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We're thinking about Chicago, DC, and LA this week, and standing in solidarity with the people living and resisting in those cities. While reading isn't action, it can supplement it, and keep us joyful as we do the hard work of standing up. To that end, this week, we're recommending books that feature Chicago, Washington, DC & Los Angeles as settings. We're also sharing resources and ways you can stay informed, help communities of immigrants, and get involved in whatever way possible. Note: We recorded this episode just as the National Guard was sent to Portland, Oregon, which is why Portland-set romances are not included in this episode. Please feel free to share your favorite romances set there in comments or on social media. Tag us so we can share!Our next read along is Gorilla Twins, AKA Lorraine Heath's The Earl Takes All. Find it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books. If you'd like more romance chat in your life, please consider joining our Patreon, which comes with an extremely busy and fun Discord community! There, magnificent firebirds hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. The NotesLearn more about Ramón Ayala, the King of the Accordion.There goes your social life. It's too late to go to The Gothenburg Book Festival this year, but there's always next year. One of the first internationally known Swedish romance writers is Simona Ahrnstedt. Crime fiction is a big deal in Sweden, and Sarah met Camilla Läckberg and Anders de la Motte.Terrible awful things happening in Chicago, Los Angeles, Washington DC, and

We have an Office Hours episode once a quarter where you send in your questions and I answer them here on the podcast. This is the first time we've had a themed Office Hours episode, so that is very exciting. Before we get into a whole episode answering your questions about routines, remember that a Lazy Genius routine isn't about the steps. It's about where you're wanting to go. Helpful Companion Links The PLAN is $1.99 on Kindle right now! (If Amazon isn't your vibe, you can find it for $1.99 on Kobo right now, too.) Other episodes like this one: #402, #426, #413, #315, #354, and #327 Office Hours with the Office Ladies Sign up for our every-other-week podcast recap email called Latest Lazy Listens. Sign up for my once-a-month newsletter, The Latest Lazy Letter. Grab a copy of my book The Lazy Genius Kitchen or The Lazy Genius Way! (Affiliate links) Download a transcript of this episode. Want to share your Lazy Genius of the Week idea with us? Use this form to tell us about it. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Kathryn talks with Natasha Kostalas, author of Beyond the Barbell: Confessions of a Female Fitness Competitor, about her journey of overcoming binge eating that was fueled by competing in bodybuilding. Natasha shares how the intense restriction of competition prep led to a loss of control around food, and how binge eating often becomes a hidden aftermath in extreme fitness. She speaks openly about the harm this caused and how she eventually found a healthier relationship with food, her body, and training. This conversation is relevant not only for the bodybuilding community but for anyone struggling with bingeing. Learn more about Natasha Kostalas: Beyond the Barbell: Confessions of a Female Fitness Competitor Instagram: Natasha Kostalas Brain over Binge resources: Get the FREE 30-day Inspiration Booklet Get personalized support with one-on-one coaching or group coaching Subscribe to the Brain over Binge Course for only $18.99 per month Get the Second Edition of Brain over Binge on Amazon and Audible, BarnesandNoble.com, Apple iBooks, or Kobo. Get the Brain over Binge Recovery Guide   Disclaimer: *The Brain over Binge Podcast is produced and recorded by Brain over Binge Recovery Coaching, LLC. All work is copyrighted by Brain over Binge Recovery Coaching, LLC, and all rights are reserved. As a disclaimer, the hosts of the Brain over Binge Podcast are not professional counselors or licensed healthcare providers, and this podcast is not a substitute for medical advice or any form of professional therapy. Eating disorders can have serious health consequences and you are strongly advised to seek medical attention for matters relating to your health. Please get help when you need it, and good luck on your journey.

This is a community that values people and relationships and connection, and having people into our homes is so integral to us building homes, neighborhoods, and entire cultures that tend to each other, that enjoy being together, and that let each other in. I'm sharing what personally matters to me about hospitality and the ten things I always do to support it. Helpful Companion Links The PLAN is $1.99 on Kindle right now! (If Amazon isn't your vibe, you can find it for $1.99 on Kobo right now, too.) My Breezy Instrumental playlist on Spotify Priya Parker's Magical Questions Kate Strickler (Naptime Kitchen)'s Black Bean Soup Change Your Life Shawarma Sign up for our every-other-week podcast recap email called Latest Lazy Listens. Sign up for my once-a-month newsletter, The Latest Lazy Letter. Grab a copy of my book The Lazy Genius Kitchen or The Lazy Genius Way! (Affiliate links) Download a transcript of this episode. Want to share your Lazy Genius of the Week idea with us? Use this form to tell us about it. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Mark Leslie Lefebvre is the author of more than thirty books that include the award-winning humorous urban fantasy Canadian Werewolf series— hailed by readers as “the thinking man's werewolf”—and his award-nominated ghostly explorations such as Haunted Hospitals and Tomes of Terror. He is also the editor of more than ten anthologies that include titles in the Hugo Award Nominated Pulphouse Fiction Magazine and the Aurora Award-winning Tesseracts series, which showcases the best in Canadian speculative fiction. His work has been translated into French, Italian, and German. While choosing the shorter and easier-to-spell moniker of Mark Leslie for most of his writing, Mark leverages his full name for work in inspiring, informing, and assisting other authors. Mark's first short story was published in 1992, the same year he began in the book industry. He is a tireless advocate for libraries, bookstores, and other authors and has held the roles of president of The Canadian Booksellers Association, board member for BookNet Canada, chair of the Professional Advisor Committee for Sheridan College's Honours Degree in Writing and Publishing, and Director of Self-Publishing and Author Relations for Rakuten, Kobo, Inc. where he launched Kobo Writing Life. A pioneer in digital publishing, Mark has embraced both traditional and self-publishing routes and continues to look for new ways that technology and innovation can improve the industry for all authors. He has appeared on countless podcasts, television, and radio programs and has spoken on stages across Canada and the United States as well as in England, Germany, France, and Italy. Mark's weekly podcast, Stark Reflections on Writing and Publishing—launched in January 2018— takes an unflinching look at the reality of the publishing world with a balanced take on the pros and cons of various publishing routes. One of his greatest passions is helping writers navigate the bold new realms and opportunities that continue to unfold as the industry evolves. Mark Leslie Lefebvre became a Writers of the Future judge in 2024. “Fantastic fiction has long been considered the herald of possibility. If so, then writers are the pioneering champions of inspiring the world in creative and imaginative ways that can bring form and reality to that raw potential. One of the most significant things we can do as writers is to inspire others to dream well beyond the limits and constraints of our world—to imagine the infinite potency and wonders that lie just on the other side of ‘what if.' Those whose mission is to seek out and celebrate new imaginative voices, to offer them a platform to launch their words, dreams, and stories, and to provide guidance as they navigate a complex and ever-changing publishing industry are the purveyors of possibility in the finest sense. And that is what Writers of the Future has always been. I am proud and honored to join the prestigious panel of world-class writers, artists and all of the people who work tirelessly behind the scenes in continuing L. Ron Hubbard's magnificent vision of paying it forward to the creative minds of tomorrow.” —Mark Leslie Lefebvre Find out more at: markleslie.ca markleslie.ca/about/

In this week's episode, we take a look at six marketing lessons writers can learn from TikTok. I also answer questions about my new book BLADE OF FLAMES. This coupon code will get you 50% off the audiobook of Shield of Storms, Book #1 in the Shield War series, (as excellently narrated by Brad Wills) at my Payhip store: FALLSHIELD50 The coupon code is valid through October 6, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 270 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 26th, 2025, and today we are looking at six trends from TikTok that help with marketing books (even if you're not on TikTok). We'll also answer some questions about my new book, Blade of Flames. Before we get to our main topics, we will do Coupon of the Week and a progress update on my current writing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Shield of Storms, Book One in the Shield War series (as excellently narrated by Brad Wills), at my Payhip store and that is FALLSHIELD50. And as always, the coupon code and the links to my store will be available in the show notes. This coupon code is valid through October 6, 2025. So if you need a new audiobook to listen to this fall, we have got you covered. Now here is where I'm at with my current writing projects. As I mentioned last week, Blade of Flames is now out and you get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, and My Payhip store. Now that it is out and published, my new main project is I'm finally returning to the Nadia series. I am 50,000 words into Cloak of Worlds, which I believe puts me on chapter 10 of 28, though I'll probably split up some of the longer chapters in editing to make them punchier. So hopefully that will be out in October, probably towards the end of October (if all goes well). My secondary project is now Blade of Shadows, which will be the sequel to Blade of Flames and the second book in my Blades of Ruin epic fantasy series. And as of this recording, I'm about 4,000 words into it and I'm hoping that'll be out towards the end of November, maybe right before or right after Thanksgiving, depending on how the next couple of weeks go. In audiobook news, Shield of Power is now finally out at all audiobook stores: Audible, Amazon, Apple, Google Play, Kobo, Chirp, Spotify, and all the others. You can listen to that on a platform of your choosing. Recording is almost done on Ghost in the Siege and I should have some audiobook files to proof for that soon. So that is where I'm at with my current writing, audiobook, and publishing projects. Now, Blade of Flames is the first book in a new epic fantasy series with the first new protagonist I've had since I wrote Rivah in Half-Elven Thief back in 2023. So as you might expect, it has generated more than the usual amount of reader questions. So for convenience, I will answer them all right here on the show. Question #1: Is Blade of Flame set in the world of Andomhaim/Owyllain (from Frostborn Sevenfold Sword, Dragontiarna, Dragonskull, and The Shield War)? Yes, it is set in Owyllain, specifically in the Year of Our Lord 1588, so 88 years after the end of The Shield War. Question #2: Is Ridmark the main character? No, the main character is named Talembur. I've written 43 books with Ridmark as either the protagonist or one of the protagonists, and across those books, Ridmark has gone from an angry young man to a grandfather, so it was time to do something different. The poor man deserves a break after 43 books. Question #3: Is Talembur secretly Ridmark in disguise? No. Question #4: Is Talembur secretly…(various character theories)? No, Talembur's a new character. Question #5: Do you need to read any other books before starting Blade of Flames? No. That was one of my intentions in writing it. You can read Blade of Flames without having bred any of the other Andomhaim books, since all the major characters in Blade of Flames are new and we're in a part of Owyllain we've never visited before. Question #6: Are there any recurring characters in Blade of Flames? Exactly one and that character only has, like three lines. Well, two (technically, depending on how you look at it). Question #7: Will other recurring characters return in future Blades of Ruin books? Yes, but we shall have to read and find out after I write them. Question #8: The opening is very similar to Frostborn: The Gray Knight, isn't it? Yes, for reasons that will become clear. Without any spoilers, let's say that this similarity is a significant plot point. Question #9: Is there a dog in this book? Yes. People like dogs, so there is a dog in the book. Question #10: Does the dog die? He does not. Question #11: Seriously, truly, does the dog die? I promise the dog does not die. Question #12: How many Blades of Ruin books will there be? I'm planning for 12, though that might change if I have a good idea that requires an extra book or if I think I can consolidate it down. Question #13: Will there be Blades of Ruin audiobooks? That is the plan, if all goes well. Brad Wills has signed up to narrate the series. Question #14: Are you still going to write Rivah books? Yes. After I publish Cloak of Worlds, which as I mentioned will hopefully be sometime in October, I will start writing the next Rivah book, Elven-Assassin. Question #15: Are you still going to write Caina books? Eventually. I need some time to think about where they're going to go next. I have done this before. There is a two year gap between Ghost in the Sun (the end of the Ghost Night series) and Ghost and the Serpent because I wanted to think about what to do next. At this point in my life, I don't want to have any more than three unfinished series at any one time, so we'll see what I want to do next when either Blades of Ruin, Cloak Mage, or Half-Elven Thief are completed. Question #16: Seriously, Talembur is secretly Ridmark, isn't he? In 1884, retired Civil War General William T. Sherman was approached about running for president. He point blank refused, famously stating, “I will not accept if nominated. I will not serve if elected. Though this usually gets paraphrased to “If nominated, I will not run. If elected, I will not serve.” He really meant it and refused to get involved in politics for the remaining years of his life. I'm not sure if writers of fiction have the equivalent of a Sherman statement, but if there is, this is it. Talembur is a new character and not secretly a character who has appeared before in the Andomhaim/Owyllain books and I cannot be blunter about it than that. So hopefully that will answer any questions you may have had about the Blades of Ruin series and Blade of Flames in particular. 00:05:50 Main Topic: 6 Things BookTok Trends Can Teach You About Marketing Books Now on to our main topic this week, which is six things BookTok trends can teach you about marketing books (even if you don't use TikTok). One thing is clear though, is that books are thriving on the TikTok social media video platform. Readers (very often in the romance, young adult, and fantasy genres) are excited to show off their trips to bookstore and their “hauls” of the latest books in videos. BookTok influencers are even paid to promote new releases in videos in the same way Beauty Gurus have been paid to promote mascara. Some traditional examples of bestselling BookTok books are the Fourth Wing series by Rebecca Yaros, A Court of Thorns and Roses by Sarah J. Maas, It Ends With Us by Colleen Hoover, and the works of Emily Henry. Anecdotes are not the same as data of course, but the last couple of times I've been to a Barnes & Noble, I've been surprised by how young most of the customers there are. Obviously that might be attributed to my own advancing age, where I'm very often the oldest person when I go someplace. But nonetheless, I do think this is a real thing where BookTok and TikTok in particular are drawing more young people into reading because they see it's a trendy thing on TikTok, so they get into it. The BookTok effect can make even an otherwise obscure book the latest bestseller, even one that isn't a new release. Many authors have found success marketing their books on the platform and have seen an increase in their sales from BookTok. Using TikTok as an author is hardly a requirement, though. In fact, I haven't used it in my marketing because I would rather focus on something like my newsletter that I have control over and that isn't vulnerable to bans. TikTok has been threatened with a US ban several times, but it hasn't ultimately been banned (at this time of this recording), and it doesn't look like that's going to happen since in the past few days, it looks like the US government has managed to finalize the sale of the company to an American investor. Now, as I just mentioned, using TikTok as an author is hardly requirement though, but nonetheless, there are lessons to be learned from the success of BookTok when marketing your books. We'll talk about six of those lessons today. #1: Have your highlight-worthy quotes and pitch ready. TikTok is full of action-packed book trailers or short, dramatic reenactments of scenes from books. The most popular of these book-based clips are very short, sometimes even just a single quote or sentence. Some writers write page-length book blurbs, wanting to fit in every detail about their books. In the words of many Internet posters, “too long; didn't read.” You need to be able to explain your book in less than three sentences, to clearly explain the main character and the stakes they face. Having a few snappy or interesting quotes from the book itself as a teaser can also be useful aid in marketing. BookTok is a place to learn that art, as many successful authors and BookTok creators have perfected the short summary and attention-getting clips. #2: Finding Your Readalikes Libraries and bookstores have long championed “readalikes” in their displays, which are books with similar settings, topics, or themes. For example, fans of suspense writer JD Robb might enjoy books by Patricia Briggs, Karin Slaughter, or Louise Penny. You can find authors that might be similar to you by using the “also read” section of your book's Amazon page. You can also think about themes that may connect your books to others such as “cozy mystery set in Wisconsin”, or “friends to lovers romance set in a theme park”. These themes can be broken down into something called tropes. #3: Acknowledging Tropes Acknowledging tropes (such as plot or character types that frequently appear) used to be a sign of creative weakness, which I honestly always thought was misguided because we're all obviously inspired by previous writers, and so there's nothing wrong with acknowledging that inspiration. Now in the BookTok era, it's how many readers search for books, especially in the romance genres, they try to find “enemies to lovers” or “fake dating” titles. If you can break down two or three tropes that match your series, that will give you an advantage in marketing. There are sites and books with lists of tropes if you're not familiar with the ones for your genres. #4 Finding Your Market Segment (You're not for everyone.) My podcast transcriptionist once encountered a new author who insisted they wanted to market their book to all readers and wanted to advertise in every single category Amazon offered since they believed everyone needed to read their gritty memoir about surviving abuse and alcoholism. Whether or not someone believes that everyone needs to read their book, that's a pretty quick way to overspend on advertising while receiving extremely poor results. The key to understanding online advertising is that the basic principle is the narrower you can target your audience, the more effective your ads are likely to be. Advertising that memoir so broadly that it's in the same category as say, children picture books or German language cookbooks is a quick way to disappoint (or even annoy) potential readers. It's okay that your book isn't a match for every category or type of reader. In fact, it's expected. There's a reason that the TikTok algorithm quickly pinpoints what viewers are most interested in and brings them similar content, because it's the quickest and easiest way to engage the user. People watching video game themed videos on endless loop probably aren't going to become suddenly interested in the videos about the benefits of living without electricity, for example. It's more profitable to keep showing variations of what they've already seen, with a little bit of new content mixed in. That's true in book advertising, too. The most effective way to find the readers who are most excited to read your book is to segment your advertising by your subgenres, authors whose books are most similar to yours, and keywords that match your tropes or important features in your book. With enough time and data, you will even be able to segment by a geographic location based on what countries your book sells in the most. The more that you can get specific when creating ads, the more likely you are to limit your spending and find the group of readers who wants to find you the most. And the more you work at marketing, the more you'll realize that the answer is definitely not “everyone.” #5: Don't give up on your backlist. One of the most surprising parts of TikTok is how often something that's decades old suddenly becomes popular for seemingly no reason at all. For example, 1962 Song “Pretty Little Baby” by Connie Francis was one of the top trending songs of this spring after became ubiquitous in TikTok videos. Books have seen the same phenomenon occur on TikTok. Classics by Jane Austen or Stephen King frequently end up in popular recommendation videos, while slightly older bestsellers by Sally Rooney or Susanna Clarke can get surprising second rounds of attention, too. The rules of retiring or even abandoning your backlist books may not apply in a social media-based attention cycle where people are constantly discovering books. You can try to rotate your ads to periodically give your older books attention, or if you see a sudden spike in sales on an older title, check through your sales data and social media to understand if there is a specific reason why that's happening and maybe give it some extra advertising funds during that window of opportunity. I've been an indie author for 14 years now, which means I've built up quite the backlist and I've noticed that very often the backlist will outsell new books. For example, this month (so far as of this recording), Blade of Flames is my new book for the month, and that has been 10% of my revenue for September 2025 so far, which is obviously a significant amount, but 90% of it comes from things I've previously written and I've noticed in previous years as well that for total yearly revenue, the revenue from new books tends to be around 22 to 25% (with the rest of it coming from my accumulated backlist). #6: (To Use Some Internet Vernacular) Don't Give Readers “the Ick” by Being “Cringe” Social media requires at least the appearance of ease and authenticity. People talk about something overly manufactured or awkward as being “cringe” or giving them “the ick.” How does that apply to marketing your books? Simply put, don't try to be what you're not. If you're absolutely terrible at being in front of the camera, don't force yourself to make videos. If you're skilled at explaining the historical or cultural influences behind your books, maybe a newsletter or a Substack would be a better use of your marketing time and effort. You shouldn't have to try every possible form of marketing and you probably shouldn't in order to succeed as an author. Just because someone else in your genre is making good money from TikTok or Instagram doesn't mean that it's what's right for you or that it would work if you tried it. Likewise, be aware of the spaces you're entering and the dynamics of a group when you're entering an online space. Writers who show up in a writing forum, hashtag, or subreddit meant for other writers in order to promote their book aren't in the right spot. In fact, that's why many of those places have a rule against self-promotion. Their time would be better spent in an online space related to their sub-genre where there are readers who are specifically looking for what they have to offer. Begging or using some sort of pity-based story in your social marketing is not a good plan. Approach your marketing from a place of confidence about your book because desperation is not attractive to potential readers who are surrounded with options. At best, it only leads to short-term results, whereas finding the readers interested in your book will be a better use of your time in the long run. Be confident. Very few people are able to finish a book (much less must publish one), and there's at least a few people out there who will enjoy your book without being guilted into doing so. I suppose the best rule of thumb overall for social media is don't beg, don't be needy, and perhaps most importantly of all, be as authentic as possible. By that I mean, I don't mean oversharing details about your personal life or personal opinions and beliefs and so forth, but just simply being authentic and not putting on airs or pretending to be something you're not. So much of what we see on the internet now is fake. Since I published Blade of Flames last week, I've gotten dozens of emails allegedly from “readers” who are interested in helping promote the book, but are actually generated by ChatGPT as a front for various scam services. So the best way to combat that kind of AI generated slop, I think, might just being as authentic as you can without resorting to lies or other fakery. In conclusion, BookTok has changed many of the old rules about book marketing and brought a new, more diverse, and younger group of readers into the market. Even if you don't plan on using the platform yourself for marketing (and I still don't), there's still many lessons you can learn from BookTok and how it has shifted how readers find books and share recommendations. So I hope that has given you some food for thought about how to approach future marketing efforts. So thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

This week MSc Developmental Psychology graduate Alia Awan joins The Psychology World Podcast again to talk about applying for psychology PhDs, how to apply for PhDs for psychology students and she offers a whole bunch of valuable, insightful and fascinating tips and tricks for psychology students looking to apply. If you want to learn more about PhD applications then this will be a brilliant episode for you.In the psychology news section, you'll learn about why identity-blind approaches to work don't promote acceptance, how hand gesturing affects our grasp of emotions, and what makes self-forgiveness so difficult?LISTEN NOW!If you want to support the podcast, please check out:FREE AND EXCLUSIVE 8 PSYCHOLOGY BOOK BOXSET- https://www.subscribepage.io/psychologyboxsetApplied Psychology: Applying Social Psychology, Cognitive Psychology and More to Real-World Problems- https://www.connorwhiteley.net/applied-psychology Available from all major eBook retailers and you can order the paperback and hardback copies from Amazon, your local bookstore and local library, if you request it. Also available as an AI-narrated audiobook from selected audiobook platforms and libraries systems. For example, Kobo, Spotify, Barnes and Noble, Google Play, Overdrive, Baker and Taylor and Bibliotheca. Patreon- patreon.com/ThePsychologyWorldPodcast#phdadmissions #phd #phdlife #psychologyphd #clinicalpsychology #mentalhealth #clinicalmentalhealth #clinicalpsychologist #mentalhealthawareness #mentalhealthsupport #mentalhealthadvocate #psychology #psychology_facts #psychologyfacts #psychologyfact #psychologystudent #psychologystudents #podcast #podcasts

Quin Cho's latest book "The Rise of the Kwantung Army" is coming out on September 18. In this special interview episode, we discuss his upcoming book and the role that gekokujo played in Japan's invasion of northeast China.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms!

As I always talk about on The Psychology World Podcast,getting mental health support is flat out critical if you're experiencing suicidal thoughts and you're contemplating suicide. Therefore, in this clinical psychology podcast episode that's a little different from usual, I list a wide range of suicide hotlines and prevention programmes throughout the world. Please reach out to these hotlines if you're suicidal and as someone who has tried to end their life three times in the past. I promise you life gets better. I am so happy, relieved and excited that I did not succeed in ending my life back in 2024 because of how dark and pointless my life seemed. Due to my life has turned out brilliantly.LISTEN NOW!If you want to support the podcast, please check out:FREE AND EXCLUSIVE 8 PSYCHOLOGY BOOK BOXSET- https://www.subscribepage.io/psychologyboxsetSuicide Psychology- https://www.connorwhiteley.net/suicide-psychology Available from all major eBook retailers and you can order the paperback and hardback copies from Amazon, your local bookstore and local library, if you request it. Also available as an AI-narrated audiobook from selected audiobook platforms and libraries systems. For example, Kobo, Spotify, Barnes and Noble, Google Play, Overdrive, Baker and Taylor and Bibliotheca. Patreon- patreon.com/ThePsychologyWorldPodcast#suicide #suicideawarenessmonth #suicideawareness #suicideattempt #suicidesurvivor #clinicalpsychology #mentalhealth #clinicalmentalhealth #clinicalpsychologist #mentalhealthawareness #mentalhealthsupport #mentalhealthadvocate #psychology #psychology_facts #psychologyfacts #psychologyfact #psychologystudent #psychologystudents #podcast #podcasts

Welcome to the Kobo ReWriting Life Podcast! Alongside your regularly scheduled Kobo Writing Life podcast episode releases, we will also be featuring some highlights from our backlist. In this episode, we spoke to writer and director of the Alliance of Independet Authors, Orna Ross! Orna joined us to talk about having a global approach to book sales, making business desicions that can expand your writing career, and much more.  Novelist, poet, and director of the Alliance of Independent Authors Orna Ross joins us on the podcast this week to discuss taking a global approach to your indie publishing business. Orna talks about what business decisions authors should consider and how to get into the right mindset before going global, and she gives us some great advice for new and veteran authors alike. To learn more, visit Orna's website.

In this week's episode, we take a look at the "personal curriculum" social media trend and look at how it can be useful for writers. This coupon code will get you 50% off the audiobook of Cloak of Dragons, Book #1 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLMAGIC50 The coupon code is valid through September 29, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 269 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 19th, 2025, and today I am looking at the idea of a personal curriculum for writers. We also have Coupon of the Week and a progress update on my current writing projects. So let's start things off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Dragons, Book Number One in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. And that coupon code is FALLMAGIC50. And as always, the coupon code and the links to my Payhip store will be available in the show notes of this episode. This coupon code will be valid through September the 29th, 2025. So if you need a new audiobook to listen to as we head into fall, we have got you covered. And now for an update on my current writing projects. I'm pleased to report that Blade of Flames is finished and by the time this episode goes live on what should be the 22nd, it should be available at all ebook stores. Initial impressions have been positive so far, so I hope you'll check that out and enjoy it. Now that Blade of Flames is finished and out in the world, my next main project will be Cloak of Worlds. After a year, I am finally getting back to Cloak Mage. I am now 21,000 words into it, and I'm hoping it will be out in October, though it might slip to November because I think this one might be a bit on the longer side. My secondary project is now Blade of Shadows, which is the second book in the Blades of Ruin series and the direct sequel to Blade of Flames. I'm a thousand words into that. In audiobook news, Shield of Power is still in processing and quality assurance at most of the audiobook stores. It is now available at, I think Google Play, Kobo, my own Payhip store, and a few others, but it's still not up on Audible, Apple, or Amazon yet, though hopefully that should be fixed soon. Recording on Ghost in the Siege is finished and we're just waiting on files so we can proof-listen to them. So some new audiobooks will be available before too much longer. So that's where I'm at with my current writing projects. 00:02:18 Personal Curriculum for Writers So let's move on to our main topic this week, the personal curriculum trend for writers. What is a personal curriculum? The trend of creating a personal curriculum has been going around social media for the past month or two. Basically, a personal curriculum uses a structure of an imaginary class to reframe your personal and professional development goals. It can be as simple as creating a set of reading to do in a month or as complex as creating a major project that will take many steps and months to complete. How does this work? Instead of having an undefined goal of wanting to learn how to learn more about how to market your books, you make yourself a course called Marketing Literature with Social Media, with a list of related books, videos, and tasks divided into blocks of time, just like the class would have things that are connected in each session. The key to the personal curriculum trend is having weekly goals and projects just like homework (and of course keeping up with it). Some people create monthly personal curriculum while others keep the more academic framework of quarters, terms, or semesters. Some people create multiple classes, while others focus on one at a time. The amount of detail in the curriculum's development ranges from scrawling a plan on a sheet of notebook paper to creating intricate Notion boards that are essentially a prettier version of an online course system used at universities. The personal curriculum trend is fueled by many things, including nostalgia for the structure of school and its relatively clear paths to success, the desire to spend less time doom scrolling on social media, and the desire to make goal setting more whimsical. Having clear and specific deadlines for completing tasks is one of the most important parts of goal setting, and that is at the center of the trend of creating personal curriculums. Most people spend 14 to 19 years in school (depending on the individual), so it's a structure that's familiar. It also takes an overwhelming and broad goal, such as learning about marketing and gives it focus by defining what is actually being learned and determining how to apply that to real tasks in a manageable way. It transforms the nebulous goal of learning something specific and also gives a clearer path on how to apply the learning into action. By design, it also emphasizes goals that can be done in weeks instead of years, which makes starting much less intimidating. Many people also need some outside accountability in order to work well, and this is a way of creating it for yourself. Being able to give yourself an “A” if you're completing your homework each week is a simple and free motivator for many. Since this is mostly a writing podcast, I want to discuss how the personal curriculum trend can be applied to writing goals and professional development for writers. To that end, I will share five ways that I think the trend can help you grow as a writer and make more specific and actionable goals. #1: Defining your priorities. There are endless things to learn both in life and as a writer, especially in the world of self-publishing. Therefore, it can be tempting to chase after every trend or every new thing that's working for other people. The problem with that is that it's impossible to do that in any meaningful or focused way. It's better to pick a focus for every month or every few months and gain as much proficiency as you can instead of dabbling at things without taking the time to understand them well and then bemoaning that they don't work. A month or a fake semester is still a narrow enough timeframe to pivot if you want to change your goals, instead of being locked into yearly goals. For example, I set specific goals for getting books out, and then each month is pretty well defined into writing, editing, cover design, layout, publishing, and marketing tasks for me based on each book. Other things I want to try, such as creating videos, doesn't fit within those specific goals because they're not the priority. Other things that are lesser priorities (like trying new effects in Photoshop for my book covers and ad images) are things that I know I can work on after finishing the primary goals I've set for myself each week. #2: Trying something new. The structure of a personal curriculum makes trying something new feel less intimidating. For example, “making my own book cover” is something of a massive and undefined goal. You know that's important and you want to do it, but you can never seem to get past watching a TikTok video or two on Photoshop when they come into your feed. By creating a course for yourself on learning how to use Photoshop and the best techniques for creating book covers and giving yourself homework of different things from your readings or viewings to try out, you give the goal a specific plan and tie what you're learning into actual tasks that will help you move forward and then make your learning stick by applying it in the right way. For example, what I did for myself to learn Photoshop well enough to do a book cover was during early COVID in 2020, I bought a couple of courses on it and took the courses. Now, I suppose that's something of more of an actual structured curriculum since someone set up that course, but you could do it for yourself with the same thing by getting The Beginner's Guide to Photoshop or (the some unfortunately titled) The Complete Idiot's Guide to Photoshop from your library, reading that, and then watching a few longer focused YouTube videos on the process of creating a book cover. And then that would give you enough to go on in terms of starting your own personal curriculum and then developing your own book covers. #3: Managing your time. With endless distractions, it's too easy to look at a week or even a month and wonder where the time went with little to show for it. In contrast, the school environment has a rigid time structure, even at the university level. There is never a question of where the time went there. Work must be done at a specific time, and you have to show up multiple times a week to learn more and prove you understand what you've learned already. People often struggle without that structure after graduation, especially people who thrived in the school environment. But there's no harm in recreating it for yourself, especially if you are one of those people who thrived in the academic world. For example, if you want to do research on a specific time period for your next book, creating a course defines what that means. Instead of endless scrolling and watching videos online, you define what the scope of needed research is before you begin, so you're spending your time more efficiently. If you pick out the books, videos, and what you specifically need to research for the plot in advance and give yourself a set amount of time to learn the material, you're spending your time more wisely and freeing up time for other tasks. For example, in my most recent book, Blade of Flames, part of one of the subplots is inspired by a period in English history called The Anarchy, which was the civil war in the early 12th century between Empress Maude and King Stephen for the throne of England. Now, I knew a fair bit about this period already because of other reading I've done, but if I wanted to learn more about it, the best way to do it would be to read a few books and some of the more accessible books by popular historians. Like for example, maybe the best way to learn enough about The Anarchy to base a book on it would be read some of the books by Dan Jones, who has written many excellent popular history books about the medieval and early modern English time period. #4: Professional development. Most professions have professional development where you have to keep your skills updated, whether you're a teacher who has to get re-certified, a doctor who has to learn new procedures, a system admin who has to learn the latest bugs Microsoft has baked into their software, and so forth. Writing is no different (especially if you're a self-published writer) because there's so many side skills like layout and web design and so forth that it's kind of helpful to keep up on. It's hard to carve time out for professional development because as a writer, it's time away from the task that actually gets you paid, which is writing new stuff. Learning or trying new things becomes something that either feels insurmountable or happens in a haphazard way that doesn't actually move things forward for you. A personal curriculum gives you the permission to carve out time to learn new things. It's easy to hyperfocus on writing and feel like anything else is less productive, but there are many parts to being a writer, especially for the self-published, so it's important to give yourself a structured way to explore new software, marketing strategies, and social media channels as they emerge. For example, to use something of a negative example, I rather notoriously have a very low opinion of the AI tools currently flooding the market like ChatGPT and Midjourney. That wasn't an opinion I arrived at haphazardly. I did thoroughly investigate each of these tools. I tried Adobe Firefly, I tried Midjourney, I tried Microsoft's ones, Bing Chat and Bing Image Create. I tried ChatGPT, I tried one other, I can't think of off the top of my head, and I just did not come away impressed with these tools or the capabilities. So I suppose that was a negative example of something I'm talking about, whereas a positive example would be in 2018, I started using a Mac program called Vellum to format my paper books. It was a lot easier and more useful than the method that I'd been using previously, and I was so impressed with that that I eventually switched over into using Vellum for my ebook formatting as well, and learned how to do that as well, and I've been using it ever since. So that'd be a positive example of professional development. #5: Holding Yourself Accountable. One of the most difficult things about writing is that it lacks the structure of a traditional job or school environment. For that reason, many high achievers tend to struggle with starting or completing tasks when they leave school. Creating specific goals and making a clear timeframe for completing them helps with that tendency. For that reason, some personal curriculum devotees will even assign class times on a certain day of the week or a certain time of the night to make sure they're on track with their goals or homework for the week. National Novel Writing Month has kind of crashed and burned from its scandals over the past year, but the principle of accountability in giving yourself a set period of time to do something is helpful there. In the same way, your homework for each day for writing could be a set number of words or a certain percentage of progress in editing. Did you spend that day looking at social media instead of getting words done? There is a grade for that and it's not a good one. “A” students complete their work and turn it in, and that's the core of writing, putting down words consistently and publishing them. Now, I suppose you could think that the personal curriculum thing seems like a silly social media trend, but for some people, especially people who really thrived in and enjoyed the academic environment in school, it might work in a way that average yearly goals do not. Studies show time and time again that the happiest adults are those with defined priorities who make time to learn new things and enjoy hobbies. A personal curriculum provides a way to emphasize those important things in your life in a more whimsical way than say, the various yearly evaluation goals of the corporate world. For writers, it can be a much-needed way to add structure to an unstructured work environment and make sure that they're spending their time in the best way possible. And it all boils down to essentially one of the oldest dictums: know thyself. If this kind of thing would not be helpful for you, then there's no point in pursuing it. But if you know yourself and know that you have the kind of personality and mental inclination that would respond well to structure like this (even if it's structure you're creating for yourself), then a personal curriculum might be a good idea to pursue. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. I reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

At the time of writing, it's suicide awareness month, and typically whenever we think about suicide, we only think about the signs and symptoms that a person is suicidal. Equally, we think about the loss, heartbreak and sadness that follows a successful suicide attempt. However, the majority of suicide attempts are not successful and the aftermath of a suicide attempt can be difficult, distressing and heartbreaking for everyone involved. As someone who's survived three suicide attempts, I want to explore the facts and findings of what happens after surviving a suicide attempt whilst I bring the subject to life with my own experiences. Therefore, by the end of this clinical psychology podcast episode, you'll learn what happens after surviving a suicide attempt, how to support someone after a suicide attempt and what to do if you've survived a suicide attempt. If you enjoy learning about mental health, psychotherapy and suicide risk, then this will be a great episode for you.In the psychology news section, you'll learn how depersonalisation changes how we see ourselves, how the DREAM database aims to answer burning questions, and who successfully rekindles old friendships?LISTEN NOW!If you want to support the podcast, please check out:FREE AND EXCLUSIVE 8 PSYCHOLOGY BOOK BOXSET- https://www.subscribepage.io/psychologyboxsetHealing As A Survivor: A Personal and Clinical Psychology Guide To Healing From Sexual Violence- https://books2read.com/u/mKOYkE Available from all major eBook retailers and you can order the paperback and hardback copies from Amazon, your local bookstore and local library, if you request it. Also available as an AI-narrated audiobook from selected audiobook platforms and libraries systems. For example, Kobo, Spotify, Barnes and Noble, Google Play, Overdrive, Baker and Taylor and Bibliotheca. Patreon- patreon.com/ThePsychologyWorldPodcast#suicide #suicideawareness #suicideattempt #suicideawarenessmonth #suicidal #clinicalpsychology #mentalhealth #clinicalmentalhealth #clinicalpsychologist #mentalhealthawareness #mentalhealthsupport #mentalhealthadvocate #psychology #psychology_facts #psychologyfacts #psychologyfact #psychologystudent #psychologystudents #podcast #podcasts

Buy Merch Here!  https://otamerch.shop/ Each week we aim to bring together the biggest events in Vtubing and talk about what's been going on. Stop by, hang out, and let's catch up with us! Join this discord : https://discord.gg/M7tVYWTSFR Follow here for updates: https://twitter.com/SuperChatsPod Shorts over here: https://www.tiktok.com/@superchatspod Playlist of music: https://www.youtube.com/playlist?list=PLp6uXoGNUwk9Tq0NWOwaCLGruX0XdVBfd 00:00:00 Intro 00:02:26 Justice vs Advent Chess 00:18:09 Calli's 3D Live 00:25:36 Kiara's Anniversary Celebration 00:40:59 ReGloss 2nd Anniversary 00:54:01 Lunalia 2.0 Models 01:05:16 YUY's Return 01:17:12 VAllure Minecraft Tournament 01:21:14 Pillowdear Animal Charity 01:22:54 Rhubarb N Kustard Graduation 01:25:54 Ina's Art Exhibition 01:27:02 Noel's Spicy Stream 01:28:07 Phase Talents Return 01:29:37 Subaru's Cute Outfit 01:32:03 Henya Cyber Girl 01:33:27 Myth's New Concert 01:34:39 Holostars New Concert 01:35:04 Prisci 01:35:56 Upcoming Globie Graduations 01:36:23 Calli's New Song Orpheus 01:36:54 Subaru's New Song Love Me! 01:37:53 Hajime's New Song Chachamonya 01:38:39 Kobo's New Song Fond Memories 01:39:39 ReGLOSS's New Song Hour Time Yellow 01:40:56 Vivi and Chihaya covered Tip Tap Tip 01:41:14 Kiara's lofi covers 01:41:34 Flayon and Bettel covered Feel 01:42:04 Airi covered Cerno's Perfect Math Class 01:43:59 OBKatieKat covered Soft Spine 01:44:40 Vexpo and Offkai Performances 01:45:29 Kronii's Ring Fit Stream 01:47:47 Haachama's FInal Cooking Stream 01:50:22 Airi's Birfday 01:53:16 VAllure's Jump King Collab 01:54:58 Quetzu's Mexican Food Tierlist 01:56:14 Miwa's Scratching ASMR 01:59:08 Ala's Peak Collab 01:59:53 Kiara Watched the Nintendo Direct 02:01:08 Community and Shilling 02:07:39 Birfdays

很多人年輕時都嚮往自由、害怕被「家庭」束縛，法比歐（Fabio Grangeon）也曾一度覺得自己不會結婚。 但現在的他，不只在台灣落地生根，更成為了一位爸爸。 而這段身分轉變，也悄悄改變了他對「自由」與「幸福」的定義。 在這集節目中，法比歐談起初為人父的心情轉折，也分享自己如何在家庭與自我之間找到平衡，以及他眼中，那些真正構成幸福的日常小片刻。

In this episode, we are joined by best-selling romance author Lexi Blake! Lexi is the author of over 100 books and has been in the indie author and self-publishing space for well over a decade now. As a result, she has lots of advice to share to her fellow indie authors in this episode. Lexi's popular books include the Masters and Mercenaries series, the Park Avenue Promise series, and more. Here latest, Spy With Me, is book five in the Masters and Mercenaries: New Recruits series. We were honoured to have Lexi on the show as our guest and delighted to hear some great advice from her. We talked about Lexi's history in indie publishing, the challenges she's faced as an indie author, and get some insight into her publishing and promotional strategies. We also got to hear some great advice for indie authors at all stages of their career! Don't miss this opportunity to listen and learn from an expert like Lexi. Visit Lexi's website to learn more and check out Lexi's books on Kobo.

有些人從小就知道自己要去哪裡；也有些人，一直走在未知的路上——但也正因如此，他們看過更多風景。 今天的來賓法比歐（Fabio Grangeon），是一位演員、主持人、模特兒，代表作包括電影《刻在你心底的名字》與戲劇《斯卡羅》。 他出生於法國南方，在加勒比海度過童年，17歲前搬過16次家；從歐洲來到台灣，原本一句中文不會，如今在這座島上生活14年，也在這裡成為父親。 在這段對談裡，法比歐分享了自己從小漂泊的成長背景，以及父母截然不同的性格如何形塑了他；也談到他眼中的台灣與法國文化，以及如何在日常裡創造「法比歐式」的生活美學與儀式感。

In this week's episode, we take a look at permafree as a marketing strategy for indie authors, and examine if it still works. I also take a look at advertising results for August 2025. This coupon code will get you 25% off the ebooks in my Cloak Mage series at my Payhip store: FALLMAGE25 The coupon code is valid through September 22, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 268 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 12th, 2025, and today I'm looking at whether or not Permafree is still an effective strategy for indie authors. As a related topic, we'll also take a look at how my ads performed in [August] 2025, and we'll also have a Question of the Week this week. But first, let's start with Coupon of the Week. So for Coupon of the Week to celebrate the fact that I'm working on Cloak Mage again, this coupon code will get you 25% off the ebooks in the Cloak Mage series at my Payhip store, and that is FALLMAGE25. And as always, the coupon code and links to my store will be available in the show notes. This coupon code is valid through September 22nd, 2025. So if you need a new ebook for this fall, we have got you covered. Now for an update on my current writing and audiobook projects. I'm about 82% of the way through the first round of edits for Blade of Flames, the first book in my new epic fantasy series called Blades of Ruin. If all goes well, that will be out before the end of September, and if you want to see what the cover art will look like, it's on my website and my social pages right now. I'm also 12,000 words into Cloak of Worlds, the aforementioned return to the Cloak Mage series, and that will be my main project once Blade of Flames comes out. In audiobook news, recording is done for both Shield of Power (as narrated by Brad Wills) and Ghost in the Siege (as narrated by Hollis McCarthy). They're both going through processing right now. As of this recording, I believe you can get Shield of Power on Google Play, Kobo, and my Payhip Store. The other links and the other links for Ghost in the Siege should be coming up before too much longer, hopefully before the end of the month. So that is where I'm at with my current writing and publishing projects. 00:02:00 Question of the Week [Question of the Week was posted on September 10, 2025] Now It's time for Question of the Week, which is intended for enjoyable discussions of interesting topics. This week's question, do you dislike guns showing up in fantasy novels? No wrong answers for opinions, obviously. The inspiration for this question was a blog post I saw where the writer was complaining about the increased number of guns in modern fantasy novels and how it shatters her suspension of disbelief, and she also found it an unpleasant topic because the ownership and regulation of firearms in the United States is a contentious topic and has been so for decades. And as you might expect, readers had a variety of opinions on this question. Adrian says: Nope. Fantasy is basically, in my humble opinion, the swords and sorcery type of genre. Yes to old fashioned weapons like bows and arrows, javelins, and trebuchets, et cetera, but definite no to guns (of any type), tanks, airplanes, et cetera. Jonathan D. says: In the right setting, firearms are fine in fantasy books. Men in Arms by Terry Pratchett and the Rigante Series by David Gemmell are great examples of firearms in fantasy done well. Wilson says: It depends on your definition of a gun because an energy rifle powered by a soulstone would be something that would fit into Andomhaim. Though I have to say that is not something I will ever write in an Andomhaim book. Mary says: Steampunk and suchlike genres are developing how to work with technology and fantasy, and I approve when it's done right. I particularly like what Moe Lane's doing in The Fermi Resolution. If you start with the first published book, Frozen Dreams, which is a post-apocalyptic North America high fantasy, hard boiled detective novel, it goes into how every wizard can make your own ammo blow up on you and the consequences. Ioana says: Mrs. World Burner should have lots of guns. #HailToTheHighQueen #SingularitySucks Jason says: Handheld firearms were first used in the West in the 1330s, so they actually predate full plate armor by about a hundred years. That said, the gun shape we're used to came about in the late 1400s. I'm perfectly fine with firearms and fantasy novels provided they're (more or less) what we expect in a medieval setting. Jesse says: Never bothers me as long as long as the stage of weapon development reasonably lines up with the field of the science in said fantasy world. Someone walking around with laser sights in a medieval hamlet would break it for me a bit. Michael says: I remember much of video games (and at least one famous Dungeons and Dragons scenario, possibly two) back in the ‘80s had the “players stumble across a crashed starship trope” where you could end up with power armor and ray guns in a fantasy settings, which would be perceived as magic. I like that kind of cross genre gun introduction more than gunpowder becoming commonplace, I think. The video games he's referring to are Heroes of Might and Magic 6 and 7, both of which I played back in the day and are quite good. Juana says: My suspension of disbelief gets knocked out more by dialogue than guns. Jenny says: Guns aren't as bad as cell phones, in my opinion, or the magical equivalent of a cell phone that is not even trying to be anything but a cell phone. What's interesting is if you read a book that is determinedly set in the 1980s, like the Kinsey Millhone Mysteries by Sue Grafton are all determinedly set in Los Angeles in the 1980s, which is way pre-cellphone and how much extra work the protagonist has to do in investigating since Google doesn't immediately bring everything to her fingertips. Jimmy says: Fantasy doesn't require medieval setting, nor does it require swords. If you study medieval warfare, then you'll notice two things. One, only the rich have swords. Two, it is a secondary or tertiary weapon. Swords are notoriously weak. They break often. The use of guns really depends more on the story's background than it does on the genre. Bonnie says: I agree, they're okay, depending on the time period/environment involved. There's no way that they would be okay with Caina or Ridmark! Cheryl says: Nadia needs guns. I guess it depends on the fantasy topic being written. John says, I'm kind of into Flintlock fantasy, e.g. Powdermage series, et cetera. Urban fantasy also requires firearms. My favorite historical European period is really the “Knights and Guns” era, which would be the early modern period. Todd says: A deeper question is how do guns fit into the culture? In the Cloak Games/Cloak Mage universe, there are ongoing wars, so gun use and safety is taught in schools and veterans are expected to maintain proficiency against the Shadowlands incursion. There's a balance there, and the punishment for criminal misuse includes slogging and loss of freedom, if not execution. So while I think the amount of firearms in Nadia's world is a bit over the top, I can see it making sense culturally and contextually. In a different culture, it may or may not make sense. In a classic medieval setting, it wouldn't make sense. Conversely, in early 1800s Western America, a limited amount of firearms were to be expected. Every little house on the prairie would be expected to have a few rifles and perhaps a pistol or two. Setting, culture, and context all determine what the reader will find appropriate. And finally, Randy says: Depends on how they get there. Guardians of the Flame series had college kids reinvent them, which made sense, and their opponents figured out their own version. When one side has them and the other is too dumb to steal/capture some and figure them out, then yes, it doesn't work. So as you can see, we had quite a range of opinions there. For myself, I really have no strong feelings about it one way or the other. I do think guns are best suited to urban fantasy environments. In Cloak Games and Cloak Mage, as several commentaries mentioned, Nadia goes through a lot of guns. Granted, my favorite type of fantasy is what it's called basic fantasy or generic fantasy where a barbarian, a dwarf, an elf, and a wizard go to a dungeon and kill orcs and monsters. Firearms would definitely be out of place in that sort of setting. That said, I think guns and fantasy is like any other story trope and just needs to be done well to be enjoyable. I suppose it's a matter of properly setting the table for reader expectations. Like if you have a medieval style of fantasy world like Half-Elven Thief, it'd be weird to have guns suddenly show up. But if you create a setting that's an analog for 1880s America, but with wizards, then guns wouldn't be out of place. So that is it for Question of the Week. Thanks to everyone who commented and left insightful and interesting comments. 00:07:40 Advertising Results for August 2025 [Prices mentioned are USD] Now let's go on to the first of our interrelated main topics, my advertising results for last month, which would be August 2025. I haven't done an ad results roundup for a couple months, partly because it's been a really busy summer and partly because I've been adjusting some things and waiting to see the results. I'll explain more later, but the short version is that I'm losing confidence in the effectiveness of Facebook ads for selling books. But first, let's see some advertising results for August 2025. Let's start with Facebook ads where I advertise the Ghosts, Cloak Games/Cloak Mage, and the Frostborn series. The Ghosts, I got back $8.40 for every dollar spent, with 6% of the profit coming from the audiobooks, which was really nice. This one was a bit of anomaly because Ghost in the Siege did a lot of heavy lifting for this. For Cloak Games/Cloak Mage, I got back $2.70 for every dollar spent, with 12% of the revenue coming from the audiobooks. And for Frostborn, I got back $2.83 for every dollar spent, with 30% of the revenue coming from the audiobooks. Now on to Amazon ads. Remember, for an Amazon ad to be profitable, it needs to generate at least one sale/complete KU readthrough every six to eight clicks. So for Demonsouled Omnibus One, I got $5 back for every $1 spent, with a sale for every 0.82 clicks, which was really good. For Half-Elven Thief, I got back $1.22 for every dollar spent, with a sale for every 2.47 clicks. And for Dragonskull Omnibus One, I got back $28.75 for every dollar spent, with 65% of the profit coming from the audiobook, with a sale for every 0.11 clicks. Now, obviously these numbers require some explanation. The profit margin on Half-Elven Thief was narrow, but the entire series made up for it, so that's okay and it will improve when I start writing more books in the series later this year. In fact, I think I'm going to start writing the fifth one in October, if all goes well. The numbers for Dragonskull Omnibus One were so high because the ebook is $0.99, but the audiobook brings in a lot more than the ebook, something like 10 times, no, 20 times more than the ebook. BookBub ads do quite well with Google Play and Barnes and Noble. The numbers are too long to quote here, but they did quite well. All that said, the reason I'm losing confidence in Facebook ads is a combination of the loss of granular targeting and over-reliance on AI targeting. One of the paradoxes of online advertising is that the smaller and more granular your audience, the more likely your ad is to convert to sales. Narrow, targeted advertising is so much better than broad targeting. Unfortunately, Facebook has been slowly removing the more granular targeting options in favor of broader categories that don't work as well. Like you used to be able to target dozens of fantasy authors as interests for Facebook users. Now, you can only target epic fantasy and maybe J.R.R. Tolkien. In fact, I confirmed this just this morning, but you can't even target Brandon Sanderson as an interest, and he's probably the most popular epic fantasy author publishing today. To take the place of more granular targeting, Facebook has introduced AI assisted targeting, which they call Advantage Plus. Now, there's no beating around the bush. Advantage Plus isn't very good. It can garner a reasonable number of clicks on an ad, but those clicks don't convert to sales. Even with ads that don't use Advantage, Facebook still sneaks it in. So the effectiveness of Facebook ads has been in decline. Like I turned off the Facebook ads for the Demonsouled series entirely in August, and my results actually improved a good bit. So I'm going to test another series with no Facebook ads for September, and we'll see how much the results vary. Specifically, I think I'll turn off Facebook ads for Cloak Games/Cloak Mage, leave them on for Frostborn, and see if it makes any difference, and if it does make a difference, it will be time to reevaluate some advertising strategies. On the plus side, I didn't lose any money at any of my ads this month and they all turned a profit, and as always, thank you to everyone who was reading and listening to ebooks and audiobooks. 00:11:41 Does Permafree Still Work For Indie Authors? Now on to the other half of our main topic: Does Permafree still work for indie authors? One of the perennial debates in Indie Author Land is whether or not making the first book in your series free still works as a marketing tactic or not. Now, at this point, I've been doing this for over 14 years, and I have a lot of different series and quite a few different ones with free first books in the series. I thought it might be interesting to dig into the sales data and see what percentage of people who downloaded the first book went onto the second book and then the final book in the series. A few caveats and conditions: first, this is only for 2024 and the first half of 2025, since I wanted a set time sample for the data. Additionally, this is also useful for showing the conversion rate on a finished series that hasn't had a new book in years, since the final book in the Frostborn series came out in 2017, which was eight years ago at this point. Second, it will only apply to a series whose first books were free for that entire time period. Third, when I talk about conversion rates, I mean what percentage of free downloads translated into sales. For example, if Book One had a hundred free downloads and then 12 sales of Book Two and nine sales of the final book, that means 12% of people went onto the second book and then 9% on to the final book. So we had a conversion rate of 12% from the first free book to the paid second book, and then a conversion rate of 9% from the free first book to the final book in the series. So with all that in mind, let's take a look at permafree conversion rates for some of my series in 2024 and 2025. For The Ghosts, 13.47% went to the second book, and 12.72% went on to the final book. For Frostborn, 13% went to the second book and 12.93% to the final book. For Sevenfold Sword, 22.93% went to the second book and 22.81% on to the final book. For Cloak Games, 11.85% went on to the second book, and 11.67% to the final book. Silent Order, 14.64% went on to the second book, and 14.54% went to the final book. For The Tower of Endless Worlds, 17.46% went to the second book, and 17.46% went onto the final book. So I think there are a couple of conclusions we can draw from this. First, making the first book in a series permafree remains a viable marketing strategy. It doesn't usually result in dramatic spikes of sales, but instead it is good at generating more of a steady trickle. Second, anything you can do to increase the number of downloads of your free books will likely increase the sales of the paid books later in the series. That said, there are caveats. You want methods to increase the free downloads to people that might conceivably be interested in buying the books. Targeted advertising can be an effective way to do this. What's not effective is using bot farms or help from a bunch of scammers to generate a big download in free books. At best, you'll generate a bunch of downloads that won't convert, and at worst ebook platforms will detect suspicious activity and either delist your free ebook or suspend your account. Third, this strategy works even with books you don't promote very often. For example, I don't bash on the Tower of Endless Worlds because for some people it's their favorite book of mine. But in all candor, I do think it's one of my weaker books. I was trying to do something with urban fantasy I don't think I had the skills to do until Cloak Games, which was like 12 years later. So I don't really promote it, save that I made the first book in the series free a long time ago and kept it that way. It's still 17% of the people who downloaded the first book continued onto the final one. Fourth, this strategy does require some patience. It can take a while for people to read through a series. It can also take a while for a free book to get traction. Fifth, I at times hesitate to recommend this because saying write five books and make the first one free is easy to say, but it's a lot of work to do. For many new writers, getting the first book done and out into the world is a monumental challenge, then telling them to do it three or four more times and then to make the first book free does seem like a big ask, but it does work (sometimes slowly), but it does work. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.

Analizamos el lector electrónico Kobo Clara Colour, el nuevo modelo con pantalla a color que permite disfrutar de libros ilustrados, artículos web y audiolibros, y que además se posiciona como una alternativa económica y práctica frente a los Kindle y otras marcas del sector. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deze week praten Jurian Ubachs, Tijs Hofmans, Yannick Spinner en Jelle Stuip over de Mother of all Meets, losless audio bij Spotify, de AI-rechtszaak van Anthropic rond het stelen van boeken, de mislukte Kobo-update en Apples aankondigingen van deze week, waaronder de nieuwe iPhones. 0:00 Intro0:19 Opening1:13 .post23:06 Tweakers bedankte zijn admins en mods28:15 Je krijgt gratis lossless audio van Spotify34:44 Er komt schot in AI-rechtszaken42:03 Kobo brickte de eigen e-readers47:04 Zit iemand te wachten op iPhone Air?1:16:55 SneakpeekSee omnystudio.com/listener for privacy information.

Welcome to the Kobo ReWriting Life Podcast! Alongside your regularly scheduled Kobo Writing Life podcast episode releases, we will also be featuring some highlights from our backlist. This episode featuring Brenna Aubrey is all about translations and how to find success in a foreign language market. Brenna had great advice about being a globally conscious author, translation rights, and more! Breakout star in France, Italy and Germany, Brenna Aubrey gives listeners tips on translations. She advises on how to decide if translations are right for you, how much money an author should budget for translations, picking which market to target and selecting which backlist titles to translate. Brenna also discusses how she fell into her niche (writing “geek romance”) and why ultimately, she decided on self-publishing rather than traditional publishing. To learn more, visit Brenna's website.  

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Apple Podcast限時一個月免費試聽正式開跑！年底驚喜抽獎公布 大家週ㄧ愉快！本集節目為台灣時間9/8的節目 如何開啟Podcast訂閱服務 Patreon訂閱往這邊走 免費訂閱通勤精釀電子報 合作邀約請聯繫：onthewaytowork2020@gmail.com IG: @onthe_waytowork https://www.instagram.com/onthe_waytowork/ Powered by Firstory Hosting

Kathryn is joined by Coach Julie to talk about letting go of the fixation with weight, body size, and shape. Weight is a complex topic, and concerns don't disappear overnight—but you can make progress so that weight issues don't interfere with recovery from binge eating. In this episode, you'll learn how shifting your focus away from changing your body and toward caring for your body helps create space for self-trust, true healing, and long-term health. More weight related resources here:BrainoverBinge.com/Weight/ Get the FREE 30-day Inspiration Booklet Brain over Binge resources: Get personalized support with one-on-one coaching or group coaching Subscribe to the Brain over Binge Course for only $18.99 per month Get the Second Edition of Brain over Binge on Amazon and Audible, BarnesandNoble.com, Apple iBooks, or Kobo. Get the Brain over Binge Recovery Guide Disclaimer: *The Brain over Binge Podcast is produced and recorded by Brain over Binge Recovery Coaching, LLC. All work is copyrighted by Brain over Binge Recovery Coaching, LLC, and all rights are reserved. As a disclaimer, the hosts of the Brain over Binge Podcast are not professional counselors or licensed healthcare providers, and this podcast is not a substitute for medical advice or any form of professional therapy. Eating disorders can have serious health consequences and you are strongly advised to seek medical attention for matters relating to your health. Please get help when you need it, and good luck on your journey.

Si parla di come risolvere problemi di risoluzione di applicazioni Windows su schermi a 4k, dell'integrazione di Instapaper e Kobo, di come automatizzare la gestione della doppia SIM, dei primi feedback su Parachute Backup, di alcuni SSD truffaldini,...

Kathryn talks with Ted Ryce—health expert, high-performance coach, and host of The Legendary Life Podcast. Ted shares his journey of resilience through tragedy and his experience helping successful professionals who struggle to prioritize health. Together, they discuss how to care for yourself during stressful hardships and seasons of high-achievement, and how balanced approaches to food and fitness can support you without extremes. Get the FREE 30-day Brain over Binge Inspiration Booklet Learn more: Ted Ryce Legendary Life Podcast Legendary Life Podcast Ep. 644: Brain Over Binge: How to Overcome Binge Eating Without Willpower with Kathryn Hansen Brain over Binge resources: Get personalized support with one-on-one coaching or group coaching Subscribe to the Brain over Binge Course for only $18.99 per month Get the Second Edition of Brain over Binge on Amazon and Audible, BarnesandNoble.com, Apple iBooks, or Kobo. Get the Brain over Binge Recovery Guide   Disclaimer: *The Brain over Binge Podcast is produced and recorded by Brain over Binge Recovery Coaching, LLC. All work is copyrighted by Brain over Binge Recovery Coaching, LLC, and all rights are reserved. As a disclaimer, the hosts of the Brain over Binge Podcast are not professional counselors or licensed healthcare providers, and this podcast is not a substitute for medical advice or any form of professional therapy. Eating disorders can have serious health consequences and you are strongly advised to seek medical attention for matters relating to your health. Please get help when you need it, and good luck on your journey.

In this episode of No Filter with Kobo, Gabby dives into one of the most iconic makeup categories—lipsticks—and explores the science behind achieving color, texture, and innovation. From high-pigment classic sticks to ultra-glossy vinyl finishes, she's joined by Carl Orr, veteran formulator and consultant at Kobo Products, who shares deep insights into what it takes to create standout lip products, including ingredient choices, mold differences, and techniques for achieving vibrant, high-performance color.Later, the conversation shifts to KLP-298-EU Powder Sensation Liquid Lip Color, a plastic-free cream-to-powder formula developed to match the performance of traditional microplastic-containing lipsticks. Elsie is joined by Urmi Dhamnaskar, a formulator at Kobo's UK lab, who breaks down the multifunctional powders and ingredient technologies that create a weightless feel and soft-focus finish while staying aligned with clean beauty and regulatory goals.Whether you're a formulator, brand developer, or simplycurious about what makes a great lipstick, this episode of The Lipstick Lab reveals how science, sustainability, and creativity come together on the lips.To learn more about the Powder Sensation Liquid Lip Color formula, visit the link: https://www.koboproductsinc.com/formulations/KLP-298-EU.pdf No Filter with Kobo is also now available to watch on YouTube! Be sure to check it out: https://www.youtube.com/channel/UCHSNMsGMgAgT_nVKLZalTMw  ABOUT US: Since 1987 Kobo has provided innovative, technology-basedraw materials to the cosmetic industry. The product range includes Surface Treated Pigments, Microspheres, Suncare and Color Dispersions, Silicone Fluids, Specialties, Natural Ingredients, Effect Pigments, Boron Nitride and Delivery Systems. Kobo has five locations, USA (Corporate Headquarters), France, Japan, Brazil, and UK and is represented globally by independent agents.Learn more at: ⁠https://www.koboproductsinc.com

In this episode, we are joined by Canadian author Noreen Nanja, whose debut romance novel, The Summers Between Us, was published this year via Penguin Random House. The Summers Between Us is a dual timeline second-chance romance set in Canadian cottage country and is the perfect read for these late summer days—or anytime of year! We had a wonderful time reading this novel (and chatting with Noreen, of course) about all things writing, editing, and developing your debut novel. Noreen spoke to us about how she got her start as an author, her experience being an author's mentee, writing a dual timeline romance, working with an editor, and much more!  Learn more on Noreen's website and grab a copy of The Summers Between Us on Kobo!

【危機應變實戰｜意外來臨前的關鍵準備】 ・避難準備與逃生規劃－從零到準備萬全！ ・數位防衛與足跡意識－善用工具守護資安！ ・居家安全與防身逃生－深化自我防衛意識！ ・高頻率突發意外應對－遠離與應對常見意外 課程介紹：https://hi.sat.cool/fLZf1 ，結帳輸入「min350」再折 350 元 . 【2025 樂天 Kobo 9週年慶】

  I talked with Dr. Pamela Keel about her new study exploring the biological underpinnings of binge eating. We discuss how weight suppression affects key hormones—GLP‑1 and leptin—and how those changes can reduce satiety and drive binge eating. Dr. Keel explains what this means for understanding urges, recovery, and weight restoration—and we also discuss the potential role and risks of GLP‑1 medications in treatment. Learn more about Pamela Keel and her new study:  FSU researcher's new findings connect biological and behavioral consequences of weight loss to binge eating Pamela Keel, PhD Brain over Binge resources: Get the FREE 30-day Inspiration Booklet Get personalized support with one-on-one coaching or group coaching Subscribe to the Brain over Binge Course for only $18.99 per month Get the Second Edition of Brain over Binge on Amazon and Audible, BarnesandNoble.com, Apple iBooks, or Kobo. Get the Brain over Binge Recovery Guide   Disclaimer: *The Brain over Binge Podcast is produced and recorded by Brain over Binge Recovery Coaching, LLC. All work is copyrighted by Brain over Binge Recovery Coaching, LLC, and all rights are reserved. As a disclaimer, the hosts of the Brain over Binge Podcast are not professional counselors or licensed healthcare providers, and this podcast is not a substitute for medical advice or any form of professional therapy. Eating disorders can have serious health consequences and you are strongly advised to seek medical attention for matters relating to your health. Please get help when you need it, and good luck on your journey.

Welcome to the Kobo ReWriting Life Podcast! Alongside your regularly scheduled Kobo Writing Life podcast episode releases, we will also be featuring some highlights from our backlist. Today, we're bringing you a recording of a live Q&A event with Maria Fesz, team lead of collection development at OverDrive! This Q&A is full of great information on how to get your books onto those (digital) library shelves. In this episode, we spoke to Maria Fesz, who is team lead of collection development at OverDrive. Kobo and OverDrive are companies with a combined passion for readers and reading and by working together, we have developed a way to make it easy for KWL authors to opt their titles directly into OverDrive's library marketplace. This conversation consisted of great conversation and plenty of helpful information, including: The importance of selling to libraries BISAC codes Preorder titles How to opt in your books to OverDrive via KWL And much more! Check out OverDrive's website to learn more.

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Hi, I'm Wayne Kelly, a writer, podcast host and coach. I love to help writers develop their skills and get their books and stories out into the world.This week I'm joined by Stefan Mohamed, author of The House on Utopia Way. Stefan has published award-winning YA and speculative fiction, but in this conversation we dive into his surreal, cyberpunk-noir detective novel, and the winding road that took him from traditional publishing into the world of self-publishing. We also cover the frustrations of the current publishing landscape, the challenges of marketing your own work, and why writing communities are so important for keeping creative momentum alive. As always, there's plenty here to inspire and encourage you in your own writing journey.About Stefan MohamedStefan Mohamed is an award-winning writer originally from mid-Wales and now based in Bristol. His debut novel, Bitter Sixteen, won the Sony Reader Award – a short-lived but prestigious category of the Dylan Thomas Prize – and went on to launch a trilogy with Salt Publishing. Alongside his fiction, Stefan works as a freelance writer, editor, and events organiser.  His latest book, The House on Utopia is out right now. You can find out more about Stefan and his work at https://www.stefmo.co.uk/Episode Highlights• The inspiration behind The House on Utopia Way and how online disinformation and fractured realities sparked the story.• Why noir and sci-fi tropes work so well together.• Stefan's journey from writing on an Amstrad word processor as a child to publishing award-winning novels.• The frustrations of traditional publishing and what led him to choose the indie route for his latest book.• What he's learned about editing, self-promotion, and finding support as an author.• Why writers need to lift each other up in a landscape where publishers are stretched thin.Find Out MoreYou can order The House on Utopia Way directly from Stefan's website or grab the ebook on Amazon and Kobo. Keep an eye out for the special edition from Scarlet Ferret, which will include exclusive bonus content.  Follow Stefan on Instagram and Bluesky @stefmowords.Links and ExtrasWayne's Self-Publishing Packages – If you're inspired by Stefan's indie journey and want help bringing your own book to life, check out my publishing services at: wkwproductions.co.uk/selfpublishing

In the much-delayed final episode of our series on mindset for writers, we take a look at when writers should change course, and talk about the importance of mental flexibility. This coupon code will get you 25% off the ebooks in the Frostborn series at my Payhip store: AUGUSTFROST The coupon code is valid through September 8, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 265 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August 22nd, 2025, and today we are considering when a writer should change course. This is a new episode. It's the third and final one in the mindset series that I had hoped to finish in June, but it was a very busy summer, and so I ran quite a few reruns of old episodes over the summer, but today I have time to record a full length episode, so we're going to do that and wrap up this series on mindset that we've been doing this summer. We will also do Coupon of the Week and an update on my current writing and audiobook projects. First up is Coupon of the Week and this week's coupon will get you 25% off ebooks in the Frostborn series at my Payhip store, and that code is AUGUSTFROST. As always, the coupon code and the store links will be available in the show notes for this episode, and this coupon code will be valid through September 8th, 2025. So if you need a new ebook to read as we wrap up summer and head into fall, we have got you covered. Now let's do an update on my current writing projects. I'm pleased to report to that Ghost in the Siege, the sixth and final book of the Ghost Armor series, is out. You can get it at Amazon, Barnes and Noble, Kobo, Apple Books, Google Play, Smashwords, and my Payhip store. And with that, my Super Summer of Finishing Things is finally complete because I have finished the Shield War series, the Stealth and Spells trilogy, and now the Ghost Armor series. So now that those three series are done, what is next? Right now my main project is Blade of Flames, the first book in a new epic fantasy series that will be set in the Kingdom of Owyllain from my Sevenfold Sword series and I am 29,000 words into that. My secondary project right now is Cloak of Worlds, the 13th book in the Cloak Mage series, and I am 1,000 words into that. So hopefully we will have Blade of Flames come out towards the end of September and Cloak of Worlds come out towards the end of October, if all goes well. So my plan now that I have only three unfinished series is that the Blades of Ruin series (of which Blade Flames is the first one) will be my flagship series, and I'll do one of those every other month and then the month in between I will alternate between writing a Cloak Mage book and a Half-Elven Thief book. I will continue that schedule until one of those series is completed and then I will start a new one because what I learned through 2024 and the first two thirds here of 2025 is that having five unfinished series at the same time is too many. It's hard to keep up in my head and it makes for a really long wait for the readers between the individual entries in the series. So I'm going to stick to just three from now on and as I said, I'll have a flagship series and then two that I will alternate back and forth between in the months between the releases for the flagship series. So that is probably what I'll be doing for the rest of 2025 and hopefully most of 2026, if all goes well. In audiobook news, recording is underway for Shield of Power, which will be excellently narrated by Brad Wills. I've been listening to some chapters from that. Work has just started by Hollis McCarthy on recording Ghost in the Siege, so that will hopefully be an audiobook before too much longer. So that's where I'm at with my current writing and publishing and audiobook projects. 00:03:29 Main Topic: Mindset Series: Changing Course And now to our main topic, the final episode in our mindset series and we talk about changing course. In previous episodes on this topic, I've talked about some of the practical ways to help with distractions, procrastinating, and managing time wasters. In this episode, I'm going to focus on things that derail writers from a mindset perspective. Today we're going to wrap up this series by talking about mental flexibility, knowing when to change course, and how to make those types of decisions without spiraling out. First, we'll discuss a few reasons why mental flexibility is an important attribute to possess and then provide you with five examples of times it has been important for me in my writing career. First, why is having mental flexibility and the ability to change course important? With how fast things change in publishing, you have to be willing to change strategies or discard a strategy that's not working for you. An example is that many people who are familiar with Amazon ads swear by using Amazon keyword ads. After much experimentation, I concluded they weren't very helpful for fiction. The reason for that is I found that for most books that are sold off Amazon, people will sit down and type, for example, “Brandon Sanderson latest book” or “J.D. Robb latest book” or “Stephen King latest book” and so on. If you bid high enough, you can get top of search for those where if you pay $2 a click or $2 for the bid and someone types in “Stephen King latest book”, you can get your book to appear at the top of the page with the ad. However, in practice, what actually happens is the person who sat down to look for “Stephen King latest book” isn't looking for your book, he's looking for Stephen King's latest book. So he or she will simply scroll past the ad result with your book and then click on Stephen King's book. The only way I found that keyword advertising works for fiction is if you write towards very specific tropes and are willing to pay a lot of money for those clicks. For example, you write a romance that's a “slow burn, no spice, enemies to lovers romance”, and there are people who search for exactly those tropes, and if you use keyword ads to bid for that, you could get it, but it's very expensive and it's very difficult to turn a profit. Because of my experiments with this, I saw that although many people say keyword ads are essential, I didn't cling to that piece of advice and switched my Amazon ad focus to having a few more category ads and Audible ads for each title, and that has been pretty nearly profitable most of the time, certainly more profitable than just relying on keyword ads would be. I should note the one exception for that would be that keywords ads do work very well for nonfiction where, for example, my Linux Command Line book, I can pretty easily run ads to it for search terms like “Linux Command Line” or “Linux Command Prompt.” And because people are looking for a nonfiction book on that topic without looking for a specific author, that can work. In keyword ads, I found that for fiction, people are looking for a specific author and want that specific author, whereas for nonfiction, they're looking for the topic and don't care so much about the author, so long as the book has good reviews and looks like the author knows what he or she is talking about. Another reason to be mentally flexible is that something new might actually make things easier for you. I used to work in IT support, and so I fairly often encountered someone who stubbornly clings to the way they learn something. I knew numerous people who memorized a specific way to do a task on their computer and then just stuck to that and avoided doing anything easier, such as, for example, not learning to use keyboard shortcuts. And as you know, if you do a lot of office work, learning keyboard shortcuts like Control + C for copy, Control + V for paste, or Control + Z to undo can save you a whole lot of time over compared to very laboriously clicking through the menus with your mouse. People like that very frequently resist a learning curve in favor of a slower approach because it's working for them, but then they lose out on a faster and easier way to do something. Change is not always good, but sometimes change can be good. And the thing about indie publishing is that change is constant. In a field where change is constant like indie publishing, you can't cling to something that first worked when you started out. Trying new software, learning new skills, and keeping up with changes in ebook platforms is something self-published writers must do. Another reason to retain mental flexibility is you might be missing out on a source of revenue. If you're not willing to change sales strategies when the market changes, you might be missing out on potential readers. For example, as people are tightening their budgets in these times of economic uncertainty, they might be less likely to buy individual books and focus their book spending on a subscription like Kindle Unlimited or Kobo Plus. If you don't have content on those platforms for readers, you're missing out on readers who have shifted their spending. For myself, I only have some of my books on Kindle Unlimited because of the exclusivity requirement, but everything I have on Kobo should be available through Kobo Plus, and typically on any given month on Kobo, at least 60% of my revenue tends to come from Kobo Plus instead of Kobo direct book sales. So that was a place where it was necessary to have the mental flexibility to make a pivot. Another good reason to be mentally flexible is that you might be missing out on something important that the data is showing you. One of the big advantages of being self-published is having access to complex and real-time data instead of having to wait for biannual royalty statements that don't provide information. There are some criticisms that can be leveled at Amazon for how much data they show authors. However, this is light years ahead of the kind of sales data that comes out of traditional publishing for writers where royalty statements were often quite arcane and difficult to understand by design, so the publishers could get away with paying the authors as little as possible. And because you have access to this data, you have basis for solid information, solid decision-making. For example, if one of my series is starting very strong in the UK in its first week of release, I can shift some of my ad spending to UK specific ads. Looking at sales and ad data gives you an opportunity to respond and change your approach. And sales data, even more than reviews, tells you if a book, series, or genre is working for you or if it's time to try something new. It's important not to fall prey to what's called the sunk cost fallacy, where you throw even more time and money on something that isn't profitable in hope of recouping the money that you've already spent. Sometimes it's wise to know when to cut your losses and run. It's probably a better use of your time to focus on the next book or series. Data can tell you which book or series that readers are most excited to see from you. Now that we've talked about the various good reasons that mental flexibility is important, I thought it'd be helpful to show you five times that I've had to use mental flexibility and change course over the course of my career as a writer. #1: Self-publishing. For all that I've been a proponent of self-publishing for the last 14 years, that wasn't always the case. I started out with the goal in the late ‘90s and early ‘00s of being traditionally published. Demonsouled actually was traditionally published along with some short stories. However, for a variety of reasons that I've talked about before, this turned out to be a dead end. Traditional publishing at that time was not interested in fantasy series like mine. I felt like traditional publishing was a dead end, and then I changed my efforts to blogging on computer-based topics. I'm still quite proud of the fact that in 2010, I made a good bit of money from Google Ad Sense off my tech blog, a feat which was difficult then and would probably be impossible now. Then I started to hear about self-publishing through Amazon, which at the time was a very new phenomenon. I started hearing about that in 2009/2010, thereabouts, and I initially wasn't very impressed and I wasn't very impressed with the idea of ebooks altogether. At the time, I had a huge collection of paper books and well, I don't have as many now. I still do have a fair bit of paper books, but at the time, I didn't think that ebooks could be a substitute for traditional paper books. Then at the end of 2010, in fact, the week after Thanksgiving, I bought my first Kindle, a third generation Kindle that was famously called the Kindle Keyboard because they had that little keyboard at the bottom, and I was very impressed with the device. I thought there has got to be a way to make money off this. As I started reading various writers groups, I came across Kindle Direct Publishing, and finally in April of 2011, I decided to give it a go and republished Demonsouled through it, and that's where it all began for me. #2: Learning new skills and adapting. I think one of the biggest parts of why I've been fortunate enough to be able to do this for as long as I have is the willingness to take the time and effort to learn or try something new. I've had to teach myself how to format ebooks in several different programs, how to start first the LLC and then a S Corp, which finally involved realizing I couldn't do it myself and hiring people familiar with the appropriate documentation to do it for me, how to hire narrators and proof audio, how to file 1099s for narrators (that was a whole experience, lemme tell you), how to create a direct sales platform on Payhip, how to create my own book covers in Photoshop, how to make various 3D images myself for those book covers, how to maintain and update my website, how to do Amazon ads, how to do BookBub ads, how to do Facebook ads. So in the past 14 years I've been doing this, I think it's fair to say I've acquired quite a few new skills along the way. Each time I weighed out if not having this skill was holding me back. For example, creating my own covers became an absolute necessity for me after a while because even the most experienced cover designers could not create covers at the pace I published. Well, they could, but it's more accurate to say that the cover designers, the really good cover designers, the ones I wanted to hire, worked so far out in advance that you had to book them nine months to maybe a year in advance. And I eventually came to find that very rigid and constraining to my writing process. A couple of my books have titles that are totally unrelated to what the book is about, just because I had to pick the title like nine months, twelve months out in advance. And while they were very good covers, I did find it a little bit constraining that I had to try and keep the book at least close to what the cover was. If I hadn't changed course and learned how to do it myself, it would've limited how many books I could publish in a year, and likely it would've cost me many thousands a year in lost revenue. Therefore, having the mental flexibility to learn new things is a major skill in self-publishing. And the thing I'm contemplating learning right now is something with video, because short form video seems to be a good way that many authors are connecting with their readers and their audience. It's just that I don't personally use short form video a lot, so I'm wondering if it'd be worth the effort to learn. I think it'd probably be worth the effort to learn, but I haven't decided on how to do that and need to do some more reading, which is another aspect of mental flexibility. #3: Changing pricing strategies. Permafree pricing book for free on ebook platforms was not as common of a strategy when I first started self-publishing in 2011. I mean, people were doing it, but not as many as now. At the time (and to this day, in fact), many people were outraged that thought of giving out an ebook for free and opine that it would devalue their work. The argument was that if you take a year to write a book and then people should at least be willing to pay as much as they would for, for example, a fancy Starbucks coffee. However, this overlooks the reality of economics where that something is only as valuable as people are willing to pay for it. And that in fact is, a good way to get people to pay for your remaining books is if they read the first one for free and then they like it enough that suddenly the remainder of the books in the series will have value for them and hopefully they will buy it. But back in 2011, I decided to give permafree a try because I had series instead of standalones, and it has been one of the most significant ways that people have found my work. If I listened to the sort of old school traditional thinking about pricing ebooks, I would've missed out on this opportunity. #4: Doubling down on audio. At one point, towards the end of, actually towards the middle of 2023, I was considering and had almost decided to give up on producing my own audiobooks due to the significant expense and how much time having to proof them was taking away from my writing. Instead, I thought about ways to make the workload easier. I hired someone to proof the audiobooks for me and then found ways to promote them through deals on platforms like BookBub and Chirp. I started to create more Amazon ads for them and focus on making audiobook anthologies because these are very attractive to people trying to get the most out of their Audible credit each month. Although it's still mainly a tax deduction for me at this point in terms of business value, I would've lost out on a growing revenue source and a big piece of the publishing market if I had given up on audiobooks. #5: And fifth and finally, as I've talked about before, the Stealth and Spells series. This series really challenged me because I had a very specific plan for a multi-book series (I was thinking like seven or eight books originally) and enjoyed writing the first one. However, there were a few problems with it that forced me to take a hard look at the series and change my original plans quite drastically. The series was originally called Sevenfold Sword Online, which confused fans of the original Sevenfold Sword series. I made the choice to change the title to Stealth and Spells Online to make the separation clearer, even though it's a pain to change titles, and that came with some confusion of its own. I also changed the covers to resemble some of the other LitRPG books because it was originally closer in look to some of my epic fantasy covers. These changes did help, but I had to take a cold hard look at the data. Sales and ad data clearly showed that it was time to cut my losses and focus on more profitable series. So I changed my series plans to wrap everything up in the third and final book rather than a multi-book series as I had originally planned and based on reader reception to the third book, I think it went pretty well. Ultimately, you can only plan so much as a writer, and you have to accept that those plans might need to change. One of the best gifts you can give yourself as a writer is the ability to be mentally flexible and not stick with plans, books, or attitudes that aren't working for you. Well, I hope you have enjoyed this mindset series and found it useful to your own situation. So that is it for this week. Thank you for listening to the Pul Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes athttps://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.      

Joanna Shupe joins us this week to celebrate her new book, The Gilded Heiress, and talk about one of our favorite things—baddies with a heart of gold! We talk about the book, about our mutual love of criminals, of noble scoundrels, of con artists and basically anyone willing to do crime in the name of love. We also talk about how everything Gilded Age is back again, which…ugh. We love Joanna and her book – come see us with her in Chicago on August 28th and in Brooklyn on September 9th.You can get The Gilded Heiress right now in print, ebook or audio at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books. If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. NotesWelcome Joanna Shupe, who writes mafia romance as Mila Finelli. Next week, her historical The Gilded Heiress comes out next week. Earlier this summer, she released her latest in the New York State of Mafia series, Empire of Seduction. You can see her on book tour starting the week of August 26th, including with Jen in Chicago on August 28th. Pinkertons & Bow Street Runners were early cops and private investigators. Check out Joanna's TikTok, which explores how the history of the Gilded Age is very relevant again: Tariffs are pretty bad, actually; the attempt to build an all white town in Arkansas, inspired by Apartheid South Africa, you can learn about

In this episode, we were joined by USA Today and New York Times best-selling historical romance author, Erica Ridley! Erica is a full-time author who publishes through both traditional publishers alongside her own self-published books. Erica has written dozens of books across multiple series and in many different sub-genres, with some of her best-sellers include the Dukes of War series, the Rogues to Riches series, and many more. We talked to Erica about how she went from working in advertising to being a full-time writer, her experience as a hybrid author, what genres she likes to write in and why, researching for her historical novels, her marketing strategies and how she uses her newsletter, her YA novel debut, and much more! We had a great time talking to Erica and she has lots of amazing advice to share in this episode. For more information, visit Erica's website and check out her books on Kobo.

Kaila Yu's memoir "Fetishized: A Reckoning with Yellow Fever, Feminism, and Beauty" is coming out on August 19. In this special interview episode, we discuss her upcoming book as well as one chapter which specifically highlights the inaccuracies and falsehoods found in the popular novel "Memoirs of a Geisha."Purchase Kaila Yu's Memoir from Bookshop.org by clicking here. It will also available wherever books are sold. (Not an affiliate link)Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms!

Kathryn answers more listener questions about the intersection of binge eating recovery and relationships—whether that's your relationship with yourself, romantic partners, friends, or family. This is the final episode in the series on healing your relationship with food, yourself, and others. Thank you to everyone who submitted questions—your vulnerability, curiosity, and willingness to contribute are deeply appreciated. Get the FREE 30-day Inspiration Booklet (this adds you to my email list) Parts 1-3 of this series:Ep. 171: Healing Your Relationship with Food, Yourself, and Others (Part I) Ep. 175: Healing Your Relationship with Food, Yourself, and Others (Part II) Ep. 179: Healing Your Relationship with Food, Yourself, and Others (Part III) Ep. 182: Healing Your Relationship with Food, Yourself, and Others (Part IV) Episodes mentioned in this show:Episode 15: Readiness for Recovery from Binge Eating Ep. 144: Eating Disorders and Narcissistic Relationships Ep 154: Eating Disorders and Recovery in the LGBTQ+ Community Brain over Binge resources: Get personalized support with one-on-one coaching or group coaching Subscribe to the Brain over Binge Course for only $18.99 per month Get the Second Edition of Brain over Binge on Amazon and Audible, BarnesandNoble.com, Apple iBooks, or Kobo. Get the Brain over Binge Recovery Guide   Disclaimer: *The Brain over Binge Podcast is produced and recorded by Brain over Binge Recovery Coaching, LLC. All work is copyrighted by Brain over Binge Recovery Coaching, LLC, and all rights are reserved. As a disclaimer, the hosts of the Brain over Binge Podcast are not professional counselors or licensed healthcare providers, and this podcast is not a substitute for medical advice or any form of professional therapy. Eating disorders can have serious health consequences and you are strongly advised to seek medical attention for matters relating to your health. Please get help when you need it, and good luck on your journey.

We're back with a deep dive episode on one of our favorite Susan Elizabeth Phillips books, Natural Born Charmer. Jen thinks this one marks SEP's Imperial Period, and Sarah's talking about why she looks askance at the term romcom to describe romance novels. We're back on our bullsh*t, is what we're saying. We're talking plot, character, risk-taking, and how romances can feel wildly expansive.This is our last deep dive of Season 7 -- more in Season 8, which begins in September. If you want to talk in depth about specific books, though, maybe you'd enjoy being a member of our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. NotesYou can get Susan Elizabeth Phillips's Natural Born Charmer at Amazon, B&N, Kobo, Apple Books or wherever you get your books.In season 2, we did a deep dive of an earlier Chicago Stars book, Nobody's Baby But Mine. We also did an episode with Susan in season 3. It's the interview that made us realize we should keep interviewing romance trailblazers. Jen was on Learning the Tropes to talk about another SEP book, Kiss an Angel. In 2003, the song Hey Ya by Outkast was number 1 for 9 weeks at the end of that year and into early 2004. In 2018, Rolling Stone ranked the song #4 in the top 100 songs of the 21st Century So Far. This article from Spin describes what it means when an artist is in their imperial period. Sleazy Burt Reynolds guy.Almost Famous (2000) is amazing movie about the rise and fall of a 70s rock band. A great thing happened during the baby races halftime show last week at a Las Vegas Aces game last week. Also at the Indiana Fever game. SponsorsScarlett Xavier, author of...

By request (and because Sarah needed books for her upcoming trip), we're talking about romance novels by Australian authors this week, with a nod to some New Zealanders as well. We discuss how historical romance has much maligned Australia, recommend some absolutely terrific books, many of which we've actually done deep dives on, and we talk about why so many Australian romances hit the spot with American readers. If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. Our next read along (next week!) is Susan Elizabeth Phillips's Natural Born Charmer. You can get it at Amazon, B&N, Kobo, Apple Books or wherever you get your books.NotesFrench Kiss is not available on streamers and it's very upsetting for those of us who know the deep magic of Kevin Kline & Meg Ryan.Australia is not the nation of criminals historical romance novels would like you to believe, but a lot of criminals did get sent there over an 80 year period from 1788-1868.Sarah is going to talk to the Romance Writers of Australia and the Romance Writers of New Zealand next month. Yes, she'll be going to Port Arthur in Tasmania to check out the place where all those criminals were sent.Victor Gadino illustrated the stepback for Dream Fever by Katherine SutcliffeMills & Boon is a British romance imprint, in North America these books are published under the name Harlequin. When Sarah talked about The Australians in the early years of Mills & Boon, she was wrong, and likely thinking of Diana Palmer's 1985 The Australian. The Australians series was a 12 book series in the early 2010s from Harlequin Presents. The book Raising the Stakes by Jess Dee is no longer available in Kindle, but maybe it is in other countries or maybe you downloaded it in the past? Check out her available titles here....