Podcasts about Cary Grant

Dana and Tom with special guest, Reed Arnold (Writer, Director, and Star of Do Us Part (2026)) discuss Crazy, Stupid, Love (2011) for its 15th Anniversary: directed by Glenn Ficarra and John Requa, written by Dan Fogelman, cinematography by Andrew Dunn, music by Christophe Beck and Nick Urata, editing by Lee Haxall, starring Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Marisa Tomei, and Kevin Bacon.Plot Summary: Up next is a film from 2011 that takes the age-old Hollywood trope of the cinematic makeover and turns it completely on its ear. It's Crazy, Stupid, Love.Now, when we meet Cal Weaver—played with a wonderful, understated desperation by Steve Carell—he is a man whose comfortable, suburban life has just evaporated over dessert. His high school sweetheart and wife of twenty-five years, played by a luminous Julianne Moore, announces she wants a divorce. Suddenly, Cal finds himself cast adrift in the unfamiliar and deeply hostile waters of the modern dating scene.Enter Jacob Palmer, a suave, cynical, and impossibly sharp-dressed bachelor who treats the local lounge like his own personal kingdom. He's played by Ryan Gosling, channeling the kind of effortless, magnetic charisma that would make Cary Grant proud. Jacob takes pity on our broken-hearted protagonist, deciding to mentor Cal in the fine arts of tailored suits, confident posture, and the precise chemistry of the pickup line.But what makes Dan Fogelman's screenplay so compelling isn't just the transformation of Cal. It is how the film expertly weaves multiple generations of romance into a single, chaotic tapestry. We see Cal's teenage son harboring a fierce, agonizing crush on his older babysitter, who in turn harbors her own secret affection. Meanwhile, Jacob—the ultimate, uncatchable playboy—finds his own defenses completely dismantled by a sharp-witted law student, played with incredible comic timing by Emma Stone.It's a film that balances the slick, sophisticated banter of classic 1930s screwball comedies with a raw, very contemporary vulnerability. It reminds us that no matter our age, experience, or wardrobe, love has a way of making fools out of all of us.Chapters00:12 Introduction to Crazy, Stupid, Love06:06 Exploring the Plot and Themes12:05 Character Relationships and Development18:10 Masculinity and Love in the Film24:05 The Makeover Trope and Its Implications33:14 Navigating Relationships and Growth34:38 The Evolution of Long-Term Relationships36:20 Understanding Relationship Dynamics38:16 Stereotypes and Relationship Expectations39:09 Behind the Scenes of Filmmaking42:15 Foreshadowing and Directorial Choices48:45 Cultural Moments in Film52:11 Influences and Inspirations in Filmmaking01:00:49 Antagonists and Character Dynamics01:04:27 Nostalgia and College Experiences01:06:48 Navigating the Film Festival Circuit01:09:23 The Fight for Attention in Film01:11:45 Personal Experiences in Storytelling01:20:11 Choosing Between Writing, Directing, and Acting01:37:01 Best Scene(s)01:45:21 Best Line(s)01:51:14 The Stanley Rubric - Legacy02:02:16 The Stanley Rubric - Novelty02:15:46 The Stanley Rubric - Classicness02:22:31 The Stanley Rubric - Rewatchability02:29:01 Final Questions and ThoughtsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/crazy-stupid-love-2011-ft-reed-arnoldFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Crazy Stupid Love, movie review, film analysis, Ryan Gosling, Steve Carell, romantic comedy, anniversary, movie discussion, film critique, best rom-coms, Emma Stone, discussion, romantic, comedy, film discussion, movie scenes, Hollywood, Crazy, Stupid, Love movie, podcast, podcast discussion, podcast episode, movie podcast, film podcast, rom-com, legacy, classic, rewatch, novelty, audience scoreRonny Duncan Studios

Cary Grant, Ingrid Bergman, Alfred Hitchcock. OK, I’m pretty much done. What else shall I say? WWII intrigue, a love story, a well-played villain. These are also things I could say. Also, the length of the kiss between Grant and Bergman put the Production Code office all in a tizzy. Shelly Brisbin with Micheline Maynard, David J. Loehr, Annette Wierstra, Randy Dotinga and Philip Mozolak.

Cary Grant, Ingrid Bergman, Alfred Hitchcock. OK, I’m pretty much done. What else shall I say? WWII intrigue, a love story, a well-played villain. These are also things I could say. Also, the length of the kiss between Grant and Bergman put the Production Code office all in a tizzy. Shelly Brisbin with Micheline Maynard, David J. Loehr, Annette Wierstra, Randy Dotinga and Philip Mozolak.

We're racing away from murder accusations and towards age-gap romance as we look at Alfred Hitchcock's 1959 classic North by Northwest! Join in as we discuss the relationship between stars Cary Grant and Eva Marie Saint, the iconic cropduster scene, the movie's frank sexuality, and its connection to a World War II British plot. Plus: Who would be the funniest president to be on Mount Rushmore? What happened to Roger Thornhill's (Grant's) previous two marriages? Does this movie make any sense whatsoever? And, most importantly, is Roger still wanted for murder when the movie ends? Make sure to rate, review, and subscribe! Next week: Rear Window (1954)----------------------------------------------------Key sources and links for this episode:Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman (2000)"The Making of Mount Rushmore" (Smithsonian Magazine)"Cary Grant and Randolph Scott's Hollywood Story" (Vanity Fair)

¡Pónganse cómodos y ajusten sus cinturones! En el episodio de hoy nos vestimos de etiqueta para viajar hasta 1959 y sumergirnos de lleno en 'Con la muerte en los talones' (North by Northwest), una de las cumbres absolutas en la carrera de Alfred Hitchcock y la película que redefinió para siempre el cine de intriga y espías. Para la ocasión, desplegamos un dossier absoluto donde repasamos el fascinante proceso de gestación de este clásico. Arrancamos desde el origen de la idea, nacida del deseo de Hitchcock y el guionista Ernest Lehman de crear la película de suspense definitiva, hasta los secretos de un rodaje mítico. Analizamos el carisma arrollador de Cary Grant como el inolvidable Roger O. Thornhill, la sofisticación de Eva Marie Saint y la elegancia villana de James Mason. Además, nos adentramos en los desafíos técnicos de filmar con cámara oculta en la sede de la ONU en Nueva York, la genialidad tras la famosa secuencia de la avioneta en Bakersfield y los problemas con las autoridades estadounidenses para rodar el clímax final en los rostros del Monte Rushmore, sin olvidar la inmortal banda sonora de Bernard Herrmann y los títulos de crédito de Saul Bass. Pero eso no es todo. En la segunda parte del programa, nos sentamos a la mesa junto a Guillermo, Pablito Terrores y Salva Vargas para realizar un exhaustivo recorrido por toda la trama de la película. Escena a escena, desmenuzamos el funcionamiento impecable del malentendido del "falso culpable", la brillantez narrativa de sus set pieces, la enorme carga de erotismo y doble sentido que esquivó a la censura de la época y esa combinación perfecta entre comedia elegante y thriller frenético que convirtió a esta obra en la abuela de sagas como James Bond o Misión Imposible. EN LA PAUSA DEL PODCAST: Películas que nunca se hicieron En nuestro interludio central viajamos a un universo paralelo de la historia del cine para rescatar un proyecto fantasma fascinante: 'The Blind Man'. Os contamos la historia del borrador que el propio Hitchcock y Ernest Lehman prepararon justo después de Con la muerte en los talones, centrado en un hombre ciego que recuperaba la vista en Disneyland tras un trasplante de córneas y se veía envuelto en un asesinato. Descubriréis cómo la negativa de Walt Disney a permitir rodar en su parque de atracciones dinamitó uno de los proyectos más bizarros e interesantes de la historia del cine. ¡Acompañanos en esta aventura! Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Javier Ramírez, La Casa del Acantilado, Shinyoru, Lestat, Kal-el__80, Cohaggen, Elena Gómez, José Ángel Sanz, Rudy Ayose, Ian Pérez, Ed Salas, Mario López, Sergio, Cristina AR, Bichodiablo, Javi, Iñaki Pinto, Alejandro Martínez Ribes, AgVe, David Torrent Durán. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,99€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html También puedes hacerte con algo de merchandising de Criterio Cero. Camisetas, Sudaderas, tazas o mochilas en el siguiente enlace: https://www.latostadora.com/shop/criteriocero/?shop_trk Y Criterio Cero no acaba ya en el audio, ahora también nos tenéis en vídeo: En Twitch hacemos directos de Criterio En Serie: https://www.twitch.tv/criteriocero En YouTube: https://www.youtube.com/@criteriocero Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast, La Tetera, Fuera de continuidad, Campamento Krypton, La órbita de Endor, Archivo007, El bastón de Chaplin, Cinco Duros: La historia del videojuego español

Front Row Classics is taking a look at a genuine comedy classic. Brandon is joined by Scott Gardner to discuss 1948's Mr. Blandings Builds His Dream House. The film features flawless performances from Cary Grant, Myrna Loy and Melvyn Douglas. Brandon and Scott chat about the comedic highlights and how the movie represent post-war life in the U.S. They also chat about how surprisingly relevant it is today.

Mr. Blandings Front Row Classics is taking a look at a genuine comedy classic. Brandon is joined by Scott Gardner to discuss 1948’s Mr. Blandings Builds His Dream House. The film features flawless performances from Cary Grant, Myrna Loy and Melvyn Douglas. Brandon and Scott chat about the comedic highlights and how the movie represent … Continue reading Ep. 478- Mr. Blandings Builds His Dream House →

2:42:08 – Frank in New Jersey, plus the Other Side. Topics include: Smoke from Canada wildfires, going to see The Odyssey (2026) tomorrow, Cary Grant’s credit cards, pop culture auctions, Myachi, Flop Ball, listening to all of Woodstock 1969, next day, trailers, movie review, backwards lyrics, Ice Town, pareidolia, Anno Sleuthing, clock towers, satellites, Bortle-Scoville Cyber City, […]

2:42:08 – Frank in New Jersey, plus the Other Side. Topics include: Smoke from Canada wildfires, going to see The Odyssey (2026) tomorrow, Cary Grant’s credit cards, pop culture auctions, Myachi, Flop Ball, listening to all of Woodstock 1969, next day, trailers, movie review, backwards lyrics, Ice Town, pareidolia, Anno Sleuthing, clock towers, satellites, Bortle-Scoville Cyber City, […]

In 1955, Kelly paired up with Alfred Hitchcock again, to make To Catch a Thief, co-starring Cary Grant. Grant plays a retired cat burglar who is suspected of committing a new series of robberies, so he sets up a big job as a kind of sting operation to nab the person who's making him look like he's returned to a life of crime. Grace Kelly plays one of his potential victims in this scheme, and there are all kinds of interesting twists that, when viewed through a modern lens, you may see coming, but then again you may not. COMING ATTRACTIONS: In our next episode we continue the series with a career cut short by tragedy. River Phoenix was an actor with a great deal of promise who unfortunately couldn't control his demons. We begin with Stand By Me from 1986 (which has a second tragedy attached to it by now, but we recorded this long before Rob Reiner's death), and then peek at one of his lesser-known—but of similar quality—films, Running On Empty, from 1988. Join us, won't you?

Host Jo Reed talks with contributor Michele Cobb about three audiobooks full of unexpected turns, each narrated by Golden Voice performers at the top of their craft. Katharine Hepburn, Cary Grant, and Howard Hughes feel uncannily real in The Original by Priya Parmar, as Cassandra Campbell's nuanced narration blurs the line between historical fact and imaginative fiction. Walter Mosley's Ghalen: A Romance in Black begins as a love story before shifting into a coming-of-age story of family, grief, and community, a transition made seamless by Dion Graham's emotionally intuitive narration. They wrap up with The Divorce by Frieda McFadden, where Marin Ireland, January LaVoy, and Edoardo Ballerini deliver performances that keep a fast-moving psychological thriller compelling through every twist, turn, and implausible revelation. Whether it's historical fiction that feels like memoir, a romance novel that defies expectations, or a thriller powered by an exceptional ensemble cast, these audiobooks show how masterful narration can make every surprise land.   Audiobooks Discussed: The Original: A Novel written by Priya Parmar, read by Cassandra Campbell (Random House Audio) Ghalen: A Romance in Black written by Walter Mosley, read by Dion Graham (HarperAudio) The Divorce written by Frieda McFadden, read by January LaVoy, Marin Ireland and Edoardo Ballerini (Dreamscape) Learn more about your ad choices. Visit megaphone.fm/adchoices

The Grant-A-Thon Has Arrived! Join Ryan Frost (Reel Nerds Podcast) & I as we get CARY-d away in  unveiling our Top Ten Cary Grant Performances in Grant-A- Thon! Will someone like Only Angels Have Wings more than Bringing Up Baby? Will Mr. Lucky make the cut? And who lives the Hitchcock collabs more? Tune in to find out all that and more! Plus: A Sneak Peak At Our Next Top Ten Special!     Listen to Ryan each and every week on REEL NERDS PODCAST Website: https://reelnerdspodcast.com/ Apple Podcasts: https://podcasts.apple.com/us/podcast/reel-nerds-podcast/id442184939 Spotify: https://open.spotify.com/show/2NMZkh3WRDuIgIGuFRraEV and Follow the Reel Nerds on Social Twitter: https://twitter.com/reelnerds Facebook: https://www.facebook.com/ReelNerdsPodcast/ Instagram: https://www.instagram.com/reelnerds/?hl=en  

Host Dr Pasquale Iannone is joined by author Caroline Young to discuss her new book Fashioning Hitchcock (Bloomsbury, 2026).Caroline is a prolific author and critic based in Edinburgh. Specialising in fashion, pop culture and classic cinema, her previous books include The It Girls: Glamor, Celebrity and Scandal (2025), Single & Psycho: How Pop Culture Shaped the Unhinged Woman (2025), Crazy Old Ladies: The Story of Hag Horror (2022) and Hitchcock's Heroines (2018).Spanning more than fifty years of film history, Caroline's new book provides fascinating insight into the use of costume in films by the legendary Master of Suspense. Caroline tells Pasquale about the beginnings of the book and the reasoning behind its structure. They discuss the way Alfred Hitchcock used costume in his silent and early sound films before turning to his years in Hollywood with classics such as Rebecca (1940), Notorious (1946), Rear Window (1954), Vertigo (1958), Psycho (1960) and many more. Caroline tells Pasquale about the crucial role of acclaimed costume designer Edith Head in crafting unforgettable pieces for actors such as Ingrid Bergman, Grace Kelly, Cary Grant, Kim Novak and Tippi Hedren.Edinburgh Film Podcast was nominated and Highly Commended in the Arts and Culture category at the inaugural Scottish Podcast Awards, which took place in Glasgow in June 2026. EFP was presented with a certificate 'in formal recognition of exceptional merit and distinction, placing this production among the highest tier of its category.'

Välkomna till det femte avsnittet av Screwball Comedy-podden med Henke och Carl.Under säsongen kommer vi snacka om två klassiska Screwball Comedy-filmer per avsnitt. I dagens avsnitt blir det två riktigt tunga filmer av George Cukor. Vi ser Cary Grant och Katharine Hepburn i båda filmerna och i den andra får vi dessutom självaste James Stewart som bonus också. Filmerna är Holiday (1938) och The Philadelphia Story (1940).Mycket nöje.Kommentera avsnittet på Fripps Filmrevyer.

Välkomna till det fjärde avsnittet av Screwball Comedy-podden med Henke och Carl.Under säsongen kommer vi snacka om två klassiska Screwball Comedy-filmer per avsnitt. I dagens avsnitt blir det två filmer av mästaren Howard Hawks. Båda filmerna har Cary Grant i den manliga huvudrollen och mot honom två starka kvinnliga skådespelare med Katharine Hepburn i Bringing Up Baby (1938) och Rosalind Russell i His Girl Friday (1940).Mycket nöje.Kommentera avsnittet på Fripps Filmrevyer.

I veckans avsnitt av Extra fokuserar vi på vad många nog skulle beskriva som arketypen av elegans och klassisk herrstil. Vi talar förstås om Cary Grant, eller Alexander Archibald Leech som han ursprungligen hette. Med perfekt sittande grå kostymer, skjortor vitare än tänderna på en Idoljury och en solbränna som kunde göra Armani avundsjuk satte Cary Grant tonen för hur vi ser på klassisk herrstil än idag. Vi rekommenderar varmt att se några av hans mest klassiska rolltolkningar i filmer som North by Northwest och To Catch A Thief för att nämna några. Hosted on Acast. See acast.com/privacy for more information.

Välkomna till det tredje avsnittet av Screwball Comedy-podden med Henke och Carl.Under säsongen kommer vi snacka om två klassiska Screwball Comedy-filmer per avsnitt. I dagens avsnitt får vi första filmen av fem med Cary Grant i huvudrollen. Vi får också njuta av filmernas kvinnliga huvudrollsinnehavare med Jean Arthur i Easy Living (1937) och Irene Dunne i The Awful Truth (1937).Mycket nöje.Kommentera avsnittet på Fripps Filmrevyer.

Are you frustrated with your decorating project? Deep breaths and let's talk about how to keep from being overwhelmed with your project. We've got several great tips on how to approach a project in a way that doesn't feel so stressful.Join Kelly on her app Home Design Coach. Click HERE to learn more!Looking for amazing decor on Amazon? Anita has updated her favorite picks HERE.We participate in the affiliate program with Amazon and other retailers. We may receive a small fee for qualified purchases at no extra cost to you.Anita's crush is a movie that used to be played every Christmas, although it's not a Christmas movie. It's Philadelphia Story with Katherine Hepburn, Cary Grant, and Jimmy Stewart. You can find it HERE. Kelly's crush is the yummy & good for you Oatmeal Cups recipe from the NYT. Try it HERE.Need help with your home? We'd love to help! We do personalized consults, and we'll offer advice specific to your room that typically includes room layout ideas, suggestions for what the room needs, and how to pull the room together. We'll also help you to decide what isn't working for you. We work with any budget, large or small. Find out more HEREAre you subscribed to the podcast? Don't need to search for us each Wednesday let us come right to your door ...er...device. Subscribe wherever you listen to your podcasts. Just hit the SUBSCRIBE button & we'll show up!XX,Anita & KellyDI - 5:23 / 19:04See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The beginning of any month now seems like a light week for physical media, so Erik Childress and Peter Sobczynski only have a few titles to talk about. They include the magnificent starpower of Cary Grant and Audrey Hepburn in a comically Hitchcockian caper. Jack Nicholson does much more than order in a diner. There's an early LBGTQ film from William Friedkin and the financially successful but creatively bankrupt attempt at a live-action cartoon. Plus a new extensive documentary on John Carpenter's 1982 horror masterpiece tells you everything you wanted to know and then some.1:47 - Criterion (Charade (4K), Five Easy Pieces (4K))24:00 -- Cinematographe (The Boys in the Band 4K)33:16 - CreatorVC (The Thing Expanded)48:51 - Shout (The Flintstones (4K))1:04:55 - New TV on Blu-ray (Covert Affairs: The Complete Series, Doctor Who (2025): Season Two, The Creep Tapes (Season Two))1:09:14 - New Theatrical Titles on Blu-ray (Hoppers (4K), Protector)1:10:28 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

El Radar Empresarial de hoy pone el foco en el enorme impacto económico que mueve el Festival de Cannes, considerado uno de los certámenes cinematográficos más importantes del planeta. La edición de 2026 ha tenido una destacada presencia española gracias al triunfo de los Javis, que lograron el premio a mejor dirección por La Bola Negra. Sin embargo, la máxima distinción del festival, la Palma de Oro, terminó en manos de la producción rumana Fjord. Más allá de los galardones, el lujo y las celebridades que cada año ocupan la alfombra roja, Cannes se ha convertido en una auténtica maquinaria económica para la ciudad francesa que lo acoge. Durante los once días que dura el evento, la localidad recibe alrededor de 200.000 visitantes. Entre ellos se encuentran más de 4.000 periodistas acreditados y unos 40.000 profesionales vinculados a la industria audiovisual. Toda esta afluencia de personas tiene un efecto directo sobre hoteles, restaurantes, comercios y servicios. El festival deja beneficios superiores a los 200 millones de euros, una cifra que representa cerca del 20% de los ingresos generados por el Palacio de Festivales y Congresos. Además, la celebración del certamen permite crear unos 2.300 empleos, unos números que contrastan claramente con el presupuesto oficial del festival, situado en torno a los 35 millones de euros. El impacto no solo se refleja en la economía local. Las grandes marcas también aprovechan la enorme repercusión mediática del evento, especialmente en redes sociales. Según un estudio citado por Vogue y elaborado por la plataforma Lefty, Cannes generó más de 200 millones de dólares en valor mediático. El sector de la moda lideró esta repercusión con 77 millones, seguido por la belleza y la joyería. Firmas como Chopard, colaboradora histórica del festival, alcanzaron cifras millonarias, mientras que Gucci y Saint Laurent también lograron una enorme visibilidad internacional gracias a las estrellas que lucieron sus diseños. La influencia de Cannes viene de lejos. La primera edición del festival se celebró en 1946, apenas un año después del final de la Segunda Guerra Mundial. En muy poco tiempo logró consolidarse como el principal escaparate del cine internacional. Durante la década de los cincuenta comenzaron a desfilar por sus salas y playas algunas de las figuras más reconocidas del momento, entre ellas Kirk Douglas, Sophia Loren o Cary Grant. Desde entonces, el Festival de Cannes no solo ha sido sinónimo de cine y glamour, sino también de influencia cultural, promoción internacional y negocio multimillonario.

Comedy on a TuesdayFirst, a look at the events of the day.Then, The Jello Program starring Jack Benny, originally broadcast May 5, 1940, 86 years ago, Clown Hall Tonight.  The program originates from the Ritz Theatre, New York City. Jack is celebrating his ninth anniversary in radio. He recalls his very "first" radio show. The cast does its version of "The Fred Allen Show" called "The Hour Of Smiles." Jack plays the role of Fred Allen with a clothespin on his nose. Followed by Mr. and Mrs. Blandings starring Cary Grant and Betsy Drake, originally broadcast May 5, 1951, 75 years ago, Rebuild the Barn. Mr. Blandings decides to rebuild the barn...not an easy job! Then, The Jimmy Durante Show, originally broadcast May 5, 1948, 78 years ago. Jimmy and guest Victor Moore take a trip around the country, taking a survey about traveling problems.Followed by The Aldrich Family starring Ezra Stone and Jackie Kelk, originally broadcast May 5, 1949, 77 years ago, Homer Engaged to Agnes.  Homer finds himself engaged against his will, and Henry tries to help him get out of it. Finally, Claudia, originally broadcast May 5, 1948, 78 years ago, The New Maid.  David and Claudia are waiting for the new maid to arrive by train.  Kathryn Bard and Paul Crabtree star.   Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Can you believe the suave Cary Grant as a cockney ne'er do well?? Grace Kelly as a mousy, beaten down wife of an alcoholic actor, played by Bing Crosby?? I didnt.. We discuss a bunch of crossovers from drama to comedy, comedy to drama, and born again virgins. Join us. Thanks so much to John, one of my fave guests. Much Thanks to all of you wonderful people that listen, Grace xo You can check out Johns books, wherever books are sold.  https://www.amazon.com/s?k=john+dileo+books&crid=O75R542DYYXN&sprefix=John+DiLeo%2Caps%2C203&ref=nb_sb_ss_p13n-expert-pd-ops-ranker_1_10   You can listen wherever podcasts are played You can Contact me at              truestoriesoftinseltown@gmail.com    https://podcasts.apple.com/us/podcast/true-stories-of-tinseltown/id136374488 https://open.spotify.com/show/6iTSF8pIrVTbZ8QqNidVUy?  You can also listen on google play, YouTube, Amazon, I heart radio and anywhere podcasts are played.   You can also IM me on my TSOTT Facebook page. I sometimes don't go on for a while, but will try be better at checking messages and posting. Best to email me.. You can also Contact me at              truestoriesoftinseltown@gmail.com    www.facebook.com/truestoriesoftinseltown    

EPISODE 137 -  “THE BIG SCREEN ‘I DO': WEDDINGS IN CLASSIC CINEMA” - 4/27/2026  Weddings in classic films aren't just about romance—they're about timing, tension, and sometimes total chaos. Join us as we step into a world of whirlwind courtships, last-minute doubts, and grand gestures that don't always go according to plan. From glamorous, music-filled celebrations to sharp, fast-talking battles of love versus ambition, these stories remind us that the walk down the aisle is rarely simple—and often unforgettable. Along the way, we'll meet couples who fall in love against the odds, relationships that thrive on wit and conflict, and ceremonies that might just spiral into something completely unexpected. Because in classic cinema, a wedding isn't just an ending—it can be a twist, a turning point, or even a full-on rebellion. So grab your bouquet—real or imaginary—and join us as we explore some of the most iconic, surprising, and delightfully complicated trips to the altar ever put on film. SHOW NOTES:  Sources: “Wedding March: Double Wedding,” May 24, 2023, by Samantha Glasser, The Columbus Moving Picture Show; “Woman of the Year: A Woman's Place,” April 21, 2017, by Stephanie Zacharek, The Criterion Collection “The Invention of Love: The Palm Beach Story,” by Frank Falisi, BrightWallDarkRoom.com;  “Here's to You, Mr. Nichols: The making of The Graduate,” March 2008, by Sam Kashner, Vanity Fair; Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Double Wedding (1937), starring William Powell, Myrna Loy, Florence Rice, John Beal, Jessie Ralph, Katherine Alexander, & Donald Meek; Royal Wedding (1951), starring Fred Astaire, Jane Powell, Peter Lawford, Sarah Churchill, & Keenan Wynn; The Palm Beach Story (1942), starring Claudette Colbert, Joel McCrea, Mary Astor, Rudy Vallee, & Sig Arno; I Was a Male War Bride (1949), starring Cary Grant, Ann Sheridan, Marion Marshall, Randy Stuart, & Kenneth Tobey; The Graduate (19670, starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels,  Elizabeth Wilson, Maury Hamilton, & Buck Henry; Woman of the Year (1942), starring Katharine Hepburn, Spencer Tracy, Faye Bainter, Reginald Owen, Minor Watson, & William Bendix; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Your latest unlock from the annals of the Now We Know Patreon... To hell with The Money Pit! No, we Are Not Done Yet! Forget these modern iterations — it's Cary Grant and Myrna Loy who pioneered the disastrous home improvement form with Mr. Blandings Builds His Dream House. Originally released in 1948, making this one of if not the oldest feature film we've covered, this light comedy about the perils of falling in love with the dream home in your head made for a refreshing palate cleanse.

“TURNER CLASSIC MOVIE FILM FESTIVAL PREVIEW 2026” - 4/20/2026 (136) From Beneath the Hollywood Sign is excited to be covering the Turner Classic Movie Film Festival for the third year in a row. The festival is going to be bigger and better than ever, with star appearances by JANE FONDA, CAROL BURNETT, LAURA DERN, ALEXANDER PAYNE, BARBARA HERSHEY, and GLENN CLOSE, who will be receiving her hand and footprints in cement at the TCL (Grauman's) Chinese Theatre.  In this episode, we will discuss what to expect at the festival, and we'll be talking about the films we are most looking forward to seeing for the very first time, and the timeless classics that we get to enjoy as they were meant to be seen -- on the glorious big screen!   SHOW NOTES:  Sources: Wikipedia.com TCM.com; IMDBPro.com; Movies Mentioned: Barefoot in the Park (1967), starting Robert Redford, Jane Fonda, Mildred Natwick, & Charles Boyer; Dangerous Liaison (1988), starring Jeremy Irons,Glenn Close, Michelle Pfeiffer, Uma Thurman, Keanu Reeves, & Mildred Natwick; Letty Lynton (1932), starring Joan Crawford, Robert Montgomery, & Nils Asther; Next Time We Love (1936), starring Margaret Sullavan, James Stewart, & Ray Milland; The Mouthpiece (1932), starring Warren William, Sidney Fox, & Aline MacMahon; Auntie Mame (1958), starring Rosalind Russell, Peggy Cass, Forrest Tucker, Jan Handzlik, Roger Smith, Coral Brown, Pippa Scott, Fred Clark, & Joanna Barnes; Notorious (1946), starring Cary Grant, Ingrid Bergman, Claude Raines, Leopoldine Konstantin, & Louis Calhern; Indiscreet (1958), starring Cary Grant & Ingrid Bergman; All The President's Men (1976), starring Dustin Hoffman, Robert Redford, Jason Robards, Hal Holbrook, Jane Alexander, Jack Warden, & Meredith Baxter; Man Hunt (1936), starring Walter Pidgeon, Joan Bennett, George Sanders, John Carradine, & Roddy McDowell; The Woman in the Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Cabin in the Sky (1943), starring Ethel Waters, Eddie “Rochester” Anderson, Lena Horn, Louie Armstrong, Rex Ingram, John W. Bubbles, Mantan Moreland, Butterfly McQueen, & Ruby Dandridge; The Princess Comes Aboard (1936), starring Carole Lombard, Fred MacMurray, Allison Skipworth, Porter Hall, & William Frawley; Ace in the Hole (1951) starring Kirk Douglas, Jan Sterling, Robert Arthur, Richard Benedict, Porter hall, Frank Cady, & Geraldine Hall; Phantom Lady (1944)l starring Ella Raines, Franchot Tone, Alan Curtis, Aurora Miranda, Thomas Gomez, & Elisha Cook, Jr; Stranger on the Third Floor (1940), starring Peter Lorre, John McGuire, Margaret Tallichet, & Elisha Cook, Jr; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cary Grant and Audrey Hepburn star in a thriller patterned after Hitchcock's work.

Hola Cabañers: La película mainstream de ciencia ficción de este año ya esta aquí. Ryan Gosling en formato Cary Grant en una odisea en el espacio. Nos habrá gustado? Estructura de programa: 00:00:00 Presentaciones 00:11:20 Proyecto Salvación 01:50:50 Recomendaciones: Raul Q*Bert- Hero Solo: Antirecomendacion Black Phone 2 Ms. Nolito - Empire of the sun Esperemos que lo disfrutéis tanto como nosotros lo hemos disfrutado al grabarlo. Orgullo Cabañer

Rolling along into the 40's for our Decades Month with the 1944 black comedy Arsenic and Old Lace. Directed and produced by Frank Capra, the story follows a Brooklyn writer of books on the futility of marriage who risks his reputation after he decides to tie the knot.. The film stars Cary Grant, Raymond Massey, Jack Carson, Priscilla Lane and Peter Lorre. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Uno de los mayores directores de los inicios del cine sonoro, Leo McCarey experimentó una suerte de annus mirabilis en 1937, cuando en el plazo de pocos meses estrenó dos obras maestras absolutas: Make Way For Tomorrow y The Awful Truth. Una tragedia y la otra comedia. Una, pieza fundamental del melodrama en el hollywood clásico; la otra, situada al centro de lo que poco después será bautizado como screwball comedy, comedia alocada. Es imposible imaginarse dos filmes más logrados y distintos a la vez, casi totalmente opuestos. Y, sin embargo, al corazón de ambos existe una misma premisa, la tremenda promesa y los dolorosos límites que ofrece la vida en pareja. Inspirado por la reciente muerte de su padre, McCarey y su guionista Viña Delmar concibieron Make Way For Tomorrow como una fábula acerca de la inevitable división que los años generan entre los padres y sus hijos, pero lo que emergió en el camino es el retrato indeleble de dos personas mayores que, separadas, acaban por borrar todo a su alrededor salvo las ardientes cenizas de su amor. The Awful Truth, en tanto, tuvo su origen en el fracaso de la cinta anterior: McCarey recurrió a toda su imaginación para reimaginar un viejo éxito teatral de los años veinte, donde el inminente divorcio de una pareja los hace mirar de frente a lo que tienen entre manos. Pura locura y una dosis, nada despreciable, de verdadera pasión. ¿El gran ganador? Cary Grant, quien en su primer rol de comedia, usó al propio director como modelo contra el cual perfilar su propio yo fílmico. Sobre eso y más se discute en este podcast.

Only 3 BaaM episodes left, and now it's getting classy…dangerous classy. Local film enthusiast and cheerleader Heidi Hovda finally pulls up and programs a double feature straight outta the early-40s screwball playbook: The Philadelphia Story and Ball of Fire. We start things proper—popping champagne alongside The Philadelphia Story like we've got Cary Grant money—and then slide into a 2024 Bourbon County Vanilla Rye Brand Stout in an attempt to compete with the heat of Ball of Fire. Expect rapid-fire 40s slang, high society burns, and enough verbal gymnastics to make Jimmy Stewart stutter and Gary Cooper lean back and nod. And make no mistake—Heidi brings the Barbara Stanwyck energy. The real question: can Joe and Dave keep up? Or are they about to get left at the train station holding the luggage while Heidi runs the whole picture? Three episodes left. No fillers. All killers.

