Podcast appearances and mentions of Gael Linn

Tá éileamh mór ar chúrsaí samhraidh a bheas a reáchtáil ag Gael Linn an Samhradh seo i Machaire Rabhartaigh agus Bun an Inbhir agus tuilleadh tithe a lorg chomh maith le múinteoirí don chéad agus dara cúrsa.

Tá imní léirithe ag an eagraíocht Gael Linn go mbeidh deireadh ag teacht lena scéim bunscoile ‘Scoil spreagtha' mar gheall ar easpa maoinithe.

Tá idir dea-nuacht agus drochnuacht ann ó thuaidh maidir leis an Ghaeilge. Ar lámh amháin, tá post an Choimisinéara Gaeilge fógartha faoi dheireadh – gníomh a bhí an pobal ag fanacht air le tamall fada anuas. Ach ar an lámh eile – tá na ciorruithe ó Fhorás an Gaeilge ag dul i bhfeidhm. Ar an chéad íospartach - An scéim Scoil Spreagtha, scéim a mhúineann an teanga do pháistí bunscoile. Ar Seachtain, labhraíonn Séamas Mac Eochaidh, Bainisteoir Polasaí Oideachais le Gael Linn, faoin buille tubaisteach seo don Scoil Spreagtha, agus le ról an Choimisinéara Gaeilge fógartha anois, pléann an t-iriseoir Ciarán Dunbar fiúntas an róil. See omnystudio.com/listener for privacy information.

Amhrán ó Rang a 3 atá acu ón Dráma ‘An Ghréasaí agus na Leipreacháin' a dheineadar le déanaí ar stáitse i gcomórtas ‘Coirm' le Gael-Linn.

Tá seimineár a reáchtáil ar-líne anocht ag Gael Linn i gcomhar le hOllscoil Chathair Bhaile Átha Cliath faoin gcóras díolúine na Gaeilge.

Áine Ní Bhreisleáin, Gearóid Ó Muilleoir agus Ciarán Ó Pronntaigh ar na scéalta nuachta ba mhó a chuaigh i bhfeidhm orthu i mbliana, Coirnéal Comhairleach na Nollag agus Dónal O'Connor agus Réamonn Ó Ciaráin ar Gael Linn ag 70.Áine Ní Bhreisleáin, Gearóid Ó Muilleoir and Ciarán Ó Pronntaigh look back at the year's biggest news stories. Advice from Caoimhe's Christmas Agony Aunts. Dónal O'Connor and Réamonn Ó Ciaráin on Gael Linn at 70.

Labhraíonn scoláirí agus baill foirne ó Choláiste Gael Linn i Machaire Rabhartaigh le Seán faoina gcuid taithí sa choláiste, na rudaí a mheallann iad le theacht ar ais agus faoin saol agus atmaisféar dearfach sa choláiste.

Trácht ar Nioclás Tóibín. Céirníní Niocláis eisithe ag Gael Linn agus an tionchar atá fós aige ar aos óg na nDéise.

Aneta Stepien joins Ryan to chat about taking the beginners course of Irish – New to Irish – with Gael Linn school. (Photo credit: Mark Condren)

Labhair Antoine Ó Coileáin, iarPhríomhfheidhmeannach le Gael Linn, faoi Bhrian Mac Aongusa, a fuair bás le déanaí. Chaith Brian tréimhse mar phríomhfheidhmeannach ar Ghael Linn chomh maith. Bhí baint mhór aige le cúrsaí raidió. Bhi sé mar cheannaire ar Raidió na Gaeltachta agus ar bhord Raidió na Life sna blianta tosaigh. Ba staraí áitiúil é chomh maith i ndeisceart Bhaile Átha Cliath agus suim ar leith aige i stair an iarnróid in Éirinn. Beannacht Dé leis. Dáta craolta: 28032023

Ceol, comhrá, gáire agus cuimhní ar chlár speisialta beo ó Bhaile Átha Cliath do cheiliúradh 70 bliain Ghael Linn.

Tá feachtas seolta ag Gael Linn faoin gcuraclam Gaeilge T1 a scrúdú ag deireadh bliain 5.

Tá mná tigh go fóill ag fanacht ar íocaíochtaí ó Roinn na Gaeltachta maidir le cúrsaí an tsamhraidh seo.

Tá mná tigh go fóill ag fanacht ar íocaíochtaí ó Roinn na Gaeltachta maidir le cúrsaí an tsamhraidh seo.

Labhraíonn Réamonn Ó Ciaráin le Seán faoina ról nua mar Phríomhfheidhmeannach Gael Linn, a shaothar le Gael Linn go dtí seo, Aonach Mhacha, Iontabhas Ultach, a chuid oibre leis an gCumann Lúthchleas Gael agus go leor eile.

Priomhfheidhmeannach, Gael Linn, Réamonn Ó Ciaráin ag labhairt faoi chúraimí an eagrais agus cad a ba mhaith leis a dhéanamh sa phost inar ceapadh é le déanaí.

Antaine Ó Donnaile, Caoimhe Ní Chonaill agus Andrew McCammon ar Le Chéile, scéal chlub CLG Oirthear Bhéal Feirste atá anois ar fáil ar BBC iPlayer. Tadhg Mac Eoin ar An Foclóir Aiteach, tionscadal atá ag tógáil stóir focal Gaeilge i dtaca le coincheapa úra faoin ghnéasacht, an inscne agus an fhéiniúlacht. Blaiseadh de mhóragallaimh le Réamonn Ó Ciaráin, Príomhfheidhmeannach úr Gael Linn. Órfhlaith Ní Chearnaigh ar bhóithrín na smaointe ar Lá Domhanda an VCR. Antaine Ó Donnaile, Caoimhe Ní Chonaill and Andrew McCammon on Le Chéile, the story of East Belfast GAA, available now on BBC iPlayer. Tadhg Mac Eoin ar An Foclóir Aiteach, the Irish-language Queer Dictionary. A taste of our feature interview with Réamonn Ó Ciaráin, new Chief Executive of Gael Linn. And Órfhlaith Ní Chearnaigh on World VCR Day.

Labhraíonn Ceithleann Ní Dhuibhir Ní Dhúlacháin le Seán faoina ról nua mar Oifigeach Forbartha le Glór na nGael, agus í lonnaithe i mBéal Feirste leis an ról. Insíonn Ceithleann dúinn faoin méid iontach atá déanta aici sa Ghaeilge le leithéidí UCD agus le Gael Linn.

Saol na Gaeilge: Gael Linn by Raidió na Life 106.4FM, www.raidionalife.ie

Labhraíonn Sarah Ghriallais le Seán faoina albam nua – Idir Dhá Sháile 2 – a bhí i dtaisce sna cartlanna ó taifeadadh é na 1980í agus atá eisithe faoi dheireadh ag Gael Linn. Insíonn Sarah do Sheáin faoi na hamhránaithe ar an sean nós a spreag í, an tábhacht a bhaineann leis an sean nós don chéad ghlúin eile agus an oíche speisialta a bhí ann nuair a bhuaigh sí Corn Uí Riada i 1984.

Labhair Edel Ni Bhraonáin ó Ghael Linn faoin gclár Sosanna Spleodracha ata dírithe ar bhunscoileanna. Ta sé mar aidhm ag an gclár páistí a spreagadh le níos mó aclaíochta a dhéanamh.

Ag cur síos ar na comórtais Scléip agus Siansa – tá na spriocanna ag teannadh linn le cur isteach ar na comórtais seo.

Ar an meán, itheann duine amháin os cionn 1000 béile in aghaidh na bliana - bíodh siad leo fhéin, i gcomhluadar cairde, agus ithe béilte beir leat nó sa mbaile le teaghlach. Tá an bia ag croílár an tsaoil agus baineann siad le scéal agus saol an duine agus an phobail. Sa tsraith seo labhraíonn Doireann Breathnach le haíonna speisialta faoi na béilte is mó a d'fhág rian orthu, agus na scéalta a ghabhann leo. Labhraíonn Doireann san eagrán seo le Edel Ní Bhraonáin, a bhfuil baint aici le Gael Linn, leis na Gaeil Óga agus go leor gnéithe eile de shaol na Gaeilge, mar gheall ar na béilte is mó a chuaigh i bhfeidhm uirthi bealach amháin nó bealach eile - agus mar gheall ar na scéalta agus daoine a bhaineann leo.

D'eagraigh Gael Linn comórtas nua tráchtaireachta i mbliana atá dírithe ar dhaltaí bunscoile agus meánscoile. D'éirigh le Jeaic Ó Máirtín as Scoil Éinne sa Spidéal comórtas rannóg na mbunscoileanna a bhuachaint.

Labhraíonn Robbie Irwin faoin méid atá ar siúl aige mar Oifigeach Rannpháirtíochta Mac Léinn in Institiúid Oideachais Marino i mBaile Átha Cliath agus mar Chomhlach Proifisiúnta le Comhairle na Gaelscolaíochta ó Thuaidh, chomh maith le MA atá idir lámha aige ar Dearadh agus Forbairt na Ríomhfhoghlama. Tugann sé súil siar ar a thaithí le Eco Schools, COGG agus Twinkl, agus Coláistí Gael Linn i nDún na nGall. Insíonn sé dúinn fosta faoin gQueercal Comhrá agus Aerach Aiteach Gaelach, agus amhrán a thaifead sé leo le déanaí.

Labhraíonn Ian Mac Gabhann le Seán faoin méid atá bainte amach aige agus ar siúl aige faoi láthair – a ról mar oifigeach oideachais le Gael Linn, an méid atá déanta aige le hICUF i gCeanada, saothar leathan raidió atá déanta aige thar na blianta. Insíonn sé do Sheáin faoina chuid ceoil, an t-amhrán Is Cuimhin Liom ach go háirithe, agus faoina leathanach Instagram nua Aplotment33 a dhéanann cur síos ar an aistear atá a dhéanamh aige ag cur agus ag fás glasraí sa chathair.

Cathal Póirtéir, Mairéad Ní Neachtain, Áine Hensey, Tomás Ó Cadhla agus Sibéal Ní Ógáin ag fógairt na mbuaiteoirí

Ag plé na treoirlínte a sheol an Roinne na Gaeltachta tráthnóna inné maidir le coláistí Gaeilge.

Ag inse faoi chomórtas Scléip Ghael Linn a bhéas ar líne i mbliana

This week's guest on 'The Fair Green' is Galway camogie legend Therese Maher. Her 17-year quest for All-Ireland championship glory was documented both domestically and nationally but she did receive her deserved happy ending in 2013 when the Tribesmen finally won back the O'Duffy Cup. All-Ireland success at club level eluded her despite appearing in three finals. But with five All-Stars, four county titles, player of the year awards, minor, Gael Linn, Kilmacud 7s and leagues, Maher's CV is rivalled by few of her peers. She chats to SportsDaz about her career, Blue Peter and her place in Galway camogie royalty. And Therese also names her 'Fantastic Four' here on 'The Fair Green' **'The Fair Green' broadcasts every Tuesday on sportsdaz.ie **Catch our new show 'SportsDaz Camogie' every Thursday. **Theme Song - 'National Duality' (c) josephmcdade.com/music #SportsDaz

Tá súil acu clár leathan imeachtaí do scoláirí ar gach leibhéal a chur ar fáil i mbliana

Labhraíonn Sadhbh Rosenstock le Seán faoina dlúthdhiosca nua 'Picnic Teidí', bailiúchán amhráin do pháistí atá eisithe ag Gael Linn. Insíonn Sadhbh do Sheán faoi na rudaí a spreag an dlúthdhiosca agus na hamhráin, a aistear fein le ceol agus le Gaeilge agus na daoine a spreag í, i measc go leor leor eile,

Ceirnín agus leabhar do pháistí atá eisithe ag Gael Linn

Anocht an oíche dheireannach do na coirmeacha ceoil ar líne 'Teach le chéile' atá á reachtáil aige Gael Linn le seachtainí anuas. Beidh muintir na Rinne beo ar Facebook Ghaelinn ag a 6 chlog tráthnóna.

Tá sraith fhíseáin beo á chraoladh ag Gael Linn achan seachtain, ‘Teach le Chéile’ an t-ainm atá ar an tsraith, áit ina mbogfar ó theach go teach achan seachtain.

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson's work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France's Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019). In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006). In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century. Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies. Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here. Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pádraigín Ní Mhaoláin agus Aodh Ó Duibheannaigh ag léamh dánta a bhí ar chúrsa meánteistiméireachta na bliana 1962 agus a d'eisigh Gael-Linn ar chéirnín.

Sleachta as alt a scríobh Mairéad Ní Ghráda fán tionscnamh a bhí ag Gael-Linn filíocht Mheán agus Ardteiste a chuir ar an mhargadh agus cainteoirí den scoth ag aithris na ndánta. Anseo 'siad Seán Ó Síocháin, Máirtín Ó Direáin agus Liam Budhlaeir atá ag léamh.

Dónall Ó Móráin a bhunaigh Gael-Linn sa bhliain 1953 agus a chaith seal ina chathaoirleach ar Údarás RTÉ, i measc rudaí eile ina shaol, ag caint le Proinsias Mac Aonghusa sa bhliain 1979

"Oisín i dTír na nÓg." Seanchas na Féinne--Niall Ó Dónaill. Tá scéal Oisín curtha le ceoil ag Colm Mac Séalaigh agus beidh leagan álainn le cloisint ar an gclár á chanadh ag agus á sheinnt ag Na Fíréin. Ar Lipéad Gael-Linn. "Tóraíocht Dhiarmada agus G

Caint Phoiblí i nGaeilge agus i nGaidhlig Cluain Dolcáin, Átha Cliath Meán Fómhair 2011, eagraithe ag Gael Linn & Comunn na Gaidhlig agus páirtmhaoinithe ag Colmcille.

Todos los temas que aparecen en este podcast están colocados en segunda posición en sus respectivos CDs. Es decir, son todos el tema 2 del cd en el que aparecen. El podcast de esta semana viene a ilustrar esta entrada de Folkenlared.com. 1. Russell's House - The Muppet Show Set, del cd Russell's House (1999) Atcof Records 2. Dougie MacLean - Stolen, del cd Riof (1997) Dunkeld Records 3. Beoga - Antics, del cd The Incident (2009) Compass Records 4. Kate Rusby - I Courted a Sailor, del cd Little Lights (2001) Pure Records 5. Tamalin - Skipping Over the Bogs, del cd Rhythm & Rhyme (1997) Grapevine 6. Martyn Bennett - Erin, del cd Martyn Bennett (1996) Eclectic Records 7. Lori Watson - Maggie, del cd Three (2006) Isle Music 8. Donal Lunny - Denis Doody's / Tolka Polka, del cd Donal Lunny (1987) Gael-Linn 9. Igor Medio, Lisardo Prieto - La Villa, del cd Dual (2005) Tierra Discos 10. Hamon Martin Quintet - Le Cavalier S'entete, del cd Du Silence et Du Temps (2010) Coop Breizh 11. Slide - Cronin's, del cd Harmonic Motion (2002) SIU La música de ambiente que se escucha en algunos momentos proviene toda del cd Opus Blues de Catriona MacDonald & Ian Lowthian (1993) Acoustic Radio. Ninguno de los cds del podcast de hoy llegó a nuestras manos en forma de promo, aunque admitimos que algunos fueron adquiridos en su día de segunda mano (qué hubiera sido de mi año en Londres sin las tiendas de cds de segunda mano) o prestados por amigos. Hay que ayudar a la industria... o mejor, a los músicos. Compren los cds en los conciertos directamente del grupo :-)

For 50 years Gael-Linn has been to the fore in promoting Irish language and culture projects including music, film and language courses. This documentary is a celebration of 50 years of Gael Linn. (Broadcast 2003)