Podcasts about Cary Grant

We review Charade (1963) on movie podcast The Criterion Cut Charade is directed by Stanley Donen and stars Cary Grant, Audrey Hepburn, Walter Matthau, James Coburn patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight email: mftvquestions@gmail.com Audio version: https://the-collectors-cut.pinecast.co/

Arsenic and Old Lace, Frank Capra's dark comedy, is both a beloved classic and a surprisingly divisive film. We explore Cary Grant's frantic performance, the movie's theatrical roots, Peter Lorre's standout comic timing, and the delicate challenge of making murder feel charming rather than disturbing, without giving away all the twists. The result is an affectionate but honest look at a film whose macabre premise, eccentric characters, and escalating chaos still invite debate.

Manuel Jabois ha bromeado en Los Cruasanes de Hoy por Hoy sobre su pesadilla de esta noche. Jabois ha soñado que iba a la subasta de un ático de lujo. Y como Cary Grant en 'La muerte en los talones', se colaba en una puja que podía resolverse con la compra del ático de lujo que la Comunidad de Madrid compró por valor de seis millones de euros. Una subasta a la que no acudió nadie. 

Three films, three reviewers, three weeks of Talking Pictures TV. We're back with another trawl through the Talking Pictures TV schedules, picking out some of the films we think deserve a place on your watchlist over the next three weeks. Mel gets things underway with Noël Coward's supernatural comedy Blithe Spirit (1945), directed by David Lean and starring Rex Harrison, Constance Cummings, Kay Hammond and the magnificent Margaret Rutherford. Ghostly goings-on, marital complications and one of cinema's most memorable mediums combine in a wonderfully British mixture of wit, exasperation and paranormal domestic chaos. Hal, meanwhile, heads for Paris with Charade (1963), Stanley Donen's enormously entertaining blend of romance, comedy, mystery and Hitchcock-style thriller. Audrey Hepburn finds herself surrounded by suspicious characters, missing money and several people who appear to be telling her rather less than the truth, while Cary Grant demonstrates once again that being impossibly charming can get you through almost anything. And Sarah takes us back to post-war Britain with The Guinea Pig (1948), starring Richard Attenborough as a working-class boy suddenly transplanted into the unfamiliar world of an English public school. Adapted from Warren Chetham-Strode's successful play, it mixes comedy and drama while taking a look at class, education and the social barriers that were beginning to shift in Britain after the war. As ever, expect recommendations, memories, trivia, diversions and plenty of affectionate appreciation for the films, actors and unexpected discoveries that make Talking Pictures TV such an essential destination for lovers of classic cinema. So settle down, make yourself comfortable and join Mel, Hal and Sarah as they rummage through another three weeks of the schedules and attempt to persuade you to add just a few more films to that increasingly unmanageable watchlist. This episode, and every previous edition of the Talking Pictures TV Podcast, is available here: https://directory.libsyn.com/shows/view/id/talkingpicturestvpodcast Or wherever you download your podcasts. #TalkingPicturesTV #TalkingPicturesTVPodcast #ClassicFilm #BritishCinema #BlitheSpirit #Charade #TheGuineaPig #DavidLean #NoelCoward #CaryGrant #AudreyHepburn #RichardAttenborough #MargaretRutherford #ClassicMovies #FilmPodcast  

