Podcasts about Riccardo Chailly

durée : 01:27:26 - En pistes ! du lundi 09 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un seul orchestre, le Concertgebouw d'Amsterdam, mais différents chefs ! Début des festivités avec Riccardo Chailly. On partira aussi du côté du Brésil et de son répertoire pour guitare, puis en Pologne avec une nouvelle version des Variations Goldberg sous les doigts de Tymoteusz Bies.

durée : 01:27:26 - En pistes ! du lundi 09 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un seul orchestre, le Concertgebouw d'Amsterdam, mais différents chefs ! Début des festivités avec Riccardo Chailly. On partira aussi du côté du Brésil et de son répertoire pour guitare, puis en Pologne avec une nouvelle version des Variations Goldberg sous les doigts de Tymoteusz Bies.

Oggi a Cult: al Teatro alla Scala debutta il "Trittico Weill", nuova produzione con la direzione di Riccardo Chailly e la regia di Irina Brook; alla Fabbrica del Vapore, nell'ambito del festival LIFE di Zona K, la mostra "Cronache di un'apartheid" dell'agenzia fotografica Prospekt; a Monza Visionaria 2025 gli appuntamenti conclusivi sono speciali, come ci racconta Saul Beretta; la rubrica GialloCrovi a cura di Luca Crovi...

durée : 01:28:50 - Riccardo Chailly à Leipzig - par : Aurélie Moreau - Riccardo Chailly à la tête de l'Orchestre du Gewandhaus de Leipzig de 2005 à 2016, a construit une vaste discographie avec cette formation, autrefois dirigée par Mendelssohn. Ce compositeur au programme aujourd'hui, avec Bach, Brahms et Beethoven.

durée : 00:20:47 - Disques de légende du lundi 07 avril 2025 - Roberto Alagna grava deux fois La Bohème : une fois en 1999 avec Riccardo Chailly, version devenue célèbre, et une autre fois en 1995 avec Antonio Pappano - intégrale moins connue mais bouleversante.

durée : 00:20:47 - Disques de légende du lundi 07 avril 2025 - Roberto Alagna grava deux fois La Bohème : une fois en 1999 avec Riccardo Chailly, version devenue célèbre, et une autre fois en 1995 avec Antonio Pappano - intégrale moins connue mais bouleversante.

durée : 00:16:18 - Disques de légende du vendredi 21 février 2025 - De 1988 à 2004, Riccardo Chailly exerce 16 ans d'un glorieux mandat à la tête de l'un des plus grands orchestres du monde : l'Orchestre royal du Concertgebouw d'Amsterdam. A peine arrivé, il grave la 6e symphonie de Gustav Mahler.

durée : 00:16:18 - Disques de légende du vendredi 21 février 2025 - De 1988 à 2004, Riccardo Chailly exerce 16 ans d'un glorieux mandat à la tête de l'un des plus grands orchestres du monde : l'Orchestre royal du Concertgebouw d'Amsterdam. A peine arrivé, il grave la 6e symphonie de Gustav Mahler.

durée : 00:21:15 - Disques de légende du mardi 24 décembre 2024 - Ce que Riccardo Chailly aime au disque est le principe des discoveries : ces albums de découvertes pour des compositeurs majeurs. Il en a fait pour Puccini, Cherubini ou Verdi, avec de grandes réussites. Chailly y montre son talent de chef mais aussi de défricheur.

durée : 01:28:34 - Chefs champagne (2/5) : Riccardo Chailly - par : Lionel Esparza - Toute la semaine de Noël, Relax s'arrête sur 5 chefs d'orchestre exceptionnels par leur énergie et leurs répertoires, afin d'accompagner cette période de fêtes. Des chefs champagne ! Aujourd'hui : Riccardo Chailly - réalisé par : Antoine Courtin

durée : 01:28:34 - Chefs champagne (2/5) : Riccardo Chailly - par : Lionel Esparza - Toute la semaine de Noël, Relax s'arrête sur 5 chefs d'orchestre exceptionnels par leur énergie et leurs répertoires, afin d'accompagner cette période de fêtes. Des chefs champagne ! Aujourd'hui : Riccardo Chailly - réalisé par : Antoine Courtin

durée : 00:21:15 - Disques de légende du mardi 24 décembre 2024 - Ce que Riccardo Chailly aime au disque est le principe des discoveries : ces albums de découvertes pour des compositeurs majeurs. Il en a fait pour Puccini, Cherubini ou Verdi, avec de grandes réussites. Chailly y montre son talent de chef mais aussi de défricheur.

Oggi a Best of Cult: l'intervista di Barbara Sorrentini a Gabriele Salvatores per "Napoli - New York"; Riccardo Chailly su "La forza del destino" che inaugura la stagione lirica del Teatro alla Scala; la rubrica ExtraCult a cura di Chawki Senouci sull'attivista e intellettuale sudafricano Breyten Breytenbach...

Oggi a Cult: alle Residenze Digitali 2024 curate da Capotrave ci sono Valerie Tameu con "Methabolo II: Orynthia" e Ruggero Franceschini con "Radio Pentothal"; Gabriele Salvatores presenta all'Anteo Palazzo del Cinema il suo nuovo film "Napoli - New York"; Riccardo Chailly dirige "La forza del destino fi G. Verdi, che inaugura il prossimo 7 dicembre la stagione lirica del Teatro alla Scala; la rubrica di lirica a cura di Giovanni Chiodi...

durée : 00:22:18 - Disques de légende du jeudi 21 novembre 2024 - En 2006, le pianiste Nelson Freire et le chef Riccardo Chailly enregistrent les deux concertos de Brahms avec une classe admirable.

durée : 00:22:18 - Disques de légende du jeudi 21 novembre 2024 - En 2006, le pianiste Nelson Freire et le chef Riccardo Chailly enregistrent les deux concertos de Brahms avec une classe admirable.

durée : 01:28:50 - Riccardo Chailly à Leipzig - par : Aurélie Moreau - Riccardo Chailly à la tête de l'Orchestre du Gewandhaus de Leipzig de 2005 à 2016, a construit une vaste discographie avec cette formation, autrefois dirigée par Mendelssohn. Ce compositeur au programme aujourd'hui, avec Bach, Brahms et Beethoven.

(00:00:43) Das Lucerne Festival hat begonnen: Riccardo Chailly und das Lucerne Festival Orchestra begeistern mit Gustav Mahlers Symphonie Nr. 7. (00:06:03) Alain Delon ist im Alter von 88 Jahren verstorben: SRF-Filmredaktor Georges Wyrsch erinnert sich an seine persönliche Begegnung mit dem Schauspieler. (00:11:04) «Hit Man» ist eine actiongeladene romatische Komödie, in der der Hollywood-Star Glen Powell neue Seiten zeigt. (00:15:20) Mit dem Euphonium im Final vom Eurovision Young Musician Contest: der Schweizer Valerian Alfaré. (00:17:41) Kunstfälschung entlarvt: Heidelberger Forschung enthüllt die besten Strategien der Meisterfälscher.

Riccardo Chailly hat als Musikchef der Mailänder Scala bereits diverse Verdi-Alben mit Chor und Orchester eingespielt. Jetzt schließt er daran an mit Giuseppe Verdis Vermächtnis, den "Quattro pezzi sacri".

durée : 00:22:15 - Disques de légende du mercredi 08 mai 2024 - Le Deutsches Radio-Symphonie-Orchester de Berlin, dirigé par Riccardo Chailly, enregistré à Berlin en 1982.

SynopsisOn today's date in 1902, composer Gustav Mahler, 41, married Alma Schindler, 22. Mahler was the famous director of the Vienna Court Opera, and by 1902 had written four symphonies. Schindler was considered one of the most beautiful women in Vienna, and also independent, unpredictable and remarkably free-spirited.Perhaps that, as much as her beauty, appealed to Mahler, but many of the composer's longtime friends did not approve and predicted disaster. One of them even suggested the composer convert to Protestantism, which would make getting a divorce easier in ultra-Catholic Vienna.On today's date in 1902, a large crowd of curious onlookers gathered in Vienna's majestic Baroque Karlskirche at 5:30 p.m., the time the wedding was thought to take place, only to discover the couple had been married hours earlier in the privacy of its sacristy with just the immediate family present.The next symphony that Mahler wrote, his Fifth, contains a lovely adagietto movement that Mahler's friend Dutch conductor Willem Mengelberg claims was inspired by Alma. “It was his declaration of love. Instead of a letter, he confided it in this manuscript without a word of explanation,” Mengelberg said. “She understood. He tells her everything in music.”Music Played in Today's ProgramGustav Mahler (1860-1911): Symphony No. 5; Royal Concertgebouw Orchestra; Riccardo Chailly, cond. London 458 860

Gustav Mahler (1860 - 1911) - Sinfonia n. 3 in re minorein sei tempi per contralto, coro femminile, coro di bambini ed orchestra.  Part I1.       00:00:04  I. Kräftig. Entschieden Part II2.       00:35:04  Tempo di Menuetto. Sehr mäßig 3.       00:44:48  Comodo. Scherzando. Ohne Hast4.       01:02:06  Sehr langsam. Misterioso. Durchaus pianississimo5.       01:12:15  Lustig im Tempo und keck im Ausdruck6.       01:16:34  Langsam. Ruhevoll. Empfunden Petra Lang, mezzosopranoPrague Philharmonic ChoirNetherlands Children's ChoirRoyal Concertgebouw OrchestraRiccardo Chailly, conductor

durée : 00:11:13 - Disques de légende du jeudi 29 février 2024 - Varèse est un compositeur majeur, comme Wagner, Debussy, Rossini, Verdi, Beethoven. Il suffit de deux mesures pour le reconnaître.

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durée : 00:58:42 - Riccardo Chailly, une nature solaire et généreuse - par : Aurélie Moreau - Riccardo Chailly à la tête de l'Orchestre Royal du Concertgebouw d'Amsterdam, puis de celui du Gewandhaus de Leipzig et depuis 2015, de la Scala de Milan, renouvelle par sa forte personnalité l'interprétation de ces formations historiques.

L'apertura della stagione della Scala (quest'anno con il Don Carlo di Giuseppe Verdi, diretto dal maestro Riccardo Chailly) è una festa per l'intera città di Milano. È l'evento mondano per eccellenza, come spiega Annachiara Sacchi che per ben 13 volte l'ha seguito per il Corriere della Sera, ma è anche un'occasione per non dimenticare chi è meno fortunato, grazie alla «Prima diffusa», la serie di eventi che portano l'opera in 35 diversi luoghi lontani dalle luci del foyer: dal carcere di opera alla Casa di Accoglienza intitolata a Enzo Jannacci, fino al Terminal 1 dell'aeroporto di Malpensa.Una delle realtà culturali più attive, tra quelle coinvolte, è il Teatro No'hma, di cui è responsabile l'ex presidente del Tribunale di Milano, Livia Pomodoro, presenza fissa allo spettacolo lirico della sera di sant'Ambrogio.Gli estratti musicali in questo episodio:0'00” Dal “Don Carlo” di Giuseppe Verdi Atto terzo, scena prima (aria “Ella giammai m'amò”) Filippo II: Ferruccio Furlanetto Orchestra del Teatro alla Scala Direttore: Myung- Whun Chung (2017).2'57” Dal “Don Carlo” di Giuseppe Verdi Atto terzo, scena quinta (aria “O don fatale”) Eboli: Elīna Garanča Orchestra del Teatro alla Scala, prova generale della prima del 7 dicembre 2023Direttore: Riccardo Chailly.10'04” Dal “Macbeth” di Giuseppe Verdi “Che faceste” Orchestra del Teatro alla ScalaDirettore: Riccardo Chailly Concerto Cori verdiani (2022).14'08” Da “L'Aida” di Giuseppe Verdi “Gloria all'Egitto” Orchestra del Teatro alla ScalaDirettore: Riccardo Chailly Concerto Cori verdiani (2022).

Oggi a Cult: il libro "Io sono un'esplosione" (ed. Il Saggiatore) firmato da V, nuovo pseudonimo di Eve Ensler; l'attrice Deborah Zuin spiega le ragioni della nuova protesta delle lavoratrici e dei lavoratori dello spettacolo a seguito di alcune misure del governo sull'indennità di discontinuità; Riccardo Chailly dirige e Lluis Pasqual firma la regia del "Don Carlo" di G. Verdi, che aprirà la stagione lirica del Teatro alla Scala il prossimo 7/12; la rubrica di lirica curata da Giovanni Chiodi...

‘Symphony no. 1' by Johannes Brahms has one of the most magnificent endings in all music. The piece itself is a journey of conviction, and when you arrive at the finale you hear the composer's sense of accomplishment. In this episode I share insights into the piece, I discuss the role of the timpani within an orchestra, and we continue to discover what it is that makes performances thrilling. This episode features the fourth movement from ‘Symphony no. 1' by the composer Johannes Brahms. I recommend the recording by the Leipzig Gewandhaus Orchestra conducted by Riccardo Chailly (conductor). Further information: www.athousandpictures.com/episode16. I hope you enjoy the show! Please subscribe and help us grow by leaving a rating and a review. And please share the podcast with others!   Feel free to contact Scott Wilson via:  EMAIL: feedback@athousandpictures.com  FACEBOOK: www.facebook.com/1000PicturesPod INSTAGRAM: @1000picturespod WEBSITE: www.athousandpictures.com

Speciaal voor de vakantie leest Marie Geeraedts een verhaal voor dat ze eerder schreef voor 24classics. Over pianiste Maria Joao Pires die speelde met het Koninklijk Concertgebouworkest en in een bange droom terecht kwam. Wil je het nog eens nalezen? Dat kan hier. Youtube kijktips in thema: – Maria Joao Pires expecting another Mozart concerto during a lunchconcert in Amsterdam – Overmatig zweten op de handen behandeld met Botox bij Bergman Clinics Marie Geeraedts is 25 en doet iets met duurzaamheid. Met een moeder die werkt in de klassieke muziek, was er voor haar geen ontkomen aan. Verplicht op celloles, mee naar concerten. En op nijntjeliedjes na, alleen maar klassieke muziek uit de speakers. En toch is ze ervan gaan houden. Nu schrijft ze daar verhalen over. Uit zichzelf. 24classics is op zoek naar meer schrijvers van korte verhalen. Over muziek of over iets anders. Heb jij een verhaal liggen dat je vindt passen bij 24classics?  Mail dan naar info@24classics.com Muziek podcast: Akim Moiseenkov Opname en montage: Bart Geeraedts, TXTproducties 24classics is een aanjager in de klassieke muziek. We maken podcasts, organiseren de serie 24chambers en andere concerten en produceren films. We worden gesteund door onze Kleine vrienden die wij dan weer voortrekken bij alles wat we doen. Ook kleine vriend van 24classics worden? Dat kan al voor € 4 per maand. Kijk hier.

Oggi a Cult: Chiara Bersani è a Santarcangelo Festival con "(nel) Sottobosco"; il libro "Riccardo Chailly alla Scala" a cura di Franco Pulcini; la 50° edizione di Umbria Jazz commentata da Enzo Gentile; Emilio Russo presenta la stagione 23/24 del Teatro Menotti; Marina Benedetti parla di "Eretiche ed eretici medievali" (ed, Carocci); Armando Besio introduce la nuova edizione di Zelbio Cult...

‘Tour de Scherzo' Morgen begint de Tour de France. De pure lol van beweging en snelheid. Het Scherzo Fantastique van Stravinsky is muziek rond plezier en snelheid – het genieten van de buitenkant, niet meer en niet minder. Igor Stravinsky Scherzo Fantastique, op.3 Lucerne Festival Orkest o.l.v. Riccardo Chailly (album: The Rite of Spring)

Die Wiener Philharmoniker wollten in ihrem letzten Abonnementkonzert dieser Saison Raritäten aus der Feder eines ihrer Lieblingskomponisten präsentieren, darunter Ausschnitte aus den unbekannten frühen Opern „Guntram“ und „Feuersnot“. Daraus wurde wegen der Absage von Riccardo Chailly nichts. Im „Presse“-Musiksalon aber gibt es allerhand darüber zu erfahren, wie Richard Strauss Richard Strauss wurde.

Speciale Cult: l'intervista di Barbara Sorrentini a Nanni Moretti, a Cannes con "Il sol dell'avvenire"; la mostra "Reversing the Eye" a Triennale MIlano; Riccardo Chailly e Dominique Meyer sulla stagione 23/24 del Teatro alla Scala; Stefano Ricci e Gianni Forte firmano la direzione artistica della Biennale Teatro 23 "Emerald"...

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: STEFANO BOLLANI. Stefano is not only one of my best friends, he was also my best man at my wedding and my deskmate at high school. We have gone through uncountable adventures, with some highlights like the recording of the album Carioca in Brazil (followed by several tours) and his jazz quintet I Visionari. Leave a comment if you like. Listen to Stefano''s answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 27:34 How do you choose the solos you transcribe? 30:30 What is your methodology? 40:53 Do you write it down? 45:25 How do you practice your transcriptions? 46:00 How do you incorporate ideas into your solos? 48:26 Who was the most difficult player you transcribed? 57:47 Which transcription you've done is your favourite? Stefano Bollani (born 5 December 1972) is an Italian composer, pianist, and singer, also active as a writer and television presenter. Stefano has worked with such musicians as Gato Barbieri, Chick Corea, Bill Frisell, Sol Gabetta, Richard Galliano, Egberto Gismonti, Lee Konitz, Bobby McFerrin, Pat Metheny, Caetano Veloso, Phil Woods, Hector Zazou and has recorded more than 15 albums with trumpeter Enrico Rava. Bollani has performed with several symphonic orchestras (Filarmonica della Scala, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Toronto Symphony Orchestra, among others) and with directors such as Riccardo Chailly, Daniel Harding, Kristjan Järvi, Zubin Mehta, Gianandrea Noseda and Antonio Pappano. He has also played with Italian pop-rock artists and has participated in and hosted TV and radio shows. Currently, he has published 49 albums alone (31 studio). Stefano, as usual, approaches transcription from a different angle and perspective. Knowing him for more than 40 years, I never had a chance to have a long, deep conversation on jazz transcriptions. I learned unexpected things and understood (finally) a few things that were always a mystery to me. Click on the link and listen to the beautiful answer that Stefano gave me. Leave a comment if you wish. You can check Stefano Bollani's music here: https://stefanobollani.com/

The lads chat Beethoven. Info on Sébastien Letocart here: https://www.sites.google.com/site/letocartsebastien/Home-english Music excerpts: 21:45 Beethoven 3rd symphony "Eroica", funeral march conducted by Sir Roger Norrington with the Radio-Sinfonieorchester Stuttgart 33:35 Beethoven 4th symphony finale conducted by Sir Roger Norrington with the London Classical Players 38:26 Beethoven 5th symphony, first movement, conducted by Nikolaus Harnoncourt with the Chamber Orchestra of Europe 51:58 Beethoven 7th symphony, 2nd movement allegretto, conducted by Christopher Hogwood with The Academy of Ancient Music 1:08:01 Beethoven 8th symphony finale conducted by Riccardo Chailly with the Gewandhausorchester Musc at the end of the episode is Beethoven 9th symphony conducted by Christopher Hogwood with The Academy of Ancient Music

As part of Riccardo Chailly's seventieth birthday celebrations in February 2023, Decca is delighted to announce a new album of Verdi choruses conducted by the Maestro with the orchestral and choral forces of La Scala, where he is Music Director. The album also marks two other remarkable milestones: it will be forty-five years since Chailly's debut at La Scala, and also since he first signed an exclusive contract with Decca.Track Listing:1 al_Gli arredi festivi2 al_Va, pensiero (Pt. 1)3 al_Va, pensiero (Pt. 2)4 Gerusalem5 al_O Signore, dal tetto nati`o6 Preludio7 al_Si ridesti il leon di Castiglia8 al_Spuntato ecco il di` d'esultanza9 al_Che faceste Dite su!10 al_Coro di Streghe S'allontanarono11 al_Patria oppressa! Il dolce nome12 al_Vedi! Le fosche notturne spoglie13 al_Nella guerra, e` la follia14 al_Gloria all'Egitto, ad Iside Gloria all'Egitto, ad Iside15 al_Gloria all'Egitto, ad Iside Triumphal March16 al_Gloria all'Egitto, ad Iside Vieni, o guerriero vindice17 al_Viva SimonHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Un día como hoy, 20 de febrero. Nace: 1953: Riccardo Chailly, director de orquesta y músico italiano. 1967: Kurt Cobain, cantante y guitarrista estadounidense, de la banda Nirvana (f. 1994). Fallece: 1626: John Dowland, compositor británico (n. 1563). 1861: Eugène Scribe, escritor francés (n. 1791). 1933: Takiji Kobayashi, escritor japonés (n. 1903). 1936: Max Schreck, actor alemán (n. 1879). 1996: Tōru Takemitsu, compositor japonés (n. 1930). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

In occasione della Prima della Scala, il presidente della Repubblica ha incontrato il maestro Riccardo Chailly, oltre a musicisti, attori e maestranze, nella pausa tra un atto e l'altro del Boris Godunov. "Un'opera di un fascino irresistibile, coinvolgente al massimo", ha commentato il capo dello Stato.sat/ (fonte video: Quirinale)

L'inno italiano e quello europeo eseguiti dall'Orchestra diretta da Riccardo Chailly hanno aperto la Prima della Scala. sat/gtr (fonte video: Quirinale)

Synopsis According to historians, the 19th Century was the great age of Romanticism—but tell that to Sergei Rachmaninoff and Howard Hanson! On today's date, two of their quintessentially Romantic works were both premiered in the 20th century. In 1909, Rachmaninoff came to the U.S. for his first American tour, and on today's date appeared as the piano soloist in the premiere of his Third Piano Concerto with the New York Symphony. Now, if you believe the movie “Shine,” Rach 3 is the most difficult of all Romantic piano concertos. Even its composer confessed he need to practice it on the boat to America! By 1930, when American composer Howard Hanson's Symphony No. 2 premiered on today's date in Boston, Romantic music was increasingly considered “old fashioned.” But Hanson defiantly subtitled his new Symphony The Romantic. “My Symphony represents a definite embracing of the Romantic,” wrote Hanson “I recognize, of course, that Romanticism is, at the present time, music's poor stepchild… Nevertheless, I embrace her all the more fervently, believing as I do that Romanticism will find in this country rich soil for new growth.” And how about outer space? Decades after its premiere, Hanson's popular Romantic Symphony even showed up as part of the film score to the sci-fi classic “Alien!” Music Played in Today's Program Sergei Rachmaninoff (1873-1943) Piano Concerto No. 3 in d, Op. 30 Martha Argerich, piano; Berlin Radio Symphony; Riccardo Chailly, cond. Philips 446 673 Howard Hanson (1896-1981) Symphony No. 2, Op. 30 (Romantic) RCA Symphony; Charles Gerhardt, cond. Chesky 112

durée : 00:26:58 - Disques de légende du jeudi 17 novembre 2022 - Une Bohème d'anthologie de 1999. Riccardo Chailly dirige l'Orchestre du Théâtre de la Scala de Milan- Angela Gheorghiu (Mimi), Roberto Alagna (Rodolfo)

Mario Brunello"Vorrei essere scrittore di musica. Bach e Pasolini"Dialoghi di Pistoiahttps://www.dialoghidipistoia.it/Venerdì 27 maggio e Sabato 28 maggio, ore 21:15Teatro Manzoni, PistoiaMario Brunello e Guido BarbieriConcerto per parole e musicaÈ intorno a Johann Sebastian Bach che si sviluppa la serata di musica e poesia, quel Bach sul quale un Pasolini ancora adolescente scrisse un saggio dalla forza e profondità sbalorditive. Un concerto speciale che inizierà con la lettura dei testi pasoliniani, alternata all'esecuzione dei brani bachiani citati. Seguirà l'esecuzione integrale della Sonata n. 1 e della Partita n. 2 nell'interpretazione di Mario Brunello, uno dei più affascinanti e ricercati artisti della sua generazione. In questa occasione, saranno eseguite al violoncello piccolo o “violincello”, rarissimo strumento in uso all'epoca di Bach, accordato come un violino, ovviamente all'ottava bassa.Mario Brunello, violoncello piccoloGuido Barbieri, voce narrantePasolini Studi sullo stile di BachBach Sonata n. 1 in sol minore per violino BWV 1001 Partita n. 2 in re minore per violino BWV 1004Mario Brunello, solista, direttore, musicista da camera e di recente pioniere di nuove sonorità con il suo violoncello piccolo, è stato il primo europeo a vincere il Concorso Čaikovskij a Mosca nel 1986. Il suo stile autentico e appassionato lo ha portato a collaborare con i più importanti direttori d'orchestra quali Antonio Pappano, Valery Gergiev, Myung-whun Chung, Yuri Temirkanov, Zubin Mehta, Ton Koopman, Manfred Honeck, Riccardo Muti, Daniele Gatti, Seiji Ozawa, Riccardo Chailly e Claudio Abbado. Nell'arco della sua lunga carriera si è esibito con le più prestigiose orchestre del mondo. Brunello suona un prezioso Maggini dei primi del Seicento, al quale ha affiancato negli ultimi anni il violoncello piccolo a quattro corde. L'integrale delle Sonate e Partite di Bach al violoncello piccolo è stata la sua prima rivelatoria incisione discografica per Arcana, nel 2019. Un secondo album, Sonar in Ottava è stato accolto con unanime entusiasmo da pubblico e critica (Best Concert Recording del 2020 da BBC Music Magazine). Le potenzialità del violoncello piccolo vengono esplorate appieno nel terzo disco dedicato a Giuseppe Tartini (premiato con il DIAPASON d'OR). Nel 2021 pubblica le Sei Suonate à cembalo certato è violino solo di Bach. Questo album è il secondo volume della Trilogia Brunello Bach Series per Arcana/OUTHERE; il progetto discografico si concluderà nel 2022 con l'ultimo disco Bach Transcriptions. È il Direttore Artistico dei Festival Arte Sella e dei Suoni delle Dolomiti. A ottobre 2020 è stato nominato Direttore Artistico del Festival di Stresa, succedendo a Gianandrea Noseda.Guido Barbieri, giornalista e musicologo, è docente di Storia ed estetica della musica al Conservatorio “Bruno Maderna” di Cesena. È stato critico musicale del Messaggero, di Repubblica; collabora alle pagine culturali del Manifesto. Voce “storica” di Rai Radio3 si dedica alla drammaturgica musicale, con particolare attenzione alla “musica della realtà”. Ha scritto testi e libretti per i maggiori compositori italiani, fra cui: Portopalo. Nomi su tombe senza corpi, Night Commuters, Three Mile Island, Al Kamandjati, Le ossa di Cartesio, In alloro mutò il suo pianto. Fra gli spettacoli dedicati alla musica della Shoah: La corda spezzata, radiodramma prodotto da Radio3, l'adattamento di Badenheim 1939 di Aharon Appelfeld e dei Cannibali di George Tabori, Le imperdonabili dai Diari di Etty Hillesum, Il diario di Dora Klein, Storia di Jean e Jean, sulla vicenda di Jean Le Boulaire/Jean Lanier, Il viaggio di Roberto. Un treno verso Auschwitz (musiche di P. Marzocchi), In alloro mutò il suo pianto (musiche di L. Sammarchi), The Running Game, Storia di un Gesù. Ha fondato la Human Rights Orchestra, la rassegna Contemporanea all'Auditorium di Roma, nel 2014 l'Associazione She Lives per la diffusione della musica contemporanea e il Comitato Terezin 17/10. È direttore artistico della Società dei Concerti G. Michelli di Ancona, del Festival del Quartetto al Teatro di Documenti di Roma.IL POSTO DELLE PAROLEascoltare fa. pensarehttps://ilpostodelleparole.it/

Synopsis It was the fashion in the late 19th century to decorate concert halls with the names of famous composers like Bach, Beethoven, and Brahms. Of course, over time some composers once very popular fell out of favor, and many old concert hall walls included names like Cherubini and Meyerbeer, composers who nowadays are performed only on rare occasions. In Amsterdam, the main hall of the acoustically famous Concertgebouw boats a pantheon of over two dozen composers' names as part of its interior decoration, and, not surprisingly, a few Dutch composers are included in the mix. Most of the native sons so honored are probably unfamiliar outside of the Netherlands, however. Take for example Alfons Diepenbrock, a self-taught composer and conductor born in Amsterdam who lived from 1862 to 1921. Diepenbrock composed a small body of big orchestral works in the late Romantic style of Gustav Mahler, who was a close friend. In Amsterdam on today's date in 1906, the Concertgebouw Orchestra and conductor Willem Mengelberg premiered a work of Diepenbrock's entitled “In Great Silence – a Mood Poem based on an Aphorism of Friedrich Nietzsche.” This music sounds a little like a lost movement from some big Mahler symphony, and while these days the name Diepenbrock might not be as familiar as Mahler, maybe that's something we should work on correcting! Music Played in Today's Program Alfons Diepenbrock (1862 - 1921) — In Great Silence (A Mood Poem based on an Aphorism of Friedrich Nietzsche) (Royal Concertgebouw Orchestra; Riccardo Chailly, cond (live recording)) Royal Concertgebouw Recordings 97033

durée : 00:58:37 - Riccardo Chailly et la voix - par : Aurélie Moreau - Directeur musical de la Scala de Milan, Riccardo Chailly a depuis longtemps consacré une large partie de son répertoire à la voix, dirigeant avec un égal bonheur les opéras de Rossini, Verdi, Puccini, notamment, ainsi que des œuvres sacrées.

durée : 00:58:37 - Riccardo Chailly et l'Orchestre du Gewandhaus de Leipzig - par : Aurélie Moreau - La rencontre heureuse de deux sensibilités : un grand chef italien et un orchestre légendaire depuis l'époque de Félix Mendelssohn. Riccardo Chailly a été le directeur musical de l'Orchestre du Gewandhaus de Leipzig de 2005 à 2016.

Synopsis On this day in the year 1886, critic Gustav Dompke wrote these lines in the “German Times” of Vienna, after attending a performance of one of Anton Bruckner's symphonies: “We recoil in horror before this rotting odor which rushes into our nostrils from the disharmonies of this putrefactive counterpoint... Bruckner composes like a drunkard!” Today, with Bruckner's symphonies performed and recorded so often, it's doubtful many listeners “recoil in horror” from his rich Romantic harmonies, but he's always been a little controversial. Bruckner's European contemporaries and his early American audiences found his approach to symphonic composition puzzling, bizarre, or, more often than not, simply boring. The vogue for Bruckner symphonies in America had to wait until the latter part of the 20th century, a full century after many of them received their premiere performances in Europe. In 1941, for example, when Bruno Walter conducted Bruckner's giant Eighth Symphony at Carnegie Hall with the New York Philharmonic, music critic Olin Downes lamented that Walter hadn't chosen a “more interesting” program and noted that the Bruckner symphony “sent a number from the hall before it had finished.” Music Played in Today's Program Anton Bruckner (1824 - 1896) — Symphony No. 8 (Concergebouw Orchestra; Riccardo Chailly, cond.) London 466 653

김태훈의 시대음감 101-2 # 우리를 두근거리게 하는 ‘솔직함'과 ‘진정성'♪ Adventure Of A Lifetime / Coldplay # 시간을 달리는 음악 feat. 김경진 음악평론가2) 스탠리 큐브릭(Stanley Kubrick)♪ Lolita Ya Ya - Nelson Riddle (3:14) (1962, from “Lolita”)♪ Singin' In The Rain - Gene Kelly (2:36) (1971, from “A Clockwork Orange”)♪ Hello Vietnam - Johnny Wright (3:01) (1965, from “Full Metal Jacket”)♪ Jazz Suite, Waltz 2 - Royal Concertgebouw Orchestra & Riccardo Chailly (3:42) (1993, from “Eyes Wide Shut”)ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.

Il Covid ha cancellato il tradizionale appuntamento milanese di Sant'Ambrogio, ci sarà al suo posto un evento speciale diretto da Riccardo Chailly, senza pubblico, e trasmesso dalla Rai. Ma questo non è l'unico sconvolgimento che la pandemia ha portato nel mondo della lirica: per i teatri si prospettano ricavi in calo per 80 milioni di euro. Le mancate entrate al botteghino della serata di gala del 7 dicembre invece si aggirano sui 2,5 milioni di euro

The first Roxy Music album brings together a patchwork of inspirations and influences from across the decades. In the second episode of Ghost Echoes, we stroll spontaneously into the movie theatre of the mind and examine a few of them. Here's looking at you, kid. Music and Sound Notes: - All of the Roxy Music tracks heard here for illustrative purposes are from their debut album. They include: “Re-Make/Re-Model”, “Virginia Plain”, “Bitters End”, “Chance Meeting", and “2HB”. - The recording of Rachmaninov's second piano concerto near the start is by an anonymous soloist and symphony orchestra, from Musopen. The excerpt from Brief Encounter itself features a recording of the same concerto by Eileen Joyce with the National Symphony Orchestra, conducted by Muir Matheson. The Noël Coward song heard shortly after is “The Party's Over Now,” from the musical Words and Music. - The segment on pop art features excerpts from Buddy Holly's “Everyday” and David Bowie's “Andy Warhol.” The section about musicians who went to art school features tiny extracts from “All Your Love” by John Mayall and the Bluesbreakers; “Imagine” by John Lennon; “Brown Sugar”, “Some Girls”, and “Honky Tonk Women” all by the Rolling Stones; “Whole Lotta Love” by Led Zeppelin; “Pinball Wizard” by the Who; “Tubular Bells, Part 1” by Mike Oldfield; “Bike” by Pink Floyd; “Layla” by Derek and the Dominos; “The Village Green Preservation Society” by the Kinks; “Seaside Rendezvous” by Queen; “Your Love is King” by Sade; “Common People” by Pulp; “You're So Great” by Blur; “Man-Size” by PJ Harvey; “Paper Planes” by M.I.A.; “Kiss With A Fist” by Florence and the Machine; and “London Calling” by the Clash. - The recording of Wagner's “Ride of the Valkyries” used here is by the Slovak Radio Symphony Orchestra conducted by Uwe Mund. The brief excerpt from the start of Das Rheingold is the Staatskapelle Dresden conducted by Marek Janowski, and the horn call from Götterdämmerung is the Royal Concertgebouw Orchestra conducted by Riccardo Chailly. - The music that finishes the episode off is from the end of Max Steiner's score for Casablanca. Further reading, watching: - The two main sources for biographical information were Michael Bracewell's Re-Make/Re-Model and Simon Reynolds' Shock and Awe. The Brief Encounter section is loosely inspired by Roland Barthes' essay “Leaving the Movie Theatre” from The Rustle of Language. The list of art school alumni who went on to pop stardom comes from Pretentiousness: Why it Matters by Dan Fox. - The BBC documentary at the beginning of the pop art section is “Pop Goes the Easel,” an episode of Monitor, hosted by Huw Wheldon and directed by the great Ken Russell. The interview clips with Ferry are taken from a Channel Four documentary called This is Tomorrow. - The images in this blog post were the main source for my descriptions of the Roxy Theatre. - Other film and television clips come from Brief Encounter; What's Opera, Doc?; The Wizard of Oz; Casablanca and Now, Voyager.

Virtuoso Ray Chen hardly needs an introduction, but let's start with his Gold Medal at the Queen Elisabeth competition in 2009, at the age of 20! His career since then, by all appearances, has been an effortless climb. But as you're about to hear, that isn't the whole story. As I've gotten to know Ray (during his solo appearances with the LA Phil, including that one time he stole my bow for a Paganini encore!) I've been impressed with how open he is in person and on social media. Let's start here: if you don't follow Ray on Instagram and YouTube, you're missing out big time! Here are those links: Ray's Instagram Ray on YouTube For example, one of Ray's videos deals with the topic of insecurity. It's so rare for a world-class soloist to open up about this topic, and you certainly won't hear any insecurity in his playing! But as we discuss in this episode, it's a feeling every violinist deals with at some point, and it's a necessary step along the way to mature artistry. Ray Chen's biography Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen's remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world.Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the summer of 2017 has seen the recording of the first album of this partnership with the London Philharmonic as a succession to his previous three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award. Profiled as “one to watch” by the Strad and Gramophone magazines, his profile has grown to encompass his featuring in the Forbes list of 30 most influential Asians under 30, appearing in major online TV series “Mozart in the Jungle”, a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach) and performing at major media events such as France's Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms. “It's hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” — CORRIERE DELLA SERA He has appeared with the London Philharmonic Orchestra, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, and upcoming debuts include the SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Daniele Gatti, Kirill Petrenko, Krystof Urbanski, Juraj Valcuha and many others. From 2012-2015 he was resident at the Dortmund Konzerthaus and in 17/18 will be an “Artist Focus” with the Berlin Radio Symphony. His presence on social media makes Ray Chen a pioneer in an artist's interaction with their audience, utilising the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA.