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Jane Tennison heeft keihard geknokt om hoofdinspecteur te worden. Ze heeft zich dubbel en dwars moeten bewijzen en zelfs nu trekken haar mannelijke collega's nog in twijfel of ze het werk wel aanka... Uitgegeven door SAGA Egmont Spreker: Irma Hartog
It was the early 1990s and Lynda La Plante was desperate. She had a few TV drama successes under her belt, but everything she was pitching was greeted with a ‘no' from commissioners.Then, in a pitch meeting, she dreamt up Prime Suspect when the TV boss said she wanted a ‘cop show with a female detective and a murder.'But to create Det Ch Insp Jane Tennison, Lynda needed to research true crime. Enter Met detective Jackie Malton - and months of research.This interview coincides with the release of Lynda's final Jane Tennison book, Whole Life Sentence which takes readers to the detective's life before Prime Suspect.In this episode, Lynda talks Tennison, Jackie Malton, the importance of grounding her fiction in fact and research.Whole Life Sentence is released on July 4th 2024. You can grab a copy here: https://www.amazon.co.uk/Whole-Life-Sentence-pulse-pounding-Detective-ebook/dp/B0CSTSGNS8To learn more about Lynda, click here: https://lyndalaplante.com/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit robertmurphy.substack.com/subscribe
Lynda la Plante discusses her final Jane Tennison novel, Whole Life Sentence and discusses the enduring legacy of Prime Suspect.Lea Ypi remembers the late Albanian writer and poet Ishmail Kadare, author of The General of the Dead Army and The Palace of Dreams.How is AI impacting music copyright? Hayleigh Bosher of Brunel University London, Reader in Intellectual Property Law and the music business journalist Eamonn Forde discuss.And Julie Finch, CEO of Hay Festival, discusses the future of books festival funding.Presenter: Tom Sutcliffe Producer: Ciaran Bermingham
New episode out now! We cover the first episode of Prime Suspect 1973 (or Prime Suspect: Tennison if you're American), a 2017 prequel series about the early days of Jane Tennison's law enforcement career. We enjoyed the more nuanced take it had regarding many things, including how the detectives treated drug users, how they presented the autopsy scene, and the time the show spent on the grief of the family. We discuss the differences in how the women of the police force are treated versus the men, talk about how they establish “good cop” Len Bradfield and the “bad cops” of the other detectives, love the character of Morgan and how competent she is, and continue to not understand London police organization. We love the 1970s setting and think it really adds a whole other level to the show; the costumes, set decoration, and especially the excellent music selection really enhanced the vibe. Katy points out multiple obvious things, Carrie was not impressed by the wigs, Maddy leads a moment of silence, and Mack thought there were too many greasy white boys. We also discuss the trope of a quirky medical examiner and how shows try to deal with the reality of a dead body, get excited about radios and ticker tape, learn Carrie was right about London buildings being cleaner, and do not approve of puking on screen. Listen to hear more about bleached Henry Cavill, British accents, Scone Palace, Night Court, and more! Plus, try to figure out which one of us had Covid while recording, which one was hungover, and which one had a few audio dropouts fixed in post! Enjoy! TW: Drug addiction, sex work, sex work of a minor, murder of a sex worker, police abuse, misogyny, quality of low income housing, Grenfell Tower fire Show Notes: It should be noted that one theory as to why the police force seemed to be more delicate/nonchalant about the drug use and methadone clinic is that this does take place both in the UK and pre-Reagan and the “War On Drugs”, which very much criminalized and villainized drug use, especially in communities of lower income. The focus shifted to criminalization and prison rather than any sort of addiction treatment or rehabilitation. One possible origin of the quirky coroner/medical examiner is the Canadian show Wojeck that aired from 1966-1968, about a “coroner who regularly fights moral injustices raised by the deaths he investigated”. According to Wikipedia this was the first Western TV series to feature forensic pathology as the main investigative resource for crime solving. This show then inspired Quincy, M.E., a popular American show that aired from 1976-1983 about a LA County medical examiner, who was more quirky than the coroner character in Wojeck. About the Grenfell Tower fire from Wikipedia: “On 14 June 2017, a high-rise fire broke out in the 24-storey Grenfell Tower block of flats in North Kensington, West London, at 00:54 BST and burned for 60 hours. Seventy people died at the scene, and two people died later in hospital, with more than 70 injured and 223 escaping”. More details here from Wikipedia and here from the BBC.
For twenty years, Tony Sales was Britain's biggest fraudster. From cloning credit cards and identities to emptying cash machines and being a confidence trickster, Tony knew how to make money. In this first episode of the new series of Listening to the Dead, Lynda and Cass are joined by Tony and his colleague, former Head of the Fraud Squad Andy McDonald about fraud, to discuss fraud: how investigating it has evolved, the current threats, the impact on victims and the devastating iSpoof case of 2023. As a fraudster, Sales could make people believe whatever he wanted them to. As analogue crime turned digital, Sales adapted his skills and became a prolific online fraudster, quickly identifying and exploiting loopholes and weaknesses in the system. And so he continued until one day a mistake on a job in Sheffield saw him arrested. While serving time, Sales decided to turn his life around. As Frank Abagnale Jr. had done in the US, Sales went from poacher to game-keeper and set up We Fight Fraud, a company dedicated to helping governments and financial institutions to prevent fraud. And it was well timed. Fraud has become bigger than ever in the UK. Scammers were responsible for nearly 1.4m cases of fraud in the UK during the first half of 2023. Overall, criminals stole £580m in the first six months of the year, suggesting households are likely to have lost more than £1bn to fraudsters in the year. How do we stop fraudsters? What investigative and forensic tools do the police have? Join Lynda and Cass as they explore the most prolific crime in the world. Lynda La Plante's final Jane Tennison thriller Whole Life Sentence is available to pre-order now in all formats. To find out more about upcoming episodes of Listening to the Dead and Lynda's other books, visit www.lyndalaplante.com Tony Sales' memoir The Big Con is out now in audiobook. Credits: This podcast was made by Bonnier Books UK Hosts: Lynda La Plante, Cass Sutherland and Jon Watt Director: Jon Watt Producer: Laura Makela Theme Music: Game Over by Magic in the Other
Kawai : For Such a Time as This by Monty Soutar. New Zealand fiction, first in a planned trilogy. In the 1980's a young Maori man visits his elderly relative in the remote east North Island, wanting to learn the stories of his ancestors, at which point the book moves to the mid 18th century and recounts the story of the young man's tipuna, the legendary warrior Kaitanga, after whom his marae's whare puni has been named. The descriptions of tribal life, the hierarchy of society (from Chiefs all the way down to pononga, captured slaves), arranged marriages, utu and warfare, and the way of living at that time are really engrossing. I loved it and am keen to see the next two in the series. Dark Rooms by Lynda la Plante - another in the prequel series for the Jane Tennison novels - which started all those years ago with Prime Suspect which of course was both a brilliant book and great TV, but in recent times Lynda has been interested in exploring Jane's earlier story, in the years when she first entered the police force, and now in this new one is a newly minted Detective Inspector. She's sent to a new precinct were of course misogyny is rife and she has to figure out how to forge her own way - whilst being caught up in a case where the body of a young girl is discovered in a disused air raid shelter in the garden of a now derelict house - from which a family saga unravels, which Jane finds herself square in the middle of. This is one we prerecorded a few weeks back but it didn't make it to air which is quite helpful as the books for this weekend have been delayed and needed something in a hurry. LISTEN ABOVESee omnystudio.com/listener for privacy information.
This week I had the pleasure and privilege of chatting to Jackie Malton, the real police officer upon whom Linda La Plante based her phenomenally successfully fictional detective Jane Tennison in Prime Suspect. Jackie is an incredible character, full of fun and fascinating stories from a very successful police career. Her new book was published yesterday and can be found here; https://www.amazon.co.uk/Real-Prime-Suspect-screen-detective/dp/1913068978
My guest this week is a woman who - to coin a bit of 1980s jargon - punched through the glass ceiling for women in TV, creating not just one but a series of female lead characters who broke the mould. And not just any old female lead but OLDER female leads. There would be no Happy Valley or Scott & Bailey if it wasn't for Lynda La Plante's groundbreaking creation, detective Jane Tennison, brought to life by Helen Mirren. The BAFTA and Emmy award winning screenwriter of Prime Suspect, Widows and many other hit TV shows, Lynda has written 43 bestselling books, including the young Tennison series - the latest of which is Unholy Murder - that takes Jane Tennison back to the 80s as she battles to break through in the macho Met. Lynda is now 78 and it's 30 years since her groundbreaking creation hit our small screens (back when there were only four channels and primetime telly really mattered). But Lynda started out as a dyslexic drama student who, she says, was “too short and plain” to get good parts. Lucky for us, she decided to try her hand at writing them instead. Lynda tells me what it was really like to be a woman in TV in the 80s and 90s (and noughties!), the humiliation that shaped her, how she learnt not to let things get to her and why you should always always ALWAYS read the small print!She has a few things to say about contemporary crime TV drama, but this is a bit of a masterclass for any wannabe crime writers.• You can buy all the books mentioned in this podcast at Bookshop.org, including Unholy Murder by Lynda La Plante and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me!• The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Emily Sandford. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. See acast.com/privacy for privacy and opt-out information.
Sam's guest this week is crime queen Lynda La Plante - talking about her new novel Judas Horse, and three decades of her most famous creation, Prime Suspect's Jane Tennison. She tells Sam how she wrote her way out of acting, why so much crime drama now turns her off, why she thinks it's so important to get police work right and let baddies be baddies - and why she's haunted by Rentaghost.
My guest this week is crime queen Lynda La Plante - talking about her new novel Judas Horse, and three decades of her most famous creation, Prime Suspect's Jane Tennison. She tells me how she wrote her way out of acting, why so much crime drama now turns her off, why she thinks it's so important to get police work right and let baddies be baddies - and why she's haunted by Rentaghost.
To see us through the Archer-less Fridays and Saturdays for the foreseeable time of isolation, we are hosting an Academic Archers Saturday Omnibus for anyone to join, where we revisit past conference papers.This week, Paths to the polling station at the village hall: Social networks and voting in Ambridge, from Tim Vercellotti, our very own political Peter Sedaris, and Fear, Fecklessness, Philip and Freddie: Policing the crimewave, from Charlotte Bilby, our very own Jane Tennison. If you listen to this podcast, please consider supporting us on Patreon towards its upkeep. All monies go to supporting the conference and online community of Academic Archers Research Fellows.
If you briefly die, but are then resuscitated, does that wipe clean your debt to society? Why is audio fiction having a comeback? What if Jane Tennison interviewed Prince Andrew and where is Bob this week? Adam Croft and guest host Adrian Hobart answer these questions – except perhaps the last – on this week’s episode. Adrian’s been in glamorous but grubby Brighton, researching his new book. He gives us the lowdown on his visit to the seaside, tempting Adam with the lure of budget narcotics. Adam has been thinking about the detective-like overtones of the recent Prince Andrew interview on Newsnight. They also discuss the golden age of detective fiction, what’s on the Brit box and YouTube rabbit holes. ~ Moriarty ~ Adam’s Recommendation The Other Woman by Laura Wilson https://www.kobo.com/ebook/the-other-woman-58 Don't forget your exclusive Partners in Crime discounts through Kobo. Get 90% off your first purchase using the code CRIME at checkout. And you can also get 40% off all books using the code PARTNERS when you shop using this link: http://bit.ly/PartnersKobo CONTACT US Email: hello@partnersincrime.online Facebook: facebook.com/groups/crimefictionpodcast/ Twitter: twitter.com/crimeficpodcast Website: partnersincrime.online iTunes: croft.link/PIC-podcast Stitcher: bit.ly/PIC-Stitcher Google Play: bit.ly/PIC-GooglePlay YouTube: bit.ly/PIC-YouTube Spotify: bit.ly/Partners-in-crime
This week Tom Price is joined by writing royalty Lynda La Plante. The pair chat everything Jane Tennison, starting from the beginning of her career, the new novel The Dirty Dozen, all the way up to casting the Prime Suspect era hit TV show. There's even a revelation about inside information from one of Britain's most notorious prisoners!
Las actrices son las grandes ganadoras de la era de oro de las series: con más y mejores personajes disponibles en la pantalla chica, hasta géneros eminentemente masculinos como el policial demuestran una verdadera avalancha de heroínas disfuncionales y heridas, que tienen a la Jane Tennison de Prime Suspect como progenitora. De Veronica Mars a Jessica Jones y de The Killing a Broadchurch, Dolores Graña y Natalia Trzenko dedican este episodio de A pedido del público al "noir de género".**A pedido del público es un podcast original de LA NACION.**
In this week’s FFR, Anita’s off on another one of her damn fool adventures so it’s up to Ebony and Carolyn to captain our flagship podcast! In a nod to Carolyn’s love of classic cinema, we discuss the classic 1940 “comedy of remarriage,” His Girl Friday, starring Cary Grant and Rosalind Russell. Despite being nearly 80 years old, the film has more interesting gender politics than many contemporary movies, with its portrayal of an ace reporter who is at least the intellectual equal of her ex-husband and who is encouraged to continue being an ace reporter rather than settling into the traditional role of wife and mother that was the cultural standard at the time. Then, in recognition of Ebony’s love of crime fiction, we check out the new British series Prime Suspect: Tennison, also known as Prime Suspect 1973. The series serves as a prequel to the outstanding series Prime Suspect which starred Helen Mirren. Here, we meet Jane Tennison as a fresh young officer working her first murder case. The original Prime Suspect was noteworthy for many reasons, among them the way that it used the crimes Tennison investigated not just as mysteries, but also as ways of exploring complex social issues including sexism in the workplace, racism dividing communities, and the marginalization of queer people. Does this new show live up to that legacy? Listen to our conversation to find out! Segment Timestamps: :00 a special message from Carolyn 1:05 podcast intro 2:55 How are you feeling, Ebony? 3:45 Pop culture news: Roman Polanski on MeToo, Brooklyn Nine-Nine gets picked up by NBC 9:57 His Girl Friday (1940) and the comedy of remarriage genre 25:55 Tennison/Prime Suspect 1973 44:02 What’s Your Deal? Ebony on The Bridge, Caro on Donkey Kong Country: Tropical Freeze 50:20 wrap-up
*Warning: This episode contains spoilers for Episode Six of *Prime Suspect: Tennison. The Prime Suspect: Tennison season is over, but Jane Tennison’s journey to Detective Chief Inspector is just beginning. Actor Stefanie Martini reflects on the explosive season finale, the young Jane’s first big case, and the steps that still remain in the WPC’s fledgling career in the Metropolitan Police.
*Warning: This episode contains spoilers for Episode Three of *Prime Suspect: Tennison. Actor Sam Reid plays the grizzled Detective Inspector Len Bradfield, an early mentor for a young Jane Tennison in the new prequel series, Prime Suspect: Tennison. Bradfield is a role all its own — but Reid told us he couldn’t help but sneak a few of the original Jane Tennison’s quirks into his new character as a roadmap for where the future Prime Suspect legend would end up .
Sense8; Tennison; modern TV criticism - Netflix brings back Sense8 (temporarily), PBS brings back Jane Tennison (temporarily), why the business of television is confusing to viewers, and the conundrum of writing about TV in the modern era. Host Tim Goodman and Jason Snell.
*Warning: This episode contains spoilers for Episode One of *Prime Suspect: Tennison. The original Prime Suspect brought powerhouse Detective Chief Inspector Jane Tennison to our screens for seven seasons. But Tennison didn’t start at the top. Actor Stefanie Martini -- who plays a younger version of the iconic character in the new prequel series, Prime Suspect: Tennison -- reveals how she found her own unique angle on Tennison.
Sian Williams and Richard Coles with actor and comic Stephen Mangan; Jackie Malton, the retired Detective Chief Inspector who was the inspiration for Prime Suspect's Jane Tennison; ex-cricketer David Gower reveals his secret life, a love of bats; John McCarthy discovers the deserted beaches and overlooked attractions of Gran Canaria; Beryl Ritchie, one of the few female record cutters of the 1970s, remembers creating the first 12'' single in the UK; Tyeisha Litambola, whose brother was killed in a street attack, talks about being part of the campaign CitySafe; and Inheritance Tracks from actress Felicity Kendal. Producer: Rachel Simpson.
This week: We talk to Maud Lavin about her most recent book and more! Lifted from elsewhere: In the past, more often than not, aggressive women have been rebuked, told to keep a lid on, turn the other cheek, get over it. Repression more than aggression was seen as woman’s domain. But recently there’s been a noticeable cultural shift. With growing frequency, women’s aggression is now celebrated in contemporary culture—in movies and TV, online ventures, and art. In Push Comes to Shove, Maud Lavin examines these new images of aggressive women and how they affect women’s lives. Aggression, says Lavin, is necessary, large, messy, psychological, and physical. Aggression need not entail causing harm to another; we can think of it as the use of force to create change—fruitful, destructive, or both. And over the past twenty years, contemporary culture has shown women seizing this power. Lavin chooses provocative examples to explore the complexity of aggression: the surfer girls in Blue Crush; Helen Mirren as Jane Tennison in Prime Suspect; the homicidal women in Kill Bill and artist Marlene McCarty’s mural-sized Murder Girls; the erotica of Zane and the art of Kara Walker; the group dynamics of artists (including the artists group Toxic Titties) and activists; and YouTube videos of a woman boxer training and fighting. Women need aggression and need to use it consciously, Lavin writes. With Push Comes to Shove, she explores the crucial questions of how to manifest aggression, how to represent it, and how to keep open a cultural space for it.