Podcast appearances and mentions of Helen Mirren

Helen Mirren supports Tom Hardy on Instagram. The blinds have something to say about it and a lot more as Mike drops some particularly juicy gossip.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Helen Mirren kinda goes to bad for Tom Hardy, Another Pitt bites the dust & Madonna dishes about her sex lifeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Helen Mirren kinda goes to bad for Tom Hardy, Another Pitt bites the dust & Madonna dishes about her sex lifeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we have been to a comedy gig together and Dan has been to see a tv show recording both with different crowds. Dan is happy about football and the enhanced games have been a letdown. We hear how Dua Lipa is good and Helen Mirren is bad and how two tortoises have had an epic feud. Dan misread Greek Day so we have a quiz about geeks and Gavin forgot the term audiobook.   This weeks recommendations: Time Is Rough : Black Soprano Family  I Will Love You Until : So Good Ep. 5: Hating Stuff : Ian McConnell   Talk to us here: www.betherewithbelson.com Email : betherewithbelson@gmail.com X : @therewithbelson Instagram : @betherewithbelson TikTok : @betherewithbelson

Stay connected with us at americangroundradio.com, on Facebook, and Instagram. You're listening to American Ground Radio with Louis R. Avallone and Stephen Parr. This is the full show for May 20, 2026. We open with what may be the most consequential immigration enforcement move in American history — and it has nothing to do with border walls or patrol agents. President Trump signed a new executive order directing the Treasury Department to scrutinize all financial activity tied to illegal immigration — targeting payroll tax evasion, hidden bank accounts, labor trafficking networks, underground cash economies, and the remittance systems that funnel billions of American dollars back to Mexico and other countries. We explain why going after the money is more powerful than any physical barrier, why Willie Sutton's famous explanation for robbing banks applies perfectly to why illegal immigration exploded, and why choking the financial infrastructure of the entire illegal immigration machine may be Trump's most consequential domestic policy move of either term. In our Top 3 Things You Need to Know, Thomas Massey lost his Kentucky congressional primary to former Navy SEAL Ed Gowran — in the most expensive House primary in American history at $25.6 million — after Trump endorsed Gowran and a district that voted for Trump by 85% finally ran out of patience with a congressman who spent his career blocking the agenda they elected him to advance. We note that Massey primaried himself out. Then Trump endorsed Texas AG Ken Paxton over incumbent Senator John Cornyn in a Senate runoff — and we raise the concern that while Paxton may win the primary, he may be a harder sell in the general against Democrat James Tallarico. And Alabama's gubernatorial race will be a Tuberville-Doug Jones rematch — and we think Tuberville wins easily as Kay Ivey is term limited out. Our American Mamas Teri Netterville and Kimberly Burleson tackle the question of whether women have forgotten how to age gracefully in America — from Demi Moore's skin-and-bones appearance at the Met Gala to Madonna's increasingly alarming transformations, from Lori Loughlin's well-done facelift to Helen Mirren as the gold standard of graceful aging. We also get into the GLP-1 revolution, the body positivity pendulum that swung hard in the other direction, and whether there is still room in American culture for a woman to be beautiful, powerful, and visibly her age at the same time. We play the Hakeem Jeffries clip from the Center for American Progress that should alarm every American regardless of party — the House Minority Leader saying out loud that the goal of House Democrats is not to persuade MAGA voters but to break them and break their spirit. We explain why that language is not just offensive but genuinely dangerous — because when the goal of politics shifts from persuasion to breaking half of your fellow citizens, you have crossed into territory that leads somewhere nobody should want to go. In our Digging Deep segment, the NAACP has launched a website called Out of Bounds urging black high school athletes to boycott colleges in the South — Alabama, Auburn, Georgia, Florida, Florida State, LSU, Ole Miss, Mississippi State, South Carolina, Clemson, Tennessee, Texas, and Texas A&M — because those states are redrawing congressional districts without race as a primary factor following the Supreme Court's ruling. We call it what it is — the NAACP demanding that 17-year-old black athletes from struggling families sacrifice life-changing scholarships for the Democrat Party's political agenda. No one's right to vote has been suppressed. Every vote still counts exactly one. The Supreme Court said you cannot draw districts based on race — and that is equal protection, not suppression. We also cover California's bizarre new rule allowing a biological female who finishes behind a transgender athlete to share the podium spot with the winner — which we describe as a participation trophy that accidentally acknowledges the injustice without having the courage to fix it. And the mother of the transgender athlete who won the race is upset about the rule. We note that the girl is the problem, apparently. For our Bright Spot, J.D. Vance filled in at the White House press briefing after the mosque attack in San Diego and was asked about religious violence in America. We play his answer in full — because it is one of the most theologically and constitutionally precise defenses of religious liberty we have heard from any public official in years. The right to find God through your own free will is the first right in the Constitution because you cannot force anyone to it. Violence against religious freedom is a violation of the laws of God, not just the laws of man. We call it a bright spot and mean it. And we close with 10-year-old Ernesto Hernandez — who wanted a 3D printer, whose mom told him to save up and buy it himself, who did chores until he had $500, bought the printer, started making keychains and fidget spinners, now runs three printers full time, is selling in local stores, and says he wants to invest in a house for his mom and him when he grows up. May your pursuit of happiness bring you joy. Listen now wherever you get your podcasts, visit AmericanGroundRadio.com, and join the conversation at 866-AGR-1776!See omnystudio.com/listener for privacy information.

1009 | The Power of Presence: Transforming Doubt into Confidence with Caroline Goyder In this episode, Marsha speaks with Caroline Goyder. Caroline has worked with politicians, a Queen, a President and large global firms like Amazon, Netflix, Adobe and Facebook. She can provide expert analysis and feedback on personalities in the news regarding speaking, confidence, and body language. Based in London, England, Caroline is the author of the best-selling books Gravitas and Find Your Voice, published by Penguin Random House. Plus, Caroline's first book, Star Qualities, saw her interview A-list actors (incl. Kate Winslet, Bill Nighy, Helen Mirren, Ewan McGregor) about their secrets to confidence and the lessons they learned that she still uses today.Chapters:[00:38] - The Journey of Growth and Confidence[11:10] - Embracing the Dip: The Journey of Learning and Vulnerability[19:42] - The Challenge of Public Speaking: Overcoming Fear and Building Confidence[22:56] - The Power of Introversion in Public Speaking[30:20] - The Impact of Technology on Presence in Public Speaking[33:03] - Starting with Mind Maps in Public Speaking[42:01] - The Power of Breath and SafetyConnect with Caroline:Podcast Guest Website: caroline@gravitasmethod.comPodcast Guest's Email: info@gravitasmethod.comFacebook: https://www.facebook.com/carolinegoyder/IG: https://www.instagram.com/carolinegoyderYouTube: https://www.youtube.com/channel/UC3MoXpEM2tofafwKUr3IlsALinkedIn: https://www.linkedin.com/in/carolinegoyderCaroline's Courses: https://carolinegoyder.com/courses/Caroline's 11 million-view TEDx Talk: https://www.youtube.com/watch?v=a2MR5XbJtXUMarsha Vanwynsberghe — NLP Storytelling Trainer, OUTSPOKEN NLP Coaching Certification, Author, Speaker, and PodcasterJoin us for Heart-Wired CEO Live 2026: https://www.heart-wiredceo.com/liveUnbothered Entrepreneur Masterclass (for the Podcast Listeners): https://www.marshavanw.com/unbothered-entrepreneur-masterclass-podcastUnbothered Mind Podcast https://www.marshavanw.com/unbotheredmindpodcastDownload FREE “You Are Supported” Hypnosis and Subliminal Bundle HERE Join the next cohort of OUTSPOKEN NLP Coaching Certification (kick-off in March 2025) HERELearn more about changing the Stories We Tell Ourselves Digital Program HERE. Use Code PODCAST to receive 20% off. Code FASTACTION20Tap the “Follow” button never to miss a show, and if you love the show, please feel free to tag me on social media, share it with a friend, or leave me a rating and review. This helps the show grow!Website: www.marshavanw.comConnect on IG. Click HERESubscribe on YouTube. Click HERE

Send us Fan MailWe've got another new theme this week and this time we will be delving into "movies that could not be made today".  There could be various social, technical, political or other reasons why but regardless, these will be movies that would not see the light of day in our modern times.Up first we have the Arthurian legend fever-dream that is 1981's Excalibur.  Featuring appearances by Patrick Stewart, Liam Neeson, Helen Mirren and starring Nigel Terry as Arthur we have Merlin the magician helping Arthur Pendragon unite the Britons around the Round Table of Camelot, even as dark forces conspire to tear it apart.  This one is a weird one that would most likely not be made today for a variety of reasons that we get into.We talk about all kinds of other things as usual so sit back, relax and enjoy the show.

EXCALIBUR The magical sword Excalibur begins in the hands of Uther Pendragon, but years later, it finds its way to his bastard son Arthur, the knave destined to become king. With the help of the mysterious Merlin, Arthur rises to fulfill his fate, bringing together the Knights of the Round Table at Camelot and unifying the country. But even a legendary king is still a man, and Arthur must face love, betrayal, the search for the Holy Grail, and the fight to save the kingdom he was born to rule. Craig, Alan and Elisabeth talk about Arthurian Legend, the timeless Helen Mirren, panels at Comicpalooza and the movie “Excalibur” on this week's Matinee Heroes! Show Notes 1:00 Craig and Alan discuss all the panels they will be at for Comicpalooza 2026 13:02 Craig, Alan and Elisabeth discuss "Excalibur." 49:08 Recasting 1:15:03 Double Feature 1:18:30 Final Thoughts 1:25:18 A preview of next week's episode "The Last Duel." Next week, it's like three movies in one as we discuss "The Last Duel."

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

Okay so we're starting something strange. We're going to be dedicating a whole month to looking at Daniel Mays, the character actor, and seeing where his career takes us. We did something similar with Barbera Streisand and it turned out to be a lot of fun, but what about someone that not a lot of people have heard about? We start off with a Chris Columbus movie, The Thursday Murder Club starring Helen Mirren and Pierce Brosnan as old retirees who go around solving cold case murders.Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

American Humane Society protects over 1.7 billion animals annually across 91 countries. Dr. Robin Ganzert has led the organization since 2010, when she stepped in during a financial crisis and a period of mission drift. What she built since then is a case study in what nonprofit discipline actually looks like.On the Charity Charge Show, Dr. Ganzert walked through the financial reckoning she inherited, why she tells every local organization to stop duplicating services, and how a documentary narrated by Helen Mirren and Meryl Streep became one of their most effective outreach tools.

A word from Helen Mirren our spirit guide and doing divination without substances!20th anniversary of Tool's 10,000 days album May 2, 2006.

Tonight we celebrate Bealtaine with fire, my lottery dream home BDSM house, our spirit guide Helen Mirren and Alan dora the explorer hat a.k.a. mediocre piece of you know what!Let's spark it !