In this Margin Notes episode of the #amwriting podcast, host Jennie Nash talks with book coach and author Stuart Wakefield about approaching marketing as a creative project by making joyful “artifacts” that expand a story world rather than simply asking readers to buy a book. Wakefield shares his creative background, a past period when his creative practice stopped, and how he now immerses himself in projects tied to his latest novel, All Hands on Dick, set in 1956 aboard the cruise ship SS Celestial. Stuart describes the book's comedic, queer, mid-century influences and its characters, explains creating items like a 3D-printed ocean liner and a hand-cut 10-inch vinyl record featuring AI-assisted big band songs, and discusses building an animated music video. Nash also previews upcoming episodes with Wakefield on using the Blueprint method to develop a series, as he launches his trilogy A Gay Odysea.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with Stuart* Visit his book coaching site* Read his books* Watch his music videoTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Hi, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work or creative lives.I'm here today to talk with Stuart Wakefield about making marketing a creative project. And you've heard from Stuart before. He has coached on the podcast, and we'll link to that episode in the show notes. He also will be in episodes to come, which we'll talk about in a moment, and Stuart is a fascinating individual who's had a long career in all kinds of things, including TV writing, playwriting, a long stint in IT.What? [00:01:00] And, and now Stuart works with me at Author Accelerator, and he runs his own book coaching business at thebookcoach.co. Welcome, Stuart.Stuart: Thank you for having me, Jennie. I'm really excited to talk to you today.Jennie: I'm excited too. This is such a, such a interesting topic. So the reason this came up is that Stuart launched a new book, which he'll tell you about in a moment, which is part of a series, which he'll tell you about in a moment, and I started seeing out on social media just all this really fun content that he was producing.And obviously then I would get to talk to him at work, and I- he just would have so much joy, and then he would say, “Oh, let me show you this other thing.” And when I talk about fun content, I'm talking about, like, music videos, cartoons, animated [00:02:00] little shorts. He wrote a song. He, he's writing a music video. He 3D printed a ship.He printed a vinyl record. I mean, it's bonkers. And so I just wanted to dig into this about what are you doing, and why is it creating so much joy, and what can we learn from it? So that's what we're here to talk about.Stuart: Oh, oh, oh. Right. Okay. So, so in, in my creative practice, I have always enjoyed... You know, I started acting when I was five, um, so I've always been in kind of around the theater, even when my kind of IT career and project management career was all kind of going on.So I've always enjoyed that. I, um, started a, a- A degree in fashion design. Um, after a year at art college, I, you know, carried on acting and then had a break in 2003. Uh, if I'm really honest with you, I had a breakdown and- Yeah ... m- [00:03:00] my creative practice just stopped. And about six years later in 2009, I started writing.And you know, I've always been a creative person, and I've always been a storyteller, and I tend, but I tend to do it in a very short, concise way. So the shortest piece of fiction I've sold was 50 words.Jennie: That's short.Stuart: Right. Okay. So I, um- Have had like a, a side art project. It's called The Queer Historian of Emotional Truths.Um, and there is a website that sits with that, and the idea is that the queer historian has found artifacts, um, and he is curating those and sharing those on the website, and they might be voicemails, they might be found photos, found objects. And when I got my... So I really love that kind of very small to- storytelling, those, those really poignant moments, [00:04:00] as opposed to great big, long stories.Um, I recently s- sold a story to Divine Femins- Feminine Publishing as well, um, which is again, it's cozy sci-fi, but it's very much the small kind of human moments.Jennie: Right.Stuart: And I found that after writing this book, I became so invested in the world that I wanted to do small art projects that kind of lived within that world.So that's where this has come from. I, I don't see it as marketing. I see it as telling those smaller stories within that wider world that really convey the joy that not only have I got from writing that, that work, but I think lives on after the reader closes and reads that last, that last page and then closes the book.Jennie: Well, this is why it's so exciting and inspiring to me, because so often when writers talk about marketing or think about marketing, they're thinking [00:05:00] about, “Buy my book. Buy my book. Buy my book,” and that's not at all where you're coming from. I suspect... Well, with this current project, it's, it's brand new, but I suspect that that's where it's gonna go, right?That it's impossible to imagine sh- that you're gonna share all these creative acts and artifacts and not get people... I was gonna say on board, but that's gonna be like- The, it's a- ItStuart: is set follow... It's set on board a, a ocean liner. Right. So on, on board is great.Jennie: Right? Like the, how could those two things not happen?That, I guess what I'm getting at is I, I often think that the results people want don't usually come from the path that they think is gonna get them there. Right. The results come from doing the work you love, writing the story you want, and in your case, making this a creative project. Do you- Yes ... do you think that's [00:06:00] true?Stuart: Yeah. You know, very much so, and I was discussing this with a marketing book coach, uh, Rebecca Grogan.Jennie: Mm-hmm.Stuart: Highly recommend her to any romance writer. So that's beckythebookcoach.com, and, you know, we got talking about creative projects and how much I don't really like marketing. I always thought it was a very British thing not to like marketing, but the more and more US writers I, I meet and fellow coaches, again, you know, marketing can feel like something unsavory.Jennie: RightStuart: And what I really want to do is show people these cool things I've made and invite them very much into the world. Because what I do in any of my creative writing projects, I have objects that represent what I'm writing on my desk. So, um, I have a book that's set in 1907, so I got [00:07:00] artifacts from, from that time.I have a book that's set, well hopefully coming out in a few months, which is, uh, set in Madrid in 1958, and one of the characters works in a print shop. So I have wooden blocks, wooden printing blocks that spell out this character's names. So-Jennie: Oh,Stuart: that'sJennie: so cool.Stuart: So as I switch from project to project, I bring those things and put those onto my desk, and I just find it helps me get into that head space-Jennie: YeahStuart: and that emotional connection.Jennie: Yeah.Stuart: So because I still have a, a very strong emotional connection to what it is that I've just published, and I know there are two more books coming, I really wanted to sit and kind of immerse myself in that world. And the first object I created was this 3D printed ocean liner, because that has what has been sitting on my desk while I've been writing this first book.Jennie: So when you say you 3D printed it, how did you go about [00:08:00] that?Stuart: Okay, so I-Jennie: Oh, and, and let's just describe, since people can't see it. It's, it's about like eight inches, 10 inches? Uh, yeah, yeah. So- And it's... Is it made of plastic?Stuart: Yeah. So it's 3D printed, uh, so it's kind of a, a resinous kind of plastic that's- Yeahjust melted as it comes through the head. And yeah, so I found, uh, a model online, and then I... My comput- my computer modeling is not great. It's one of the few things that I'd see that I don't really, you know, have a skill at. So I contacted a friend and said, you know, “Can you modify this for me? Um, can you change the name on the side of the ship?”‘Cause the model that was already there, um, had a different name. And yeah, you know, we, we worked on the look and the feel, and then when we were ready, we found someone else to, to actually print it up. So for me, it's just a lovely object, and I know I'm going to be able to take it to book fairs. There's one coming up at the end of September- So I have little [00:09:00] wooden life rings, we have ship's rope, I have a reception bell.Um, so all of these artifacts, again, when s- if somebody comes to my stand at the book fair, they will be walking into the world of the SS Celestial.Jennie: That's so fun. Okay, so let's, let's talk about the, this, the ship and what happens on the ship and the story and the whole thing, ‘cause it's just too much fun.So it's, um, set in 1956 on a cruise ship. The name of the book is called All Hands on Dick, and it is currently out. So why don't you tell us about first All Hands on Dick, and then the series that it, um, begins?Stuart: Okay. So All Hands on Dick follows cruise director Dick Dockery, and Dick is one of those people that puts the passengers' needs before his own.So, and he is very good at his job But on the voyage from New York to Bermuda, [00:10:00] a slightly seedy kind of underground guy with a reputation called Van Valentine boards the ship. And Van very quickly identifies that what Dick is doing, that he's fulfilling everybody's needs but his own. So throughout a...It's very much a comedy of manners. So throughout that and some farcical moments and lots of beautiful sub-stories, um, Dick eventually learns that being needed is not the same as being loved.Jennie: Very, very, uh, profound message in a very fun setting. So some of the other characters, tell us about some of these other characters.Stuart: Okay. So we have, uh, newlyweds, uh, Buck and Kitty Devereaux. And Buck seems very nervous in his marriage, so one of the kind of mysteries is what is Buck hiding? And then eventually we start to learn that actually Kitty might be hiding some- something as well. We have [00:11:00] Aurelia Cashmere, who is a sort of a, a grande dame, I guess.She, she's first class. Um, she has come on board with a secret that she's going to reveal something when they get to Bermuda. We have, uh, Tony's sidekick, uh, Bunny Marlowe. We have a steward who seems to know everything called Tony Two Towels. We have a light-fingered magician called Pip Larkin. Um, and- ThisJennie: is just so great.And you s-Stuart: And then lounge singer... Sorry, then we have a l- a lounge singer called Rex Devereaux. Uh, and he has a on-off affair with his piano player, Joey Lamplight.Jennie: Okay. So you shared with me that, um, you loved The Love Boat, the, the TV show, right? Oh,Stuart: it's one of my... It, it's just fantastic. And I, I tell you what happened, I love the movie An Affair to Remember-Jennie: Mm-hmmStuart: with Deborah Kerr and Cary Grant. [00:12:00] And you know, I was... My mom loved kind of ‘40s, ‘50s movies. So she kind of introduced me to those when I was growing up, ‘cause I was born in the early ‘70s. So you know, sh- I was kind of weaned on, on movies by watching those. And I loved watching The Love Boat, and more recently...I say recently, it's a few years old now, but the movie Down with Love, uh, with Renee Zellweger.Jennie: Yeah.Stuart: And I watched that and it reminded me of the Doris Day, Rock Hudson kind of sex comedies.Jennie: Yeah.Stuart: So the vision for All Hands on Dick and the series that it fits into, um, very much came from those, those influences, and the love of, of the, all of those things.Jennie: Well, and it has that, and has that feel. So we'll talk about the whole series in a minute, but some of the other things that you made artifacts that you made, uh, well, there was a song and then there was a record, [00:13:00] and then there was a music video. So how much time have you spent making all these things?Stuart: I, I, I think, I think that wh- what, what happened was, I, I, I'd finished the book and I w- I was, I, something had happened.I think, I think an old Drifters song came up on my, um, Irene's, uh, list, and I'd been listening to... We have a, a TV, um, advert that's on in the UK that, uh, has the song, um, Beyond the Sea.Jennie: Oh, sure, sure.Stuart: It's Bobby... Yeah, yeah, yeah. Yeah. And I was, “Oh, okay.” So I knew that Rex, the lounge singer, one of his storylines is that there's a song that he can't sing.Jennie: Oh.Stuart: It is too emotional for him, and he's desperately trying to get his career back on track and, but there's this one song that he just cannot sing, but it's one of the most powerful songs that could potentially bring his [00:14:00] career back. And I'd been thinking about songs and, you know, again, my mom was just a very, very funny wom- woman and, you know, we would make songs up together.And I wrote some jokey lyrics, uh, called, for a big band number sung by Bunny, called Everybody Needs Dick. And, and, you know, uh, you, the lyrics are, are, you know, a bit silly here and there, but, uh, I just had fun with it.Jennie: Yeah.Stuart: You know? So none of this was planned. Um, now I know some people are gonna be really anti-AI, and I, I totally get that, but this was for my personal consumption.So I put those lyrics into an, a, an AI and said like, “Can you write a big band, you know, backing track to go with this?” Just as an experiment, and what came out just really took me by surprise. So-Jennie: It's amazing. I mean, it sounds like a fully produced Andrews Sister song.Stuart: Yes, yes. Love The [00:15:00] Andrews Sisters.Yeah. And then I got thinking about Rex's song, and I thought, “What kind of avoidant thing would Rex sing?” So I wrote some lyrics for that and, um, again, put it into the same AI, AI, and it came out with a couple of versions, and one of them immediately made me start to cry. Oh, no. And I thought, “Okay, if I have an emotional connection to this song, then I need to do something with these tracks.”So I'd been kind of living in the world of the SS Celestial, which is the, the ship that the story is set on, and got to thinking about kind of souvenirs and, and would the ship sell souvenirs, and what kind of things might they sell? And I thought, “Okay, if I'm gonna have an object that's all my own, then as my kind of reward for finishing the book,” I thought, “wouldn't it be great to have a vinyl record?”So then I get into researching how much music can you get on, you know, a seven-inch, a 10-inch, [00:16:00] 12-inch record. Settled on a 10-inch record because, um, Rex's song is six minutes. It won't sit on the seven-inch. Then I had to do my research. You know, were 10-inch singles available in the US in the 1950s? Turns out they still were.Um, then I got to designing the record covers and the labels. I found a company in, uh, the, in London who handcraft. So rather than press a record, they hand-cut it.Jennie: Oh,Stuart: wow. Um, found a company to do that. And yeah, you know, a week later I had in my hands a, a, a 10-inch record, and that is just for my personal consumption, but, you know, I will share that on,um, you know,uh, social media. I will play parts of the record on social media. And yeah, that's where I kind of got to in there, and I just wanted to share with people like, “Oh, look, I made this cool thing.”Jennie: Yeah, yeah.Stuart: And-Jennie: I mean, it's so cool, and [00:17:00] when... We'll share, hopefully, uh, uh, cover a picture of the, um, m- the, uh, record so, in the show notes so people can see.But when, when you share it and talk about it, again, you're just filled with so much joy, like a kid. Yeah. Like, “Look at this.” Yeah. “Look at what I made.” And that has to feel really good, right?Stuart: It, it really, really does. And, and, you know, my family, immediate and wider, are going through some really difficult times at the moment.We started kind of March last year, and, um, I won a, a, a grant from the Arts Council here in the UK to, to really help me kind of zone in on my playwriting.Jennie: Right.Stuart: And a full-length play that I've written is, it's very dark, and it deals with some very dark kind of, uh, themes and issues. And a friend of mine had said to me, she said, “There's something wrong with you.There's, [00:18:00] there's, like, this little light that has gone out.”Jennie: Oh.Stuart: And she said, “I think you should get back to writing comedy.” Um, when I wrote for TV, that was comedy. Um, my last full-length novel, you know, had lots of comedic stuff going on. Um, and she's like, “Why don't you, you consider going back to comedy?”She'd read a lot of my writing when I was doing my master's degree, and she said, “I, I really think you need that, that kind of lift.” So when I was thinking about what to write, I was like, “Okay, I need to do something that, that just really sits with me.” I'm not... You know, writing a novel is a big commitment, and you need to be around people that you kind of really love.Jennie: Yeah.Stuart: And I wanted these people to- So many queer stories I think are written from a place of trauma.Jennie: Mm-hmm.Stuart: And I really wanted a group of people who had relatively low stakes threat, but [00:19:00] could really live and breathe in their environment and find joy. And that's exactly as passengers are disembarking at the end of this, this book, that's, you know, there is hope and there is joyJennie: And I imagine that's what you want your reader to feel.Stuart: Um, uh, a- absolutely. I've absolutely written it for people who, you know, to take on a take on a cruise- Right ... or read on the beach. And, you know, I think it's fair to say that, you know, politically and, um, literally the world is on fire, right?Jennie: Yeah.Stuart: Yeah. You know, we're seeing huge fires all over, you know, we're seeing political, just appalling political stuff.And I, and I just thought I, I need this story and I need these people, and I think other people out there need just some fun and some joy and some lightness.Jennie: So tell me about, um, right before we r- started [00:20:00] recording, you said you were almost finished with the music video. Tell me about that.Stuart: Right. Okay. So, uh, Everybody Needs Dick is a huge, joyous, big band number, and I was creating a little short animation to go on, um, social media, and also I wanted the challenge of learning something new from an IT point of view.Jennie: Mm-hmm.Stuart: And it kind of grew, ‘cause I was putting some music to the, the reel on Inst- on Instagram, and I just thought, “Hmm, this could... Like, I really like the results of what I've been able to animate here. Like, maybe this could be something bigger.” And I used to work for Turner Broadcasting Systems, which is now, like, part of Warner Brothers Discovery.Was there for about three years working mainly on the Cartoon network side, and I did some work with the animators of The Amazing World of Gumball, which is a very [00:21:00] popular show, um, in the US, and I kind of thought, like, maybe there's something in this. Maybe I could put all of the Everybody Needs Dick story into, like, an MGM musical number.Jennie: Right.Stuart: And like, so again, it, it captures the look and the feel and the tone of the joy of the book as well. So I'm 40 seconds away from finishing. It takes about an hour to get 14 kind of decent seconds. And I... But I'm, I'm exhausted, but what's keeping me going is watching it over and over again and feeling emotional, feeling that emotional connection to the relationships that are developing, even just through the video i- itself.Jennie: Right. AndStuart: what- So again, for me, it's just immersive.Jennie: What, um... When you approach Something like that, and you, you know, obviously we're all, uh, learning, if any of us listening use AI for [00:22:00] various things, we're all learning as we go d- because it's so new. How do you approach the technology side of it? Like, in addition to the creative part, you have to figure things out, right?Figure out how to do it.Stuart: Yeah. I mean, you know, I spend a lot of time engineering prompts for all different sorts of things. So for my own writing, um, I have a prompt that runs through my chapters and looks at all of the nasty habits that I have.Jennie: Yeah.Stuart: And I was talking to another coach the other day, and I was like, “Let me, let me just do a quick word count.”And that search, that, um, AI prompt, is 9,510 words.Jennie: Wow.Stuart: So I might have spent a long time working on that, that prompt, but it really helps me sit back, look at my chapters, really understand what's working and what's not working, and then from my past mistakes and patterns of writing, it helps me see those and that I've fallen back into to some of those [00:23:00] habits.Jennie: Yeah.Stuart: So, you know, I, I like to think I'm relatively good. Um, but again, some of the graphics that I was using on Instagram were... They were by real people.Jennie: Yeah.Stuart: And I thought, “Well, that's not really the kind of look I'm after. I'm kind of after that... For the, for the video, I'm after that mid-century American illustrated look that is somewhere between J.C.Leyendecker's illustrations of the sort of ‘20s, and the illustrations that you would expect to see in an American magazine in the mid-'50s.”Outro: Right.Stuart: So I worked and worked and worked, you know, with an AI tool on getting the look right, and then locking that look in. Then I was able to take the images from Instagram and say, “Okay, what would those character models look like if they were in dr- had been drawn in this style?”So again, we worked through those looks, um, you know, how smooth their skin was, what the kind of folds in their clothes should look like. [00:24:00] You know, we did a lot of work on that, and then it was really down to the things that I kind of learned at Warner Brothers and watching the extras on DVDs about storyboarding, um, the animations, and then really teaching myself the best way to use, um, the AI that I was using to get the best kind of effects out of it.And I- So it sound- You know... Hmm.Jennie: It, it sort of sounds like play.Stuart: It is. It really is. And I, you know, I, I love learning. I loved learning to be a book coach. I'm always doing some kind of course, whether it be creative or, you know, to do with writing. And, you know, I like a challenge, and teaching- Yeah ... me this new technology, I mean, I'm 54, and, you know, there's always that risk that the kids are gonna com- going to kind of overtake you.Jennie: Sure. Uh,Stuart: but I'm very curious about the world. You know, I l- I like my K-pop. I'm very excited today ‘cause Hatsize, you know, new EP is out. Um, I've had many a conversation with a 13-year-old who's just shocked that I know anything about K-pop- ... [00:25:00] let alone I'm kind of into different bands. So, you know, I'm interested in, in pop culture and learning new technologies and, you know, it has been a huge, huge challenge for me to do this.But again, it's playing in this world, and I've also noticed as I'm doing these other creative projects, because I'm still mentally in the world, some of the stories for the later books are, are coming to me.Jennie: Yeah. Yeah. So let's talk about the series. At what point did you decide that All Hands on Dick was going to be a series?Stuart: Pretty much from the beginning. I-Jennie: Okay ...Stuart: I, I... So the series is called A Gay Odyssey, and that's- AndJennie: it's, I have to spell it. It's- Yeah ... O-D-Y-S-E-A.Stuart: Yes. So it- it's A Gay Odyssey, and I call it, like, a naughty cal adventure. So- So, you know, I, I very much saw this as the ship as a [00:26:00] container.Jennie: Mm-hmm.Stuart: Okay? Quite literally.Right. But also like a story engine.Jennie: Right.Stuart: So I thought this is, this is a world in miniature, and I wanted to have one overarching love story that covers all three books. But like The Love Boat, I wanted that episodic nature to it as well, because I knew I wanted to bring in different characters and different crew.So A Gay Odyssey is, it's a trilogy of mid-century American queer romantic novels that also examine, uh, the life we live as performance as well as the life we live in private.Jennie: Mm-hmm. So that's where the, the lounge singer and the piano player, the literal- Yeah ... performers and the magician, as well as the just regular people who are performing different roles and things.Ab-Stuart: a- absolutely. You know, Buck is, is performing kind of the dutiful husband, and that's clearly not what's going [00:27:00] under, on under the surface. And, you know, Kitty is very much wanting to go out, you know, understand what's w- I want to say in quotes, “wrong with him.”Jennie: Right.Stuart: And yet Kitty starts to believe that actually she might not entirely be the person she thinks she is.So again, it's, some of it's around self-discovery, um, and some of it is just how you move in the world when the world is telling you you shouldn't be who you are. I mean, it's coming off the back of the Lavender Scare- Mm-hmm ... in the US, um, that Eisenhower signed in 1953 where queerJennie: people-Stuart: I'm not familiar withJennie: that.Stuart: Oh, okay. So I think it was Order 105410or s- or, or something. But Eisenhower signed it, signed it in 1953, and it basically meant that nobody, no gay man or lesbian could work in a federal job.Jennie: Oh, I, I was not aware of that.Stuart: So, you know, thousands and thousands of people were put [00:28:00] out of employment in the US. Wow. So it's coming off the back of that Lavender Scare, um, and it was very much treated like they were a security risk.Jennie: Wow. Um, I'm not gonna get really deep into the series because you and I are gonna do a deep dive on, uh, series development. Um, and for our listeners, Stuart is obviously, um, I would say one of the world's foremost experts on my blueprint method. H- how's that for a title?Stuart: That's very kind of you.Jennie: Um, he teaches it, he coaches it, he holds the high bar for certification that we have at Author Accelerator around the blueprint and other things.But one of the things that he has really done is, is to do a very deep dive on understanding how to use the blueprint [00:29:00] to develop a series, and how you think about one book, how you think about the whole series, the, the order of things, the, the way this tool can be used in this way, and his work on this is, uh, blew me away truly.So I've asked Stuart to come back onto the podcast, and we're going to do a series of two, uh, podcasts, where in one we're gonna talk about the overview of how to use the blueprint to develop a series, and it can be any genre, uh, any- Mm-hmm ... fictional genre, and then we're gonna do a second podcast on ... Now I can't remember what it was, but I think it wasOh, the story engine, and you, and you referenced that with, for your series, the, the ship and, and this container and how to develop a story engine. [00:30:00] And this will also all lead to a special offer to work directly with Stuart on a series, so, um, using the blueprint. So all of that, I'm making all these big promises.I hope they all come true.Stuart: They will. They will.Jennie: Um, all of this is just, uh, laying the groundwork for, for folks who are interested in designing, developing, building a series, and, um, doing it with somebody who has this incredible creative and playful mind, and you can get a sense of the way Stuart thinks and, and works and, um, of the things that he makes.Uh, can you tell us, Stuart, w- if people wanna read All Hands on Deck right now, where can they go? If people wanna find you, and how on earth can they see and hear all this cool stuff you've made? Tell us all the things.Stuart: Okay. [00:31:00] So, uh, in terms of, obviously you can find me at thebookcoach.co. On Instagram, I'm Mr.S Wakefield. Um, so that's where you'll be able to see where I share the cool things that I've made. Um, and then in terms of buying, I mean, all good bookstores. I've already had some, some podcast listeners of mine send me pictures of them holding their, uh, books in, you know, American bookstores, which is fantastic to see.Uh, so yeah, you know, everywhere that you can buy a book. It's not just Amazon, boo, hiss. Um, you know, you should be able to get it in all, all, you know, good, good bookstores.Jennie: Excellent. So, uh, say your, say that Instagram again, just so people can hear.Stuart: Uh, it's Mr. S Wakefield.Jennie: Okay, great. Well, um, we have much more to talk about, and we, and we will be talking about, but this was just so fun to hear your process and this, um, this sense of marketing as a [00:32:00] creative project.And it'll be really fun to follow along and check in with you in our next episodes about where all of this stands as well.Stuart: Great. Thank you.Jennie: Thanks for joining us, Stuart.Stuart: Okay. Take care, Jennie. Bye.Jennie: And for our listeners, thanks for listening. Now let's get back to work and finish what matters mostOutro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:33:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

* Jason Isaacs Talks The Salt Path, Victorian Psycho, his Cary Grant, And The Toronto Film Festival... * Garland Nixon on the US stumbling back into war against Iran * Plus AE Special Edition - surreal political excursions into The Trump Twilight Zone... 

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah welcome Ethan “crackerjack mouth” Strauss back to Smoke ‘Em for round three, this time inspired by his recent piece about a fake 49ers player who scammed scores of women out of more than a million dollars. Dark? Yes. Also hilarious, in terms of perpetrator Daejon Love's come ons, e.g., telling women his family owned part of the Gucci store “on Saks Fifth Avenue.” They also talk Ethan's recent “get that nose to the grindstone, kids” piece about making money in sports media, how to help your aging parents not get scammed, and whether anyone on the panel cares what people think of them. (Spoiler: 1.5 yes/1.5 no.)Also discussed:* Katie Herzog retools her addition to help others* “Unnecessary cleavage” * Ethan as Chuck Klosterman of the week* Daejon Love is nowhere near as hot as Napoleon* “I was a white girl on Tinder”* “Necessity is the motherf**ker of invention.”* Some love for The Gift of Fear* The iPhone as elder abuse* Cary Grant, anyone? Anyone?Plus, football as an old-fashioned striptease, baseball as a good sport to do your taxes to, why Gen Alpha likes golf best, and much more!Oh hello, Sarah's upcoming book is AN OPRAH PICK! Buy it now xxMemoirist Hepola returns after her acclaimed recovery memoir, Blackout, with a wickedly lovable account of three lost loves: a married man, a younger man, and a New Orleans cop she once believed was the man of her dreams. The title arrives when she phones the married guy for advice about dealing with his 29-year-old successor. “I'm scared I only want what I can't have,” she tells the ex. “Oh baby,” he replies, “It's the only thing there is to want.” This line feels to Hepola like a skeleton key to her existence, unlocking the surprising amount of pleasure (not to mention the very good stories) one can find on the path of an apparently hopeless quest. Hepola's self-deprecating candor and perfectly paced storytelling make this book anything but the boohoo-fest you might imagine. Possibly the perfect gift for a friend going through a breakup.About that unnecessary cleavage…

Dana and Tom with new guest, DW Lundberg (Host and Creator of the Nostalgia Cast and Back to Bluey), discuss Notorious (1946) celebrating its 80th anniversary: directed by Sir Alfred Hitchcock, written by Ben Hecht, cinematography by Ted Tetzlaff, music by Roy Webb, editing by Theron Warth, starring Cary Grant, Ingrid Bergman, and Claude Rains.Plot Summary: In Notorious, Ingrid Bergman stars as Alicia Huberman, daughter of a convicted Nazi spy, recruited by American agent, TR Devlin (Cary Grant), to infiltrate a ring of German conspirators hiding in Rio de Janeiro. Devlin falls for Alicia even as he sends her undercover — into a marriage with suspected traitor, Alex Sebastian (Claude Rains). As Alicia digs deeper into Sebastian's circle, she uncovers a chilling secret in his wine cellar while Sebatian's suspicious mother grows wary of her. When Sebastian discovers the truth, Alicia's life is put in grave danger. Devlin must decide whether duty or love will drive him to save her.Guest:DW LundbergHost and Creator of the Nostalgia Cast and Back to BlueySocials on Threads, Twitter, IG, YouTubeChapters:00:12 Introduction, Cast, and Background for Notorious03:37 Introducing DW Lundberg!16:49 Hitchcock and Notorious17:59 Relationship(s) with Notorious25:18 Plot Summary for Notorious26:28 What is Notorious About?42:39 Is Tom Misunderstood?44:34 Cary Grant v. Claude Rains48:14 The Film Star vs. The Actor52:30 Did You Know?56:27 First Break57:06 What's Happening with DW Lundberg?01:00:46 Best Performance(s)01:11:02 Best Scene(s)01:26:24 Second Break01:27:01 In Memoriam01:27:52 Best Line(s)01:30:25 The Stanley Rubric - Legacy01:36:42 The Stanley Rubric - Impact/Significance01:44:06 The Stanley Rubric - Novelty01:51:29 The Stanley Rubric - Classicness02:00:04 The Stanley Rubric - Rewatchability02:07:47 The Stanley Rubric - Audience Score and Final Total02:10:07 Remaining Questions for Notorious02:17:43 Thank You to DW / Final Thoughts02:19:12 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/notorious-1946-ft-dw-lundbergFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:film analysis, Cary Grant, Ingrid Bergman, Alfred Hitchcock, cinematic techniques, character development, movie performances, emotional storytelling, classic films, film critique, Hitchcock, film analysis, classic cinema, movie impact, originality, film execution, rewatchability, cinematic legacy, audience reception, film history, Hitchcock, Notorious, spy thrillers, trust, duty, female characters, communication, male insecurities, Cary Grant, Claude Rains Hitchcock, FBI, cinema, nostalgia, film discussions, movie inspiration, classic films, podcasting, cinematic history, film analysisRonny Duncan Studios

For more than a decade, one conference has been getting ahead of the headlines instead of chasing them. Host Dr. Laura Scherck Wittcoff sits down with Mark Treitel, founder of TechTainment, and Konrad Trope, the conference's co-chair, ahead of this year's event to talk about how a niche gathering on technology, entertainment, and the law grew into one of the country's premier forums for examining AI's legal, ethical, and business impact, and why staying "gutsy" enough to tackle hard conversations before they go mainstream is the whole point. Guests Mark Treitel, Founder, TechTainment A senior intellectual property and technology litigator with Quinn Emanuel, Mark recognized 12 years ago that no conference was seriously addressing the intersection of technology, entertainment, and the law. Rather than wait for someone else to fill that gap, he created TechTainment under the auspices of the Los Angeles Intellectual Property Law Association (LAIPLA). What began as a small gathering of a handful of speakers has grown into a full-day conference featuring more than 30 speakers and nearly 200 attendees from across the country. Konrad Trope, Managing Shareholder, Trope and Trope Konrad comes from a family of eight attorneys whose legal careers date back to 1954, when his father, Eugene Trope, and his uncle co-founded the law firm Trope and Trope. Over the following 75 years, the firm has represented some of Hollywood's most illustrious names, including Cary Grant, Alan Ladd, Nicole Kidman, and Nick Cassavetes. Konrad has focused his own practice on entertainment and intellectual property litigation for the past 40 years. He was introduced to Mark and TechTainment in September 2022 after chairing a panel on ethics in the age of digital media at the seventh annual conference, and became co-chair in January 2023, since carving out a niche recruiting panelists and keynote speakers who are defining the boundaries of artificial intelligence. What is TechTainment? TechTainment is an annual, one-day conference produced by LAIPLA, now held in partnership with the Sandra Day O'Connor College of Law at Arizona State University (ASU) at ASU's California Center in downtown Los Angeles. The conference brings together leaders in technology, entertainment, business, academia, and law to discuss the issues reshaping every industry, long before those issues become mainstream news. This year's conference: Friday, October 16, 2026, at ASU's California Center in downtown Los Angeles Keynote: David Alpert, CEO and co-founder of Skybound Entertainment, known for transforming intellectual property like Invincible into television, film, games, and tabletop products Panels include: recent developments in AI and entertainment law; recent developments in IP and entertainment law; how AI is changing greenlighting decisions in film and TV (moderated by Konrad, featuring Craig Wagner of Paradigm Talent Agency); managing AI data and addressing bias in prompt design (featuring speakers from Tokyo Broadcasting System, Microsoft, Lexus, DLA Piper, Amazon, and Oracle); algorithms and arbitrators, on implicit bias in tech-driven mediation (featuring Tricia Schaefer and Mike Murray of Vertex); a civility and professionalism panel featuring Dr. Wittcoff, the dean of Washington University School of Law, and a leading Southern California legal ethics expert; and a secret panel still being finalized at the time of recording Panelist Tracy Freed has spoken at all 12 years of the conference Key Topics Covered A new civility requirement for California attorneys Beginning April 1, 2026, every California attorney must annually affirm a civility oath, pledging to conduct themselves with dignity, courtesy, and integrity, alongside new required training on civility and mental health awareness. Mark and Konrad discuss why professionalism and ethical conduct matter more than ever as AI transforms how lawyers practice, and why the legal profession, historically slow to prioritize wellbeing, is finally catching up. Clients "playing lawyer" with ChatGPT Mark shares how attorneys across the profession are now spending more time managing clients who arrive already convinced they've diagnosed their own legal issue using AI tools, requiring lawyers to sort fact from AI-generated assumption before real work can begin. His takeaway: these are powerful tools, but only tools, and lawyers still need the expertise to use them ethically and effectively. The pushback against "AI slop" Mark points to a growing cultural backlash against AI-generated content in entertainment, and a corresponding renaissance of audiences seeking out simple, well-told, human stories, citing the independent film Obsession and anticipation for Christopher Nolan's The Odyssey as evidence people still want real actors and real storytelling. Reading, learning, and the future of legal education Both guests raise concerns about AI's effect on critical thinking, particularly in law schools, where the traditional grind of close reading has historically been what makes lawyers effective. Mark argues bluntly that if students lose the ability to read and analyze because AI is doing it for them, the consequences extend well beyond the legal profession. The bigger picture: AI, dystopia, and the future of work The conversation turns to bigger-picture anxieties around AI, from military robotics to questions about what a society looks like if AI eliminates the need to work, framing these as exactly the kind of uncomfortable, ahead-of-the-curve conversations TechTainment exists to have. A shared love of things "AI can't replace" In a lighter moment, Mark reflects on losing an entire digital music collection to digital rights management, and his frustration with ads creeping into the modern moviegoing experience, both examples of technology's tradeoffs even in entertainment he loves. Why they're still doing this after 12 years Mark closes by reflecting on the sheer number of hours he and Konrad have poured into the conference over more than a decade, admitting there were plenty of moments he could have walked away for more billable hours or family time. His answer for why he hasn't: a genuine, long-term commitment to the vision, one he hopes people are still gathering around in 10 or 20 years. How to Get Involved Register and learn more: LAIPLA.net/techtainment Pricing: Multiple tiers are available, including discounted rates for in-house attorneys, law students, LAIPLA members, and ASU alumni, with early bird pricing through the end of August Attend: The conference includes breakfast, lunch, and extensive networking opportunities Sponsor: Sponsorship tiers include Matrix, Luminary, Beacon, and Circuit level sponsors; interested organizations can reach out directly Connect with Small & Gutsy  Website: SmallandGutsy.org  Email: Laura@SmallandGutsy.org Do you know a nonprofit or social enterprise doing incredible work? Send them our way!  

Is An Affair to Remember (1957) one of the greatest romance ever put on film? During the first meeting of the Forever 44 Fedorable Club back in April, we dove deep into Leo McCarey's iconic classic starring Cary Grant and Deborah Kerr. The shipboard love story, the Empire State Building ending, the tears, and why this film still holds up nearly 70 years later. *** Learn more about our Dillo's Discord Universe here: https://www.patreon.com/posts/dillos-discord-150502505 ***

*Cary Grant voice* if I take this off, everybody dies!Find Here Come the Sequels on Spotify and Apple Podcasts; we're also online at herecomethesequels.blogspot.com, available through email at herecomethesequels@gmail.com, on Bluesky under Here Come the Sequels, and on ... X? @HCTSequels.

Dave McArthur welcomes guest host Jay Schweig to discuss the Alfred Hitchcock caper To Catch a Thief.

Dana and Tom with special guest, Reed Arnold (Writer, Director, and Star of Do Us Part (2026)) discuss Crazy, Stupid, Love (2011) for its 15th Anniversary: directed by Glenn Ficarra and John Requa, written by Dan Fogelman, cinematography by Andrew Dunn, music by Christophe Beck and Nick Urata, editing by Lee Haxall, starring Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Marisa Tomei, and Kevin Bacon.Plot Summary: Up next is a film from 2011 that takes the age-old Hollywood trope of the cinematic makeover and turns it completely on its ear. It's Crazy, Stupid, Love.Now, when we meet Cal Weaver—played with a wonderful, understated desperation by Steve Carell—he is a man whose comfortable, suburban life has just evaporated over dessert. His high school sweetheart and wife of twenty-five years, played by a luminous Julianne Moore, announces she wants a divorce. Suddenly, Cal finds himself cast adrift in the unfamiliar and deeply hostile waters of the modern dating scene.Enter Jacob Palmer, a suave, cynical, and impossibly sharp-dressed bachelor who treats the local lounge like his own personal kingdom. He's played by Ryan Gosling, channeling the kind of effortless, magnetic charisma that would make Cary Grant proud. Jacob takes pity on our broken-hearted protagonist, deciding to mentor Cal in the fine arts of tailored suits, confident posture, and the precise chemistry of the pickup line.But what makes Dan Fogelman's screenplay so compelling isn't just the transformation of Cal. It is how the film expertly weaves multiple generations of romance into a single, chaotic tapestry. We see Cal's teenage son harboring a fierce, agonizing crush on his older babysitter, who in turn harbors her own secret affection. Meanwhile, Jacob—the ultimate, uncatchable playboy—finds his own defenses completely dismantled by a sharp-witted law student, played with incredible comic timing by Emma Stone.It's a film that balances the slick, sophisticated banter of classic 1930s screwball comedies with a raw, very contemporary vulnerability. It reminds us that no matter our age, experience, or wardrobe, love has a way of making fools out of all of us.Chapters00:12 Introduction to Crazy, Stupid, Love06:06 Exploring the Plot and Themes12:05 Character Relationships and Development18:10 Masculinity and Love in the Film24:05 The Makeover Trope and Its Implications33:14 Navigating Relationships and Growth34:38 The Evolution of Long-Term Relationships36:20 Understanding Relationship Dynamics38:16 Stereotypes and Relationship Expectations39:09 Behind the Scenes of Filmmaking42:15 Foreshadowing and Directorial Choices48:45 Cultural Moments in Film52:11 Influences and Inspirations in Filmmaking01:00:49 Antagonists and Character Dynamics01:04:27 Nostalgia and College Experiences01:06:48 Navigating the Film Festival Circuit01:09:23 The Fight for Attention in Film01:11:45 Personal Experiences in Storytelling01:20:11 Choosing Between Writing, Directing, and Acting01:37:01 Best Scene(s)01:45:21 Best Line(s)01:51:14 The Stanley Rubric - Legacy02:02:16 The Stanley Rubric - Novelty02:15:46 The Stanley Rubric - Classicness02:22:31 The Stanley Rubric - Rewatchability02:29:01 Final Questions and ThoughtsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/crazy-stupid-love-2011-ft-reed-arnoldFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Crazy Stupid Love, movie review, film analysis, Ryan Gosling, Steve Carell, romantic comedy, anniversary, movie discussion, film critique, best rom-coms, Emma Stone, discussion, romantic, comedy, film discussion, movie scenes, Hollywood, Crazy, Stupid, Love movie, podcast, podcast discussion, podcast episode, movie podcast, film podcast, rom-com, legacy, classic, rewatch, novelty, audience scoreRonny Duncan Studios

Cary Grant, Ingrid Bergman, Alfred Hitchcock. OK, I’m pretty much done. What else shall I say? WWII intrigue, a love story, a well-played villain. These are also things I could say. Also, the length of the kiss between Grant and Bergman put the Production Code office all in a tizzy. Shelly Brisbin with Micheline Maynard, David J. Loehr, Annette Wierstra, Randy Dotinga and Philip Mozolak.

Cary Grant, Ingrid Bergman, Alfred Hitchcock. OK, I’m pretty much done. What else shall I say? WWII intrigue, a love story, a well-played villain. These are also things I could say. Also, the length of the kiss between Grant and Bergman put the Production Code office all in a tizzy. Shelly Brisbin with Micheline Maynard, David J. Loehr, Annette Wierstra, Randy Dotinga and Philip Mozolak.

We're racing away from murder accusations and towards age-gap romance as we look at Alfred Hitchcock's 1959 classic North by Northwest! Join in as we discuss the relationship between stars Cary Grant and Eva Marie Saint, the iconic cropduster scene, the movie's frank sexuality, and its connection to a World War II British plot. Plus: Who would be the funniest president to be on Mount Rushmore? What happened to Roger Thornhill's (Grant's) previous two marriages? Does this movie make any sense whatsoever? And, most importantly, is Roger still wanted for murder when the movie ends? Make sure to rate, review, and subscribe! Next week: Rear Window (1954)----------------------------------------------------Key sources and links for this episode:Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman (2000)"The Making of Mount Rushmore" (Smithsonian Magazine)"Cary Grant and Randolph Scott's Hollywood Story" (Vanity Fair)

¡Pónganse cómodos y ajusten sus cinturones! En el episodio de hoy nos vestimos de etiqueta para viajar hasta 1959 y sumergirnos de lleno en 'Con la muerte en los talones' (North by Northwest), una de las cumbres absolutas en la carrera de Alfred Hitchcock y la película que redefinió para siempre el cine de intriga y espías. Para la ocasión, desplegamos un dossier absoluto donde repasamos el fascinante proceso de gestación de este clásico. Arrancamos desde el origen de la idea, nacida del deseo de Hitchcock y el guionista Ernest Lehman de crear la película de suspense definitiva, hasta los secretos de un rodaje mítico. Analizamos el carisma arrollador de Cary Grant como el inolvidable Roger O. Thornhill, la sofisticación de Eva Marie Saint y la elegancia villana de James Mason. Además, nos adentramos en los desafíos técnicos de filmar con cámara oculta en la sede de la ONU en Nueva York, la genialidad tras la famosa secuencia de la avioneta en Bakersfield y los problemas con las autoridades estadounidenses para rodar el clímax final en los rostros del Monte Rushmore, sin olvidar la inmortal banda sonora de Bernard Herrmann y los títulos de crédito de Saul Bass. Pero eso no es todo. En la segunda parte del programa, nos sentamos a la mesa junto a Guillermo, Pablito Terrores y Salva Vargas para realizar un exhaustivo recorrido por toda la trama de la película. Escena a escena, desmenuzamos el funcionamiento impecable del malentendido del "falso culpable", la brillantez narrativa de sus set pieces, la enorme carga de erotismo y doble sentido que esquivó a la censura de la época y esa combinación perfecta entre comedia elegante y thriller frenético que convirtió a esta obra en la abuela de sagas como James Bond o Misión Imposible. EN LA PAUSA DEL PODCAST: Películas que nunca se hicieron En nuestro interludio central viajamos a un universo paralelo de la historia del cine para rescatar un proyecto fantasma fascinante: 'The Blind Man'. Os contamos la historia del borrador que el propio Hitchcock y Ernest Lehman prepararon justo después de Con la muerte en los talones, centrado en un hombre ciego que recuperaba la vista en Disneyland tras un trasplante de córneas y se veía envuelto en un asesinato. Descubriréis cómo la negativa de Walt Disney a permitir rodar en su parque de atracciones dinamitó uno de los proyectos más bizarros e interesantes de la historia del cine. ¡Acompañanos en esta aventura! Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Sergio, Cristina AR, Bichodiablo, Javi, Iñaki Pinto, Alejandro Martínez Ribes, AgVe, David Torrent Durán. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,99€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin, Cinco Duros: La historia del videojuego español

Front Row Classics is taking a look at a genuine comedy classic. Brandon is joined by Scott Gardner to discuss 1948's Mr. Blandings Builds His Dream House. The film features flawless performances from Cary Grant, Myrna Loy and Melvyn Douglas. Brandon and Scott chat about the comedic highlights and how the movie represent post-war life in the U.S. They also chat about how surprisingly relevant it is today.

Mr. Blandings Front Row Classics is taking a look at a genuine comedy classic. Brandon is joined by Scott Gardner to discuss 1948’s Mr. Blandings Builds His Dream House. The film features flawless performances from Cary Grant, Myrna Loy and Melvyn Douglas. Brandon and Scott chat about the comedic highlights and how the movie represent … Continue reading Ep. 478- Mr. Blandings Builds His Dream House →

2:42:08 – Frank in New Jersey, plus the Other Side. Topics include: Smoke from Canada wildfires, going to see The Odyssey (2026) tomorrow, Cary Grant’s credit cards, pop culture auctions, Myachi, Flop Ball, listening to all of Woodstock 1969, next day, trailers, movie review, backwards lyrics, Ice Town, pareidolia, Anno Sleuthing, clock towers, satellites, Bortle-Scoville Cyber City, […]

2:42:08 – Frank in New Jersey, plus the Other Side. Topics include: Smoke from Canada wildfires, going to see The Odyssey (2026) tomorrow, Cary Grant’s credit cards, pop culture auctions, Myachi, Flop Ball, listening to all of Woodstock 1969, next day, trailers, movie review, backwards lyrics, Ice Town, pareidolia, Anno Sleuthing, clock towers, satellites, Bortle-Scoville Cyber City, […]

In 1955, Kelly paired up with Alfred Hitchcock again, to make To Catch a Thief, co-starring Cary Grant. Grant plays a retired cat burglar who is suspected of committing a new series of robberies, so he sets up a big job as a kind of sting operation to nab the person who's making him look like he's returned to a life of crime. Grace Kelly plays one of his potential victims in this scheme, and there are all kinds of interesting twists that, when viewed through a modern lens, you may see coming, but then again you may not. COMING ATTRACTIONS: In our next episode we continue the series with a career cut short by tragedy. River Phoenix was an actor with a great deal of promise who unfortunately couldn't control his demons. We begin with Stand By Me from 1986 (which has a second tragedy attached to it by now, but we recorded this long before Rob Reiner's death), and then peek at one of his lesser-known—but of similar quality—films, Running On Empty, from 1988. Join us, won't you?

Host Jo Reed talks with contributor Michele Cobb about three audiobooks full of unexpected turns, each narrated by Golden Voice performers at the top of their craft. Katharine Hepburn, Cary Grant, and Howard Hughes feel uncannily real in The Original by Priya Parmar, as Cassandra Campbell's nuanced narration blurs the line between historical fact and imaginative fiction. Walter Mosley's Ghalen: A Romance in Black begins as a love story before shifting into a coming-of-age story of family, grief, and community, a transition made seamless by Dion Graham's emotionally intuitive narration. They wrap up with The Divorce by Frieda McFadden, where Marin Ireland, January LaVoy, and Edoardo Ballerini deliver performances that keep a fast-moving psychological thriller compelling through every twist, turn, and implausible revelation. Whether it's historical fiction that feels like memoir, a romance novel that defies expectations, or a thriller powered by an exceptional ensemble cast, these audiobooks show how masterful narration can make every surprise land.   Audiobooks Discussed: The Original: A Novel written by Priya Parmar, read by Cassandra Campbell (Random House Audio) Ghalen: A Romance in Black written by Walter Mosley, read by Dion Graham (HarperAudio) The Divorce written by Frieda McFadden, read by January LaVoy, Marin Ireland and Edoardo Ballerini (Dreamscape) Learn more about your ad choices. Visit megaphone.fm/adchoices

The Grant-A-Thon Has Arrived! Join Ryan Frost (Reel Nerds Podcast) & I as we get CARY-d away in  unveiling our Top Ten Cary Grant Performances in Grant-A- Thon! Will someone like Only Angels Have Wings more than Bringing Up Baby? Will Mr. Lucky make the cut? And who lives the Hitchcock collabs more? Tune in to find out all that and more! Plus: A Sneak Peak At Our Next Top Ten Special!     Listen to Ryan each and every week on REEL NERDS PODCAST Website: https://reelnerdspodcast.com/ Apple Podcasts: https://podcasts.apple.com/us/podcast/reel-nerds-podcast/id442184939 Spotify: https://open.spotify.com/show/2NMZkh3WRDuIgIGuFRraEV and Follow the Reel Nerds on Social Twitter: https://twitter.com/reelnerds Facebook: https://www.facebook.com/ReelNerdsPodcast/ Instagram: https://www.instagram.com/reelnerds/?hl=en  

Host Dr Pasquale Iannone is joined by author Caroline Young to discuss her new book Fashioning Hitchcock (Bloomsbury, 2026).Caroline is a prolific author and critic based in Edinburgh. Specialising in fashion, pop culture and classic cinema, her previous books include The It Girls: Glamor, Celebrity and Scandal (2025), Single & Psycho: How Pop Culture Shaped the Unhinged Woman (2025), Crazy Old Ladies: The Story of Hag Horror (2022) and Hitchcock's Heroines (2018).Spanning more than fifty years of film history, Caroline's new book provides fascinating insight into the use of costume in films by the legendary Master of Suspense. Caroline tells Pasquale about the beginnings of the book and the reasoning behind its structure. They discuss the way Alfred Hitchcock used costume in his silent and early sound films before turning to his years in Hollywood with classics such as Rebecca (1940), Notorious (1946), Rear Window (1954), Vertigo (1958), Psycho (1960) and many more. Caroline tells Pasquale about the crucial role of acclaimed costume designer Edith Head in crafting unforgettable pieces for actors such as Ingrid Bergman, Grace Kelly, Cary Grant, Kim Novak and Tippi Hedren.Edinburgh Film Podcast was nominated and Highly Commended in the Arts and Culture category at the inaugural Scottish Podcast Awards, which took place in Glasgow in June 2026. EFP was presented with a certificate 'in formal recognition of exceptional merit and distinction, placing this production among the highest tier of its category.'

Are you frustrated with your decorating project? Deep breaths and let's talk about how to keep from being overwhelmed with your project. We've got several great tips on how to approach a project in a way that doesn't feel so stressful.Join Kelly on her app Home Design Coach. Click HERE to learn more!Looking for amazing decor on Amazon? Anita has updated her favorite picks HERE.We participate in the affiliate program with Amazon and other retailers. We may receive a small fee for qualified purchases at no extra cost to you.Anita's crush is a movie that used to be played every Christmas, although it's not a Christmas movie. It's Philadelphia Story with Katherine Hepburn, Cary Grant, and Jimmy Stewart. You can find it HERE. Kelly's crush is the yummy & good for you Oatmeal Cups recipe from the NYT. Try it HERE.Need help with your home? We'd love to help! We do personalized consults, and we'll offer advice specific to your room that typically includes room layout ideas, suggestions for what the room needs, and how to pull the room together. We'll also help you to decide what isn't working for you. We work with any budget, large or small. Find out more HEREAre you subscribed to the podcast? Don't need to search for us each Wednesday let us come right to your door ...er...device. Subscribe wherever you listen to your podcasts. Just hit the SUBSCRIBE button & we'll show up!XX,Anita & KellyDI - 5:23 / 19:04See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The beginning of any month now seems like a light week for physical media, so Erik Childress and Peter Sobczynski only have a few titles to talk about. They include the magnificent starpower of Cary Grant and Audrey Hepburn in a comically Hitchcockian caper. Jack Nicholson does much more than order in a diner. There's an early LBGTQ film from William Friedkin and the financially successful but creatively bankrupt attempt at a live-action cartoon. Plus a new extensive documentary on John Carpenter's 1982 horror masterpiece tells you everything you wanted to know and then some.1:47 - Criterion (Charade (4K), Five Easy Pieces (4K))24:00 -- Cinematographe (The Boys in the Band 4K)33:16 - CreatorVC (The Thing Expanded)48:51 - Shout (The Flintstones (4K))1:04:55 - New TV on Blu-ray (Covert Affairs: The Complete Series, Doctor Who (2025): Season Two, The Creep Tapes (Season Two))1:09:14 - New Theatrical Titles on Blu-ray (Hoppers (4K), Protector)1:10:28 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

El Radar Empresarial de hoy pone el foco en el enorme impacto económico que mueve el Festival de Cannes, considerado uno de los certámenes cinematográficos más importantes del planeta. La edición de 2026 ha tenido una destacada presencia española gracias al triunfo de los Javis, que lograron el premio a mejor dirección por La Bola Negra. Sin embargo, la máxima distinción del festival, la Palma de Oro, terminó en manos de la producción rumana Fjord. Más allá de los galardones, el lujo y las celebridades que cada año ocupan la alfombra roja, Cannes se ha convertido en una auténtica maquinaria económica para la ciudad francesa que lo acoge. Durante los once días que dura el evento, la localidad recibe alrededor de 200.000 visitantes. Entre ellos se encuentran más de 4.000 periodistas acreditados y unos 40.000 profesionales vinculados a la industria audiovisual. Toda esta afluencia de personas tiene un efecto directo sobre hoteles, restaurantes, comercios y servicios. El festival deja beneficios superiores a los 200 millones de euros, una cifra que representa cerca del 20% de los ingresos generados por el Palacio de Festivales y Congresos. Además, la celebración del certamen permite crear unos 2.300 empleos, unos números que contrastan claramente con el presupuesto oficial del festival, situado en torno a los 35 millones de euros. El impacto no solo se refleja en la economía local. Las grandes marcas también aprovechan la enorme repercusión mediática del evento, especialmente en redes sociales. Según un estudio citado por Vogue y elaborado por la plataforma Lefty, Cannes generó más de 200 millones de dólares en valor mediático. El sector de la moda lideró esta repercusión con 77 millones, seguido por la belleza y la joyería. Firmas como Chopard, colaboradora histórica del festival, alcanzaron cifras millonarias, mientras que Gucci y Saint Laurent también lograron una enorme visibilidad internacional gracias a las estrellas que lucieron sus diseños. La influencia de Cannes viene de lejos. La primera edición del festival se celebró en 1946, apenas un año después del final de la Segunda Guerra Mundial. En muy poco tiempo logró consolidarse como el principal escaparate del cine internacional. Durante la década de los cincuenta comenzaron a desfilar por sus salas y playas algunas de las figuras más reconocidas del momento, entre ellas Kirk Douglas, Sophia Loren o Cary Grant. Desde entonces, el Festival de Cannes no solo ha sido sinónimo de cine y glamour, sino también de influencia cultural, promoción internacional y negocio multimillonario.

Comedy on a TuesdayFirst, a look at the events of the day.Then, The Jello Program starring Jack Benny, originally broadcast May 5, 1940, 86 years ago, Clown Hall Tonight.  The program originates from the Ritz Theatre, New York City. Jack is celebrating his ninth anniversary in radio. He recalls his very "first" radio show. The cast does its version of "The Fred Allen Show" called "The Hour Of Smiles." Jack plays the role of Fred Allen with a clothespin on his nose. Followed by Mr. and Mrs. Blandings starring Cary Grant and Betsy Drake, originally broadcast May 5, 1951, 75 years ago, Rebuild the Barn. Mr. Blandings decides to rebuild the barn...not an easy job! Then, The Jimmy Durante Show, originally broadcast May 5, 1948, 78 years ago. Jimmy and guest Victor Moore take a trip around the country, taking a survey about traveling problems.Followed by The Aldrich Family starring Ezra Stone and Jackie Kelk, originally broadcast May 5, 1949, 77 years ago, Homer Engaged to Agnes.  Homer finds himself engaged against his will, and Henry tries to help him get out of it. Finally, Claudia, originally broadcast May 5, 1948, 78 years ago, The New Maid.  David and Claudia are waiting for the new maid to arrive by train.  Kathryn Bard and Paul Crabtree star.   Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Can you believe the suave Cary Grant as a cockney ne'er do well?? Grace Kelly as a mousy, beaten down wife of an alcoholic actor, played by Bing Crosby?? I didnt.. We discuss a bunch of crossovers from drama to comedy, comedy to drama, and born again virgins. Join us. Thanks so much to John, one of my fave guests. Much Thanks to all of you wonderful people that listen, Grace xo You can check out Johns books, wherever books are sold.  https://www.amazon.com/s?k=john+dileo+books&crid=O75R542DYYXN&sprefix=John+DiLeo%2Caps%2C203&ref=nb_sb_ss_p13n-expert-pd-ops-ranker_1_10   You can listen wherever podcasts are played You can Contact me at              truestoriesoftinseltown@gmail.com    https://podcasts.apple.com/us/podcast/true-stories-of-tinseltown/id136374488 https://open.spotify.com/show/6iTSF8pIrVTbZ8QqNidVUy?  You can also listen on google play, YouTube, Amazon, I heart radio and anywhere podcasts are played.   You can also IM me on my TSOTT Facebook page. I sometimes don't go on for a while, but will try be better at checking messages and posting. Best to email me.. You can also Contact me at              truestoriesoftinseltown@gmail.com    www.facebook.com/truestoriesoftinseltown    

EPISODE 137 -  “THE BIG SCREEN ‘I DO': WEDDINGS IN CLASSIC CINEMA” - 4/27/2026  Weddings in classic films aren't just about romance—they're about timing, tension, and sometimes total chaos. Join us as we step into a world of whirlwind courtships, last-minute doubts, and grand gestures that don't always go according to plan. From glamorous, music-filled celebrations to sharp, fast-talking battles of love versus ambition, these stories remind us that the walk down the aisle is rarely simple—and often unforgettable. Along the way, we'll meet couples who fall in love against the odds, relationships that thrive on wit and conflict, and ceremonies that might just spiral into something completely unexpected. Because in classic cinema, a wedding isn't just an ending—it can be a twist, a turning point, or even a full-on rebellion. So grab your bouquet—real or imaginary—and join us as we explore some of the most iconic, surprising, and delightfully complicated trips to the altar ever put on film. SHOW NOTES:  Sources: “Wedding March: Double Wedding,” May 24, 2023, by Samantha Glasser, The Columbus Moving Picture Show; “Woman of the Year: A Woman's Place,” April 21, 2017, by Stephanie Zacharek, The Criterion Collection “The Invention of Love: The Palm Beach Story,” by Frank Falisi, BrightWallDarkRoom.com;  “Here's to You, Mr. Nichols: The making of The Graduate,” March 2008, by Sam Kashner, Vanity Fair; Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Double Wedding (1937), starring William Powell, Myrna Loy, Florence Rice, John Beal, Jessie Ralph, Katherine Alexander, & Donald Meek; Royal Wedding (1951), starring Fred Astaire, Jane Powell, Peter Lawford, Sarah Churchill, & Keenan Wynn; The Palm Beach Story (1942), starring Claudette Colbert, Joel McCrea, Mary Astor, Rudy Vallee, & Sig Arno; I Was a Male War Bride (1949), starring Cary Grant, Ann Sheridan, Marion Marshall, Randy Stuart, & Kenneth Tobey; The Graduate (19670, starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels,  Elizabeth Wilson, Maury Hamilton, & Buck Henry; Woman of the Year (1942), starring Katharine Hepburn, Spencer Tracy, Faye Bainter, Reginald Owen, Minor Watson, & William Bendix; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Your latest unlock from the annals of the Now We Know Patreon... To hell with The Money Pit! No, we Are Not Done Yet! Forget these modern iterations — it's Cary Grant and Myrna Loy who pioneered the disastrous home improvement form with Mr. Blandings Builds His Dream House. Originally released in 1948, making this one of if not the oldest feature film we've covered, this light comedy about the perils of falling in love with the dream home in your head made for a refreshing palate cleanse.

“TURNER CLASSIC MOVIE FILM FESTIVAL PREVIEW 2026” - 4/20/2026 (136) From Beneath the Hollywood Sign is excited to be covering the Turner Classic Movie Film Festival for the third year in a row. The festival is going to be bigger and better than ever, with star appearances by JANE FONDA, CAROL BURNETT, LAURA DERN, ALEXANDER PAYNE, BARBARA HERSHEY, and GLENN CLOSE, who will be receiving her hand and footprints in cement at the TCL (Grauman's) Chinese Theatre.  In this episode, we will discuss what to expect at the festival, and we'll be talking about the films we are most looking forward to seeing for the very first time, and the timeless classics that we get to enjoy as they were meant to be seen -- on the glorious big screen!   SHOW NOTES:  Sources: Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Barefoot in the Park (1967), starting Robert Redford, Jane Fonda, Mildred Natwick, & Charles Boyer; Dangerous Liaison (1988), starring Jeremy Irons,Glenn Close, Michelle Pfeiffer, Uma Thurman, Keanu Reeves, & Mildred Natwick; Letty Lynton (1932), starring Joan Crawford, Robert Montgomery, & Nils Asther; Next Time We Love (1936), starring Margaret Sullavan, James Stewart, & Ray Milland; The Mouthpiece (1932), starring Warren William, Sidney Fox, & Aline MacMahon; Auntie Mame (1958), starring Rosalind Russell, Peggy Cass, Forrest Tucker, Jan Handzlik, Roger Smith, Coral Brown, Pippa Scott, Fred Clark, & Joanna Barnes; Notorious (1946), starring Cary Grant, Ingrid Bergman, Claude Raines, Leopoldine Konstantin, & Louis Calhern; Indiscreet (1958), starring Cary Grant & Ingrid Bergman; All The President's Men (1976), starring Dustin Hoffman, Robert Redford, Jason Robards, Hal Holbrook, Jane Alexander, Jack Warden, & Meredith Baxter; Man Hunt (1936), starring Walter Pidgeon, Joan Bennett, George Sanders, John Carradine, & Roddy McDowell; The Woman in the Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Cabin in the Sky (1943), starring Ethel Waters, Eddie “Rochester” Anderson, Lena Horn, Louie Armstrong, Rex Ingram, John W. Bubbles, Mantan Moreland, Butterfly McQueen, & Ruby Dandridge; The Princess Comes Aboard (1936), starring Carole Lombard, Fred MacMurray, Allison Skipworth, Porter Hall, & William Frawley; Ace in the Hole (1951) starring Kirk Douglas, Jan Sterling, Robert Arthur, Richard Benedict, Porter hall, Frank Cady, & Geraldine Hall; Phantom Lady (1944)l starring Ella Raines, Franchot Tone, Alan Curtis, Aurora Miranda, Thomas Gomez, & Elisha Cook, Jr; Stranger on the Third Floor (1940), starring Peter Lorre, John McGuire, Margaret Tallichet, & Elisha Cook, Jr; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hola Cabañers: La película mainstream de ciencia ficción de este año ya esta aquí. Ryan Gosling en formato Cary Grant en una odisea en el espacio. Nos habrá gustado? Estructura de programa: 00:00:00 Presentaciones 00:11:20 Proyecto Salvación 01:50:50 Recomendaciones: Raul Q*Bert- Hero Solo: Antirecomendacion Black Phone 2 Ms. Nolito - Empire of the sun Esperemos que lo disfrutéis tanto como nosotros lo hemos disfrutado al grabarlo. Orgullo Cabañer

Rolling along into the 40's for our Decades Month with the 1944 black comedy Arsenic and Old Lace. Directed and produced by Frank Capra, the story follows a Brooklyn writer of books on the futility of marriage who risks his reputation after he decides to tie the knot.. The film stars Cary Grant, Raymond Massey, Jack Carson, Priscilla Lane and Peter Lorre. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Uno de los mayores directores de los inicios del cine sonoro, Leo McCarey experimentó una suerte de annus mirabilis en 1937, cuando en el plazo de pocos meses estrenó dos obras maestras absolutas: Make Way For Tomorrow y The Awful Truth. Una tragedia y la otra comedia. Una, pieza fundamental del melodrama en el hollywood clásico; la otra, situada al centro de lo que poco después será bautizado como screwball comedy, comedia alocada. Es imposible imaginarse dos filmes más logrados y distintos a la vez, casi totalmente opuestos. Y, sin embargo, al corazón de ambos existe una misma premisa, la tremenda promesa y los dolorosos límites que ofrece la vida en pareja. Inspirado por la reciente muerte de su padre, McCarey y su guionista Viña Delmar concibieron Make Way For Tomorrow como una fábula acerca de la inevitable división que los años generan entre los padres y sus hijos, pero lo que emergió en el camino es el retrato indeleble de dos personas mayores que, separadas, acaban por borrar todo a su alrededor salvo las ardientes cenizas de su amor. The Awful Truth, en tanto, tuvo su origen en el fracaso de la cinta anterior: McCarey recurrió a toda su imaginación para reimaginar un viejo éxito teatral de los años veinte, donde el inminente divorcio de una pareja los hace mirar de frente a lo que tienen entre manos. Pura locura y una dosis, nada despreciable, de verdadera pasión. ¿El gran ganador? Cary Grant, quien en su primer rol de comedia, usó al propio director como modelo contra el cual perfilar su propio yo fílmico. Sobre eso y más se discute en este podcast.

Only 3 BaaM episodes left, and now it's getting classy…dangerous classy. Local film enthusiast and cheerleader Heidi Hovda finally pulls up and programs a double feature straight outta the early-40s screwball playbook: The Philadelphia Story and Ball of Fire. We start things proper—popping champagne alongside The Philadelphia Story like we've got Cary Grant money—and then slide into a 2024 Bourbon County Vanilla Rye Brand Stout in an attempt to compete with the heat of Ball of Fire. Expect rapid-fire 40s slang, high society burns, and enough verbal gymnastics to make Jimmy Stewart stutter and Gary Cooper lean back and nod. And make no mistake—Heidi brings the Barbara Stanwyck energy. The real question: can Joe and Dave keep up? Or are they about to get left at the train station holding the luggage while Heidi runs the whole picture? Three episodes left. No fillers. All killers.

Paul and Chris return to the pod to bring their expertise on classic Hollywood. In 1934, Will Hays, then the president of the Motion Picture Producers and Distributors of America, began strenuously enforcing the Production Code. This code was a guideline used to determine what films could depict on screen and the behavior of characters. These included drug use, promiscuity, and yes, homosexuality. Despite limiting these things, it inspired creative filmmakers to work around the code and find new and clever ways to challenge it. The films we chose, She Done Him Wrong and Baby Face were each released in 1933, and a case could be made that they led to stricter enforcement of the code. Baby Face stars Barbara Stanwyck as Lily, a woman who escapes her evil father and makes her way in the city, quite literally sleeping her way to the top of high society. She Done Him Wrong is based on Mae West's own play, and she plays a nightclub owner who must contend with a jealous ex who escapes from prison, and a young Cary Grant, a police captain. Questions or comments about what we talked about? Click here to let us know!

El G7 energético se reúne, convocado por Macron, para abordar la crisis. Se admite una segunda denuncia por agresión sexual contra Íñigo Errejón, por un supuesto abuso en 2021. Investigadores de Stanford y Harvard alertan sobre la tendencia de la IA a "mentir" para complacer. En '¡Buenos días, Javi y Mar!', suena música variada. Jimena propone jeroglíficos de series como "Curro Jiménez" y "Padres de familia", y celebra el regreso de "Paquita Salas". Mar comenta el "síndrome de las series", la dificultad de acabar ficciones por el apego a sus personajes, citando "The Wire". Entre las buenas noticias, María Gallego es número 1 del EIR, impulsada por la enfermedad de su padre; Amparo consigue un nuevo trabajo; y Mael, un niño, aprende a caminar con prótesis, mostrando la fuerza de su padre. Además, se recomienda la biografía de Cary Grant, "Archie", que detalla cómo rescató a su madre de un psiquiátrico. Cristina comparte su dilema sobre vivir con sus hijas en Sevilla o Segovia, o cuidar ...

Send Kevin a Text MessageHollywood icon Robert Wagner (known as “RJ”) joins host Kevin Goetz for an intimate, wide-ranging conversation about his life and career. From caddying alongside Clark Gable and Cary Grant to starring opposite Spencer Tracy. From the golden age of the studio system to reinventing himself as a television star, Wagner reflects on the journey that made him one of Hollywood's most enduring figures, later delighting a new generation of audiences as Number 2 in the Austin Powers films. He also reflects on his personal life, including his marriage to actress Natalie Wood, and the family and friendships that shaped him, including his wife of nearly four decades, Jill St. John.Caddying for Legends (06:21): Wagner recounts his early days as a caddy, where he found himself watching Clark Gable, Cary Grant, Fred Astaire, and Randolph Scott walk down the fairway.Marilyn Monroe and Screen Tests (09:22): As Fox's go-to "screen test guy," Wagner did Marilyn Monroe's first two tests. His own breakthrough came when Zanuck cast him as a shell-shocked soldier in With a Song in My Heart.Spencer Tracy as Mentor (14:49): Working alongside Tracy in Broken Lance, Wagner earned the older actor's respect and friendship.Advice from Cary Grant (18:07): When Wagner was preparing to play a thief for It Takes a Thief, he went to Grant for guidance. Years later he would become a television icon again opposite Stefanie Powers in Hart to Hart.Lou Wasserman and the Move to Television 18:41): At a time when television was considered beneath film stars, Lew Wasserman called Wagner in and told him, "I think this is your medium."Barbara Stanwyck and Bette Davis (22:43): Wagner speaks warmly about his three-year relationship with Barbara Stanwyck. He also recalls reaching out to Bette Davis after she publicly praised his work.John Ford Knocks Him Down…Literally (26:39): On the set of a John Ford film, Wagner followed a script direction and glanced toward where music was playing. Ford stopped the scene, questioned him, and knocked him down.Pink Panther (29:21): When the studio system collapsed, and Fox dropped its contract players, Wagner moved to Rome and worked on The Pink Panther, his all-time favorite film.Jill St. John, Family, and Friends (36:16): In one of the episode's most moving moments, Wagner reflects on the profound role friends and family have played in his life.Few careers in Hollywood history span as many eras, genres, or legends as Robert Wagner's, and fewer still have been lived with such grace. Host: Kevin GoetzGuests: Robert WagnerProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Robert Wagner:Wikipedia: https://en.wikipedia.org/wiki/Robert_WagnerIMDB: https://wwFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Hubert Humphrey and RFK clash over Vietnam; Rockefeller cracks down on narcotics; Demonstrators picket LBJ's New York speech; Cary Grant is a father; Muhammad Ali won't apologize; Koufax and Drysdale continue their holdout. Newscaster: Joe Rubenstein.   Support this project at patreon.com/realtime1960s

As one journey ends, another begins! Join Ian and AC as they continue their tour through the winding hills of classic horror in Kicking the Seat's latest series, "Castle Freaks"!This year, the guys will look at the spine-tingling works of director William Castle, whose wild career intersected with the likes of Cary Grant, Orson Welles, Joan Crawford, Alfred Hitchcock, and Roman Polanski! Castle was known as a "gimmick director", who dreamt up fantastical, in-theatre scare stunts to accompany his most famous movies. But as we hope to show, his filmography is so much more than headline-grabbing tricks!We're kicking things off with 1959's House on Haunted Hill, in which Vincent Price plays an unhappily married millionaire who invites five strangers to spend the night in a haunted house. Those who survive through the next morning will pocket $10,000 each. But are there really spooks in the walls, or just illusions meant to mask something much more sinister?In this wide-ranging first episode, Ian and AC give an overview of William Castle's career and do a spoilerific deep dive into both the '59 House on Haunted Hill and the 1999 remake starring Geoffrey Rush!We hope you join us throughout the year for more thrills, chills, and electrifying surprises!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow Links:Watch the House on Haunted Hill (1959) trailer.As mentioned in the show, AC reviewed the Film Masters Blu-ray of House on Haunted Hill (1959) at Horror 101 w/ Dr. AC.He also covered House on Haunted Hill and The Tingler on the Horror 101 YouTube channel. "Castle Freaks" is the next leg in our classic horror journey. If you're new to the channel, catch up with our 5-year "Hammerland" series, which wrapped up last year!

Do you believe in signs? Do you think Cary Grant used swatches to pick up Dyan Cannon? Is the problem with you that you don't want to be in love...you want to be in love in a movie? Then Sleepless in Seattle (1993) is the film for you! Check out this Nora Ephron directed classic, truly one of the greatest romantic comedies ever made, and revel in the "magic" aka the performances of Tom Hanks and Meg Ryan who have chemistry for days despite barely having any screen time together. Host Sara Greenfield and her guest Zoe Palko chat about all this and more on this brand new episode of Talk Classic To Me.-------------------------------------------------------------------Want to become a subscriber? Use the link below to support the show!https://creators.spotify.com/pod/show/sara-greenfield/subscribe

Gyles meets one of his teenage idols: the French-born ballet dancer and film star Leslie Caron. In this conversation, Caron tells Gyles about her childhood in Paris, under Nazi occupation, (and gives Gyles her unvarnished opinions of German soldiers). She tells Gyles about her father's pharmacy, where the local hookers would go to get their supplies. Leslie talks about dancing for the Ballet de Champs-Elysée, with the choreographer and director Roland Petit, and about being discovered by Gene Kelly. She talks about going to Hollywood for An American in Paris, and working with Fred Astaire, Orson Wells and Cary Grant. She talks about coming up with the idea for Gigi, and the making of that classic film. She talks about her marriages, most notably to the great director, Sir Peter Hall, and about the deaths of her parents.This is a fascinating conversation, full of names and memories from the Golden Age of Hollywood.Don't forget to subscribe to our YouTube here. Join The Rosebud Family here. And visit our website here. Hosted on Acast. See acast.com/privacy for more information.

A romantic comedy starring Cary Grant and Doris Day who meet unexpectedly and try to figure out what type of relationship works best for both of them: casual or serious?  Co-starring Audrey Meadows, Gig Young and John Astin.

A month of classic Hollywood romances kicks off with Cary Grant and Rosalind Russell trading quips at a mile a minute in His Girl Friday. Howard Hawks' adaptation of the newspaper comedy The Front Page changes the two battling newspaper men into a divorced husband and wife - an editor and his star reporter he doesn't want to let go off to a life of domestic bliss with a dud of a new husband. We'll hear Grant in "The Black Curtain" (originally aired on CBS on December 2, 1943) and Ms. Russell in "Consideration" (originally aired on CBS on February 3, 1950). Then, they recreate their film roles on The Gulf Screen Guild Theatre (AFRS rebroadcast from March 30, 1941).

The last director-centric episode was back in late November / early December but we're back on the regularly monthly schedule as of now! Huge thanks to my buddies Ross & Tripp for coming on to talk about a true blue classic storyteller, and we have a lot to say! For this episode on the legendary Frank Capra we focus on a couple more obscure titles instead of the popular ones. I chose the pre-code dramedy American Madness while Ross & Tripp picked the adaptation of the hit play Arsenic and Old Lace starring Cary Grant. That's the plan of action I'm taking with this show from now on - I choose a lesser-known film worth discussing and the guest does the same (as much as I love It's A Wonderful Life of course). I'm so grateful to the hosts of A Tripp Through Comedy, one of my favorite shows for joining me on this episode that I'm sure you'll enjoy if you're a fan of Capra (or even if you're not!).Follow Tripp & Ross: A Tripp Through ComedyFollow All-Things Me Here: JimLaczkowski.net

Our December series of classic holiday films continues with the cast of The Bishop's Wife - the heavenly comedy about a beleaguered bishop, his supportive wife, and the angel who pays a visit to lend a hand. We'll hear its three stars - Cary Grant, Loretta Young, and David Niven - recreate their roles in a radio adaptation of the film and we'll also hear them in three old time radio thrillers. First, Ms. Young fears for her life in "Lady Killer" (originally aired on CBS on March 2, 1950). Then, Cary Grant runs out of gas in "On a Country Road" (originally aired on CBS on November 16, 1950). Finally, David Niven plans a swindle in "Grand Theft" (originally aired on CBS on April 5, 1954). And all three reunite as The Camel Screen Guild Theatre presents a version of the movie (originally aired on March 1, 1948).

GGACP squeezes a few extra scares out of spooky season with this ENCORE of a 2016 interview with the “King of Splatter,” makeup effects wizard Tom Savini. In this episode, Tom reveals the secret of onscreen suspense, shares his admiration for legendary makeup artists Dick Smith and Jack Pierce and explains how “Midnight Cowboy” changed his life. Also, Tom praises George Clooney, defends Jerry Lewis, laughs it up with Tony Curtis and shakes hands with the Three Stooges. PLUS: Joe Spinell! “Dr. Terror's House of Horrors”! Christoper Lee makes an entrance! Tyrone Power battles Basil Rathbone! And the Cary Grant movie that brings Tom to tears! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dana and David break down the Saturday Night Live cast shake-up, spotlighting new additions Tommy Brennan, Jeremy Culhane, Kam Patterson, and Veronika Slowikowska. They also share their thoughts on cast members being let go and Please Don't Destroy being destroyed. Along the way they revisit their own SNL days, swap behind-the-scenes stories, and reveal what it really takes to land a spot on the show. But first, David relives his performance in Alaska while Dana recalls a near-death bus ride to Hearst Castle and calls to Comcast in his perfect Cary Grant voice. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices