Podcasts about Die hard

It's Die Hard in a mansion!This week on DIE HARD ON A BLANK we're discussing the 2005 Bruce Willis action-thriller HOSTAGE! And to break it all down we brought in special guest Jim Penola!After a fatal miscalculation in a previous siege, hostage negotiator Jeff Talley (Bruce Willis) quits the LAPD and becomes the police chief of a small, quiet, remote California town. However, Talley is thrust back into the limelight when a trio of young criminals rob the mansion of the wealthy local figure Walter Page (Kevin Pollak) and take his children hostage. When the siege goes public, the situation becomes further complicated when it is revealed that Page is a mob accountant. The mysterious criminal syndicate then pressurize Talley to retrieve a valuable item from the house, putting Talley and his own family between a rock and a hard place. Given its presence and its leading actor, it's a film positively overflowing with DIE HARD DNA…yet unlike the 1988 Christmas classic, HOSTAGE has a particularly mean-spirited and abrasive tone. To make sense of this picture, we enlisted the help of Jim Penola, a connoisseur of the “home invasion” movie, and together the guys discuss this film in the wider context of the “action-horror” subgenre, the French extremist movement, and Bruce Willis' career. They hand out awards in the DIE HARD OSCARS and pit their wits against the quizmaster in the Double Jeopardy section! You won't feel like a hostage listening to this episode!!! (etc. etc.)TRAILER: https://www.youtube.com/watch?v=HCt4L7RPweEAt the time of release, HOSTAGE is streaming on Hoopla in the US, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms! It is also available on physical media! Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

It's “Die Hard on a Plane” week as we take to the skies for two movies with a similar premise that could not be more different. DIE HARD 2: DIE HARDER (1990) asks how the same shit can happen to the same guy twice.  PASSENGER 57 (1992) stars Wesley Snipes as an airline security specialist facing off agasint a notorious hijacker.

Adam, Mike and Will watched SUDDEN DEATH (1995) and were enthralled by this highly original sports movie that is not a Die Hard ripoff. IMDB: https://www.imdb.com/title/tt0114576/

