Podcasts about Prime suspect

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee is going Beneath the Surface — with two incredible artists, Margaret Cho and Masaki Fujihata. Both artists have been working in their fields for decades. Margaret Cho — stand-up comedy, sitcom, filmmaking, writing. Masaki Fujihata — a pioneer in new media art.And here's what they have in common: they've both shifted with the times… but never lost their own voice. Their vision has stayed singular, even as the world around them changed. Listen in to APEX Express   Check out: BeHere / 1942: A New Lens on the Japanese American Incarceration at the Oakland Museum from Friday, September 18, 2026—Sunday, December 27, 2026 Masaki Fujihata website Choligarchy at Berkeley Rep, September 15-19th, 2026  Margaret Cho website Interweaving: Indo-Persian Exchanges Interweaving: Indo-Persian Exchanges at Oakland Asian Cultural Center, September 11, 2026 7pm Artists featured: arjun-verma.com www.pezhham.com  MazdakAlipour.com emanhashimi.com   Show Transcripts [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:34] Miko Lee: Tonight on Apex Express, I'm going beneath the surface with two incredible artists, Margaret Cho and Masaki Fujihata. I'm your host, Miko Lee.   [00:00:57] These are two artists who've been working in their fields for decades. Margaret Cho, stand-up comedy, sitcom, filmmaking, writing, and Masaki Fujihata, a pioneer in new media art. And here's what they have in common. They've both shifted with the times, but they never lost their own voice. Their vision has stayed singular, even as the world around them have changed. So stick with me. First up, my conversation with Margaret Cho   [00:01:29] Welcome Margaret Cho to Apex Express.    [00:01:32] Margaret Cho: Thank you.    [00:01:34] Miko Lee: I wanna start with my question I ask most of my guests, which is who are your people and what legacy do you carry with you?    [00:01:41] Margaret Cho: I think my people are Asian American, my people are queer, my people are all ages, my people are progressive, my people have hope for the future. That's what I'm hoping. I think that's it, and that's who I am too.    [00:01:56] Miko Lee: Thank you. You started stand-up so young in this very Bay Area, and I think you started at age 14. I'm wondering what's your earliest childhood memory of being a performer?    [00:02:08] Margaret Cho: My earliest childhood memory of being a performer was I was actually a singer. I was a singer in a band of children, and I was probably maybe five years old. We were on a show on KTVU. I believe it was called Asia Now, and it was filming in the studio and I wouldn't stop waving at my mother, who was just off camera. And after the performance the band leaders asked me not to come back. Aw. I remember that because I could not stop waving at my mother and so I kept breaking that fourth wall. That was my first memories of performance.   [00:02:47] Miko Lee: And what did that feel like to you?    [00:02:50] Margaret Cho: I didn't really get the idea. I didn't really understand television exactly quite. I didn't understand why we were performing. I didn't understand why I couldn't say hi to my mother while I was performing. I didn't have a real comprehension of like even like rejection of what that meant or even performance or what that meant or television. So all these things that I come to learn about very well, rejection, performance, and television is my whole life. But back then I didn't understand the importance of all those things.    [00:03:22] Miko Lee: But there must've been some kind of zhuzh for you that you said, “Ooh, I wanna keep doing this,” right?    [00:03:28] Margaret Cho: Yeah, I think so. Much later though, you know, I did perform as a pianist. I was a classical pianist. I was also a ballet dancer. So those things required performance, which actually would make me really, really nervous, I think because in piano you're playing a classical piece. You're playing Beethoven, you're playing Mozart. So if you make a mistake, everybody's gonna know. Also with ballet you're choreographed and you're in as a troupe. If you're doing choreography with a bunch of other people- If you make a mistake, everybody's gonna know. But with comedy, mistakes are a little bit more of, something you can gloss over a bit. There's a little more control there, a little more room for chaos, which I absolutely need, I think, as a performer.   [00:04:22] Miko Lee: Mm, this is interesting. You've already described some of the different types of performance that you do, and you've also done so many things in your life. But I'm wondering if there is a type of art form that still makes you nervous.    [00:04:34] Margaret Cho: Music. I think playing an instrument in front of people, I think because when I was a child and would perform these recitals, I would be so nervous. There were a couple of times in recitals where I had to start over, you know? When you're, like, eight or nine years old and you make a mistake and have to start over, and this audience is, like, hundreds of people, it's, like, really mortifying. I still carry that. I play m- numerous instruments, and I really dread playing them in public. What helped me a little bit is busking, which I did quite a lot of over, over the years because when you're playing out on the street, there's a… I don't know. It's like people are not really paying attention to you, and therefore you're kind of in this divide of I'm in performance, but I'm also kind of not. So that helped. In general, I refrain nowadays from when I do music, I don't usually play my instrument along with the band. I usually just focus on singing. Even that is quite nerve-wracking. Singing and doing music still, even though I've been doing it really my whole life, there is something about it that, that quite, um… because when you're singing, you're actually also the instrument. So there's a bit of more required. That's why I always prefer comedy. Your quality of voice doesn't matter because the music you're making doesn't have to sound pleasing.    [00:05:59] Miko Lee: And when you were busking, what instrument were you playing?   [00:06:02] Margaret Cho: Guitar. Ah. So I would play guitar, sometimes a six-string banjo, sometime, I'd play all manner of sort of guitar-necked instruments, which can go from, guitar to mandolin to a cello that's, it has a guitar neck, so I can play- Ah that as well. So all those things, I cheat at everything 'cause I have a guitar neck.    [00:06:21] Miko Lee: I love that. The improv just comes out of you in all different ways, I guess.    [00:06:27] Margaret Cho: Yeah.   [00:06:27] Miko Lee: So you have been a path maker, rule breaker in so many aspects of your life, from comedy obviously, and producing and starring in the first Asian American TV show, actor, fashion maven, author, rapper, podcast host, and out and proud queer role model. I'm wondering, what's a career dream that you aspire to?    [00:06:46] Margaret Cho: Ooh, well, I wanna be an old lady crime show, like Murder She Wrote. I wanna just solve crimes. I love, like, a British crime show, like an old lady solving crime. Like a Prime Suspect, like a Helen Mirren. I love that kind of genre of television, and so I would love to mature in that 'cause, like, it's so interesting and also so rich and, I feel really drawn to it. So that's something that I haven't… I'm a participant in a lot of those types of shows. I'm on a show called Bull Trent, which is very much that, which is really cool. And then I've been on Law & Order, which is the ultimate, SVU is the ultimate sort of crime show. So I would love to engage in that genre more.   [00:07:31] Miko Lee: Ooh, are you developing that on your own?    [00:07:34] Margaret Cho: I'm not, but I am participating in lots of other people's versions of it. They're not out yet, so they will be coming, forthcoming.    [00:07:44] Miko Lee: Coming soon, and then your own version starring you. Yes. The- Yeah … modern Murder She Wrote. I would love it. In what town would this be? In San Francisco or in-    [00:07:53] Margaret Cho: Oh, San Francisco would be great. Yeah. San Francisco or, like, Marin.    [00:07:56] Miko Lee: Oh, God. That would be really funny.    [00:07:58] Margaret Cho: Sausalito. Sausalito would be so fun. You know, Napa Valley. You know, something, like, very, like, th- this community that looks very, like Saint Helena, like Calistoga, s- community that's very quaint and peaceful and, like, kind of like foodie oriented and, like, very, you, you know, you think very upscale, but actually there's a lot of dirty dealings going on underneath the surface.   [00:08:20] Miko Lee: The wine country Murder She Wrote.    [00:08:23] Margaret Cho: Yes, I love it.    [00:08:24] Miko Lee: I would watch that. That's fun. So you also have expressed your art in so many ways. Your body is filled with so many tattoos. I think you have over 70. Which of your tattoos evokes the strongest emotion for you?    [00:08:38] Margaret Cho: Well, right now I'm in this, like, trend only getting art from Korean artists, and these are guys. People from Korea who are tattooing now are really the best in the world. They are the state of the art. Like, their eye and their talent is just so innovative. There it's semi-illegal, so they do it under duress, you know, and they have to sort of do all these different things to do it. But their ability to just visualize things that are just, that seemed impossible, you know, these miracles on skin that they can do. The art now I'm really resonating with. There's an artist now that works exclusively in Dancheong, which is a kind of the color scheme of Korean temple art. And so all of his tattooing reflects that. And so I'm working on a very, very large piece on my leg that is, all Dancheong, which you know, for me, like having had lots of different kinds of tattoo, like I had sort of Japanese traditional and a lot of American traditional, and a lot of just kind of different kinds of art. Now to just really delve into the art of my ancestors is quite powerful, and by being done by very young, very skilled tattoo artists from Korea. You know, so I get to speak in Korean to them. We communicate in a language that is shared, that's ours, which is very different from the way that I've communicated with all of the other artists that I've had over my time as a tattooed person. So, um, yeah, tattooing for me, it's, it's all about Korea right now.    [00:10:21] Miko Lee: And what inspired your first tattoo?    [00:10:25] Margaret Cho: My first tattoo was done by Don Ed Hardy, who is a legendary Bay Area tattooer, also, an amazing guy and he was a friend of the employees of my father, who, my father owned Paperback Traffic, which is his gay bookstore just going in the 1970s. And so a lot of people were getting tattooed by Don Ed Hardy. They were getting full body suits in the '70s and '80s, and the, the, um, images, like, so on our refrigerator as a… When I was a child, my father would put up, um, the full body tattoos of these guys that worked for him. So that's what I would see every day. Instead of, like, our graded papers or, like, stuff that you usually have on a refrigerator, it was photographs of completely tattooed people. Um, and that really stayed with me. And so when I was ready to be tattooed, and this is, like, 2002, um, my father's employees and all of our, like, old friends took me down to see Don Ed Hardy, who was doing these body suits, and, he gave me my very, very first very large Japanese-inspired piece on my stomach and back. And that kind of started it off. I got the most painful, most difficult place in your body tattooed first, which is, like, basically your stomach, and your sternum, your chest. All those areas are really, like, those are the worst, and I got that over with. And so I realized, oh, I could actually keep on doing this. And I always knew that I would be heavily tattooed because of that.   [00:11:59] Miko Lee: So your first one you chose really big, not just like a small something. You got a really big one.    [00:12:03] Margaret Cho: Yeah.    [00:12:04] Miko Lee: Wow. Yeah. Just jump in, girl. Just jump in.    [00:12:07] Margaret Cho: Well, I just knew that was right, and I knew also this was probably, like, the only time that I would be able to get a very large piece from Don Ed Hardy, you know? Yeah. People know him, of course, from the clothing line- That's right … and the sort of Y2K influence. But he is so much more than that. His influence on tattooing is really significant. That was towards the end of his tattooing career. He didn't have many years where he kept doing it after, 'cause he explained to me that he absorbs the pain of people. Wow. And so he realized, like, that probably wasn't so good for him physically as he aged, I was really lucky to get what I got from him, which is a very, very large piece and a very important piece.   [00:12:51] Miko Lee: Amazing. And as you're talking about your childhood and growing up in the bookstore, it just makes me reflect on how your childhood was so unique and so interesting. Mm-hmm. And I'm wondering if today you were to make a television show about your childhood, how very different… With, with more artistic freedom. It would be so fun. It would be so fascinating. There's so many more streaming options than just the three networks that we grew up with. Yeah. So, what would that be like for you to do a TV show on your childhood now?    [00:13:23] Margaret Cho: I would love it. I mean, I would love to create that world, recreate that world, because, you know, we had the influence of, like, people who were doing a lot of very early body modification, meaning these full, full body tattoos, and, like, body piercing, which was such a different thing. I mean, in the 1970s we had the rise of Harvey Milk you know, and his assassination.    [00:13:44] Miko Lee: Mm-hmm.    [00:13:44] Margaret Cho: We also had the devastation of the People's Temple, which was all San Francisco people.    [00:13:50] Miko Lee: Yep, yep.    [00:13:51] Margaret Cho: It happened in Guyana, people don't realize this originated in San Francisco and came from there. All the people who died were San Franciscans, and Oakland, Bay Area people. This is our people. My parents actually rented the recently vacated People's Temple for my grandparents' 50th wedding anniversary. Wow. Like, crossing the police tape. To go in and have a Korean party, and then my mother's, “Lot of ghosts.” She saw all the ghosts.   [00:14:19] Miko Lee: Yeah, I'm sure.   [00:14:21] Margaret Cho: “Ghosts, ghosts, lot of ghosts. Well, ghosts don't really do anything. They just make food get cold very fast.” You know, like that kind of a thing. So it would be a great TV show, I think.    [00:14:32] Miko Lee: Ugh, I would watch that too. We're talking about your new show, Choligarchy, which is gonna be at Berkeley Rep, and I read that you said it brings you back to your roots as a political comedian. Can you share more about this?    [00:14:44] Margaret Cho: Well, I had the luxury of the Obama administration where I didn't feel like I had to fight so hard to be heard and seen as a queer Asian American woman, 'cause I worked on the Obama campaign, I worked on, getting people registered to vote in 2008 in Philadelphia. I worked on all these different things with Cal Penn in 2008 to assure a kind of future where we are gonna have something different, and then we did. And then so I got to spend about eight years where I could do dance, I could do music, I could kinda like drift into these other arenas of work that I hadn't been able to do because, before, had been, like, so much about fighting the Bush administration, so much about fighting what was going on. So now to be able to return to a thing that I'm very used to, like political commentary, where I'm really focused on using my voice to affect change and to create change, and it's really profound, you know? I love doing this show. It's got me thousands and thousands of death threats, which is also really terrifying and bizarre. I've always had a kind of very confrontational relationship with conservatives, but now it's escalated to the point of, like, oh, I actually do fear for my safety. But I think that it's worth it. The message is worth it, and I'm proud to do this show, and I'm very, very excited to bring it to very progressive Berkeley, which they're gonna hear it better than anyone. I do think Berkeley is even more progressive than San Francisco. So it's exciting.    [00:16:27] Miko Lee: Well, San Francisco is filled with tech bros now, so it's a very- Yeah … different vibe than when we were-   [00:16:32] Margaret Cho: That's right.   [00:16:32] Miko Lee: growing up. I'm wondering, I heard you say about how different it was during the Bush regime, which is actually relatively tame in retrospect compared to the fascistic times we're living in now. I'm wondering how different, now that you're going back to the kind of political roots, how different is it from that Bush time in your approach to your comedy?    [00:16:51] Margaret Cho: Well, Bush never descended into a cult. Bush never had the sort of magnetism as a person, to demand the cult-like sort of atmosphere that sort of exists now, where we have a leader who will gladly let all of his followers be on a decoy plane while he rushes away in a catering van. We think the decoy plane, that's really America. Like, the decoy– we are all, as a nation, on the decoy plane. He's happily content to let us all die to ensure his safety. It's like they're, and they're still gonna follow him after that. So that's a cult, you know? This is a different beast than we're dealing with just sort of patriotism or the idea of like xenophobia or the idea of wanting this kind of America that Bush wanted. Bush couldn't create that because he was not a cult leader, whereas now we have a bona fide cult and cult leader on a path to destruction.    [00:17:57] Miko Lee: So given this time that we're living in and how complicated it is, I'm wondering, especially as you're going on tour with this show, what brings you comfort and makes you feel connected to home when you're on tour or when you're away?   [00:18:10] Margaret Cho: Well, my dog is with me all the time, so that's really special. She'll be there at Berkeley. She's really, really amazing. I'm a big fan of social media. It's connecting with people on there, and people are encouraging me through there. There's a lot of points where I carry home with me. I'm also, at home on the road, because I've been traveling and performing for over 40 years, so it's a place that I feel a great deal of comfort in.    [00:18:35] Miko Lee: Because you mentioned social media, I'm just wondering, isn't that where the death threats are coming from, though, is social media? Or are you getting them in—   [00:18:42] Margaret Cho: Yes. But I'm also get, I get them on my phone. I get them, like they—   [00:18:45] Miko Lee: Oh, you, they- Yeah … find your cellphone and contact you—   [00:18:47] Margaret Cho: Yeah.   [00:18:48] Miko Lee: directly? Wow.    [00:18:49] Margaret Cho: Yeah, I get them, like, you know… I'm also concerned about, I've been doxxed, you know, they threatened to kill my dog, and I'm like, “She's white. She's one of you. Why would you kill her?” It's kind of funny.   [00:19:01] Miko Lee: But you don't respond to any of these folks, right?    [00:19:04] Margaret Cho: No, you can't, because you just don't know what… I always think about, like, Melissa Hortman. They killed her dog. I don't wanna be another example of, like, MAGA lunacy. When you speak out and you are a symbol of what they don't want. They don't want women, they don't want people of color talking. When you are that you're really in the line of fire. That's why traveling works for me, I get to be very, very stealth and hidden. Um, and that's kinda also why I travel so much, is to be stealth. Mm. I get so much encouragement from social media. I don't wanna cut myself off from it. But yeah, you have to be careful.    [00:19:42] Miko Lee: So you feel like that balance outweighs it?    [00:19:45] Margaret Cho: Yeah, for sure.   [00:19:45] Miko Lee: And I'm wondering if you think there's something that's misunderstood about you?    [00:19:49] Margaret Cho: When I'm talking and people don't like what I'm saying, they will say, “Oh, look at this has-been talking again.” And I'm like, “I'm not talking because I think I'm a celebrity. I'm talking because I am alive, and everybody who is alive has the right to speak.” I think this is really important. I don't talk because I feel like I have a responsibility to talk because I represent anything. No, I talk because we should all be talking. We should all have a voice. I don't have a sense of importance about myself or who I am or what I do. I think that everybody should be talking, and now we should all be talking because now we are all on that decoy plane, and he will leave us to die. So I'm going to say something about it. People have a myth about celebrity that somehow it involves our ego, and that's why we feel compelled to have a voice. But I think we should all have a voice no matter who we are.    [00:20:41] Miko Lee: I've heard you call yourself the patron saint of outsiders. Can you talk about what that means to you?    [00:20:47] Margaret Cho: I think for me it means to be able to have, my queerness front loaded, my Asianness front loaded, my gender front loaded, all these things that I want to be able to talk to those who feel like they don't feel represented by mainstream culture, by white supremacy. If you have felt rejected or even just not included by society at large, I wanna hear your voice. I wanna hear your opinion, and I wanna know you.    [00:21:15] Miko Lee: And last question, why should folks go and see Oligarchy at Berkeley Rep?    [00:21:20] Margaret Cho: Oh, it's Choligarchy.   [00:21:20] Miko Lee: Choligarchy.   [00:21:22] Margaret Cho: It's my nation. It's my dictatorship. In my dictatorship, we have universal healthcare. In my dictatorship, we have a universal living wage. If we actually made the billionaires pay their share, if we actually stopped supporting Israel and Argentina, other countries which I don't know why we give them so much money, but we do, if we stop doing that, we stop supporting the billionaires, if we stop giving corporations handouts, we could actually have a universal living wage where everybody in this nation would just be able to just live. We could just live because we are American. We could just live. And then your work could be what you really wanna do. That would be such an important change to the way that we exist as Americans. And we could do that if we actually stopped giving b- bailouts to corporations, actually made billionaires pay their share, and stopped giving money to countries that are not ours. That's what my platform is. That's what I run on, and that's what I plan to do.    [00:22:35] Miko Lee: And folk can find out more by going to see the show at Berkeley Rep, and we'll put a link in our show notes. Thank you so much, Margaret Cho, for joining us on Apex Express.    [00:22:45] Margaret Cho: Thank you.    [00:22:46] Miko Lee: Next up, get a preview of an upcoming unique performance at Oakland Asian Culture Center. Listen to Sawaal Jawaab    MUSIC   [00:24:01] Miko Lee: That was Sawal Jawab with Arjun Verma, Eman Hashimi, and Pezhham Akhavass in Interweaving: Indo-Persian Exchanges, a one-night-only performance on Friday, September 11th at the Oakland Asian Culture Center. The concert's a rare opportunity for Bay Area audiences to experience the interplay of some of Asia's richest classical music traditions from India, Iran, and Afghanistan. Next up, we hear from two voices, multimedia artist Masaki Fujihata and Carin Adams, senior curator at the Oakland Museum. Masaki Fujihata is a world-renowned sound, installation, interactive, and new media artist. He's also a professor at Keio University. His work has been shown all around the world, and now it's coming to the Oakland Museum, opening September 18th and running through the end of December. The piece is called BeHere / 1942, A New Lens on the Japanese American Incarceration, and it's a new augmented reality work. So tune in to my interview with Masaki and Carin Welcome to Apex Express, multimedia artist Masaki Fujihata and Carin Adams, senior curator at Oakland Museum.    [00:25:13] I'm so happy to have you both with me, and we're talking about the new exhibit BeHere / 1942: A New Lens on the Japanese American Incarceration, which opens at the Oakland Museum from Friday, September 18th to Sunday, December 27th. So thank you so much for joining me. I wanna start with a question I ask all of my guests. I'm gonna start first with you, Carin, and then I'll go to Masaki, and the question is, who are your people, and what legacy do you carry with you?    [00:25:53] Carin Adams: Oh, wow. I think there are lots of different facets of my family and who I think of as my people. Um, I think in, in this work in particular, I'm really, um, thinking a lot about my grandparents, my, my mother's parents, and, um, my mom, who's turning 91 in, um, October, and, um, her and her siblings' experience, um, being incarcerated in Tule Lake. So- Mm … that, I think has, has a lot to do with wh- why I'm here, and thank you so much for having me.    [00:26:36] Miko Lee: Mm-hmm. Thank you so much. And Masaki, what about you? Who are your people, and what legacy do you carry with you?    [00:26:43] Masaki Fujihata: Yeah, in my case, my, career started with the computer graphics long time ago in the '80s, so I came in, uh, Bay Area and, uh, West Coast quite frequently to join a big, uh, conference and so on. But then in '90s, I was very many times to be invited to be in Europe, so-called media art, i- is so dominant. So my curiosity is about the visual arts plus computer technology. Then nearly 10 years ago, I started to play with augmented reality. I recognized AR is a very good technology to put the history in actual moment. So the title Be Here 1942 means, I try to call the people in the past in the present. After one of my friend, the professor at UCLA invite me to be in Los Angeles, then we started to focus onto the Japanese Americans' history. That was the first, a kind of coincidence, but it was, very interesting to me because, I was born in Tokyo and grew up here in Tokyo, so usually I didn't think about who is a Japanese. [00:28:10] Along with this production, I studied a lot, not only the racial problems, but also the identity, , not only the personal identity, but also identity of Japanese and also American. It's really difficult to understand what's is the identity in the America because so many different people are living together and of course there are several conflicts. This is very good study for me, through the new media technology and, through the meeting with the people. Some of them really had, severe experience inside the camp. I never had a chance to think about these opportunities. Then I really want to recreate what had happened in the 1942. That was my point of view for this project.    [00:29:08] Miko Lee: I'm wondering when you were growing up in Japan, did you learn about the Japanese American incarceration?    [00:29:15] Masaki Fujihata: Maybe, maybe, but a tiny. Most of the young students just thought, oh, this is the history, not mine    [00:29:27] Miko Lee: And did you… Were there kibei that were there? Cause I know there were a lot of Japanese Americans that had been pushed out and repatriated to Japan. Did you grow up knowing any of those people?    [00:29:39] Masaki Fujihata: Mm, not, not really. Not really. Um, how can I say? Mm, maybe this is the education, the Japanese education. They didn't talk much about the history. The first part is an ancient moment, is very, very, you know, impressive. But, at the end of the term, so the modern age usually passing very, very fast.    [00:30:10] Miko Lee: Oh, interesting.    [00:30:11] Masaki Fujihata: Yeah, so n- not only about, history between America and Japan, but also China and Japan.   [00:30:18] Miko Lee: Mm-hmm.    [00:30:19] Masaki Fujihata: We have very few knowledge in, on the context of, uh, history education. I mean—   [00:30:24] Miko Lee: So sort of World War II- I mean- and forward? From World War II—   [00:30:27] Masaki Fujihata: Yeah, yeah …   [00:30:28] Miko Lee: You didn't really learn about it?   [00:30:28] Masaki Fujihata: Yeah, modern age. Modern age. I believe this is very big problem in the education.    [00:30:35] Miko Lee: That's so interesting. So the first that you really learned about the Japanese American incarceration was during, when you started this project at UCLA? Is that right?    [00:30:44] Masaki Fujihata: Yeah, yeah. I know something about the history in the US, but when I started to do research, there are many details, and every people's history is very, very different. So the textbook of the history is just the surface- So that's why I wanted to show more the detail through a new media technology.    [00:31:16] Miko Lee: I read a quote from you that said, “My aim was to peer deeply into photographs to derive from them more than was visible on the surface.” Can you talk a little bit more about what that means to you?   [00:31:29] Masaki Fujihata: Yes, because, I started to think about to focus on the moment when they ride the bus. So then, of course, I did some research to read some oral history, but, most of them didn't tell about the moment because I think this was just one hour or two hours for waiting. I suppose they usually don't want to remember, and also they thought that this is not important day, then they forgot.   [00:32:04] Miko Lee: What was it about the bus that you were curious about?    [00:32:08] Masaki Fujihata: We planned to realize our project, to think about the beginning. What is the beginning? There, there are quite many novels and writings about the life in the camp because of, of course, this is so heavy. Four years in the camp is unbelievable. According to my research, some people said they thought the war will ends in three months. But in there they spend in the camp, over four years. So of course, this is a heavy story and also while in the inside the camp. There are some conflict between the first generation, second generation or American side or Japanese side. The beginning is, of course, the Pearl Harbor raid, but, the bus, suddenly one day the bus came into your town and you were asked to ride the bus, and before riding they didn't tell them where they are going. So so if it happened now, how can we behave? So this is my question. This is the beginning, and they didn't know what will happen in the future. And then in parallel, I did some research to see the photographs because, there are many documentary photographs were in the archive, in National Archive, and also Library Congress. I tried to, see the photography, but as I said, when see the picture, you know, the detail is telling a different story, against the comment. The comment is just they are lining up for riding a bus or something, or Japanese American families get together and waiting. Of course they have some name card. At last I found through one of small girl's eye, there is a reflection of the photographer. But, not only the photographer, there are two, three, or four more people standing with the cameraman. Then, of course I understand they are all Caucasians. They are not Japanese American people. So for the little lady, for the little girl, when she was surrounded by, white officer, perhaps military police, she has nothing to do. But on the surface of the photography, she's smiling. So this contrast is the beginning. So this is a problem about media, visual media. So then I really want to share this experience with the other audiences through the exhibition. That was my intention.   [00:35:18] Miko Lee: And had you seen the photographs from Dorothea Lange and Russell Lee prior to working on this project?   [00:35:25] Masaki Fujihata: Of course, I know these names because they are very famous,, documentary photographer, the magazine Life started to publish from the year 1933, it was hit, so popular. I was really surprised because they did the job to make a document for Japanese Americans, and there is over 4,000 pictures left in the archive. I saw all of these so many times, so I can tell each picture. I can tell what is the difference, between the Dorothea and Russell Lee. So each photographer has, different characteristics. But I really surprised because, Dorothea Lange's photography is very different from others. And—   [00:36:18] Miko Lee: And the government didn't like them. They locked them away for years because they were too real.    [00:36:25] Masaki Fujihata: Yeah, and because, Dorothea's photography is always associated with the object inside the photography. She tried to understand who is she, who, who is—-    [00:36:38] Miko Lee: Mm-hmm …    [00:36:39] Masaki Fujihata: and try to have a good relationship with the object. Most of the photographer, like a press cameraman, it's just go there, “Hey, smile,” and shot is their, you know, way of business. But Dorothea's way is very different, so sometimes, I can tell she is always calculating the distance from her to the object. I enjoyed very much to have a chance to see all of these details. Of course, another luckiness because all of these photograph were shot by the government, then all of these are now public domain. Even me from Tokyo, I can see so many photographs with high resolution. I think those are made after year 2000 because of the technology came in. Then now they are supplying 3,000 by 4,000 pixels. That's why I could enlarge and to see the reflection on the girl's eye. It's a coincidence, but also it's the evolution of computer technology from analog photography. So this is also interesting part to share with the audience.   [00:38:01] Miko Lee: Thank you. Carin, I wonder if you could talk about what an audience will see when they come in to see the exhibit.    [00:38:08] Carin Adams: The exhibition is going to happen inside and outside the gallery. So if people are visiting the museum coming up through our entrance on Oak Street, they will have an opportunity to enter the augmented reality application that Masaki has designed where they're, standing there grounded in, the architecture of the Oakland Museum. But they're also seeing people, dressed as if they were in 1942, waiting with their belongings and their family members. They'll be able to see the buses that lined up on Oak Street in '42. There was a civil control station that was across the street, and Dorothea Lange took some very famous photographs of people waiting with their belongings in front of their houses that, on the museum side of the street. Masaki has adapted the augmented reality that he first developed for Los Angeles for Oakland. So people on entrance onto our campus will have that experience, and then if they come into the gallery, then they'll really be entering into the gaze of these eyes. They'll be surrounded by very high resolution images that Masaki has blown up, to mural size. You're forced to encounter the people that were reflected in the eyes of the subjects that Lange photographed.    [00:39:45] Miko Lee: Thank you, and I know that in the collection, you've had these Dorothea photos for a long time, right, in the Oakland Museum's—   [00:39:53] Carin Adams: Yeah. The Oakland Museum is the holder of the Dorothea Lange archive, including some of her images of the incarceration. The Bancroft Library also has extensive holdings of her work and material , related to this history. And of course, Masaki did lots of research in the National Archive and Library of Congress.   [00:40:16] Miko Lee: Masaki, I know this is the second version of the show since you have opened it first at JAMM and at UC, with UCLA. Yeah. What was it like for you to recreate it for the Oakland Museum? How has that experience been?   [00:40:30] Masaki Fujihata: I'm very, very lucky to find OMCA. Mm-hmm. We started to think about the production in OMCA. I made a research through, of course Dorothy Lang's photography. Then there is a number of the street, 1117 Oak Street is the place where people apply their address and family name. The Civil Control Station is that address. I was very surprised because this is a street in front of the museum, and actually the other side of the street was the Civil Control Station where the bus came in. So this is exact place I really wanted to put my augmented reality models. So I was very shocked because I never think about the museum is a real place.   [00:41:24] Miko Lee: So it's truly a place-based piece of art because that is the history coming alive in that very spot.    [00:41:31] Masaki Fujihata: Yes. Yeah. So, all the projects start from the realization of augmented reality.    [00:41:39] Miko Lee: Mm-hmm.    [00:41:40] Masaki Fujihata: So augmented reality is a kind of tech term, but augmentation is adding some information rather than the first wa- surface or rather than the display. In this case, we are putting the happenings in the 1942 in present, and then try to make a contrast between now and the past. The exhibition inside the gallery is showing a kind of process of the research to make this augmented reality piece because for making the 3D model data, we invite many volunteers into a special studio. I have to direct them. I have to prepare some scenario for them. In some cases, you are the university students. Coincidentally, you met the professor, while waiting for the bus. This is a fiction I made. When I need to make a scenario, I really need a research what is possible, what is not possible. So then the photography help me a lot to make a small scenario.    [00:43:01] Miko Lee: How many volunteers worked with you on this?    [00:43:04] Masaki Fujihata: I think totally 64 volunteers.    [00:43:08] Miko Lee: Wow. That is amazing.    [00:43:10] Masaki Fujihata: Each one was asked to walking towards the point where the bus would come, and then the second part is waiting, and then the third part is just lining up for the bus. So there is three different scenario. Then each person appears three times. Then totally you will see nearly 200 people.    [00:43:37] Miko Lee: Wow. And I understand that you use, in order to utilize the AR, you use cameras that kind of replicate those used during the incarceration, and I'm wondering what made you decide to choose that?   [00:43:53] Masaki Fujihata: So I try to know the core idea of each technology, because the technology is usually used for capitalism. My manifest is liberate technology from capitalism. So technology has another dimension, not only for serving for the capitalism to make money for your life more rational, but the technology also can give you a chance, who are you? What is life? What is the world? So I really want to use the technology another dimension of the technology usually used by the companies, and capitalism. In this case, this project is really good because very nice photography was left in the archive. But imagine in the 1942, photography was a high technology. Very few technicians or rich people could have the camera. Now so popular everybody has a camera inside their mobile phone, but it was high tech. And now augmented reality is somehow popular technology, but no one didn't use the AR technology to think about what we are doing as an art. So I wanted to use augmented reality to, to think about what is our life    [00:45:32] Miko Lee: Ooh, that is so interesting. I really appreciate that. And I'm wondering because you've seen audiences go through the first exhibit, I'm wondering if anything surprised you by audiences that have seen it and what, what you'd like people to walk away with after going to your installation.    [00:45:51] Masaki Fujihata: I was really surprised because this was my first case the audience had a tear. So after they saw the augmented reality, some of the person said, “Masaki,” I suppose, she suppose that, “Perhaps my grandfather was here.” Could feel the same impression or imagine, she could imagine what had happened on her grandfather So it's a bit like a cinema, but there is no written story, so each person can explore the images through a tablet. But, uh, maybe five minutes later, uh, the user will feel inside the scene. So In another words, I can say you are going to feel you are inside a cinema studio. You will be captured by the camera. And also another, okay, another interesting aspect because, I could develop this project because the photographs were left made by Dorothy and other people, uh, professional documentary photographer made these photography. So photography was left. And then, um, while you are using iPad in the entrance plaza of, Oakland Museum, you will see many Japanese people wearing the costume and, waiting for the bus. But now you are the cameraman. You believe you are seeing what had happened through the display, but, imagine for them inside the image were looked by you. So this is the viewer you are going to see, but also from them, from the object, you are the cameraman.   [00:48:04] Miko Lee: So you want people to feel both sides, both being the watcher but also in it—   [00:48:09] Masaki Fujihata: Yeah.   [00:48:10] Miko Lee: Immersed in the experience.    [00:48:11] Masaki Fujihata: Yeah, hunter.    [00:48:13] Miko Lee: Mm.    [00:48:13] Masaki Fujihata: Image hunter, yeah.    [00:48:15] Miko Lee: Image hunter, mm. I, I feel like you're saying utilizing technology as a tool for your emotions as opposed to a capitalistic gain. I'm wondering if you're working with AI at all, and your thoughts about it. Because you've really been on the forefront of so much multimedia since the '80s and I'm just wondering now people are just talking about AI and the impact of artists  and I wonder what your thoughts are about that.   [00:48:39] Masaki Fujihata: I, I think, uh, it's too early to, uh, work with AI as an artist because, uh, e- even the developer of, uh, AI didn't know what happened inside, so it's a black- totally black box. So that's interesting part of AI. Uh, maybe you know some, some story about this. Very recently, uh, the AI ju- just hack the connection, then they escape from the inside the laboratory to go outside the internet. So this could happen. Uh, that's why, because a human couldn't imagine. So the AI doing something different, and it's really a black box. Then, uh, that's interesting point. If I can be inside the development company as an artist, I can make something interesting hacking software, but it's a huge business, and, uh, I think this is not the moment for the artist. And also, as you know, all the data inside the AI is, uh, happenings in the past.    [00:50:02] Miko Lee: Right.    [00:50:04] Masaki Fujihata: And then, right, the present is important for the humans. What is the role of the artist? There is some, uh, sentence, artist is the person who is creating something new which has not exist before. so, uh, we are not AI, so w-we have to know who, what we should do in contrast to AI is the important moment    [00:50:37] Miko Lee: Thank you so much. I wonder if you would want to just reflect briefly on how this, this piece that you're presenting at Oakland Museum is very resonant right now in America because of the current politics of incarceration of peoples and you know, we're at the same, at the exact same concentration camps where Japanese Americans were held. Immigrants are being detained and put there right now. I'm wondering how this piece speaks to the moment that we're living in in the United States right now.   [00:51:13] Masaki Fujihata: Um, please do not make more mistakes that American government did before in 1942. So Our project can be a kind of reference what the American government did after the Pearl Harbor.    [00:51:39] Carin Adams: Masaki, would you wanna talk a little bit about the new piece that you're making?    [00:51:45] Masaki Fujihata: Oh, I see, I see. I think- That's a good idea. I, I totally forgot. Yeah. Thank you, Carin. Because I proposed to Carin and museum about to make a new piece. The idea is about, uh, the poster. The, that they… So the, in Okura case, maybe, uh, to l- late April in 1942, the poster paste on anywhere, everywhere inside the town, and talking about the, at the certain day, you cannot be stay here. You will be criminal. So, so this is the s- starting point. Then they need to come to the civil control station to sign up, and then one week later, the bus came in, then they need to go to the camp. Then the poster is now very famous, but, uh, usually, people didn't read it Then I, I asked to, collect volunteers to ask read this text on the poster, uh, several different locations inside the Oakland. So when you see the final result, the view of the people reading the text aloud is very peaceful, very bright, California sunshine and there is a lake behind and sometimes, you know, the buses came and stop and go there. So this is very peaceful, but the content is very strong- strongly contrast- co- contrasted. So it's a command from the government. I really wanted to, to make this contrast through this new production. So you, you will see three vertical monitors, and, 25 different group of people. I think there was nearly 45 people helped me to realize this   [00:54:02] Miko Lee: What is it you hope to evoke by adding this new piece of the relocation poster?   [00:54:08] Masaki Fujihata: I really wanted to involve some of the young generation and family and also, known Japanese American people. So all of these people, of course, have some fear against the, this moment, and then try to, uh, send messages. So they helped me to realize this.   [00:54:39] Carin Adams: The video is really going to provide the soundtrack for the exhibition. There is no sound in any of the other film elements or in the AR other than what visitors bring in conversation into the space. But they'll be able to hear the local volunteers that Masaki assembled reading the exclusion order text and we're expecting that to be very profound- impactful. And yes, some of the people who volunteered for this new video element were incarcerated themselves, others are descendants, and then there are just people who are representing different immigrant experiences who wanted to participate. So it's a very local production, and it really cites us in the present moment with this really chilling text from the past.    [00:55:33] Miko Lee: Thank you so much for joining me and chatting with me about the exhibit BeHere / 1942. I'm really excited to check it out, and I hope our audience gets a chance to go and see it all the way through the end of December at Oakland Museum.   [00:55:48] Carin Adams: Thank you so much for having us.    [00:55:50] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 9.3.26 – Beneath the Surface with Margaret Cho & Masaki Fujihata appeared first on KPFA.

Weirdos! We're revisiting Whitechapel in this MASSIVE episode which includes all 5 episodes of Alaina's Roman Empire, Jack the Ripper! Alaina takes us to the streets of Whitechapel for part one of Jack The Ripper, and boy is it a stark picture she's painting us. Whitechapel was dark, damp, dirty and downright desolate at the time Jack The Ripper was roaming the streets. People were living in all kinds of horrible conditions, butchers and slaughterhouse workers were walking around covered in blood and because things were like this, it made the perfect stomping ground for a vicious murderer. Mary Ann "Polly" Nichols was the Ripper's first victim and the main person that we'll go over in part one while Alaina also gives us a background on a couple of other potential early victims. Stay tuned for (we're thinkin') three more! Jack the Ripper part two brings us the absolutely horrifying murder of Annie Chapman. Annie's story, much like the rest of the women who were killed, is incredibly devastating. She was struggling with sobriety when she landed on the shady streets in Spitalfields in the East end and was having a terrible time trying to find work to just get by. Robert Anderson, the head of the criminal investigations department was still on vacation, Sir Charles Warren's ego stepped on the scene and they were not even one step closer to uncovering the culprits identity. Jack the Ripper Part three will cover what is known as, “the double event.” Both Elizabeth Stride and Catherine Eddowes were found killed on this September night. Both women shared a lot in common with the previous two victims. They'd struggled through pretty much their entire lives just to make ends meet and then were met with this as their end. In this part we'll start to entertain the theory that Jack perhaps had some kind of medical background and you'll see just why one might think so once you dive into the episode! Hold onto your butts! Jack the Ripper part 4 is here weirdos! This installment will cover the horrific, and most brutal murder yet: the murder of Mary Jane Kelly. Mary Jane was the youngest victim at just twenty five years old and the only victim that was killed in her own room. When the police arrived on scene they were shocked, but still not any closer to uncovering the identity of the ripper. OH and also, Alaina has some HOT TAKES on the letters we went over in part 3. YOU HAVE REACHED THE CONCLUSION!!!! Alaina's final part of Jack the Ripper is here and we are talking all things suspects, confirmation bias, science, mitochondrial DNA and Patricia Cornwell. Do we know who Jack the Ripper is by now? No. Do we know who he isn't? Sorta. Stay tuned for years to come because Alaina claims one day she will have our answers!!! "SOMEDAY I WILL"- Alaina   Check out these great books on the case: Jack the Ripper and The Case For Scotland Yard's Prime Suspect by Robert House The Complete Jack the Ripper by Donald Rumbelow The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold The Hidden Lives of Jack the Ripper's Victims by Robert Hume The Ripper Code by Thomas Toughill Jack the Ripper: Scotland Yard Investigates by Stewart Evans & Donald Rumbelow Jack the Ripper: The definitive Casebook by Richard Whittington-Eagan Portrait of a Killer: Jack the Ripper by Patricia Cornwell   Also check out these sites on the case: JackTheRipper.org Casebook: Jack The Ripper Jack the Ripper Tour   History blog mentioned in the episode: The History Girls   An even DEEPER dive into this case: Season 3 of Unobscured with Aaron Mahnke Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The body of Jamey Carney, a 43-year-old mother-of-one, was found by her teenage daughter at their home in Killarney last week. The American woman had suffered head injuries and a postmortem confirmed she had died a violent death by suffocation. Gardai traced her partner, Ahmed Al Saqar's, movements immediately after the killing and found that he left Ireland hours after she was killed, flying to Turkey having taken the night bus from Kerry. He then travelled on to Jordan where he was arrested and is in custody. It is thought the 28-year-old had been in Ireland for two years and had sought asylum before fleeing back to Jordan after the murder. The investigation is a full-scale murder inquiry. Gardaí did not seek Al Saqar's arrest in his home country, so why was he detained? How long can he be held by Jordanian authorities before he must be released? Ireland and Jordan do not have an extradition treaty so how can Al Saqar be brought back to Ireland? And when?Irish Times crime and security editor Conor Lally explains the complex road ahead in this investigation. Presented by Bernice Harrison. Produced by Suzanne Brennan. Hosted on Acast. See acast.com/privacy for more information.

The mystery inside More FM Manor has just reached a whole new level of drama, because we are officially bringing in Kiwi television royalty...

Three days after Nancy Guthrie disappeared, a podcaster with a large following said on her show that her law enforcement sources identified son-in-law Tommaso Cioni as the prime suspect. That claim detonated across the internet. Within hours, a full conspiracy had been constructed — Cioni had opportunity, motive was assumed, and his bandmate Dominic Evans was identified as the masked figure on the doorbell camera based on a vague physical resemblance. Less than three weeks later, on February 16th, Sheriff Nanos cleared the entire Guthrie family publicly. All siblings. All spouses. He called the accusations not only wrong but cruel. The family had cooperated fully — interviews, devices, DNA. The FBI processed everything. The clearance was definitive. But the damage was already done. Evans, a 48-year-old elementary school teacher, had strangers showing up on his street. He told the New York Times he hid in his bedroom with his wife and kids while it happened. Sources close to the family told reporters that Savannah was heartbroken by the accusations. Tony Brueski traces the full chain — from a podcast claim to an internet conspiracy to real people hiding in their homes — and asks why the accusation videos are still online after the family was definitively cleared.Links:Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodDisclaimer:This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.Hashtags:#NancyGuthrie #NancyGuthrieUpdate #TrueCrimeToday #FindingNancy #TrueCrime #GuthrieCase #NancyGuthrieFamily #TrueCrimePodcast #SavannahGuthrie #NancyGuthrieCleared

This podcast normally has a focus on victims of crime. Today, is different as I focus on the prime suspect in the disappearance of Madeleine McCann, Christian Brückner.In this special episode, I chat with Alex Frieling, a freelance German journalist covering crime, justice and investigative stories. He has reported extensively on Christian Brückner and the disappearance of Madeleine McCann for several British and German media outlets, including the Daily Mirror and The Sun. Over the past few years, he has attended court hearings, spoken with sources connected to the case and conducted on-the-ground reporting in Germany and so I was very keen to talk with him about Brückner.To follow his work - and I highly recommend it - Alex can be found on TikTok and other social media platforms under his name, Alex Frieling.Please join me for the next episode of the UK True Crime Podcast on Tuesday.Support me at Patreon:https://www.patreon.com/UKTrueCrimeWatch my YouTube Channelhttps://www.youtube.com/@Adam-uktruecrime/videosGet All The News First - Subscribe To My Newsletterhttps://uktruecrime.comJoin UK True Crime Facebook Grouphttps://www.facebook.com/groups/UKTrueCrime Hosted on Acast. See acast.com/privacy for more information.

Chief Inspector Paul Stritch IS BACK! The mighty Mark Spalding finally makes his much-requested debut on the podcast, as Rob Cook brings us the first of a two-part feature length interview with this extremely charming man. Mark discusses his early days in theatre and television, including memorable roles in "Prime Suspect" and "Seaforth" - along with a chance encounter with an acting legend. Rob then takes Mark through a deep dive of his time at Sun Hill, including his two guest appearances. This interview is PACKED with gold-dust! You can support The Bill Podcast and unlock over 300 hours of exclusive content by joining our Patreon channel For just £2.99 you'll instantly unlock Season 1 of The Bill Obbocast, along with hundreds of reaction videos, sample editions of the weekly Evidence Room series featuring rare behind-the-scenes paperwork, cast reunion highlights, Billgrimage location videos and you'll be able to share comments with fellow fans. The Bill Podcast is brought to you in proud association with georgefairbrother.com shop.saturdaymorningpress,co.uk vanguardcomics.co.uk gibconsultancy.co.uk mcr-seo.com and donspillane.com Show less

Susan and a British Journalist named Tom Mangold zero in on - a Black man who lives with his grandmother out of state. In just 10 days, Susan is convinced he's the real killer. Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Up and down, round and round. Got some songs for the new, the old, and everything in between. Tracks from MILE END, SWEAT, PRIME SUSPECT, ANGUISH CRY, LOT IN LIFE, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Floyd's wife Carol: black widow, femme fatale, dis-honest Go Getter drinker - but she can't be the killer, can she? No way, Jose! Floyd has a secret hookup with Modern Love that he doesn't keep secret from Clark. When will he learn Clark's secret? Did his ex-wife fortune teller tell him? LET'S SOLVE DTF: ST. LOUIS, HBO's mid-life crisis, buddy comedy, murder mystery. Are you DTS (Down to Solve)? A darkly comedic tale of three middle-aged individuals entangled in a love triangle, leading to one's untimely demise. But if someone killed Floyd (David Harbour), whodunnit? Was it weather man Clark (Jason Bateman)? Or did his widow Carol (Linda Cardellini) take him down? Other suspects include Clark's wife Eimy (Wynn Everett), Floyd's stepson Richard (Arlan Ruf), or a mystery person like Peter Sarsgaard? St. Louis Detective Donoghue Homer (Richard Jenkins) and Twyla special crimes officer Jodie Plumb (Joy Sunday) will have to crack the case. The tv show was created by Steven Conrad (Patriot, Perpetual Grace, LTD). #DTFStLouis #hbo #hbomax s1e3 s1e03 s01e03 00:00 Intro 00:02 The Prime Suspect 00:23 Let's Solve DTF: St. Louis 00:52 Spoiler Alert 01:20 Keeping Score 01:53 Atlanta as St. Louis 02:41 DTS Crew shout out 03:07 About Double P HQ 03:49 Victim: Floyd Smernitch 05:51 Suspect: Clark Forrest 07:25 Suspect: Carol Love-Smernitch 09:06 Suspect: Richard 09:24 Suspect: Christopher 09:58 Theory: Floyd caused his own death When Plumb discovers that Carol has lied about key details of her affair, she presses Homer to let her question Clark. Once in the hot seat, unsettling truths about Clark's relationships with both Floyd and Carol begin to come to light. Director Steve Conrad Writer Steve Conrad created by (as Steven Conrad) Cast Jason Bateman ... Clark David Harbour ... Floyd Linda Cardellini ... Carol Richard Jenkins ... Homer Joy Sunday ... Jodie Plumb Peter Sarsgaard ... Christopher Robert Spurce "Modern Love" Wynn Everett ... Eimy Arlan Ruf ... Richard Maddyn Kendall ... Genevieve Steven Rho ... Glenn/Glenn Plumb Morgan Nalley ... Jamba Juice Teen Genevieve Kane ... Second Jamba Juice Teen Analisa Wall ... Clark's Neighbor(uncredited) Asher Miles Fallica Stephen Queece Chastity Dotson Clara Gilchrist Paul Kim ... Waiter Kid Arischa Conner ... Value Inn Manager Mallory Hoff ... Chicago Reporter Joey Shear ... Basketball player Aizley Ford ... Anabel Brooke Jaye Taylor ... Therapist Andrew Hunter ... Other Father Mini Kim ... Store Employee E-Kan Soong ...Sheriff Deputy Toby Crench Chase Steven Anderson ... Bike Store Manager Mike O'Connell ... Dave The Tech Deputy Isabelle Du ... Anchorwoman Kurt Yue ... Anchorman Daniel Di Amante ... Terry ( Youngish Male Server ) Jessica Pickard ... Tammy Chris Perfetti Chris Conrad Producers Jason Bateman ... executive producer Todd Black ... executive producer Steve Conrad ... executive producer / executive producer (showrunner) Bob Dussault ... associate producer Christina M. Fitzgerald ... producer David Harbour ... executive producer Stephen Hoey ... co-producer Peter Moxley ... co-producer Jennifer Scher ... executive producer Steve Tisch ... executive producer Molly Allen ... executive producer Jason Blumenthal ... executive producer Michael Nelson ... executive producer Michael Costigan ... executive producer / producer Anabel Kane ... associate producer Genevieve Kane ... associate producer James Lasdun ... executive producer Taylor Latham ... co-executive producer 1 episode • 2026 Bruce Terris ... executive producer 1 episode • 2026 Michael P. Twombly ... co-producer (as Michael Twombly) 1 episode • 2026 K.C. Wenson ... executive producer (as KC Wenson) 1 episode • 2026 Kristina Wenson ... executive producer / producer Composer Alex Wurman music by  Cinematographer James Whitaker director of photography  Editors Kevin D. Ross Max Koepke Whitfield Scheidegger Production Designer Laura Fox Art Director Charles Varga Set Decorator Lance Totten Costume Designer Molly Maginnis

Jann checks in from Iceland, Caitlin shares her rollercoaster trying to buy a new home in Toronto, and Sarah announces she has joined a legion ahead of a very special guest! Prolific crime author Lynda La Plante shares her journey from childhood plays to becoming a legendary crime writer and television producer. She shares insights on writing, character development, her challenges in the industry as a woman, and her ongoing passion for storytelling. More About Lynda La Plante: Lynda La Plante was born in Liverpool. She is the author of over forty novels, all of which have been bestsellers. She trained for the stage at RADA and worked with the National theatre and RSC before becoming a television actress. She then turned to writing - and made her breakthrough with the phenomenally successful TV series Widows. Lynda's original script for the much-acclaimed Prime Suspect won awards from BAFTA, Emmys, British Broadcasting and Royal Television Society as well as the 1993 Edgar Allan Poe Award. Lynda is an honorary fellow of the British Film Institute and was awarded the BAFTA Dennis Potter Best Writer's Award in 2000. In 2008, she was awarded a CBE in the Queen's Birthday Honours List for services to Literature, Drama and Charity. Lynda La Plante is the first layperson to be awarded an honorary fellowship to the Forensic Science Society. In 2020 she launched the acclaimed Listening to the Dead podcast with former CSI Cass Sutherland, exploring forensic science and its impact on solving crimes. https://lyndalaplante.com/books/ #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠⁠www.jannardenpod.com/voicemail/⁠⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 9 of The Zodiac Killer series focuses entirely on Arthur Leigh Allen — the man law enforcement pursued for decades and the only suspect ever publicly named in the case.From Donald Cheney's explosive 1971 account to Michael Mageau's later identification, Allen's case is packed with disturbing coincidences, alleged admissions, and behavior investigators found impossible to ignore.We break down the full timeline: Allen's background in Vallejo, his reported pre-crime statements, the Zodiac Sea Wolf watch, the Lake Berryessa alibi, the search warrants, the pipe bombs, and the claims made in Netflix's 2024 documentary This Is the Zodiac Speaking.But this episode also examines the other side of the case: the fingerprints that did not match, the handwriting experts who excluded him, the partial DNA that failed to connect him, and why he was never charged.Was Arthur Leigh Allen the Zodiac Killer — or the most compelling wrong suspect in true crime history? 00:00 Prime Suspect Setup01:43 Allen Early Life04:24 Grievances And Red Flags05:54 Cheney Bombshell Tip07:00 Lovers Lane Details11:54 Credibility And DNA Wrinkle15:10 First Police Interview16:26 Watch Alibi And Knives19:33 Handwriting Excludes Allen20:43 Search Warrant And Arrest22:51 Spinelli Names Allen25:27 1991 Search And Bombs27:48 Blue Rock Springs Revisited28:58 Mageau Photo Lineup30:55 Voice Witness Limits32:28 Allen Dies and Search33:14 DNA and Handwriting Tests35:52 Forensic Caveats Explained37:01 Netflix Seawater Claims40:49 Beach and Riverside Trips44:35 Confession Accounts Weighed46:19 Case For and Against53:20 Why Allen Endures56:53 Final Question and NextAbout Crime Time Inc.Season 5 of Crime Time Inc. broadens its reach across two sides of the Atlantic.This season features cases from Scotland and across the wider UK — rooted in real investigative experience — alongside deep dives into some of the most infamous murder cases in American history.Hosted by former detectives Simon and Tom, with experience in both the UK and the United States, including time working alongside the FBI, the show strips away sensationalism to explain how crime and justice really work.Two crime worlds. One podcast.New episodes released regularly throughout the season.Our Website: https://crimetimeinc.com/If you like this show please leave a review. It really helps us.Please help us improve our Podcast by completing this survey.http://bit.ly/crimetimeinc-survey Hosted on Acast. See acast.com/privacy for more information.

Cassie Herring and Billy Fox were single parents to young children when they married and blended their families. In May 2001, tragedy struck when their infant son died. When Billy was charged with murder, the family drew closer to fight for justice. “48 Hours" Correspondent Susan Spencer reports. This classic "48 Hours" episode last aired on 1/14/2004. Watch all-new episodes of “48 Hours” on Saturdays, and stream on demand on Paramount+. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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As police continue to investigate the abduction of the 84 year old mother of Savannah Guthrie, the Sheriff’s department had to put out a statement today refuting an allegation made by journalist Ashleigh Banfield. Banfield has claimed a “high level source” told her that Savannah’s brother-in-law may be the prime suspect in Nancy Guthrie’s disappearance. As several news outlets picked up on the headline, the sheriff’s department responded by acknowledging that while detectives continue to speak with anyone who had contact with Nancy Guthrie, NO suspects have been identified at this time.See omnystudio.com/listener for privacy information.

As police continue to investigate the abduction of the 84 year old mother of Savannah Guthrie, the Sheriff’s department had to put out a statement today refuting an allegation made by journalist Ashleigh Banfield. Banfield has claimed a “high level source” told her that Savannah’s brother-in-law may be the prime suspect in Nancy Guthrie’s disappearance. As several news outlets picked up on the headline, the sheriff’s department responded by acknowledging that while detectives continue to speak with anyone who had contact with Nancy Guthrie, NO suspects have been identified at this time.See omnystudio.com/listener for privacy information.

As police continue to investigate the abduction of the 84 year old mother of Savannah Guthrie, the Sheriff’s department had to put out a statement today refuting an allegation made by journalist Ashleigh Banfield. Banfield has claimed a “high level source” told her that Savannah’s brother-in-law may be the prime suspect in Nancy Guthrie’s disappearance. As several news outlets picked up on the headline, the sheriff’s department responded by acknowledging that while detectives continue to speak with anyone who had contact with Nancy Guthrie, NO suspects have been identified at this time.See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

As police continue to investigate the abduction of the 84 year old mother of Savannah Guthrie, the Sheriff’s department had to put out a statement today refuting an allegation made by journalist Ashleigh Banfield. Banfield has claimed a “high level source” told her that Savannah’s brother-in-law may be the prime suspect in Nancy Guthrie’s disappearance. As several news outlets picked up on the headline, the sheriff’s department responded by acknowledging that while detectives continue to speak with anyone who had contact with Nancy Guthrie, NO suspects have been identified at this time.See omnystudio.com/listener for privacy information.

To celebrate the old bird/broad role models who've appeared on The Shift with Sam Baker, I'll be rerunning some of these conversations throughout December and into January. Next up, screenwriting legend Lynda La Plante... ---- My guest this week is a woman who - to coin a bit of 1980s jargon - punched through the glass ceiling for women in TV, creating not just one but a series of female lead characters who broke the mould. And not just any old female lead but OLDER female leads. There would be no Happy Valley or Scott & Bailey if it wasn't for Lynda La Plante's groundbreaking creation, detective Jane Tennison, brought to life by Helen Mirren. The BAFTA and Emmy award winning screenwriter of Prime Suspect, Widows and many other hit TV shows, Lynda has written 43 bestselling books, including the young Tennison series - the latest of which is Unholy Murder - that takes Jane Tennison back to the 80s as she battles to break through in the macho Met.  Lynda is now 78 and it's 30 years since her groundbreaking creation hit our small screens (back when there were only four channels and primetime telly really mattered). But Lynda started out as a dyslexic drama student who, she says, was “too short and plain” to get good parts. Lucky for us, she decided to try her hand at writing them instead. Lynda tells me what it was really like to be a woman in TV in the 80s and 90s (and noughties!), the humiliation that shaped her, how she learnt not to let things get to her and why you should always always ALWAYS read the small print! She has a few things to say about contemporary crime TV drama, but this is a bit of a masterclass for any wannabe crime writers. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Frederick Circuit Judge & Author "Prime Suspect" Scott Rolle joins Bob Miller during the Morning News Express to talk about his responsibilities as a Circuit Judge and the new crime drama that he wrote called "Prime Suspect".See omnystudio.com/listener for privacy information.

Air is the invisible enemy of a pool pump, and once it slips into the system, your prime is gone, your filter pressure dives, and your day gets longer. We zero in on the real reasons pumps refuse to prime and share the simple, reliable fixes working pros use to get water moving fast.We start with the most common failure point—the pump lid O‑ring—and explain how age, dryness, and missing gaskets break the vacuum seal. From there, we tackle heat damage: low water leads to dry runs, scalding housings, warped baskets, and tiny leaks at threaded fittings and unions that are almost impossible to see. You'll learn practical detection tricks, why high-heat fittings matter, and when a quick temporary wrap can confirm the diagnosis before you re‑plumb.Then we walk through two priming methods that save routes. If you've got an attached spa, use spa suction to pull a quick prime and feather the valve back to pool without losing it. No spa? A drain bladder floods the skimmer line so the pump catches a full water column. We also cover low PSI caused by clogged impellers, how to free debris with a long screwdriver, and when to pull the motor for a proper clean. Add in diffuser wear, telltale turbulence, and the often-overlooked Jandy valve O‑ring, and you've got a complete field checklist that solves 95% of priming headaches.We keep it practical with tool tips for stuck lids, safe mallet use, and a clear rule for your sanity: if you can't solve it in ten minutes, shut it down and return fresh. Whether you service dozens of pools or maintain your own, these steps will help you find air leaks faster, restore strong flow, and protect your equipment from heat damage. If this helped, subscribe, share it with a fellow tech, and leave a review so more pool pros can find it.We break down why pool pumps fail to prime and show the fastest ways to fix them. From lid O‑rings to spa-priming tricks, we share field-tested steps that solve 95% of issues without guesswork.• checking the pump lid O‑ring and proper lube• finding heat‑warped fittings and unSend us a textSupport the Pool Guy Podcast Show Sponsors! HASA https://bit.ly/HASAThe Bottom Feeder. Save $100 with Code: DVB100https://store.thebottomfeeder.com/Try Skimmer FREE for 30 days:https://getskimmer.com/poolguy Get UPA Liability Insurance $64 a month! https://forms.gle/F9YoTWNQ8WnvT4QBAPool Guy Coaching: https://bit.ly/40wFE6y

Over the next five Tuesdays we're holding our own mini literature festival. We've delved deep in the archive to find some of the very best authors we've spoken to over the past seven years, and what an icon we have to kick it off! After a successful career as an actor Lynda La Plante became intrigued by the production process of television drama and began writing treatments, ideas for potential shows that were, well, very much her own. Although most were rejected, one was praised as utterly brilliant. By 1983, her six-part series Widows premiered and became the highest rating series of the early 1980s. Following the show's success, she established herself as a highly sought-after crime writer with women at the heart of her stories, and the release of her debut novel in 1987 quickly established her as a critically acclaimed best-selling author to boot, paving the way for a series of hit books that followed in rapid succession. By 1991, she hit new heights and broke new ground with the premiere of the world-renowned Prime Suspect. A detective drama starring Helen Mirren as DCI Jane Tennyson, which went on to win numerous BAFTAs, Emmys and Golden Globes over the course of its seven seasons and made Helen Mirren a bona fide global superstar. It's no surprise that in 2008 she was awarded a CBE for her services to literature, drama and charity. is a member of the Crime Thriller Award Hall of FameWe'll be back on Thursday with a brand new episode. Hosted on Acast. See acast.com/privacy for more information.

Christian Brueckner, a suspect linked to the disappearance of Madeleine McCann has been released from prison - and he's calling for the 'witch hunt' against him to stop. Brueckner was recently released after serving a seven-year rape sentence, and he had to surrender his passport and wear an ankle monitor upon release. UK correspondent Enda Brady says the suspect hit out at the prosecutor who accused him of murdering McCann - and said he didn't 'feel free.' LISTEN ABOVESee omnystudio.com/listener for privacy information.

Christian Brückner, the man German authorities have named as the prime suspect in the disappearance of Madeleine McCann, is set to be released from prison today. Brückner, having served his 7-year sentence for the rape of a 72-year-old American tourist in Portugal, has refused to be interviewed by the metropolitan police in connection to Madeleine's disappearance. Brückner is still considered a major suspect, with a former associate claiming to be “100% sure” Brückner was involved in Madeleine's kidnapping. German prosecutors are now seeking ‘supervisory oversight' in the regional court to monitor Brückner's future activity. Joining Pat to discuss this was Nick Pisa, Senior Reporter, Global, MailOnline

In this episode of the Anthony On Air Podcast, we dig into the shocking twist in the assassination of Charlie Kirk — as the FBI confirms DNA evidence tying Tyler Robinson to the scene but now widens its probe to see if others helped plan or enable the attack. We break down what investigators have revealed, the chilling note Robinson allegedly wrote, and whether warning signs were missed. #charliekirk #zachbryan #GAVINADCOCK Then we dive into the fallout across the country as companies fire employees for mocking Kirk's assassination attempt, sparking a heated debate over free speech, consequences, and cancel culture.We're also unpacking the latest controversies rocking the media world — from Candace Owens stirring outrage again to Don Lemon's messy return to the spotlight — and wrapping up with the chaotic country music feud between Zach Bryan and Gavin Adcock that went off the rails at the Born & Raised Festival.In This Episode:DNA links & FBI's expanded probe in the Charlie Kirk assassinationFree speech vs. consequences: people fired for mocking the attackCandace Owens and Don Lemon ignite new controversyZach Bryan vs. Gavin Adcock: the country feud boiling overGet ready for snark, speculation, and our signature chaos as we break down the week's wildest stories.Get more AoA and become a member to get exclusive access to perks:https://www.youtube.com/channel/UCOfx0OFE-uMTmJXGPpP7elQ/joinGet Erin C's book here: https://amzn.to/3ITDoO7Get Merch here - https://bit.ly/AnthonyMerchSubscribe to the Anthony On Air Podcast here:Facebook - https://bit.ly/AntOnAirFBYouTube - https://bit.ly/AntOnAirYTApple Podcast - https://bit.ly/AntOnAirAppleSpotify - https://bit.ly/AntOnAirSpotTwitter - https://bit.ly/AntOnAirTwitterInstagram - https://bit.ly/AntOnAirInstaTikTok - https://www.tiktok.com/@anthonyonairpodDiscord - https://discord.gg/78V469aV22Get more at https://www.AnthonyOnAir.com

The prime suspect in the disappearance of Madeleine McCann has refused to be interviewed by Scotland Yard detectives before his release. Christian Brueckner, a convicted rapist, is set to get out of prison in his native Germany this week and could be allowed to leave the country with no restrictions. UK correspondent Gavin Grey says Brueckner has refused to reveal why he's not taking part in this. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Let's Chat!Anthony invites us behind the scenes of his gripping crime series "Death of Peace of Mind" in this revealing mid-series review. For fans who've been following Detective Walter Grayson's pursuit of the methodical Green Briar killer, this episode peels back the layers of meaning beneath the blood and evidence.The podcast isn't just another detective story—it's a psychological excavation disguised as a crime thriller. "It's about confronting the pieces of you you'd rather bury," Anthony explains, revealing how each victim represents a philosophical concept: cowardice, unfinished debts, waiting, false accounting, and trapped identities. The Green Briar doesn't simply kill; he teaches through elaborately staged crime scenes that serve as sermons on human nature.What makes Detective Grayson so compelling is his unsettling familiarity with the killer's methods. He doesn't just investigate crime scenes—he recognizes them. His partner Laura Black, inspired by Helen Mirren's character in "Prime Suspect" and action star Cynthia Rothrock, suspects Grayson but is torn by their decade-long partnership. Their complex relationship forms the emotional core of the series, with Anthony hinting at untold history between them that will emerge in coming episodes.The 80s soundtrack isn't mere nostalgia; it's integrated into the storytelling, sometimes bleeding from the world into hallucination, raising questions about whose perspective we're truly experiencing. As Anthony promises to "turn everything up to ten" in the remaining episodes, the central question shifts from the killer's identity to a more disturbing possibility: "When the last page turns, whose name will be at the bottom?"Ready to dive deeper into this neo-noir world where detectives and killers might be reflections of each other? Leave a comment, share with a friend who needs both entertainment and personal growth, and connect with Anthony through the chat function, email (anthony@gentsjourney.com), or Instagram (@my_gents_journey). Remember—you create your reality."True mastery is found in the details. The way you handle the little things defines the way you handle everything."

Lynda La Plante is the queen of crime fiction. She has 50 novels to her name and is the creator of hit TV shows like Prime Suspect, Widows, and Above Suspicion. Her works place compelling and determined women centre stage – Anna Travis, Jane Tennison, and Lorraine Page just a few of them. La Plante's latest novel introduces a new lead detective, CSI Jessica Russell, as she brings together a team of scientists and experts to deal with a complicated and brutal crime. She joined Jack Tame to discuss the inspiration behind 'The Scene of the Crime' and its focus on forensics. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Send us a textThis Week:  Finding Home, Calling on the Captain, Speak to Fenris, A Bitter Pill, Consoling Words, Plans for the Future, Isabela's Ongoing Search, Visit Anders, Repentance, Night Terrors, Fool's Gold, Raiders on the Cliffs, Prime Suspect, Inside Job, Cave Crawling, Cavern of Dead, Pick Up Pickaxes Next Week: Blackpowder Courtesy, Dissent, Mirror Image, Back from Sundermount, An Update, Family Matter, The Long Road, Offered and Lost, Legacy DLCDragon Age 2 Schedule: https://docs.google.com/document/d/11hISTe_UcimK0p5X0DqsPtSnQN-A4-9cETbz1P6VKGM/edit?usp=sharingGame Guide by Greg Boccia aka noz3r0 https://gamefaqs.gamespot.com/pc/988968-dragon-age-ii/faqs/61965Support the showContact: http://linktr.ee/squelchcast Support the show on Patreon at https://www.patreon.com/c/Squelch or https://www.twitch.tv/dan0play Join our Discord at https://discord.gg/HwPPtX627k

This is Reignite, Kirkwall's only true crime podcast. Today we bring you the second part of a gruesome string of murders spanning over 3 years. From tracking a missing noble woman who possibly ran away from her dreadful husband, to uncovering a conspiracy of missing women, our investigator scours Kirkwall from High Town to Low following the trail of a killer. Not even blood magic can stop our investigator in their hunt. This is part one of The White Lily Murders. Special thanks to Redd Spinks for our amazing logo as well as to Miracle of Sound for the song Age Of The Dragon, which we use as our theme music. In lieu of Fandom Corner, please visit nativehope.org and fromthebottomupfoundation.org to learn more about the ongoing crisis of missing black and indigenous women in the USA. You can find the show on Instagram and Bluesky!! Please rate and review us on Apple Podcasts! Rate us on Spotify! Wanna join the Certain POV Discord? Click here!

Send us a textThis Week: The Blackpowder Promise, Enemies Among Us, Shepherding Wolves, Wayward Son, Act of Mercy, Garth Brooks, The Exiled Prince, Duty, and Finally the Deep Roads ExpeditionNext Week:  Finding Home, Calling on the Captain, Speak to Fenris, A Bitter Pill, Consoling Words, Plans for the Future, Isabela's Ongoing Search, Visit Anders, Repentance, Night Terrors, Fool's Gold, Raiders on the Cliffs, Prime Suspect, Inside Job, Cave Crawling, Cavern of Dead, Pick Up Pickaxes Dragon Age 2 Schedule: https://docs.google.com/document/d/11hISTe_UcimK0p5X0DqsPtSnQN-A4-9cETbz1P6VKGM/edit?usp=sharingGame Guide by Greg Boccia aka noz3r0 https://gamefaqs.gamespot.com/pc/988968-dragon-age-ii/faqs/61965Support the showContact: http://linktr.ee/squelchcast Support the show on Patreon at https://www.patreon.com/c/Squelch or https://www.twitch.tv/dan0play Join our Discord at https://discord.gg/HwPPtX627k

The Rich Zeoli Show- Hour 1: 3:05pm- In a post to Truth Social, President Donald Trump announced that he would be nominating Dr. EJ Antoni to run the Bureau of Labor Statistics. Rich jokes that Trump is selecting all of our regular guests to serve in positions within the federal government—Dr. Marty Makary, Tulsi Gabbard, and now EJ! 3:10pm- According to a Democratic whistleblower, Senator Adam Schiff authorized the leak of classified information related to the Russian collusion hoax in 2017 as part of an effort to destroy President Donald Trump's credibility. The whistleblower worked for the House Intelligence Committee which, at the time, was led by Schiff. 3:15pm- On Monday, President Donald Trump announced a 30-day federal takeover of Washington D.C.'s police department—while simultaneously deploying 800 National Guard troops—to fight violent crime in the nation's capital. At the White House press briefing, Trump announced Attorney General Pam Bondi will oversee the federal takeover—while Defense Secretary Pete Hegseth will provide military support “if needed.” Additionally, the administration will assign 120 F.B.I. agents to conduct nighttime patrols throughout Washington D.C. 3:40pm- While appearing on Newsmax, House Oversight Committee Chairman James Comer (R-KY) said former President Bill Clinton is a “prime suspect” in the Jeffrey Epstein case. The House Oversight Committee has subpoenaed Bill and Hillary Clinton—seeking testimony for the committee's Epstein investigation. Hillary has been asked to appear for testimony on October 9th, while Bill has been asked to appear on October 14th.

Actor Danny Dyer became a household name when he joined the cast of EastEnders as Mick Carter, landlord of the Queen Victoria pub. He recently stole the show from some stiff competition playing Freddie Jones in the television adaptation of Jilly Cooper's novel Rivals which won him a Royal Television Society Award for Best Supporting Actor.Danny was born in Custom House, East London in 1977. He loved drama at school and, with his teacher's encouragement, he signed up for after-school classes in north London which were run by a charity called Wac Arts. When he was 14 he was cast in the television drama Prime Suspect 3 alongside Helen Mirren and David Thewlis. He went on to star in a series of films including Human Traffic and Football Factory. In 2000 he played the waiter in Harold Pinter's new play Celebration and went on to appear in two other productions by the playwright - No Man's Land and The Homecoming.In 2013 he took over the Queen Vic and his performances earned him three National Television Awards. He appeared on the BBC genealogy programme Who Do you think you Are? in 2016 and discovered he was descended from King Edward III and related to Thomas Cromwell. Danny lives in Essex with his wife Jo. They have three children and three grandchildren.DISC ONE: Slave to Love - Bryan Ferry DISC TWO: Rebel Yell - Billy Idol DISC THREE: Move Closer - Phyllis Nelson DISC FOUR: Wish You Were Here - Pink Floyd DISC FIVE: Playing with Knives - Bizarre Inc DISC SIX: Columbia - Oasis DISC SEVEN: Nebraska - Lucy Rose DISC EIGHT: Wicked Game - Chris Isaak BOOK CHOICE: Ray Mears Essential Bushcraft: A Handbook of Survival LUXURY ITEM: A Lego Star Wars Millennium Falcon CASTAWAY'S FAVOURITE: Playing with Knives - Bizarre Inc Presenter Lauren Laverne Producer Paula McGinley

The case captured the world's attention back in 2007 and has continued to pop up in headlines ever since. But the disappearance of Madeleine McCann remains a mystery.Now German authorities have launched a fresh search in southern Portugal for evidence of what happened to the British toddler.Police are in a race against time to charge the prime suspect, convicted paedophile Christian Brueckner, who is currently in prison in Germany on a separate conviction – but plans to disappear when he is released in September.Camilla and Gordon look back on one of the most widely reported missing-persons cases in British history, and get an update on the new search from crime editor Martin Evans.We want to hear from you! Email us at TheDailyT@telegraph.co.uk or find @dailytpodcast on X, Instagram and TikTok.Producer: Georgia Coan and Lilian FawcettSenior Producer: John CadiganPlanning Editor: Venetia RaineyExecutive Producer: Louisa WellsSocial Media Producer: Robbie NicholsVideo Editor: Will WaltersStudio Operator: Meghan SearleWith assistance from Andy Mackenzie and Ryan GudgeOriginal music by Goss StudioNews clips from ITN, BBC and Sky News Hosted on Acast. See acast.com/privacy for more information.

The chief suspect in Madeleine McCann's disappearance, who is currently serving a sentence for a rape conviction, is set to be released from prison in Germany later than originally scheduled. Christian Brückner, 48, was convicted of raping a 72-year-old American tourist in Portugal in 2005 and had been scheduled for release in September, but this could now be pushed back to early next year. He has never been charged in the McCann case and denies any involvement in her disappearance in 2007. UK Correspondent Gavin Grey talks to Heather du Plessis-Allan about the case, the Ukrainian man charged with arson at Kier Starmer's property and more. LISTEN ABOVE. See omnystudio.com/listener for privacy information.

Lynda La Plante - the writer, producer and creator of landmark dramas Widows and Prime Suspect - is Gyles's guest today. Lynda is the powerhouse behind some of the UK's most watched television, and she's also the powerhouse behind this episode of Rosebud - which is full of brilliant stories to make you gasp, laugh and cry. From her childhood growing up on the outskirts of Merseyside in a family tainted by tragedy, to her days at Rada and her first career as an actress, to her experiences trying to conceive and finally adopting her son - Gyles hears the full story of Lynda's remarkable life. Lynda's memoirs, Getting Away With Murder, are out in paperback, and the audiobook is also out now - with star turns from Dawn French and Helen Mirren. Her new novel, Crucified, is also just out. Thank you to Lynda for this wonderful interview. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Lynda La Plante - the writer, producer and creator of landmark dramas Widows and Prime Suspect - is Gyles's guest today. Lynda is the powerhouse behind some of the UK's most watched television, and she's also the powerhouse behind this episode of Rosebud - which is full of brilliant stories to make you gasp, laugh and cry. From her childhood growing up on the outskirts of Merseyside in a family tainted by tragedy, to her days at Rada and her first career as an actress, to her experiences trying to conceive and finally adopting her son - Gyles hears the full story of Lynda's remarkable life. Lynda's memoirs, Getting Away With Murder, are out in paperback, and the audiobook is also out now - with star turns from Dawn French and Helen Mirren. Her new novel, Crucified, is also just out. Thank you to Lynda for this wonderful interview. Learn more about your ad choices. Visit podcastchoices.com/adchoices

CJ, Kate and Vaya recap the invesigation into the Seb whodunnit, the missing Lassiters linens, and a truly bonkers bejewelled Ceramic Pig. Check out @Neighbuzzpod on [TikTok](https://www.tiktok.com/@neighbuzzpod?)!Artwork by Elyce PhillipsBrett's Bitts courtesy of Brett Bowman.To support the PirateNet Studios and unlock bonus content, become one of our beloved Patrons at patreon.com/neighbuzzpod Thanks for listening - please tell other spiggin' hufters to listen too!

Step into a world filled with mystery and intrigue as we unravel the events that led to the crucifixion of one of history's most significant figures. Who truly orchestrated the death of Jesus of Nazareth? Was it the political maneuverings of the Roman Empire, the fervor of religious leaders, or something deeper? Join us each week as we delve into ancient texts, explore historical contexts, and reexamine the facts we believe we know so well. This isn't just a story of betrayal; it's a quest for truth. Join us each week to discover the truth about "Who Killed Jesus of Nazareth?"  

Check out a secret "icebreaker" interview with Jackie at patreon.com/hkpodcasts. In this conversation, Jackie Malton shares her experiences working in prisons and her insights into the psychology of criminals, particularly focusing on masculinity, addiction, and the impact of childhood trauma. She discusses her interviews with a serial killer and the complexities of rehabilitation, self-discovery, and the importance of storytelling in understanding human behaviour. Malton emphasizes the need for self-reflection and the role of mentorship in personal growth, while also addressing the challenges faced by individuals in the prison system. Jackie and Hugh also discuss various aspects of policing in London, emphasizing the need for geographical restructuring, rebuilding public trust, and understanding gang culture. She explores the role of direct entry in policing, the challenges faced by officers, and the importance of rehabilitation in prisons. --- Jackie Malton is a UK-based television script consultant and former senior police officer. Born in 1951, she made history as one of the first openly gay women to rise through the ranks of the Metropolitan Police Service. Malton's remarkable career spanned multiple areas, including the Flying Squad, Murder Squad, and Fraud Squad. Malton is perhaps most famous for being the inspiration behind the iconic character DCI Jane Tennison in Lynda La Plante's Prime Suspect drama series. Her experiences as a woman detective in a male-dominated establishment, combined with her bravery in speaking out against police corruption in the 1980s, made her a compelling figure for La Plante's character. You can buy Jackie's book - The Rel Prime Suspect - via amazon, at this link: https://www.amazon.co.uk/Real-Prime-Suspect-Screen-Detective/dp/B09YMWY4MZ/ref=sr_1_1?nsdOptOutParam=true&sr=8-1

DAPHNE RUBIN-VEGA BIO  Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix).  A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman.  ELIZABETH RODRIGUEZ BIO  An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under.  Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company.  ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th  Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood.  Here's the trailer:   Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

The Black Dahlia murder may be unsolved, but sisters Rasha Pecoraro and Yvette Gentile believe they know who did it: their great-grandfather, George Hodel. Carter Roy, host of Murder: True Crime Stories sits down with Rasha and Yvette to learn more about their story, how they learned about their family's history, and everything that came after. Murder: True Crime Stories is a Crime House Original. For more, follow us on Tiktok and Instagram @crimehouse To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

NATO Operatives Prime Suspect In Attempted Assassination of Fico — Signals Major Escalation In War

IT'S HERE: STS HARDCOVER BOOK SIGNED COPIES FROM JOEL AND KARM: https://premierecollectibles.com/waldmanPre-Order Joel's Book: Https://amzn.to/48GwbLxSTS Website: https://survivingthesurvivor.com/STS Merch Store: https://www.bonfire.com/store/sts-store/STS Patreon: Https://patreon.com/SurvivingTheSurvivor#STSNation, Welcome to another episode of Surviving The Survivor, the podcast that brings you the #BestGuests in all of True Crime… In February, 13-year-old Madeline "Maddie" Soto disappeared, prompting a statewide Missing Child Alert. Officials confirmed her body was later found in rural Osceola County, just days after she was first reported missing. Stephan Sterns, her mother's boyfriend and the prime suspect in Madeline's disappearance, is accused of moving her body in the morning hours of Monday, Feb. 26, after killing her in Kissimmee, the Orange County Sheriff's Office said. The medical examiner's office will determine her cause of death. Today, Stephan Sterns waived his right yet again to appear in court. #BestGuests: R. Timothy Jansen is a partner in the firm Jansen & Davis…he has handled complex Civil, Administrative and Criminal Litigation s, first as Chief Trial Counsel for the Secretary of State of Florida, Tallahassee, handling both complex Civil and Criminal matters. He also spent 5 years as a federal prosecutor. No one knows the Tallahassee legal community better than Tim. Monica Jordan is the President of Jordan Research & Consulting — one of the nation's most sought after private investigators. She has handled more than fifty death penalty trials. She worked with on notorious female serial killer Aileen Wournos post conviction team … Belkis Plata is a champion of human and civil rights and works tirelessly to defend Jacksonville's most under-served and marginalized citizens. She is described by various members of the legal community and her clients as someone who exhibits professionalism, courtesy, diplomacy, firmness, compassion, humility, patience, and selfless. Belkis was born in the Bronx, New York to a Puerto Rican father and Colombian mother. #MadelineSoto #StephanSterns #Murder #Orlando #TrueCrime #TrueCrimeCommunity #JenniferSoto #OsceolaCounty #MissingChild #AmberAleet

When 13-year-old Madeline Soto did not show up to middle school on February 26th, her mother's boyfriend, Stephan Sterns, claimed he dropped the teenager off that morning safe and sound. Since then, investigators have found evidence suggesting that Stephan sexually abused Madeline for years. When her body was found just days later, their missing persons report quickly turned into a homicide investigation. In today's Headlines, Candice is joined by WFTV 9 reporter Shannon Butler to discuss how Stephan became the “prime suspect” in Madeline's death, how Shannon learned of inconsistencies in statements made by Madeline's mother, and where the investigation stands now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Aaron Kosminski is one of the more well known suspects in the Whitechapel murders. Some of the major police officials of the era, in fact, were seriously concerned about his potential involvement in the brutal Autumn of Terror slayings. My guest, Robert House, has studied Aaron Kosminski for years, and shares details of his investigation with us. He is the author of "Jack the Ripper and the Case for Scotland Yard's Prime Suspect".The author's Facebook page: https://www.facebook.com/profile.php?id=100051505763425You can purchase the book here: https://www.amazon.com/Ripper-Scotland-Yards-Prime-Suspect/dp/0470938994

Aaron Kosminski is one of the more well known suspects in the Whitechapel murders. Some of the major police officials of the era, in fact, were seriously concerned about his potential involvement in the brutal Autumn of Terror slayings. My guest, Robert House, has studied Aaron Kosminski for years, and shares details of his investigation with us. He is the author of "Jack the Ripper and the Case for Scotland Yard's Prime Suspect". The author's Facebook page: https://www.facebook.com/profile.php?id=100051505763425 You can purchase the book here:  https://www.amazon.com/Ripper-Scotland-Yards-Prime-Suspect/dp/0470938994 Learn more about your ad choices. Visit megaphone.fm/adchoices

Ann Racz loved her children more than anything. So why would she leave them so suddenly, without a word? Getting the answer to that question would take more than 16 years, as Keith Morrison reports in this Dateline classic.  Originally aired on NBC on April 18, 2008.

YOU HAVE REACHED THE CONCLUSION!!!! Alaina's final part of Jack the Ripper is here and we are talking all things suspects, confirmation bias, science, mitochondrial DNA and Patricia Cornwell. Do we know who Jack the Ripper is by now? No. Do we know who he isn't? Sorta. Stay tuned for years to come because Alaina claims one day she will have our answers!!! "SOMEDAY I WILL"- AlainaCheck out these great books on the case:Jack the Ripper and The Case For Scotland Yard's Prime Suspect by Robert HouseThe Complete Jack the Ripper by Donald RumbelowThe Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie RubenholdThe Hidden Lives of Jack the Ripper's Victims by Robert HumeThe Ripper Code by Thomas ToughillJack the Ripper: Scotland Yard Investigates by Stewart Evans & Donald RumbelowJack the Ripper: The definitive Casebook by Richard Whittington-EaganPortrait of a Killer: Jack the Ripper by Patricia CornwellAn even DEEPER dive into this case:Season 3 of Unobscured with Aaron MahnkeAlso check out these sites on the case:JackTheRipper.orgCasebook: Jack The RipperJack the Ripper TourSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.