empowered truth, this episode is a must-listen. Karen's no-nonsense approach and real-world wisdom will leave you inspired to reclaim your vitality and start designing the life you truly desire.Karen also shares details on her upcoming retreats, group coaching programs, and the free Sanctum Community where you can connect with like-minded women and access bonus teachings and live coaching.Mentioned in this episode:Karen's Website: https://karenbartholomew.comThe Pause Method Free Webinar1:1 and Group Coaching with KarenSanctum Online CommunityKaren Bartholomew is the founder of the Pause Method, a transformational coaching approach that helps women and leaders break free from autopilot living. After her own awakening 14 years ago, Karen dedicated herself to helping others release limiting beliefs and step into their full potential.Drawing on 20 years of corporate experience and certifications in personal development and sales coaching, Karen guides her clients to trade hustle for intention, fear for clarity, and old stories for empowered truth using her signature Pause, Realign and Rise framework.Karen is passionate about women's empowerment and helping clients confidently design their next chapter through 1:1 coaching, group programs, retreats, and her online Sanctum Community.✨ The deeper work lives on Substack and in my book.Rose Wippich — weekly essays on Remembering, Returning, and Reclaiming the energy, voice, and years that are yours.If you're ready to stop fading and start reigning, meet me there. Substack LinkRose Wippich is an Energy Alchemist, Reiki Master Teacher, qigong and yoga instructor, and author of Empress Rising. She's here for the woman who knows she's ready for something more — the one who feels the pull of her next chapter but isn't quite sure how to step into it.Through her book, podcast, and teaching, Rose inspires and guides women in midlife to reclaim their energy, identity, and voice — and step boldly into their Empress years.

Misha Collins returns to the podcast! He discusses Castiel being more human, feeling secure as a series regular on the show, and the SPN reunion on The Boys. This episode is a barrel of laughs!! Rob and Rich learn about Bartholomew. www.patreon.com/spnthenandnow Learn more about your ad choices. Visit megaphone.fm/adchoices

Ashley Raines and Chris Curtis sit down with Jill Bartholomew — veteran triathlete, certified triathlon coach, professional bike fitter, and host of the Be Fierce & Tri Podcast. Jill brings a wealth of experience to the conversation, sharing insights from years of racing and coaching age group athletes at every level. In 2026, she's taking on an incredible challenge: four full Ironman races, including Ironman Jacksonville. Whether you're chasing your first finish line or hunting a PR, Jill's passion for the sport and her expertise in run Disney events, bike fitting, and endurance coaching will leave you fired up and ready to train. Don't miss this one!

The 12 Apostles (Part 2): Philip, Bartholomew (Nathanael), Matthew, Thomas & Simon the Zealot | Luke 6:13 This episode continues the study of Jesus' chosen twelve apostles from Luke 6:13, explaining the apparent structure of three groups within the Twelve and reviewing prior lessons on Peter, Andrew, James, and John. It focuses on Philip (seen mainly in John's Gospel) as an organized, logical disciple tested in the feeding of the 5,000, his role in bringing Greeks to Jesus with Andrew, and Jesus' correction when Philip asks to see the Father; tradition says Philip was killed in Hierapolis around 54 AD. Bartholomew is identified as Nathanael (son of Tolmai), recounting his call from under the fig tree and his confession of Jesus; tradition places his martyrdom around 68 AD. Matthew (Levi) is described as a wealthy tax collector from a priestly line whose inclusion highlights unity amid tension; tradition says he died in Ethiopia. Thomas is defended beyond the “doubting” label, highlighting his loyalty, grief, confession “My Lord and my God,” and tradition of ministry in India and martyrdom. James son of Alphaeus is noted for obscurity and faithfulness, and Simon the Zealot is explained as a former nationalist extremist whose inclusion alongside Matthew shows Christ's transforming power; tradition links Simon to preaching in Britain and death under a Roman proconsul. Judas Iscariot is reserved for a later dedicated study. Become a supporter and get unlimited questions turned into podcasts at: www.patreon.com/theologyandapologetics YouTube Channel: Theology & Apologetics www.youtube.com/channel/UChoiZ46uyDZZY7W1K9UGAnw TikTok: www.tiktok.com/@dr.fretwell?_t=ZN-8w8NXIFTHkc&_r=1 Instagram: www.instagram.com/theology.apologetics Websites: www.ezrafoundation.org www.theologyandapologetics.com

Air Week: May 25-31, 2026 Imperial Records, Pt. 11 – 1957-58 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we conclude our Imperial series with part eleven, focusing on Imperial’s R&B releases from the end of 1957 and the beginning of 1958. There’s a new hit-maker in town as Imperial signs the young heartthrob, Ricky Nelson as well as other Rockabilly, Rock and Pop acts. Chudd begins to move the label away from Rhythm & Blues and that great New Orleans sound that brought the hits over the past decade. Fats is still able to chart and does so with gusto as “What Will I Tell My Heart,” “Wait & See,” “When I See You,” “Sick & Tired” and “The Big Beat” all make the charts. Ernie Freeman scores one of Imperial’s best-sellers with his cover of the Bill Justis tune, “Raunchy” and Bobby Mitchell records the first version of “I’m Gonna Be A Wheel Someday.” 1958 is a great place for us to stop as we’ve covered Imperial’s R&B heyday over the past eleven week’s on your source for the “soul that came before Rock n’ Roll,” the “Juke In The Back.”  LISTEN BELOW

On Earth as in Heaven Acts 1 by William Klock It's been over ten years since I finished preaching through Luke's Gospel. I had planned to preach on the Acts of the Apostles after a short break, but it didn't happen and didn't happen and didn't happen, but as I was preaching through Ephesians these last few months and pondering the things St. Paul tells us about the what the church is and what that means for us, I got to thinking that I really shouldn't put off Acts any longer.  So I'd planned to jump into it last Sunday. Acts begins with the Ascension of Jesus, and then the very next chapter is Pentecost.  What providential timing!  And then scheduling and a trip to a clericus threw me off by a week.  So last Sunday, Ascension Sunday, you got Ephesians 6—which was a bit of an Ascension sermon—and now on Pentecost, you're getting the Ascension and next week, on Trinity Sunday, you'll get Pentecost! Now, in case you're wondering what Acts has to do with Luke, it's quite a lot. Luke probably wrote his Gospel around a.d. 59 or 60.  He addresses it to someone named Theophilus.  Theophilus means “lover of God”, so some think that Luke may have used this name symbolically and that the Gospel is for everyone who loves God.  It certainly is that, but an attribution like that seems to have been unknown in Luke's world, so Theophilus probably was a real person and was probably a patron who funded Luke's writing project.  Luke was not an eyewitness to Jesus or the events of the Gospels.  As he says in the introduction, he sought out the eyewitnesses so that he could scrupulously record the events surrounding Jesus' life and ministry.  And now Acts.  Luke wrote Acts not long later, sometime between 60 and 62.  The book ends with Paul, imprisoned in Rome, awaiting his hearing before Caesar.  There's a debate about exactly what happened to Paul after that time.  He was martyred at Rome, probably during Nero's persecution of Christians, sometime between 64 and 67.  The traditional view is that Paul's case was heard in 62, he was released, and may have travelled to Spain to preach the good news about Jesus, before returning to Rome to work with Peter to oversee the church there.  The more “modern” view is that Paul was imprisoned once and was executed between 62 and 64.  Whatever the case, since Luke doesn't mention such an important event, we can pretty safely assume he wrote during that time that Paul was awaiting his hearing.  And in the case of Acts, Luke was an eyewitness, at least to part of it.  He researched the early part of Acts just as he did his Gospel, but then he took up with Paul at the city of Troas, on Paul's second missionary journey around 50-51.  Luke spent the following ten or more years travelling with Paul as a missionary and records those events as a participant. And who was Luke other than a companion of Paul?  He was a gentile.  At the end of Colossians, Paul names him separately, apart from his fellow Jewish workers.  In that same passage, Paul describes Luke as a physician.  Beyond that we really don't know a lot about him.  He writes as we would expect a Gentile would write when writing to other Gentiles.  He writes in polished, educated Greek and he often describes Jewish customs for the benefit of his non-Jewish readers.  And when it comes to Acts, he jumps in right where he left off in his Gospel.  He ended with a condensed telling of the Ascension and he begins Acts with a more detailed account, so we'll start there.  It's page 1080 in your pew Bibles if you want to follow along. Luke writes, “Dear Theophilus, The previous book which I wrote had to do with everything Jesus began to do and to teach. I took the story as far as the day when he was taken up, once he had given instructions through the Holy Spirit to his chosen apostles.” Let me pause there.  Notice how Luke writes that in his Gospel he wrote about everything that Jesus began to do and to teach.  Brothers and Sisters, Jesus isn't done.  If Luke's Gospel were called “The Acts of Jesus”, Acts could very easily be “The Acts of Jesus: Part II”.  Jesus isn't done.  Remember what we learned from Paul in Ephesians: in the church, Jesus has established a people—purified by his blood from the stain of sin and filled with God's own Spirit—to be his new creation in the midst of the old, to carry his victory into the world to challenge the Caesars and the gods and the principalities and powers, to proclaim the good news until God's glory fills the whole earth.  Jesus continues his “acts” through us.  At the start of his ministry he told the people to pray: on earth as in heaven.  Now he's empowered us to be the people who will actually live out heaven on earth until he's finally ready to finish what he started that first Easter, and bring heaven and earth and God and human beings back together as they should be. Now, Luke goes on in verse 3: “He showed himself to them alive, after his suffering, by many proofs.  He was seen by them for forty days, during which he spoke about God's kingdom. As they were having a meal together, he told them not to go away from Jerusalem, btu to wait, as he put it, “for the Father's promise, which I was telling you about earlier.  John baptised with water; but in a few days from now you will be baptised with the Holy Spirit.  So when the apostles came together, they put this question to Jesus: “Master,” they said, ‘is this the time when you are going to restore the kingdom to Israel.'” Jesus must have been pretty exasperated by their question.  John Calvin wrote that there are as many errors in their question as there are words.  Jesus has spent forty days teaching them what his resurrection meant for them, for the world, for everything.  Think of the two disciples on the road to Emmaus on Easter Day.  Jesus walked with them for hours and explained what happened to them using the Old Testament scriptures.  We get the impression that as it all sank in they started to understand.  But clearly not fully.  Not even after forty days.  They're still thinking of the kingdom in terms of events like the Maccabean revolt.  The Messiah will raise an army and smite the pagan gentiles and put Israel back on the top of the heap—but this time it will take, it will be forever.  They're still thinking of Jesus as the king in waiting or the king in exile—like some of the Iranians wanting Reza Pahlavi to return to Iran and retake the Peacock Throne.  But that's not how God's kingdom works.  Think of all the parables Jesus told about the kingdom: It's like a tiny mustard seed.  Yes, it will grow into a huge tree, but it takes a long time.  It's like yeast.  Yes, it grows, but it takes time and the right conditions.  After two thousand years, I think we have a better grasp of this.  But not always.  There are still many, many Christians who still kind of ask the same question, as if Jesus is the heir apparent, in exile, still waiting to become king.  But Brothers and Sisters, he already is king.  The church's job is to announce his kingship—as it's carved out on our lychgate: “Jesus is Lord”— and to implement the fact that he really is king.  Now. Not someday.  Now. So Jesus responds to them in verse 7: “It's not your business to know about times and dates,” he replied. “The Father has placed all that under his own direct authority.  What will happen, though, is that you will receive power when the Holy Spirit comes upon you.  Then you will be my witnesses in Jerusalem, in all Judaea and Samaria, and to the very ends of the earth.” The timing?  How the kingdom is going play out?  When everything will finally be consummated?  Don't worry about that.  The Father has that worked out in his goodness and wisdom.  That' not your job.  That's not our job.  That' not even Jesus' job to know.  Their job, our job is to witness Jesus—his death, his resurrection, his ascension, the fact that he is Lord—to be God's new creation, to put off the old, lie-based way of being human to to put on the new—our job is witness that good news and God's new creation to the world.  And Jesus reiterates it again: I will make sure you're equipped for this.  He's told them already: As John baptised you with water, I will baptise you with the Holy Spirit.  The significance of that didn't seem to sink in.  It should have.  This is what the Lord had promised through the prophets over and over.  Filling his people with the Spirit was to be the great sign of the Messianic age.  It would be the thing that would finally set the hearts of his people right.  And so Jesus says it again: “You will receive power when the Holy Spirit comes upon you.  And then you'll be my witnesses from Jerusalem and eventually out to the whole world.  The mustard seed.  The yeast.  The king returning from the far-off land.  And then, to make his point, to drive home the fact that, yes, he really is king, Jesus acts out another prophecy.  He loved to do this and so it makes perfect sense that his last act before leaving them would be another acted out prophecy.  Verse 9: “As Jesus said this, he was lifted up while they were watching and a cloud took him out of their sight.  They were gazing into heaven as he disappeared.  Then, lo and behold, two men appeared, dressed in white, standing beside them.  ‘Men of Galilee,' they said, ‘why are you standing here staring into heaven?  This Jesus, who has been taken from you into heaven, will come back in the same way you saw him go into heaven.'” Jesus acts out Daniel 7—maybe not something we're intimately familiar with (although we should be), but a passage—a dramatic image—any Jew knew intimately.  That's the dream Daniel had of the ferocious beasts representing the pagan kings and empires that threatened God's people.  And in his vision, Daniel sees the Ancient of Days take his throne to sit in judgement over these beasts.  Their kingdoms are taken from them and then one like a son of man comes on the clouds to heaven to take his throne.  And to him is given dominion and glory and kingship so that all peoples, nations, and languages should serve him.  His dominion, Daniel says, is everlasting, his kingship one that shall never be destroyed.  This the vision of the Messiah becoming king and restoring the kingdom to Israel. So in his ascension, Jesus is showing the fulfilment of God's promise to Daniel.  Coming on the clouds to take his throne.  It was an unmistakable image for the disciples.  The kingdom has been restored to Israel—of course, that's Israel reconstituted around and in Jesus the Messiah—but restored it has been.  The Messiah is on his throne.  At the end of Matthew's Gospel, when Jesus gives the disciples what we often call his “great commission” he deliberately echoes Daniel 7: “All authority in heaven and on earth has been given to me.  So you must go and make all the nations into disciples.”  The Ascension means that the world is under new management.  Maybe it helps to understand how they thought of heaven.  Unfortunately, we tend to think of heaven through a Platonic lens.  It's a far away and otherworldly place.  The opposite of earth.  The real world of which this is only a shadow.  But that's Plato—pagan Greek philosophy—not the Bible.  In the Bible heaven is earth's compliment; its other half.  God created them to fit together, to mesh.  Heaven is his realm, but the two were meant to overlap, for us to share his presence.  But his part, the heavenly half, was—in the Jewish view—it was like the control room or the CEO's office.  And that's where Jesus has gone.  To take the controls, to sit at the big desk, to accede to his throne—to rule and to reign: as Paul in 1 Corinthians 15:25: “He has to rule until he has put all his enemies under his feet.” But back to Daniel 7.  If the son of man has taken his throne, then that means that the kingdom has, indeed, been restored to Israel.  There are implications there for the disciples.  One of the twelve is missing.  Judas hanged himself after betraying Jesus.  The twelve are only eleven.  If the apostles represent the fullness of Israel reconstituted in the Messiah, they need a replacement for Judas.  Twelve tribes; twelve apostles. Maybe they didn't grasp this immediately.  Luke says that after Jesus' ascension, after the two angels asked if they were just going to stand around staring into heaven all day—because: he's one day coming back in the same way—like, didn't he give you work to do?—so they went back to Jerusalem as Jesus had told them.  Verse 13: “They then entered the city (‘they' meaning Peter, John, James, Andrew, Philip, Thomas, Bartholomew, Matthew, James the son of Alphaeus, Simon the zealot, and Judas the son of James) and went to the upstairs room where they were staying.  They all gave themselves single-heartedly to prayer, with the women, including Mary, Jesus' mother, and his brothers.” Luke makes a point of naming them all.  And there are eleven, not twelve.  He anticipates what needs to happen.  The apostles themselves apparently weren't sure what to do, so they did the right thing: they devoted themselves to prayer.  Brothers and Sisters, don't ever let prayer be an excuse for not doing what needs to be done, but when you don't know what to do: pray.  And pray some more.  Luke doesn't say that God suddenly spoke and gave them direction, but after days of prayer they began to understand what they had to do.  They knew the scriptures.  They'd listened to Jesus for forty days.  And as they prayed, understanding came.  Prayer has a way of doing that.  As we see here, the scriptures began to percolate in Peter's head.  That's often how God leads us.  It's not often that he speaks directly and we shouldn't expect him to.  But when we're already steeped in the scriptures and when we pray, the Spirit works and things “seem” to just come together.  I'm often amazed to see how this works when I'm preparing a sermon.  So Peter stands up in the middle of the disciples.  Luke says they'd grown to a hundred and twenty by this point.  And he says—verse 16: “Brothers, the scripture had to be fulfilled, which the Holy Spirit spoke long ago by the mouth of David about Judas, who became a guide to the people who arrested Jesus.  He was counted among us and had his own share in this ministry.”  Luke then adds that Judas went to the field bought with the money used to betray Jesus, he hanged himself there, where he burst open and his guts came out.  Luke notes this bit as historical evidence.  The field was still called “Blood-Place” in his day. And Peter goes on in verse 20, quoting Psalm 69:25 and Psalm 109:8, “For this is what it says in the book of Psalms: ‘Let his home become desolate and let no one live in it' and again, ‘Let another receive his office.' “So,” Peter said, “this is what has to be done. There are plenty of people who have gone about with us all the time that our master Jesus was coming and going among us, starting from John's baptism until the day he was taken from us.  Let one of them be chosen to be alongside us as a special witness of his resurrection.” Through prayer and the scriptures and the prompting of the Spirit, Peter realised that if Jesus, the son of man, sits on his throne, the kingdom has been restored to Israel, and that meant that the leaders…the apostles…of this renewed Israel had better number twelve, to represent the full number Israel's tribes.  The symbolism was vital if people—particularly fellow Jews—were going to see how the scriptures and the covenant and God's promises to Israel were being fulfilled in the church.  “So,” writes Luke, “they chose two: Joseph who was called Barsabbas, with the surname Justus, and Matthias.  ‘Lord,' they prayed, ‘you know the hearts of all people. Show us which one of these two you have chosen to receive this particular place of service and apostleship, from which Judas went away to go to his own place.' So they cast lots for them.  The lot fell on Matthias, and he was enrolled along with the eleven apostles.” This may seem like a mundane detail to us, especially after the glory of Jesus' ascension.  But it was a big deal to the apostles and no less to Luke.  Their knowing the need for twelve, not eleven apostles, highlights just how much they saw the work of Jesus as being about the fulfilment and the restoration of God's people as the promises to Abraham were fulfilled and their mission was about be launched into the nations.  It was proof that this new movement wasn't really new at all.  It was rooted in God's promises and showed their fulfilment of God.  Jesus, the cross, the resurrection, Pentecost weren't just stand-alone events.  They were part of the great story that God had been telling his people for thousands of years.  In these events, God was doing what he'd promised, showing his faithfulness and revealing his glory.  That's why Peter takes us back to the Psalms here.  It's why Stephen, before his martyrdom in Chapter 7 recounts the history of Israel.  They wanted to make it clear that what's happening here in Acts was what God intended all along. I've always found it funny that for all the big deal they make choosing Matthias, he's never mentioned again. I say that, because it's a good reminder that what Luke records in Acts is selective.  As St. John writes at the end of his Gospel, if someone were to write down literally everything that Jesus did, the world could not contain all the books.  And just so with Acts.  Just so with the whole history of the church.  The world could not contain the books needed to record all the things, big and small and all amazing, that Jesus and the Spirit have done through Christians down through the ages, the famous ones and the ordinary saints like you and I.  But the little bit that Luke records for us in Acts, Brothers and Sisters, is a partial (and strategic) record—inspired by the Spirit—that ought to encourage us as it reminds us how God is fulfilling his promises here and now in us and as it exhorts us to carry on with our mission, knowing that the Spirit is with us and will equip us for everything he has for us to do. On that note, I want to conclude with two images.  Jesus was acting out Daniel's prophecy of the son of man coming on the clouds to his throne when he ascended, but there are at least two other unmistakable images in that act as well.  The first is Moses, ascending Mount Sinai, up into the clouds and thunder.  Moses went up and came down with the law.  In the same way, Jesus has gone up, but what has come down is not another law written on stone, but God's own Spirit, poured into our hearts.  Contemporary Christians often think of the Spirit mainly as the agent of amazing and miraculous gifts, but the most important work of the Spirit, Brothers and Sisters, the most amazing miracle of the Spirit, is to transform our hearts and to turn our affections toward God, to fill us with his law of love.  The other image here is that of the Prophet Elijah as he was taken up into heaven in a chariot of fire.  As he went, he threw down his mantle onto Elisha, his protégé.  In that act, he not only passed on his God-given mission to Elisha, but he empowered him to do it.  That is what the book of Acts is about.  Luke's Gospel is about Jesus and his ministry—like the Prophet Elijah—and at the Ascension he's taken up in heaven and his mantle falls to the apostles, to the church, to you and to me, and the book of Acts is then like the continuing story of Elisha, carrying on the work and ministry God had given to Elijah.  Elijah's last act was to strike the waters of the Jordan with his cloak so that they parted, and Elisha's first act is to do exactly the same.  Brother and Sisters, that's Acts.  That's the ministry of the church.  To steward the good news about Jesus, to steward God's presence, to be his temple, ever expanding until it fills the earth.  Yes, it's a difficult job—some even lose their lives for it—but Jesus has equipped us and he's given us hope in the faithfulness of God to do what he has said.  His mantle has fallen on us in the gift of the Spirit and we know that he sits on his throne as Lord.  That central gospel truth is carved on our lychgate, a reminder as we come here and as a remind when we go back out to the world.  May Jesus' ascension never be for us a mere doctrine.  May it be for us the great truth that gives us hope, the great truth that is transforming creation. Let's pray: Almighty God and Father, as you have taken your son, Jesus the Messiah to reign in heaven, and as you have let his mantle fall on us in your indwelling Spirit, fill us with bold faith and certain hope that we might be faithful stewards of your gospel and for the sake of the world until the knowledge of your glory reaches the ends of the earth your son returns again on the clouds.  Through him we pray. Amen.

‘MAY, WE THANK YOU.’ PRESENTED BY SIGNATURE DEALER GROUP, AND PROUDLY SUPPORTED BY: ADENTS LANDSCAPE SUPPLY HASSE’S TOWING AND CRANE SERVICE PRISTINE POOL AND SPA ST. JOE MONUMENT WORKS HARTLINES GARDEN CENTER HOLLYWOOD SMALL ENGINE MIDWEST ROOFING SPECIALIST ART AND IMAGE LAKE MICHIGAN COLLEGE AND FOUR SEASONS EXCAVATINGSee omnystudio.com/listener for privacy information.

Jon Leonetti joins the show to discuss St. Bartholomew in our Great Men of the Bible series. Iowa Catholic Radio Network Shows: - Be Not Afraid with Fr. Fabian Moncada and Fr. Bruce Riebe - Be Not Afraid in Spanish with Fr. Fabian Moncada - Catholic Women Now with Chris Magruder and Julie Nelson - Making It Personal with Bishop William Joensen - Man Up! with Joe Stopulus - Sunday Dive with Katie Patrizio - The Catholic Morning Show with Dr. Bo Bonner - The Daily Gospel Reflection with Fr. Nick Smith - The Uncommon Good with Bo Bonner and Dr. Bud Marr - Faith and Family Finance with Gregory Waddle Want to support your favorite show? Click Here Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

A sermon for Easter 7 (May 17, 2026) Acts 1:6-14 When the apostles had come together, they asked Jesus, “Lord, is this the time when you will restore the kingdom to Israel?” He replied, “It is not for you to know the times or periods that the Father has set by his own authority. But you will receive power when the Holy Spirit has come upon you; and you will be my witnesses in Jerusalem, in all Judea and Samaria, and to the ends of the earth.” When he had said this, as they were watching, he was lifted up, and a cloud took him out of their sight. While he was going and they were gazing up toward heaven, suddenly two men in white robes stood by them. They said, “Men of Galilee, why do you stand looking up toward heaven? This Jesus, who has been taken up from you into heaven, will come in the same way as you saw him go into heaven.” Then they returned to Jerusalem from the mount called Olivet, which is near Jerusalem, a sabbath day's journey away. When they had entered the city, they went to the room upstairs where they were staying, Peter, and John, and James, and Andrew, Philip and Thomas, Bartholomew and Matthew, James son of Alphaeus, and Simon the Zealot, and Judas son of James. All these were constantly devoting themselves to prayer, together with certain women, including Mary the mother of Jesus, as well as his brothers.  

Air Week: May 18-24, 2026 Imperial Records, Pt. 10 – 1957 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part ten, focusing on Imperial’s R&B releases from 1957. Fats Domino continues his hit streak as both “Blue Monday” and “I’m Walkin'” top the R&B chart and “Valley of Tears” stalls at #2. These 3 singles would also crack the pop top 10! Dave Bartholomew records a cult favorite about the Signifying Monkey and produces some great sides from James “Sugarboy” Crawford, Faye Adams and Chris Kenner. Blues shouter Roy Brown returns to the charts in ’57 on Imperial with “Let The Four Winds Blow” and a cover of Buddy Knox’s Rockabilly hit, “Party Doll.” The line between R&B and Rock n’ Roll is blurred as we keep those records spinning on part ten of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Seventh Sunday of Easter The First Lesson Acts 1:6-14 When the apostles had come together, they asked Jesus, "Lord, is this the time when you will restore the kingdom to Israel?" He replied, "It is not for you to know the times or periods that the Father has set by his own authority. But you will receive power when the Holy Spirit has come upon you; and you will be my witnesses in Jerusalem, in all Judea and Samaria, and to the ends of the earth." When he had said this, as they were watching, he was lifted up, and a cloud took him out of their sight. While he was going and they were gazing up toward heaven, suddenly two men in white robes stood by them. They said, "Men of Galilee, why do you stand looking up toward heaven? This Jesus, who has been taken up from you into heaven, will come in the same way as you saw him go into heaven." Then they returned to Jerusalem from the mount called Olivet, which is near Jerusalem, a sabbath day's journey away. When they had entered the city, they went to the room upstairs where they were staying, Peter, and John, and James, and Andrew, Philip and Thomas, Bartholomew and Matthew, James son of Alphaeus, and Simon the Zealot, and Judas son of James. All these were constantly devoting themselves to prayer, together with certain women, including Mary the mother of Jesus, as well as his brothers. The Psalm Psalm 68:1-10, 33-36 Exsurgat Deus 1 Let God arise, and let his enemies be scattered; * let those who hate him flee before him. 2 Let them vanish like smoke when the wind drives it away; * as the wax melts at the fire, so let the wicked perish at the presence of God. 3 But let the righteous be glad and rejoice before God; * let them also be merry and joyful. 4 Sing to God, sing praises to his Name; exalt him who rides upon the heavens; * YAHWEH is his Name, rejoice before him! 5 Father of orphans, defender of widows, * God in his holy habitation! 6 God gives the solitary a home and brings forth prisoners into freedom; * but the rebels shall live in dry places. 7 O God, when you went forth before your people, * when you marched through the wilderness, 8 The earth shook, and the skies poured down rain, at the presence of God, the God of Sinai, * at the presence of God, the God of Israel. 9 You sent a gracious rain, O God, upon your inheritance; * you refreshed the land when it was weary. 10 Your people found their home in it; * in your goodness, O God, you have made provision for the poor. 33 Sing to God, O kingdoms of the earth; * sing praises to the Lord. 34 He rides in the heavens, the ancient heavens; * he sends forth his voice, his mighty voice. 35 Ascribe power to God; * his majesty is over Israel; his strength is in the skies. 36 How wonderful is God in his holy places! * the God of Israel giving strength and power to his people! Blessed be God! The Epistle 1 Peter 4:12-14; 5:6-11 Beloved, do not be surprised at the fiery ordeal that is taking place among you to test you, as though something strange were happening to you. But rejoice insofar as you are sharing Christ's sufferings, so that you may also be glad and shout for joy when his glory is revealed. If you are reviled for the name of Christ, you are blessed, because the spirit of glory, which is the Spirit of God, is resting on you. Humble yourselves therefore under the mighty hand of God, so that he may exalt you in due time. Cast all your anxiety on him, because he cares for you. Discipline yourselves, keep alert. Like a roaring lion your adversary the devil prowls around, looking for someone to devour. Resist him, steadfast in your faith, for you know that your brothers and sisters in all the world are undergoing the same kinds of suffering. And after you have suffered for a little while, the God of all grace, who has called you to his eternal glory in Christ, will himself restore, support, strengthen, and establish you. To him be the power forever and ever. Amen. The Gospel John 17:1-11 Jesus looked up to heaven and said, "Father, the hour has come; glorify your Son so that the Son may glorify you, since you have given him authority over all people, to give eternal life to all whom you have given him. And this is eternal life, that they may know you, the only true God, and Jesus Christ whom you have sent. I glorified you on earth by finishing the work that you gave me to do. So now, Father, glorify me in your own presence with the glory that I had in your presence before the world existed. "I have made your name known to those whom you gave me from the world. They were yours, and you gave them to me, and they have kept your word. Now they know that everything you have given me is from you; for the words that you gave to me I have given to them, and they have received them and know in truth that I came from you; and they have believed that you sent me. I am asking on their behalf; I am not asking on behalf of the world, but on behalf of those whom you gave me, because they are yours. All mine are yours, and yours are mine; and I have been glorified in them. And now I am no longer in the world, but they are in the world, and I am coming to you. Holy Father, protect them in your name that you have given me, so that they may be one, as we are one."