Paul and Chris return to the pod to bring their expertise on classic Hollywood. In 1934, Will Hays, then the president of the Motion Picture Producers and Distributors of America, began strenuously enforcing the Production Code. This code was a guideline used to determine what films could depict on screen and the behavior of characters. These included drug use, promiscuity, and yes, homosexuality. Despite limiting these things, it inspired creative filmmakers to work around the code and find new and clever ways to challenge it. The films we chose, She Done Him Wrong and Baby Face were each released in 1933, and a case could be made that they led to stricter enforcement of the code. Baby Face stars Barbara Stanwyck as Lily, a woman who escapes her evil father and makes her way in the city, quite literally sleeping her way to the top of high society. She Done Him Wrong is based on Mae West's own play, and she plays a nightclub owner who must contend with a jealous ex who escapes from prison, and a young Cary Grant, a police captain. Questions or comments about what we talked about? Click here to let us know!

El G7 energético se reúne, convocado por Macron, para abordar la crisis. Se admite una segunda denuncia por agresión sexual contra Íñigo Errejón, por un supuesto abuso en 2021. Investigadores de Stanford y Harvard alertan sobre la tendencia de la IA a "mentir" para complacer. En '¡Buenos días, Javi y Mar!', suena música variada. Jimena propone jeroglíficos de series como "Curro Jiménez" y "Padres de familia", y celebra el regreso de "Paquita Salas". Mar comenta el "síndrome de las series", la dificultad de acabar ficciones por el apego a sus personajes, citando "The Wire". Entre las buenas noticias, María Gallego es número 1 del EIR, impulsada por la enfermedad de su padre; Amparo consigue un nuevo trabajo; y Mael, un niño, aprende a caminar con prótesis, mostrando la fuerza de su padre. Además, se recomienda la biografía de Cary Grant, "Archie", que detalla cómo rescató a su madre de un psiquiátrico. Cristina comparte su dilema sobre vivir con sus hijas en Sevilla o Segovia, o cuidar ...

Drama on a SundayFirst, a look at the events of the day.Then, Lux Radio Theater,  originally broadcast March 8, 1937, 89 years ago, Madame Butterfly starring Cary Grant and Grace Moore.   Beautiful Cio-cio-San is betrayed by Lieutenant Pinkerton in a drama that uses only two arias by Puccini. Robert Cobb, the president of the Brown Derby (owned by Cecil B. DeMille) tells about the famous restaurant. Followed by Suspense,  originally broadcast March 8, 1955, 71 years ago, Nobody Ever Quits starring Tom McKee.  It's a snowy night atop a mountain, and the leader of the old gang is coming to get the guy who went straight. Then, Dragnet starring Jack Webb originally broadcast March 8, 1953, 73 years ago, The Big Laugh.  A thoroughly rotten louse cheats lonely women by promising to marry them. Finally, Claudia, originally broadcast March 8, 1948, 78 years ago, Three Alarm Fire.   The fire buffs. Kathryn Bard and Paul Crabtree star. Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Send Kevin a Text MessageHollywood icon Robert Wagner (known as “RJ”) joins host Kevin Goetz for an intimate, wide-ranging conversation about his life and career. From caddying alongside Clark Gable and Cary Grant to starring opposite Spencer Tracy. From the golden age of the studio system to reinventing himself as a television star, Wagner reflects on the journey that made him one of Hollywood's most enduring figures, later delighting a new generation of audiences as Number 2 in the Austin Powers films. He also reflects on his personal life, including his marriage to actress Natalie Wood, and the family and friendships that shaped him, including his wife of nearly four decades, Jill St. John.Caddying for Legends (06:21): Wagner recounts his early days as a caddy, where he found himself watching Clark Gable, Cary Grant, Fred Astaire, and Randolph Scott walk down the fairway.Marilyn Monroe and Screen Tests (09:22): As Fox's go-to "screen test guy," Wagner did Marilyn Monroe's first two tests. His own breakthrough came when Zanuck cast him as a shell-shocked soldier in With a Song in My Heart.Spencer Tracy as Mentor (14:49): Working alongside Tracy in Broken Lance, Wagner earned the older actor's respect and friendship.Advice from Cary Grant (18:07): When Wagner was preparing to play a thief for It Takes a Thief, he went to Grant for guidance. Years later he would become a television icon again opposite Stefanie Powers in Hart to Hart.Lou Wasserman and the Move to Television 18:41): At a time when television was considered beneath film stars, Lew Wasserman called Wagner in and told him, "I think this is your medium."Barbara Stanwyck and Bette Davis (22:43): Wagner speaks warmly about his three-year relationship with Barbara Stanwyck. He also recalls reaching out to Bette Davis after she publicly praised his work.John Ford Knocks Him Down…Literally (26:39): On the set of a John Ford film, Wagner followed a script direction and glanced toward where music was playing. Ford stopped the scene, questioned him, and knocked him down.Pink Panther (29:21): When the studio system collapsed, and Fox dropped its contract players, Wagner moved to Rome and worked on The Pink Panther, his all-time favorite film.Jill St. John, Family, and Friends (36:16): In one of the episode's most moving moments, Wagner reflects on the profound role friends and family have played in his life.Few careers in Hollywood history span as many eras, genres, or legends as Robert Wagner's, and fewer still have been lived with such grace. Host: Kevin GoetzGuests: Robert WagnerProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Robert Wagner:Wikipedia: https://en.wikipedia.org/wiki/Robert_WagnerIMDB: https://wwFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Hubert Humphrey and RFK clash over Vietnam; Rockefeller cracks down on narcotics; Demonstrators picket LBJ's New York speech; Cary Grant is a father; Muhammad Ali won't apologize; Koufax and Drysdale continue their holdout. Newscaster: Joe Rubenstein.   Support this project at patreon.com/realtime1960s

As one journey ends, another begins! Join Ian and AC as they continue their tour through the winding hills of classic horror in Kicking the Seat's latest series, "Castle Freaks"!This year, the guys will look at the spine-tingling works of director William Castle, whose wild career intersected with the likes of Cary Grant, Orson Welles, Joan Crawford, Alfred Hitchcock, and Roman Polanski! Castle was known as a "gimmick director", who dreamt up fantastical, in-theatre scare stunts to accompany his most famous movies. But as we hope to show, his filmography is so much more than headline-grabbing tricks!We're kicking things off with 1959's House on Haunted Hill, in which Vincent Price plays an unhappily married millionaire who invites five strangers to spend the night in a haunted house. Those who survive through the next morning will pocket $10,000 each. But are there really spooks in the walls, or just illusions meant to mask something much more sinister?In this wide-ranging first episode, Ian and AC give an overview of William Castle's career and do a spoilerific deep dive into both the '59 House on Haunted Hill and the 1999 remake starring Geoffrey Rush!We hope you join us throughout the year for more thrills, chills, and electrifying surprises!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow Links:Watch the House on Haunted Hill (1959) trailer.As mentioned in the show, AC reviewed the Film Masters Blu-ray of House on Haunted Hill (1959) at Horror 101 w/ Dr. AC.He also covered House on Haunted Hill and The Tingler on the Horror 101 YouTube channel. "Castle Freaks" is the next leg in our classic horror journey. If you're new to the channel, catch up with our 5-year "Hammerland" series, which wrapped up last year!

Do you believe in signs? Do you think Cary Grant used swatches to pick up Dyan Cannon? Is the problem with you that you don't want to be in love...you want to be in love in a movie? Then Sleepless in Seattle (1993) is the film for you! Check out this Nora Ephron directed classic, truly one of the greatest romantic comedies ever made, and revel in the "magic" aka the performances of Tom Hanks and Meg Ryan who have chemistry for days despite barely having any screen time together. Host Sara Greenfield and her guest Zoe Palko chat about all this and more on this brand new episode of Talk Classic To Me.-------------------------------------------------------------------Want to become a subscriber? Use the link below to support the show!https://creators.spotify.com/pod/show/sara-greenfield/subscribe

We're back in the old movie house for a vintage alt-Valentines romcom. Arrive early for the trailers — what I would play at some alt-Valentines film festival. Plus, decades-old Valentines‑flavored messaging it's going to be grand.Look, my daughter asked if I was doing a special episode for the upcoming "holiday," and I was like, "What holiday?""Valentines, did you get mom something."“I am now,” Valentine's… aka **** Halloween. Another holiday to unleash sugar onto our loved ones and watch them climb the ceiling...Our feature film is His Girl Friday, which stars Cary Grant as ruthless newspaper editor Walter Burns. You are already familiar with Grant's character as the “Get Out” meme.Rosalind Russell, the pride of Waterbury, CT, plays Hildy Johnson, star journalist. And I need to pause for a second — the movie is based on the play The Front Page, which has two male leads. In His Girl Friday Russell plays that lead and walks out of production for defining the cinematic accomplished female journalist (think Margot Kidder as Lois Lane). So if Russell is not the pride of Waterbury, CT, she should be. And for heaven's sake, don't try to figure out what the deal is with the giant cross marking the eastern side of the Brass City skyline (do you imagine a knee-high ghost town might creep you out)?From Waterbury, let's take I‑84 west and then north on the Thruway (or the Taconic Parkway if you're in the mood for beauty and can drive 55) to Albany, the pride of New York. Heh — I'm still a 518-er by heart. Long live Fish Fry spots and Altamont Fair.Any movie where Albany, NY, figures prominently is my kind of movie. In His Girl Friday, Albany winds up being the destination all along. Walter Burns' motivations in the movie are to rescue Hildy Johnson from a languished life in Albany, NY. And after winning Hildy back, Walter immediately takes her to Albany for their honeymoon. The film is fast-paced and even breaks the fourth wall a few times. Good stuff — two Ironweeds up.In the spirit of tough ladies (but unfortunately not Albany-centric), we have our first trailer for Some Kind of Wonderful: “…this is 1987. Did you know that a girl can be whatever she wants to be?” Mary Stuart Masterson's character asks, as she deals with some doofus named Ray. Gawd, I had such a crush on that character growing up — Stoltz, you idiot.And as mentioned at the top, a slew of other trailers I would consider alt-love stuff (in one case, explicitly because of the soundtrack). And, of course, I'm alt-signaling. I loathe Valentine's Day. Besides selling chocolate and flowers, the holiday seems designed to exasperate loneliness and force wide one's wallet.I don't know about y'all, but I'm still wrestling with the debt of the trinity of expensive American holidays just last year. Did that giant turkey dinner or flat screen under a gayly lit fake tree not say, "I love you?"PS: Hamilton needs more Albany — Alexander married in with the Schuylers. The Burr “Dangerous Man” letter that boiled over the Burr feud was printed in the Albany Register — a ****** Van Rensselaer is mentioned in that letter. You couldn't get more Albany without a beaver and Henry Hudson.Bleh — Albany should steal the logo of Alexander Hamilton doing the “Oh, oh, oh, what a feeling” Toyota jump off the top of the Hamilton star. Put it on the welcome to Albany sign with: "actually we killed Alexander Hamilton."

Gyles meets one of his teenage idols: the French-born ballet dancer and film star Leslie Caron. In this conversation, Caron tells Gyles about her childhood in Paris, under Nazi occupation, (and gives Gyles her unvarnished opinions of German soldiers). She tells Gyles about her father's pharmacy, where the local hookers would go to get their supplies. Leslie talks about dancing for the Ballet de Champs-Elysée, with the choreographer and director Roland Petit, and about being discovered by Gene Kelly. She talks about going to Hollywood for An American in Paris, and working with Fred Astaire, Orson Wells and Cary Grant. She talks about coming up with the idea for Gigi, and the making of that classic film. She talks about her marriages, most notably to the great director, Sir Peter Hall, and about the deaths of her parents.This is a fascinating conversation, full of names and memories from the Golden Age of Hollywood.Don't forget to subscribe to our YouTube here. Join The Rosebud Family here. And visit our website here. Hosted on Acast. See acast.com/privacy for more information.

A romantic comedy starring Cary Grant and Doris Day who meet unexpectedly and try to figure out what type of relationship works best for both of them: casual or serious?  Co-starring Audrey Meadows, Gig Young and John Astin.

A month of classic Hollywood romances kicks off with Cary Grant and Rosalind Russell trading quips at a mile a minute in His Girl Friday. Howard Hawks' adaptation of the newspaper comedy The Front Page changes the two battling newspaper men into a divorced husband and wife - an editor and his star reporter he doesn't want to let go off to a life of domestic bliss with a dud of a new husband. We'll hear Grant in "The Black Curtain" (originally aired on CBS on December 2, 1943) and Ms. Russell in "Consideration" (originally aired on CBS on February 3, 1950). Then, they recreate their film roles on The Gulf Screen Guild Theatre (AFRS rebroadcast from March 30, 1941).