 They put in their cover letter, “Honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.”Rudi Womack is the Director of the Wyoming International Film Festival and the creator of the YouTube channel The Film Festival Guide.In this conversation, Rudi talks about:* What watching thousands of film festival submissions has taught him about good storytelling* The biggest mistake filmmakers make when they submit to festivals* Why transparency matters and why he published all of the submission and acceptance stats for the Wyoming International Film Festival * The importance of a compelling poster and thumbnail* How to write a good description of your movie* The most important questions filmmakers must askHere is a link to Hiike, the new film festival submission platform that Rudi mentioned.If you enjoyed this episode please forward to a friend.Here is an AI-generated transcript of my interview with Rudi. Don't come for me.79. Film Festival Director Rudi WomackBEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. My guest today is Rudy Womack, who is the director of the Wyoming International Film Festival, and also Rudy has a fantastic YouTube page called The Film Festival Guide. So for all my filmmakers out there who are interested in submitting to festivals in this interview and on Rudy's YouTube page, he breaks it down. Enjoy.Rudi, thank you so much for joining us.RUDI: Hey, it's my pleasure to be here. Thank you for having me.BEN: So I always start off with a fun question, and we're entering the holiday season, so very important holiday question. Is Die Hard a Christmas movie?RUDI: Absolutely. A hundred percent. Come on.BEN: I love it. So I, I told you this off Air, I found you through the Rate YouTube channel.You have the Film Festival Guide. Is that the right name? I wanna make sure I get the name right. Yeah. The filmRUDI: festival guide. Yep.BEN: On YouTube Film Festival Guide on YouTube. Please. Any filmmakers out there go and subscribe. The information is so helpful. What, why did you start the this YouTube page?RUDI: I, as a filmmaker have gone through the festival circuit several times and I made a lot of amateur mistakes. I didn't know what I was doing. Definitely fell on my face a couple of times, but I also had some successes. And as I did more film festivals, I started learning more about the circuit.I got invited by a film festival to become a programmer, and so I started reviewing a lot of films and seeing a lot of the submissions. And I think instantly that made me a better filmmaker just because I saw what was working, what wasn't working, and how other filmmakers really brought to, brought their stories to life on the screen.And it, it was truly inspirational. Very long story short, the Wyoming International Film Festival was started by a gentleman named Alan Oi, and he's a, he's a documentarian out of Wyoming, which is where I'm from. I'm from Wyoming. So Alan had the film festival and he had run it for some years and it was going great and everything.But then Alan retired and now he's retiring. He wants to move outta Wyoming and he doesn't wanna run a live event. ‘cause it is a lot of work in his words. And I quote, it's a young man's game. And at the same time, COVID hit and he didn't wanna do the whole online thing and it was just a big mess.So Alan was like, I'm done with the festival, it's done. I'm just gonna let it die. And I was begging him, no, Alan, you can't do it. It's so important for indie filmmakers. And at the time I'm just finding my feet in the festival circuit as well as both a filmmaker and now I'm a programmer.I'm begging him like don't let it die. It's important, maybe I can help out. And he was like, why don't you run it? And I was like, absolutely not, man. What are you talking about? That's crazy. No way. No way. And I was like, I'm going to be your director of programming. That's what I'm going to do.I'm gonna help you get films in so you don't have to do that work. Very long story short, I ended up running it. I ended up taking over the festival from Alan. I did so reluctantly. But when I started working with the festival, working with the community, working with my hometown filmmakers and my home state filmmakers, and just seeing how important a film festival can be for a local community to uplift indie filmmakers to help them along the way I fell in love with it and here I am now, I run the film festival.And your question was, how did I start the YouTube channel? Sorry, I'm getting there. But I got a lot of questions from filmmakers about festivals, like how to navigate ‘em. And there's just so much mystery behind film festivals ‘cause it's so opaque. There's not a lot of transparency from film festivals.Film festivals are sketchy about which films they do select and which they don't. And frankly, there's a lot of misinformation out there about festivals. So I started answering a lot of questions and I started repeatedly answering the same question again and again and again. And I had some friends who told me, you should write a book.But I was like, yeah, but books, there are books, like people have already written books, bluntly, frankly, people far more experienced and knowledgeable than myself have written books. And so if you're not reading those books, then you're probably not gonna read my book. So that's when I decided, you know what, the YouTube channel is a great way to just do very easy outreach.Take one single topic, break it down for 10 minutes, and hopefully help filmmakers along on their film festival journey.BEN: I love it. And you said something for all the filmmakers who are listening. I'm gonna come back to it. Don't worry. You said something about once you started programming and watching so many films, you got a good sense of what works and what doesn't.So I definitely wanna come back to that. I know the filmmakers listening want to hear that. But before that you mentioned 10 minute videos. You strike me as somebody who, does research and takes time to Yes. Before they do something. What did you discover about running a YouTube page?What things work, what things don't work?RUDI: I'm still very early on in my own YouTube development. I'm still trying to learn what does and doesn't work. So I'm probably the worst person on earth to give advice. Definitely that first 32nd hook is so important on YouTube, just like it is on a film that, that intro, how we come into the story, whatever, on YouTube, you can see a massive drop off and apparently it's that way on every channel.Again, I'm not a YouTube guru, so I don't give advice, but that first 32nd hook is a big deal, but also just my presence on camera. I come from the post world. I'm an editor, so I'm not just behind camera. I'm behind, behind the camera. So I'm very much not used to an on-camera presence, so I'm developing that and learning it as well.What kind of energy I can bring. How to make it engaging. But also I don't wanna be zany and too quirky or anything because I am trying to give good guidance to filmmakers, but I also don't want to lecture them and bore them to death. So it's finding that balance of information that's valuable, but also entertaining enough that people don't wanna click off.And it's actually quite a complex thing that I'm still unraveling one video at a time. But the best advice that I saw was some YouTube guru who is just focus on getting 1% better on every single video. So is that little bit better graphics or better delivery, or better audio, or better editing or whatever it is.And after a hundred videos, you're now a hundred percent better. So that's what I've been focusing on. Just very small baby steps.BEN: Yeah, that's such a great way to break it down, right? It just makes it bite-sized, get 1% better.RUDI: I think you can apply that to life in general. There's a lot of things in life just today be 1% better.That's it,BEN: so you mentioned once you start a programming scene, get enough feel for what works, what doesn't, especially with short films, both narrative and docs. What are you seeing that works and doesn't work?RUDI: In the shorts world I'm seeing a couple of things. One, a self-contained story, and this is something that I had a problem with because oftentimes I would go for more of a quote unquote scene instead of a full beginning, middle and in, in a story.So a self-contained story typically is gonna make your short film much more successful. This can be hard for some filmmakers because they're trying to make a proof of concept short film that they're gonna go and get financing for their future. So one of the things that they often do is they just take a scene outta their feature and then just shoot that, which has mixed results.And the problem is the films that have gotten financed and been made from shorts that have done that are the ones that you see. So it's actually a survivor bias, where it's like it, it works for those particular films and therefore everybody thinks it's gonna work for their film. But obviously the films that it doesn't work for, you're never going to see.So you don't understand, actually for the majority of films, it doesn't work. So if you have a proof of concept, I actually say, don't pull a scene outta your feature. I say write its own scene, or sorry, your own short film. That exists in the same world and universe with the same characters as what your feature film is.And I think that's gonna have much more success on the film festival circuit. And that will lean you or lead you to whatever your goal is, financing or distribution or whatever. So that's a big thing with short films that makes ‘em successful is make sure it is actually a self-contained story and it doesn't have any loose ends, so to speak.What doesn't work is something that I myself struggle with, ironically as an editor. And that's things being too long and you need to parse them down. Now a lot of people will say, shorter, the better, which is true, but I actually think that's a result of actually getting to the core of the problem.And that's make your film as concise as possible. Get the idea. The emotion, the story out as concise as you can. And what that does by happenstance is it makes your film shorter. So it's not that shorter is better. I know there's it almost sounds like I'm just splitting hairs here, but I've seen plenty of five minute films that didn't work.I've seen plenty of 10 minute films that board me to death. So shorter isn't necessarily better. It's more concise of your story is better. And sometimes that still manifests as a 20, 30, 40 minute film. But if it's a very interesting 20, 30, 40 minutes, that's not gonna matter.BEN: It's such a great point. And for me, when I get to a certain point in the edit, I like to just bring in a couple friends and have them watch it. And then I just sit there and watch them watch it and whatever feedback they're gonna provide afterwards. 95% of what I need, I can just tell from Body Language as they're watching the film.RUDI: Yep.BEN: You come fromRUDI: theBEN: Go ahead.RUDI: Oh I was just gonna piggyback off that and just say, audience feedback is worth its weight and goal.BEN: Yeah.RUDI: And every filmmaker when you hit that fine cut stage, like you said, get your friends and family together, buy everybody some burgers and fries or whatever.Get ‘em all together. Gather ‘em up in a room, watch them, watch your film. That's gonna tell you more than anything else. We'll be able to about the success of your film and where it's strong, where it's weak, where you can still fix things. And I always suggest do it in your fine cut stage because nothing's locked in and you can still move things around and adjust, or whatever it is you need.BEN: Love it. And I think earlier what you are really getting at is telling a good story. Yes. And I'm amazed at, not amazed, but maybe a little disappointed, especially in today's world, the technical side of filmmaking. Even for an amateur, even for an indie filmmaker that you can, things can be d done so well technically, but there's no story.RUDI: Yes. All the time. So when I get onto Reddit, ‘cause you mentioned Reddit earlier if I go onto our filmmakers, right? Yeah. I don't have to look far to see people just geeking out over the newest Camerons. It's, and it's always cameras. Everybody always talks about. This camera is so fancy and it has so many stops above and this lens can do this and blah, blah, blah, blah, blah, blah, blah.It has this big bit rate, whatever. Everybody gets so excited about cameras and I always say to myself, man, if they got this excited about audio, I wouldn't have to reject half the films that we have to reject because the audio is just blah. So if we're gonna talk tech, if we're gonna talk about the quote unquote quality of the filmmaking, I think what filmmakers need to understand is there are so many films out there we're that is just the foundation.It is the base level, it is the bare minimum that the film looks good. It sounds good. It feels good. So for us, festival guys, we see so many of these films. You're super gorgeous cinematography, you're really fancy, VFX, whatever it is that you think really separates your film from the pack. I don't wanna discourage you, I don't wanna sound jaded or anything, but it's not as impressive to us as you might believe it is, simply because we see hundreds and sometimes thousands of films like that.So for us it constantly falls back to originality and the story. Is the story well done? Is it well told? Is it a new and interesting story that we've never seen before? Is it a story that we've seen before but told in a very unique way, from a specific point of view, that is what is going to move us as festival people.‘cause when I put it into the theater and my audience walks in and they pay a ticket. My audience is used to going down to the theater and seeing a hundred million dollar movies. So for them, quality is just a given. It's just assumed they're not going to be thinking about it for them. They go and watch a movie ‘cause they're interested in, and I think if more filmmakers really dialed in on their story, they're going to find more success.BEN: So many great points there and a hundred percent agree with what you were saying about people get excited about the camera. And so I did my MFA at USC and there were three different times where I was on a set that, that I felt was unsafe. Not that I felt it was unsafe, what they were doing. Geez. And I walked off and it was always to get the cool shot.Like no one's ever hanging off a balcony to get room tone. You know what I mean? It's just, it's always to get the cool shot that, again, if you're not telling a good story, it doesn't matter. And to your point, I've always felt good audio is more important than good video.RUDI: Good image.BEN: Yeah.RUDI: Look at the documentary. Look at the nonfiction world. We see verite stuff all the time. We see stuff people recorded on their phone or, security camera footage or whatever, like at the end of the day in the nonfiction world is a great example of the quality of the shot doesn't necessarily matter so much as the quality of the story and how it's being told and how it's being revealed to us.And the audio is always gonna be very clean, very top notch, even if it's quote unquote found footage or. Veritate footage or whatever, the audio is always peak. I saw that Netflix doc recently, it was super heartbreaking. The perfect neighbor. And most of it is police body cam footage, but the audio is clean so we're able to follow the story so no one sits back and thinks of themselves this isn't a good shot.Of course it's not, it's police potty cam footage. Like it doesn't look good and it's not meant to,BEN: but it sounds good. And so you can follow it.RUDI: Yes.BEN: What what are some tropes that you think you've gotten tired of seeing in, especially in short films?RUDI: So every year it's a little bit different.You would be surprised what things pop up and what don't. The one trope that kind of rubs me the wrong way, I, I don't know how to describe it any other way than filmmaker self therapy. Like they, they're definitely going through something at the moment and they're not focused on creating a good story.They're more focused on using their art form to emotionally process whatever it is they're going through, which fine, you are an artist that makes sense to do, but also I can't sell my audience on that. So while I don't wanna discourage someone from making a film that is very near and dear and personal to them, at the end of the day, it might not be a good fit for film festivals.And so I, I would really think twice about whether or not that is a story that an audience, frankly, needs to see. Filmmaker cell therapy is one that when I get it, I'm always eh I don't know what to do with it. I just, I don't know what to do. Some other tropes that we see very commonly are like.Obviously right now, tech and AI and stuff like that gives a lot of people anxiety. So there's a lot of like evil robot takes over or the big reveal at the end of the movie, they were a robot the whole time, or the whole thing was a simulation or whatever. That's being very well tread right now.For me, I'm I am not a political person and anytime some big thing is in the news, we see tons of films on it. So I understand politics do affect people's day to day and their lives, so I understand that manifest. But man, I probably have a hundred immigration films right now and that's a lot. And I'm not gonna screen that many, so I'm only gonna pick like one, maybe two, so that's a tough one to do.Anything that's like a hot button political issue. We always see a big wave of those come in. And then honestly, romance dramas get tough. It isn't evergreen. We do have an audience for it. We usually do have some kind of a selection of them. Romance dramas have existed since the beginning of time.It's always been a thing. But filmmaker broke up with his girlfriend, so now he has a character who breaks up with his girlfriend. It gets it, it doesn't get very original. I, it just it gets exhausted. So those are some of the kind of general tropes I would avoid. I have heard other festival directors talk about like cancer films and Alzheimer's films and stuff like that.This year I'm not seeing so much of those, but I have seen those in the past. So tho those are some other. Tread stories we'll see.BEN: One of the things that I appreciate about. Your series of videos is your transparency, and you have one video where you literally break down. Here are all the films the number of films, Wyoming International Film Festivals received. Here's how it breaks down, here's how many we, we accepted, et cetera, et cetera.You have another one where you literally show the viewer, this is what we see as a programmer on our film freeway portal. Here's the scoring sheet. I think it's a little bit different from the one you guys use internally, but basically here's what the scoring sheet on film freeway looks like. Why is transparency so important to you?RUDI: Because I'm a filmmaker, because I've been to so many festivals where I have no idea what the hell's going on. I've been to festivals where I think my film is gonna be a good fit. I think based on what I've been able to investigate on my own, digging through their website, digging through their archive.Seen what they've programmed before. I think I'm a good fit, but I don't actually know. And I've submitted to festivals where later on, I see what they programmed or I got rejected or even accepted and then gone to the festival itself and have been a little disappointed when was like I this festival didn't fit my goals the way that I thought it would, or, this festival wasn't going to do the things for me.Or this festival, like really promoted themselves very heavily as this big event. And then you get there and then it's not, and that's a little bothersome. So when I stepped into my role at the Wyoming International Film Festival, I made a whole bunch of changes. But one of the changes that I made was, we are going to be transparent.I don't ever want a filmmaker to submit to our festival, get in, get accepted to the festival, drive all the way out to Wyoming and be disappointed. I don't want them to do that. That's not good for them. It's not good for us. It's not good for the community. It's not good for indie film at large.What's better is if we just be what we are in Wyoming, we're straight shooters. We just say it as it is. So I'm going to tell you exactly how many films were submitted, which films we accepted, what the percentage rates are, how many shorts versus features, how many docs versus narratives, how many music videos, all of this stuff.And we've been releasing the data for the past couple of years. This year, like we went all out with the data it was much more thorough than what we've done in years past. And even me, the director of the festival, I sit back, I look at the data and I can see some weak spots in it. I can see where we need to improve as a festival, where we need to start, bringing in a certain type of film or where other films might be overrepresented or how we can give more of an experience to our filmmakers.Just by boiling it down to numbers and looking at it. I can start seeing some of our weak spots and I want to improve on that ‘cause I want to have a good festival. And I think if more festivals were to do that, I think the filmmaking community at large would be much more appreciative. And I think film festivals need to understand.That if you have fewer submissions, that's not a bad thing because the submissions that you are going to get are filmmakers that really want to be in your festival and that's good for the health of your festival, the community, the filmmakers, everything. So I, I think the only way we get there is by being transparent.And thankfully there are other festivals that are publishing their data, which is great. And that makes me very happy to see. And I hope that trend continues and I hope even more festivals start publishing more of their data and showing how they review films, what their scorecards look like, what they're looking for.‘cause ultimately I genuinely believe that just serves the filmmakers better and ultimately makes everybody have a better experience on the film festival circuit, including the festivals themselves.BEN: When you took over as directorWhat were the biggest challenges?RUDI: So our biggest challenge to this day is our venue.So there's only one movie theater in Cheyenne, Wyoming. It is owned by a company outta Casper, Wyoming. They own pretty much a monopoly of movie theaters across the state, like most of them. And they don't allow anybody into their theaters at all. They don't allow her private screenings or corporate events or, in individuals who wanna screen their film or film festivals.I'm not the only film festival in Wyoming. I talk with other festival directors. They can't get in either. It's funny, the film commissioner of the state can't even get in. You would think the movie theater would at least want to partner with the state film Commission, but no. So for us, the challenge has been a venue and luckily our partners over at Laramie County Community College.Have graciously allowed us to use their facilities for the last couple years. They have a beautiful auditorium that we do some of our screenings in, but we also have screening rooms in a black box theater that they have as well as a conference room. And when I say conference room, most filmmakers like their heart drops a little bit.They're like, oh man, I'm just, I'm going into a conference room. It's not a proper movie theater. And that's fine. We publish that data on our film freeway page on hike. We are transparent about that. So when you submit, you might be in the conference room. But ironically, I think it has some of the best audio and it has some of the best projection.So even though it's the quote unquote least movie theater, like I actually think it has some of the best projection, best color. But venue is probably one of our biggest challenges and we continue to develop that. We continue to. Trying to innovate. We're trying to build our own screening room there on the campus.Like we're trying to use one of their big classrooms for it. And what we wanna do is we wanna turn it into a lounge. We wanna bring in like couches and sofas and comfy chairs where it's like much more of a chill environment in there. And that's the type of film we wanna screen in. There's some you can literally sit back, settle in and relax.So there's things that we're doing to create a better environment for our filmmakers and of course our audience, our guests at the festival.BEN: I love it. What's been the biggest reward?RUDI: The, I get to meet you. That's what the biggest reward is. I get to meet so many filmmakers. I get to hear their stories.I get to be inspired. I get to learn stuff. I was talking with a festival director a couple of days ago. Who asked me about how we do our audience award scores and how we process that and what they do. And I just like I lit up, I'm like, oh my God. It's such a better way, it's more efficient, it's easier on the staff.It's more representative of how the audience actually feels about the film, the way the scores are aggregated and counted. It's so great. I get to meet so many people in this world of film and every single day it's like a new, whole new world is opened up to me and I get to hear so many fantastic points of view.I get to see so many awesome films, like just how many great movies are out there is a cinephile. It's like the most rewarding thing in the world. I'm an addict. I'm totally addicted to it. It's so great.BEN: I love it. I remember I used to coach basketball in my first year as a head coach. I was like, yeah, everybody's gonna be pretty competitive, other coaches and so forth.And they were, and I was. But at the same time, when coaches would get together, it was just so supportive. And people are sharing, this is what I'm doing in practice. I'm looking at this offense, this defense. And I imagine it's the same with other film festival directors and programmers. Oh, yeah. Just a supportive environment comparing notes.RUDI: It is. And the more that I meet, the more I truly do understand. 99% of festival directors out there are programmers, people who work in it. They have some tie to cinema. Most of them are filmmakers. Those who aren't, have a deep passion and love for cinema and for storytelling, and.Everybody's a volunteer. Everybody has a day job. Nobody makes money on this. They do it from the love of their heart. They truly do. And the way that they serve their communities, the way that they serve their filmmakers, some of the cool ideas they come up with there's some really neat festivals out there with like very interesting hooks or events or whatever.And I think it is such an incredible ecosystem and I think I'm truly privileged to be part of it.BEN: What are some lesser known or maybe mid-tier festivals or local festivals that you love to attend?RUDI: Okay, so one of my favorite festivals I guess you said lesser known. This one is not lesser known, but Film Quest over in Provo, Utah, damn man, pe like festival people talk about building community. They're on a different level. They've built a family. Like everybody who goes to that festival is just so tight knit there. There's no other festival like Provo or sorry, film Quest in Provo. It is just, it's on another level. And how well they treat their filmmakers is fantastic.Some years ago I was invited to be a jury member at the Fair Film Festival, which is in Ferazi Kosovo. So that is in southeastern Europe. It's a landlocked country, just a little bit above Greece, a little bit north of Greece and north of Macedonia. And Fari is a small town. And I went to that festival and first off, wow.What a great festival. I strongly suggest you submit your film to fair film. It's so good. But the cool part of being in this European festival, and frankly a small European country, most of the films are international, obviously. And so there's filmmakers coming in from like Jordan and Spain and Germany and Slovakia and Slovenia and like all over the place, Greece, Turkey, you name it.And how interesting it is to have this incredible cross section of languages and cultures and peoples, but we're all united by this one singular thing. And that's our love for storytelling and our love for movies. It had to be one of the most incredible experiences of my life. And the next movie I make, taking it back to cosBEN: Fantastic.Just had a question. What was it? Oh okay. So with the huge caveat of besides making. A good film, a film that tells a story. Besides that, are there any tips or tricks, things on the margins that filmmakers can do when they're applying to festivals to be aware of? Sometimes festivals. Ask for a cover letter orRUDI: Yes.BEN: Press kit, things like that. Okay.RUDI: So with, sorry, my phone is loud. I should turn that down. So obviously with a huge caveat of make a good film or whatever, what's the easiest way to get it? All of the stuff on film Freeway, and I do have a video on this, on my YouTube page if you wanna check it out, where I give you a tour of film, freeway from the festival side of things like what the festival can see and how we see it and how we navigate it.On the festival end of things. We can see your cover letter, your screenings and awards your. Cast and crew information, your director's bio, your director's statement, your photographs, your EPK, that's your electronic press kit your trailer, all of that. All of that. As much of that as you can possibly make, you should make it.It's very important. And you never know which piece is gonna be more important to a particular film festival. For instance, here's something crazy. I was meeting with some of my programmers last night. They had a whole bunch of films that they wanted to recommend to go to the next level programming.And we require films. Tell us where in the world or where in the United States the film was made. And every single one of ‘em was California. California. California. California. California. Which fine, whatever. California has a big film industry. That's, it's a very big state, population wise. Makes sense, right?But I am sitting back thinking, okay. I don't want it just to be a bunch of California movies. We have a big country here. I would like to see something else. And something caught my attention. One of the filmmakers, their address was in Birmingham, Alabama, but the film was shot in California, so I am suspicious.I haven't dug into it myself. I'm suspicious either that filmmaker's from Alabama and they have moved to California, or that filmmaker lives in Alabama and they shot their film in California. So they're answering where it was shot correctly. But for me, I'm like, there you go. When everybody's from California.I want that unique perspective. I wanna see someone's from Alabama and what their perspective is now. I haven't watched the film yet. I don't know if it's what we're looking for. Obviously it's a good film if my programming team has recommended it, there's no doubt in my mind it's good film. Now there's other considerations we're gonna have, but.That alone was something, even my, like I myself did not know that I would be looking for. So filling out all of that data on film, freeway, all of your information that you possibly can, your cover letters your screenings, your awards, whatever it is, the more information you give us as a festival, the more we have to make our selections.And it only benefits you. It only helps you out. So filmmakers don't get lazy. Fill out all of that information. We need it. We use it. It's important. Just do it.BEN: You mentioned a meeting with your programmers last night. Take us inside that conversation. What does that look like? What do you discuss, et cetera.RUDI: So there's. There's a big programming team and it's divided up into two different groups. There's our kind of first round screeners and then there's our senior programmers and the senior programmers pretty much review the films that have gone through that first round of screening that are getting recommended to go onto the next one.So typically when I'm talking with my screeners and everything, it's a very different conversation on the bottom end of it where they're just sorting through all of the submissions versus a different conversation I have with the senior programmers who are on the top end of it. We're now trying to decide how to block films together, how we're gonna organize it, what's the schedule maybe look like, what's the overall tone and vibe of the festival going to be, okay.If we wanna have a sci-fi block, do we even have enough sci-fi films? If we don't. Where else can we find homes for ‘em? Stuff like that. So those conversations are a little bit more high end, if you will. And it tends to be less about the story of the film itself and more about how that film is going to fit into the festival.Whereas when I'm talking with the screeners, it's much more on the story end. Like what about the story did you like or you didn't like? Or what was the unique point of view? Or whatever. So depending on which group I'm talking to it, it's gonna be different. And then of course that divides out further on features and shorts and documentaries and narratives and music videos.So like obviously my conversation with the music video people are gonna be much different than my like short documentary people.BEN: Shout out to short documentary people as a documentarian primarily makes shorts I'll ask a question for us folks. In one of the videos, as I mentioned, you literally show here's what the scoring sheet looks like.Yes. And that was for narrative with, I think one of the categories was acting and so forth. So for a documentary or documentary shorts, what does that scoring sheet look like? What do those discussions entail?RUDI: Film freeway does not allow us to have more than one scoring sheet.So unfortunately, there's just this one scoring sheet that's for everything. What I tell my screening team, and we definitely double check everything, like there's multiple people who look at something. So it's not just one person's opinion. You have at least two, oftentimes three, pretty often four.So for something like documentary they skip over that. That's what they do. So if there's no acting in the film, they skip over that. They don't rate acting if there is no acting. But you'd be surprised. There are documentaries that have acting in ‘em. There are like docudramas or documentaries with recreation In the recreation is like actual scenes and performances and stuff like that.So in those cases, even though it's a nonfiction and a documentary, yeah, we'll still judge it for the acting ‘cause that's what it has. I get the question. I'm gonna hijack your question for a second, but it is applicable. I get the question, do we accept AI in our film festival, we do not have any official policy for or against ai, which scares some filmmakers.But we do rate AI on the same standards as we would anybody else. So when it comes to creativity and originality, guess what, you're getting a nothing. ‘cause AI didn't create it. AI is not original. AI just mashes together a bunch of information from other people. So that's no creativity and originality.Same thing for something like, I don't know, art design. If you have a AI character walking through a scene or whatever you're getting zero on your art design. Nobody built those sets. Nobody costumed that actor. Nobody was the makeup artist or the hair or whatever other art deck or, PD or anything on the set.So we will accept ai. We have accepted one single AI film so far because despite all of its quote unquote handicaps, and it was a music video. It still was successful in other categories that had a good enough score. We as a team sat down, said Yes, that it still is a good film. The audience is still gonna enjoy it.The filmmaker definitely had a vision with it. They wrote out a whole thing on like why they chose to use ai. ‘cause they're also an experimental filmmaker, so it made sense for them and everything. So we were like, you know what? That's legit. Let's put it in. But other AI submissions, like I got an AI children's animation the other day and I'm like they didn't animate it themselves.They didn't voice act it themselves. It's not getting good scores on any of these. So we'll see. We'll see. We'll see if it gets through or not, but already you're shooting yourself in the foot. So don't do ai.BEN: Okay. Couple little. I don't know, around the edges or micro questions. One of the things that you talked about in one of your recent videos was having a good poster and you talked about designing your poster for your film prudence.RUDI: Yeah.BEN: Talk, talk to me about,RUDI: I specifically gave my posters an example, not a great poster,BEN: But talk to me about that.For the no budget or low budget filmmaker that can't afford to hire a a designer to make a poster. Talk to me about poster design and how that impacts the presentation of the film for festivals.RUDI: So I strongly believe that a big part of filmmaking and marketing and packaging your film together, all of that is psychology.And as much as we want to sit back and say, Hey, don't judge a book by its, cover it, that literally goes against human psychology. People are not hardwired to do that. It, it is. In our DNA, it's not just a bad habit, it is literally a survival mechanism. So if you want to stand out, you do need to have everything put together.Your cover letter, your synopsis, your photographs, all of that, and of course all of your key art. That's your poster. That's any banners that you have, that's how you're going to be promoting the film. And you have to understand it's not just about making your film look pretty to get filmmakers to go, or sorry your programmers go, Ooh, and ah, it's a pretty film.We are looking at that as a mechanism for us to advertise the festival. You gotta understand if I have 150 films in the festival, I have to get an audience for those films. And the easiest way for me to do that is through your marketing materials. We don't have the capacity. To design marketing materials for 150 different films.We are relying on the filmmakers to do that so we can go out and promote the festival. So people show up to your screening, which I would presume is what you want if you're going to a film festival. So anything you're trailer, any photographs that you can provide, which some filmmakers only provide BTS photographs, BTS is fine.It's great. Give me some good key art I can also use, please. That's what newspapers, that's what the local news that's what podcasters, whatever, that's what they want to see. So that's what I can provide. And of course, your poster. Now, there are a lot of online tools to help in poster design, frankly, I don't have an excuse for making a bad poster like I did, which is one of the reasons I use it as an example is I am shaming myself being like, this could be better and it should be. But there's a lot of online resources that can help with poster design. And also for filmmakers who are a little bit strapped for cash, you would be surprised what people will do for in kind, service for service.So if you have a friend or if there's someone that you can find that's Hey, they'll design your poster if you can design whatever their website or whatever it is that your skills might be there, there's a lot of exchange that you can do on that part. So yeah your marketing, your packaging, all of that together is actually quite important.BEN: Such a great point. And I've written and published a memoir and through that, I've worked with other authors on, on. Both writing and marketing their books, editing and marketing their books. And I tell people the exact same thing. People judge a book by its cover all the time. And in this day and age, they judge it for listeners, I'm holding my thumb and forefinger part as a thumbnail on a computer screen.Yeah, that's the size. So even for a programmer or a festival director watching it on film freeway through their platform, they're not gonna see the poster like we see it in the movie theater. They're gonna see it as a thumbnail image. Yeah. So it has to work as a thumbnail image. And if you can't read the title as a thumbnail or can't make out what's on the image, what's on the poster as a thumbnail, then you've failed that part of the process.RUDI: One, one of the things that like really clued me into how important a poster is, I went to a film festival, I believe it was Kansas City Film Festival. Some years ago, and they had a bunch of posters of films out, but there was one that was like bright pink. It was like super bright pink and had like very eye popping design and everything on it.And it was like in a whole field of like dark drama posters that are all like gritty and everything. And I'm like that stands out. That really drew my eye to it. And I think that was like my big light bulb moment of like how important this stuff actually is. And one of the things that I've been saying for some years, I've said it on the channel, I think, I don't know, some, sometimes I record things and edit out.So I don't know what I've said on the channel sometimes but one of the things that I say is making a film is half of film making. The other half is marketing, the other half is getting butts in the seats. The other half is getting eyeballs on your movie. The other half is selling your film to an audience or a film festival or a distributor or a programmer or whatever you're trying to do with it.It's getting it out there. So making a film is half a filmmaking. The other half marketing, that's what it is.BEN: I'm just nodding along with everything you're saying and I've always felt both with films and with books, with art in general, you're trying to make an emotional connection from what's in your head and your heart to the audience.And if you don't do your job, getting your film out there and helping an audience come and see your film. Then you're not helping that connection. You're missing sort of the point of making this, unless it's just for yourself. It's for, it's to connect with other people and for other people to connect with your work.And that is marketing.RUDI: It's valid. If you're just making a film for yourself, that's absolutely valid. It's in art form. You can make a film for yourself, but if you're sending it to me at a film festival, you're not you're literally trying to find an audience. So these are the things you need to consider.BEN: I love it. I got two more just in the weeds detail questions.RUDI: Alright, let's do it.BEN: Let's talk description. And what I've seen ‘cause I'm in the middle of applying to festivals. And by the way just for. Listeners, this might interest you. So I discovered Rudi's YouTube page and I was like, this is so helpful.And then I went to the Wyoming International Film Festival page and all the transparency and statistics that, that Rudi puts out, that the festival puts out. And I realized, okay, so the short documentary I have is not a good fit for this festival. Exactly what Rudi's saying. So just for anybody listening, thank you for doing research.RUDI: Thank you. That's good. That's not a bad thing, right? That means it saves you time, it saves you money, it saves you heartbreak. It's so good. Do research before you submit. I'm sorry, but I, it's in, in almost every single one of my videos, I tell filmmakers, do your research before you submit. Find the festivals that gel with your film.And if it, if they don't screen the type of movie that you have, don't submit to ‘em. You're wasting your time, you're wasting your money. And the festival, like the programmer behind the screen, might love your film. They truly might love your film, but they're programming for a very specific audience and they know what that audience's taste is.So that's why they're driving specific films to that audience. So even if they love it, they might not include it, which is why you should always do your homework and do your research before you submit. I'm sorry to interrupt, but it's so importantBEN: And yes. And the flip side of that coin is now I also know what the Wyoming International Film Festival looks for.So in the future, if I have a doc or a film, I'm like, oh, this would be a great fit for this festival.RUDI: Yes.BEN: It helps both ways.RUDI: It does. And it helps you dial in. Which festivals you should target, which festivals are gonna help you with your specific goals. Whatever your goals are with the film it's gonna help you with your budgeting and your travel plans and your own personal calendar.It's gonna help with your mental health. It just, it helps on so many different aspects. And on the film festival side of things, I appreciate it when I hear from filmmakers say, Hey man, I looked into your festival looks good, but you don't have the kind of film that I have. And I'm like, not a problem man.Maybe I can point you in the right direction. Maybe I know some film festival programmers, I can make a recommendation, on your behalf too, that's not a bad thing. We love movies and we want to see them successful, but not every single fest or film and story is going to be successful in every single market.So it's very important to find your audience. And believe me, we are going to be cheering you the whole way.BEN: I want get back to my kind of in the weeds questions, but you've mentioned something that is big picture, that's so important. I feel like I've buried the lead here. And you mentioned this you've mentioned this multiple times in your videos.Is that a Phil, it's key. Maybe the most important part of this process is of the film festival submission process is a filmmaker needs to understand what are their goals in applying to a festival. Yes. So can you just talk a little bit about that?RUDI: So film festivals are a tool. And they can be a tool for many different things, but they are a tool.And just every single tool is not right for every single job, every film festival is not gonna be right for every film and vice versa. So before you go out to film festivals, you just need to ask yourself why? Why am I going out to film festivals? Why am I spending the money, the time, the energy, the effort?What do I want out of film festivals? And that's where you need to identify your goal. And the more specific you can be with the goal, the better it's going to be you going on your film festival journey. So for many filmmakers, a common reason they go out to film festivals is networking. So I'm gonna use that as an example.So let's say your goal is I want to network, I want to meet other. Filmmakers, I wanna meet, directors of photography and producers and other people that I can hire for my projects, or they're gonna hire me for their projects, and I want to build that network and I want to meet more filmmakers.Fantastic. Great. That's your goal. So the first thing that you need to do is you need to be looking at festivals that have networking events. And in this particular instance, you need to ask yourself two things. One, does it have networking? Is there in-person networking parties or networking events?And two, do the types of people that I want to meet actually attend those networking events. So us at the Wyoming International Film Festival, we have a pretty broad spectrum. We have filmmakers that are just beginning their journey. They're totally new, wet behind the ears. They're green they're just starting their journey.That's great. All the way up to every year we have multi Emmy award-winning filmmakers. Like people who do this professionally they're in unions or professional organizations, or they're a member of the academy, motion picture Arts and sciences or the TV Academy or sometimes like the Grammys and stuff like that.I, myself, I'm a professional editor, so there's people like me who professionally work, but they're like below the line. They're cinematographers editors, gaffers, what have you. So if your goal is to meet some like high-end producer that's gonna throw, a million dollars at your movie our festival is not the festival that's gonna help you with your goal.So you should skip over us because we don't have that kind of person in attendance. But if your goal is to meet other filmmakers at your level that you can collaborate with or get hired by or whatever. We're a great festival. We have tons of networking, and we bring in a ton of those filmmakers.We're a great event for you. So when you identify what your goal is and you're very specific about it, it's easier to identify which festivals you should start targeting. I take that one step further, and then once you've narrowed down which festivals are gonna help you with your goal, then you look into their history and see which of them have screened movies like yours in the past.So if you have a, you know I use the example, if you have a seven minute comedy coming of the age film, now you know which festivals have good networking, which festivals have the kinds of people you want to network with. Now you look at which ones have screened short coming of age comedy films in the past, and have a history of doing that.So that's gonna help you filter it even further. And by doing that, you're gonna really start to develop your film festival strategy. Now I do have some exciting news. There is something coming now, it's called Hike, H-I-I-K-E. It's hike with two I. And what Hy is doing, it's a submission platform similar to film Freeway, but among many of the tools that they're giving filmmakers, they're giving filmmakers customized festival strategies and they're scraping all of that data from film festivals, what they've programmed in the past.And when you as a filmmaker, join Hike, you take a little quiz, you tell them what your goals are, what your film is, you know how long it is, what the genre is, tell them about yourself. And they literally have. Data scientist who's built this like machine learning algorithm that pairs the data from the film festival to what the filmmaker provides.That literally gives you a compatibility score. So it's, it comes out and tells you, if you want to network with, professional filmmakers but not mega producers and you have a short comedy coming of age film Wyoming International Film Festival has that crowd screens those types of films and you would have a 90% compatibility.So it actually helps you develop your festival strategy for you.BEN: It's so needed. And Rudi has a great video on how to spot scam film festivals. Yes. That's something that is just prevalent these days. So for filmmakers who are getting ready to submit, I encourage you to watch that video. I'll link to it in the show.I'll link to everything that we're discussing in the show notes. The. So Rudi talked about one goal a filmmaker can have is to network other goals at various points in my, film festival my limited film festival career I've applied to festivals ‘cause I wanted to go to that city, new Orleans Fest, new Orleans Film Festival.TravelingRUDI: is totally legitimate reason to go.BEN: People apply because they want distribute, they wanna meet distributors or financiers for the next film. Although, that's what everybody wants. SoRUDI: you, you would be surprised. So in, in 2018, I had a feature film and my, my goal like most feature films was to land a distribution deal.But I was like, that's not specific enough. There are many steps to land a distribution deal. So what I need is I need good press on my film. So that was a goal. So I wanted to target festivals that had press. I wanted laurels. I wanted to win some awards with it, but I also knew my film was. Small and kind of small scale.So it wasn't gonna win laurels at big festivals. So I was like, okay, I need festivals with press. I need festivals that are legitimate and above board, but also small enough where I'm gonna be competitive. And then I wanted to actually meet distributors. And I know they only go to big festivals, so I actually had to target three different kinds of festivals.‘cause I had three, let's call ‘em conflicting goals with my own film. So that's what I did. I did a split strategy. I targeted festivals where I was gonna be this tiny little fish in a very big pond. And no one's really gonna notice me, but I'm just happy to be there. I targeted festivals where I know that I was going to get very good press and very good reviews on the film.And I targeted festivals that were small, still legitimate, but I was gonna be competitive and maybe bring home some trophies. And so that was my strategy and it worked, and I landed a distribution deal.BEN: That's so great. I, I'd love to do a part two at some point we can talk distribution deals and all of the, yeah.Things like that. But I think for people listening, the big takeaway is even with this multi-pronged goal, three different goals connected to each other. Once you identify what your goals are, then you work backwards and you create your strategy to Yes, to achieve those. Okay. Back to the two in the weeds.Two more in the weeds questions. Yeah. So description, and as I'm looking at other film descriptions, and I saw this at USC all the time as well, and we talked about earlier, filmmakers wanting to sit in emotion or sit in something traumatic and have the audience experience that I notice a lot of times in descriptions of short films.Can so and so come to terms with this? Can, and just as someone who has a little bit of experience marketing stories, where's the action? What's the active what's this person actively trying to accomplish, rather than can they just come to terms with something? Can you talk a little bit about film description, just three or four lines.What pops?RUDI: So just like your poster, just like your marketing and everything, a film description is your way to reach through the screen, grab the audience, grab the programmer, and pull them into your movie. Keep in mind, your whole entire goal is to get people to watch your film, get them excited about your film.And so if you just have a very drab, like description that's just yeah, has to face consequences for a decision they made or come to terms with something when I, that's a good V one, that's a good place to start, but that's not going to get an audience excited about your film.I saw film, I don't know if it was at my festival. It wasn't at my festival. We didn't screen it, but I'm saying, I don't know if it was submitted to my festival or if I saw it at another festival, but I remember one of the descriptions it was great. It was whatever the two character names were, John and Jane, I forget what the characters are, but like John and Jane are on a date, there's a bomb in the other room.I I hope the date goes well, or something like that. Let's hope the date goes well. And I'm like, what is this movie? That gets you really excited for it. You're. It, it creates so much mystery. And also just the cavalier way that it was written immediately tells me this is gonna be a comedy, or it's not taking itself too seriously.It's not some like gritty, dive into the underworld or whatever. Like just how blunt it was about the dis of the film and just that like small little description. I know I'm paraphrasing what it was, but it stuck with me for years at this point. ‘cause I'm like, that is how you write a description for a film.That is how you get someone excited to see what is this movie about? Let's jump in. Piggybacking off a description. Titles are another great way to do that. In, in my own repertoire of films I've had film called Prudence. Okay, fine, whatever. Prudence doesn't really tell you much about that film.I had a film that I'm very proud of. It's artsy, it's a little bit magical realism and it's called in this gray place, and it has that artsy mystique around it in this gray place. And I love that title. I did it, I did a film back in film school. It's terrible, but the title's great.It's called Back to Fort Russell. It was a Western and I, to this day, it's one of my favorite titles that I've ever had. But it tells you something. It clues you into what this film is going to be, what the journey of this movie is going to be. And some films do that better than others. And some films, yeah, it's not necessary.But I, I get more excited when I hear something like the Texas Chainsaw Massacre than I do something that's just like love. Or mom or something.BEN: I think this is the last question. So again, with all these little details, cover letter, talk to me about cover letters.RUDI: It's so interesting you asked me that question ‘cause hearing about four or five days, I'm posting a video on the YouTube channel about cover letters. It's short, it's only four or five minutes long, but cover letters are so important.Should absolutely write a cover letter. And a couple of days ago I was talking with programmers at dances with films, and if you don't know dances with films, look ‘em up. They are an incredible film festival. They are in the big leagues for sure. And I was talking with a couple of programmers and I asked them about covert letters and they said, it's so important it.How the filmmaker is going to put an audience in the theater is very important for their festival. How they're going to get people to attend is very important for them and they're like, a good indication in a cover letter is when they, the filmmaker indicates how they're going to market their film and they use the example of football.Let's say it's a movie about football. They're like, if it's a movie about football and you tell me in the cover letter that you're part of several like football organizations, or you're gonna be reaching out to sports organizations or youth organizations for sports or something like that, to attend the film.That's a very good indication for them in the cover letter. For me, I think a cover letter is very important in that it shows. You're going the extra mile to show the festival you care. You're not just submit and quit. We're not just one festival on a list of 50 that you're submitting to. There is a reason you want to screen with us, and that's a specific reason.Either you feel that your film is good fit for our audience, or there's something that you want to connect with. In Wyoming, I had one cover letter and we did accept this film and it was really funny. They put in their cover letter like their film was a comedy, so their cover letter was also very comedic, but they're like, honestly, we're just gonna go up to Yellowstone around that time and we would love to swing by and show the movie.And I laughed. I laughed so hard at that and I'm like. But that shows me they care. Like they want to be there. And the film was good and it was funny and we screamed it and they were there. So it's a way to show a film festival enthusiasm and it's way to inform the festival about yourself, about your film, and how that's gonna gel with their particular event and their audience.BEN: I love it. And that reminds me, I got one more, I got a bonus question. Yeah. Can you talk about applying early?RUDI: Yes. Statistically, when I look at our own data, statistically, it does seem to be that the earlier you apply, the better chance that you have. And so I don't want to give the impression that if you applied late.You have no chance. I think in the video where I literally broke down the data and the statistics, I think at our festival we had a one in five chance of getting in on the late deadline, which is about a 20% acceptance rate. But it was much higher the earlier it came in. So just with the raw data taking out my opinions, my emotions on it, whatever, just the data itself shows earlier is better.Now, here's where my opinions and my feelings towards it come from. I think it's a couple of things. One, when you get in early, you set the pace for the rest of the festival, you're telling us, okay, it's a drama. We're gonna compare your film against others. Like you have now become the benchmark that we're gonna compare other films to when it comes to like dramas or whatever.What it also does. It's something I'm going to discuss in my video and cover letters, but it also engages something, what's called mere exposure effect in psychology, which is essentially the more that you are exposed to something, the more preference you have towards it. Which means if you get in early, you are exposing yourself, your film, and your story to the programmers more often and more readily than late submissions are.So it's more likely that the programmers form some attachment to your film, and that's just human nature, that's just psychology. There's some practical reasons for it as well. Obviously, earlier submissions, earlier deadlines are cheaper, so it's better to get in. It's just gonna cost you less money to do and then lastly, there are many festivals that are developing their program as they go. So as films are coming in, they're shaping. We got a ton of dramas. Maybe we need two drama blocks, or, we, we don't have enough sci-fi for a sci-fi blocks, we gotta spread it out or whatever. So if you come in late, you're now trying to elbow some other film out of the way in order to find your screening slot.Which don't get me wrong, there are plenty of programmers that are absolutely gonna go to bat for you. They're gonna fight hard to get you in. Doesn't matter if you come in early or late or whatever, but the chances are just better. And the data shows that if you get in early. All that said, a couple of years ago, the very last film that came in with only two hours left in our deadline, we ended up programming it.So it, it is possible.BEN: Rudi, I cannot thank you enough. I can't tell you how helpful this has been. There's so much great information for filmmakers. Filmmakers submitted to festivals, people just interested in going to festivals. So thank you so much for taking the time.RUDI: Hey it's always a pleasure.I always love talking film festivals and for any filmmakers out there, head on over to YouTube hit up the Film Festival Guide. That's my YouTube page. I'm coming out with videos every two or three weeks. That's about what I put ‘em out there for. So if you need any guidance or any, I don't know, insight for film festivals that's where I am.BEN: Film Festival Guide. I'm a subscriber. I can't recommend it enough. Any other social media where people can find you?RUDI: Oh no, I'm terrible on social media. YouTube's enough for me right now.BEN: So Film Fest.RUDI: I will probably expand in the future and I'll probably make some announcement on the YouTube channel.Got it. But for right now, I'm just trying to get good information out there to as many filmmakers as possible.BEN: Thank you so much for doing that. It's such a huge benefit for film.RUDI: Thank you very much for the support and thank you very much for having me on. I enjoyed this. This was a lot of fun.BEN: Me too. This was great. Thank you. And that was my interview with Rudy Womack, director of the Wyoming International Film Festival and creator of the great YouTube page, the Film Festival Guide. Hope you enjoyed this episode. If you did, please forward it to one person. Thank you and have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Today we're joined by Steven Puri, Founder and CEO of The Sukha Company based in Austin, Texas, whose mission is to help millions of people find their focus, achieve more, and build a healthy work life. His latest creation, the Sukha Focus App, integrates science and soul to help people achieve deep, sustainable focus in a distracted world.Steven's Website The Journey from Hollywood to HappinessSteven, you've had such an eclectic career—from film production and tech startups to founding a company devoted to focus and balance. Steven's creative journey spans journalism, film, technology, and now mindfulness. He began as a newscaster for the #1 youth news show in the DC/Baltimore market, then went on to work as a software engineer and Thomas J. Watson Scholar at IBM.From there, he entered the film world—producing computer-generated visual effects for Independence Day and 13 other movies, launching his first company, Centropolis Effects, which he later sold to German media conglomerate Das Werk. He went on to senior leadership roles at 20th Century Fox and DreamWorks, developing hit franchises like Die Hard, Wolverine, Transformers, and Star Trek.What turning point inspired you to create The Sukha Company?Creative Systems and ScienceYou've led creative and technical teams at the highest levels—from Independence Day to Transformers. What lessons from those high-pressure creative environments have shaped how you now think about productivity, empathy, and well-being at work?Defining “Sukha” in Modern WorkThe Sanskrit word sukha means happiness through self-fulfillment. How does that philosophy show up in your company's products—and in your own daily focus habits?Focus in the Age of OverloadYou've built an app to help people stay focused in a world of constant distraction. What are the biggest focus challenges you see today, and how does The Sukha help users navigate them?The Future of Work and Well-BeingYou talk about “healthy productivity.” What do you see as the next evolution for creative professionals and organizations who want to get more done without burning out?Steven, what's one piece of advice you'd give to creatives and leaders who are trying to find focus, fulfillment, and flow in their daily work?Thanks to our sponsor, White Cloud Coffee—fueling creative conversations everywhere. Listeners, enjoy 10% off your first order at whitecloudcoffee.com.And before you go, don't forget to download your free e-book of Your World of Creativity when you visit mark-stinson.com.

On the 491st episode of Piecing It Together, we are LIVE from Maya Cinemas in Las Vegas with Steven Hughes, Anthony Elias and Carolyn Luckett to talk about The Running Man! This new take on the classic story is directed by Edgar Wright, stars Glen Powell and is a blast. Puzzle pieces include Idiocracy, The Truman Show, Die Hard and Hard Boiled.As always, SPOILER ALERT for The Running Man and the movies we discuss!Written by Edgar Wright and Michael BacallDirected by Edgar WrightStarring Glen Powell, Lee Pace, Josh Brolin, Colman DomingoParamountAnthony Giovanni Elias is an actor and martial artist.Check out his action reel at https://vimeo.com/893008724And follow him on Instagram @welcometothenewageCarolyn Noel Luckett is a comedian and producer.Follow Carolyn on Instagram @carolyn767 and on Tiktok @crabbylionladySteven Hughes is a film fan and listener of the Piecing It TogetherPodcast.Follow him on Instagram @stevenhug27My latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "Runnin'" from The Pup Pups! get your pet included on the bonus song for the new album by getting to https://thepuppups.bandcamp.com TODAY!Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music...

“Air Force One” is the kind of movie that grabs you by the collar, shouts “GET OFF MY PLANE,” and dares you not to grin through the whole ride. It's the most unabashedly earnest “Fly Hard” ever committed to film—yes, it's Die Hard on a plane, and yes, it knows it. Yet somehow, through sheer force of will (and Harrison Ford's presidential scowl), it keeps its two-plus hours aloft with crowd-pleasing momentum. Sure, the premise is absurd to the point of parody: the President of the United States personally throwing hands with terrorists at 30,000 feet. The script asks you to swallow far more than peanuts—plot holes you could taxi a 747 through, logic leaps that would make John McClane blush, and an “Idiot Plot” where the villains make decisions that seem scientifically engineered to defeat themselves to keep the movie going. But the movie never stops long enough for any of that to really sink in. It just keeps hustling, barreling from corridor shootout to cockpit crisis like a blockbuster with someplace urgent to be. The special effects… well, bless them. Even in the late '90s, some of these shots looked suspiciously like the world's most patriotic PlayStation cutscenes. But their rubbery seams and digital wobble just add to the charm—this is a movie that's trying so hard to thrill you that you forgive it for occasionally looking like a flight simulator running on Windows 95. And that's the thing: despite its flaws—maybe even because of them—Air Force One is a blast. Ford and Oldman chew the scenery with gusto, the pacing never really sags, and the film delivers exactly the kind of fist-pumping, flag-waving nonsense it promises. It might be ridiculous, but it's ridiculously entertaining.

Welcome to Den of DVD - A Chattin' Flicks series were Carl is watching his entire DVD collection and has three options for each DVD:- Keep it- Sell it and Stream - Throw it in the canalDo you agree with Carl's decisions? Let us know in the comments.Follow @ChattinFlicks on all the socials.Featured this episode- Die Head (1988)- Die Hard 2: Die Harder (1990)- Die Hard with A Vengeance (1995)- Die Hard 4.0 (2007)- Drive (2011)- Django Unchained (2012)

Another Schwarzeneggarian episode of the podcastWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt7979580/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome00:50 What's it about?06:49 Opinion Time47:15 Let's get to the facts58:17 Mail Time01:05:01 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, The Mitchells vs. the Machines, and The Nightmare Before Christmas

Send us a textThis week on Greenfield's Finest Podcast, the boys are back with a loaded episode! Mike talks about hosting Impractical Jokers' Joe Gatto at the Pittsburgh Improv, while the crew breaks down the Steelers' rollercoaster 2 weekS — a win over the Colts, a loss to the Chargers, and a roster shake-up that sent fan-favorite Beanie Bishop packing. They also weigh in on George Pickens' taunting penalty, Jayden Daniels' gnarly elbow injury, and Antonio Brown's latest headline-grabbing arrest.Over in the ‘Burgh, College GameDay's rolling into town, the Mon Incline went full “Die Hard rescue mission,” and the Pittsburgh Scanner is absolutely unhinged — naked greeters, mooning neighbors, and a dude with an axe in the Strip. The guys also roast TikTok's “onion feet” trend, discuss Leslie Jones calling out Tony Hinchcliffe, and say goodbye to Ridiculousness after 14 years. Stick around for Brother in Arms and What Would Greenfield Do? — where the boys debate Christmas decorations, old wives' tales, and the most overrated beer on the market.Check out our upcoming events, social media, and merch sale at the link below ⁠⁠https://linktr.ee/GFP Spotify:https://open.spotify.com/show/7viuBywVXF4e52CHUgk1i5 Produced by Lane Media ⁠https://www.lanemediapgh.com/

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. The fabulous Edgar Wright joins us on this week's Take to talk ‘The Running Man'—his new adaptation of the Stephen King dystopia. You might remember the Arnie version from 1987, but Wright's is a refreshed take starring very angry action man Glen Powell. He plays Ben Richards, an out-of-work dad living in the slums of a sci-fi totalitarian state, who enters a deathmatch gameshow in the hope of winning the cash he needs to save his sick child. Edgar and Simon talk action classics, staying on Arnie's good side, and why Stephen King called the film ‘Die Hard for our time'. Mark reviews it too—plus two more big movies out this week: a blockbuster and an exciting indie. In the arthouse corner, the Palme d'Or-winning ‘Titane' director Julia Ducournau's latest, ‘Alpha'. In her usual out-there style, it follows a troubled teenage girl who returns home with a mysterious tattoo, amidst a terrifying bloodborne epidemic. And from Hollywood, ‘Now You See Me: Now You Don't', the latest entry in the slick magician‑heist franchise... which has left Mark wishing it would do a disappearing act. Ladies and gentlemen, be marveled as a Kermodean rant is conjured before your eyes! Plus more exquisite dad jokes and guaranteed groans in The Laughter Lift, and we'll hear plenty from you lovely lot as always—including some prizewinning pedantry. Keep it coming! AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December—with special guests Nia DaCosta, Gurinder Chadha, and more! Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Alpha Review: 13:11 BO10: 21:42 Edgar Wright Interview: 38:14 The Running Man Review: 53:04 Laughter Lift: 1:03:12 Now You See Me: Now You Don't Review: 1:04:40 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 2722 - Vinnie Tortorich and Chris Shaffer welcome a special guest to discuss food addiction, improving habits, and how some habits die hard. https://vinnietortorich.com/2025/11/some-habits-die-hard-episode-2722 PLEASE SUPPORT OUR SPONSORS Pure Vitamin Club Pure Coffee Club NSNG® Foods VILLA CAPPELLI EAT HAPPY KITCHEN YOU CAN WATCH THIS EPISODE ON YOUTUBE - @FitnessConfidential Podcast Some Habits Die Hard GLP-1 ads have been placed in front of Vinnie's show in specific markets. (3:00) Specific platforms do not allow control over what ads are placed. It is frustrating, and Vinnie and Chris are looking for solutions. Vinnie acknowledges that GLP-1s can help people lose weight, but there are issues with side effects and the lack of help with bad eating habits. (10:00) He gives the example of his brother, Mark, who is on the highest dose of a GLP-1 and still has trouble resisting certain foods. His brother Mark joined the show for the discussion, and they went over some of Mark's habits. Some habits die hard. Vinnie is super proud of Mark for taking up indoor cycling. (26:00) Mark has been motivated by wanting to be more active for his grandchild. Mark still has challenges due to food addiction, but he does have goals. You can book a consultation with Vinnie to get some guidance on your goals. https://vinnietortorich.com/phone-consultation-2/ If you are interested in the NSNG VIP group, it will reopen soon. But you can get on the wait list -https://vinnietortorich.com/vip/ More News If you are interested in the NSNG VIP group, it will reopen soon. But you can get on the wait list -https://vinnietortorich.com/vip/ Serena has added some of her clothing suggestions and beauty product suggestions to Vinnie's Amazon Recommended Products link. Self Care, Beauty and Grooming Products that Actually Work! Don't forget to check out Serena Scott Thomas on Days of Our Lives on the Peacock channel. "Dirty Keto" is available on Amazon! You can purchase or rent it here.https://amzn.to/4d9agj1 Please make sure to watch, rate, and review it! Eat Happy Italian, Anna's next cookbook, is available! You can go to https://eathappyitalian.com You can order it from Vinnie's Book Club. https://amzn.to/3ucIXm Anna's recipes are in her cookbooks, website, and Substack–they will spice up your day! https://annavocino.substack.com/ Don't forget you can invest in Anna's Eat Happy Kitchen through StartEngine. Details are at Eat Happy Kitchen. https://eathappykitchen.com/ PURCHASE DIRTY KETO (2024) The documentary launched in August 2024! Order it TODAY! This is Vinnie's fourth documentary in just over five years. Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries Then, please share my fact-based, health-focused documentary series with your friends and family. Additionally, the more views it receives, the better it ranks, so please watch it again with a new friend! REVIEWS: Please submit your REVIEW after you watch my films. Your positive REVIEW does matter! PURCHASE BEYOND IMPOSSIBLE (2022) Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries REVIEWS: Please submit your REVIEW after you watch my films. Your positive REVIEW does matter! FAT: A DOCUMENTARY 2 (2021) Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries FAT: A DOCUMENTARY (2019) Visit my new Documentaries HQ to find my films everywhere: https://vinnietortorich.com/documentaries

A list of the most iconic quotes that people know from movies includes "I see Dead People" from the 6th Sense which starred what star of the movie Die Hard?

Weekend at Bobby's: The Hunter Who Does It AllWelcome to this episode of Gank That Drank: A Supernatural Drinking Game Podcast. Hosts Krissy Lenz and Nate McWhortor dive into Supernatural Season 6, Episode 4, "Weekend at Bobby's"—Jensen Ackles' directorial debut and a love letter to everyone's favorite gruff hunter. This bottle episode gives Jim Beaver the spotlight he deserves as we witness Bobby Singer juggling demon torture, monster research, FBI visits, and a very persistent neighbor with famous peach cobbler—all while trying to get his soul back from Crowley.The hosts explore the brilliance of this episode's structure, following Bobby through an exhausting weekend of phone calls from hunters (including the always-hilarious Garth), dealing with foreign monsters popping up in America, and navigating an increasingly complicated situation with the King of Hell. The emotional heart comes when Bobby finally unleashes on Sam and Dean for calling him "selfish," delivering one of the series' most memorable rants. Nate and Krissy also discuss the questionable logistics of Rufus crisscrossing the country, the wood chipper solution to monster problems, and why Bobby's neighbor Marcy probably regrets bringing over that cobbler.Additional highlights:The drinking game rules include Bobby answering calls (the heavy hitter), "balls," son of a bitch, and outdated 2010 techMark Sheppard's Crowley steals every scene, from his Bobby impression to complaining about managing demons like a bad office jobThe clever reveal of how to kill demons permanently—burn their original human bonesJensen Ackles' directorial choices and the use of "The Gambler" during Bobby's research montageWhy a wood chipper might be the ultimate supernatural weaponThe hosts rate the drinking game 4 out of 5 phone calls and agree this is an episode they could rewatch immediately. Up next: Season 2, Episode 18, "Hollywood Babylon," with rules including Dean eating, Dean flirting, and a Die Hard reference shot.Learn more about Gank That Drank and access episodes early and ad-free at trustory.fm. Become a member for just $5/month at trustory.fm/join for bonus content and exclusive perks.Connect with the hosts:See Krissy and Nate perform at Neighborhood Comedy Theatre in downtown Mesa, ArizonaFollow onFacebook, Instagram, and BlueskyWhat makes Bobby Singer such an essential character in the Supernatural universe, and how does this episode showcase his importance to the Winchester brothers? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Welcome to the party, pal! Grab some champagne and a machine gun because it's time to… DIE HARD (1988) starring Bruce Willis, Bonnie Bedelia, and Alan Rickman. John McTiernan's Christmas classic about a cop versus a building full of armed thieves created its own subgenre of “Die Hard in a Blank” movies.  THE TAKING OF BEVERLY HILLS (1991) has a star football quarterback take on a gang of ex-cops who plan to rob the entire city of Beverly Hills. Will things be gratuitously thrown like a football during fire fights? You know they will! Starring Ken Wahl, Robert Davi, and Matt Frewer. Directed by Sidney J. Furie.

Send us a textA Christmas movie isn't just snow, lights, and a calendar date—it's heart, family, and a story that believes in something. Live from Cape Con 2025, we set a clear, simple test for what counts as a real holiday film and then throw our top five lists into the arena. The crowd jumps in as we put Die Hard on trial, celebrate Elf and The Santa Clause, and argue whether The Nightmare Before Christmas truly earns its December stripes. The Family Stone gets a heartfelt defense as a portrait of grief, love, and tradition, and yes, we square off over the ultimate winner: Home Alone or The Polar Express.You'll hear why some movies feel like December in your bones, how music and recurring motifs turn scenes into rituals, and where nostalgia either deepens meaning or disguises thin storytelling. We talk cozy classics, modern mischief, and the delicate line between “set at Christmas” and “about Christmas.” Along the way we unpack what we actually want from a holiday watch—reunion, redemption, laughter, and that flicker of belief when the house is quiet and the tree is glowing. If you love spirited lists, honest hot takes, and a few surprises, you're in the right place. Hit play, build your own top five, and tell us what we missed. If this episode made you smile or yell at your phone, share it with a friend, leave a quick review, and subscribe so you never miss our next debate. Support the showPlease share and SUBSCRIBE!!!If you are able ... would you help us in becoming a subscriber and helping us get the word out. https://www.buzzsprout.com/1133780/supportThinking about starting a podcast. Check out our affiliate link here.Listen on apple hereFacebook Listen on Spotify here

Ashley admitted to us that there are a few childhood habits that are still linering... See omnystudio.com/listener for privacy information.

Ashley admitted to us that there are a few childhood habits that are still linering...

Riding Shotgun With Charlie #241 Jeff Boren Boren Training Solutions   It was by chance that I was able to connect with Jeff Boren. I wanted to do a show in Arkansas and reached out to Ed Monk (RSWC #222). Since I've already had him on the show in Boston, I was looking for someone else. Ed suggested Jeff.  I reached out to a complete stranger, asked if he'd be on the show, and he said yes. Although Jeff is in Mississippi I'm glad it worked out. As the saying goes, "I'd rather be lucky than good."    Jeff took an interest in firearms at a young age. As a child of the 80's, he loved Die Hard and wanted a Beretta 92 for Christmas. Santa did not bring it.  He fired a GLOCK 17 Gen 1 when he was just a teenager. Then he got a job so that he was able to buy some guns for himself. A few years and a couple courses later, he realized that this may be worth pursuing.    While his career was a football and baseball coach, he was working towards administration. There were several friends and family that asked him to take them to the range. He figured that if he became a firearm instructor, he would still be able to coach people and help them get into shooting. He found Citizen's Safety Academy in Murfreesboro, TN, and became an NRA certified instructor. Currently, he holds many more certifications, including UCSSA, Tom Givens' Rangemaster "Master" certified instructor, and Armed Response to Active Shooter Events.    Jeff has been in the administration side of education after moving out of coaching sports. Spending years as a coach, then being a principal, he's now a district administrator. His job is to be responsible for safety and operations. They do have an armed staff program. He's responsible for teaching the teachers how to handle firearms, shooting, and active shooter situations. "There's more of them (armed schools) out there than people realize, but there's not a lot", Jeff said. Having his hand in administration and firearms training, he's able to instruct those who are willing to step up to be able to protect schools.    With programs like FASTER Saves Lives and Ed Monk's Active Shooter Training, there's no reason that some teachers shouldn't be armed. Not every teacher needs to be armed, not every teacher wants to be armed, but they can be educated. Including trauma first aid, which can save the lives of students. In Jeff's program for carrying in schools, there's 64 hours of training. He says it is more about accountability than it is responsibility. Teachers have to be accountable for what happens if they need to use a firearm. It's much more about the mindset than anything else.    The Borens are all into shooting. His wife is an instructor, his children enjoy shooting. One drawback is that his wife will know which guns he has and which he's trying to sneak into the safe. However, it is a wonderful thing that everyone enjoys it. Jeff also instructs at Citizen's Safety Academy in Tennessee and Patriots Training Center in Eastabogo, AL, where he is the Director of Training.    In Mississippi, it is a "Constitutional Carry" or permitless carry state. However, having the state issued permit has benefits. One is reciprocity. Jeff lives in the north east corner of the state, 20 minutes from Alabama and 5 minutes from Tennessee. It also lets you forgo the background check as the carry permit shows the holder has passed one. Moving to permitless carry has changed what instructors offer their clients. It's no longer the state's mandated curriculum, it's geared towards what citizens really need for training. Along with the permit, someone can carry inside of a school.    We had a great conversation. I'm happy to meet more pro-gun people around the country and have them on the show. Jeff teaches in three states. He attends things like TacCon. He's got a full resume and offers lots of training. And he passes it on to everyone who takes courses with him.  Favorite quotes: "It (instructing) filled a void, but it's something I'm deeply passionate about." "I got into it for that reason alone because it was fun to shoot." "If it weren't for that, I wouldn't be doing what I'm doing now." "You're not just responsible, you're accountable for what happens."   Boren Training Solutions https://borentrainingsolutions.com/   Boren Training Facebook https://www.facebook.com/JeffBorenTrainingSolutions/   Patriot Training Center https://patriottrainingcenter.com/ Second Amendment Foundation https://secure.anedot.com/saf/donate?sc=RidingShotgun Citizens Committee for the Right to Keep and Bear Arms https://www.ccrkba.org/     Please support the Riding Shotgun With Charlie sponsors and supporters.    US Law Shield Legal Defense for Self Defense. Use "RSWC" as the discount code and get 2 months for free! https://www.uslawshield.com   Patriot Mobile Use this link and get one month for free! https://patriotmobile.com/partners/rswc Or listen on: iTunes/Apple podcasts https://podcasts.apple.com/us/podcast/riding-shotgun-with-charlie/id1275691565

Corey Jensen and Romy Teitzel are in the studio with the NRL and NRLW Premiership trophies! We talk Broncos glory, hometown pride, and the funniest moments from the trophy tour. Plus:

Die Hard vs Big: The Best Movie of 1988? You won't believe the shocking results of this heated debate!

We're spending Halloween in a skyscraper full of little monsters. We're not talking about Die Hard, but Gremlins 2. Hosted by Audion. Visit https://www.audion.fm/privacy-policy for more information.

MUSICAlex Van Halen has talked about using generative A.I. to complete some unfinished Van Halen music. His nephew Wolfgang is NOT a fan of the idea, even though he's powerless to stop it. https://consequence.net/2025/11/wolfgang-van-halen-david-lee-roth-feud-2025/ Super 7 has launched new White Stripes action figures based upon the duo's Elephant era. The figures of Jack and Meg White wear the same outfits as the ones on the cover of the 2003 album and include Meg's drumsticks and Jack's hollow-body electric guitar. https://shop.brooklynvegan.com/products/the-white-stripes-2-pack-reaction-figures-elephant Filmmaker Matt Zane has announced a crowdfunding campaign to create a new doc that focuses on the relationship between late Static-X founder Wayne Static and his late wife, adult film star Tera Wray. https://blabbermouth.net/news/unauthorized-documentary-exploring-relationship-between-late-static-x-frontman-wayne-static-and-his-wife-tera-wray-to-begin-production Bunnie Xo just sat down with TV-legend Maury Povich on her "Dumb Blonde" podcast. https://people.com/bunnie-xo-jelly-roll-trying-to-have-a-baby-in-gods-hands-11842597 TVThe Motion Picture Association (MPA) is battling Meta, the parent company of Instagram. https://variety.com/2025/digital/news/mpa-meta-cease-desist-letter-instagram-pg-13-rating-teen-accounts-1236570205/ Influencer Haley Kalil, who goes by haleyybaylee on socials, is revealing the biggest factor in her divorce from her ex-husband former NFL player Matt Kalil has to do with the size of his manhood. https://www.tmz.com/2025/11/05/haley-matt-kalil-sex-life-caused-divorce-nfl/#continued MOVING ON INTO MOVIE NEWS: Get your wallets ready, movie fans, because some truly legendary pieces of Hollywood history are about to hit the auction block, and the price tags are as epic as the films they came from.Leading the charge is a holy grail for Star Wars collectors. o The actual EE-3 carbine blaster wielded by the fan-favorite bounty hunter Boba Fett in The Empire Strikes Back is up for grabs -- it's believed to be the only original hero blaster used in the film, and it's been matched to the screen through photos and even its serial number. With that kind of history, it's expected to sell for anywhere between $462,000 and a jaw-dropping $924,000!o The list of legendary props doesn't stop there. Adventure has a name, and it's Indiana Jones! The signature fedora worn by Harrison Ford in Indiana Jones and the Temple of Doom is also going up for auction and is expected to sell for upwards of $400,000.o Alan Rickman's personal archives, including his own heavily annotated shooting scripts from two of his most famous roles: Hans Gruber in Die Hard and Harry in Love Actually, giving a rare glimpse into the actor's creative process.These items are all part of Propstore's Winter Entertainment Memorabilia Live Auction, which will feature over 1,350 lots and takes place in London from December 5-7. Ms. Piggy is ready for her close-up. https://gizmodo.com/miss-piggy-movie-jennifer-lawrence-emma-stone-cole-escola-muppets-2000681941 Sydney Sweeney stars in the boxing film Christy, in theaters this Friday, Nov. 7th. https://www.mmamania.com/boxing/400678/serious-sydney-sweeney-pursuing-legitimate-boxing-match-following-christy-biopic-i-can-take-punch "KPop Demon Hunters 2" is officially happening at Netflix. Unfortunately for fans, it won't come out until 2029. https://consequence.net/2025/11/kpop-demon-hunters-2-netflix-2029/ Jordan Peele made a documentary about how black cowboys have been erased from the myth of the Old West. Check out the trailer. https://deadline.com/2025/11/jordan-peele-black-cowboy-documentary-release-date-trailer-1236608541/AND FINALLYIt's that time of year again . . . for Gwyneth Paltrow's Goop holiday gift guide. It includes six vibrators, which is six more than you'll find on Oprah's Favorite Things list. https://goop.com/holiday-gift-guide/c/ AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's Die Hard in a police station!This week on DIE HARD ON A BLANK we're battening down the hatches with Ethan Hawke and Laurence Fishburne as we discuss the 2005 remake of ASSAULT ON PRECINCT 13!After a botched undercover drug bust results in the deaths of two of his fellow team members, traumatized Detroit cop Jake Roenick (Ethan Hawke) now works an unambitious desk job, where he oversees a quiet, remote precinct that's about to be decommissioned. However, when a busload of prisoners – including notorious gangster Marion Bishop (Laurence Fishburne) - are forced to take refuge at said precinct because of a brutal New Year's Eve snowstorm, Jake suddenly finds himself called back into action when mysterious masked gunmen assault the police station… After comparing and contrasting this film with John Carpenter's original 1976 classic (itself a loose remake of RIO BRAVO), the guys discuss the myriad DIE HARD (and DIE HARD 2) DNA on display in this pressure-cooker siege scenario, while musing on the possibility that the echoes of previous wars (Vietnam, the Iraq invasion) may be reverberating inside both versions of the story. They also discuss the idea of the “action-horror” subgenre in this surprisingly gory picture, as well as Ethan Hawke's post-TRAINING DAY action-hero run. Awards are handed out to the stellar ensemble cast in the DIE HARD OSCARS section, and as always the episode culminates with a cheeky edition of the DOUBLE JEOPARDY trivia quiz!TRAILER: https://www.youtube.com/watch?v=isoX0zcyG-4At the time of release, ASSAULT ON PRECINCT 13 is streaming on Starz and Philo in the US, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms! It is also available on physical media!The original 1976 version is also currently streaming on Amazon Prime Video, Fubo, Roki, Pluto TV, Kanopy, Shout TV, Plex and The Criterion Channel!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES, where we've discussed other John Carpenter classics such as BIG TROUBLE IN LITTLE CHINA and THEY LIVE!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

The Bama Geeks welcome legendary Alabama Theatre house organist Gary W. Jones to talk about the magic of the 2025 Holiday Film Series—a beloved Birmingham tradition featuring classics like "White Christmas," "Elf," "National Lampoon's Christmas Vacation," "Die Hard," and "The Polar Express." Buy tickets: https://alabamatheatre.com/events ---------- Website: http://bamageeks.com Become a Bama Geeks supporter: http://www.bamageeks.com/join Available on Apple Podcasts (iTunes), Amazon, Spotify, and YouTube. Come sit a spell on the Bama Geeks Front Porch: https://www.facebook.com/groups/bamageeksfrontporch Check out and follow our socials! Facebook: https://www.facebook.com/bamageeks Instagram: https://www.instagram.com/bamageeks X/Twitter: https://twitter.com/bamageeks YouTube: http://www.youtube.com/@BamaGeeks TikTok: https://www.tiktok.com/@BamaGeeks

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. Dans les films de la saga Die Hard, comme "Piège de cristal", sorti en 1988 et "58 Minutes pour vivre", sorti en 1990, le personnage interprété par Bruce Willis, John McClane, s'en sort toujours avec seulement quelques égratignures. Pourtant, l'acteur ne se contente pas de faire des roulades sur un tapis en mousse. Pour sauver sa femme séquestrée dans un gratte-ciel, John abat plusieurs preneurs d'otages un à un, en vient même à défier la sécurité et l'univers hostile d'un aéroport rempli d'ennemis, en moins d'une heure pour sauver à nouveau sa belle et s'en sort toujours. Les combats avec des armes à feu sont-ils souvent faux ? Existe-t-il d'autres scènes qui sont vraiment impossibles ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : octobre 2023 À écouter aussi : ⁠Quels sont les pires scandales écologiques causés par des tournages de films ?⁠ ⁠Sylvester Stallone, Fabrice Luchini, Cameron Diaz... qui sont ces célébrités passées par le porno ?⁠ Quels sont ces films qui ont fait rougir leurs acteurs de honte ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Early for Christmas, right on time for HalloweenWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt7979580/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome21:30 What's it about?23:56 Opinion Time54:56 Let's get to the facts01:11:05 Mail Time01:14:21 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, Superman, and The Mitchells vs. the Machines

Chris Boardman is a master musician, arranger and composer. His resume is off the charts. He began his career in film, tv and recording in 1974. He's received an Academy Award nomination for his work on “The Color Purple”, 6 Emmy Awards, 13 Emmy nominations, and ASCAP and BMI film awards. He's worked with a Who's Who including Steven Spielberg, Barbra Streisand, Quincy Jones, Julie Andrews and Marvin Hamlisch. He's worked on the “Lethal Weapon” and “Die Hard” films, and on Anthony Newley's “Chaplin” on Broadway to name just a few. My featured song is “Catch You Later” from my 2012 album Spring Dance by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHRIS:www.soundbridgehealth.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

What if you did Die Hard, decades after we were assaulted with a slate of Die Hard ripoffs, on a network television budget, starring the guy from The Wheel of Time? You get "Ex Parte", a hostage situation made all the more perilous by one of the captives being Simmons' wife. Come for the derivative plotting and stay for the confusing politics. Also, will Simmons get a new cell phone? He will if his freakin' wife has anything to say about it!

It's become a Halloween Week tradition to discuss some Maniac Cop, and now that tradition concludes as we talk Maniac Cop 3: Badge of Silence on Episode 177 of The Bulletproof Podcast! Join Chris the Brain, "The Toyman" Chris DePetrillo, Ryan Campbell, and Chad Cruise for a spooktacular discussion of the third and final installment in the Maniac Cop franchise. Maniac Cop III: Badge of Silence (or The Bride of Maniac Cop if Matt Cordell got his way). The behind the scenes issues, the runtime padding, the greatness of Robert Davi, the Die Hard reunion, and Spiro Razatos elevating the movie are among the talking points. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's State from SNYK with Eru from @Diehardknickspc, back with another Die Hard State Of Mind Episode!The Knicks fall 115-107 to the Miami Heat, and we're breaking it all down — the good, the bad, and everything in between. We take a deep dive into the team's performance, the numbers that stand out, and who showed up on the court.Jalen Brunson was my Player of the Game — we talk about his impact, his stats, and why he continues to carry this squad.We also get into the recent NBA gambling scandal, what it means for the league and the players, and wrap up with a real conversation Is Jalen Brunson a superstar?

With the weather changing toward Winter, it is a good time to check our batteries, so we decided to revisit an earlier discussion to start ... the discussion.Ever wonder why your car starts strong some mornings and struggles on others? We take you under the hood of battery choices that actually affect daily reliability, from budget-friendly picks at big-box stores to premium designs built for harsh conditions, high-current audio builds, and weekend toys that sit for weeks at a time. Our goal is simple: help you pick a battery that fits your vehicle, your climate, and your lifestyle without wasting money on features you don't need.We move brand by brand through a no-nonsense ranking: EverStart and Interstate for accessible value, Motorcraft and AC Delco for OEM confidence, Bosch for dependable mid-tier coverage, and Antigravity for lithium lightness where every pound counts. For enthusiasts and workhorses, we break down why XS Power and Odyssey excel under heavy loads and frequent deep cycles, and how their warranties and construction translate into fewer headaches over years of use. Then we spotlight DieHard's enduring reputation and Optima's spiral-wound advantage, explaining RedTop vs YellowTop vs BlueTop so you match cranking power, deep-cycle resilience, and marine readiness to the job at hand.Along the way, we unpack AGM versus traditional flooded lead-acid, when lithium makes sense, and how to read warranty terms that actually protect you. We also cover practical buying tips: verifying group size and reserve capacity, understanding OEM recommendations, and deciding when paying more now saves you from a tow later. If your vehicle has added lights, winches, or a big audio system, or if it sits for long stretches, you'll walk away knowing which chemistry and brand can handle the load with fewer surprises.If this helped you think smarter about batteries, subscribe for more straight-talk car guidance, share with a friend who loves a weekend project, and leave a quick review to tell us which brand has lasted the longest for you.Be sure to subscribe for more In Wheel Time Car Talk!The Lupe' Tortilla RestaurantsLupe Tortilla in Katy, Texas Gulf Coast Auto ShieldPaint protection, tint, and more!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.---- ----- Want more In Wheel Time car talk any time? In Wheel Time is now available on Audacy! Just go to Audacy.com/InWheelTime where ever you are.----- -----Be sure to subscribe on your favorite podcast provider for the next episode of In Wheel Time Podcast and check out our live multiplatform broadcast every Saturday, 10a - 12nCT simulcasting on Audacy, YouTube, Facebook, Twitter, Twitch and InWheelTime.com.In Wheel Time Podcast can be heard on you mobile device from providers such as:Apple Podcasts, Amazon Music Podcast, Spotify, SiriusXM Podcast, iHeartRadio podcast, TuneIn + Alexa, Podcast Addict, Castro, Castbox, YouTube Podcast and more on your mobile device.Follow InWheelTime.com for the latest updates!Twitter: https://twitter.com/InWheelTimeInstagram: https://www.instagram.com/inwheeltime/https://www.youtube.com/inwheeltimehttps://www.Facebook.com/InWheelTimeFor more information about In Wheel Time Podcast, email us at info@inwheeltime.com

DIRTEA isn't just another wellness brand selling mushroom powder. It's a behavioural-science masterclass — an experiment in habit formation, storytelling, and modern ritual.Founded by brothers Simon and Andrew Salter, DIRTEA turned ancient adaptogens into a luxury lifestyle — one that sits perfectly between neuroscience, self-optimisation, and social identity. Their rise wasn't built on ads or hype, but on behavioural insight — understanding how humans build rituals, seek belonging, and buy into meaning.===============

It's Die Hard in a taxi!This week on DIE HARD ON A BLANK we're taking a ride with Tom Cruise and Jamie Foxx as we discuss Michael Mann's exemplary 2004 thriller COLLATERAL!Fastidious cab driver Max (Jamie Foxx) picks up a mysterious passenger named Vincent (Tom Cruise), who, impressed with Max's driving and knowledge of the sprawling city, offers to hire him for the night while he makes a few stops around LA. However, Max soon discovers that Vincent is in fact a contract killer, who then forces Max to drive him around the city so that he can assassinate a list of people involved in a massive federal case. As an ordinary guy pitted against a skilled and ruthless hitman, Max must somehow find a way to survive and stop Vincent from completing his deadly mission. After outlining the surprisingly dense and detailed amount of ‘DIE HARD DNA' in this jazz-infused LA neo-noir, the guys wrestle with a fundamental question: is this the greatest thriller ever made? They get into the film's philosophical themes, discuss the remarkable against-type performances from the two leads (and the stellar supporting cast) and place this film in context within Michael Mann's filmography. The guys wrap things up with a highly competitive edition of the DIE HARD OSCARS (there's a ton of love for Mark Ruffalo) and the always entertaining DOUBLE JEOPARDY trivia quiz!TRAILER: https://www.youtube.com/watch?v=-JDf2zIFgO8At the time of release, COLLATERAL is streaming on Paramount Plus and Kanopy in the US, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms! It is also available on physical media!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

Just when we thought maybe a new sherriff would ROLL into town, the old guard says, "Wait a gosh darn second!" Welcome to the Third Saturday in October - your SEC water cooler podcast for the rest of us! The cigars belonged to the Crimson Tide Saturday night. Florida, despite a win, moves on from a coach. Auburn struggles and Texas struggles to a win. A lot to cover. ThirdSaturdayInOctober.com @TSIOPod on Instagram, X, and Venmo BuyMeACoffee.com/TSIOPod

The Knicks preseason is in the books, and State & Eru break down everything you need to know heading into the regular season! We're talking:

And now, the conclusion… of our deep dive into Star Trek's first three-part episode arc ever, wrapping up with DS9's “The Siege.”This week, Kira and Dax get their Top Gun on while Sisko, O'Brien and Odo play Die Hard on the station. Does this 32-year-old episode still hold up? You'll have to listen to find out.We also recap New York Comic Con and the new, cool toys coming from Nacelle. And yes, we have a Red Shirt. So snack on a palukoo and listen now! 

Tawinee's Actual Factuals- Hollywood Names, Aviation lingo and Diehard by STAR 102.5/Des Moines

Just a little gentleman and some weird girl talking about an underrated movieWelcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt7979580/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome00:51 What's it about?06:53 Opinion Time43:39 Let's get to the facts53:47 Mail Time59:31 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, Tootsie, The Changeling, The Birdcage, and Superman

What's up, Knicks fam! In this episode of Die Hard State of Mind, I'm joined by the one and only Eru from @Diehardknickspc as we break down everything going on in this Knicks preseason. We talk about the new pieces on the roster, how the team is shaping up, and of course—we had to touch on the Giannis trade rumors and what all the buzz could mean for the league if it ever comes to life.We also get into some thoughts on Coach Thibs and what adjustments we're hoping to see this year. Real talk, real Knicks talk—you already know how we do.

Like or didn't like what you heard? Share your sip with me! I'm so inspired by the incredible work Steven Puri, Founder and CEO of The Sukha Company, is doing to help millions find their focus, achieve more, and create a healthier work-life blend.But his story didn't start there—Steven grounds his wisdom in years of experience from the entertainment industry, where he shares some behind-the-scenes stories (including tackling the age-old question: Is Die Hard a Christmas movie?).So grab your favorite cup and sip with us—because November is brewing up to be the most exciting month yet for Steven Puri! ☕✨Steven Puri's BioSteven's career started as a newscaster/interviewer for the #1 youth news show in the DC/Baltimore market (on WTTG-TV), and then as a junior software engineer & Thomas J. Watson Scholar at IBM. After attending USC in Los Angeles, he began working in film production and produced computer-generated visual effects for 14 movies, including Independence Day, which won the Academy Award for Visual Effects. Steven's first tech company was Centropolis Effects produced those CGI effects, and he eventually sold it to the German media conglomerate Das Werk when he was 28. Steven then produced some indie films and eventually went studio-side to develop and produce live-action features as a VP of Development & Production at 20th Century Fox (running the Die Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci Productions, where he worked on Star Trek, Transformers, and more. After Fox, Steven returned to building tech companies and founded The Sukha Company. Connect with Steven on LinkedIn Learn more about this amazing work TheSukhaCompany For more sips and tips, connect with me on social and follow @LeaderSips @Leadspirations and @LifeisGrit on Instagram, Twitter, Facebook and Pinterest. Learn more about me at karlynnholbrook.com

Die Hard in a Hobby Lobby? Yes, please! Jenny Kiefer chats about cults, creative self-defensive, and CRAFTING FOR SINNERS.

It's Die Hard in a phone booth!This week on DIE HARD ON A BLANK we're in a glass case of emotion with special guests Katie Walsh and Blake Howard as we discuss the 2002 high-concept thriller PHONE BOOTH, starring Colin Farrell and Forest Whitaker!Slick, sleazy, unscrupulous celebrity publicist Stu Shepard (Colin Farrell) lies for a living, hustling on behalf of his clients while strutting the streets of New York, and constantly making and taking phone calls with the help of a young intern named Adam (Keith Nobbs). However, while visiting one of the city's few remaining phone booths to secretly call a young actress he is trying to sleep with behind his wife's back, Stu suddenly finds himself in the middle of a terrifying situation…when an unidentified “Caller” (Kiefer Sutherland) informs Stu that he will kill him with a sniper rifle unless he remains in the phone booth and follows all his demands… As the two hosts of the MIAMI NICE podcast, our friends Blake and Katie are no stronger to the joys of Colin Farrell…nor of director Joel Schumacher, whose life, career and filmmaking style are all discussed at length. We also get into the film's long and tortured development history, other directors who were considered to helm Larry Cohen's long-gestating screenplay (including Michael Bay), and of course, the surprisingly high amount of “Die Hard DNA” crammed into that confined space. We hand out some awards in the “Die Hard Oscars” and wrap things up with the “Double Jeopardy Quiz”…where the scores can really change. Schumacher stans rise up!TRAILER: https://www.youtube.com/watch?v=gUqTCsjCsA8At the time of release, PHONE BOOTH is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

Noize and I tear into Die Hard — scene by scene, bullet by bullet — to find out what really makes it tick. To hear the full conversation, listen to Season 4: Episode 5 - Trapped at Nakatomi.

Hey there, fuckos. Welcome back to another Monday Motivation—your weekly reminder that your brain is not just for storing old passwords and random Die Hard quotes.I'm FWACATA—your art dad, your creative comrade, your podcaster-shouter of truths.And today's episode? The Joy of Learning.Not the homework kind. Not the “show your work on the math problem” kind.I'm talking about learning as fuel. The good shit.Now, I know what you're thinking:“Learning? Didn't I leave that back in high school, right next to my bad haircut and my crippling acne?”Yeah, me too. But here's the thing—learning isn't punishment. It's fuel. It's rocket fuel for your brain-car. Without it? You're just Fred Flintstoning your way through projects, barefoot on gravel, wondering why everything feels stale.When I was working for the Hormel family as an art archivist—yes, that Hormel family—my boss used to say, “I don't want to hear ‘I don't know.' I want to hear ‘I'll find out.'” That stuck with me. “I don't know” isn't an answer. It's an excuse. And excuses are where ideas go to die.Here's a dirty little secret: Talent is just passion times time.That's it. No magic, no divine spark from the art gods. Just passion, multiplied by time, multiplied by the hours you put in.Learning is what accelerates that equation. It's the turbo boost, the NOS in your Fast & Furious brain.And here's the kicker: the learning doesn't even have to be “useful.”Saul Alinsky studied sea urchins. David Bowie read about space exploration.Me? I spent an entire afternoon learning about raccoons. And now I can't stop drawing them like they're plotting world domination.Sometimes the weirdest, most random knowledge is exactly what sparks the coolest ideas.Take Kim Jung Gi—the late, great Korean artist. Absolute monster talent. Guy could draw helicopters, motorcycles, and entire battlefields straight out of his head.Why? Because he studied everything. He took apart scooters and sketched every part. He drew the same engines, gears, and pistons over and over until he understood them.That's the power of learning. When you absorb knowledge, it becomes part of your mental toolbox. You're not just copying anymore—you're creating.Look, learning keeps you alive. Without it, your brain turns into that one potato in the pantry—the one you forgot about—that sprouts alien tentacles and freaks you out when you find it.Curiosity is oxygen. It keeps your art fresh, keeps your perspective sharp, and keeps you from turning into that jaded asshole who thinks they've got nothing left to learn.So here's my challenge for you this week:Pick one thing—just one—that you don't know… and dive into it.Learn a new recipe.Read about an artist you've never heard of.Watch a tutorial on how to play the ukulele. (You don't even need to own one. That's not the point.)The point isn't mastery. The point is movement. Learning humbles you. And it energizes you.So celebrate the joy of learning. Stay curious. Stay weird. Stay that person who always asks why—even if it annoys the hell out of everyone around you.Because curiosity isn't childish. Curiosity is how you stay alive. And when you pour that new knowledge into your art—your writing, your music, your Nicholas Cage hot-glue sculptures—you'll find inspiration waiting like an old friend.That's it for this week's Monday Motivation.Stay curious. Stay weird. And as always—be good.

พรรคสีน้ำเงิน (พรรคภูมิใจไทย) กำลังมีกระแสความนิยมสูงขึ้นอย่างมากจนเกินกว่าคำว่า ขาขึ้น ด้วยการวางตำแหน่งทางการเมืองอย่างมีกลยุทธ์ ขณะที่พรรคสีส้ม (พรรคประชาชน) แม้ยังคงแข็งแกร่งด้านบุคลากร แต่ต้องเผชิญกับความท้าทายจากกลยุทธ์ของคู่แข่งและประเด็นประชามติที่ซับซ้อน ส่วนพรรคสีแดง (พรรคเพื่อไทย) ถูกประเมินว่ากำลังประสบปัญหาสมาชิกและฐานเสียงไหลออกอย่างต่อเนื่อง หากไม่สามารถหยุดยั้งภาวะเลือดไหลนี้ได้ สถานะการเป็นหนึ่งในสามก๊กทางการเมืองอาจสิ้นสุดลง อย่างไรก็ตาม หากดูผลสำรวจของนิด้าโพล คะแนนนิยมของพรรคสีแดงกลับเพิ่มขึ้น ราวกับว่า ‘เพื่อไทย ตายยาก' นอกจากนี้ ผลกระทบของประชามติหลายฉบับ โดยเฉพาะเรื่อง MOU ไทย-กัมพูชา อาจถูกใช้เป็นเครื่องมือทางการเมืองเพื่อขัดขวางการแก้ไขรัฐธรรมนูญในอนาคตก็เป็นได้ ชวนติดตามและวิเคราะห์ไปพร้อมกันได้

This week, Travis is joined by Jared Spears of the podcast Concessions: Consider the Bigger Picture to talk about the 1995 Jean-Claude Van Damme flick, Sudden Death. Often called "Die Hard in a Hockey Arena", and directed by Peter Hyams, is this just a knock off of Die Hard? Or does it do some things of it's own that are worth while? And just why is it so dark? Let's find out...Check out Concessions: Consider the Bigger Picture at https://pod.link/1700141653 and listen to Jared and Dan for each other to watch movies they don't likeThanks go out to Audie Norman (@TheAudieNorman) for the album art. Outro music In Pursuit provided by Purple-Planet.comSupport the show by going to patreon.com/wyhsVisit tvstravis.com for more shows and projects from TVsTravis Hosted on Acast. See acast.com/privacy for more information.

What is the best movie of the 1980s? Welcome to VOLUME 189 of The Bracket. Kenjac is host alongside Tbob, Klemmer, Gooch, Robbie Fox and Clem. Follow The Bracket ►TWITTER - https://twitter.com/BracketPod ►INSTAGRAM - https://www.instagram.com/thebracket/ Follow Kenjac ►TWITTER - https://twitter.com/JackKennedy ►INSTAGRAM - https://www.instagram.com/jackennedy/ ►TIKTOK - https://www.tiktok.com/@ken_jac Intro - (0:00) Back to the Future v Airplane - (5:37) Predator v Die Hard - (14:58) The Goonies v Aliens - (22:35) Cheah in Game - (30:00) Cheah in Winner v Empire Strikes Back - (37:39) Ferris Bueller's Day Off v The Shining - (41:24) Blade Runner v E.T. - (47:45) Ghostbusters v The terminator - (53:42) Cheah in Game - (58:35) Cheah in winner v Indiana Jones - (1:10) Playoffs - (1:11:12) Finals - (1:27:27) Download the Gametime app today and use code BRACKET for $20 off your first purchase Get your first month of BlueChew FREE Just use promo code BRACKET at checkout and pay five bucks for shipping. https://BlueChew.com GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). 1 per new DraftKings customer. $5+ first-time bet req. Get 1 promo code to redeem discounted NFL Sunday Ticket subscription and max. $200 issued as non-withdrawable Bonus Bets that expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. NFL Sunday Ticket: YouTube TV base plan (not included in this offer) required to watch Sunday Ticket on YouTube TV. Subscription autorenews yearly at then-current price (currently $378 for YouTube TV subscribers, or $480 for YouTube subscribers); cancel anytime. Terms, restrictions, embargoes and eligibility requirements apply. No refunds. Commercial use excluded. Addt'l terms: https://tv.youtube.com/learn/nflsundayticket/draftkings/. Offer ends 9/29/25 at 11:59 PM ET. Sponsored by DK. #movies #80smovies #barstoolsportsYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

• Underground Metalworks sponsorship: Orlando welding school with MIG/TIG/STIC classes, weekend basics, hobby/father-son angle, Dan with Maisie, hands-on facility, promo code • 2025 Bad at Business Beer Fest (Nov 22 Sanford, free beer, wristbands, gift bags, food, music, hosted by Mo DeWitt) • Friday free show intro with Ross McCoy: hangover Uber/bathtub puking, Dan's puking/peeing stories, ruined cars, gagging pranks, fast-puke anxiety, Grill Them All illness, puking blood before flight • New Jaws pinball from Pinball Dudes: movie clips, shark fin, chum bucket, gameplay hype; Daniel visit promo (50–100 miles) • Launch of Tom & Dan straw hat (Hittin' Skins/Danger Brains) • NFL kickoff Eagles–Cowboys: gambling strategies, middle-bet stress, knee injury vs Rodgers, Jalen Carter spit on Dak, fan debates, taunting crackdown, lightning delay past midnight • Lightning safety talk: school 10-mile rule, theme parks 3-mile, pool 2.5, lawsuit fears, past fatalities, stadium strikes, “30/30” confusion, probability vs possibility • Lottery chat: billion-dollar Powerball frenzy, regular habits, odds unchanged, crude bet jokes, checkout line delays • NFL betting: kickers' own balls, “smooshing,” Super Bowl ball history, longer field goals expected, kickoff rule changes, parlays, Chiefs–Chargers in Brazil • Concert tourism: Weeknd and Taylor Swift abroad, concerts as travel excuse, Rhode Island boring joke, hummus humor • Gambling/Vegas: casino habits, iHeart Festival trip • Cam Patterson joins SNL: past conflicts, rise via Kill Tony/touring, confidence in success, salary comparisons • Bruce Willis: viral clips, health decline, caretaker move debate, Die Hard legacy, film talk (Sixth Sense, Unbreakable etc.), nostalgia stories • Netflix “Unknown Number” catfish doc: vulgar, victims reenact, bizarre twist, sympathy, comparison to scams/odds/lightning, beyond MTV's Catfish • Corey Feldman on Dancing with the Stars: themed dance predictions, eccentric style, exploited for laughs, unkept pedophile promises • Eminem discovering internet porn late; Bubba's shock-site pranks; old office prank culture vs modern HR • Ross's in-law German Shepherds: protective dog traditions, bite suit shock, On Patrol Live K-9 injuries; contrast with pee-pee dogs; Dan's poodle bite; knife heirlooms and hassles • Jeff's Bagel Run sponsor: bagels, cookies, Otis coffee, #TDBagel • Music: Curtis Harding “The Power,” Goldie Boutilier “King of Possibilities” • American Air & Heat sponsor: AC upgrades, ducts, financing; lightning 10-mile joke • Illegal gambling: Grady Judd's bust, curiosity about poker/slots, rake legality, bingo loopholes, massage parlor comparison, raffles/bookie ideas, THC drinks at venues, Guru Man ad, nostalgia for sidebar ads • Listener bits: “Pukes of Hazard,” period/diarrhea themes, Debary Joe mall puke; suit tailoring, $1k suits mocked, funerals casual now • Genealogy: listener poem link, Kipling speculation, famous relatives • Under-the-table awkward stories: hot tub ecstasy, mistaken foot petting, code of silence • Nostalgia: Hawaii tapes, buddy pass travel, discomfort seeing old selves, teens' permanent records, Sopranos quote, want Sopranos pinball • Listener swords; Bud K comedy bit: catalog sales, killing lore, chainsaw, sword-for-sword trades, exit to GA • Moe's Comedy Jam Oct 2 promo • Lifeline Screening sponsor ($159 scan), health scare stories, planned “I'm Not Dead Yet” party at Johnny's with burgers/beer/pinball • Wrap-up: Ross McCoy's Orlando Talk Show, merch, thanks, Monday BDM, legal disclaimer ### **Social Media:**   [Website](https://tomanddan.com/) | [Twitter](https://twitter.com/tomanddanlive) | [Facebook](https://facebook.com/amediocretime) | [Instagram](https://instagram.com/tomanddanlive) **Where to Find the Show:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/) **The Tom & Dan Radio Show on Real Radio 104.1:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/) **Exclusive Content:** [Join BDM](https://tomanddan.com/registration) **Merch:** [Shop Tom & Dan](https://tomanddan.myshopify.com/)