We enter the home stretch of the pre-Gunn DCU with Shazam: Fury of the Gods, a confused and inert mess of glop, nonsense and awful dialogue anchored by the unbearable anti-charisma of future Jesuslop washup Zachary Levi. Helen Mirren and Lucy Liu are wasted. Rachel Zegler needs a new agent; Diedrich Bader gets killed and nobody seems to notice; and the barely-explored villain scheme is stolen, inexplicably, from The Simpsons Movie. Needless to say, none of the teasers for future 'Shazam' installments will be paying off. Ever. An extra special thanks to our $10 Executive Producers: JetChiclete, Isaac, squishward, Walt Lewellyn of The Black Casebook, Tropical Doves, jprestonpoole, Lohik, bernventers, and Owen2. If you can, please lend some support to these organizations: Gaza Funds PCRF (Palestinian Children's Relief Fund) MAP (Medical Aid for Palestinians) National Networks of Abortion Funds Immigrant Law Center of Minnesota If you enjoy the show please consider: Subscribing to our Patreon, where you can enjoy exclusive subscriber only episodes.

SERIES 7: Better With Age. It takes courage to reinvent yourself professionally, yet it becomes a necessity for many people over 50. Bestselling author Kathy Lette and publishing exec Jane Curry share their hilarious experiences of pushing through career blocks and tiresome ageing stereotypes. Brought to you by Australian Seniors, in partnership with RSPCA. Join Jean Kittson for the seventh season of DARE: The Time of Your Life (formerly Life’s Booming), called Better With Age. Australians are actually living longer, healthier lives, and reshaping what older looks like. So in this series, we are chatting with over 50s who are rewriting the ageing rule book, from career pivots to second acts. This episode celebrates the Reinvention Generation, and explores how we can continue to push through career blocks and debunk tiresome stereotypes as we age. Is it because that's just how we're wired? Or is it to prove that our best work is still ahead? Kathy Lette is an internationally bestselling author of more than 20 books, which have been translated into 20 languages. Her latest bestselling book, The Sisterhood Rules, takes readers on a rollercoaster ride that proves that from pain comes healing, from honesty comes forgiveness, and that nothing is more important than your sisters. Jane Curry is a highly experienced publishing executive, and managing director of Simon and Schuster, Australia and New Zealand. Jane is also the founder of Ventura Press, which she established to champion older female (and male) authors. Watch DARE: The Time of Your Life on YouTube Listen to DARE: The Time of Your Life on Apple Podcasts Listen to DARE: The Time of Your Life on Spotify For more information visit seniors.com.au/podcast Produced by Medium Rare Content Agency -- TRANSCRIPT Jean Kittson: Welcome to a new season of DARE: The Time of Your Life, formerly Life’s Booming, brought to you by Australian Seniors, in partnership with RSPCA. Hello I'm Jean Kittson, and this season is called Better With Age. We're flipping the script and showing how ageing is NOT a dirty word, rather it’s your time to live your life to its fullest. Australians are actually living longer, healthier lives, and reshaping what older looks like. So in this series, we are chatting with over 50s who are rewriting the ageing rule book, from career pivots to second acts. This episode celebrates the Reinvention Generation, and explores how we can continue to push through career blocks and debunk tiresome stereotypes as we age. Is it because that's just how we're wired? Or is it to prove that our best work is still ahead? To help us answer such questions is Jane Curry, a highly experienced publishing executive and newly-appointed managing director of Simon and Schuster, Australia and New Zealand. Jane is also the founder of Ventura Press, a company she started as a way of championing older female authors, many of whom only turned to writing later in life. And joining Jane is the fabulous author and beloved friend Kathy Lette. Her career has pushed boundaries from the get go, when she left school at 16 to write her debut novel, Puberty Blues. It had parents wringing their hands while teens lapped it up. And it was later turned into a movie and a TV series. She's gone on to pen more than 20 bestselling books, including her latest, the Sisterhood Rules, which has topped bestseller lists worldwide, and it's funny, fabulous and always empowering. Jane, Kathy, it's wonderful to have you both in the studio to speak about yourselves and your work. Kathy Lette: …and about you and your amazing work and your incredible life. Jean Kittson: Oh, do go on! Kathy Lette: My comic goddess right here before us, Jean. Jean's broken so many boundaries with her comedy. Jean Kittson: Oh Kathy, you’re amazing, and she's a long, long time beloved friend. And as you, in your words, you are my human wonder bra… Kathy Lette: …uplifting and supportive. I'd also say we are each other's big pair of knickers. We've got our asses covered. Jean Kittson: Mm-hmm. That's right. I can always, I mean, Kathy's the best friend you could possibly have. And don’t we all need… Kathy Lette: …Ditto. Jane Curry: …Don’t we all need female friendships, they keep us all going. Jean Kittson: You, Kathy. Kathy Lette: Yes. Jean Kittson: On a more serious note about, you have covered, you have written about all aspects of life from puberty to marriage, childbirth, menopause. Often based on your own experiences, you've inspired and entertained and soothed millions of readers, including your latest book, the Sisterhood Rules, which I absolutely love and should be a manual for any woman breaking up or any older woman wanting a bit of spice in her life, really. Kathy Lette: Haha, great, ha ha. Jean Kittson: But, um, when your previous publishers said to you. That nobody wants to read about middle-aged women. And they dropped you after 19 books in 17 languages. Kathy Lette: Yes. Jean Kittson: Bestsellers. Kathy Lette: Mm-hmm. Jean Kittson: And you went on to write the Revenge Club, another bestseller. I mean, how did you do that? Kathy Lette: I went to see my agent and said, I wanna write a book about four middle-aged women who take revenge on the men who've sidelined them and ruined their careers. And he was like, yeah, I dunno. Yeah, middle-aged women just aren't that sexy. And then I went to see my publisher at the time and my publisher was like, Hmm, middle-aged women. We know they exist, but nobody wants to go there. Jane Curry: Oh my goodness. Kathy Lette: And I looked at books written about women my age, like Anita Brooklyn novels, for example. And there was about sad, depressed, lonely women who wilt away and die in their flats and get eaten by their cats. Now I don't know any women like that. All my women friends are like Jean. They're swinging off a chandelier with a cocktail between their teeth. But when they, when they first said that to me, then my publisher dropped me. I thought, gosh, maybe I have passed my amuse-by date. And just for a moment, I did, I did have a real crisis of confidence. But then of course I'm an Aussie girl and we, Aussie girls are made of stern stuff Jane Curry: Dig deep. Kathy Lette: So I thought, nah, he's wrong. They're both wrong. So I got a new, I got a gay agent and I got a new publisher, Bloomsbury, and the book went to number-one on the bestseller list, which was the best revenge. It's called the Revenge Club – success! So yeah, it was so exciting. And also, I love writing about women this age because our hinterland is huge. You know, we've had the marriages, the divorces, the breakups, the promotions, the back stabs. We've raised the kids. We've looked after our aged parents as Jean did so, so devotedly. We've got so much to talk about and so much to share, and so much wisdom. Just at the time, society hands us the old invisibility cloak and puts us out to career pasture. It's not just me imagining that we, women my age, are given the cloak of invisibility. A few years ago, MI5 said they wanted to hire middle-aged women as spies because nobody sees us. Jean Kittson: Oh. Kathy Lette: Soak that up. And I remember the governor of the board of the Bank of England. He said, not long ago, that the economy was going through a menopausal phase. Sluggish. Jean Kittson: Oh. Kathy Lette: And I was like, tell that to Oprah Winfrey and Nicole Kidman, and Cate Blanchett… Jane Curry: Michelle Obama… Kathy Lette: …all the other people. Michelle Obama, all these other menopausal and postmenopausal women. So the sexism is sewn into our psyche. We really have to fight hard against that. And thanks to Jean and others of our generation. We've taken the stigma out of menopause. But the next big feminist hurdle for us is sexist ageism, because we get treated in a different way to men our age and, and we really have to rail against it. Because we're now prime, we're in the peak of our productivity. Jane Curry: But also we've all had to witness when the BAFTAs was on, every time we see these women who are completely transformed because they're not allowed to age in public. Kathy Lette: Mm. Jane Curry: So that's the standard. Yes. I mean, we are fortunate in where we're in the book business, so it's brain first in our business and always has been. Kathy Lette: Better to be witty than pretty. Jane Curry: Yeah, yeah – witty than pretty. And I remember a friend of mine who is actually a cosmetic surgeon, he said to me that it, you know, it's the women who are, have always been beautiful, that have had that sense of power when they walk into a room and they turn heads because of their beauty, they're the ones that find it harder to age. Kathy Lette: Well, it's a diminishing asset. Jane Curry: Yes. So whereas, you know, when you're in the book business as I've been, and Kathy, the entertainment book, um, you know, women of letters, we do have that our brain is our superpower. Kathy Lette: Yeah, yeah. Jane Curry: And then what we look like comes after that. Yes. Jean Kittson: It's hard to fight it though, isn't it? Kathy Lette: It is hard to fight it, Jean Kittson: …especially when you are performing and… Jane Curry: Oh yes. Well, in this new job I've just got, I got tapped on the shoulder to run Simon Schuster. So the first thing I found was all the, the settings on Zoom and teams. Because I’m reporting to the UK and I'm having meetings in the US all the time and sometimes I first thing in the morning, like 7.30 in the morning. So I'm like, where's the filter. Jean Kittson: Where’s the sparkle wand! Jane Curry: You know, we used to laugh when I worked at Macmillan. You know, we used, you know, there's fabulous filters that Jackie Collins had on all their photographs. Kathy Lette: Oh my gosh, yes. In fact, I've had lunch with Jackie Collins a few times with Joan Collins. Joan and Jackie, I mean, the double whammy. Jean Kittson: Yes. Jane Curry: Talk about sisterhood. Kathy Lette: Sensational broads. But, um, Joan Collins will move everybody around the table till she's got the right lighting. And isn't she clever? You know that when you do, when you're filming, they have that big silver thing that reflects the [light], why can't we have a dress made out of that? Jean Kittson: Well, why can't we! Kathy Lette: Or shoes? Jean Kittson: Because we don't care, Kathy. We don't care. Kathy Lette: We don't care. Jane Curry: Often we’re rushing from one thing to the next. Kathy Lette: Don't care. We don't care. But Jean, see, Jean and I don't do, don’t do any of that Botoxing stuff. Jane Curry: No. Nor do I. Kathy Lette: I think men should just read between my lines, the books, the babies, the hours of fun-loving flirtation. But it does get hard to resist it whenever all the other women… Jane Curry: …I think that's the thing when… Kathy Lette: …look much younger Jane Curry: that, right, what they call in the, you know, in data they call it benchmarking. So like any set of data figures in my world, you know, you benchmark against what was the bestseller. And so it's sort of benchmarking when you're talking about sales and all of that. But it's benchmarking with what we look like. So you sort of benchmark against, we, I think we're very critical of ourselves, because you look at another woman who's the same age and they've had the facelift and they've had everything done. And then look, I momentarily worry about it. And then honestly, you, I look at my to-do list and I think, no. Jean Kittson: Yeah, and I've got two daughters, so I don't want to be that role model. I've always said it's not what you look like, it's what you feel like, you know? Kathy Lette: Yes. Keep the lights low. Greatest beauty aid known to woman for all time. You know, what's happened in Hollywood, the pediatric, um, technicians there. The doctors noticed that the babies were not hitting their developmental milestones. And they were saying, is it because they're, they're having too much, um, carcinogens in their smoked salmon? I'm thinking, no, it's Botox. Because babies look at your face, like when you go, I love your little baby. The baby goes and you go, ah… If you've had Botox and you're going, ‘I love you’, and the baby's going, ‘uh’, you’re going, ‘uh’. They're not learning anything. Jean Kittson: Absolutely. Jean Kittson: You should write a research paper on that. They should do it. Kathy Lette: This is hysterical, isn't it? I know. Jean Kittson: I was told not to go, I mean. Not to go grey because I wouldn't, in the gig economy, I wouldn't get work. Apparently the research shows that if you, that men don't like actually working with women with grey hair. Kathy Lette: …Because it reminds them of their mothers, is it? Jean Kittson: …Maybe they feel that they… Kathy Lette: …it's ageing them… Jean Kittson: Have to defer or - No, not defer… Kathy Lette: …but they can have grey hair. Jean Kittson: They can have grey hair. So there are some interesting facts their. Kathy Lette: I was gonna say, part of the problem is that we never see women who look like us. 85% of people on British and Australian television over 50 are men. So the women just get immediately sidelined and put out to career pasture when they get one grey hair and one wrinkle. We should be saying, we wanna see ourselves reflected. Don't, don't disappear us. Jean Kittson: You know, Jane, you would see, um, this in the industry. You've seen this before. What happened to Kathy? Have you? Jane Curry: Oh, yes, because a lot of decisions are made on data. You know, they'll say, oh, and particularly I think people got very frightened when social media arrived. They got very frightened that they had to chase people with massive Instagram following. Oh, yes. And then there was this sort of Sally Rooney phenomena where everybody wanted a ‘Normal People’. And that was that emerging, you know, Kathy Lette: Irish writers… Jane Curry: …Irish and, and all that sort of coming of age story that, and we are, we are just, we move as a pack, the publishing industry. So once there's one Normal People, you can guarantee the next year there'll be 10 Normal People. And that's a book for people that haven't read it, that was published by Sally Rooney. It was a debut novel and you know, it was one of the zeitgeist novels. Kathy Lette: She became a publishing phenomenon. Jean Kittson: In terms of ageism in comedy, it's just a general feeling that I think women, first of all, women in comedy has been really hard from the start and you really have to push and it's a much more sort of natural environment for men because they're confident and some, some comedians can go on and and not even have thought about what they're going to say, they're just so confident. Kathy Lette: Yeah. Jean Kittson: When I was starting out in comedy, I would be starting out with other, the few women that were around in the 80s and we'd be in pubs and we'd go on stage and everyone would be drinking and eating their pizza, and no one would listen and the women would come off and going, oh my God, I'm just not funny. I haven't got good material. I stink. I can't do this. The men would go out there and they would get exactly the same reaction. People are just drinking and they'd come back and they'd go, that audience wouldn't know a joke if it was up them. They're just so freaking hopeless, and they'd just blame the audience and women would blame themselves, and I don't know where that comes from, but I think it can become more pronounced as you get older and there's slowly, more and more diminishing things that happen to you Like walking into a butcher and the butcher saying, hello, young lady, and you think I'm too, I'm too young to be called a young lady. You know, I not old enough. That's something that they would say to your grandmother, Hello, young lady, and expect you to like that. Expect it to be a compli–– Jane Curry: …A pat on the head. Jean Kittson: …Yeah, a pat. It's so patronising. Kathy Lette: Yeah. There's also this, it's an inbuilt prejudice against women that were not funny, and I, I was at a dinner party in London once and, and the hostess made a really good joke and the husband and men didn't pay any attention. The husband just went, oh, you know, embarrassing women can't tell jokes. And I was like, that's because we marry them. It made everybody laugh at him and that did take away his power. So just lean into that, that verbal ability that women have, you know, we’re more verbally dexterous. So use it like, develop what I call the black belt and tongue-fu! Quiplash, you know! Jean Kittson: Yeah, that's fantastic. Don't censor. Good comeback. Kathy Lette: Yes. Yeah. Good comeback. Jean Kittson: I know, I think we are getting stronger and we shouldn't, we shouldn't, um, suppress our strength as we probably have to keep peace, you know, with the family. That's right. With our work to balance everything. Yeah. You suppress a lot of who you are. Jane Curry: My eldest always says to me. Mum, you're overthinking. And that's the best mental health advice or whatever we do. We do overthink, Kathy Lette: But I think women should just or never go… You're underdressed if you go out at night without a couple of good one-liners tucked up your trouser leg. Jane Curry: That's really good advice. Kathy Lette: Because if, if you whack it back… Jane Curry: yes, Kathy Lette: …and make other people laugh at them, you completely take away their power. Jean Kittson: Well, you've got so many good one-liners, so you're like a one-liner factory. Jane Curry: I've got, I've gotta lift my game. Jean Kittson: Ah, yeah, exactly. So do I. So when your publishers said that ridiculous thing that nobody wants to read about middle aged women… Kathy Lette: …mm-hmm… Jean Kittson: Did you ever doubt yourself and think that I might have to reinvent myself in any way? Kathy Lette: I did. I, just for a moment, I lost confidence and I thought maybe I have passed my amuse-by-date. But then I looked around at my own female friends and I thought, they're so wonderful. They're all, you know, swinging off a chandelier with a toyboy between their teeth. I wanna write about these women. But I think as a writer, I'm always reinventing because I cannibalise my own life. My mother's a teacher and I think I've got a bit of her teacher gene that I always write the book I wish I'd had when I was going through something. So from, to the girls in Puberty Blues, you know, to teach them that they were more than a life support system to, to a pair of breasts, you know, to girls dating and, and then to motherhood and, and marriage and divorce and menopause, and raising an autistic child, raising a teenager, you know, now this post-menopausal second act. So I'm always reinventing because I'm, I'm changing. You know, women are used to change. We've got so much change going on in our lives. So, yeah, I think it comes naturally to women. So if you are reinventing yourself post menopause, you know, it's just, it's almost like situation normal. We're always constantly changing. And even divorce, I don't see divorce as a failure. I just see it as a change. Jean Kittson: Yes. Kathy Lette: You know, life is long from honeymoon to tomb to be like 80 years so, just if you need to reinvent, you know it's okay, and it comes more naturally to women. So don't be afraid of change. Change is good. But I would say women this age, this is a coming of age time. Jane Curry: Yes. Kathy Lette: Because we're the first generation who are economically independent. We've got the, the rock of fuel of HRT, we've got the chutzpah and the the courage to say what we are thinking. We are reinventing ourselves, having a sensational second act. Because I always say this time of your life, for women, is the best because post menopause, you know, you've, you've got no, you don't have to worry about period cramps or pregnancy scares. You've got all that tampon money to spend, you know… Jean Kittson: …and kids are grown up. You've got all that crystallised experience, as they call it. Kathy Lette: Yeah. I wanna know what you think of this, Jane. Because I accidentally invented – I hate the term – chick lit… Jane Curry: …I know what you're going to say… Kathy Lette: …I accidentally invented it in the 70s with Puberty Blues.. Jane Curry: Yes. Yes. Chook-lit. Kathy Lette: And then, then when I wrote Mad Cows and Fetal Attraction, I sort of invented Mummy-Lit. Jane Curry: Mm-hmm. Kathy Lette: And then when I wrote Nip and Tuck, that was nip-lit. And I'm like, I need a new genre for women our age. And I, and I thought, well, post 50, you get that fabulous, ‘Oh, feck it I'm 50’ gene, where you no longer care what people think about you. So I was thinking. What about, I-don't-give-a-s***-lit? Mm-hmm. Jane Curry: That's brilliant. Jean Kittson: Oh, good. You got the tick from a publisher! Kathy Lette: Wouldn't that be a good. And imagine we’re at Booker Prize and they go, ‘And now in the genre of I-don't-give-a -s***-lit. Yeah. Jane Curry: You know, in Hollywood, all the entertainment [industry] is catching. If you think of the Thursday murder club, that was Richard Osmond, of course, he's an older man, so he can get away with it. But you know, the adaptation with Helen Mirren and you know, those amazing actors. So Kathy Lette: Yes Jane Curry: So there is starting to be balanced… Kathy Lette: But that's even older. That's, that's when they're in the retirement home. I'm talking about this moment. Yeah, just postmenopausal, where we're the publishers are saying it's not sexy, it's not attractive. It's right when you're older, for some reason there's a jump to the Judi Dench. Jane Curry: It’s called the silver dollar then. Kathy Lette: Yeah. Jean Kittson: Oh yes. The silver dollar. Kathy Lette: Well, what about the postmenopausal dollar? Yes. You know who thinks reading books? It's women our age. Jane Curry: Well, actually, I always say to any publisher, go to a writer's festival. It's all women, of a certain age. Our age Jean Kittson: Over 50. Jane Curry: Over 50. Yeah, filling the audience. Jean Kittson: Yes, Kathy Lette: I'm on book tour right now for the sisterhood rules and I'm going around the country. It's been to Perth. I've been doing them in Sydney and Melbourne, and I'm about to go up, up to Queensland and I meet, I get to meet the readers, which is so fabulous. It's my favorite thing. Wonderful. And they're, they're women of a certain age. They bring me up little, little kind of anecdotal, doggy bags, a little story they've saved up for me about who their husband had an affair with or how they got revenge or whatever it is. And they're so funny and they sometimes they cry as well. Yeah. They'll have a cry and they'll tell me something very personal that's happened to them. And we have a hug and they're all so interesting. I wanna go out on a girl's night out with all of them all the time. Jane Curry: Yes, we be… Kathy Lette: …and yet they're written off. Jane Curry: Yeah, I was thinking a lot about it getting ready this morning and yeah, as, as you get older, you look back at how society's structured and it is so sort of primally structured around power and money and… Kathy Lette: …which has predominantly been male… Jane Curry: …which is predominantly male. So I've, so then I thought, so you've got, as a woman, you've got two ways of doing that. You can either become, marry into that and become the trophy wife and be terrified that they're going to leave you. So there's that way of attaching yourself to money or there's the other way of doing it, which is the way I did it, was to make it yourself. Kathy Lette: Yes, exactly. So always a better option. Jane Curry: So that was my option. So that's why I've sort of admired those other women from afar because I've never been part of their world. Even at university, I was never part of that world. I, we as, women, have to decide very early on, I think it's innate, I don’t know whether you make an actual decision, how you're gonna fit around that, those two binaries, power and money. But as women. It's not naturally given to us. So we have to decide. Even in the corporate world, that means we've got to constantly keep up with that. Kathy Lette: …Appearances. Jane Curry: …Appearances or… Kathy Lette: …Trophy mustn't be tarnished. Jean Kittson: Well, that's right. That's right. It's a big role to fill for the whole of your life. Trying to live up to that. Yeah. Sorry. There was a billboard saying, um, many years ago, which was a brilliant billboard saying, which I had a picture of a young woman, don't marry a millionaire. Become a millionaire. Kathy Lette: But when I, when I give talks in schools to girls, which I do often, I always say to them, choose your partner carefully. Because if you wanna be an alpha, alpha female in having a big career, if you choose an alpha man, guess who's gonna be the one who has to pull back when the child's sick or whatever. But if you choose a beta male, someone who'll adore you, not bore you and do all your chores for you, who wants to put you on a pedestal and will probably polish it while you're up there. You know, you've gotta have a much bigger and better and more satisfying career. So just, I've, I've been married to two Alphas whom I adore, but I've, I've now gotta beta boyfriend and beta’s, beta’s better. You know, like my fa— The women who are very successful in British television, for example, Sandy Toksvig, Sue Perkins, Claire Balding, are all gay. What do they have wives? Yeah, wives, and I've kind of got a male wife now and it, and it's fabulous. I highly recommend it. Jean Kittson: That's a really good, Jane Curry: That's funny because Kathy's just in from Perth. I'm just in from Brisbane. My overnight bike from Brisbane is just on the floor of my bedroom, just and so yeah, that's, we don't have wives. Kathy Lette: No, that's what need Jane Curry: We need, we need the backup. Jean Kittson: Yes. So what would you say to people or at who are already over 50 and who are confronting this ageism? I mean, how do, how do they manage it? What should, because the confidence… I'll tell you a quick story. A friend of mine's a teacher and she retired. She was a brilliant teacher, still is. She was doing some casual work and she, uh, went to the person organising the casual work at the, at the secondary college. She'd been working. At for 20 years and said, I'm really liking the casual work. You know, any casual work you can throw my way, that'd be good because I'm finding it hard to live on the pension. And he said, ‘Ah, I don't know. There's a lot of younger casual teachers around and they've got more longevity and productivity than you have.’ You don't need productivity and longevity to be a good teacher. Kathy Lette: No. Jean Kittson: For a developing mind. Kathy Lette: She needs to teach him that lesson. I hope she got up on the table and tap danced. Jean Kittson: You used to say, Kathy, in television, it doesn't matter what you, um, uh, what age you are, as long as it, you don't look at, that's what the producers used to say. Kathy Lette: Oh, yes. They're saying you've passed your use by date. Well, guess what? Tesco, a big supermarket chain in Britain, just took use-by dates off the food, because they said, make up your own mind. And I think the same should be done for women. Jean Kittson: Exactly. Kathy Lette: Take our use-by date off, judge us on our performance and our enthusiasm and our flexibility and our knowledge and our… Jean Kittson: Exactly. Kathy Lette: …sense of humor. And we're, we're individuals. You know,. what you have to do to survive the second act is go a lot of girls' nights out, a lot of laughter and, and sisterly camaraderie and um, strength in numbers, you know, and just boost each other up, give each other work. Like really put the, put your hand down and, and pull women up behind you. Jane Curry: Yeah. Kathy Lette: But in this, in the Sisterhood Rules, I've put lots of rules in the beginning about sisterly solidarity, like love and loyalty and sticking to each other like a nylon dress in a heat wave. And it also encouraging women to think big, like don't tell men you want their seats on the bus. You want their seats on the board. Like, think big. We're too, we don't have big enough ambitions for ourselves. Husbands come and go, but um, the sisterhood lasts forever. That's the most important rule I will share with you. Jean Kittson: I agree totally. It's really important to have people you can ring up when you're feeling really down and just have a chat with them and then they lift you up and that's so important. And I, I wonder if you'd want to talk about when you gave up publishing — I mean, when you left your job and opened your own publishing company, did you have a mentor then or, well, who was supporting you? Jane Curry: Amazing timing to ask me that. because I'm just about to go to the London book Fair and I got my first job in publishing in London and my boss, who must be now in her eighties, is still an absolute mover and shaker. Kathy Lette: What's her name? Jane Curry: Kit Van Tulleken. She's the mother of the Van Tulleken twins. Kathy Lette: Great name. Jane Curry: The Van Tulleken twins. Who are those… They're doctors that sell millions of copies of their books. Twins, identical twins. Jean Kittson: Oh, you've written about twins. Kathy Lette: Yeah. Jane Curry: Yeah. So they, she had the corner office when I was literally sitting in a corridor at about age 22 or 23, and there she was in the corner office and her two boys would come in after school. And I just looked up and thought she was my absolute role model. Kathy Lette: Oh, great. Jane Curry: And I'm seeing her in the London book fair. Kathy Lette: Nice. Jane Curry: And then I think it's important for other women who are, you know, working. I have a coach, I have a business coach, so I see her once a month and she sorts my head out – not a psychologist, but business wise. So where we have our natural weaknesses and we, you know, she'll always say you've – she's the ones that send, sends me those texts when I'm saying, I've got this difficult discussion, or I, you know, or different, you know, different emotions that you're taking to meetings just to take the emotion out of it and rely on the business. So I think that's important for people as who are working, because we are older, so we do have the capacity to sort of resource ourselves. So rather than have a cleaner, I'd rather have a business coach. Jean Kittson: Yeah. Oh, absolutely. That's such a good… Kathy Lette: …To clean out your, your, your brain. Yes. We do a lot of mentoring in England to younger women through the Women of the World Festival. We mentor young girls at school. We go in the wheel, we go, you know, the, you know the millennial wheel? Jane Curry: Oh yes. Kathy Lette: And we're in different pods and we go around in a pod with a group of girls, and then the next time we get off and get in another pod. So it's, we make it fun, but it's also very helpful for them And it's good for me. I learn a lot from them as well. Jane Curry: Yeah. One of the things I've learned going back into corporate after about 10 years of running my own business is, you know, the young women that we employ, you know how they're much more in their power than I ever was at that age. Jean Kittson: Oh, definitely. Jane Curry: When I was getting divorced, my lawyer turned around and said, are you okay? And I said, yes. I think looking at the kangaroo and the emu on the coat of arms thinking, how on earth did I end up here? Um, but then I said afterwards, I said, how do you do that every day? And he said, take the emotion. There's no emotion in it for me, Jane. I take the emotion out of it. And I've always remembered that advice. So take the emotion out of things. Even the most difficult business transaction, you know, when you've, particularly in publishing, you're dealing with creative people, you know, but take the emotion out of it. Look at the bare bones of the business transaction. Put the emotion in at the beginning and the end. But when it comes to actually achieving an outcome that is to the satisfaction of both parties, take the emotion out of it. So, channeling my divorce lawyer! Kathy Lette: When I got divorced, I remember saying – I knew they charged by the hour – so I used to go in and say, no adjectives, no adverbs, no anecdotes. Just get straight to the facts! But getting back to the mental thing, I just like to say that I, I do wanna encourage all women to always help other women. And when I published, when I wrote Puberty Blues as a teenager, that was rejected by about 10 publishers. Then I saw Anne Summers had written a piece in the paper about, um, gang rapes in Queensland or something. I thought she'll get this surfy brutality that goes on, and I sent her some of the manuscript and she sent it to a small feminist publishing group called McPhee Gribble in Melbourne. And the rest is history. So that was an absolute perfect example of the sisterhood supporting each other. Jean Kittson: And getting it, understanding each other. Kathy Lette: Understanding each other. That's right. Jean Kittson: And what they're going through and the importance of talking about it. Kathy Lette: We just need more women in power. Why can't, why can't women just run the world just for a year? We say to the men, go play golf. Do whatever you like. Just go for a year, just let us take over. We can't do a worse job than you've done and see what we could achieve. Jane Curry: Well, fortunately COVID has given us flexible work conditions. We couldn't get it beforehand, but most of my staff now, we've got nearly a hundred people and it's fantastic. So we've got lots of young mothers on the payroll. Jean Kittson: Oh that's great Jane Curry: And they work, you know, it's great. I've re and I think it took COVID to allow the bosses… Kathy Lette: Yes. Jane Curry: …the patriarchy, to see that working from home is, it can work. Kathy Lette: Because that's another big sexist trope. You know, that society expects women to raise children as though we don't work as well. Jane Curry: That's why I started my own business. Yes. Because when I told my boss I was expecting. The very first thing he said to me was, well, you can't work part-time. That's what he said to me. And I was the managing director at the time, and I actually miscarried that baby. So it gave me a little window to get out from under. So that's when I went to Macmillan because Ross Gibb, who's just retired from publishing, he said over lunch at Machiavelli's – because publishing still has a few lunches – I told him the story and he said, Jane, you can work part-time for me. He's lovely any day. Kathy Lette: He lovely. He was my publisher for a while. Jane Curry: So that's why I went to Macmillan. Because people say, why did you go from being a managing director to being a publisher? And I did that because Ross said, you can work for me any day. He saw the value of female talent. Kathy Lette: Yeah. Yes. Jane Curry: So I had a fantastic year, few years. What about seven years at Macmillan whilst I had my two boys. I'm like, Kathy Lette: See, revenge, revenge! Fabulous. I think the reason women are drawn, I've them… Jean Kittson: …outlive them! Kathy Lette: I think the reason women are drawn to revenge is it's sweet, but totally non fattening – fabulous. Jane Curry: It is, it is. So Ross Gibbs – we do have our allies. Kathy Lette: We do, we do. And it's been important to say that… Jane Curry: …yes… Kathy Lette: …that of course there are great men who do support us and want the best for us. But we need more, we need more men, at the barricades. I've been saying the same feminist things – Jean and I have been saying the same thing through our comedy since we were teenagers, and we still don’t have equal pay. So we need men to get on the barricades with us and say, enough, you know, we, we need equality, we need it now. And I often say, some men challenge me when I'm on tour and they'll say, you know, you feminists are asking for too much. And I'm like, are we, are we really asking for too much equal pay? We'd like men to help us more around the house, which is in their interest. Is it scientifically proven? No woman ever shot a husband while he's vacuuming. We'd like them to do the odd sensitive thing with snow peas in the kitchen, because the weight to a woman's heart through her stomach. Not aiming too high. Jane Curry: Because I've got boys who are now in their 20s, so I've looked at it through that, you know, men's mental health, they don't want to always be the strong and the tough ones. Kathy Lette: No. Feminism works for men as well. Jane Curry: Yes. That's the thing. Exactly. They're allowed to have emotions… Kathy Lette: …and not have the pressure to be the breadwinner and all of that. Jane Curry: Yeah. So I see it, you know, having raised boys as a feminist, you know, to make sure that we can have open discussions. And, yeah, I'd like to think that they're well on the way to being good allies. But yeah, it is a brutal world out there. So I just think we do have to look out for each other and I'm really thrilled to be working with young women, again. Jean Kittson: To sum up this fantastic conversation, which could go on for hours, um, how would you, uh, what is the main message you like to say to people over 50 who are confronted by ageism or sexism, and how do they find it in them, the courage to stop that voice going, maybe I am too old. Kathy Lette: Well, I would say carpe diem, like there's no tomorrow. You know, tempus is fugiting – if not now, when, and you know. One of my mottoes is adventure before dementia. Not that I'm making light of that terrible disease, but you never know what's around the corner. So there's no time to waste. Be… have as much fun and frivolity. Be as outrageous as you can possibly be because you know, this is your last big hurrah. You know… Jean Kittson: Be assertive now! Kathy Lette: Yes, don't have any qualms. Just, you know, tap dance on that tabletop. Jane Curry: When I've had moments of self-doubt, I get moving. Not necessarily tap dancing, but get active, lift weights, go to the gym, run, walk the dog – dark clouds, gather. That's what I'd say if I was in that frame of mind and wondering how the world was going to greet me, I'd take the world on and get active, get those endorphins flowing. Because then you feel so much better. Kathy Lette: And also lean into the sisterly comradery. Jane Curry: Yes. Kathy Lette: Go out with your girlfriend as often. Which Jean and I do. Jean Kittson: Yes. Find beautiful women like yourselves and ring them up or have a glass of champagne. Kathy Lette: Yes. The human wonder bras uplifting, supportive, and make each other look bigger and better. Which is what Jean has done for us today. Thank you. Jean Kittson: Oh no, you two have, you've both been fantastic been great fun. Thank you so much. What a great conversation. Kathy Lette: Thank you Jean. Jean Kittson: Thanks. Kathy Lette: Sisterhood rules. ALL: Sisterhood Rules! Jean Kittson: Thank you to Kathy Lette and Jane Curry. You've been listening to DARE: The Time of Your Life, brought to you by Australian seniors. Please leave a review and share this show with someone you know. Visit seniors.com au/podcast for more episodes. I’m Jean Kittson. Thank you. See omnystudio.com/listener for privacy information.

The only thing that can make an unseasonably chilly April even more unsettling is throwing Helen Mirren and a CGI mansion full of grumpy ghosts into it. Commence your midnight seance to listen in as Leigh, Brendan, and Chris watch … Continue reading →

Angus reviews in the screening room Warren Ellis: Captured Ghosts . This insightful documentary dives into the warped mind of the writer/futurist/philosopher behind groundbreaking comics "Transmetropolitan," "Iron Man: Extremis," and "RED."Warren Ellis: Captured Ghosts - Official Full Filmhttps://www.youtube.com/watch?v=OtnkhgDn8A8Warren Ellis sees the future. He is a comic book writer and cyberpunk philosopher living on the edge of tomorrow. He speaks to a cult audience of artists, journalists, scientists and fans who hail him as INTERNET JESUS.Discover Warren's story in this feature length documentary featuring interviews with Warren himself, as well as Helen Mirren, Joss Whedon, Patton Oswalt, Stoya, Claudio Sanchez, Grant Morrison, Darick Robertson and many more. Warren Ellis: Captured Ghosts is produced by Sequart and Respect Films.Please join us in our exploration and reading of our Comic Book Character Of The Month Elijah SnowPlanetary Book Onehttps://www.amazon.com/dp/B0734FMPTDLeave a message at kirbyskidspodcast@gmail.comPlease join us for our 2026 Graphic Novel Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2025/11/the-kids-talk-2026-kirbys-kids-graphic.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com

The Royal Family marks what would have been Queen Elizabeth the Second's one hundredth birthday with tributes at Buckingham Palace, a new national charity, and a personal address from King Charles. We also look at the new official biography, Helen Mirren's defence of the late Queen's decision to remain at Balmoral after Diana's death, Robert Hardman's reflections on the shadow of Prince Andrew, and a thoughtful new essay from Deep Crown on the difference between the woman, the monarch and the legend.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.A new season of King William is available now.Our royal newsletter written by Deep Crown is available for free.Royal Books:Revenge: Meghan, Harry, and the War Between the Windsors by Tom BowerWilliam and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

It's Festive Friday with a powerful family drama! ABOUT GOODBYE JUNE Follows a group of fractured siblings who must come together under sudden and trying circumstances. AIR DATE & NETWORK FOR GOODBYE JUNE December 24, 2025 | Netflix CAST & CREW OF GOODBYE JUNE Director: Kate Winslet Writer: Joe Anders Cast: Helen Mirren as June Timothy Spall as Bernie Johnny Flynn as Connor Kate Winslet as Julia Andrea Riseborough as Molly Toni Collette as Helen BRAN'S MOVIE SYNOPSIS It's Christmastime, and we meet the Cheshire family — June and Bernie, and their son Connor — in what first feels like a quiet holiday morning. That calm is shattered when Connor discovers his mother collapsed on the kitchen floor. After a frantic call to emergency services, June is rushed to the hospital, and Connor gathers his sisters — Julia, Molly, and Helen — bringing the fractured family back under one roof. The news is devastating: June doesn't have much time left. As the reality sets in, old wounds and unresolved tensions rise to the surface. Connor feels stuck and directionless, still living at home. Helen has distanced herself from the family, both physically and emotionally, building a life abroad rooted in spirituality. Julia and Molly haven't spoken in years, their unresolved conflict having split the family in two. At the center is Bernie, stoic and emotionally reserved, struggling to express what he's feeling as he faces losing his wife. As June's condition worsens, she finds moments of joy in being surrounded by her children and grandchildren. Helen, who is expecting her first child, quietly grieves that her baby will never know their grandmother. June's greatest wish becomes clear: she wants her daughters, Julia and Molly, to reconcile.  One evening, as snow falls outside, June asks Julia for permission to let go. Through tears, Julia gives it. June shares a final, poetic hope — that she might return as the snow. With the help of her nurse Angel, she gets her two daughters that are fighting and finally confront their past and begin to heal.  Later, Connor challenges his father to open up and actually deal with the fact that his wife is dying. Bernie doesn't handle it great but ends up showing his love by singing karoke and finally having a heart to heart with Connor.  Knowing June won't make it to Christmas Day, the family comes together to celebrate early, putting on a nativity play in her honor. In the middle of that performance, surrounded by the people she loves most, June passes away. From the wings, Angeli watches as the family begins to process their grief — together. One year later, the Cheshires gather again at Christmas. Helen has welcomed her baby, and Connor has found love with Angeli. As they raise a toast to June, her voice returns through a letter she wrote to her unborn grandchild, reflecting on a life made rich simply by family. As the children run to the window to watch the snow fall, the family finds peace in her memory — and in the love she left behind. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In today's selection of slightly baffling emails from the Chatabix Mailbag, there's a picture of Joe with Joe Mahler, some celebrity holiday spots, a telling off story, Peter Andre's brother, Helen Mirren's bath, Chris Eubank's phone number and a missing gall bladder. FOR ALL THINGS CHATABIX'Y FOLLOW/SUBSCRIBE/CONTACT:   YouTube Instagram TikTok Patreon Merch Email us at chatabix@yahoo.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the force of acting posititivity (and good boy) that is ANSON BOON!As stated in the episode title, 'The Good Boy' (aka 'Heel' in the US) is out and about now, in which Anson plays alongside the powerful duo of Stephen Graham and Andrea Riseborough. Anson is capable of playing characters who aren't necessarily immediately charming, let's say, and some that might require a little work to warm to, but always make for some truly captivating and interesting, memorable performances which inspire conversation, debate and thought. So it goes without saying that this chat is an awesome one as Pip finds out where these choices originate, and traces the source of Anson's acting path. Of course there are so many facets and angles covered too, including basically becoming a fully functioning Sex Pistols tribute band by way of 'Pistol' (in which he was coached by Underworld!), his love of a film set, being a nepo gangster, the School of Kate Winslett, acting alongside Tom Hardy, Helen Mirren, Paddy Considine, Pierce Brosnan and so many more, and just a huge amount of fascinating goodies from his time in front of and nearby the camera. Inspiring and lovely stuff, enjoy!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMTHE GOOD BOYMOBLANDPISTOLPIP AT PRINCE CHARLES CINEMA • 9th April!SPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDB Hosted on Acast. See acast.com/privacy for more information.

Brothers J and Drew discuss the 1980 film "The Long Good Friday" with Bob Hoskins, Helen Mirren, and Pierce Brosnan. Drew describes this as a movie lost in time, a kind of which they don't make any more. He loved the 70's feel but J thought it just felt cheap. Then Drew reveals that this was not the movie he intended to choose. Good fun!   Housekeeping starts approximately 50:00 during which they discuss back issues, video games, and movie theater logistics.   File length 1:07:40 File Size 52.6 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

President Trump is trying to have it both ways on the Iran war, Pete Hegseth oversaw an historic surge in Pentagon spending on food and housewares, the nation's capitol will host an IndyCar race this summer, and the president is making all the men in his orbit wear shoes from Florsheim. Oscar-nominated actress Michelle Pfeiffer says she signed on to star in “The Madison” without ever seeing a script, but she did seek advice from legendary actress Helen Mirren on what to expect when working with “Yellowstone” creator Taylor Sheridan. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

“For some mysterious reason I don't feel like dancing.” White Nights (1985) directed by Taylor Hackford and starring Mikhail Baryshnikov, Gregory Hines, Jerzy Skolimowski, Helen Mirren, Geraldine Page and Isabella Rossellini Next Time: 8 1/2 (1963)

SHOW NOTES: Alysa Liu won the woman's gold medal for figure skating a couple of days ago, our first in 24 years! Watching her and listening to her prior, during, and after her final performance (she was in third place at the time), she exhibited a carefree and total joy in her skating. It wasn't about competition or medals, it was about sheer delight. Scottie Shuffler is about sheer delight on the golf course (Tiger Woods was strictly about competition), Sinatra singing on stage, Helen Mirren acting, Zig Ziegler teaching sales skills, Phil Donahue hosting a talk show, Mel Brooks and Carl Reiner creating comedy. It's not about 10,000 hours, though some people may choose to invest those five years. It's about being unafraid of failing, using your own metrics for success, and refusing to bow to the external pressures of the moment. I have shelves of awards in the house. I didn't pursue any of them. I've pursued my passion, which is helping others succeed and prosper. Most rewards occur not when you're thinking about them, but when you're not thinking about them.

Our favorite new reality show – The Olympics – are over and women were the real stars. We react to the heartbreaking loss of Grey's Anatomy's McSteamy, Eric Dane, and speculate on what's next for Heated Rivalry breakout Connor Storrie, plus all the latest TV news and casting buzz. In pop culture and books: our juicy read of the week is All the Little Houses by May Cobb, and Liza Minnelli's new memoir Kids! Wait Till You Hear This! is already giving iconic energy. Awards Season is officially here — and Julia gives Wuthering Heights a shocking C. We also dive into the arrest of Just (Formerly Prince) Andrew, Tim Gunn getting candid about celibacy on Chelsea Handler's podcast, and why FX's Love Story is suddenly a must-watch. PLUS: Kelly Clarkson filming in Lori's backyard (yes, really), a judge tosses the viral chicken wing lawsuit, and Helen Mirren's headline-making stripper shoes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Outlouders, enjoy this free bite of Mia, Holly and Jessie. Catch the full chaos of Angelina Jolie & The Existential Threat Of Desirable Older Women at 5 pm TODAY. Not a subscriber yet? Honestly, why wait? She’s back. Angelina Jolie has a new movie out and the gossips think she and her co-star, Louis Garrel might be… you know. The comments section is flooded with young women claiming "ick", and that Ange "could be Louis’ mother." She could not, but okay. Anyway, Mia Freedman, Holly Wainwright and Jessie Stephens are unpacking why a 50-year-old woman dating a younger man feels like such a personal attack to Gen Z. Is this about scarcity, ageism, prudishness or just good old-fashioned man-eater panic? Remember, this is your free sample of today's subs episode. The full debrief drops for subscribers at 5pm. What To Listen To Next: Listen to our latest episode: MAFS & The Specific Cruelty of the ‘Sexual Chemistry’ Question Listen: All The Gossip From The Wuthering Heights Premiere (And Why Mia Walked Out) Listen: Wuthering Heights & the ‘Bad Man’ Controversy Listen: "Uh-Oh, I'm A Finger Princess" Listen: Jessie and Clare Stephens' Weird Twin Shit Just Got Weirder Listen: An Affair Confession Live On Air Listen: The Best (And Worst) Generations Of Parents. A Leaderboard! Listen: The Most Bizarre Celebrity Profile We’ve Ever Read Listen: Do I Matter? & The Bathroom Taboo Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: The year the tide turned for Angelina Jolie. Angelina Jolie shared what really happened after divorcing Brad Pitt. It paints an ugly picture. Brad Pitt says his divorce wasn't a 'major thing'. The real story says otherwise. 'I’m 44 and I look my age.' The anti-ageism campaign that's going viral. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The Kelly Alexander Show delivers weekly entertainment news, pop culture headlines and in-depth music interviews with the artists shaping the industry. Hosted by veteran broadcaster Kelly Alexander, the podcast covers Hollywood, television, music, dance and award-winning albums - plus exclusive conversations you won't hear anywhere else. This week, we break down the return of The Mummy franchise with its fourth installment, new cast members joining The White Lotus Season 4 and the impressive viewership numbers for Super Bowl 60. We also spotlight Janet Jackson's iconic album Rhythm Nation 1814 being inducted into the Grammy Hall of Fame and share new filming details about Season 2 of Mobland, starring Pierce Brosnan, Helen Mirren, Tom Hardy and Joanne Froggatt. In our Vintage Vault, Canadian singer-songwriter Allie X joins Kelly to discuss her 2018 album Super Sunset, collaborating with Troye Sivan and why manifesting to work with artists like Dua Lipa, Charli XCX and Tove Lo was creatively important to her. She also opens up about what the LGBTQ+ community means to her and the importance of releasing full albums. If you love entertainment news, music history, streaming series, and artist interviews, subscribe to The Kelly Alexander Show on Podbean, Apple Podcasts and Spotify for new episodes every week. Follow The Kelly Alexander Show  YouTube: youtube.com/kellyalexander Instagram: @kellyalexandershow  TikTok: @kellyalexandershow

This week on Another Pass, Sam and Case are joined by Zorikh Lequidre to revisit Shazam! Fury of the Gods. We break down the sequel's mythic swing, its tonal tightrope between family comedy and divine spectacle, and whether this lightning strike deserved a brighter fate at the box office. Another Pass Full Episode Originally aired: February 13, 2026  Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Certain Point Of View is a podcast network brining you all sorts of nerdy goodness! From Star Wars role playing, to Disney day dreaming, to video game love, we've got the show for you! Learn more on our website: https://www.certainpov.com Support us on Patreon! patreon.com/CertainPOVMedia Join us on Discord: https://discord.gg/wcHHer4 PODCAST SHOWS: ▶ Another Pass - https://www.certainpov.com/another-pass-podcast Outline Shazam Franchise and Character Legacy The discussion highlighted the complex evolution of the Shazam character and its multiple incarnations, emphasizing the challenges of maintaining clarity in the franchise (02:00). Complex Character History and Naming (02:43) The Shazam character has undergone multiple renamings, now sometimes called "The Captain" to differentiate from original versions. Comics have introduced variants like Mary Marvel and Junior (Freddie Freeman's hero name) to expand the lore. The character's fluctuating comic presence, with cancellations and restarts, impacts fan engagement and continuity. Zorak's project, Captain Marvel Culture, explores these variants in cultural and historical contexts, highlighting the character's societal relevance. Actor and Fan Perspectives on Shazam (07:30) Sam Alicea shared her positive cosplay experience as Mary Marvel, emphasizing the character's wholesome reception in fandom. Both Sam and Case Aiken noted that the first Shazam movie was colorful and fun, appealing to casual viewers with good pacing and humor. Case's personal connection to the character goes back to childhood superhero creations, reinforcing the deep fan roots. The first film balanced the youthful and superhero personas well, unlike the sequel where the older cast created dissonance. Challenges with Sequel Timing and Casting (14:00) The four-year gap between the first and second Shazam movies caused problematic aging of the cast, making the characters less believable as teenagers. The COVID-19 pandemic limited crowd scenes, affecting the movie's atmosphere and fight sequences, leading to a "COVID movie" feel with socially distanced extras. The sequel's timing made character maturity inconsistent, with Zachary Levi's older age conflicting with immature superhero behavior, reducing audience sympathy. The lack of continuity in character growth and the absence of younger kid scenes weakened the family dynamic established in the first film. Plot, Powers, and Mythological Elements The movie's story and mythological adaptations were discussed, focusing on the Daughters of Atlas and their powers, plus how mythology was reinterpreted (28:58). Invented Mythology and Powers of Atlas' Daughters (29:00) The film introduced three daughters of Atlas, a creative deviation from classical mythology that was accepted as a fun concept. Helen Mirren's character uses force fields and telekinesis, Lucy Liu's character employs "chaos" powers resembling mind control, and Rachel Zegler's character has axis-based powers, visually impressive but not well explained. The powers were often scene-dependent rather than consistent, especially Helen Mirren's varying abilities. The dome barrier served as a plot device to isolate the final fight and prevent intervention from other heroes, a trope common in superhero films. Mythology vs. Comic Lore (31:33) The movie used traditional Shazam power origins (Solomon, Hercules, Atlas, Zeus, Achilles, Mercury) rather than newer comic variations. Discussion considered linking the characters to the broader DC mythos, such as the New Gods, but the film stuck to simpler concepts. The film's magic and powers were occasionally connected to Dungeons & Dragons references, reflecting the script's mix of fantasy influences. The casting of iconic actors like Helen Mirren and Lucy Liu added gravitas despite the powers being plot-driven. Narrative and Visual Critiques of Powers and Effects (35:00) The dome and powers' visual effects felt forced or inconsistent, serving more as story contrivances than meaningful world-building. The chaotic power, mainly mind control, lacked thematic clarity despite being the most consistent. The movie struggled to integrate powers into the plot logically, often introducing new abilities at convenience moments. The limited impact of the dome on the city was noted, with little attention to realistic consequences of such an event. Family Dynamics and Character Development A major theme was how the sequel mishandled the Shazam family dynamic, focusing too much on superhero forms and not enough on the kids' human sides (40:00). Underused Supporting Characters and Forced Representation (40:00) Pedro's gay reveal felt forced due to minimal screen time and lack of character development. The less prominent kids, especially Eugene and Pedro, were overshadowed by their superhero forms, weakening emotional engagement. Darla remained the heart of the family, carrying much of the emotional weight and humor, consistent with the first film. The sequel relied heavily on superhero personas rather than showing genuine child characters, harming the family's relatability. Mismatch of Actor Ages and Character Portrayals (46:30) The aging cast, particularly Zachary Levi, struggled to convincingly portray teenage characters, making immature behavior less palatable. The lack of contrasting younger versions of Billy and other kids reduced the dynamic tension present in the original movie. The sequel missed chances to explore Billy's growth and his struggles with leadership and abandonment issues meaningfully. Sam noted the film's good attempt to show Billy's fear of aging out of foster care as a motivation, but this was not fully developed. Lost Opportunities for Emotional Payoff (53:00) The film failed to create a satisfying emotional journey for Billy, especially regarding his insecurities and leadership challenges. The family's support was underutilized in key moments, leaving Billy's character arc feeling incomplete. The sequel lacked the sense of belonging and acceptance that made the first film's family dynamic resonate. Case and Sam suggested that a powerful second-act scene showing Billy's vulnerability and the family's encouragement was needed to strengthen the story. Critique and Proposed Fixes for the Sequel The panel proposed several realistic improvements to the sequel's structure, pacing, and character focus to enhance its emotional and narrative impact (56:00). Strengthening the Second Act and Family Bonding (56:00) Add scenes where the kids remain in their human forms to highlight their vulnerabilities, creating richer character moments. Insert a confrontation scene where Billy expresses frustration at the family's lack of unity, followed by reassurance from siblings. Shorten or remove the cringy Wonder Woman date scene to maintain tone and pacing. Show more of the lesser-used kids at school, depicting their struggles balancing normal life and superhero identities. Improving the Final Battle with the Dragon (31:30, 56:00, 01:32:50) Make the fight more dynamic by having Billy repeatedly say "Shazam" to power up the staff, requiring him to transform back to human form intermittently. Introduce stages in the fight where the hero tries different tactics, fails, then devises a winning plan. Include moments of vulnerability where Billy dodges attacks and avoids damage, adding tension and realism. Use the environment inside the dome better, possibly including some civilians or other stakes, if COVID protocols allow. Enhancing Character Scenes and Emotional Arcs (01:40:00) Show the kids' defeat when Helen Mirren's character escapes by turning back into their child forms, emphasizing their youth and fallibility. Add a scene where Billy admits to failure and receives encouragement from his siblings, reinforcing the family theme. Develop more natural, character-driven moments such as a school scene involving Skittles, tying in humor and personality. Streamline the plot to reduce the number of major events, allowing more screen time for character interactions and growth. Long-Term Franchise Vision: TV Series Format (01:14:30, 01:49:00) The panel agreed a TV series would better suit the story, allowing the actors to age naturally and explore the characters in depth. Proposed dividing the cast so Billy, Mary, and Freddie attend college while the younger kids remain in high school, creating parallel storylines. This approach resembles a "Happy Days with superpowers" format, supporting gradual character evolution and maintaining audience engagement. The TV format would also allow passing powers to new kids as the original characters grow up, ensuring franchise longevity. Production Context and External Influences The discussion recognized COVID-19's major impact on production, release timing, and overall movie quality, affecting creative decisions and execution (14:00, 01:52:00). COVID-19 Pandemic Effects (14:00) Production delays and social distancing protocols limited extras and crowd scenes, affecting the movie's atmosphere and fight choreography. The necessity of a smaller dome and fewer characters in scenes was a direct result of COVID restrictions. The four-year gap between movies was unplanned but forced by the pandemic, causing casting and story continuity issues. These factors contributed to the movie feeling disjointed and less cohesive compared to the first film. Script and Franchise Challenges (25:00) Multiple script rewrites were needed after Dwayne Johnson's Black Adam was spun off into his own movie, forcing major plot changes. The absence of Black Adam as a villain removed a key expected antagonist, weakening the sequel's threat level and fan expectations. The movie was released amid DC's shifting cinematic universe plans, reducing the likelihood of future sequels or franchise expansion. Despite plans to connect with the Justice Society and tease Mr. Mind, these elements remained unresolved, signaling franchise uncertainty. Casting and Political Context (01:06:00) Gal Gadot's performance as Wonder Woman was noted as uneven and disconnected from the main cast's energy. The panel acknowledged Gadot's political stances have affected her reception among some fans, adding complexity to her role's acceptance. The awkwardness of Billy's romantic scene with Wonder Woman was criticized for tone and appropriateness, detracting from character coherence. Zachary Levi's personal controversies and public persona complicated audience reception of his performance, especially given the film's tonal demands.

In the 1970s Bob Guccione had a simple dream: to make a serious movie about the emperor Caligula with Malcolm McDowell, Helen Mirren, John Gielgud and Peter O'Toole that also had a bunch of porn in it. Champion, fan-favourite and horny-history expert Eleanor Janega returns to the pod to talk about one of the most insane films ever made. Check out Eleanor here: https://eleanorjanega.com/ Go see Milo in London, Ireland and Australia here: https://www.miloedwards.co.uk/liveshows Loads more like this on the Patreon from just $5 per month, here: https://www.patreon.com/mastersofpod

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Jessica Steinberg speaking with Unholy podcast hosts Yonit Levi and Jonathan Freedland. In this episode, Channel 12 news anchor Levi and Guardian columnist and BBC Radio 4's Jonathan Freedland look back on five years of podcasting together on "Unholy: Two Jews on the News," their weekly show that offers the perspectives of a Jewish Israeli and a Diaspora Jew. Freedland and Levi discuss their intention to foster dialogue between Israel and the diaspora at a time when those conversations have become increasingly difficult. They delve into the types of conversations carried out on "Unholy" following the October 7 Hamas terrorist attack, and how the podcast became a lifeline for them as much as their listeners, as the Jewish community worldwide has grappled with the massacre, bereavement, hostage crisis, and the war in Gaza. The two hosts discuss their own approaches as Levi is a Jewish Israeli who spent a portion of her childhood in the US, and Freedland is a British Jew who views Judaism and Israel through his own lens. They also chew over the intimacy of the podcast medium for them, particularly given Levi's usual role as a popular news anchor, with her face and voice familiar to most of the Israeli public. The podcast has created a setting that offers a different kind of opportunity for Levi and Freedland, their guests, and their listeners, with the capacity to foment real conversation and debate. Levi and Freedland reminisce about earlier, favorite episodes and the years when the podcast tackled other subjects, such as musicals or literature, and with different kinds of guests, including Etgar Keret, Howard Jacobson, and Helen Mirren. They talk about the books they each published this past year, including Freedland's 14th, a non-fiction historical thriller, "The Traitors Circle: The True Story of a Secret Resistance Network in Nazi Germany—and the Spy Who Betrayed Them." Levi's book, her first, was written with her friend and CNN anchor Bianna Golodryga. "Don't Feed the Lion" is for middle-grade readers and Levi talks about how young people grapple with antisemitism. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Jonathan Freedland, left, and Yonit Levi are the hosts of podcast 'Unholy: Two Jews on the News' (Courtesy)See omnystudio.com/listener for privacy information.

Welcome back to Film Haven Reviews!! This week we are continuing our "Art Theft" theme with another movie based on a true story The Duke (2020)This film was very straight forward but covered a pretty wild true story about a cab driver who stole one of the most prized portraits in British history, The Duke of Wellington. The best part is the performances by Jim Broadbent, Helen Mirren, and Mathew Goode, but I gave this film a 7/10 because it didn't have any extra flair creatively. It is a very "by the books" accounting of true events, and in that way its excellent, but it isn't more than that, which keeps it from being "great". But not all films need to be that! It was good for what it was, and its an insane story to boot!  For my full written review feel free to follow my instagram: https://www.instagram.com/film_haven_reviews/You can also go to find the video on my NEW youtube page: https://www.youtube.com/@filmhavenreviews Sarah from Box Office Books also recommended this one and I will put up their newest episode here because its great! https://open.spotify.com/episode/6ZRkXIpc9PvC61ZDAulGWX?si=f4e0a1c81682410b

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Jessica Steinberg speaking with Unholy podcast hosts Yonit Levi and Jonathan Freedland. In this episode, Channel 12 news anchor Levi and Guardian columnist and BBC Radio 4's Jonathan Freedland look back on five years of podcasting together on "Unholy: Two Jews on the News," their weekly show that offers the perspectives of a Jewish Israeli and a Diaspora Jew. Freedland and Levi discuss their intention to foster dialogue between Israel and the diaspora at a time when those conversations have become increasingly difficult. They delve into the types of conversations carried out on "Unholy" following the October 7 Hamas terrorist attack, and how the podcast became a lifeline for them as much as their listeners, as the Jewish community worldwide has grappled with the massacre, bereavement, hostage crisis, and the war in Gaza. The two hosts discuss their own approaches as Levi is a Jewish Israeli who spent a portion of her childhood in the US, and Freedland is a British Jew who views Judaism and Israel through his own lens. They also chew over the intimacy of the podcast medium for them, particularly given Levi's usual role as a popular news anchor, with her face and voice familiar to most of the Israeli public. The podcast has created a setting that offers a different kind of opportunity for Levi and Freedland, their guests, and their listeners, with the capacity to foment real conversation and debate. Levi and Freedland reminisce about earlier, favorite episodes and the years when the podcast tackled other subjects, such as musicals or literature, and with different kinds of guests, including Etgar Keret, Howard Jacobson, and Helen Mirren. They talk about the books they each published this past year, including Freedland's 14th, a non-fiction historical thriller, "The Traitors Circle: The True Story of a Secret Resistance Network in Nazi Germany—and the Spy Who Betrayed Them." Levi's book, her first, was written with her friend and CNN anchor Bianna Golodryga. "Don't Feed the Lion" is for middle-grade readers and Levi talks about how young people grapple with antisemitism. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Jonathan Freedland, left, and Yonit Levi are the hosts of podcast 'Unholy: Two Jews on the News' (Courtesy)See omnystudio.com/listener for privacy information.

Outlouders, have a little listen to today's subscriber episode. Listen to the full episode of Celebrities Look Emaciated And I Don’t Know What To Say at 5pm today. Not a subscriber? Get on it. Mia’s back in charge of today’s subscriber episode - and she’s brought Amelia Lester into the studio to talk about something we’re technically not supposed to notice. We’re currently living through the ‘weight loss injections and plastic surgery’ era and frankly, things are getting complicated. In this candid, subscriber-only episode, Mia and Amelia deep dive into why so many people in Hollywood - and even some of our friend groups - are suddenly looking unrecognisable and just a little bit AI. In this episode, they unpack the alarming “thinspo” trend and also ask the question no one wants to answer: when did looking like a real human being become a radical act? It’s the conversation Mia’s been wanting to have for a long time, but one that feels increasingly like it’s off limits. It’s raw, slightly uncomfortable and exactly why you’re here. Remember, this is just a little sneak peak.The full debrief drops for subscribers at 5pm. We’re giving away a Your Reformer Pilates bed (worth $3,400). And the good news is — as a subscriber, you're already in the running to win.

Kate Winslet is an actor who achieved global fame playing Rose DeWitt Bukater, opposite Leonard DiCaprio as Jack Dawson, in the 1997 James Cameron epic Titanic. During her career she has won five BAFTAs, two Emmys, five Golden Globes and an Academy Award for her role in the Reader. Kate was born in Reading in 1975 and attended Redroofs School for the Performing Arts in Maidenhead, Berkshire. Her film debut came in 1994 when she played a teenage killer in Peter Jackson's film Heavenly Creatures. The following year she played Marianne Dashwood opposite Emma Thompson's Elinor in Sense and Sensibility, directed by Ang Lee. Kate's performance earned her a BAFTA for Best Actress in a Supporting Role. She went on to consolidate her reputation as one of the most versatile actors of her generation by starring in a list of popular and critically acclaimed films including Hideous Kinky, Iris, Eternal Sunshine of the Spotless Mind and The Holiday.Last year Kate directed her first film, Goodbye June, starring Helen Mirren, Timothy Spall and Andrea Riseborough. Kate has three children and lives in West Sussex with her husband Ned and her family.DISC ONE: Georgia on my Mind - Roger Winslet and Sophie Breakenridge DISC TWO: Matchstalk Men and Matchstalk Cats and Dogs - Brian and Michael DISC THREE: Kiss from a Rose - Seal DISC FOUR: Summertime - Ella Fitzgerald DISC FIVE: Nuvole Bianche - Ludovico Einaudi DISC SIX: Weird Fishes/ Arpeggi - Radiohead DISC SEVEN: Blue Ridge Mountains - Fleet Foxes DISC EIGHT: Pump up the Jam - Technotronic BOOK CHOICE: Outside: Recipes for a Wilder Way of Eating by Gill Meller LUXURY ITEM: Freshly ground coffee CASTAWAY'S FAVOURITE: Georgia on my Mind – Roger Winslet and Sophie Breakenridge Presenter: Lauren Laverne Producer: Paula McGinleyDesert Island Discs has cast many actors away over the years including Dame Emma Thompson, Cate Blanchett and Dame Helen Mirren. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

80 year old Helen Mirren has some sage words women of all ages need to hear! First, she said she doesn’t call it “growing old”, instead Mirren calls it “growing up.” As Amy and T.J. discuss the pressures on young girls and aging women to look a certain way, Mirren asks women to consider changing one very important thing before contemplating plastic surgery. See omnystudio.com/listener for privacy information.

80 year old Helen Mirren has some sage words women of all ages need to hear! First, she said she doesn’t call it “growing old”, instead Mirren calls it “growing up.” As Amy and T.J. discuss the pressures on young girls and aging women to look a certain way, Mirren asks women to consider changing one very important thing before contemplating plastic surgery. See omnystudio.com/listener for privacy information.

80 year old Helen Mirren has some sage words women of all ages need to hear! First, she said she doesn’t call it “growing old”, instead Mirren calls it “growing up.” As Amy and T.J. discuss the pressures on young girls and aging women to look a certain way, Mirren asks women to consider changing one very important thing before contemplating plastic surgery. See omnystudio.com/listener for privacy information.

80 year old Helen Mirren has some sage words women of all ages need to hear! First, she said she doesn’t call it “growing old”, instead Mirren calls it “growing up.” As Amy and T.J. discuss the pressures on young girls and aging women to look a certain way, Mirren asks women to consider changing one very important thing before contemplating plastic surgery. See omnystudio.com/listener for privacy information.

This week we're exploring Teaching Mrs. Tingle (1999). We discuss Helen Mirren's standout performance, evaluate the film's genre confusion and melodrama, and reminisce about its quintessentially nineties set design. This episode contains spoilers, beginning at 26:01. Mentioned in the Episode Watch the Movie Teaching Mrs. Tingle (1999) Support the Show We've launched our Patreon to have a place for listener support to help keep our show going. We are accepting support in the form of small monthly donations from our audience. The proceeds we gain from Patreon are put towards ongoing website fees, funding for new content, and equipment upgrades. In return, our patrons enjoy bonus content, early access, live streams, and exclusive channels in our Discord server. Support the Show on Patreon We're building a community where our listeners and horror fans as a whole can connect and share the ideas, movies, games, experiences, and stories they are most passionate about. Our community is completely free and powered by Discord, which you can access from both a web browser and mobile app. We're looking forward to your arrival! Join our Discord Server Contact Us You can connect with us by creepin' on us on Facebook, Twitter or Instagram, @HackorSlash. You can also share your opinions with us by leaving us an audio message on our website, hackorslash.live. Special Thanks We want to give a special thanks to these patrons for continuing to make this show possible Music Credits "Hack or Slash" by Daniel Stapleton  

Hour 1: Bob's Movie Club Presents: The Social Network. Facebook was already a powerhouse when this movie came out in 2010 - little did the filmmakers know what was to come. Plus, Nine Inch Nails soundtrack? Heck yeah! Vinnie's telling us what people are experts in these days. Is YouTube to thank for the home renovation craze? Are we all wasting money with our lack of credit card point skills? Hour 2: A Bob Weir memorial will be held this Saturday afternoon at Civic Center Plaza. The Grateful Dead will continue with a new iteration - here's what we know. Matthew McConaughey has copyrighted his most iconic quotes to avoid being exploited by AI. Helen Mirren was told she would never be successful without a nose job. Lighting matters, even in your own bathroom. “Spare the air” is the phrase of the day. Consider staying inside, Bay Area. Foodies need not visit West Virginia. Can you guess which state ranks #1? It's never too early to prep for your Super Bowl party - here's a tip about ranch that might change your life. (50:11) Hour 3: The BottleRock single day lineups are here, but it won't make it easy to choose. More details are coming out around Kiefer Sutherland's arrest. MrBeast claims to have $0 in his bank account, but Sarah and Vinnie don't believe him. Happy Birthday, Wikipedia! What's the first sign that someone is a bad driver? Join our cause: Radio hosts against road rage. (1:33:03) Hour 4: Sarah and Vinnie are catching up with Alice's midday DJ, Mason On The Mic. The gang is chatting about why gossip is good and Mason's journey to joining this radio family. A Bob Weird memorial will be held this weekend in San Francisco. Super Bowl commercial season is almost here. Sabrina Carpenter kicked it off. Is there something wrong with Tony Romo? You might be surprised that you DEFINITELY know someone with an extra nipple. Plus, a gross fun fact, and a game that goes completely off the rails. (2:15:33)

A Bob Weir memorial will be held this Saturday afternoon at Civic Center Plaza. The Grateful Dead will continue with a new iteration - here's what we know. Matthew McConaughey has copyrighted his most iconic quotes to avoid being exploited by AI. Helen Mirren was told she would never be successful without a nose job. Lighting matters, even in your own bathroom. “Spare the air” is the phrase of the day. Consider staying inside, Bay Area. Foodies need not visit West Virginia. Can you guess which state ranks #1? It's never too early to prep for your Super Bowl party - here's a tip about Ranch that might change your life.

Since her big break in Muriel's Wedding 30 years ago, actor Toni Collette has graced our screens in a huge list of standout roles from The Sixth Sense to Hereditary, Little Miss Sunshine to Mickey 17. She joined Kylie Pentelow to discuss her latest film, Goodbye June. The emotional directorial debut from Kate Winslet tackles themes of love, loss and Christmas as a fractious family come together to sit vigil for the family matriarch, played by Helen Mirren.From the very beginning of the NHS in 1948, Irish women were actively recruited to staff British hospitals. By the 1960s, there were around 30,000 Irish-born nurses - making up roughly one in eight of all nurses – yet their contribution has often gone unrecognised. A new book aims to change that. Based on dozens of interviews, it tells the story of Irish nurses in their own words. We hear from co-author of Irish Nurses in the NHS: An Oral History, Professor Louise Ryan, who spent years researching Irish migration and from Ethel Corduff, who came to England to train as a nurse, a career she spent 40 years in.Relative Energy Deficiency in Sport, or RED-S as it's known, was once framed as a concern only for elite athletes. But as running culture intensifies alongside weight-loss jabs and healthy eating trends, RED-S has become more widespread. It's often hard to spot, but the long-term consequences can be devastating, impacting immune function, growth and fertility. Sports dietitian Renee McGregor and Jodie Pearlman, who experienced the condition first hand, joined Kylie to talk about the condition.Why can adults seem to regress to childhood or teenage behaviours at Christmas? We discuss family dynamics and the kinds of behaviour that can re-surface with everyone under the same roof again. Guardian columnist Elle Hunt shares her own experience alongside Woman's Hour listeners, and psychotherapist Julia Samuel offers advice.It's 75 years since The Archers first launched. Woman's Hour broadcast from Ambridge to celebrate the female characters who have helped this programme tackle some of the most challenging, contentious and sensitive issues affecting women. Nuala McGovern joined Felicity Finch, who plays Ruth Archer, for a behind-the-scenes tour, along with Technical Producer Vanessa Nuttall.Presenter: Kylie Pentelow Producer: Annette Wells

Since her big break in Muriel's Wedding 30 years ago, actor Toni Collette has graced our screens in a huge list of standout roles from The Sixth Sense to Hereditary, Little Miss Sunshine to Mickey 17. She joins Kylie Pentelow to discuss her latest film, Goodbye June. The emotional directorial debut from Kate Winslet tackles themes of love, loss and Christmas as a fractious family come together to sit vigil for the family matriarch, played by Helen Mirren. It's the last day of the year and always a good time to reflect on the inevitable ups and downs that any year can hold for all of us. But what about the people in your life who have particularly impacted you this year. Who have been the women – close to you or maybe not – who have been significant for you? Friends, family, public figures? Kylie is joined by Olympic rower Dame Katherine Grainger – currently the chairwoman of the British Olympic Association (BOA), Helen Lewis, staff writer at The Atlantic and Natalie Haynes - author of six novels and broadcaster in her own right.We all have to juggle money, but are we spending it in ways that actually bring us joy or cause us anxiety? We revisit The Woman's Hour Guide to Life episode on Challenging Your Money Mindset and dig into spending habits and explore how to align your money choices with the life you really want. Nuala McGovern speaks to journalist and author Anniki Sommerville, Claer Barrett, Consumer Editor at the Financial Times and host of the Money Clinic podcast, and Abigail Foster, chartered accountant and author of The Money Manual.With the Christmas school break in full swing, perhaps your house has been full of children. But what do you do when someone else's child begins to act up? Do you tell them off or simply put up with the behaviour until you can hand them back to their parents? Presenter: Kylie Pentelow Producer: Corinna Jones

Kate Winslet takes on the triple threat of directing, producing, and acting in her latest film, Goodbye June. She discusses her deeply personal connection to the script, written by son Joe Anders, and what convinced Helen Mirren to play June despite an aversion to the role of a dying character.Winslet also shares her tips for working with young children on set, reflects back on an iconic Vanity Fair cover shoot, and describes an unforgettable experience at sea with loved ones. Video episodes are available on the Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.

Merry Christmas, Happy Holidays! In this special Christmas bonus episode, Conor and Caroline are making Caroline's birthday that much sweeter with a (largely) unedited, gut reaction to her very first viewing of 2018's The Nutcracker and the Four Realms. Dance your way into the lands of snowflakes, sweets, flowers, and amusements as they go beat-by-beat through what in the this film is en pointe and what may need to head back to the barre. Rally your nutcracker soldiers and grab every sweet treat you can find because you're invited to a Christmas party you won't soon forget!Follow us on Facebook, Instagram, Threads, BlueSky, and TikTok for fun content and exciting new updates!Subscribe to our YouTube Channel to watch the podcast!Join the Poor Unfortunate Fam, our private community for listeners who love the podcast and want to connect to keep the discussions going! On Discord | On FacebookIf you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.

Timothee Chalamet is up to something… but he just won't admit that he got caught. And Kate Winslet went above and beyond to help her son with his homework… She even got? Helen Mirren to help out. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Timothee Chalamet is up to something… but he just won't admit that he got caught. And Kate Winslet went above and beyond to help her son with his homework… She even got? Helen Mirren to help out. Learn more about your ad choices. Visit megaphone.fm/adchoices

'The View' co-hosts react to Pres. Trump's rally Tuesday night in Pennsylvania where he took aim at immigrants and attacked Rep. Ilhan Omar. Then, the co-hosts weigh in on Pres. Trump selling his economy to the crowd at Tuesday night's rally in Pennsylvania, which he also boasted about in an interview. Kate Winslet, Toni Collette and Andrea Riseborough tell 'The View' how their new movie 'Goodbye June' shares a poignant family portrait for the holidays – and why Helen Mirren broke her acting rules to join the cast! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Topics: Coley's chin wax, Tay's L'Oreal Women of Worth outfit, Tay has prosopagnosia AKA face blindness, Helen Mirren and Kris Jenner interactions, Coley's chaotic Thanksgiving, flying without a Real ID, faking an injury to get through TSA, Coley is raising a con woman, Keegan's Jewish pride, Coley vs. the Streets: Things That Are ColdSponsors:Joyrise: Go to Joyrise.com and use code TAYLOR for 15% off plus free shipping nationwideHers: Visit forhers.com/TAYLOR to get a personalized, affordable plan that gets youRevolve: Shop at REVOLVE.com/TAYLOR and use code TAYLOR for 15% off your first order. #REVOLVEpartnerVital Vitamins: 20% of all orders with code TAYLOR at myvitalvitamins.comRitual: Get 25% off your first month at Ritual.com/TASTEOFTAYLORLaundry Sauce: Get 20% off your entire order when you use code TAYLOR at LaundrySauce.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.