Grant reacts to the Brewers returning to full health- is the team ready for a hot stretch? UW has announced their search for the next AD- Colten Bartholomew talks details. See omnystudio.com/listener for privacy information.

  From a 10-bed lying-in hospital to Handel's Messiah, the Rotunda Maternity Hospital has operated continuously for 281 years. A Nurses' Week story. Summary Across the street from Danny’s Dublin hotel stood a large white institutional building with no signage. It turned out to be the Rotunda Hospital — the oldest continuously operating maternity hospital in the world, delivering babies in the same building since December 8th, 1757. Surgeon Bartholomew Mosse founded it after losing his wife and child in childbirth, trained as a midwife in Paris at a time when physicians were penalized for practicing midwifery, and returned to Dublin determined to build something that didn’t yet exist. The first version had 10 beds and delivered 190 babies in its first year, with one maternal death. Unable to raise money for a larger hospital — no one wanted to fund poor women’s care — Mosse attended the world premiere of Handel’s Messiah in Dublin in 1742 and was inspired. He turned the future hospital site into a pleasure garden with orchestras, dances, and theater to attract wealthy donors. He was later imprisoned for debt, escaped through a castle window in Wales, hid in the mountains for three weeks, and died exhausted and broke in 1759, less than two years after the new hospital opened. Sara E. Hampson, one of Florence Nightingale’s original nurses, became the hospital’s first female superintendent in 1891 — a thread that ties Nurses Week directly to this building, Danny almost walked past. Click here to view the printable newsletter. More readable than a transcript. Contents Podcast episode on YouTube Episode Proem: No Signage, No Appointment, No Problem Hello. Welcome to 2026 Nurses Week, May 6th through 12th. I’m very proud to be a nurse. I’ve been a nurse for 50 years. And my grandson’s going to nursing school next year. He’s graduating as a senior and will attend Loyola University in Chicago for its nursing program. I’m very proud. I want to tell you a story about one of the most significant things that happened during our trip to Ireland a couple of weeks ago. We were staying in the north-central city of Dublin, Ireland. Across the street, I saw a big white institutional facade with no signage. It looked like the side of the building. Next to it, on its right, was a dome with a more modern sign that read “Ambassador”. So, I went into the hotel and asked, “So what’s this building?” And they didn’t know. I looked it up, and it turned out to be the Rotunda Hospital. The Rotunda Hospital is the oldest freestanding maternity hospital in the world. Midwifery Was Scandalous. He Did It Anyway. Now let me see. I’ve got some notes here. The hospital was founded in 1745 by a man named Bartholomew Mosse, M-O-S-S-E. He was a certified surgeon. His wife and child died in childbirth. After this tragedy, he left Ireland to serve as a doctor with the British Army. While he was away, he received midwifery training at a hospital in Paris and obtained his midwifery license, which was unusual. In fact, fellows of the Royal College of Physicians were even penalized if they practiced midwifery. But Mosse wanted to change that. So, he built this small place, 10 beds, that… Let’s see, when did it open? I guess it opened in 1745. Mosse’s ambition was to build a dedicated maternity hospital in Dublin to provide medical care and shelter to the city's penniless mothers. This came after he encountered unspeakable conditions during his practice, particularly in the aftermath of the 1739 famine. So he established this 10-bed hospital. It was in a small theater called the New Booth Theatre. It says here that it was the first lying-in hospital of its kind in the world. It had only 10 beds, but in its first year, 190 babies were born, and just one mother died. But obviously, they couldn’t meet demand with 10 beds. When No One Funds Poor Mothers, Try Dancing Mosse tried to raise money to build a larger hospital, but nobody really wanted to give money to poor women. So he happened to attend the world premiere of Handel’s Messiah on April 13, 1742. While he was there, he was inspired to raise money by entertaining the wealthy. Somebody sent me a picture of the Handel statue that’s in front of the theater where the premiere was, which I thought would be interesting. According to my research, on the evening of April 13th, 1742, Handel conducted the world premiere of his Messiah on Dublin’s Fishamble Street, and Mosse was present. Historians suggest that this moment crystallized Mosse’s idea of using high-society entertainment to fund a hospital for the poor. So Mosse turned the proposed hospital site into a pleasure garden with a live orchestra, theatrical performances, and dances in a coffee house, marrying philanthropy with frivolity to reach the wealthy. Debt, Daring Escape, Death Here’s a little interesting tidbit. Lotteries nearly destroyed Dr. Mosse. Before he was able to return to Ireland, he was arrested and charged with being 200 pounds in debt, and he’s thought to have been imprisoned in Beaumaris Castle in Anglesey, Wales. The story was that he managed to escape through a window and hid in the Welsh mountains for three weeks before reaching Ireland. He then vindicated himself by publishing his receipts and lottery accounts, whatever. But less than a year after the hospital opened, he was taken seriously ill, exhausted, heavily in debt, and petrified about the prospect of arrest and imprisonment. He died on February 16th, 1759. Fix the Air, Save the Babies. Then and Now. Around 1781, when the hospital was poorly ventilated and every sixth child died within nine days of birth, they realized the problem was poor ventilation. Ventilation was improved, and mortality dropped to 1 in 20 over the following five years. They’re also planning to celebrate their millionth birth in 2026. It’s just amazing. I met a saleswoman in a sweater store who asked where we went in Dublin. When I told her about the Rotunda Hospital, she said she had a difficult pregnancy and birth without insurance. She received care at the Rotunda Hospital, with her baby in neonatal intensive care for three weeks and herself as an inpatient for two weeks. Awesome care! So, when we were there, I, an old white guy in a wheelchair, motored into the Rotunda Hospital and stopped at the registration desk to ask if I could speak with someone. I had not made an appointment. I was leaving the next day. Very nice people. I tried to get hold of people in their library, research, and marketing, but they were busy, of course. Oldest? It's Relative. I’m really impressed by the idea of being the world's longest-operating specialist hospital. I was trying to get some perspective on that, so I looked up the oldest continuously operating hospitals, and here’s what I learned. I learned that in the United States, the oldest continuously operating hospital is Bellevue Hospital in New York City, which opened in 1736 as a six-bed infirmary.[1] So, it began as a haven for the indigent and is still a major public hospital on the East Side of Manhattan. It opened nine years before Mosse opened his first lying-in hospital. The other long-running hospital is the Pennsylvania Hospital in Philadelphia[2], established in 1751 by Benjamin Franklin and Dr. Thomas Bond. It’s still operational as part of the University of Pennsylvania Health System. The oldest hospital is the Hôtel-Dieu in Paris[3], which officially opened in 650 AD, and that’s the hospital where Mosse became a midwife. There’s St. Bartholomew’s Hospital in London, founded in 1123[4]. And there’s the Hospital de Jesús Nazareno in Mexico City, opened in 1524. But really, the Rotunda is the oldest maternity-only specialist hospital, continuously operating in the world, which is a more specific and arguably more impressive claim than the general acute care hospitals Bellevue and Hôtel-Dieu, which have both moved buildings, changed missions, and been rebuilt. The Rotunda has been delivering babies in the same building since December 8th, 1757. That’s really something. Reflection: Nightingale Was Here Too So, let’s bring this back to Nurses Day and to Florence Nightingale. Interestingly, Sara E. Hampson was one of the original Nightingale nurses and the first lady superintendent of the Rotunda Hospital in 1891. So yay, nursing. Yay, history. I’m really looking forward to exploring more of this amazing hospital in Dublin. I wonder who was in charge all these years, and how it survived past Mosse and through those first decade or first few years? And then, how did the Rotunda Hospital survive war, famine, pandemics, and technological change? What research occurred there? Is there a diaspora of Rotunda alumni? Anyway, more to come. Thanks. Referenced in episode [1] By Harper’s Weekly – Harper’s Weekly, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6014479 [2] William Strickland (1788-1854) Engraver: Samuel Seymour (1796-1823), Public domain, via Wikimedia Commons [3] I, Clio, CC BY-SA 3.0 , via Wikimedia Commons [4] See page for author, CC BY 4.0 , via Wikimedia Commons Are you part of the Rotunda Hospital diaspora? Find me at dannyhealthhats@gmail.com. Tell me your version. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Inspired by and Grateful to: Dr. Lisa Masinter and Dr. Michele Whitt, Janice Tufte, Linda DeRosa, Luc Pelletier, Cherie Binns Photo Credits  Ann Boland, Paul Boland, Janice Tufte, Danny van Leeuwen, and as referenced in the transcript Related episodes from Health Hats https://health-hats.com/pod133/ https://health-hats.com/ob-nurse-cannabis-nurse/ https://health-hats.com/build-it-and-they-will-come/ Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

Air Week: May 11-17, 2026 Imperial Records, Pt. 9 – 1956, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part nine, focusing on Imperial’s R&B releases from the second half of 1956. Fats Domino has the biggest hit of his entire career with “Blueberry Hill,” a tune that Dave Bartholomew did not think he should record. It sold millions and millions and topped the R&B charts and landing at a whopping #2 on the pop chart. Matt The Cat presents the story behind that monumental release as well as spinning some great and seldom heard vocal group records from The Barons, The Victorials, The Dukes and The Honey Bees, a female group. We’ll also dig on some solid R&B releases from Johnny Fuller, Ernie Freeman and Gloria Jean Pitts as we keeps those records spinning on part nine of the Imperial Records Story on this week’s “Juke In The Back.” LISTEN BELOW

The success of coffee globally is based on what coffee represents...community. A beverage that facilitates rootedness, growth, and fruiting of relationships through shared conversation over a cup in our shops or your home. But today, we are an industry. And our concerns tend to be exclusively around just the business of specialty coffee. Where is the heart?  Today I am honored and excited to present an interview with someone who is actively and tenaciously pursuing the heart of coffee in her community by honoring coffees root and growing the fruit of what it can bring to people. We are talking with Head Roaster, Co-founder, and Chief of Staff for Cxffee Black, Renata Henderson! Renata Henderson is Memphis, Tennessee's first Black female roaster and the co-founder and Chief of Staff of Cxffeeblack, the community-oriented, education-based coffee company she built alongside her husband Bartholomew Jones. Founded in 2019 on a mission to return coffee to its African roots and build an equitable Black future, Cxffeeblack made history by creating the first entirely all-Black coffee supply chain from Ethiopia to Memphis — with direct-trade relationships extending to producers like Stephen and Margaret Kuria of Liwani Estate in Nakuru, Kenya. She serves as Head Roaster, Creative Director, and HR lead, Renata brings her deep background in curriculum, instruction, and education into every dimension of Cxffeeblack, from its Specialist-in-Training internship program to the Barista Exchange Program. Her connection to coffee is deeply ancestral — rooted in Ethiopian women's 2,000-year roasting tradition and a family legacy that includes her grandfather marching alongside Dr. Martin Luther King, Jr. during the 1968 Memphis sanitation workers' strike, canteen of coffee in hand. Under Renata and Bartholomew's leadership, Cxffeeblack has earned the 2023 Sprudgie Award for Best Film in Coffee, the 2024 Sprudgie Award for Global Notable Roaster of the Year, and the inaugural 2024 Coffee Coalition for Racial Equity Innovator of the Year award. Built with support from more than 500 community investors, Cxffeeblack's new flagship café and global roasting headquarters opened in December 2025 at 3386 Bowen Avenue in Memphis's Mitchell Heights neighborhood — celebrated with an East African coffee ceremony, live music, and a community brunch — and is now equipped with a new roaster tripling the company's capacity as it expands into Memphis grocery stores and new café partnerships across the city. Cxffeeblack has been featured in Vice, NPR, The Hill, and Black Enterprise, and has collaborated with Miir, Oatley, La Marzocco, NBA player JaeShawn Tate, and West African coffee entrepreneurs at the Black Star Line Festival. For Renata, coffee has always been more than a beverage — it is, as she says "an open air church to experience God and His goodness." We discuss: Her Grandfather's coffee and community justice that inspired her Connecting with Coffee's Origin through Cxffeeblack How Cxffeeblack Is Redefining Coffee with Heart and Justice Living Among the People They Serve in Memphis The hard part and the joyful part of coffee work from the heart Navigating Authenticity and Business Guidelines Celebrating Individuality in Coffee Spaces Personal Growth and Community Impact Links: https://www.instagram.com/cxffeeblack/ https://cxffeeblack.com/   KEYS TO THE SHOP ALSO OFFERS 1:1 CONSULTING AND COACHING! If you are a cafe owner and want to work one on one with me to bring your shop to its next level and help bring you joy and freedom in the process then email  chris@keystothshop.com of book a free call now:  https://calendly.com/chrisdeferio/30min    Related episodes:  542: Founder Friday! w/ Nori and Tin Burmudez of Corridor Flow, Lomita, CA 488: Founder Friday! Honoring Coffee's Root w/ Bartholomew Jones of Cxffee Black! 230 : Making room for Community in your Shop 279 : Founder Friday! w/ Daniel Brown and Nephthaly Leonidas of Gilly Brew Bar 451: Business Growth, Integrity, and Coffee Farmer Equity w/ Martin Mayorga of Mayorga Coffee 530: Founder Friday w/ Aisha Bullard and Modou (MAD) Diongue of Original Drip in Dakar, Senegal 352: Music, Culture, and Coffee w/ Hip Hop Artist, Propaganda 139 : Founder Friday w/ Kusanya Cafe co-founder, Phil Sipka

Air Week: May 4-10, 2026 Imperial Records, Pt. 8 – 1956, Pt. 1 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part eight, focusing on Imperial’s R&B releases from the first half of 1956. Fats Domino keeps the momentum going after breaking through to the Pop Charts in 1955 with “Ain’t It A Shame.” In early ’56, he scores with “Bo Weevil, “My Blue Heaven” and “I’m In Love Again” and will have the biggest hit of his entire career later in the year. Bobby Mitchell leaves to The Toppers to become a solo star and scores the only charting record of his entire career this year with “Try Rock and Roll.” Dave Bartholomew is behind Mitchell’s breakout record as well as 2 charting singles for Smiley Lewis the year and more great releases from The Spiders, who are now being billed at Chuck Carbo & The Spiders. Out in LA, Imperial is still making some great vocal group records with the Jewels and The Barons and Matt The Cat keeps those records spinning as he features part eight of the Imperial Records Story on this week’s “Juke In The Back.” LISTEN BELOW

To become a follower of Jesus, visit: https://MorningMindsetMedia.com/Jesus  ➖➖➖➖➖➖➖➖➖➖ ⇒ TODAY'S DAILY SPONSOR: You can sponsor a daily episode of the Morning Mindset too, by going to https://MorningMindsetMedia.com/DailySponsor ➖➖➖➖➖➖➖➖➖➖ TODAY'S SCRIPTURE: ➖➖➖➖➖➖➖➖➖➖ FINANCIALLY SUPPORT THE MORNING MINDSET: (not tax-deductible) -- Become a monthly partner: https://mm-gfk-partners.supercast.com/ -- Support a daily episode: https://MorningMindsetMedia.com/daily-sponsor/ -- Give one-time: https://give.cornerstone.cc/careygreen -- Venmo: https://venmo.com/CareyNGreen  ➖➖➖➖➖➖➖➖➖➖ NON-ENGLISH VERSIONS OF THIS PODCAST: SPANISH version: https://MorningMindsetMedia.com/Spanish CHINESE version: https://MorningMindsetMedia.com/Chinese  ➖➖➖➖➖➖➖➖➖➖ CONTACT: Carey@careygreen.com  ➖➖➖➖➖➖➖➖➖➖ THEME MUSIC: “King’s Trailer” – Creative Commons 0 | Provided by https://freepd.com/ To become a follower of Jesus, visit: https://MorningMindsetMedia.com/Jesus  ➖➖➖➖➖➖➖➖➖➖ ⇒ TODAY'S DAILY SPONSOR: Today’s episode is financially supported by Theo and Laura -- We have been blessed by the podcasts over the last few years. You can sponsor a daily episode of the Morning Mindset too, by going to https://MorningMindsetMedia.com/DailySponsor ➖➖➖➖➖➖➖➖➖➖ TODAY'S SCRIPTURE: Mark 3:14–19 - And he appointed twelve (whom he also named apostles) so that they might be with him and he might send them out to preach [15] and have authority to cast out demons. [16] He appointed the twelve: Simon (to whom he gave the name Peter); [17] James the son of Zebedee and John the brother of James (to whom he gave the name Boanerges, that is, Sons of Thunder); [18] Andrew, and Philip, and Bartholomew, and Matthew, and Thomas, and James the son of Alphaeus, and Thaddaeus, and Simon the Zealot, [19] and Judas Iscariot, who betrayed him. (ESV) ➖➖➖➖➖➖➖➖➖➖ FINANCIALLY SUPPORT THE MORNING MINDSET: (not tax-deductible) -- Become a monthly partner: https://mm-gfk-partners.supercast.com/ -- Support a daily episode: https://MorningMindsetMedia.com/daily-sponsor/ -- Give one-time: https://give.cornerstone.cc/careygreen -- Venmo: https://venmo.com/CareyNGreen  ➖➖➖➖➖➖➖➖➖➖ NON-ENGLISH VERSIONS OF THIS PODCAST: SPANISH version: https://MorningMindsetMedia.com/Spanish CHINESE version: https://MorningMindsetMedia.com/Chinese  ➖➖➖➖➖➖➖➖➖➖ CONTACT: Carey@careygreen.com  ➖➖➖➖➖➖➖➖➖➖ THEME MUSIC: “King’s Trailer” – Creative Commons 0 | Provided by https://freepd.com/

Air Week: April 27-May 3, 2026 Imperial Records, Pt. 7 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part seven, focusing on Imperial’s R&B releases from the second half of 1955. Last week in the first part of 1955, Matt The Cat alluded to Fats Domino’s big crossover breakthrough and in June it happened when “Ain’t It A Shame” topped the R&B chart and crossed over to a whopping #10 on the Pop chart. It became the biggest selling R&B record of 1955 and along with Chuck Berry’s “Maybellene” helped to usher in Rock n’ Roll. Though 1955 was a strong year for Fats, Dave Bartholomew, The Spiders and Imperial’s New Orleans roster, the Los Angeles vocal groups were also making a dent with The Barons and The Jewels having a few solid releases. Blues legend Roosevelt Sykes stops by Imperial for a quick few singles, while guitarist Jimmy Nolen gives us a glimpse of his future greatness. Matt The Cat keeps those records spinning as he features part seven of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Send us Fan MailIs Rhode Island's "boring" election cycle finally heating up? Dan McGowan (The Boston Globe) joins Bill Bartholomew to break down a week of major shifts in the Ocean State. They discuss why the Providence mayoral race is seeing a policy divide unlike any in recent history, the "new kid on the block" energy of Ken Block's independent run for Governor, and the political "horse-trading" surrounding a potential Supreme Court vacancy.Key Discussion PointsThe Providence Mayoral Divide: Why the battle over rent stabilization between Mayor Brett Smiley and Rep. David Morales represents a rare, policy-driven shift in city politics that could define the next council.The "38 Studios on Steroids" Effect: Dan explains why the Washington Bridge crisis has surpassed previous state scandals in its "stickiness" with voters and how it provides a massive opening for "fixer" candidates.The 2026 Gubernatorial Chess Board: An analysis of Ken Block's recent polling, his "new shiny" treatment in the media, and why Dan McKee and Helena Foulkes might be headed for an "opioids vs. competence" primary battle.Supreme Court Vacancy & Horse-Trading: A candid look at the possibility of Speaker Joe Shekarchi moving to the high court and the reality of how political judgeships are awarded in Rhode Island.AI and Data Centers: Bill reflects on a recent sold-out event in Newport, proving that "non-traditional" political issues are starting to break through with the average voter.About Our GuestDan McGowan is the Rhode Island columnist for The Boston Globe and author of the Rhode Map newsletter. You can subscribe to his daily coverage by emailing rinews@globe.com.Links & ResourcesFollow Bill: Instagram | YouTubeSupport the Show: Send us Fan Mail | Direct SupportOfficial Website: Bartholomewtown.com Support the showFollow Bill on Instagram and YouTube

Full Text of Readings Monday of the Third Week of Easter Lectionary: 273 The Saint of the day is Saint Conrad of Parzham Saint Conrad of Parzham's Story Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days, this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city's shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. At first, some of the other friars were jealous that such a young friar held this important job. Conrad's patience and holy life overcame their doubts. As porter, he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. Conrad's helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. Saint Conrad of Parzham also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. Saint Conrad of Parzham spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934. His liturgical feast is celebrated on April 21. Reflection As we can see from his life as well as his words, Conrad of Parzham lived a life that attracted others because of a special quality, something Chesterton alluded to when he wrote, “The moment we have a fixed heart we have a free hand.” If we want to understand Conrad, we have to know where he fixed his heart. Because he was united to God in prayer, everyone felt at ease in Conrad's presence.Saint of the Day, Copyright Franciscan Media

Air Week: April 20-26, 2026 Imperial Records, Pt. 6 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part six, focusing on Imperial’s R&B releases from the first half of 1955. We’re splitting 1955 up into 2 parts to really focus on this pivotal year for Imperial and the world of music in general. Rhythm & Blues was really hitting the mainstream in ’55 and beginning to get its new name, Rock ‘n Roll. Before Fats Domino crossed over later in the year, he enjoyed a few million-sellers in early ’55 with “Thinking Of Your” and “Don’t You Know.” He’d soon score one of the first true Rock n’ Roll hits a few months later with “Ain’t It A Shame.” Dave Bartholomew kept busy producing Fats’ records as well as putting out great singles from relatively unknowns like Joan Scott, The Hawks and Billy Tate. The Spiders continued to score hits in ’55 and Pee Wee Crayton was releasing some solid sides that unfortunately missed the national R&B charts. Matt The Cat keeps those records spinning as he features part six of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Castiel without grace is not just “weaker” Castiel. He's suddenly breakable, hungry, terrified, and learning in real time that being human means your body keeps making demands whether you're ready or not. Berly and LA talk through Supernatural Season 9's “I'm No Angel” and why it hits so hard: it turns a cosmic character into a mortal target right as Heaven decides to hunt him like prey. Over drinks, we trace the episode's biggest story moves: Ezekiel's uneasy partnership with Dean, the angels' new leadership under Bartholomew, and the gruesome trail of bodies left behind as vessels become expendable. We also dig into the lore questions the hour kicks up, from warding and tracking to what reapers can do that angels apparently can't. If you're searching for a clear recap of the angel civil war plot, the bunker dynamics, and where Castiel's human arc is heading, this conversation connects the dots without losing the fun. Then there's April, the PB and J kindness, the bedroom turn, and the brutal reveal. We unpack what the show is doing with intimacy, trust, and consent, and how quickly “a safe place” can flip into another threat when Sam and Dean bring Cas back to the bunker only to have him pushed out again. Listen now, then subscribe, share the episode with a Supernatural friend, and leave a review. What do you think Dean should have done when saving Sam meant losing Cas?Sources:https://supernatural.fandom.com/wiki/I%27m_No_Angel https://www.watkinsmagazine.com/49-ways-to-connect-with-your-guardian-angelSend us your review!Support the showTHANK YOU FOR LISTENING!Please rate and review Denim-Wrapped Nightmares wherever you get your podcasts! Find social channels and more on our Linktree.  

Welcome to Day 2839 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2839 – "The Twelve" and Their Marching Orders – Luke 6:12-49 Wisdom-Trek Podcast Script - Day 2839 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2839 of our trek. The purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Each Tuesday, I will share the messages I have delivered at Putnam Congregational Church this year. This is the sixteenth message in a year-long series covering the Good News as narrated by Luke. Today's message covers Luke six, verses twelve through forty-nine, and is titled “"The Twelve" and Their Marching Orders” . I pray it will be a conduit for learning and encouragement for you. Putnam Church Message – 03/15/2026 Luke's Account of the Good News - “The Twelve and Their Marching Orders”   Last week, we continued our study of the ministry of Jesus Christ with a message titled “The Defiant Messiah.”  We learned that He is not defiant against the Father. He is defiant against anything that misrepresents the Father. Today, we continue with the sixteenth message in Luke's narrative of the Good News of Jesus Christ in a message titled “The Twelve and Their Marching Orders.”  Our Core verses for this week are Luke 6:12-49, found on page 1600 of your Pew Bibles.  The Twelve Apostles 12 One of those days Jesus went out to a mountainside to pray, and spent the night praying to God. 13 When morning came, he called his disciples to him and chose twelve of them, whom he also designated apostles: 14 Simon (whom he named Peter), his brother Andrew, James, John, Philip, Bartholomew, 15 Matthew, Thomas, James son of Alphaeus, Simon who was called the Zealot, 16 Judas son of James, and Judas Iscariot, who became a traitor. Blessings and Woes 17 He went down with them and stood on a level place. A large crowd of his disciples was there and a great number of people from all over Judea, from Jerusalem, and from the coastal region around Tyre and Sidon, 18 who had come to hear him and to be healed of their diseases. Those troubled by impure spirits were cured, 19 and the people all tried to touch him, because power was coming from him and healing them all. 20 Looking at his disciples, he said: “Blessed are you who are poor, for yours is the kingdom of God. 21 Blessed are you who hunger now, for you will be satisfied. Blessed are you who weep now, for you will laugh. 22 Blessed are you when people hate you, when they exclude you and insult you and reject your name as evil, because of the Son of Man. 23 “Rejoice in that day and leap for joy, because great is your reward in heaven. For that is how their ancestors treated the prophets. 24 “But woe to you who are rich, for you have already received your comfort. 25 Woe to you who are well fed now, for you will go hungry. Woe to you who laugh now, for you will mourn and weep. 26 Woe to you when everyone speaks well of you, for that is how their ancestors treated the false prophets. Love for Enemies 27 “But to you who are listening I say: Love your enemies, do good to those who hate you, 28 bless those who curse you, pray for those who mistreat you. 29 If someone slaps you on one cheek, turn to them the other also. If someone takes your coat, do not withhold your shirt from them. 30 Give to everyone who asks you, and if anyone takes what belongs to you, do not demand it back. 31 Do to others as you would have them do to you. 32 “If you love those who love you, what credit is that to you? Even sinners love those who love them. 33 And if you do good to those who are good to you, what credit is that to you? Even sinners do that. 34 And if you lend to those from whom you expect repayment, what credit is that to you? Even sinners lend to sinners, expecting to be repaid in full. 35 But love your enemies, do good to them, and lend to them without expecting to get anything back. Then your reward will be great, and you will be children of the Most High, because he is kind to the ungrateful and wicked. 36 Be merciful, just as your Father is merciful. Judging Others 37 “Do not judge, and you will not be judged. Do not condemn, and you will not be condemned. Forgive, and you will be forgiven. 38 Give, and it will be given to you. A good measure, pressed down, shaken together and running over, will be poured into your lap. For with the measure you use, it will be measured to you.” 39 He also told them this parable: “Can the blind lead the blind? Will they not both fall into a pit? 40 The student is not above the teacher, but everyone who is fully trained will be like their teacher. 41 “Why do you look at the speck of sawdust in your brother's eye and pay no attention to the plank in your own eye? 42 How can you say to your brother, ‘Brother, let me take the speck out of your eye,' when you yourself fail to see the plank in your own eye? You hypocrite, first take the plank out of your eye, and then you will see clearly to remove the speck from your brother's eye. A Tree and Its Fruit 43 “No good tree bears bad fruit, nor does a bad tree bear good fruit. 44 Each tree is recognized by its own fruit. People do not pick figs from thornbushes, or grapes from briers. 45 A good man brings good things out of the good stored up in his heart, and an evil man brings evil things out of the evil stored up in his heart. For the mouth speaks what the heart is full of. The Wise and Foolish Builders 46 “Why do you call me, ‘Lord, Lord,' and do not do what I say? 47 As for everyone who comes to me and hears my words and puts them into practice, I will show you what they are like. 48 They are like a man building a house, who dug down deep and laid the foundation on rock. When a flood came, the torrent struck that house but could not shake it, because it was well built. 49 But the one who hears my words and does not put them into practice is like a man who built a house on the ground without a foundation. The moment the torrent struck that house, it collapsed and its destruction was complete.”     Opening Prayer Father, thank You for Your Word and for the Lord Jesus Christ, who not only saves us but teaches us how to live as citizens of His kingdom. Open our minds to understand, soften our hearts to receive, and strengthen our wills to obey. Teach us what real discipleship looks like. Guard us from being hearers only and make us doers of Your Word. In Jesus' name, amen. Introduction For a number of years, “discipleship” became a kind of Christian buzzword. Conferences were built around it. Books were written about it. Churches made programs for it. Seminar speakers diagrammed it on whiteboards and filled binders with methods for it. And some of that was very good. Many believers can look back and say, “Somebody poured into me. Somebody noticed me. Somebody taught me not just Bible facts, but how to walk with Christ.”  That is a beautiful thing. For me, that would be primarily my parents. But discipleship did not begin in the 1970s. It did not begin in a seminar notebook. It did not begin in a curriculum. It began in the heart of Jesus. And when we come to Luke 6:12–49, we see something crucial: Jesus did not merely gather crowds. / He made disciples. / And He did not merely make disciples in general. / He first chose twelve men, and then He began to shape them for mission. / One thing we don't want to miss as we focus today on the twelve is that there were many others who traveled with Jesus during His ministry, including several women, who assisted in funding the ministry. That matters, because crowds are impressed by miracles,...

Written by Richard Bartholomew and featuring a foreword by Edgar Tatro of THE MEN WHO KILLED KENNEDY, this book examines many of underlying connections in Texas to the assassination on 11/22/1963. Not a simple Lyndon Johnson-did-it book, this is rather a potent analysis of the forces that continue to enable the kind of power politics existent even to the present day. Richard Bartholomew, a political cartoonist by trade, is a co-founder and director of the Center for Deep Political Research. CDPR boasts many of the best researchers and historians in the field on its Board of Advisors, including Peter Dale Scott, Colleen Rowley, Cynthia McKinney, and William Davy. Bartholomew's talent, education, training, and professional experience have been primarily in the visual arts, resulting in his career as an award-winning graphic designer, illustrator and editorial cartoonist. His research of the JFK assassination includes his discovery of a 1959 Rambler station wagon possibly used in the conspiracy; a study co-authored with Walter F. Graf involving a rifle clip that contaminates the ballistic evidence; a chronological reconstruction and placement of missing movements edited out of the Zapruder film; an in-depth interview of Erwin Schwartz, with author Noel Twyman, regarding Mr. Schwartz's and Mr. Zapruder's early chain of possession of Zapruder's film; and work for author Barr McClellan resulting in Bartholomew's monograph establishing the methods by which the FBI and the Warren Commission concealed and obfuscated latent fingerprints from the alleged sniper's nest.https://amzn.to/3Q7R66wBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

This month, Michael, Drew, and Matt sit down to discuss three often overlooked disciples, Andrew, Philip, and Bartholomew.Visit our linktree: https://linktr.ee/scatteredabroadnetwork Visit our website, www.scatteredabroad.org, and subscribe to our email list. "Like" and "share" our Facebook page: https:// www.facebook.com/sapodcastnetwork Follow us on Instagram: https://www.instagram.com/ the_scattered_abroad_network/ Subscribe to our Substack: https://scatteredabroad.substack.com/Subscribe to our YouTube channel: The Scattered Abroad Network Contact us through email at san@msop.org. If you would like to consider supporting us in any way, don't hesitate to contact us through this email.

This month, Michael, Drew, and Matt sit down to discuss three often overlooked disciples, Andrew, Philip, and Bartholomew.Visit our linktree: https://linktr.ee/scatteredabroadnetwork Visit our website, www.scatteredabroad.org, and subscribe to our email list. "Like" and "share" our Facebook page: https:// www.facebook.com/sapodcastnetwork Follow us on Instagram: https://www.instagram.com/ the_scattered_abroad_network/ Subscribe to our Substack: https://scatteredabroad.substack.com/Subscribe to our YouTube channel: The Scattered Abroad Network Contact us through email at san@msop.org. If you would like to consider supporting us in any way, don't hesitate to contact us through this email.

Air Week: April 13-19, 2026 Imperial Records, Pt. 5 – 1954 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part five, focusing on Imperial’s R&B releases from 1954. Fats Domino is still Imperial’s biggest star, but he only scores 2 charting records in ’54, while a new vocal group out of New Orleans, The Spiders, rack up 3. Their debut single, “I Didn’t Want To Do It,” establishes them as the most successful vocal group on Imperial. Pee Wee Crayton joins the roster, filling out an already stacked list of blues greats that includes T-Bone Walker. We’ll hear 14 year old future great, James Booker as Little Booker making his debut on Imperial and some great vocal group records from Bobby Mitchell & The Toppers, The Hawks and The Bees. Matt The Cat keeps those records spinning as he features part five of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Matthew Bannister onSir Craig Reedie, the sports administrator who led London's successful bid for the 2012 Olympics and went on to become President of the World Anti-Doping Agency. Lord Coe pays tribute. Bronwen Naish, the musician who devoted her life to promoting the joys of the double bass.Geoff Yeadon, the world record breaking cave diver from Yorkshire.And Margareta Magnusson, best known as the author of the book “The Gentle Art of Swedish Death Cleaning”.Producer: Ed Prendeville Assistant Producer: Catherine Powell Researcher: Jesse Edwards Editor: Glyn TansleyArchive: Daytime Live, BBC One, 21/01/1988; Edinburgh Festival Fringe, YouTube Upload, Browen Naish, 01/09/2020; Bartholomew, YouTube Upload, Bronwen Naish, 04/09/2020; Wogan, BBC One, 01/07/1985; A Visit with Bronwen Naish, Bass-Talk with Hagen and Heyes, YouTube Upload, 25/02/2024; Woman's Hour, BBC Radio 4, 09/01/2018 Conversation Piece, BBC Radio 4, 07/05/1982; Behind the Ears, BBC Radio 3, 15/06/2025; BBC Look North, BBC, June 1983; BBC News, BBC, 06/06/2005; Newsnight, BBC One, 21/07/2016; Mixed Zone interview of Sir Craig Reedie – The ANOC Awards 2022; BBC News, BBC, 06/07/2005; The Daily Politics, BBC 2, 14/01/2003

Bridget, Caitlin, and Hilda wrap up their coverage of "The Knight and the Moth," book 1 in Rachel Gillig's The Stonewater Kingdom series. Led by the trio's own Bartholomew, your book besties are going to tell you all their thoughts about this incredible book ... which means there will be SPOILERS! So listen now if you're ready to hear about it.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

Air Week: April 6-12, 2026 Imperial Records, Pt. 4 – 1953 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part four, focusing on Imperial’s R&B releases from 1953. Fats Domino dominated the Imperial roster, racking up four charting singles in ’53, one going all the way to #2 nationally. Lew Chudd sent bluesman T-Bone Walker to New Orleans to work with bandleader and producer Dave Bartholomew and record at Cosimo Matassa’s famous J&M Recording Studio, while the “unsung hero” of this series, Lil’ Son Jackson continued recording in Fort Worth, TX. We’ll hear the debut singles from Bobby Mitchell & The Toppers as well as some rare sides from Lil’ Willie Gibson, “Boogie Bill” Webb and Rose Mitchell. Matt The Cat keeps those records spinning as he features part four of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Clinical decision support only works when it fits naturally into the workflow and helps clinicians act without adding more friction. In this episode, Bo Bartholomew, CEO and chairman of EvidenceCare, shares how his experience as a hospital administrator shaped his focus on improving care and clinical operations. He explains how EvidenceCare embeds insights and decision support directly into the electronic health record, replacing manual processes with workflow-friendly automation. Bo discusses how the platform supports clinical, care management, and financial leaders by improving documentation, reducing administrative burden, and enabling better decisions at the point of care. He also emphasizes that real value in AI comes from solving clear problems without disrupting security or clinical workflows. Tune in to learn how smarter clinical decision support can give providers more time, improve operational efficiency, and create meaningful value for hospitals. Resources: Connect with and follow Bo Bartholomew on LinkedIn! Follow EvidenceCare on LinkedIn and explore their website! Email Bo Bartholomew: bo.bartholomew@evidence.care

Send us Fan MailBill Bartholomew sits down with Christopher Gavin of the The Boston Globe to unpack the controversy surrounding a Ukrainian solidarity mural in Providence—and how a local story can quickly become part of a much larger national narrative.What began as a piece of public art tied to global events soon sparked questions about public space, messaging, and civic process. But as the reaction grew, so did scrutiny over how and why the story spread—raising broader questions about amplification, influence, and the role of decentralized, well-funded networks in shaping modern culture war flashpoints.In this conversation, Bartholomew and Gavin separate fact from reaction, examine how local issues get pulled into national discourse, and explore what the Providence mural moment reveals about media ecosystems, political narratives, and the forces that drive them. Support the show

Bridget, Caitlin, and Hilda cover part 1 of "The Knight and the Moth," book 1 in Rachel Gillig's The Stonewater Kingdom series. Right off the bat, you must know that they liked it. A lot. Like a lot alot. So listen now to find out why.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

Air Week: March 30-April 5, 2026 Imperial Records, Pt. 3 – 1951-52 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part three, focusing on the last half of 1951 and all of 1952. Due to a disagreement with Lew Chudd, Imperial was without Dave Bartholomew for most of this period, but Fats Domino kept crankin’ out the hits with producer and songwriter Al Young, including his first R&B #1, “Goin’ Home.” Lil’ Son Jackson, T-Bone Walker and Big Jay McNeely released some great records during this period and Smiley Lewis had his first charting record with “The Bells Are Ringing.” Bartholomew returned to the fold in April of ’52 and produced some scorchers from Fats, Tommy Ridgley and a beautiful, obscure single with Allen Matthews. Matt The Cat keeps those records spinning as he features part three of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Listen Ad Free https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free!

Air Week: March 23-29, 2026 Imperial Records, Pt. 2 – 1950-51 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part two, focusing on the 78s released during the 2nd half of 1950 and into the first half of ’51. Fats, Smiley and Jewel are back, but with the departure of Bartholomew over an argument in late ’50, Imperial turns to more down-home blues recordings. We’ll dig on some stellar records from accomplished bluesmen: Country Jim, Smokey Hogg, Mercy Dee and Lil’ Son Jackson. The future Guitar Slim made his very first records for Imperial before topping the charts in ’54 for Specialty with “The Things That I Used To Do.” Child actor and future music producer H.B. Barnum made his musical debut on shellac with Chudd and Imperial in 1950 and blues icons T-Bone Walker and Big Joe Turner recorded some fine sides for the label as well. Matt The Cat keeps those records spinning as he features part two of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Audio Recording Sermon OutlineSpeaker: Tim CraigSermon Series: Retreat 2026Matthew 9:35-10:15 (NIV)35 Jesus went through all the towns and villages, teaching in their synagogues, proclaiming the good news of the kingdom and healing every disease and sickness. 36 When he saw the crowds, he had compassion on them, because they were harassed and helpless, like sheep without a shepherd. 37 Then he said to his disciples, “The harvest is plentiful but the workers are few. 38 Ask the Lord of the harvest, therefore, to send out workers into his harvest field.”10:1 Jesus called his twelve disciples to him and gave them authority to drive out impure spirits and to heal every disease and sickness.2 These are the names of the twelve apostles: first, Simon (who is called Peter) and his brother Andrew; James son of Zebedee, and his brother John; 3 Philip and Bartholomew; Thomas and Matthew the tax collector; James son of Alphaeus, and Thaddaeus; 4 Simon the Zealot and Judas Iscariot, who betrayed him.5 These twelve Jesus sent out with the following instructions: “Do not go among the Gentiles or enter any town of the Samaritans. 6 Go rather to the lost sheep of Israel. 7 As you go, proclaim this message: ‘The kingdom of heaven has come near.' 8 Heal the sick, raise the dead, cleanse those who have leprosy, drive out demons. Freely you have received; freely give.9 “Do not get any gold or silver or copper to take with you in your belts— 10 no bag for the journey or extra shirt or sandals or a staff, for the worker is worth his keep. 11 Whatever town or village you enter, search there for some worthy person and stay at their house until you leave. 12 As you enter the home, give it your greeting. 13 If the home is deserving, let your peace rest on it; if it is not, let your peace return to you. 14 If anyone will not welcome you or listen to your words, leave that home or town and shake the dust off your feet. 15 Truly I tell you, it will be more bearable for Sodom and Gomorrah on the day of judgment than for that town.Prayer of ConfessionAlmighty and most merciful Father; we have erred and strayed from your ways like lost sheep. We have followed too much the devices and desires of our own hearts. We have left undone those things that we ought to have done; and we have done those things that we ought not to have done; and there is no health in us. O Lord, have mercy upon us. And grant, O most merciful Father, for your Son Jesus Christ's sake, that we may hereafter live a godly and righteous life, to the glory of your holy name. Amen.

Audio Recording Sermon OutlineSpeaker: Tim CraigSermon Series: Retreat 2026Matthew 9:35-10:15 (NIV)35 Jesus went through all the towns and villages, teaching in their synagogues, proclaiming the good news of the kingdom and healing every disease and sickness. 36 When he saw the crowds, he had compassion on them, because they were harassed and helpless, like sheep without a shepherd. 37 Then he said to his disciples, “The harvest is plentiful but the workers are few. 38 Ask the Lord of the harvest, therefore, to send out workers into his harvest field.”10:1 Jesus called his twelve disciples to him and gave them authority to drive out impure spirits and to heal every disease and sickness.2 These are the names of the twelve apostles: first, Simon (who is called Peter) and his brother Andrew; James son of Zebedee, and his brother John; 3 Philip and Bartholomew; Thomas and Matthew the tax collector; James son of Alphaeus, and Thaddaeus; 4 Simon the Zealot and Judas Iscariot, who betrayed him.5 These twelve Jesus sent out with the following instructions: “Do not go among the Gentiles or enter any town of the Samaritans. 6 Go rather to the lost sheep of Israel. 7 As you go, proclaim this message: ‘The kingdom of heaven has come near.' 8 Heal the sick, raise the dead, cleanse those who have leprosy, drive out demons. Freely you have received; freely give.9 “Do not get any gold or silver or copper to take with you in your belts— 10 no bag for the journey or extra shirt or sandals or a staff, for the worker is worth his keep. 11 Whatever town or village you enter, search there for some worthy person and stay at their house until you leave. 12 As you enter the home, give it your greeting. 13 If the home is deserving, let your peace rest on it; if it is not, let your peace return to you. 14 If anyone will not welcome you or listen to your words, leave that home or town and shake the dust off your feet. 15 Truly I tell you, it will be more bearable for Sodom and Gomorrah on the day of judgment than for that town.Prayer of ConfessionAlmighty and most merciful Father; we have erred and strayed from your ways like lost sheep. We have followed too much the devices and desires of our own hearts. We have left undone those things that we ought to have done; and we have done those things that we ought not to have done; and there is no health in us. O Lord, have mercy upon us. And grant, O most merciful Father, for your Son Jesus Christ's sake, that we may hereafter live a godly and righteous life, to the glory of your holy name. Amen.

See omnystudio.com/listener for privacy information.

Air Week: March 16-22, 2026 Imperial Records, Pt. 1 – 1947-50 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we begin a series looking at the huge impact that Imperial Records had on R&B during the late 1940s into the mid-1950s. In part 1, Matt The Cat will showcase Imperial’s earliest R&B releases from 1947-1950. We’ll see how the boogie woogie stylings of Dick Lewis, “Poison” Gardner, Charlie “Boogie Woogie” Davis and Lloyd Glenn gave way to the New Orleans blues of Tommy Ridgley, Jewel King, Smiley Lewis and Fats Domino, who would become the biggest artist ever on the Imperial label. It’s Imperial Records, part 1 on this week’s “Juke In The Back.” LISTEN BELOW

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Today’s Topics: 1, 2, 3, 4) Father Charles Murr joins Terry Gospel – Matthew 10:1-7 – Jesus summoned His Twelve disciples and gave them authority over unclean spirits to drive them out and to cure every disease and every illness. The names of the Twelve Apostles are these: first, Simon called Peter, and his brother Andrew; James, the son of Zebedee, and his brother John; Philip and Bartholomew, Thomas and Matthew the tax collector; James, the son of Alphaeus, and Thaddeus; Simon the Cananean, and Judas Iscariot who betrayed Jesus. Jesus sent out these Twelve after instructing them thus, “Do not go into pagan territory or enter a Samaritan town. Go rather to the lost sheep of the house of Israel. As you go, make this proclamation: ‘The Kingdom of heaven is at hand.'” Memorial of Saint Augustine Zhao Rong, Priest, and Companions, Martyrs Saint Augustine and Companions, pray for us! Bishop Sheen quote of the day

"It confirms my diagnosis, as you doctors express it." [SIGN]   Our latest Morley-Montgomery award episode features another dive into the medical world of Sherlock Holmes. But this time, it's about a diagnosis made by Dr. Watson.   In 2004, Costa Rossakis, MD, BSI ("St. Bartholomew's Hospital"), a trained cardiologist, investigated exactly what was going on with the nervous Thaddeus Sholto. His article (but not his diagnosis) is just a Trifle.     If you have a question for us, please email us at trifles@ihearofsherlock.com. If you use your inquiry on the show, we'll send you a thank you gift.   There's a new "Trifling Trifles" episode out — short-form content that doesn't warrant a full episode. We release these at the beginning of every month. The latest episode is about the questionable judgment of the head of the Baker Street irregulars. This is a benefit exclusively for our paying subscribers. Check it out (Patreon | Substack).   Our Merch Store is now open: Trifles mugs, notepads, and oval stickers can be yours (or someone else's, if you'd like to make it a gift). Start shopping today.     Leave Trifles a five-star rating on Apple Podcasts and Spotify; listen to this episode here or wherever you get podcasts     Links The Morley-Montgomery Award All of our social links: https://linktr.ee/ihearofsherlock Email us at trifles @ ihearofsherlock.com    Music credits Performers: Uncredited violinist, US Marine Chamber Orchestra Publisher Info.: Washington, DC: United States Marine Band. Copyright: Creative Commons Attribution 3.0      

Guest: Tyler Anbinder. Anbinder details the deadly "coffin ships," the squalid "Old Brewery" tenement, and how immigrants like Bartholomew O'Donnell survived through backbreaking construction labor in New York.

Unlocked premium episode in which we're joined by a panel of guests from Minneapolis, Minnesota, to talk about what's going on in their city: Operation Metro Surge, the execution of Renee Good, how locals are fighting back, and the long lineage of resistance in Minneapolis. Links to support: Minnesota Immigrant Rights Action Committee: https://www.miracmn.com/ Minnesota Immigrant Movement: https://www.instagram.com/mim_mnimmigrantmovement/?hl=en Mutual aid: https://www.standwithminnesota.com/