The last director-centric episode was back in late November / early December but we're back on the regularly monthly schedule as of now! Huge thanks to my buddies Ross & Tripp for coming on to talk about a true blue classic storyteller, and we have a lot to say! For this episode on the legendary Frank Capra we focus on a couple more obscure titles instead of the popular ones. I chose the pre-code dramedy American Madness while Ross & Tripp picked the adaptation of the hit play Arsenic and Old Lace starring Cary Grant. That's the plan of action I'm taking with this show from now on - I choose a lesser-known film worth discussing and the guest does the same (as much as I love It's A Wonderful Life of course). I'm so grateful to the hosts of A Tripp Through Comedy, one of my favorite shows for joining me on this episode that I'm sure you'll enjoy if you're a fan of Capra (or even if you're not!).Follow Tripp & Ross: A Tripp Through ComedyFollow All-Things Me Here: JimLaczkowski.net

Our December series of classic holiday films continues with the cast of The Bishop's Wife - the heavenly comedy about a beleaguered bishop, his supportive wife, and the angel who pays a visit to lend a hand. We'll hear its three stars - Cary Grant, Loretta Young, and David Niven - recreate their roles in a radio adaptation of the film and we'll also hear them in three old time radio thrillers. First, Ms. Young fears for her life in "Lady Killer" (originally aired on CBS on March 2, 1950). Then, Cary Grant runs out of gas in "On a Country Road" (originally aired on CBS on November 16, 1950). Finally, David Niven plans a swindle in "Grand Theft" (originally aired on CBS on April 5, 1954). And all three reunite as The Camel Screen Guild Theatre presents a version of the movie (originally aired on March 1, 1948).

Please enjoy this little holiday gift from your friends at the Borgo Pass Horror Podcast- a bonus episode where Jim Towns and guest host Ian Bates discuss the very under appreciated Christmas film The Bishop's Wife starring Cary Grant, David Niven and Loretta Young, and co-starring classic horror stars Elsa Lanchester (Bride of Frankenstein), Sara Haden (She-Wolf of London) among other talents!

Front Row Classics welcomes actor, singer and fellow podcaster, Robert Bannon. Brandon and Robert are discussing 1942's Talk of the Town. The two have a lively conversation on how the movie remains relevant in 2025. They also celebrate the director of George Stevens and the miraculous performances of Cary Grant, Jean Arthur and Ronald Colman.

Front Row Classics is pleased to welcome back Jennifer Grant. Brandon and Jennifer discuss the legacy and impact of her Father, Cary Grant. The two discuss his memorable roles and several of her personal memories of him. They also discuss Jennifer's own career including the recent release of "A Big Bold Beautiful Journey" 

As Christian Entrepreneurs (or good people in general), how should we live our lives? I've been thinking about some of my childhood role models and measuring them by today's standards. Why did I gravitate towards these men, and do I still see their influence in my behavior? This week, I want to talk about goals, proper motivation, and how to share the success we achieve. ​ Key Insights Building meaningful communities and spreading the positive love of Jesus Christ creates more impact than voting—focus on helping people and making tangible difference in the world. I aim to foster, train, and mentor 1 million kingdom-focused millionaires by teaching people to believe in themselves and push through challenges. Entrepreneurship means helping people solve problems for profit, with freedom to use profits for giving back or personal enjoyment. AI as Tool, Not Creator AI-generated content lacks authenticity and human touch—being genuine and real is the antidote to AI competition fear, since AI polishes but cannot replicate human experience. Role models like Cary Grant, William Shatner, and David Carradine provide examples for young people to emulate qualities and discover life's meaning as they grow and learn. Role Models and Human Authenticity60+ and Living Forward in the Age of AI (How To) Links Words Into Wealth Challenge - Our next live challenge starts December 10th. Want to make last year's annual revenue be this years monthly revenue? Click Here for details. Video and Transcript How You Can Help Subscribe to the show in Apple Podcasts or on Spotify, and give us a rating and review. Make sure you put your real name and website in the text of the review itself. We will definitely mention you on this show. Questions or comments? Connect with Ray on Facebook, Twitter, and Instagram Visit Ray's community on Facebook – This is a friendly group of writers, entrepreneurs, and coaches who share ideas and helpful advice.

As Christian Entrepreneurs (or good people in general), how should we live our lives? I've been thinking about some of my childhood role models and measuring them by today's standards. Why did I gravitate towards these men, and do I still see their influence in my behavior? This week, I want to talk about goals, proper motivation, and how to share the success we achieve. ​ Key Insights Building meaningful communities and spreading the positive love of Jesus Christ creates more impact than voting—focus on helping people and making tangible difference in the world. I aim to foster, train, and mentor 1 million kingdom-focused millionaires by teaching people to believe in themselves and push through challenges. Entrepreneurship means helping people solve problems for profit, with freedom to use profits for giving back or personal enjoyment. AI as Tool, Not Creator AI-generated content lacks authenticity and human touch—being genuine and real is the antidote to AI competition fear, since AI polishes but cannot replicate human experience. Role models like Cary Grant, William Shatner, and David Carradine provide examples for young people to emulate qualities and discover life's meaning as they grow and learn. Role Models and Human Authenticity60+ and Living Forward in the Age of AI (How To) Links Words Into Wealth Challenge - Our next live challenge starts December 10th. Want to make last year's annual revenue be this years monthly revenue? Click Here for details. Video and Transcript How You Can Help Subscribe to the show in Apple Podcasts or on Spotify, and give us a rating and review. Make sure you put your real name and website in the text of the review itself. We will definitely mention you on this show. Questions or comments? Connect with Ray on Facebook, Twitter, and Instagram Visit Ray's community on Facebook – This is a friendly group of writers, entrepreneurs, and coaches who share ideas and helpful advice.

GGACP squeezes a few extra scares out of spooky season with this ENCORE of a 2016 interview with the “King of Splatter,” makeup effects wizard Tom Savini. In this episode, Tom reveals the secret of onscreen suspense, shares his admiration for legendary makeup artists Dick Smith and Jack Pierce and explains how “Midnight Cowboy” changed his life. Also, Tom praises George Clooney, defends Jerry Lewis, laughs it up with Tony Curtis and shakes hands with the Three Stooges. PLUS: Joe Spinell! “Dr. Terror's House of Horrors”! Christoper Lee makes an entrance! Tyrone Power battles Basil Rathbone! And the Cary Grant movie that brings Tom to tears! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dana and David break down the Saturday Night Live cast shake-up, spotlighting new additions Tommy Brennan, Jeremy Culhane, Kam Patterson, and Veronika Slowikowska. They also share their thoughts on cast members being let go and Please Don't Destroy being destroyed. Along the way they revisit their own SNL days, swap behind-the-scenes stories, and reveal what it really takes to land a spot on the show. But first, David relives his performance in Alaska while Dana recalls a near-death bus ride to Hearst Castle and calls to Comcast in his perfect Cary Grant voice. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices