Podcasts about gurrelieder

Warwick Fyfe is an Australian opera singer, considered to be one of Australia's leading exponents of the Wagnerian repertoire and is the recipient of Helpmann and Green Room awards.Warwick has performed throughout Australasia and internationally. Most recently, he has sung the rôles of Wotan / Wanderer (MO, OMM and Alberich, OA). Other Wagner rôles include Heerrufer (OA); Beckmesser (OA); Klingsor (OA); Hunding (WASO); Dutchman (OA), Daland (VO); Wolfram (OA); Fasolt (SOSA).Other major work encompasses Amonasro (Aida-FNO, OA); Pizarro (Fidelio-MO, OA,WASO); Athanaël (Thaïs-FNO); Peter (Hansel and Gretel- OA),OMM); Four Villains (Tales of Hoffmann-ETO); Falstaff (OA); Rigoletto (OA, NZO); Sancho Panza (Don Quichotte- OA); Paolo (Simon Boccanegra- OA); Leporello (NZO) (OA); Fra Melitone (Forza del Destino- OA); Scarpia (WAO, OA); Tonio (I Pagliacci- NZO); Faninal (Der Rosenkavalier- OA); Schaunard (La Boheme- OA); Dr Schon /Jack the Ripper (Lulu- OA); Germont (La Traviata- OA); Mandryka (Arabella-OA). Warwick has delighted audiences in comedic rôles, such as Bottom (Midsummer Night's Dream, Adelaide Festival); Barone di Trombonok (Viaggio a Rheims - OA); Geronio (Il Turco in Italia- OA); Dr Bartolo (Barber of Seville- WAO) (VOC); Pooh Bah (OA); Taddeo (Italian Girl in Algiers- NZO); Papageno (OA).Concert work includes: Gurrelieder, (SSO); Carmina Burana (MSO, QSO, Adelaide Philharmonia Chorus); Beethoven 9 (MSO), (Orchestra Wellington); The Bells, WASO; Stabat Mater (Rossini, SSO); Viva Verdi (TYO); St Matthew Passion, St John Passion (Melbourne Bach Choir); Bluebeard's Castle (Monash Academy Orchestra); Mahler 8 (OMM); Stabat Mater (Szymanowski), (Melbourne Bach Choir); Ein Deutsches Requiem (OA), (Melbourne Bach Choir); Messiah (State Symphony Orchestras).Warwick performs the role of Scarpia in Puccini's TOSCA from July 31st to August 16th, for Opera Australia at the Sydney Opera House.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

During Black History Month this year I featured a group of five exceptional singers I dubbed, for lack of a better term, “Forgotten Divas.” Each of these women, sopranos Delcina Stevenson, Annabelle Bernard, and Veronica Tyler, mezzo-soprano Gwendolyn Killebrew, and jazz singer Ethel Ennis, represents the peak of achievement in each of their respective fachs. These proved to be among the most popular and far-reaching of my recent episodes. At that time, I promised my listeners that I would continue to seek out rare recordings of each of these women and that, if and when such material surfaced, I would be sure to share it with my listeners. True to my promise, I present a brand-new episode featuring (for the most part) newly discovered material with each of these singers: a live Washington Opera Ariodante from 1971 and a live Carnegie Hall Orfeo ed Euridice from 1967, both with Veronica Tyler; live original language performances of Puccini's Il tabarro and Meyerbeer's Le Prophète from the stage of the Deutsche Oper Berlin which starred Annabelle Bernard; Gwendolyn Killebrew singing the Habanera from Carmen, one of her most celebrated roles, as well as the Waldtaube in Schoenberg's Gurrelieder; rare studio recordings of Delcina Stevenson singing Bach and Vivaldi from the early 1970s; and live material featuring Ethel Ennis over the course of nearly fifty years of her career, 1958 through 2005. As more of this material resurfaces, I will present further episodes of this new “Rescue Mission” series featuring both these singers and others I have already featured on the podcast, performing material that adds to our understanding and appreciation of their artistry. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

Eva-Maria Westbroek | Petra Lang | Stephen Gould | Arnold Berzuyen | Kwangchul Youn | Francois Le Roux Marek Janowski | MDR-Rundfunkchor Leipzig & Berlin | Rundfunk-Sinfonieorchester Berlin & Orchestra Philharmonique de Monte Carlo | Philharmonie, Berlin | 31 March 2007 | Broadcast

Jessye Norman | Gwendolyn Killebrew | Wolfgang Neumann | Philip Langridge | John Tomlinson | Günther Reich Michael Gielen | BBC Singers | BBC Symphony Chorus | Goldsmiths Choral Union | BBC Symphony Orchestra | BBC Proms at Royal Albert Hall | 10 August 1981 | Broadcast

The imaginative and versatile Finnish virtuoso pianist Paavali Jumppanen has established himself as a dynamic musician of seemingly unlimited capability who has cut a wide swathe as an orchestral and recital soloist and artistic director of both the classic and contemporary. He's performed in the US, Europe, Japan, China, Japan and Australia, and it is in Australia that he has made a second home, as since 2021 he has been the artistic director of the Australian National Academy of Music in Melbourne.  Paavali gives us a great insight into ANAM and their philosophy and methods, and we hear about his own musical journey including recording the entirety of Beethoven's piano sonatas. Paavali Jumpannen directs the Melbourne Symphony Orchestra for Marvellous Mozart from 7-9 March at various locations. Musicians of ANAM will be performing Arnold Schönberg's Gurrelieder with the Sydney Symphony Orchestra under Simone Young on 15-16 March at the Sydney Opera House.

Tove: Julia Varady  Wood-Dove: Hanna Schwarz  Waldemar: Thomas Moser  Klaus: Volker Vogel  Peasant: Günter von Kannen  Speaker: Dietrich Fischer-Dieskau Philharmonische Chöre von Bratislava und Bonn  Philharmonisches Orchester Dortmund Conductor: Ralf Weikert Konzerthaus, Dortmund  1998 In-house recording

Acabem la setmana dedicada al lied europeu amb Arnold Sch

Te gast zijn musicoloog Saskia Törnqvist en historicus/journalist Luc Panhuysen. Ze vertellen over componist Arnold Schönberg (1874-1951) en zijn werk, maar ook over de politiek en kunst in zijn tijd. Aan de hand van bijzondere muziekfragmenten is zijn ontwikkeling te volgen en zijn belang voor de muziek in de 20ste eeuw.Precies een jaar geleden overleed Reinbert de Leeuw, ambassadeur van de muziek van Schönberg in ons land. Hij dirigeerde de groots opgezette cantate Gurrelieder van Schönberg tien jaar geleden in de Doelen in Rotterdam. Deze opname is vanaf 20.00 uur te horen in het NTR Avondconcert op NPO Radio 4.

Konservativer Revolutionär: Arnold Schönberg verstand sich darauf mit den Erwartungen des Publikums zu brechen. So auch in seinen "Gurreliedern": ein Mammutwerk, in dem Schönberg versucht Wagner, nun ja, zu überwagnern. Christian Thielemann hat mit der Staatskappelle Dresden nun eine glänzende Live-Aufnahme des selten gespielten Werks vorgelegt.

«Dieses Werk ist der Schlüssel zu meiner ganzen Entwicklung. Es zeigt mich von Seiten, von denen ich mich später nicht mehr zeige. Es erklärt, wie alles später so kommen musste, und das ist für mein Werk enorm wichtig: dass man den Menschen und seine Entwicklung von hier aus verfolgen kann.» Seine «Gurrelieder» hat der 25-jährige Arnold Schönberg im Jahr 1900 komponiert und zehn Jahre später orchestriert, als er bereits in anderen kompositorischen Gefilden unterwegs war: spätromantischer Bombast, impressionistischer Aufbruch, melodramatische Versuche, ein vielschichtiges Gewebe. Eine Annäherung an die ungemein vielschichtigen Gurrelieder und auch an den ungemein wandlungsfähigen Komponisten mit der Dirigentin Graziella Contratto. Erstausstrahlung: 17.10.18 In «Neue Musik im Konzert» am Mittwoch ab 21 Uhr: Eine Aufführung der Gurrelieder vom Sommer 2019 aus Helsinki.

Musique: Chant du ramier tiré des Gurrelieder de Schönberg par Petra Lang, l'ensemble inter contemporain sous la direction de Pierre Boulez.

durée : 00:21:25 - Disques de légende du lundi 30 septembre 2019 - Une grande fresque en technicolor ! Seiji Ozawa enregistre en 1979 avec l'Orchestre symphonique de Boston cette version de référence des Gurrelieder, œuvre monumentale du jeune Schoenberg sur le chemin de la modernité. Avec en solistes les époustouflantes Jessye Norman et Tatiana Troyanos...

durée : 01:58:46 - Relax ! du lundi 30 septembre 2019 - par : Lionel Esparza - Nous dressons le portrait de la mezzo-soprano Claire Croiza, figure essentielle pour la mélodie française au XXe siècle et amie de nombreux compositeurs : Roussel, Debussy, Ravel, Honegger... Et notre disque de légende est consacré à la version des Gurrelieder de Schoenberg par Seiji Ozawa en 1979. - réalisé par : Antoine Courtin

Broadcaster Gavin Plumley tells the story behind the creation of Arnold Schoenberg's extraordinary Gurrelieder, performed by the Philharmonia and Esa-Pekka Salonen to close the Philharmonia Orchestra's 17/18 London concert season.

Building a Library on Schoenberg's epic cantata Gurrelieder. Nicholas Baragwanath guides us through this gargantuan late flowering of 19th-century Romanticism in which Schoenberg wove together a sumptuous score that can be surprising to people accustomed to the more astringent sound world of his later works.

Panelen har bl a lyssnat på Honeggers Jeanne dArc på bålet och Martines La Tempesta. Och så spelar Johan valda delar ur Arnold Schönbergs Gurrelieder. Veckans betygARTHUR HONEGGER - Jeanne dArc på bålet. Alpha ALPHA 709 Betyg: 5 radioapparaterJOHANN SEBASTIAN BACH - Engelska sviter nr 2 och 6, Italiensk konsert m.m. Mirare MIR 251 Betyg: 4 radioapparater SERGEJ PROKOFJEV - Symfoni nr 3, Skystisk svit, Om hösten Naxos 8.573452 Betyg: 3 radioapparater MARIANNA MARTINES - La Tempesta Deutsche Harmonia Mundi 88875026722 Betyg: 3 radioapparater Johans val Johan Korssell spelade delar ur flera inspelningar av Arnold Schönbergs Gurrelieder. Vi hör ur följande: Leopold Stokowski och Philadelphia-orkestern, utgiven på Andante 1932; Rafael Kubelik leder Bayerska radions symfoniorkester på DG; Riccardo Chailly dirigerar Berlin-radions symfoniorkester på Decca; BBC:s symfoniorkester under dirigenten Pierre Boulez på Sony samt sist men inte minst, nykomlingen, där Markus Stenz leder Gürzenich-orkestern, utgiven 2015 på skivmärket Hyperion.Andra i programmet nämnda eller rekommenderade inspelningar- Prokofjevs tredje symfoni med Londons symfoniorkester under Claudio Abbado på Decca; Erich Leinsdorf och Bostons symfoniorkester på RCA samt med Franska radions symfoniorkester ledd av Jean Martinon på Vox. - Bachs cembalomusik med cembalisten David Schrader på skivmärket Cedille. - Honeggers Giovanna dArco al rogo i Rossellinis filmatisering med Ingrid Bergman i titelrollen, inspelad på San Carlo-teatern i Naples 1953 samt med Marthe Keller som Jeanne dArc tillsammans med bl.a. Franska nationalorkestern i Paris under Seiji Ozawas ledarskap på märke DG.

Schönberg hatte nach dem Erfolg seiner "Gurrelieder" ein Konzert mit zeitgenössischen Werken im Wiener Musikvereinssaal angesetzt. Kontroverse Diskussionen entbrannten, und es kam zur "Rauferei allerorten".

In today's Proms Music Guide, Andrew McGregor talks about Schoenberg's Gurrelieder

Kirsty Young's castaway this week is the playwright Sir Arnold Wesker. He's a prolific writer and has penned more than 40 plays as well as books of poetry, short stories, children's tales and most recently a novel. But he first came to prominence in the late 1950s as one of the group of Angry Young Men; dramatists who made their art out of the stuff of everyday life.He was the son of Jewish communists and was brought up in the East End of London in the 1930s. He remembers being taken on marches and demonstrations and says that memories of Cable Street, when Oswald Mosley was prevented from marching his blackshirts through predominantly Jewish areas of London, weighed heavily in his home. His background strongly informed his writing and his first five plays were all staged at the Royal Court Theatre. He says that even today, he must write something each day as a way of justifying his existence - even if it is only his daily diary entry.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The end of Gurrelieder by Arnold Schoenberg Book: Remembrance of Things Past by Marcel Proust Luxury: Supplies of pen and paper

Kirsty Young's castaway this week is the playwright Sir Arnold Wesker. He's a prolific writer and has penned more than 40 plays as well as books of poetry, short stories, children's tales and most recently a novel. But he first came to prominence in the late 1950s as one of the group of Angry Young Men; dramatists who made their art out of the stuff of everyday life. He was the son of Jewish communists and was brought up in the East End of London in the 1930s. He remembers being taken on marches and demonstrations and says that memories of Cable Street, when Oswald Mosley was prevented from marching his blackshirts through predominantly Jewish areas of London, weighed heavily in his home. His background strongly informed his writing and his first five plays were all staged at the Royal Court Theatre. He says that even today, he must write something each day as a way of justifying his existence - even if it is only his daily diary entry. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The end of Gurrelieder by Arnold Schoenberg Book: Remembrance of Things Past by Marcel Proust Luxury: Supplies of pen and paper