Podcasts about irishness

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story began as a fantasy based on a childhood memory about a Banshee in Ireland. As repressed memories surfaced, the story evolved into an memoir unlike any other. The story blends imagination with the true story about six-year-old Paddy in the 1960sand his life in New York City, to rural Kilkenny County in Ireland, and back to New York, and how he learned that Banshees are real while also managing to navigate and survive a broken home and a variety of other early-life challenges. The boy's name may not really be Paddy, but to tell this story, a hint of Irishness and anonymity may be necessary.

PJ rants about the devastation he experiences living in an apartment block and coming home to a mountain of parcels and getting all excited only to discover none are for him. The lads also share their thoughts on Wicked: For Good, with Kevin unable to move past Elphaba wearing an Anthropologie knit cardigan during the only sex scene in the whole film.For the theme, Kevin and PJ dive into the current Celtic revival, chatting about the surge in love for CMAT, Fontaines D.C., claddagh motifs and the sudden obsession with “splitting the G.” While they adore seeing people embrace their Irishness, they cannot help but worry that the hype might be more trend than tradition.Sign up to the I'm Grand Mam Patreon for more stunning content ✨ Hosted on Acast. See acast.com/privacy for more information.

Author Cauvery Madhavan discusses her journey from India to Ireland, where she reflects on the challenges and opportunities of migration, from adapting to small-town life to building community and a sense of belonging. In this conversation with Center Director Joseph Lennon, Madhavan emphasizes how migration shaped her identity and writing, blending Indian perspectives with Irish experiences, and how she and her family consciously chose to embrace Irishness while acknowledging their Indian roots. Through her novels—particularly The Inheritance and The Tainted—Madhavan explores the legacies of displacement, cultural hybridity, and the often complex histories of migrants and diasporas in Ireland and beyond.Cauvery Madhavan is an Indian-born writer living in Ireland. She is the author of four books of fiction and writes for the Irish Times. She lives with her husband and three children in County Kildare. Her first novel, Paddy Indian, follows an Indian immigrant in Ireland. His stories of acclimation speak of identity, belonging, and the home the young man left. The Tainted is a fictionalized account of mutiny amongst the Irish ranks of the Connaught Rangers in India at the zenith of the British Raj in 1920 and engages issues of race, prejudice and postcoloniality. Her most recent novel, The Inheritance, is a historical fiction about religion, culture, and family life in rural communities, interwoven with the true history of The Long March of O'Sullivan Beara in 1601.

In this thought-provoking episode, Niall speaks with the author of a recent article that questions the direction of Ireland's education system—and, more broadly, our national identity. The discussion focuses on the updated early years curriculum Aistear, which curiously credits babies as participants in its development, and introduces the idea of raising “agentic global citizens.”Are we losing sight of what it means to be Irish? Is our cultural heritage being diluted in the name of inclusivity and ideology? Niall also takes calls from the public to hear their views on Irishness today: from concerns about the role of Catholicism in schools, to the growing influence of globalist thinking in Irish education.Are we still raising Irish citizens—or just citizens of everywhere?Join the conversation and ask yourself: What does it mean to be Irish in 2025?

Our adventure correspondent Isaac Fellman joins us once again, this time to talk about Patrick O'Brien and the age of sail through the lens of the seventeenth book in the Aubrey/Maturin series. We chose to do it this way a) because we thought it would be funny and b) because this book features a small autistic girl healed through the power of Irishness, which opens an interesting line of inquiry about both the author and the project generally.

What we consider the markers of Irishness can be something of a fraught question, but one thing that we're somewhat famous for is our accent.So, what is it like to be Irish but not have the accent?Kate Kerrigan is the Author & Performer of a new show on this subject called ‘Am I Irish Yet?' She joins Seán to discuss…Image: Circus250

What we consider the markers of Irishness can be something of a fraught question, but one thing that we're somewhat famous for is our accent.So, what is it like to be Irish but not have the accent?Kate Kerrigan is the Author & Performer of a new show on this subject called ‘Am I Irish Yet?' She joins Seán to discuss…Image: Circus250

The Michael Anthony Show returns with a solo show for Episode 191. A variety of topics discussed throughout, AI, modern "Irishness", Oasis reunion gig, Carl Jung and much more.Tune in.Support the show

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland's leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland's leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland's leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland's leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The first edited collection dedicated to the historical specifics of Irish shame Offers an anatomy of Irish shame as a cultural predicament Combines theoretical reading with historical and institutional context Includes essays by some of Ireland's leading researchers on trauma and sexuality studies Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode, Niall asks: Should Irish citizens living abroad or in Northern Ireland have the right to vote in Irish elections?Sinn Féin has put forward a motion to extend voting rights in presidential elections to Irish citizens overseas and in the North. Supporters say it would honour the global Irish community and reflect modern realities. Opponents argue that voting should be reserved for those who live, work, and pay tax in Ireland.Some callers said voting must be tied to residency. They felt people living abroad are too disconnected from daily life in Ireland to influence decisions that don't affect them directly. Others raised concerns about security, fraud, and voters basing choices on outdated views.But others passionately supported the motion, saying Irishness doesn't end at the border. They pointed to the importance of the diaspora in shaping Ireland's story and said presidential elections are largely symbolic. One caller argued that excluding Irish citizens in Northern Ireland is especially unjust.As Niall points out, the debate raises deep questions about identity, participation, and what it really means to belong to a nation — even from afar.

This week on 'The Long Game', Jason and Ben question whether Garda Commissioner Drew Harris is on top of his brief after a surprising exchange with Ben, the modern trend among Irish elites of denigrating Irishness, and whether Government is up to the task of regulating information itself.

Watch This Episode On YouTubeWith the baritones of Bono and U2 as the soundtrack, the globe-trotting world of Mary Robinson requires an epic film to depict her life, and thankfully, they found the director that can deliver just that in Irish filmmaker Aoife Kelleher.Aoife gave us the brilliant film MRS ROBINSON (2024), still on its festival run. MRS ROBINSON tells the inspirational life story of change-maker Mary Robinson: Ireland's first female President, a pioneering UN High Commissioner for Human Rights, and the successor of Nelson Mandela as Chair of The Elders.And if all that wasn't enough, check out her film, TESTIMONY (2025), also on the festival circuit. Not sure when Aoife has time to sleep but she found time to talk with me for the podcast, and I'm delighted to share that conversation with you.In this episode, Aoife and I discuss:her biographical statement that she seeks in her work to "tell hidden truths about Ireland and Irishness" -- what does that mean? what is an Irish film?;how did she get involved in filmmaking? "my parents were primary school principals and my dad was a politician so it was like, there were a lot of debates around these kind of themes at the dinner table";her switch from law to filmmaking -- "I'd had this work experience in a legal firm that had put me off the idea of pursuing law";what did she learn from her first documentary ONE MILLION DUBLINERS (2014) that she takes away for her current film?how did she get the opportunity to make MRS ROBINSON (2024), even with pitching against many other companies -- "you really can't stress [enough] how large Mary Robinson looms in Irish society";how she made it clear they weren't creating a puff piece documentary -- "from the earliest points in the pitching process, we made it clear that we would not be doing that, and that was what she wanted, too";how she was able to license U2 and other prominent musicians as part of this film (they were going to play "Fortunate Son" by CCR in a Vietnam scene...I think it worked out better with Bono!);the climate activism portion of the film and how it resonates now versus 30 years ago;how has documentary changed in the last ten years?;what's next for her? TESTIMONY (2025) is also on the festival circuit, which means she has TWO feature films on the circuit right nowAoife's Indie Film Highlight: BLUE ROAD: THE EDNA O'BRIEN STORY (2024) dir. by Sinead O'Shea; A WANT IN HER (2024) dir. by Myrid CartenLinks:MRS ROBINSON (2024) WebsiteFollow Screen Ireland on Instagram For More Info On Irish FilmmakersWatch This Episode On YouTubeSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

ITSF EPISODE 374 Martin v McGregor and Bill Burr Aura, LIVE AND IN PUBLIC, IF YOU WILL on this week's episode of IF THE SHOES FIT, a show where we solve salacious situations by stepping into the shoes of the shaken...the chagrined...the kerfuffed! I'm your host Alexei Auld, author of 7 Secret Sources of Inspiration: A Snappy Guide for Creative Procrastinators, and joining me are guests John Nash from Hey Not The Face Podcast and Eugene S Robinson, author of the memoir, “A Walk Across Dirty Water and Straight Into Murderer's Row”. Collectively the Puncholes. Subscribe, if you haven't already. And join our Patreon. patreon.com/iftheshoesfit. Now let's get to stepping! Step into the shoes of the Irish Prime Minister Martin. Conor McGregor spent St. Patrick's Day at the White House with Trump, declaring “Ireland is losing its Irishness.” You clapped back, calling him “wrong,” to which McGregor fired back, “I could throw many jabs at him—handily.” Meanwhile, Dropkick Murphys went viral for calling Elon Musk, calling him a “scumbag” on stage. Should you A) Reaffirm that ‘real Irishness' isn't measured by White House visits, B) Offer Dropkick Murphys honorary Irish citizenship, or C) Let McGregor's next headline do the work for you, live and in public, if you will? Step into the shoes of the Democratic Party. Bill Burr promoted his Hulu special railing against your spinelessness around the same time your members BLASTED your Senate leader Chuck Shumer for not standing up against Trump. How can you harness this spring of discontent to your favor, live and in public, if you will? REGULAR FEATURE: LEGION OF DOOM REGULAR FEATURE: GRIFTER'S DELIGHT REGULAR FEATURE: MISTYAF THANKS FOR JOINING US And join our Patreon. patreon.com/iftheshoesfit.

The legacy of the Great Famine continues to shape not only Ireland, but the Irish diaspora in America, Canada, and the UK. In the mid-1800s, starving families fled the country in search of survival, gathering at the docks to board “coffins ships” sailing to Liverpool and the east coast of the USA. When “the famine Irish” arrived in America they resented the idea of ever doing rural work again, and sought work in the police, in bars, and in the fire brigade. Irish communities centred around Boston, New York, and Philadelphia developed into powerful Irish congresses in politics. How does the legacy of famine emigration continue to shape American politics today?  Listen as William and Anita are joined once again by writer and historian Colm Tóibín to discuss the Great Famine and how it shaped post-modern Irishness, from the cheekiness of The Beatles to Donald Trump's cabinet.  _____________ Empire UK Live Tour: The podcast is going on a UK tour! William and Anita will be live on stage in Glasgow, Birmingham, York and Bristol, discussing how the British Empire continues to shape our everyday lives. Tickets are on sale NOW, to buy yours head to empirepoduk.com. Empire Club: Become a member of the Empire Club to receive early access to miniseries, ad-free listening, early access to live show tickets, bonus episodes, book discounts, and a weekly newsletter! Head to empirepoduk.com to sign up. Email: empire@goalhanger.com Instagram: @empirepoduk  Blue Sky: @empirepoduk  X: @empirepoduk goalhanger.com Assistant Producer: Becki Hills Producer: Anouska Lewis Senior Producer: Callum Hill Learn more about your ad choices. Visit podcastchoices.com/adchoices

Linda Ervine had a wide ranging conversation with Oliver about her passion for Irishness, language and education.

Talking Strange is on the road in Ireland, with host Aaron Sagers collecting history, spooky stories, and folklore along the way. This episode, he's staying at the Clontarf Castle Hotel and connects with historian, author, and storyteller Dennis McIntyre. The modernised hotel has a castle structure dating back to 1837, and there has been a castle on the site since 1172. Clontarf Castle is also near the site of the epic 11th Century Battle of Clontarf, and near the site of the assassination of the First High King of Ireland Brian Baru. The area is also where Dracula author Bram Stoker lived for the first several years of his life. McIntyre — who runs guided tours with Dublin North Bay Tourism, and is the author of Bram Stoker and the Irishness of Dracula — tells us of the ghosts of the castle, as well as the "Ghost Room" where he grew up, and then shares his thoughts as to why Dracula deserves more attention for its Irish connections. Then, Aaron shares some of the ghost stories her learned from his own stay at the Clontarf Castle Hotel — but nothing too terrifying that it should prevent you from staying in, considering it's quite lovely luxurious and the only castle you can sleep in near Dublin. Learn more about your ad choices. Visit megaphone.fm/adchoices

Uachtarán na hÉireann, President Michael D. Higgins this presented this year's Presidential Distinguished Service Awards for the Irish Abroad at a ceremony at Áras an Uachtaráin. The MC for the event was Doireann Ní Bhriain. This year's ten recipients are: Séamus Coleman, Republic of Ireland international football captain Patrick Leahy, Former United States Senator Aduke Gomez, Irish-Nigerian scholar Rosalind Scanlon, Artistic Director of Irish Cultural Centre in Hammersmith, London Professor Enrico Terrinoni, translator of Irish literature into Italian Orla Kiely, fashion designer Sr Teresa McKeon, missionary and educator in Sierra Leone (in absentia) Mary O'Neill, legal advocate in Los Angeles Pam O'Mahony, Irish community supporter in Australia Stella O'Leary, Observer to the International Fund for Ireland The Presidential Distinguished Service Awards for the Irish Abroad recognise the service given to this country or to Irish communities abroad by those who live outside Ireland. The Awards were established by the Government following the 2011 Global Irish Economic Forum as a means to recognise the contribution of members of the Irish diaspora and were first awarded in 2012. To date, 120 people have been conferred with the award. Speaking at the ceremony, President Higgins said: “The Presidential Distinguished Service Awards enable us, as a nation, to recognise those members of our global family who have contributed, in their different ways, so significantly to Ireland's reputation on the international stage as a country that understands the migratory experience, its challenges, responsibilities and the part that transience plays in all of our shared lives. This evening's awardees follow in the footsteps of all those others, heralded or unheralded, feted or forgotten, whose quiet determination to make a contribution beyond the self makes us all proud of them and whom we also remember here today. That spirit of generosity, and those qualities of an inward being and an inclusive outward gaze which so exemplify the best of our Irishness, have been practically and magnificently demonstrated by our honoured guests through their lives, their work, and their contribution of distinguished service to Ireland and to Irish communities abroad. Mar Uachtarán na hÉireann, may I thank you deeply for representing Ireland so well, and for your personal efforts, service, sacrifices, and contribution to the achievement of excellence in your various fields. Mo bhuíochas libh uilig.”

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to corniness and sappiness with age, needless words like “personally,” Irishness, the dangers possibly coming to the free press and public media, the Green Bay Packers, bird friends … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Under a full moon and with a pint of Guinness in hand, WAKE welcomes our very first Dublin-based reader, as correctly-accented Sarah Kane joins Toby and TJ to kick off Chapter 3.3. Sarah tells us all about participating in Bloomsday as a neophyte Joycean (“a lifeguard that can't swim”), slips into a Joyce fugue state regardless of best laid plans, and reminds us that a cold read is really just what the kids nowadays call Rawdogging. With the glorious Irishness of it all to bring us through, we discuss Joyce reading groups, Sweny's Pharmacy, Anthony Burgess, and, in a bombshell twist none of you saw coming, TJ's authentic Irish heritage. This week's readers: Sarah Kane, Toby Malone, TJ Young Progress: 496 pages complete, 132 pages to go; 78.98% read. For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Seán is joined in Dublin by Irish songwriter and musician SJ McArdle to have an enjoyable in-depth discussion on how Kate's love of Irish music and deep connection with the country of Ireland has infused so much of her work throughout her career. We discuss Kate's Irish family connections, the famous Irish traditional musicians who Kate has worked with down the years, in particular the great Donal Lunny, and chew over the Irishness inherent in recordings like Army Dreamers, Night of the Swallow, Jig of Life, The Sensual World, Mná na hÉireann and many more! Archive clips featuring Kate, Del, John Carder Bush and Donal Lunny help to illustrate this fascinating and enduring aspect of Kate's work.  Listen to the wonderful work of Seán's guest SJ McArdle at his Bandcamp page here:  https://sjmcardle.bandcamp.com/ More from SJ McArdle at his official site: https://sjmcardle.com/  

Catch up with Oliver on the weekend. Irish man Bernard Phelan shares his extraordinary story of being held as a state hostage in Iran, Jeffrey Archer talks to Oliver about US politics and his latest book and the How to Gael Podcasters Doireann Ní Ghlacain and Síomha Ní Ruairc chat about reclaiming Irishness from the far right.

Doireann Ní Ghlacain and Síomha Ní Ruairc join Oliver to tell him about their bilingual podcast ‘How to Gael'. The pod hopes to encourage us to engage with our living language to recreate a brand new, positive relationship with it.

In today's Ireland, the far right demands a pure “Irishness”, but our island's story has long been interwoven with other ethnicities and diasporas.Dr Maurice Casey, Author and Historian at Queen's University Belfast, recently wrote a piece in the Guardian titled: ‘Who are the Irish?' and joins Seán to discuss.

Episode 14: Leon Diop is a fantastic spokesperson who aims to increase awareness and educate people, celebrating and connecting Black and Mixed Race Irish people. Leon is the founder of the Black and Irish community, a movement which strives to highlight the struggles and successes of the Black and Mixed Race Irish community. The organisation raises the question of defining “Irishness”, which Leon does so beautifully. Leon is also an award-winning author who wrote the stunning Black and Irish: Legends, Trailblazers and Everyday Heroes. Thankfully, there are more books on the way. Leon lives by the motto of “Is fiú agus is féidir” - It is worth it and you can do it. He encapsulates our ability to achieve our goals by choosing our own reality and believing in the power of the mind. Leon is no longer feeling “half and half” of anything, and is in fact 100% of everything! When he is not advocating for a more inclusive, loving world, he is making TikTok content with his two gorgeous pugs or playing chess. Tá cúpla focal aige which he uses with pride and pleasure. He hopes to continue his Irish language journey, too! In this inspiring, moving episode, Leon speaks to us about his heart-driven work, unity in society, and dreams for the future, touching on how to strike a balance between work and rest. Be sure to follow Leon on Instagram @leon_diop_ to stay informed on his valuable work. Also check out his expansive, thriving community @black_andirish. Here is their website: https://blackandirish.com Beir bua, a chara - Grab victory, friend!

Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today's populace. In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos. Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today's populace. In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos. Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today's populace. In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos. Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today's populace. In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos. Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This week on The Literary Life we return to the podcast vault for a re-airing of Episode 11, in which Cindy Rollins and Angelina Stanford enjoy a discussion of the short story “Araby” by James Joyce. Delving into “Araby,” Angelina talks about the history and development of the short story form. Cindy gives a little of her own background with reading James Joyce and why she loves his short stories. Angelina and Cindy also discuss the essential “Irishness” of this story and all the tales in The Dubliners. Angelina walks us through the story, highlighting the kinds of questions and things we should look for when reading closely. Themes discussed in this story include: blindness and sight, light and darkness, romanticism, religious devotion, the search for truth, money, courtly love, and the knight's quest. If you want to find replays of the 2019 Back to School online conference referenced in this episode, you can purchase them in Cindy's shop at MorningTimeforMoms.com. Check out the schedule for the podcast's summer episodes on our Upcoming Events page. Commonplace Quotes: Whoever wants to become a Christian must first become a poet. St. Porphyrios of Kafsokalyvia A ritual for letting a son or daughter go free, handing them over under the protection of God, is not something that we naturally include as part of growing up today in the West. Yet we are here reminded of one of the most important steps of all of the transitions in life, moving from the confines of the family into freedom and maturity. Esther de Waal Huxley Hall by John Betjemen In the Garden City Cafe‚ with its murals on the wall Before a talk on “Sex and Civics” I meditated on the Fall. Deep depression settled on me under that electric glare While outside the lightsome poplars flanked the rose-beds in the square. While outside the carefree children sported in the summer haze And released their inhibitions in a hundred different ways. She who eats her greasy crumpets snugly in the inglenook Of some birch-enshrouded homestead, dropping butter on her book Can she know the deep depression of this bright, hygienic hell? And her husband, stout free-thinker, can he share in it as well? Not the folk-museum's charting of man's Progress out of slime Can release me from the painful seeming accident of Time. Barry smashes Shirley's dolly, Shirley's eyes are crossed with hate, Comrades plot a Comrade's downfall “in the interests of the State”. Not my vegetarian dinner, not my lime-juice minus gin, Quite can drown a faint conviction that we may be born in Sin. Book List: To Pause on the Threshold by Esther de Waal The Dubliners by James Joyce Ulysses by James Joyce A Portrait of the Artist as a Young Man by James Joyce Angela's Ashes by Frank McCourt The Abbot by Sir Walter Scott The Memoirs of Vidocq by Eugene Françios Vidocq Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

We all deeply love Ireland... but we need to talk about it. In this episode we talk about the salvation of art, connection with the land, grá for mná (love for women), finding meaning and direction, loving the eejit out of yourself, cringe, naff, and the inexhaustible desire to live. Dee is an everyday Goddess. Her voice will transport you. Her relationship with and understanding of Ireland and Irishness will challenge, resonate, and inspire. Growler is Dee Mulrooney's alter-ego, performance piece. She is an 82-year-old drum banging, shamanic alchemist, who transmutes women's pain through storytelling, song and spoken word. She has a tongue like a lash and a heart of gold. You can check out her daily shenanigens @growlerspeaks on Instagram. Go raibh míle míle maith agat, a chara! Is bean iontach thú - You are a wonderful woman. Táim fíorshásta go bhfuil aithne agam ort - I am truly happy to know you :) @deemulrooney deirdre-mulrooney.com

Episode 11: Ruairi Glasheen is an award-winning percussionist, composer, filmmaker and educator based in London. Drawn by the limitless creativity and possibilities of being a percussionist, and indeed a love of drums and percussion from all around the world, Ruairi spreads his passion through diverse global projects including workshops, orchestras, filmmaking and collaborations, for which he has won many prestigious awards and accolades. Ruairi has led a truly illustrious career in music, released documentaries such as Hidden Drummers of Iran, and has developed courses online. We talk about students' confidence shifting, the positive power of music, the story of the Bodhrán, enjoying the process, preserving our culture, and reifying Irishness. Enjoy! Thank you for listening :) Agus go raibh míle maith agat, a Ruairi! It was such a pleasure and a privilege to be in conversation with you! Find Ruairi on instagram @ruairi_glasheen and www.ruairiglasheen.net

Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee. In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US. The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee. In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US. The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee. In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US. The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee. In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US. The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Professor Mary Burke destroys the myths and caricatures of Irish Americans as a monolithic cultural, racial, and political group. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. Her cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Episode 547.

Our last episode of Season 4 brings us to the Gold Rush. We couldn't end so close to St. Patrick's Day without giving you a cocktail to celebrate your Irishness. Uncle B gives us the recipe for the classic(?) Gold Rush cocktail and goes into the history behind the drink, as well as a random jazz session of thoughts. Jules gives us the Golden Chocolate Rush and tips on how to make your beverages green without using dye.     Gold Rush:  In your shaker, add  2 oz of Bourbon (no stronger than 100 proof but a little beefier than 80 proof)  1 oz of Fresh Lemon Juice  ¾ oz of Honey Syrup (3:1 - Acacia honey works great)  Shake for 20 seconds  Double strain into a chilled rocks glass over ice  Garnish with a lemon twist    Golden Chocolate Rush  In your shaker, add  2 oz Irish Whiskey   ¾ oz Fresh Lemon Juice  ½ oz Honey Syrup (2:1)  ½ oz Creme de Cacao  Optional: Gold edible glitter  Shake for 20 seconds  Double strain into a chilled rocks glass over ice  Garnish with a lemon twist    TIP: How to make dried citrus wheels for garnish    Shout out to: @DadsElixer    The Art of DrinkingIG:@theartofdrinkingpodcast  JulesIG:@join_jules  TikTok:@join_jules  Website:joinjules.com  BradIG:@favorite_uncle_brad    This is a Redd Rock Music Podcast  IG: @reddrockmusic  www.reddrockmusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We're taking a metaphorical journey to Ireland to dip our toes into the debut album by The Cranberries 'Everybody Else Is Doing It So Why Can't We'. A band that both Dave and Krister admit to not liking the majority of what they've heard but then again the majority of what they've heard is the single 'Zombie' so perhaps there's more to The Cranberries "dan dis". As well as pointed digs at Krister's Irishness we also chat about acts like Fun-Da-Mental, Rancid and The Sp!n Doctors. Apologies for that last one. As always please do give us a follow on our social media platforms and why not go and give us a nice rating over on Spotify now that you're able to while you're checking out this episode's companion playlist and our ongoing and sprawling playlist of songs from each album that we do an episode on. Cheers!

Patrick R. O'Malley's book The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O'Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O'Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences. Patrick R. O'Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: Catholicism, Sexual Deviance, and Victorian Gothic Culture, which was published by Cambridge University Press in 2006, and Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Patrick R. O'Malley's book The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O'Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O'Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences. Patrick R. O'Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: Catholicism, Sexual Deviance, and Victorian Gothic Culture, which was published by Cambridge University Press in 2006, and Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Patrick R. O'Malley's book The Irish and the Imagination of Race: White Supremacy Across the Atlantic in the Nineteenth Century (U Virginia Press, 2023) analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O'Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O'Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences. Patrick R. O'Malley is Professor of English at Georgetown University, where he teaches Irish and British literature of the long nineteenth century and critical theory. He is the author of two previous books: Catholicism, Sexual Deviance, and Victorian Gothic Culture, which was published by Cambridge University Press in 2006, and Liffey and Lethe: Paramnesiac History in Nineteenth-Century Anglo-Ireland, which was published by Oxford University Press in 2017 and won the Robert Rhodes Prize for books on literature from the American Conference for Irish Studies. Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

 We begin this episode of DXP discussing the Hulu drama, Normal People (which we have both come to love, despite the Irishness of it all). We talk about Indiana's new drug law, and then we hear from a caller about Young-Earth Creationism. “Pastor Jack's Off” returns as we learn life-changing lessons about Damascus and cowardice. Biebers involve racist stereotypes and chatty phone agents.

The Duke of Norfolk suffered a ‘Marie Antoinette Moment' on 8th November, 1845, when, amidst the Irish Potato Famine, the Whig MP proposed a questionable solution to feed Ireland's starving workers: curry powder soup. The Duke was met with derision, but the moment highlighted how woefully out-of-touch the English aristocracy were regarding what was about to befall the Irish people. Far worse was the attitude of Charles Trevelyan, whom Prime Minister Robert Peel had tasked with addressing the crisis, who callously attributed the calamity to a divine lesson from God. In this episode, Arion, Rebecca and Olly revisit the British government's underwhelming response to the famine, from ‘Soyer's Soup' to ‘Peel's Brimstone'; consider the structural anti-Irishness in the ruling class; and revisit the UK government's eventual apology… from 1997…  Further Reading: • ‘British History in depth: The Irish Famine' (BBC, 2011): https://www.bbc.co.uk/history/british/victorians/famine_01.shtml • ‘Why was the potato so important?' (RTÉ, 2020): https://www.rte.ie/history/the-great-irish-famine/2020/0715/1153525-why-was-the-potato-so-important/ • ‘The Great Famine' (BBC, 1995): https://www.youtube.com/watch?v=YfFdlGcl6o4 We'll be back on Monday - unless you join

"Great song ... great masks ... the plan sucks." That's how Dick Ebert summed up the infamous bait-and-switch horror classic "Halloween III: Season of The Witch," a movie that taught us what happens when you take the slasher out of a slasher series. Rob in Colchester commissioned this 1982 film, recorded a jingle for it and shared his mind-blowing theories on why a super-hot, grieving daughter would bang an alcoholic doctor, why TV stations would take orders from that doctor and why killer androids let him live. In this episode, Gene learns about Mr. Beast and immediate hates him. Big D teaches us how to punch dolphins, and Ash wonders what Irishness has to do with the Halloween franchise. The Shat Crew also praises the realness of Halloween III's black characters, suggests casting Jeff Goldblum instead of Tom Atkins and explores the drop-off in kids watching TV. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite