Podcasts about His Girl Friday

In this episode of the Matt Watch That Podcast, host Matt Seroski talks about HBO Max (again) and reviews the screwball comedy His Girl Friday (1940).

First Miranda talks about going to see Japanese Breakfast and Eric talks about watching His Girl Friday. After that, we get into a new draft that's kind of hard to explain quickly.

We say goodbye to the land of cults with maybe the most dangerous cult of all – biblical allegory! That's right, we're tackling Darren Aronofsky's divisive and provoking mother!. Does the film stand on its own or is it simply an exercise? Is it about Aronofsky? Who got the bigger end of the wishbone baby? All of that and more within the episode. Along that path Curtis discusses way too many movies, including a couple of new releases! Then stick around to hear Cody's selection for the next theme and first film within that theme!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 10:00ish - Intros - Parody law and tariffs (because we're experts), Lucas is licensed to be married   10:00ish - 1:13:00ish - The other stuff we watched this time:   Curtis - Perfect Days, Shadow, Hero, My Heart is That Eternal Rose, The Grandmaster, The Seventh Curse, The Witch From Nepal, The Roundup: Punishment, The Mask of Satan, Rats: Night of Terror, Hell of the Living Dead, Climax, Ash, Friday, Monster Hunter, Hackers, Villains, Mulholland Drive, Final Destination 2, Eraserhead, His Girl Friday, The Player, Night of the Living Dead (1990), Hell of a Summer, Death of a Unicorn   Austin - Death of a Unicorn, Smile 2, MaXXXine, The Ballad of Wallis Island, Y2K,    Cody - Black Bag, Labyrinth, King Arthur: Legend of the Sword, Monty Python and the Holy Grail, Alice in Wonderland (1951), Alice in Wonderland (2010), Alice Through the Looking Glass, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: On Stranger Tides, Sleeping Beauty, Maleficent, Maleficent: Mistress of Evil, Indiana Jones and the Kingdom of the Crystal Skull, Indiana Jones and the Dial of Destiny   Lucas - Ash, Death of a Unicorn, Cloudy with a Chance of Meatballs 2, Predestination, A Working Man, Rush, Sweeney Todd, Feed (kinda), Novocaine   1:13:00ish - 1:48:00ish - mother! - SHUDdown and discussion!   1:48:00ish - 1:53:00ish - “Purple Flavored Kool-Aid” Awards!   1:53:00ish - End - Our next theme! Brought to you by Cody!  

Seen the movie? We will challenge how you see it, pointing out things you may have missed even if you've seen it many times.Haven't seen it? We will give you a quick, simple, spoiler-free breakdown to help you decide if it's worth your time.In this episode of Movies In A Nutshell:✅ The Nutshell: A clear, spoiler-free summary for new viewers.✅ Ratings & Reviews: How do critics and audiences compare—and what does that say about the film's legacy?✅ What Did We Miss?: Hidden layers are uncovered, challenging how you see the movie.✅ Paul's Facts of the Day: Fascinating trivia and behind-the-scenes insights.✅ Takeaways: The first time in the episode Marc, Darren, and Paul share their personal thoughts after holding back opinions until now.

With the arrival of sound in Hollywood, a new subgenre of comedy arose, so today Alex and Jonathan discuss the history of the "screwball comedies" while looking at Trouble in Paradise (1932), His Girl Friday (1940), and Some Like it Hot (1959). We talk about how screwballs differed from standard romantic comedies, the emphasis on dialogue that came with the adoption of sound, and the role the Production Code played in shaping how romance was communicated in ways that it couldn't be shown.Skip to: (11:47) – Trouble in Paradise (31:19) – His Girl Friday (43:31) – Some Like it Hot (1:00:22) – Overall (1:12:08) – Coming AttractionsComing Attractions: The Producers (1967) Airplane! (1980) The Mask (1994)For more information, visit the blog:https://thefilmlings.com/2024/02/28/the-screwballs/Join us on Discord for ongoing film discussion:https://discord.gg/MAF6jh59cF

On this episode of Mortified, Aaron and Leyla kick off our month of romance with the 1940 romcom, "His Girl Friday!" We talk about the importance of tension in comedy, the contradictions of 40s gender expression, and try to pull our mental states out of their steady nosedives.  Watch His Girl Friday on Wikipedia! -- Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Our other projects: Aaron's TTRPGs Aaron's TTRPG Reviews aavoigt.com

In his book From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy, Scott Meslow lays out two ways to tell if a given movie is a rom-com. First, his own definition: “A romantic comedy is a movie where (1) the central plot is focused on at least one romantic love story; and (2) the goal is to make you laugh at least as much as the goal is to make you cry.” And then, The Donald Petrie Test, named for the director of some rom-coms, like Mystic Pizza and How to Lose a Guy in 10 Days, but also some edge cases, like Miss Congeniality and Grumpy Old Men: “If you removed the love story from this [comedy], would you still have a movie? If the answer is no, it’s a romantic comedy. […] If the answer is yes, it’s a comedy with a romantic subplot.” So those are the litmus tests. Now, does that make Broadcast News a rom-com, or no? What about Annie Hall? Or something like Grosse Pointe Blank? How about His Girl Friday? Or even, actually, Love Actually? This hour, a deconstruction — and celebration — of the romantic comedy. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show David Edelstein: America’s Greatest Living Film Critic Scott Meslow: Author of From Hollywood with Love The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired August 24, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

To kick off a new series on the history of American comedy films, Alex and Jonathan travel back to the early days of cinema and look at the physical comedy of the early film clowns in Safety Last! (1923), City Lights (1931), and Duck Soup (1933). We discuss the transition from live performances in theater and vaudeville to the movies, how Harold Lloyd and Charlie Chaplin helped to incorporate character development into comedy films, and how the Marx brothers blended physical and verbal comedy which set the stage for the new era of sound comedy. Skip to: (9:20) – Safety Last! (24:33) – City Lights (40:35) – Duck Soup (59:01) – Overall (1:05:44) – Coming Attractions Coming Attractions: Trouble in Paradise (1932) His Girl Friday (1940) Some Like It Hot (1959) For more information, visit the blog: https://thefilmlings.com/2024/01/31/the-clowns/ Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF

EPISODE 72 - “CHATTING CLASSIC CINEMA WITH JOURNALIST MAUREEN LENKER” - 1/27/2024 In this week's episode, Steve and Nan welcome award-winning journalist MAUREEN LENKER. Maureen, who is currently a Senior Writer for Entertainment Weekly, has a deep passion and knowledge of classic cinema and has made 1930s Hollywood the setting for her new novel, “His Girl Hollywood.” Join us as Maureen discusses her career, her passion for cinema, her most inspirational classic films, and all the tea about her new novel. SHOW NOTES:  Sources: It Happened One Fight (2023), by Maureen Lee Lenker; His Girl Hollywood (2025), by Maureen Lee Lenker; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Swing Time (1936) - starring Fred Astaire & Ginger Rogers; Gone with the Wind (1939), starring Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, & Hattie McDaniel; His Girl Friday (1940), starring Rosalind Russell, Cary Grant, Ralph Bellamy, Gene Lockhart, Helen Mack, & John Qualen; The Philadelphia Story (1940), starring Katharine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Virginia Weidler, Mary Nash, John Howard, & Roland Young; Casablanca (1942), starring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Peter Lorre, Sydney Greenstreet, & Dooley Wilson; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, & Miriam Hopkins; Outrage (1950). Starring Mala Powers, Tod Andrews, Robert Clarke, Lillian Hamilton, & Rita Lupino; Singing in the Rain (1952), starting Gene Kelly, Debbie Reynolds, Donald O'Connor, Jean Hagan, Rita Moreno, Cyd Charisse, & Millard Mitchell; West Side Story (1952), starring Natalie Wood, Richard Beymer, Rita Moreno, George Chakiras, & Russ Tamblyn; The Quiet Man (1952), starring John Wayne, Maureen O'Hara, Mildred Natwick, Barry Fitzgerald, & Patrick McLaglen; White Christmas (1954), starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera Ellen, Dean Jagger, Mary Wickes, & Anne Whitfield; It's Always Fair Weather (1955), starring Gene Kelly, Cyd Charisse, Dan Dailey, Michalre Kidd, & Delores Gray; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke, David Tomlinson, & Glynis Johns; The Sound of Music (1965), starring Julie Andrews, Christopher Plummer, Eleanor Parker, Chairman Carr, Richard Haydn, & Peggy Wood; Then Princess Bride (1987), starring Cary Elwes, Robin Wright, Billy Crystal, Mandy Patinkin, & Wallace Shawn; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron and Josh Sarnecky are ringing in the New Year with a new podcast. This time they're celebrating the 85th anniversary of His Girl Friday. His Girl Friday is a screwball comedy directed by Howard Hawks. It is the second film adaptation of the play The Front Page. It opened in theaters on January 18, 1940. In the film, Hildy Johnson (Rosalind Russell), former star reporter of The Morning Post, arrives at the paper to tell her former editor and ex-husband Walter Burns (Cary Grant) she's engaged to marry her fiancé Bruce Baldwin (Ralph Bellamy). Walter asks Hildy to help stop the execution of a condemned man, Earl Williams (John Qualen), before she leaves. However, Walter's motives are less than noble, and the story is more trouble than previously expected. His Girl Friday is a seminal film in the screwball comedy genre, notable for its biting wit and rapid-fire, overlapping dialogue. In 1993, it was selected for the Library of Congress' National Film Registry, for films that are “culturally, historically, or aesthetically significant.”  The film and the play it's based on are in the public domain. The entire movie can be watched in high definition on Wikipedia. Aaron talks about seeing His Girl Friday in college before he and Josh go over the movie's plot, performances, humor, and legacy. Aaron also recommends more Cary Grant movies to Josh and listeners. For more classic films, you can listen to Josh and Aaron's podcasts on Singin' in the Rain and A Hard Day's Night.  His Girl Friday is streaming on Tubi and Pluto TV

This week, Vee and John have picked two classic rom coms full of witty banter. Definitely pay attention when you watch these two spitfire films, or you may miss some great fun! This is: His Girl Friday, and Pillow TalkSend us a text

Movie recommendations or comments for us? Text us here!We're watching the 1940 screwball comedy His Girl Friday, starring Cary Grant and Rosalind Russell. Newspaper editor Walter Burns has two problems: 1) his best reporter is leaving the newspaper business, and 2) his ex-wife has moved on and is marrying someone else... tomorrow! Conveniently for him, his best reporter and ex-wife are the same person. He'll do whatever it takes to win her back as both wife and prized employee: dangle a juicy interview in front of her, kidnap an old lady, plant counterfeit money on her fiancé... You name it. He probably already has Louie working on it.  As of recording, you could check this movie out on Amazon Prime. Let us know what you think! Is it a rom com? Is young Cary Grant a beautiful man? Is this the fastest dialogue you've ever heard? Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

For 8 years, you've led where we've followed, and we've loved every minute—well, almost every minute! Before we kick off our final discussion of a Gilmore Girls pop culture reference, we take a look back at our favorite references and guests, as well as a few that surprised us and few we're happy we won't ever need to revisit. Then we dig into His Girl Friday, the classic screwball romantic comedy that served as an inspiration for our favorite series. How many versions of the story have been made? How did its dialogue inspire Amy Sherman-Palladino? And most importantly...can Kyla finally name all of the Beatles? More pop culture we ref: Broadcast News; Valley of the Dolls; Funny Girl; Grey Gardens; Gilligan's Island; That Girl; Xanadu; Swept Away; A Star Is Born; How to Lose a Guy in 10 Days; Bringing Up Baby; The Marvelous Mrs. Maisel; Electra Woman and Dyna Girl; Pippi Longstocking; Gaslight

Classics month continues and Lemar hasn't quit the pod yet so we're doing GREAT.We're moving into the 1940s with His Girl Friday. Join us to hear Mackenzie explain why people talking at 240 words per minute is some of the greatest dialogue you'll hear. Meanwhile, fun fact, Lemar has recently discovered Zeppelin. Grab a drink and listen to us cover a looot of ground - clearly.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

In this podcast episode, the Gods discuss: The 4:30 Movie (4k UHD Blu-ray) About Dry Grasses (Blu-ray) Addams Family Values (4k UHD Blu-ray) American Movie (4k UHD Blu-ray) Are You Afraid of the Dark: The Limited Series Three-Season Collection (DVD) Beetlejuice Beetlejuice (4k UHD Blu-ray) Bill & Ted's Most Triumphant Trilogy (4k UHD Blu-ray) Blazing Saddles 4k UHD (4k UHD Blu-ray) The Block Island Sound (4k UHD Blu-ray) Blue Christmas (Blu-ray) A Bluegrass Christmas (DVD) Bones and All (4k UHD Blu-ray) Born on the Fourth of July (4k UHD Blu-ray) CC40 [8½ (1963), Tokyo Story (1953), All That Jazz (1979), Bicycle Thieves (1948), Repo Man (1984), Naked (1993), Jules and Jim (1962), Being There (1979), Weekend (1967), Yi Yi (2000), The Night of the Hunter (1955), Pickpocket (1959), Sweet Smell of Success (1957), On the Waterfront (1954), Do the Right Thing (1989), Ratcatcher (1999), Sunday Bloody Sunday (1971), Mirror (1975), Barry Lyndon (1975), Safe (1995), Seconds (1966), His Girl Friday (1940), Mishima: A Life in Four Chapters (1985), Y tu mamá también (2001), My Own Private Idaho (1991), Love & Basketball (2000), Night of the Living Dead (1968), Ace in the Hole (1951), 3 Women (1977), The Red Shoes (1948), Down by Law (1986), La Ciénaga (2001), Wanda (1970), House (1977), Sullivan's Travels (1941), The Battle of Algiers (1966), A Woman Under the Influence (1974), Cléo from 5 to 7 (1962), Persona (1966), In the Mood for Love (2000)] (Blu-ray) The Crow (4k UHD Blu-ray) The Dark Crystal - Limited Edition 4k Collector's Set (4k UHD Blu-ray) Demon Pond (4k UHD Blu-ray) Drag Me to Hell 4k Collector's Edition (4k UHD Blu-ray) Evil: The Complete Series (DVD) Fear the Walking Dead: The Complete Collection (Blu-ray) Food Wars! The Fifth Plate Limited Edition Premium Box Set (Blu-ray) Funny Girl (4k UHD Blu-ray) Galaxy Quest 25th Anniversary 4k UHD (4k UHD Blu-ray) Godzilla (4k UHD Blu-ray) Gummo (4k UHD Blu-ray) The Hitcher (4k UHD Blu-ray) Hush (4k UHD Blu-ray) I Walked with a Zombie / The Seventh Victim: Produced by Val Lewton (4k UHD Blu-ray) The Intern (4k UHD Blu-ray) Interstellar (4k UHD Blu-ray) Irving Berlin's White Christmas (4k UHD Blu-ray) The Killer's Game (4k UHD Blu-ray) The King of Queens - Complete Series (Blu-ray) Labyrinth - Limited Edition 4k Collector's Set (4k UHD Blu-ray) Land of the Dead Collector's Edition (4k UHD Blu-ray) Pandora's Box (Blu-ray) Paper Moon (4k UHD Blu-ray) Pulp Fiction 4K Ultra HD 30th Anniversary Collector's Edition (4k UHD Blu-ray) Rock 'N' Roll High School [45th Anniversary Edition] (4k UHD Blu-ray) Scarface (4k UHD Blu-ray) Seven Samurai (4k UHD Blu-ray) The Shape of Water (4k UHD Blu-ray) Shawscope Vol 3 [Limited Edition] (Blu-ray) Silent Night, Deadly Night [40th Anniversary Edition] + Exclusive Paperback Novelization (4k UHD Blu-ray) So Help Me Todd: The Complete Series (DVD) South Park (Not Suitable for Children) (Blu-ray) A Sudden Case of Christmas (DVD) The Swan Princess: The Royal Collection (DVD) Teenage Mutant Ninja Turtles: The Complete Classic Series Collection (DVD) The Terminator 4k UHD (4k UHD Blu-ray) Thanksgiving (4k UHD Blu-ray) Toxic Crusaders (Blu-ray) Trap (4k UHD Blu-ray) Twisters (4k UHD Blu-ray) Walker: The Complete Series (DVD) Watchmen Chapter II (4k UHD Blu-ray) The West Wing: Complete Series (Blu-ray) The Whitest Kids U' Know: The Complete Series (DVD)

Originally uploaded August 27, re-edited September 22nd. Chris Holman welcomes back Lorri Rishar, CEO who is joined this time around by Aaron Bodus, lead communications strategist, EDGE Partnerships, Lansing, Marquette and Chicago. Lorri, you've added to your team again, how is EDGE finding and attracting the talent you need? Aaron, we hear you've come from a journalism background, tell us more about your career path? So, Lead Communications Strategist, tell us about that role? Lorri, will this position collaborate across your locations or focus on Lansing? » Visit MBN website: www.michiganbusinessnetwork.com/ » Subscribe to MBN's YouTube: www.youtube.com/channel/UCqNX… » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/ With more details, EDGE shared this release: EDGE bolsters communications team with addition of Aaron Bodus LANSING Mich. — The EDGE Partnerships family just got a little bigger with the recent addition of Aaron Bodus. EDGE is an award-winning, full-service agency headquartered in downtown Lansing that produces dynamic public relations and marketing solutions for its portfolio of clients. Bodus joins the team to further the agency's legacy of outstanding outcomes as a lead communications strategist. A fresh face in the field of public relations, Bodus honed his written communications skills in the (occasionally) rough and tumble realm of local journalism, serving as an editor at daily newspapers in Michigan and California. His writing earned awards from press associations in both states. Most recently, Bodus served as the managing editor of The Argus-Press in Owosso for nearly two years. During the 2023 Michigan Press Association awards cycle, he was recognized for outstanding column and feature writing, as well as excellence in photography and page design. “I am really excited for the opportunity to contribute to EDGE's mission and culture,” said Bodus. “There's an undeniable energy here that I think is evident in the work the agency does. They're bottling lightning, and it will be fun to be part of the delivery system.” A 2015 graduate of the University of Michigan, with a Bachelor of Arts in sport management, Bodus is keeping a stiff upper lip about joining an office full of Spartans. Outside of work, Bodus is an avid tennis player and a dedicated film buff. Some of his favorite movies include “Election” (1999), starring Matthew Broderick and Reese Witherspoon and “His Girl Friday” (1941), with Cary Grant and Rosalind Russell. EDGE leadership has expressed enthusiasm with Bodus coming on board. “Adding Aaron to our team of content creators will deliver more excellent results for our clients,” said Lorri Rishar, EDGE CEO. For more information on Edge, visit www.edgepartnerships.com. ###

We explore the remarkable journey of Evan Alexander Smith, whose path from Ontario to Broadway—and beyond—has been marked by diverse experiences and significant milestones. Evan's passion for theatre ignited in his early years, catalyzed by a transformative production of "Oliver" and a pivotal audition opportunity presented by a friend for an arts high school. Evan reflects on his tenure with Disney Cruise Line, where he not only honed his craft but also experienced a "showmance" that blossomed into marriage, ultimately guiding him to the vibrant theatre scene of New York City. He discusses his role as an audition reader and how this experience helped him demystify the audition process, thereby alleviating his fears and enhancing his performance skills. Having shared the stage with luminaries such as Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in the production of "Merrily We Roll Along," Evan emphasizes the centrality of storytelling in his approach to acting. He delves into his current portrayal of George McFly in "Back to the Future: The Musical," a role he approaches with a blend of humor and depth, focusing on George's distinct mannerisms and psychological complexity. Evan concludes with practical advice for aspiring performers: prioritize authenticity and self-belief over concerns about others' perceptions. His insights offer valuable guidance for those navigating the competitive landscape of the performing arts. Evan Alexander Smith is an actor, singer, and voiceover artist hailing from Toronto. A Dora Award nominee and Gemini Award winner, he starred in the original Canadian production of “The Toxic Avenger” musical and spent two seasons at Canada's prestigious Shaw Festival in productions of “Ragtime”, “His Girl Friday”, “Guys & Dolls”, and “Lady Windermere's Fan”. His National Tour credits include “Dirty Dancing” and “The Play That Goes Wrong”. His Broadway credits include “Amazing Grace” the recent revival of “Merrily We Roll Along" and now, “Back to the Future: The Musical” where he is currently starring as George McFly.  Connect with Evan: Website: www.evanalexandersmith.com Instagram: @iamevansmith Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Presenting The Screen Guild Theater production of "His Girl Friday" aired on Mar 30, 1941. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

Given today's cancel culture, here's a look at how Hollywood, of all places, was America's first "woke" system. We look at more than 50 classic films such as Gone with the Wind, Casablanca, East of Eden, The Ten Commandments, Convention City, and Lawrence of Arabia through the eyes and blue pencils of the Production Code Administration, the industry's censors. What emerges is not a gaggle of prudes but a staff with deep knowledge and sensitivity despite their mission to cleanse. Here is a time capsule of American mores and Hollywood's excesses over nearly four decades that led to today's letter rating system. Between 1934 and 1968, no Hollywood studio could make a movie without the permission of and a seal of approval from the Production Code Administration. The Production Code was Hollywood's official censor. Screenplays, books, plays, costumes and even story ideas and songs had to be okayed by the Code before they could be filmed, and the Code monitored every stage of the production process to ensure compliance. The correspondence between the Code and the studios was confidential, and the memos within the Code office itself were even more so. Well, not any more. The Naughty Bits pores through those files to show how the censors did their job. What was the world prevented from seeing in some of the greatest movies ever made, including Stagecoach, Some Like It Hot, Psycho, and His Girl Friday? Here is the sometimes funny, sometimes outrageous, always riveting history of movie censorship on a nitty-gritty level. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Film critic and podcaster Stephanie Crawford usually dabbles in horror and exploitation cinema, but she is also obsessed with screwball comedy — so she joins us to discuss 1940, a banner year for the subgenre, thanks to “His Girl Friday,” “The Philadelphia Story,” and “Christmas in July.”  For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

Hang out with us as we explore what happened behind the scenes during the writing of Twister, the 1996 blockbuster movie Twister, with a special guest, my cousin Kate!Twister is an action film and screwball romance featuring Bill Paxton and Helen Hunt. Writer Michael Crichton conceived it as a combination of the classic romantic comedy "His Girl Friday" and a PBS documentary about storm chasers he had seen on TV.Helen Hunt portrays Jo, a meteorologist whose father was swept away by a tornado when she was a child. She has devoted her life to researching tornadoes and has created a device designed to collect essential data in the midst of severe weather systems. Her estranged husband, Bill Paxton, has left his tornado days behind and is ready to settle down with a new woman, Jami Gertz. The film also stars the late great Philip Seymour Hoffman, Succession's Alan Ruck, and Todd Field, who directed Tár.Research for this story includes:Screenwritersutopia.comJeff Nathanson talks Catch Me If You CanBy Fred Topelhttps://www.screenwritersutopia.com/article/33dc5cd0VarietyTwister Stunt Boss Says Steven Spielberg Flew to Oklahoma and ‘Was F—ing Yelling' at the Director After Crew Walked Off Set Amid Chaotic FilmingBy Zack Sharfhttps://variety.com/2024/film/news/steven-spielberg-screamed-twister-director-crew-rebelled-1236078124/Crichton & Co. win Twister LawsuitJury conducts whirlwind deliberationsBy Janet Shprintz https://variety.com/1998/film/news/crichton-co-win-twister-lawsuit-1117467205/Yardbarker.com20 facts you might not know about Twisterhttps://www.yardbarker.com/entertainment/articles/20_facts_you_might_not_know_about_twister/s1__37717932#slide_1The Original ‘Twister' Is a Stealth Remake of a Classic Comedyhttps://www.cracked.com/article_42873_the-original-twister-is-a-stealth-remake-of-a-classic-comedy.html96 Twister Screenplay via Scribdhttps://www.scribd.com/document/561736972/Twister-1996-The-Original-Screenplay

Given today's cancel culture, here's a look at how Hollywood, of all places, was America's first "woke" system. We look at more than 50 classic films such as Gone with the Wind, Casablanca, East of Eden, The Ten Commandments, Convention City, and Lawrence of Arabia through the eyes and blue pencils of the Production Code Administration, the industry's censors. What emerges is not a gaggle of prudes but a staff with deep knowledge and sensitivity despite their mission to cleanse. Here is a time capsule of American mores and Hollywood's excesses over nearly four decades that led to today's letter rating system. Between 1934 and 1968, no Hollywood studio could make a movie without the permission of and a seal of approval from the Production Code Administration. The Production Code was Hollywood's official censor. Screenplays, books, plays, costumes and even story ideas and songs had to be okayed by the Code before they could be filmed, and the Code monitored every stage of the production process to ensure compliance. The correspondence between the Code and the studios was confidential, and the memos within the Code office itself were even more so. Well, not any more. The Naughty Bits pores through those files to show how the censors did their job. What was the world prevented from seeing in some of the greatest movies ever made, including Stagecoach, Some Like It Hot, Psycho, and His Girl Friday? Here is the sometimes funny, sometimes outrageous, always riveting history of movie censorship on a nitty-gritty level.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

The PhilenApocalypse has been postponed! While Philena ain't too thrilled with this development, we were able to keep our already inconsistent schedule with this Howard Hawks double feature, which is like a PhilenApocalypse prequel because her contrarian take on Howard Hawks' screwball classic BRINGING UP BABY (1938) is what landed her on OMFYS. In short, she hates it--AFI Top 100 or no. Because of this, Bob programmed two wildly-different films from the versatile Hawks' filmography, and with wildly different results. First, we've got HIS GIRL FRIDAY (1940), another classic screwball comedy from Hawks. Cary Grant is Walter Burns, a conniving newspaper publisher who will go to criminal lengths to keep his best reporter and ex-wife, Hildy Johnson (Rosiland Russell) from leaving his paper so she can get remarried and "be a woman." Then, we've got the sci-fi classic THE THING FROM ANOTHER WORLD (1951). The film's direction is credited to Christian Nyby, but the rumors that Hawks directed it persist. A favorite of Horror Master John Carpenter's, who remade it in 1982. In our opening segment, a discussion of the Tesla Cybertruck devolves into Greg and Bob horrifying Philena by explaining the concept of Andrew "Dice" Clay to her in one of the funniest moments we've ever recorded. We also talk about the horrors of something called Skibidi Toilet for some reason. Plus there are thrills as Greg almost plunges the podcast into chaos as he attempts to win a record on eBay. Does Greg prevail and what is the record? Was it all worth it? Listen and find out! Hosts: Bob Calhoun, Philena Franklin, Greg Franklin Cory Sklar is on assignment Old Movies for Young Stoners theme by Chaki the Funk Wizard "Busy City" by TrackTribe and "Planetary Paths" by Joel Cummins & And a Farag via YouTube Audio Library Trailer audio via Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com THE PHILENAPOCALYPSE IS (STILL) UPON US!

It's another (Lewis) Milestone milestone film! In this episode we take a look at Outstanding Production nominee The Front Page, which was famously adapted into the screwball comedy classic His Girl Friday. Please leave us a review wherever you are listening!Email us rants as well as raves: sheacinema@gmail.comYou can also find us on Instagram (and now Twitter/X): @sheacinema

EPISODE 23 - “I Coulda Been a Contender: Classic Casting That Almost Happened” - 02/19/2024 It is well documented that the film “Gone With The Wind” started filming before an actress was cast in the lead role of Scarlett O'Hara. Producer DAVID O. SELZNICK made a spectacle out of who would win the coveted role. It became a national obsession. He considered everyone from TALLULAH BANKHEAD to BETTE DAVIS to LUCILLE BALL. He eventually narrowed the field to three finalists: PAULETTE GODDARD, JOAN BENNETT, and JEAN ARTHUR. But in the eleventh hour, a new contender, an unknown Brit named VIVIEN LEIGH, swept in and won the role. Listen as we discuss, debate, and guffaw over other casting choices that almost happened in some of your favorite film classics.  SHOW NOTES:  Sources: Hollywood's First Choices: How The Greatest Casting Decisions Were Made (1994), by Jeff Burkhart and Bruce Stuart; Casting Might Have Beens (2005), by Eila Mell; Jean Arthur: The Actress Nobody Knew (2004), by John Oller; George Raft: The Man Who Would Be Bogart (2015), by Stone Wallace; Life is a Banquet (1974), by Rosalind Russell; Joan Crawford: The Enduring Star (2009), by Peter Cowie; Michael Curtiz: A Life in Film (2021), by Alan Rode; Judy Holliday (1982), by Will Holtzman; Close-up on Sunset Boulevard: Billy Wilder, Norma Desmond, and the Dark Hollywood Dream (2002), by Sam Staggs Montgomery Clift: Beautiful Loser (1992), by Barney Hoskyns; Mike Nichols: A Life (2021), by Mark Harris; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Scarface (1932), starring George Raft, Paul Muni, Ann Dvorak, and Boris Karloff; Dead End (1937), starring Silvia Sidney, Joel McCrea, Humphrey Bogart, Wendy Barrie, and Claire Trevor; The Maltese Falcon (1941), starring Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook, Jr, and Lee Patrick  The Maltese Falcon (1931), starring Ricardo Cortez and Bebe Daniels; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Alan Curtis, Cornel Wilde, Arthur Kennedy, Willie Best, Elisabeth Risdon, and Henry Travers; His Girl Friday (1940), starring Cary Grant, Rosalind Russell, and Ralph Bellamy; Twentieth Century (1934), starring John Barrymore and Carole Lombard; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Jack Carson, Zachary Scott, Eve Arden, Bruce Bennett, and Lee Patrick;  Sunset Boulevard (1950), starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson;    From Here To Eternity (1953); starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Frank Sinatra, Donna Reed, and Ernest Borgnine; Who's Afraid of Virginia Wolf (1966), starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis; Butch Cassidy and the Sundance Kid (1969), starring Paul Newman, Robert Redford, and Katharine Ross;#023: "I COULDA BEEN A CONTENDER!" --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebrate a century of cinematic splendor with us as film historian Steven C. Smith and fashion expert Kimberly Truhler peel back the curtain on Columbia Pictures' illustrious history. From Harry Cohn's strategic cunning to the studio's transformation under the guiding hand of Frank Capra, this episode promises a treasure trove of insider knowledge. We'll reflect on the indelible mark left by "His Girl Friday"—a film that continues to sparkle with wit and wisdom 84 years after its debut.  With Steven and Kimberly's expertise, we'll also discover the crucial role of fashion in film, celebrating Robert Kalloch's contributions to some of the era's most iconic looks.Steven C. Smith websiteKimberly Truhler GlamAmore websiteAmazon purchase links: Columbia Classics 4K Ultra HD Collection Volume 4Film Noir Style: The Killer 1940s bookMusic by Max Steiner: The Epic Life of Hollywood's Most Influential Composer BookA Heart at Fire's Center: The Life and Music of Bernard Herrmann Book The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

What happens when Falk gets stuck in a screwball comedy? Can Falk weed out the humans from the androids? Do androids dream of His Girl Friday? Listen to find out!Do Androids Dream of His Girl Friday? , episode 98 of This Gun in My Hand, was manufactured not by the Tyrell Corporation but by Rob Northrup, using dialogue from the 1940 public domain film His Girl Friday, which was adapted from the 1928 public domain play The Front Page. The part of Walter Burns was played by Cary Grant, with Rosalind Russell as Hildy Johnson and Ralph Bellamy as Bruce Baldwin. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, information on how to subscribe, and to buy my books, such as Little Heist in the Big Woods and Other Revisionist Atrocities. How do I survive a screwball comedy? With This Gun in My Hand!Show Notes:1. The 1940 film His Girl Friday was adapted from a 1928 stage play titled The Front Page, both in the public domain. Dialogue in this episode was taken from His Girl Friday. (Link below.) It's excellent but has (CONTENT WARNING) the kind of racism and sexism you might expect in a 1940 film. There's also a one hour Lux Radio Theater adaptation starring Fred MacMurray and Claudette Colbert; a Screen Guild Theater radio adaptation starring Cary Grant and Rosalind Russell squeezed down into a half hour; and an even more offensive, grittier 1970 film of The Front Page starring Walter Matthau and Jack Lemmon. And there's a 1931 film version of The Front Page which I have yet to watch.https://archive.org/details/his_girl_fridayCredits:The opening music clip was from The Sun Sets at Dawn (1950), with transitional music from His Girl Friday (1940) and the closing music was from Killer Bait (1949), all films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.The two women saying “pixielated” were from the Campbell Playhouse radio adaptation of “Mr. Deeds Goes to Town,” broadcast February 11, 1940, public domain. Sound Effect Title: bustle in the pubLicense: Public Domainhttps://freesound.org/people/organicmanpl/sounds/403285/Sound Effect Title: teletype_medium_speed.wavBy stratcat322License: Creative Commons Attribution 3.0https://freesound.org/people/stratcat322/sounds/169259/The image accompanying this episode is a modified detail of a promotional photo by A. L. Schafer for the 1940 film His Girl Friday showing Cary Grant, Rosalind Russell and Ralph Bellamy sitting next to each other. Superimposed over Ralph Bellamy's face is the robot from The Phantom Creeps (1939) from another promotional photo (photographer unknown).

Choice Classic Radio presents Lux Radio Theater which aired from 1934 to 1955. Today we bring to you the episode titled "His Girl Friday.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Ellen E Jones and Mark Kermode look at divorce in film and TV, from His Girl Friday to The Split.Ellen looks at comedic takes on divorce, first discussing marriage, divorce and remarriage in the 1930s screwball comedy genre with critic Pamela Hutchinson.She then speaks to comedian Rob Brydon, who made what she considers to be the greatest TV programme about divorce - the BBC2 sitcom Marion and Geoff.Meanwhile, Mark talks to screenwriter Abi Morgan about her BBC1 series The Split, which follows a family of high-end divorce lawyers working in London.He also talks to Los Angeles family law attorney and chief of divorce evolution at Divorce.com, Laura Wasser about how accurate or misleading Hollywood depictions of breakups really are. Producer: Jane Long A Prospect Street production for BBC Radio 4

Attention, all you fast-talkin', wisecrackin' cinephiles, 'cause Never Did It's warping back to 1940, the year screwball met satire and Cary Grant met a tiny mustache. Jake's tossed Brad into the whirlwind of overlapping dialogue and rapid-fire romance that is "His Girl Friday," while Brad's sent Jake on a goose chase for Chaplin's timeless, toe-tapping takedown of tyranny in "The Great Dictator." First up, Brad's wrangling with Rosalind Russell's Hildy Johnson, a reporter sharper than a stiletto and quicker than a quip. Get ready for a newsroom brawl of epic proportions as Hildy tries to break free from her ex-husband Walter (Cary Grant, smooth as ever) and his journalistic clutches. Think witty repartee, slapstick hijinks, and enough deadlines to make your head spin. Brad might even confess his secret soft spot for the 1974 remake, "The Front Page," and spark a friendly debate about cinematic legacy! Meanwhile, Jake's navigating the Chaplinverse! He's donned the oversized pants and tiny hat of Adenoid Hynkel, the bumbling would-be Hitler with a penchant for pratfalls. Prepare for hilarious political satire, poignant social commentary, and enough double takes to give your neck a workout. Can Hynkel conquer the inflatable globe? Will Hildy make it to the altar? Tune in, but remember that back in 1940, the laughs were just as sharp as the suits, and the dictators were just as small as their hats. So polish your best one-liners, dust off your bowler hats, and get ready for a comedic collision of the highest order. Hit play and let the good times roll (or topple)! Other movies dicussed in this episode: To Catch a Thief (1955), Charade (1963), The Front Page (1974), All the President's Men (1976), Buddy Buddy (1981), The Iron Lady (2011), Spotlight (2015), Ricky and the Flash (2015), The Post (2017), Let Them All Talk (2020).

Titular, talented rock singer-songwriter, actor and filmmaker Kai Kaldro stopped by The Random Horror Show choppin it up with yours truly. Hailing from NYC, Kai's influence and embodies dark industrial metal sounds with horror themes in shock and glam rock presence and lyrics that demonically satirize film noir Golden Age of Hollywood particularly Alfred Hitchcock's films. Kai's androgynous features-rocking the eyeliner like a BEAST

Join the OAMR crew as we talk about His Girl Friday #movies #reviews #comedy #horror #scifi #classics #tubi #marvel #dc #Moviereview #music #musical #80s #90s #music #musical #startrek #starwars #marvel #dc #universalmonsters    Facebook: https://www.facebook.com/OAMR-1122730...x Youtube: https://www.youtube.com/channel/UCSy8... Email:  oamoviereviews@gmail.com

On this round of Recommend or Refute, we've got another eclectic sampling for your consideration. Dixon talks journalism and classic Hollywood with His Girl Friday (1940), John is #SorryNotSorry for bringing a narcissistically made piece of indie schlock known as  Honorable Men (2004), and Ryan brings another animated limited series about cyberpunk dystopia in the form of Captain Laserhawk: A Blood Dragon Remix (2023).

My guest this week is Lucas Hilderbrand, author of the new book The Bars Are Ours, which provides a deep look at the history of gay bars. Before he launched into this intriguing field of study, Lucas bounced around queer culture for several years, looking for the place where he fit in — a journey that included a particularly traumatic experience in musical theater. And it's probably not a surprise that his attention focused on the ways that queer people connect with each other, and the things that we lose when we lose institutions like gay bars.We'll have that conversation in a minute. First, a couple quick announcements, starting with a reminder that if you like this podcast, you'll probably like my weekly newsletter where I share fun stories about the making of iconic movies and TV shows, as well as the fascinating people behind them. You can sign up at MattBaume.com.Also, I've got a video coming your way on December 10 about the creation of 50s heartthrob Rock Hudson — and the group of secretly-gay men who designed an icon of American masculinity. That's at YouTube.com/mattbaume.And I hope you'll join me for weekly livestreams over on Twitch every Sunday afternoon. This weekend we'll be watching my favorite rom-com of all time, His Girl Friday, which started out as a play about two men before being gender-swapped to include the future Auntie Mame. That's at twitch.tv/mattbaume, Sunday at noon pacific, 3pm eastern.Also! If you haven't yet, take a look at my new book about the history of queer characters on American sitcoms, Hi Honey, I'm Homo! — available now wherever books are sold, and a very pleasant holiday gift. Go to gaysitcoms.com for details and to get a signed copy.Big thanks to everyone who makes all my work possible on Patreon — visit patreon.com/mattbaume to support Sewers of Paris and get patron-exclusive benefits.

This Special Subject is something extra-special: we discuss philosopher Stanley Cavell's idiosyncratic classic of film criticism, Pursuits of Happiness: The Hollywood Comedy of Remarriage and three classic comedies that are the subjects of essays in that book, Leo McCarey's The Awful Truth, Howard Hawks' His Girl Friday, and George Cukor's Adam's RIb. What is Cavell's "comedy of remarriage," and is it really a genre? What does "marriage" mean to Cavell, and what does it have to do with America and democracy? Why does divorce make marriage more romantic? Are the conversations we're having about film in North America getting better or worse? Why should you take an interest in your experience? Join us as we take an interest in our experience of Stanley Cavell and work through these and more questions! Time Codes: 0h 00m 45s:     Pursuits of Happiness: The Hollywood Comedy of Remarriage by Stanley Cavell (published in 1981) 0h 40m 31s:    THE AWFUL TRUTH (1937) [dir. Leo McCarey] 1h 06m 58s:    HIS GIRL FRIDAY (1940) [dir. Howard Hawks] 1h 23m 18s:    ADAM'S RIB (1949) [dir. George Cukor]   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

The Gents chat about the 2001 Wes Anderson movie The Royal Tenenbaums! :32 - Movies We've Seen (Kindergarten Cop, Beauty and the Beast, Cade: The Tortured Crossing, Teenage Mutant Ninja Turtles: Mutant Mayhem, His Girl Friday, Be Kind Rewind, The Flash) 35:36 - TV Shows We've Seen (How To with John Wilson, After Party, Ahsoka, The English, I'm a Virgo) 53:14 - The Royal Tenenbaums wgacontract2023.org sagaftrastrike.org entertainmentcommunity.org Get bonus episodes over on our Patreon!

Kevin joins Kova, Stephanie and Spoiler Steve to discuss The Equalizer 3, Bottoms & The Expendables! 00:01:34 - Intro | Last Week in Hollywood & The Weekend Box Office 00:45:12 - The Expendables 01:19:58 - Bottoms 01:53:39 - The Equalizer 3 02:35:32 - The Banter Corner | Black Mirror, Invasion, Only Murders in the Building, Classic Horror Films, Ponte Pool, Cobweb, His Girl Friday, Friday, Twister, Swamp Kings, BS High, The Wonder Years, The Equalizer Franchise, Primo, What We Do in the Shadows & The Wheel of Time Support us on Patreon HERE Send us emails and feedback to info@sceneitcast.com Check out our website sceneitcast.com

It's hard to keep your personal affairs away from work, even HQ sympathizes with that. However, none have attempted to fix both their personal affairs and work affairs simultaneously as Cary Grant does in this film. Listen as Bryant and Caytelynne provide their debrief for His Girl Friday, a screwball comedy led by Rosalind Russell! *The first portion of the episode is spoiler free* Make sure to follow us: Twitter and Instagram- @opsilverscreen Facebook- Operation: Silver Screen

Before she was directing movies about iconic figures (becoming something of an icon herself in the process) Mary Harron was a journalist. And before that, she was inspired by characters like Rosalind Russell's Hildy Johnson in HIS GIRL FRIDAY -- a woman who is valued for her incomparable skill and undeniable smarts, who can't quite seem to leave her complicated profession behind for what society deems a more "respectable" life.  Mary's new movie is DALíLAND, in theaters and on demand now.Then Jordan's got one quick thing about the trailer for the new Luca Guadagnino movie, CHALLENGERS.***With Jordan Crucchiola and Mary Harron

Screenwriter Stuart Wright talks to author and arts and culture writer ANNA CALE about the writing of her book THE REAL DIANA DORS, the Bill Forsyth podcast series TEN THOUSAND GRAINS OF SAND and "3 Films That Have Impacted Everything In Your Adult Life"SATURDAY NIGHT AND SUNDAY MORNING (1960)HIS GIRL FRIDAY (1940)LOCAL HERO (1983)THE REAL DIANA DORS, published by White Owl Books is now available to order from your favourite independent book shops, Waterstones, Foyles and Amazon. https://www.pen-and-sword.co.uk/The-Real-Diana-Dors-Hardback/p/19091 Listen to her Bill Forsyth podcast series TEN THOUSAND GRAINS OF SAND at https://open.spotify.com/show/4Xo7IJ6eULRaaQfyvrbRNs?si=a31a68122b624413"3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."3 FILMS THAT IMPACTED EVERYTHING IN YOUR ADULT LIFE is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the ALARM goes off for five minutes we move onto the next film.Please consider leaving a five-star review wherever you get your podcasts if you enjoyed this. It really helps the Britflicks Podcast grow and others to discover it.CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/Podcast for www.britflicks.com.Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Factory Theater legend Jenny Kirkland Laffey joins the podcast to talk through the greatest rom-coms of all time! Hear Jenny disparage Julia Roberts while Len looks sadly at "My Best Friend's Wedding" atop his all-time list. Hear Jenny and Len disparage pretty much every last one of Beave's rom-com choices! And hear Jenny and Beave reminisce about the Factory classic rom-com "The Barbara Walters Interviews"! Tune in for romance AND comedy!

Cenephile and severe weather head Jackson Boren joins us to discuss 'Twister', one of the biggest hits of 1996. It's a film that takes several well-worn, sometimes quaint, and seemingly disparate cinematic tropes and combines them into a transcendent and irreplicable experience.We discuss the rise and fall of filmmaker Jan de Bont, from his time as one of Paul Verhoeven and John McTiernan's key collaborators, to his work on back-to-back 90s action hits (this film and 1994's 'Speed'), to his gun-for-hire status for the 2003 'Tomb Raider' sequel that stands as his last film as director to date. Then, we talk about the film's host of influences, most notably its screwball comedy premise wrapped in a disaster movie's skin. Finally, we discuss the movie's groundbreaking special effects and champion the film as a state-of-the-art blockbuster spectacle.Follow Jackson on Twitter. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Comedian and writer Sean O'Connor (Solar Opposites, Norm Macdonald Live) joins to discuss the new release AIR starring Matt Damon, Viola Davis, Ben Affleck, Jason Bateman, Matthew Maher, Chris Messina and Chris Tucker. Affleck directed this true story of marketing intrigue set in 1984, back when Nike found themselves an underdog in the growing basketball shoe market. In a risky gambit, the company courts a promising draft pick, then-20 year old Michael Jordan, vowing to build the revolutionary Air Jordan line around him. But first Nike must convince Jordan's mother, Deloris, that they can offer something their successful competitors, Converse and Adidas, cannot. Affleck's corporate comedy opened to mostly glowing reviews for its cracking script, and game performances by Damon and Davis, but can a talky movie about a selling shoes have legs with modern audiences? Take a step into this episode of MNAM as we talk AIR, plus wander off court for diversions into Babylon, Batman, Kevin Smith, Species, Under Siege, Moneyball, Funny Pages, His Girl Friday, and much, much more!

ZOË WANAMAKER is an actress with a multitude of Film, TV, and Theatre credits to her name. Theatre: Zoë is a 2-time Olivier Award winner, and 9-time nominee, for her work on the West End including: Once in a Lifetime (Olivier Award - Best Actress in a Revival), The Time of Your Life, Twelfth Night, Mother Courage and her Children, Othello, The Crucible, Electra (Olivier Award – Best Actress), Boston Marriage. She has also received 4 Tony Award and Drama Desk nominations for her work on Broadway in Piaf, Loot, Electra, and Awake and Sing! (won a special Drama Desk award for Outstanding Ensemble Performance). Additional West End credits include: The Devil's Disciple, Ivanov, Wild Oats; or, The Strolling Gentleman, The Taming of the Shrew, Captain Swing, Piaf, Mrs. Klein, Dead Funny, The Glass Menagerie, All My Sons, All On Her Own and Harlequinade, The Birthday Party, Constellations. She has worked extensively with the Royal Shakespeare Company and the National Theatre, as well as other regional productions including: Cabaret, Much Ado About Nothing, Kiss Me Kate, The Importance of Being Earnest, The Crucible, The Last Yankee, The Old Neighbourhood, His Girl Friday, The Rose Tattoo, Much Ado About Nothing, The Cherry Orchard, Stevie, Elegy, and Two Ladies. TV: Zoë is most known for her British Academy of Film and Television Arts (BAFTA) Award nominated work on “Love Hurts” (Tessa Piggot) and “Prime Suspect” (Moyra Henson), in addition to other television work on “My Family” (Susan Harper), “Doctor Who” (Cassandra), “Brittania” (Queen Antedia), and “Shadow and Bone” (Baghra). Other TV credits include: “Edge of Darkness,” “Paradise Postponed,” “Once in a Life Time,” “Agatha Christie's Poirot” (Ariadne Oliver), and “Mr. Selfridge,” Film: Zoë received a BAFTA nomination for her role as Ada Leverson in Wilde. She has also starred in Harry Potter and the Philosopher's Stone (Madame Hooch), Five Children and It (Martha), It's a Wonderful Afterlife (Mrs. Goldman), and My Week with Marilyn (Paula Strasberg). Learn more about your ad choices. Visit podcastchoices.com/adchoices

In his book From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy, Scott Meslow lays out two ways to tell if a given movie is a rom-com. First, his own definition: “A romantic comedy is a movie where (1) the central plot is focused on at least one romantic love story; and (2) the goal is to make you laugh at least as much as the goal is to make you cry.” And then, The Donald Petrie Test, named for the director of some rom-coms, like Mystic Pizza and How to Lose a Guy in 10 Days, but also some edge cases, like Miss Congeniality and Grumpy Old Men: “If you removed the love story from this [comedy], would you still have a movie? If the answer is no, it's a romantic comedy. […] If the answer is yes, it's a comedy with a romantic subplot.” So those are the litmus tests. Now, does that make Broadcast News a rom-com, or no? What about Annie Hall? Or something like Grosse Pointe Blank? How about His Girl Friday? Or even, actually, Love Actually? The Nose is off this week. In its stead, a Not Necessarily The Nose-style deconstruction — and celebration — of the romantic comedy. Some favorite rom-coms from some of the people on this show: Illeana DouglasTheodora Goes Wild (1936)Bringing Up Baby (1938)Ninotchka (1939)Too Many Husbands (1940)The More the Merrier (1943)Christmas in Connecticut (1945)Cluny Brown (1946)Pillow Talk (1959)The Apartment (1960)What's Up, Doc? (1972)Foul Play (1978)Arthur (1981) David EdelsteinTrouble in Paradise (1932)The Awful Truth (1937)Ninotchka (1939)Midnight (1939)The Lady Eve (1941)His Girl Friday (1940)The Philadelphia Story (1940)The Shop Around the Corner (1940)Cluny Brown (1946) Scott Meslow's five recommended under-seen rom-coms from the past decade Populaire (2012)A zippy, ultra-stylish French rom-com about the romance between a dapper boss and his secretary, set amid the long-forgotten craze for competitive speed typing. Sleeping with Other People (2015)Alison Brie and Jason Sudeikis are at the peak of their charms in this witty rom-com about two friends who reunite years after losing their virginities to each other — the rare rom-com to get the balance of raunchy and sweet just right. Man Up (2015)Ignore the lame title — this rom-com, in which Lake Bell plays an unlucky-in-love woman who pretends to be a man's blind date, is pure, fizzy fun (and is also the only rom-com I've seen to borrow a plot point from The Silence of the Lambs). Destination Wedding (2018)Other critics weren't as high on this extremely stripped down rom-com, in which Winona Ryder and Keanu Reeves snark their way through a wedding they'd both prefer not to be attending — but in a genre in which so many characters have “negative” qualities that are actually just adorable, I appreciated this movie's deliberately sour tone. Plus One (2019)A delightfully unapologetic throwback to the genre's '90s heyday, but with a modern touch, as two platonic friends (Jack Quaid and Maya Erskine) agree to be each other's plus-ones for a packed wedding season before realizing they may actually have a spark after all. Colin's 5 (or 6) favorite rom-coms Heaven Can Wait (1978)I realize this is assailable on the basis of Julie Christie not being an especially memorable character and getting less screen time than, say, Jack Warden. Warren Beatty is so vain, he probably thinks this movie is about him, and he's sort of right. But it is very nearly perfect and enriched by an amazing ensemble of supporting players. Silver Linings Playbook (2012)I surprised myself by ranking SLP this high, but I love the frank and funny handling of mental illness and its indistinguishability from being an Eagles fan. I've seen it quite a few times, and I invariably cry at the end. I love what J-Law does with her part, and Chris Tucker and John Ortiz are standouts among the fine supporting cast. Shout out to Kevin Lowry for his work as dolly grip on the “A” camera. The Lady Eve (1941) / Intolerable Cruelty (2003)These are both “rom-cons” involving grifts by a femme fatale who is usually a few steps ahead of the male lead. Barbara Stanwyck actually generates more sexual heat than the smoldering Catherine Zeta-Jones. She was still doing that 42 years later, hitting on a rain-streaked, bare-chested priest played by Richard Chamberlain in The Thorn Birds. But I do love Intolerable Cruelty. I think it's the only Coen brothers rom-com and definitely an homage to the '30s and '40s. Say Anything (1989)I loved John Cusack during this period. A few years later, I was seeing a psychotherapist who looked exactly like him. It was distracting. I've learned that Cusack didn't really see himself as a rom-com person and even pushed back against the iconic boombox scene. That has something to do with why this movie works so well. Bringing Up Baby (1938)Grant. Hepburn. Two leopards. Thirty pounds of sirloin. What's not to love? Some other stuff that happened this week, give or take: And Now Let's Review … A.O. Scott conducts his own exit interview as he moves to a new post after more than two decades of reviewing films. What if ‘The Daily Show' Used Guest Hosts Permanently? Fill-ins for Trevor Noah have shown how exciting the lack of a permanent replacement could be. It's an option with an illustrious history in television. David Letterman's Retirement Beard Just Keeps Getting Better And more from the week in celebrity grooming. The Oscars Aren't Where Steven Spielberg's The Fabelmans And West Side Story Needed To Win Apple to Spend $1 Billion a Year on Films to Break Into Cinemas Paramount Sets Remake Of Hitchcock's ‘Vertigo' As Potential Robert Downey Jr-Starrer; Steven Knight To Write Script & Davis Entertainment To Produce With Team Downey The Movies Of The DCEU, Ranked The Rise of Gender-Neutral Names Isn't What It Seems The desire of parents to be truly original has had a perhaps unintended effect. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show David Edelstein: America's Greatest Living Film Critic Scott Meslow: Author of From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired August 24, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week was like a scene out of His Girl Friday, with reporters vamping while waiting for news.   More on being the audience that bolts from MSNBC.  Our next big mass movement is against poverty.  And the so-called "judgment of history" is bunk, to put it mildly, which Driftglass never puts it mildly!  More at proleftpod.com.  Support the show

Before she settles down to life of homemaking, security, and insurance policies with Bruce Baldwin in Albany, star reporter Hildy Johnson has one more story to write for her ex-husband and ex-boss Walter Burns, editor of the Morning Post. Hildy must write up an interview with convicted killer Earl Williams that will grant him a last-minute reprieve on the basis of insanity. The ingenious angle she finds to prove he's insane: Earl listened to so many soapbox speeches in the park about the socialist concept of “production for use” that when a gun was placed into his hands, he had to shoot it. Howard Hawks's 1940 film His Girl Friday knits together two plots from two very different genres. One is a romantic comedy that intends to reunite its main couple in something like wedded bliss. The other is a dark drama of murder and corruption, complete with a gallows lurking just outside the window and a suicide attempt that takes place on screen. Yet Earl Williams and Hildy Johnson's fates in their respective plots are twinned. Both are, in a sense, looking for their own reprieves. And Hildy has her own production-for-use dilemma. What was she made for—the life of a newspaperman, or the life of a housewife? To what kinds of production should we devote our own lives? What are we made for—risk and adventure or security and insurance? Wes & Erin discuss. Subscribe: (sub)Text won't always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon or directly on the Apple Podcasts app. Follow (sub)Text: Twitter | Facebook | Website

Howard Hawks's 1940 film His Girl Friday knits together two plots from two very different genres. One is a romantic comedy that intends to reunite its main couple in something like wedded bliss. The other is a dark drama of murder and corruption, complete with a gallows lurking just outside the window and a suicide attempt that takes place on screen. Yet Earl Williams and Hildy Johnson's fates in their respective plots are twinned. Both are, in a sense, looking for their own reprieves. And Hildy has her own production-for-use dilemma. What was she made for—the life of a newspaperman, or the life of a housewife? To what kinds of production should we devote our own lives? What are we made for—risk and adventure or security and insurance? Wes & Erin discuss.

Note: Intros should be back by next week! Helen Mack began her career as a child actress in the 1920s and she went on to make appearances in Son of Kong and His Girl Friday. But in the 1940s, she transitioned into a new phase of her career as a producer and director of radio shows. She was behind the scenes of comedies like Meet Corliss Archer and A Date with Judy and she helmed dozens of episodes of Richard Diamond and The Saint - two shows marked by a wry sense of humor mixed in with the mysteries. We'll celebrate Ms. Mack's birthday with some of her work in the world of radio detectives. Dick Powell stars as Richard Diamond in "The Marilyn Connors Case" (originally aired on ABC on January 12, 1951) and "The Man with the Scar" (originally aired on ABC on January 26, 1951). And in between those shows, we'll hear Vincent Price as Simon Templar in "The Bride Who Lost Her Groom" from The Saint (originally aired on NBC on February 11, 1951). Next week: Old time radio mysteries starring the voices of some classic Disney villains!