Podcasts about West London

This is Part Two of Five of Schizophrenic: The Real/Fake Peter Bryan.Peter Bryan is regarded as one of Britain's most infamous serial-killers and cannibals with almost every article and documentary about him slavering over the grisly details of his murders, and especially his cannibalism. But how much of this story is the truth, an exaggeration or a lie? Who created these myths, why do we still believe them, and what evidence is there of cannibalism? Told in full for the very first time, this is Schizophrenic: The Real/Fake Peter Bryan.Part One: Peter's upbringing, symptoms and diagnosisPart Two: The Murder of Nisha SheshPart Three: The Assault of Girl 'P4'Part Four: The "Cannibalism" of Brian CherryPart Five: The Murder of Richard LoudwellMurder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.YouTube Video (out 7th June) - Peter Bryan is NOT a Cannibal by me, click hereFor links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

This is Part One of Five of Schizophrenic: The Real/Fake Peter Bryan. Peter Bryan is regarded as one of Britain's most infamous serial-killers and cannibals with almost every article and documentary about him slavering over the grisly details of his murders, and especially his cannibalism. But how much of this story is the truth, an exaggeration or a lie? Who created these myths, why do we still believe them, and what evidence is there of cannibalism? Told in full for the very first time, this is Schizophrenic: The Real/Fake Peter Bryan.Part One: Peter's upbringing, symptoms and diagnosis Part Two: The Murder of Nisha SheshPart Three: The Assault of Girl 'P4'Part Four: The "Cannibalism" of Brian CherryPart Five: The Murder of Richard LoudwellMurder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

Fulham did it again this weekend and came from behind to beat Brentford 2-3 at the Lego Stadium. After a slow and disappointing end to the season, a derby win was perfect to help Fulham fans reflect more positively on the team's successes in 24/25. Charlie and Ben look back on their experience of watching the West London derby in North America and bring us an interview with Joel Freimark, the president of Fulhamerica. He fills us in on what his role entails, what attracted him to supporting Fulham and discuss some of his personal Fulham favourites. Link to Fulham Foundation Signed Shirt: https://www.justgiving.com/page/fulhamish-signed-shirt-2025--SHOW-LINKS:If you enjoy Fulhamish, please consider contributing a small amount monthly to help pay our costs. As a bonus, you receive access to our exclusive Telegram group chats where you can chat with fellow FFC fans and Fulhamish listeners ➼ https://levellr.com/communities/fulhamish--GUESTS:Charlie Kipp ➼ https://www.x.com/@CharlieKippBen JarmanJoel Freimark ➼ https://www.instagram.com/earfuel/?hl=enSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: The Power and the Glory https://www.newportstreetgallery.com/exhibition/current/ Gabriel Moses, Selah https://www.180studios.com/selah Photo London https://photolondon.org/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your hosts are Paul Marden and Andy Povey.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. Show references:  Anna Preedy, Director M+H Showhttps://show.museumsandheritage.com/https://www.linkedin.com/in/annapreedy/Jon Horsfield, CRO at Centegra, a Cinchio Solutions Partnerhttps://cinchio.com/uk/https://www.linkedin.com/in/jon-horsfield-957b3a4/Dom Jones, CEO, Mary Rose Trust https://maryrose.org/https://www.linkedin.com/in/dominicejones/https://www.skipthequeue.fm/episodes/dominic-jonesPaul Woolf, Trustee at Mary Rose Trusthttps://maryrose.org/https://www.linkedin.com/in/paul-woolf/Stephen Spencer, Ambience Director, Stephen Spencer + Associateshttps://www.stephenspencerassociates.com/https://www.linkedin.com/in/customerexperiencespecialist/https://www.skipthequeue.fm/episodes/stephen-spencerSarah Bagg, Founder, ReWork Consultinghttps://reworkconsulting.co.uk/https://www.linkedin.com/in/sarahbagg/https://www.skipthequeue.fm/episodes/sarah-baggJeremy Mitchell, Chair of Petersfield Museum and Art Galleryhttps://www.petersfieldmuseum.co.uk/https://www.linkedin.com/in/jeremy-mitchell-frsa-4529b95/Rachel Kuhn, Associate Director, BOP Consultinghttps://www.bop.co.uk/https://www.linkedin.com/in/kuhnrachel/  Transcriptions:Paul Marden: Welcome to Skip the Queue, the podcast for people working in and working with visitor attractions. You join me today, out and about yet again. This time I am in London at Olympia for the Museums and Heritage Show. Hotly anticipated event in everybody's diary. We all look forward to it. Two days of talks and exhibitions and workshops. Just a whole lot of networking and fun. And of course, we've got the M and H awards as well. So in this episode, I am going to be joined by a number of different people from across the sector, museum and cultural institution professionals, we've got some consultants, we've got some suppliers to the industry, all pretty much giving us their take on what they've seen, what they're doing and what their thoughts are for the year ahead. So, without further ado, let's meet our first guest. Andy Povey: Hi, Anna. Welcome to Skip the Queue. Thank you for giving us some of your time on what must be a massively busy day for you. I wonder if you could just tell the audience who you are, what you do, a little bit about what museums and heritage is, because not everyone listening to the podcast comes from the museum sector. Anna Preedy: Andy, thanks. This is a great opportunity and always really lovely to see your happy smiley face at the Museums and Heritage Show. So M and H, as we're often referred to as, stands for Museums and Heritage and we're a small business that organises the principal trade exhibition for the Museums and Heritage sector that could be broadened, I suppose, into the cultural sector. We also have the awards ceremony for the sector and an online magazine. So we are Museums and Heritage, but we're often referred to as M and H and we've been around for a very long time, 30 plus years. Andy Povey: Oh, my word. Anna Preedy: I know. Andy Povey: And what's your role within the organisation? Your badge says Event Director today. That's one of many hats. Anna Preedy: I'm sure it is one of many hats because we're a very small team. So I own and manage the events, if you like. M and H is my baby. I've been doing it for a very long time. I feel like I'm truly immersed in the world of museums and heritage and would like to think that as a result of that, I kind of understand and appreciate some of the issues and then bring everyone together to actually get in the same room and to talk them through at the show. So, yeah, that's what we're about, really. Andy Povey: In a shorthand and obviously the show. We're in the middle of West London. It's a beautifully sunny day here at Olympia. The show is the culmination, I suppose of 12 months of work. So what actually goes in? What does a normal day look like for you on any month other than May? Anna Preedy: Yeah, it was funny actually. Sometimes people, I think, well, what do you do for the rest of the year? You just turn up to London for a couple of days, just turn up delivering an event like this. And also our award scheme is literally three, six, five days of the year job. So the moment we leave Olympia in London, we're already planning the next event. So it really is all encompassing. So I get involved in a lot. As I say, we're a small team, so I'm the person that tends to do most of the programming for the show. So we have 70 free talks. Everything at the show is free to attend, is free to visit. So we have an extensive programme of talks. We have about 170 exhibitors. Anna Preedy: So I'm, although I have a sales team for that, I'm managing them and looking after that and working with some of those exhibitors and then I'm very much involved in our awards. So the Museums and Heritage Awards look to celebrate and reward the very best in our sector and shine the spotlight on that not just in the UK but around the world. So we have a judging panel and I coordinate that. So pretty much every decision, I mean you look at the colour of the carpet, that which incidentally is bright pink, you look at the colour of the carpet here, who made the decision what colour it would be in the aisles this year it was me. So I, you know, I do get heavily involved in all the nitty gritty as well as the biggest strategic decisions. Andy Povey: Fantastic. Here on the show floor today it is really busy, there are an awful lot of people there. So this is all testament to everything that you've done to make this the success that it is. I'm sure that every exhibitor is going to walk away with maybe not a full order book, but definitely a fistful of business cards. Anna Preedy: I think that's it, what we really want. And we sort of build this event as the big catch up and we do that for a reason. And that is really to kind of give two days of the year people put those in their diary. It's a space where people can come together. So you know, there'll be people here standing on stands who obviously and understandably want to promote their product or service and are looking to generate new business. And then our visitors are looking for those services and enjoying the talks and everyone comes together and it's an opportunity to learn and network and connect and to do business in the broadest possible sense. Really. Andy Povey: No, I think that the line, the big catch up really sums the show up for me. I've been. I think I worked out on the way in this morning. It's the 15th time I've been to the show. It's one of my favourite in the year because it is a fantastic mix of the curatorial, the commercial, everything that goes into running a successful museum or heritage venue. Anna Preedy: I mean, it's funny when people ask me to summarise. I mean, for a start, it's quite difficult. You know, really, it should be museums, galleries, heritage, visitor, attractions, culture. You know, it is a very diverse sector and if you think about everything that goes into making a museum or a gallery or a historic house function, operate, engage, it's as diverse as the organisational types are themselves and we try and bring all of that together. So, you know, whether you are the person that's responsible for generating income in your organisation, and perhaps that might be retail or it might be catering, it could be any. Any stream of income generation, there's going to be content for you here just as much as there's going to be content for you here. Anna Preedy: If you are head of exhibitions or if you are perhaps wearing the marketing hat and actually your job is, you know, communications or audience development, we try and represent the sector in its broadest scope. So there is something for everyone, quite. Andy Povey: Literally, and that's apparent just from looking on the show floor. So with all of your experience in the museum sector, and I suppose you get to see. See quite an awful lot of new stuff, new products. So what are you anticipating happening in the next sort of 6 to 12 months in our sector? Anna Preedy: I mean, that's a big question because, you know, going back to what were just saying, and the kind of different verticals, if you like, that sit within the sector, but I think the obvious one probably has to be AI, and the influence of that. I'm not saying that's going to change everything overnight. It won't, but it's. You can see the ripples already and you can see that reflected out here on the exhibition floor with exhibitors, and you can also see it in our programme. So this sort of AI is only, you know, one aspect of, you know, the bigger, wider digital story. But I just think it's probably more about the sector evolving than it is about, you know, grand sweeping changes in any one direction. Anna Preedy: But the other thing to say, of course, is that as funding gets more the sort of the economic landscape, you know, is tough. Undeniably so. So generating revenue and finding new ways to do that and prioritising it within your organisation, but not at the expense of everything else that's done. And it should never be at the expense of everything else that's done. And it's perfectly possible to do both. Nobody's suggesting that it's easy, nothing's easy but, you know, it's possible. Anna Preedy: And I think the show here, and also what we do online in terms of, you know, news and features, all of that, and what other organisations are doing in this sector, of course, and the partners we work with, but I think just helping kind of bridge that gap really, and to provide solutions and to provide inspiration and actually, you know, there's no need to reinvent the wheel constantly. Actually, I think it was somebody that worked in the sector. I'm reluctant to names, but there was somebody I remember once saying, well, know, stealing with glee is kind of, you know, and I think actually, you know, if you see somebody else is doing something great and actually we see that in our wards, you know, that's the whole point. Let's shine a spotlight on good work. Well, that might inspire someone else. Anna Preedy: It's not about ripping something off and it's not absolute replication. But actually, you know, scalable changes in your organisation that may have been inspired by somebody else's is only a good thing as well. Andy Povey: It's all that evolutionary process, isn't it? So, great experience. Thank you on behalf of everybody that's come to the show today. Anna Preedy: Well, thank you very much. I love doing it, I really genuinely do and there is nothing like the buzz of a busy event. Jon Horsfield: Yeah, My name is Jon Horsfield, I'm the Chief Revenue Officer of Cincio Solutions. Andy Povey: And what does Cincio do? Jon Horsfield: We provide F and B technology, so kiosks, point of sale payments, kitchen systems, inventory, self checkout to the museums, heritage zoos, aquariums and hospitality industries. Andy Povey: Oh, fantastic. So I understand this is your first time here at the Museums and Heritage Show. Jon Horsfield: It is our first time. It's been an interesting learning curve. Andy Povey: Tell me more. Jon Horsfield: Well, our background is very much within the hospitality. We've been operating for about 20 to 23 years within the sort of high street hospitality side of things. Some of our London based listeners may have heard of Leon Restaurants or Coco Di Mama, we've been working with them for over 20 years. But we're looking at ways of bringing that high street technology into other industries and other Verticals and the museums and heritage is a vertical that we've identified as somewhere that could probably do with coming into the 21st century with some of the technology solutions available. Andy Povey: I hear what you're saying. So what do you think of the show? What are your first impressions? Give me your top three tips. Learning points. Jon Horsfield: Firstly, this industry takes a long time to get to know people. It seems to be long lead times. That's the first learning that we've had. Our traditional industry in hospitality, people will buy in this industry. It's going to take some time and we're happy about that. We understand that. So for us, this is about learning about know about how the industry works. Everybody's really friendly. Andy Povey: We try. Yeah. Jon Horsfield: That's one of the first things that we found out with this. This industry is everybody is really friendly and that's quite nice. Even some of our competitors, we're having nice conversations with people. Everybody is really lovely. The third point is the fact that I didn't know that there were so many niche markets and I found out where my mother buys her scarves and Christmas presents from. So it's been really interesting seeing the different types of things that people are looking for. We've sort of noticed that it's really about preservation. That's one of the main areas. There's a lot of things about preservation. Another one is about the display, how things are being displayed, and lots of innovative ways of doing that. But also the bit that we're really interested in is the commercialization. Jon Horsfield: There's a real push within the industry to start to commercialise things and bring in more revenue from the same people. Andy Povey: Yeah, yeah. I mean, that's all about securing the destiny so that you're not reliant on funding from external parties or government and you taking that control. So what do you do at Centrio that helps? Jon Horsfield: Well, first of all. First of all, I would say the efficiencies that we can bring with back office systems integrations. We're very well aware of what we do, we're also aware of what we don't do. So, for example, we're not a ticketing provider, we're a specialist retail and F and B supplier. So it's about building those relationships and actually integrating. We've got a lot of integrations available and we're very open to that. So that's the first thing. But one of the key things that we're trying to bring to this industry is the way that you can use technology to increase revenue. So the kiosks that we've got here, it's proven that you'll get a minimum average transaction value increase of 10 to 15%. Andy Povey: And what do you put that down to? Jon Horsfield: The ability to upsell. Okay, with kiosks, as long as, if you put, for example, with a burger, if you just have a nice little button, say would you like the bacon fries with that? It's an extra few pounds. Well, actually if you've got an extra few pounds on every single transaction, that makes an incredible difference to the bottom line. From the same number of customers. Some of our clients over in the USA have seen an ATV increase above to 60% with the use of kiosks. Andy Povey: And that's just through selling additional fries. Jon Horsfield: Exactly. People will. I went to a talk many years ago when people started to adopt kiosks and the traditional thing is the fact that people will order two Big Macs and a fries to a kiosk, but when you go face to face, they will not order two Big Macs and a fries. Andy Povey: So you're saying I'm a shy fatty who's basically. Jon Horsfield: Absolutely not. Absolutely not, Andy. Absolutely not. So that's really what it's about. It's about using the sort of the high street technology and applying that to a different industry and trying to bring everybody along with us. Dominic Jones: And you need to listen to the Skip the Queue. It's the best podcast series ever. It'll give you this industry. Paul Marden: Perfect. That was a lovely little sound bite. Dom, welcome. Dominic Jones: It's the truth. It's the truth. I love Skip the Queue. Paul Marden: Welcome back to Skip the Queue. Paul, welcome. For your first time, let's just start with a quick introduction. Dom, tell everybody about yourself. Dominic Jones: So I'm Dominic Jones, I'm the chief executive of the Mary Rose Trust and I'm probably one of Skip the Queue's biggest fans. Paul Marden: I love it. And biggest stars. Dominic Jones: Well, I don't know. At one point I was number one. Paul Marden: And Paul, what about yourself? What's your world? Paul Woolf: Well, I'm Paul Woolf, I've just joined the Mary Rose as a trustee. Dom's been kind of hunting me down politely for a little bit of time. When he found out that I left the King's Theatre, he was very kind and said, right, you know, now you've got time on your hands, you know, would you come over and help? So yeah, so my role is to support Dom and to just help zhuzh things up a bit, which is kind of what I do and just bring some new insights into the business and to develop It a bit. And look at the brand, which is where my skills. Dominic Jones: Paul is underselling himself. He is incredible. And the Mary Rose Trust is amazing. You haven't visited. You should visit. We're in Portsmouth Historic Dock blog. But what's great about it is it's about attracting great people. I'm a trustee, so I'm a trustee for good whites. I'm a trustee for pomp in the community. I know you're a trustee for kids in museums. I love your posts and the fact that you come visit us, but it's about getting the right team and the right people and Paul has single handedly made such a difference to performance art in the country, but also in Portsmouth and before that had a massive career in the entertainment. So we're getting a talent. It's like getting a Premiership player. And we got Paul Woolf so I am delighted. Dominic Jones: And we brought him here to the Museum Heritage show to say this is our industry because we want him to get sucked into it because he is going to be incredible. You honestly, you'll have a whole episode on him one day. Paul Marden: And this is the place to come, isn't it? Such a buzz about the place. Paul Woolf: I've gone red. I've gone red. Embarrassed. Paul Marden: So have you seen some talks already? What's been impressive for you so far, Paul? Paul Woolf: Well, we did actually with the first talk we were listening to was all about touring and reducing your environmental impact on touring, which is quite interesting. And what I said there was that, you know, as time gone by and we had this a little bit at theatre actually. But if you want to go for grant funding today, the first question on the grant funding form, almost the first question after the company name and how much money you want is environmental impact. Paul Marden: Yeah, yeah. Paul Woolf: And so if you're going tour and we're looking now, you know, one of the things that Dom and I have been talking about is, you know, Mary Rose is brilliant. It's fantastic. You know, it's great. It's in the dockyard in Portsmouth and you know, so. And, and the Andes, New York, you know, everywhere. Dominic Jones: Take her on tour. Paul Woolf: Why isn't it on tour? Yeah. Now I know there are issues around on tour. You know, we've got the collections team going. Yeah, don't touch. But nonetheless it was interesting listening to that because obviously you've got to. Now you can't do that. You can't just put in a lorry, send it off and. And so I thought that was quite interesting. Dominic Jones: Two, it's all the industry coming together. It's not about status. You can come here as a student or as a CEO and you're all welcome. In fact, I introduced Kelly from Rubber Cheese, your company, into Andy Povey and now you guys have a business together. And I introduced them here in this spot outside the men's toilets at Museum and Heritage. Paul Woolf: Which is where we're standing, by the way. Everybody, we're outside the toilet. Dominic Jones: It's the networking, it's the talks. And we're about to see Bernard from ALVA in a minute, who'll be brilliant. Paul Marden: Yes. Dominic Jones: But all of these talks inspire you and then the conversations and just seeing you Andy today, I'm so delighted. And Skip the Queue. He's going from strength to strength. I love the new format. I love how you're taking it on tour. You need to bring it to the May Rose next. Right. Paul Marden: I think we might be coming sometimes soon for a conference near you. Dominic Jones: What? The Association of Independent Museums? Paul Marden: You might be doing an AIM conference with you. Dominic Jones: Excellent. Paul Marden: Look, guys, it's been lovely to talk to you. Enjoy the rest of your day here at M and H. Paul Marden: Stephen, welcome back to Skip the Queue. Stephen Spencer: Thank you very much. Paul Marden: For listeners, remind them what you do. Stephen Spencer: So I'm Stephen Spencer. My company, Stephen Spencer Associates, we call ourselves the Ambience Architects because we try to help every organisation gain deeper insight into the visitor experience as it's actually experienced by the visitor. I know it sounds a crazy idea, really, to achieve better impact and engagement from visitors and then ultimately better sustainability in all senses for the organisation. Paul Marden: For listeners, the Ambience Lounge here at M and H is absolutely rammed at the moment. Stephen Spencer: I'm trying to get in myself. Paul Marden: I know, it's amazing. So what are you hoping for this networking lounge? Stephen Spencer: Well, what we're aiming to do is create a space for quality conversations, for people to meet friends and contacts old and new, to discover new technologies, new ideas or just really to come and have a sounding board. So we're offering free one to one advice clinic. Paul Marden: Oh, really? Stephen Spencer: Across a whole range of aspects of the visitor journey, from core mission to revenue generation and storytelling. Because I think, you know, one of the things we see most powerfully being exploited by the successful organisations is that kind of narrative thread that runs through the whole thing. What am I about? Why is that important? Why should you support me? How do I deliver that and more of it in every interaction? Paul Marden: So you're Having those sorts of conversations here with people on a one to one basis. Stephen Spencer: Then we also are hosting the structured networking event. So all of the sector support organisations that are here, they have scheduled networking events when really people can just come and meet their peers and swap experiences and again find new people to lean on and be part of an enriched network. Paul Marden: Absolutely. So we are only half a day in, not even quite half a day into a two day programme. So it's very early to say, but exciting conversations, things are going in the direction that you hoped for. Stephen Spencer: Yes, I think, I mean, we know that the sector is really challenged at the moment, really, the fact that we're in now such a crazy world of total constant disruption and uncertainty. But equally we offer something that is reassuring, that is enriching, it's life enhancing. We just need to find better ways to, to do that and reach audiences and reach new audiences and just keep them coming back. And the conversations that I've heard so far have been very much around that. So it's very exciting. Paul Marden: Excellent. One of themes of this episode that we'll be talking to lots of people about is a little bit of crystal ball gazing. You're right, the world is a hugely, massively disrupted place at the moment. But what do you see the next six or 12 months looking like and then what does it look like for the sector in maybe a five year time horizon? Stephen Spencer: Okay, well, you don't ask easy questions. So I think there will be a bit of a kind of shaking down in what we understand to be the right uses of digital technology, AI. I think we see all the mistakes that were made with social media and what it's literally done to the world. And whilst there are always examples of, let's say, museums using social media very cleverly and intelligently, we know that's against the backdrop of a lot of negativity and harm. So why would we want to repeat that, for example, with generative AI? Paul Marden: Indeed. Stephen Spencer: So I heard a talk about two years ago at the VAT conference about using AI to help the visitor to do the stuff that is difficult for them to do. In other words, to help them build an itinerary that is right for them. And I think until everyone is doing that, then they should be very wary of stepping off the carpet to try and do other things with it. Meanwhile, whilst it's an immersive experience, it is not just sitting in, you know, with all respect to those that do this, A, you know, surround sound visual box, it is actually what it's always been, which is meeting real people in authentic spaces and places, you know, using all the senses to tell stories. So I think we will need to see. Stephen Spencer: I've just been given a great coffee because that's the other thing we're offering in the coffee. It's good coffee. Not saying you can't get anywhere else in the show, just saying it's good here. Yeah. I think just some realism and common sense creeping into what we really should be using these technologies for and not leaving our visitors behind. I mean, for example, you know, a huge amount of the natural audience for the cultural sector. You know, people might not want to hear it, but we all know it's true. It's older people. And they aren't necessarily wanting to have to become digital natives to consume culture. So we shouldn't just say, you know, basically, unless you'll download our app, unless you'll do everything online, you're just going to be left behind. That's crazy. It doesn't make good business sense and it's not right. Stephen Spencer: So I just think some common sense and some. Maybe some regulation that will happen around uses of AI that might help and also, you know, around digital harms and just getting back to some basics. I was talking to a very old colleague earlier today who had just come back from a family holiday to Disney World, and he said, you know, you can't beat it, you cannot beat it. For that is immersive. Paul Marden: Yeah, absolutely. But it's not sealed in a box. Stephen Spencer: No, no. And it really. It's a bit like Selfridges. I always took out. My favourite store is Selfridges. It still does what Harry Gordon Selfridge set out to do. He said, "Excite the mind and the hand will reach for the pocket." I always say. He didn't say excite the eye, he said, excite the mind. Paul Marden: Yeah. Stephen Spencer: The way you do that is through all the senses. Paul Marden: Amazing. Stephen Spencer: And so, you know, digital. I'm sure he'd be embracing that. He would be saying, what about the rest of it? Paul Marden: How do you add the human touch to that? Yeah. I was at Big Pit last week. Stephen Spencer: As they reopened, to see this. Yeah. Paul Marden: And it was such an amazing experience walking through that gift shop. They have so subtly brought the museum into the gift shop and blended the two really well. Stephen Spencer: Yes. And I think that raises the bar. And again, if you want to make more money as a museum, you need to be embracing that kind of approach, because if you just carry on doing what you've always done, your revenue will go down. Paul Marden: Yes. Stephen Spencer: And we all know your revenue needs to go up because other. Other sources of income will be going down. Paul Marden: Sarah, welcome back to Skip the Queue last time you were here, there was a much better looking presenter than, you were in the Kelly era. Sarah Bagg: Yes, we were. Paul Marden: It's almost as if there was a demarcation line before Kelly and after Kelly. Why don't you just introduce yourself for me? Tell the listeners what it is that you do. Sarah Bagg: So I'm Sarah Bagg. I'm the founder of Rework Consulting. The last time I spoke, it wasn't that long after our launch. I think like two and a half years ago. We've just had our third birthday. Paul Marden: Wow. Sarah Bagg: Which is completely incredible. When we first launched rework, were specifically for the visitor attractions industry and focused on ticketing. Paul Marden: Yep. Sarah Bagg: So obviously we are a tech ticketing consultancy business. In the last three and a half years we've grown and now have five verticals. So attractions are one of them. Paul Marden: And who else do you work with then? Sarah Bagg: So the art, the leisure industry. So whether it be activity centres, cinemas, bowling centres and then live entertainment. So it could be anything from sports, festivals etc and the arts, like theatres or. Paul Marden: So closely aligned to your attractions. Then things that people go and do but different kinds of things loosely. Sarah Bagg: Say they're like live entertainment. Paul Marden: I like that. That's a nice description. So this must be Mecca for you to have all of these people brought together telling amazing stories. Sarah Bagg: I think how I would sum up museum and heritage today is that I think we're kind of going through a period of like being transformed, almost like back. People are reconstructing, connecting with real experiences and with people. Paul Marden: Yeah. Sarah Bagg: And I would like to think that tech is invisible and they're just to support the experience. I think there's a lot of things that are going on at the moment around, you know, bit nostalgia and people dragging themselves back to the 90s. And there's a lot of conversations about people and customer service and experience. And although technology plays a huge part in that, I would still like to think that people come first and foremost, always slightly weird from a technology consultant. Paul Marden: Well, nobody goes to a visitor attraction to be there on their own and interact with technology. That's not the point of being there. Yeah. Interesting talks that you've been today. Sarah Bagg: I think one of my favourite was actually one of the first of the day, which was about. Of how do you enhance the visitor experience through either like music and your emotions and really tapping into how you feel through, like all your different senses. Which was one of Stephen's talks which I really enjoyed. Paul Marden: That's really interesting. Sarah Bagg: I think if people like look at the visitor industry and across the board, that's why I'm so keen to stay, like across four different sectors, we can learn so much pulling ideas from like hospitality and restaurants and bars.Paul Marden: Completely. Sarah Bagg: Even if you think about like your best, there's a new bar there, so you can not very far from my home in Brighton and the service is an amazing. And the design of the space really caters for whether you're in there with 10 people or whether you're sat at the bar on your own. It doesn't exclude people, depending on what age you are or why you gone into the bar. And I think we can learn a lot in the visitor attractions industry because there's been a lot of talk about families today. I don't have children and I think that there, you need. Sarah Bagg: We need to think more about actually that lots of other people go to visitor attractions Paul Marden: Completely. Sarah Bagg: And they don't necessarily take children and they might want to go on their own. Yes, but what are we doing to cater for all of those people? There's nothing. Paul Marden: How do you make them feel welcome? How do you make them feel like they're a first class guest? The same as everybody else. Yeah. So where do you see the sector going over the next few years based on what you've seen today? Sarah Bagg: I think there'll be a lot more diversification between sectors. There's definitely a trend where people have got their assets. You know, like if you're looking at things like safari parks and zoos, places that have already got accommodation, but maybe like stately houses where there used to be workers that were living in those cottages or whatever, that they're sweating their assets. I think it would be interesting to see where tech takes us with that because there has been a tradition in the past that if you've got like, if your number one priority to sell is being like your hotel, then you would have like a PMS solution. But if it's the other way around, your number one priority is the attraction or the venue and you happen to have some accommodation, then how is that connecting to your online journey? Sarah Bagg: Because the last thing you want is like somebody having to do two separate transactions. Paul Marden: Oh, completely drives me crazy. Sarah Bagg: One thing I would also love to see is attractions thinking beyond their 10 till 6 opening hours completely. Because some days, like restaurants, I've seen it, you know, maybe they now close on Mondays and Tuesdays so they can give their staff a day off and they have different opening hours. Why are attractions still fixated in like keeping these standard opening hours? Because actually you might attract a completely different audience. There used to be a bit of a trend for like doing museum late. So I was speaking to a museum not very long ago about, you know, do they do like morning tours, like behind the scenes, kind of before it even opens. And I think the museum particularly said to me, like, "Oh, we're fine as we are.". Paul Marden: I've never met a museum that feels fine where it is at the moment. Sarah Bagg: But I guess the one thing I would love to see if I could sprinkle my fairy dus. Paul Marden: Come the revolution and you're in charge. Sarah Bagg: And it's not like, it's not even like rocket science, it's more investment into training and staff because the people that work in our industry are like the gold, you know, it's not tech, it's not pretty set works, it's not like fancy display cases. Yes, the artefacts and stuff are amazing. Paul Marden: But the stories, the people stuff. Yeah. Sarah Bagg: Give them empowerment and training and make the customer feel special. Paul Marden: Yes. Sarah Bagg: When you leave, like you've had that experience, you're only ever going to get that from through the people that you interact with completely. Paul Marden: Jeremy, hello. Welcome to Skip the Queue. We are, we are being slightly distracted by a dinosaur walking behind us. Such is life at M and H show. Jeremy Mitchell: Yeah. Paul Marden: So. Jeremy Mitchell: Well, anything to do with museums and dinosaurs, always great crowd pleasers. Paul Marden: Exactly, exactly. So is this your first time at M and H or have you been before? Jeremy Mitchell: Been before, but probably not for 10 years or more. It was, yes. I remember last time I came the theatres were enclosed so they were partitioned all the way around. Paul Marden: Right. Jeremy Mitchell: But because it's so popular now that would not just not would not work. It's a long time ago. It shows how long I've been volunteering. Paul Marden: In museums, doesn't it? So for our listeners, Jeremy, just introduce yourself and tell everyone about the role that you've got at the Petersfield Museum. Jeremy Mitchell: Okay, so I'm Jeremy Mitchell. I'm a trustee at Petersfield Museum now Petersfield Museum and Art Gallery. I'm actually now chair of trustees. Paul Marden: Paint a little picture for us of Petersfield Museum then. What could someone expect if they came to you? Apart from, as I understand, a very good cup of coffee. Jeremy Mitchell: A very good cup of coffee. Best in Petersfield. And that's not bad when there are 32 competitors. You'll get a little bit of everything you'll get a bit of. You'll get the story of Petersfield, but you'll get so much more. We've got collections of costume going back to the mid 18th century. We've got work of a local artist, Flora Torte, one of those forgotten female artists from between the wars. She's a story that we will be exploring. We've got, in partnership with the Edward Thomas Fellowship, a big archive of books and other artefacts by and about Edward Thomas, who was a poet, writer, literary critic. He's one of the poets killed in the First World War. But he's not well known as a war poet because he was writing about the impact of war on life at home. Jeremy Mitchell: So he's now more well known as a nature poet. Paul Marden: So you're telling the story not just of the place, you're telling the story of the people that have produced great art or had an impact on Petersfield. Jeremy Mitchell: Yes. And their networks and how they might relate to Petersfield in turn. And we've got the costume collection I mentioned going back to the mid 18th century, which came from Bedale School. They've all got stories to them. Paul Marden: Interesting. Jeremy Mitchell: This came from Bedale School, which is a private school on the edge of Petersfield. It was actually collected by their drama teacher between the 1950s and the 1970s. Paul Marden: Wow. Jeremy Mitchell: Because she believed in authenticity. So if she was putting on a 19th century production, she would want genuine 19th century clothes. Paul Marden: Let me tell you, my drama productions in a 1980s comprehensive did not include authentic 19th century costumes. Jeremy Mitchell: If were doing something like that at school, their parents would have been, all right, go down to the jumble sale, buy some material, make something that looks something like it. Paul Marden: Yeah. Jeremy Mitchell: But no, she was, well, if you haven't got anything in your attic that's suitable, please send me some money because there's a sale at Sotheby's in three months. Time off costume from the period. Paul Marden: Excellent. Jeremy Mitchell: And we've got some lovely pieces in there. When we put on the Peggy Guggenheim exhibition, which is what were talking about earlier today here, were able to bring in costume from the 1930s, Chanel dress, other high quality, not. Not necessarily worn by Peggy Guggenheim, but her. Paul Marden: Authentic of the period. Jeremy Mitchell: Authentic of the period. But her son was at Bedale, so she could have been asked to donate. Paul Marden: So. Okay. Jeremy Mitchell: Highly unlikely, but it was similar to items that she had been photographed in or would have been. Would have been wearing. Paul Marden: So tell me about the. The presentation. How was that? Jeremy Mitchell: It went so quickly. Paul Marden: Oh, yes. You get in the zone don't you? Jeremy Mitchell: You get in the zone. But it flowed and Louise was great. Louise had done the bulk of the. The work. She prepared the presentation that visually told the story of the exhibition and its outcomes and impacts. And I filled in the boring book, I call it the BBC, the boring but crucial. How we funded it, how we organised the project, management around it, the planning and getting buy in from the rest of the trustees at the beginning, because it was potentially a big financial commitment if we hadn't been able to fund it. Paul Marden: Isn't it interesting? So coming to an event like this is always. There's always so much to learn, it's always an enriching experience to come. But it's a great opportunity, isn't it, for a small museum and art gallery such as Petersfield? It feels a little bit like you're punching above your weight, doesn't it, to be invited onto this stage to talk about it. But really you're telling this amazing story and it's of interest to everybody that's here. Jeremy Mitchell: We want to share it. If we've been able to do it, then why can't they? Why can't you? Why can't we all do it? And yes, you need the story, but if you dig deep enough, those stories are there. Paul Marden: Absolutely, Absolutely. One of the things that is a real common conversation here, M and H, is looking forward, crystal ball gazing, talking. There's challenges in the sector, isn't there? There's lots of challenges around funding and I guess as a small museum, you must feel those choppy waters quite acutely. Jeremy Mitchell: Definitely. I mean, we're an independent museum, so we're not affected by spending cuts because we don't get any funding from that area. But the biggest challenge is from the funding perspective. Yes, we have a big income gap every year that we need to bridge. And now that so much more of the sector is losing what was its original core funding, they're all fishing in the same pond as us and they've got. Invariably they've got a fundraising team probably bigger than our entire museum team, let alone the volunteer fundraiser that we've got. So, yes, it is a challenge and you are having to run faster just to stand still. The ability to put on an exhibition like Peggy Guggenheim shows that we are worth it. Paul Marden: Yes, absolutely. Jeremy Mitchell: And the Guggenheim was funded by Art Fund Western loan programme and an Arts Council project grant. And it was a large Arts Council project grant. Paul Marden: So although everyone's fishing in the same pond as you're managing to yeah. To stretch my analogy just a little bit too far, you are managing to. To get some grant funding and. Jeremy Mitchell: Yes. Paul Marden: And lift some tiddlers out the pond. Jeremy Mitchell: Yes. But it was quite clear that with Peggy it was a story that had to be told. Paul Marden: So we talked a little bit about challenging times. But one of the big opportunities at M and H is to be inspired to think about where the opportunities are going forwards. You've had a day here today. What are you thinking as inspiration as next big things for Petersfield Museum. Jeremy Mitchell: I'm finding that really difficult because we're small, we're a small site, Arkansas, I think has got to be a way forward. I miss the talk. But they're all being recorded. Paul Marden: Yes. Jeremy Mitchell: So I shall be picking that one up with interest. But AR is something. We've got police cells. Well, we've got a police cell. Paul Marden: Okay. Jeremy Mitchell: Now, wouldn't it be great to tell an augmented reality story of Victorian justice to kids? Paul Marden: Yes. Jeremy Mitchell: While they're sat in a victory in a Victorian police cell on a hard wooden bench. That is the original bench that this prisoners would have slept on. Paul Marden: I've done enough school visits to know there's enough kids that I could put in a jail just to keep them happy or to at least keep them quiet whilst the rest of us enjoy our visit. Yes. I feel like I need to come to Petersfield and talk more about Peggy because I think there might be an entire episode of Skip the Queue to talk just about putting on a big exhibition like that. Jeremy Mitchell: Yeah, no, definitely. If you drop me an email you can skip the queue and I'll take you around. Paul Marden: Oh lovely, Rachel, welcome to Skip the Queue. You join me here at M and H show. And we've taken over someone's stand, haven't we? I know, it feels a bit weird, doesn't it? Rachel Kuhn: I feel like we're squatting but I. Paul Marden: Feel a little bit like the Two Ronnies, cuz we're sat behind the desk. It's very strange. Which one are you? Anyway, just for listeners. Introduce yourself for me. Tell listeners what it is that you do at BOP Consulting. Rachel Kuhn: Yeah, so I'm Rachel Kuhn, I'm an associate director at BOP and we specialise in culture and the creative economy and kind of working across everything that is to do with culture and creative economy globally. But I lead most of our strategy and planning projects, particularly in the UK and Ireland, generally working with arts, heritage, cultural organisations, from the very earliest big picture strategy through to real nitty gritty sort of operational plans and outside of bop. I'm a trustee for Kids in Museums, where we love to hang, and also a new trustee with the Postal Museum. Paul Marden: Given what you do at bop, this must be like the highlight of the year for you to just soak up what everybody is doing. Rachel Kuhn: I love it. I mean, it's so lovely just going around, chatting to everybody, listening in on the talks and I think that spirit of generosity, you know, like, it just comes across, doesn't it? And it just reminds me why I love this sector, why I'm here. You know, everyone wants to, you know, contribute and it's that whole sort of spirit of what do they say? We know when the tide rises, so do all the boats or all the ships. And I feel like that's the spirit here and it's lovely. Paul Marden: It is such a happy place and it's such a busy, vibrant space, isn't it? What have been the standout things for you that you've seen today? Rachel Kuhn: I think probably on that spirit of generosity. Rosie Baker at the founding museum talking about the incredible work they've done with their events, hires, programmes. Obviously got to give a shout out to the Association of Cultural Enterprise. I've been doing a lot of hanging out there at their stage day. So Gurdon gave us the rundown of the benchmarking this morning. Some really good takeaways from that and Rachel Mackay, I mean, like, obviously. Paul Marden: Want to go into. Rachel Kuhn: You always want to see her. Really good fun, but lovely to hear. She's talking about her strategy, the Visitor Experience strategy. And you know what, I spend so much time going into places looking at these sub strategies, like visual experience strategies that just haven't been written in alignment with the overall strategy. So it's lovely to see that linking through, you know, and obviously I'm from a Visitor Experience background, so hugely passionate about the way that Visitor Experience teams can make visitors feel the organization's values. And that alignment was really impressive. So, yeah, really lovely and loads of great takeaways from all those talks. Paul Marden: I will just say for listeners, all of these talks have been recorded, so everyone's going to be able to download the materials. It take a couple of weeks before they were actually published. But one of the questions that I've asked everybody in these vox pops has been, let's do some crystal ball gazing. It's. It stinks at the moment, doesn't it? The, the, the economy is fluctuating, there is so much going on. What do you see 6 to 12 month view look like? And then let's really push the boat out. Can we crystal ball gaze maybe in five years? Rachel Kuhn: Yeah.  I mean, look, I think the whole problem at the moment and what's causing that sort of nervousness is there's just a complete lack of surety about loads of things. You know, in some ways, you know, many organisations have welcomed the extension for the MPO round, the current round, but for many, you know, that's just pushed back the opportunity to get in on that round that little bit further away. It's caused that sort of nervousness with organisations are having to ride on with the same funding that they asked for some years ago that just doesn't, you know, match, you know, and it's actually a real time cut for them. Paul Marden: Absolutely. Rachel Kuhn: So I think, very hard to say, I don't know that there's much I can say. I feel like as at sea as everyone else, I think about what the landscape looks like in the next six months, but I think that never has there been, you know, a better time than something like this like the M and H show. You know, this is about coming together and being generous and sharing that information and I think reaching out to each other and making sure that we're sort of cross pollinating there. There's so much good stuff going on and we've always been really good at that and I think sometimes when we're feeling a bit down, it feels like, oh, I just don't want to go to something like this and meet others and, you know, get into a bit of a misery cycle. Rachel Kuhn: But actually it's so uplifting to be at something like this. And I think, you know, what we've seen here is at the show today, I think, is organisations being really generous with their experience and their expertise. Suppliers and consultants and supporters of the sector being really generous with their time and their expertise and actually just shows just spending a bit of time with each other, asking things of each other. We've just got loads of stuff to share and we're all really up for it. And I think that generosity is so critical and I mean, obviously I'm going to plug, I've got to plug it. Rachel Kuhn: So, you know, if you are a supplier, if you are a commercial business working in this sector, it might be tough times for you, but it's certainly nowhere near as hard as it is for the arts and cultural heritage organisations in the sector. You know, reach out to them and see how you can support them and help them. I mean, you and I have both been on a bit of a drive recently to try and drum up some sponsorship and corporate support for kids in museums who, you know, an Arts council MPO who we're incredible, incredibly proud to represent and, you know, do reach out to us. If you've been thinking, oh, I just want to sponsor something and I'd love to sponsor us. Paul Marden: Exactly. I mean, there's loads of opportunities when you take kids in museums as an example, loads of opportunities for. And this is what Arts Council wants us to do. They want us to be more independent, to generate more of our own funding and we've got a great brand, we do some amazing work and there's lots of opportunities for those commercial organisations who align with our values to help to support us. Rachel Kuhn: So I think you asked me there about what's in the next year. So next year, six months, I don't know is the answer. I think it's just a difficult time. So my advice is simply get out there, connect, learn from each other, energise each other, bring each other up. Let's not get into that sort of doom cycle. That's very easy next five years. You know what, I've had some really interesting meetings and conversations over the last. Well, one particularly interesting one today, some other ones about some funds that might be opening up, which I think is really exciting. You know, we've seen this really big challenge with funding, you know, slowing funding going in much larger amounts to a smaller number of large organisations and that causes real problems. But I think there might be a small turnaround on that. Rachel Kuhn: I'm not crumbs in the earth. I think it's still tough times. But that was really exciting to hear about. I'm also seeing here at the show today. I've been speaking to a lot of suppliers whose their models seem to be shifting a lot. So a lot more opportunities here where it requires no investment from the attraction and a lot more sort of interesting and different types of profit share models, which I think is really interesting. So I think the other thing I'd say is if you're an attraction, don't discount partnering some of these organisations because actually, you know, go and talk to them. Rachel Kuhn: Don't just, don't just count them out because you think you haven't got anything to invest because many of them are visiting new models and the couple that I've spoken to who aren't, learn from your competitors and start doing some different models. And I think that's been really interesting to hear some very different models here for some of the products, which is really exciting. Paul Marden: It is really hard sitting on the other side of the fence, as a supplier, we need cash flow as well. We've got to pay bills and all of those sorts of things. But you're right, there are interesting ways in which we all want to have a conversation. As you say, don't sit back afraid to engage in the conversation because you've got nothing to invest, you've got an important brand, you've got an audience. Those are valuable assets that a supplier like us would want to partner with you to help you to bring a project to life. And that might be on a rev share model, it might be on a service model. There's lots of different ways you can slice it and dice it. Rachel Kuhn: And going back, on a closing note, I suppose, going back to that generosity thing, don't think because you haven't got any money to commission, you know, a supplier to the sector or a commercial company, that you can't reach out to them. Like, you know, we are in this because we really want to support these organisations. This is our passion. You know, many of us are from the sector. You know, I will always connect somebody or introduce somebody or find a way to get a little bit of pro bono happening, or, you know, many of my colleagues are on advisory committees, we're board members. And I think that's the same for so many of the companies that are, like, working with the sector. You know, reach out and ask for freebie, you know, don't ask, don't get. Paul Marden: Yeah, exactly. Rachel, it is delightful to talk to you as always. Thank you for joining us on Skip the Queue and I am sure, I'm sure we'll make this into a full episode one day soon. I do say that to everybody. Rachel Kuhn: Thanks so much. Lovely to speak to you. Paul Marden: Andy. Andy Povey: Paul.Paul Marden: We've just walked out of the M and H show for another year. What are your thoughts? Andy Povey: First, I'm exhausted, absolutely exhausted. I'm not sure that I can talk anymore because I've spent 48 hours having some of the most interesting conversations I've had all year. Paul Marden: No offence, Tonkin. Andy Povey: You were part of some of those conversations, obviously, Paul. Paul Marden: I was bowled over again by just the sheer number of people that were there and all those lovely conversations and everybody was just buzzing for the whole two days. Andy Povey: The energy was phenomenal. I worked out that something like the 15th show, M & H show that I've been to, and I don't know whether it's just recency because it's sitting in the far front of my mind at the moment, but it seems like this was the busiest one there's ever been. Paul Marden: Yeah, I can believe it. The one thing that didn't change, they're still working on Olympia. Andy Povey: I think that just goes on forever. It's like the fourth Bridge. Paul Marden: Talks that stood out to you. Andy Povey: I really enjoyed interpretation One led by the guy from the sign language education company whose name I can't remember right now. Paul Marden: Yeah, Nate. That was an amazing talk, listeners. We will be getting him on for a full interview. I'm going to solve the problem of how do I make a inherently audio podcast into something that's accessible for deaf people? By translating the podcast medium into some sort of BSL approach. So that was the conversation that we had yesterday after the talk. Andy Povey: I know. I really look forward to that. Then, of course, there was the George and Elise from Complete Works. Paul Marden: I know. They were amazing, weren't they? You couldn't tell at all that they were actors. Do you know, it was really strange when George. So there was a point in that talk that George gave where we all had a collective breathing exercise and it was just. It was. It was so brilliantly done and were all just captivated. There must have been. I rechon there was 100 people at theatre at that point. Absolutely. Because it was standing room only at the back. And were all just captivated by George. Just doing his click. Very, very clever. Andy Povey: But massively useful. I've seen the same thing from George before and I still use it to this day before going on to make a presentation myself. Paul Marden: Yeah, yeah. Andy Povey: Just grounding yourself, centering yourself. Well, it's fantastic. Paul Marden: Yeah. But the whole thing that they were talking about of how do we create opportunities to have meaningful conversations with guests when they arrive or throughout their entire experience at an attraction so that we don't just talk about the weather like we're typical English people. Andy Povey: That's great, isn't it? Go and tell a Brit not to talk. Talk about the weather. Paul Marden: But training your staff makes absolute sense. Training your staff to have the skills and the confidence to not talk about the weather. I thought that was really interesting. Andy Povey: It's an eye opener, isn't it? Something really simple, but could be groundbreaking. Paul Marden: Yeah. Andy Povey: Then what was your view on all of the exhibitors? What did you take away from all the stands and everybody? Paul Marden: Well, I loved having my conversation yesterday with Alan Turing. There was an AI model of Alan Turing that you could interact with and ask questions. And it was really interesting. There was a slight latency, so it didn't feel quite yet like a natural conversation because I would say something. And then there was a pause as Alan was thinking about it. But the things that he answered were absolutely spot on, the questions that I asked. So I thought that was quite interesting. Other exhibitors. Oh, there was a lovely point yesterday where I was admiring, there was a stand doing custom designed socks and I was admiring a design of a Jane Austen sock and there was just somebody stood next to me and I just said, "Oh, Jane Austen socks." Paul Marden: Very on Trend for the 250th anniversary of Jane Austen, that all of the museums in Hampshire will be buying those up. And should funnily you should say that I'm the chief executive of Chawton Park House, which is one of the museums in the last place that Jane Austen lived. So very interesting, very small world moment at that point. Andy Povey: I do, it's almost an oxymoron to talk about Jane Austen socks. I don't imagine her having worn anything with nylon or Lycra in it. Paul Marden: Very true. I hadn't tweaked that. Andy Povey: There was a lot of AI there wasn't there AI this, AI that. Paul Marden: And there were some really good examples of where that is being used in real life. Yeah, yeah. So there were some examples where there's AI being used to help with visitor counts around your attraction, to help you to optimise where you need to put people. I thought that Neil at Symantec just talking about what he called answer engine optimisation. That was interesting. There were some brilliant questions. There was one question from an audience member asking, are there any tools available for you to figure out whether how well your organisation is doing at being the source of truth for AI tools? Andy Povey: Yeah, yeah. So almost like your Google search engine ranking. Paul Marden: But exactly for ChatGPT. Andy Povey: And have you found one yet? Paul Marden: No, not yet. There's also quite a lot of people talking about ideas that have yet to find a home. Andy Povey: Yes. What a very beautiful way of putting it. Paul Marden: The people that have. That are presenting a topic that has yet to get a real life case study associated with it. So the rubber hasn't yet hit the road. I don't think on that. Andy Povey: No. I think that's true for an awful lot of AI, isn't it? Not just in our sector. Paul Marden: No. Andy Povey: It's very interesting to see where that's all going to go. And what are we going to think when we look back on this in two or three years time? Was it just another chocolate teapot or a problem looking for a solution? Or was it the revolution that we all anticipate. Paul Marden: And I think it will make fundamentals change. I think it's changing rapidly. But we need more real case studies of how you can do something interesting that is beyond just using ChatGPT to write your marketing copy for you. Andy Povey: Yeah, I mean it's all about putting the guest at the front of it, isn't it? Let's not obsess about the technology, let's look at what the technology is going to enable us to do. And back to the first part of this conversation, looking at accessibility, then are there tools within AI that are going to help with that? Paul Marden: Yeah, absolutely. So there was definitely. There was an interesting talk by Vox. The people that provide, they provide all of the radio boxes for everybody to wear at M and H that provides you with the voiceover of all of the speakers. But they use this technology across all manner of different attractions and they were talking about using AI to do real time translation of tours. So you could. Andy Povey: Very interesting. Paul Marden: Yeah. So you could have an English speaker wandering around doing your tour and it could real time translate up to. I think it was up to four languages. Andy Povey: BSL not being one of those languages. Paul Marden: Well, no, they were talking about real time in app being able to see subtitles. Now, I don't know whether they went on to say you could do BSL. And we know from the other presentation that not everybody that is deaf is able to read subtitles as fast as they can consume sign language. So it's important to have BSL. But there were some parts of that Vox product that did it address deaf people. It wasn't just multilingual content. Andy Povey: So AI people, if you're listening, you can take the idea of translating into BSL in real time and call it your own. Paul Marden: Yeah, we very much enjoyed hosting our theatre, didn't we? That was a lot. And Anna, if you are listening, and I hope you are, because lots of people have said very nice things in this episode about M and H. Andy and I would love to come back next year. Andy Povey: Absolutely. Paul Marden: And host a theatre for you. Any other thoughts? Andy Povey: Just really looking forward to the rest of the week off. Yeah, it's a sign of a good show when you walk away with all that positive feeling and that positive exhaustion and you probably need a week to reflect on all of the conversations that we've had. Paul Marden: Yeah, absolutely. Next up we is AIM Conference at Mary Rose in June. I can't wait very much. Looking forward to that. Thank you ever so much for listening. We will join you again in a few weeks. See you soon. Bye Bye. Andy Povey: Draw.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

We didn't want to qualify for any stinking European tournaments anyway.  Oscar Thompson, all the way from Hollywood California, and Greville Waterman, all the way from North London, are the fantastic guests this week.  On a glorious day in West London on the penultimate weekend of this remarkable season, Brentford comes unstuck in three fateful minutes and the points go to Fulham.  It never feels good to lose, and it always feels worse when you know you shouldn't have lost.  Add to that it's a local rival and long-time nemesis, and it really does hurt.  We'll always have the Anglo-Italian Cup!Text the pod!

Oh Fulham have done it! They've only gone and done it again, come from behind to keep the Bees at bay. Those Jimenez and Cairney headers and a 30 yard screamer from Harry Wilson will write themselves into the annals of Fulham folklore for generations to come. George is joined by Drew, Piers and Jack Kelly to revel in the glory that comes after keeping West London black and white. In part one, they discuss the importance of this derby win for ending the season with not such a sick feeling. They also look at the effectiveness of the substitutions made by Marco Silva, possibly putting such criticisms to bed, and give credit to a star showing from Josh King. In part two, they answer some of your listener questions. How will Fulham now face up against Manchester City and WHO PUT THE BALL IN THE BRENTFORD NET?!Link to Fulham Foundation Signed Shirt: https://www.justgiving.com/page/fulhamish-signed-shirt-2025 --SHOW-LINKS:If you enjoy Fulhamish, please consider contributing a small amount monthly to help pay our costs. As a bonus, you receive access to our exclusive Telegram group chats where you can chat with fellow FFC fans and Fulhamish listeners ➼ https://levellr.com/communities/fulhamish--GUESTS:George Cooper ➼ https://www.x.com/@GeorgeCoopsDrew Heatley ➼ https://www.x.com/@DrewHeatleyJack Kelly ➼ https://www.x.com/@JackellyFFCPiers Cottee-Jones ➼ https://www.x.com/@PiersCJSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Baroness Floella Benjamin once said “childhood lasts a lifetime” and our experiences of school dinners can shape how we eat for the rest of our lives. In this edition of The Food Programme Sheila Dillon investigates the importance of those early food memories with the help of Dr Heather Ellis from the School Meals Project. The Project says its aim is to produce the first ever comprehensive history of school meals across the different nations of the United Kingdom The programme makes a trip to the Food Museum in Suffolk to see a landmark exhibition around school food and Sheila pays a visit to a forward-thinking school in West London which bakes its own bread with flour made from the wheat that it grows just outside the school kitchen!Presented by Sheila Dillon Produced in Bristol for BBC Audio by Robin MarkwellFeaturing an archive clip from BBC Breakfast in April 2025 with Education Secretary Bridget Phillipson MP Also a brief extract from the book The Farmer's Wife: My Life In Days by Helen Rebanks

On Sunday 8th of August 1948 at just after 10:30pm, Jean & Donald Ramsey, a young couple with two children met at this junction to discuss their collapsing marriage. It ended in murder. But how could something so simple be so complicated, as was this the story of a good man who was pushed to his limits by an unfaithful wife, or a good wife who was murdered by a controlling and abusive husband?Date: Sunday 8th of August 1948 at just after 10:30pm (rough time of murder)Location: junction of Wellesley Road and Grafton Terrace, Kentish Town, London, UK, NW5Victim: 1 (Jean Margaret Ramsey, nee Butler)Culprits: 1 (Donald Victor Ramsey) Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

Bees beat Ipswich at the weekendto keep the European Tour dream alive. Next up - West London rivals FulhamBillyTheBee Grant, Dave Laney Lane and Matt The Allard Allard hooked up by the river in Richmond to shoot the breeze chatting losing ones trousers, end of season player awards, when Canos lost his shirt against Leeds, the last time Brentford played Fulham on the 2nd last match of the season on a Sunday after winning their previous 4 matches plus lots moreWe look back at the Ipswich gameJacob The Gowler Gowler gives the statistical and tactical lowdown on the Ipswich and Fulham matchesJonathan JB Burchill gives us more facts and funkAnd Elisabeth from Fulhamish tells us what has been going down in the Fulham camp Hosted on Acast. See acast.com/privacy for more information.

In this powerful and eye-opening conversation, David Chambers speaks with Professor Ben Hine—psychologist and researcher at the University of West London—about the deep emotional toll family breakdowns have on fathers. From the overlooked role of dads in the family court system to the systemic biases men face during separation and divorce, this episode uncovers the hidden truths about fatherhood, emotional well-being, and societal expectations. If you're a father, know a father, or work with families, this is a conversation you don't want to miss. We explore mental health, parental alienation, masculinity, child attachment, and the impact of societal and cultural stereotypes on men's lived experiences. Ben received his BSc and PhD from Royal Holloway, University of London in 2010, focusing on the gender-typing of prosocial behavior in youth. Since 2014 at the University of West London, his work in applied gender and forensic psychology has grown. He has investigated gender in the criminal justice system, including rape myth impact on case progression (with MOPAC), and collaborated with SafeLives and The Mankind Initiative on domestic violence victim needs, including LGBTQIA+ and male survivors.  More recently, he explores post-separation abuse, particularly Parental Alienation, a professional interest stemming from his own parents' divorce in 2020. This personal experience has led to collaborations with various charities, organizations, and parents, as well as reflective writing on family breakdown, abuse, PA, and family court involvement.   KEY TOPICS:   ⭐ Why Are Fathers Marginalised in Custody And Court Systems ⭐ Emotional Fallout From Family Breakdown For Separated Fathers ⭐ The Stereotypes Of The Absent Or Unnecessary Father ⭐ Biological And Neurological Changes In Active Fatherhood ⭐ How Prejudice And Bias Shape Legal Outcomes ⭐ Weaponising Allegations Against Fathers In Family Court ⭐ Children's Long-Term Psychological Impact From Parental Alienation ⭐ The Empathy Gap Toward Men's Emotional Experiences ⭐ Why School Systems Fail To Support Boys Equally ⭐ Class, Culture, And Race In Fatherhood Stereotypes ⭐ Challenging The Traditional Masculinity Through Vulnerability And Involvement ⭐ Reframing Men's Issues As Human, Not Just Gendered Problems   Connect With David - The Authentic Man:   Instagram: https://www.instagram.com/theauthenticman_/  Website: https://www.theauthenticman.net/  For Coaching: hello@theauthenticman.net  Newsletter: https://www.theauthenticman.net/home-subscribe    Connect With Ben Hine:    Separating Better App by OnePlusOne -https://www.oneplusone.org.uk/news/separating-better-the-story-so-far  

Quins turn on the heat in the West London sunshine to kick the Summer off in style. Talking Points

On the night of Wednesday 28th of July 1954, 11 South Hill Park was the scene of one of London's most shocking and brutal murders. It was so horrific, it caused an outrage in society, an uproar in the press and a debate in Parliament as how could anyone be so callous and cruel? It was a murder which devastated a family, yet, the killer would claim they did it not out of hate, they did it for love.Date: Wednesday 28th of July 1954 after 11pm (rough time of murder)Location: Basement / ground floor, 11 South Hill Park, Hampstead, London, NW3Victim: 1 (Hella Belcher / Christofi)Culprits: 1 (Styllou Christofi). Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

This week on the podcast we discuss the Office for Students' financial sustainability report. What do widespread course closures and maintenance cutbacks mean for the sector's future? Plus we examine "naming and shaming" over vice-chancellor pay packages when student outcomes fall short.With Paul Greatrix, higher education expert and former registrar at the University of Nottingham, Graeme Atherton, Associate Pro-Vice-Chancellor for Regional Engagement at the University of West London, Livia Scott, Partnerships Coordinator at Wonkhe, and presented by Jim Dickinson, Associate Editor at Wonkhe.OfS continues to sound the alarm on the financial sustainability of English higher educationPlotting VC pay against OfS progressionAre there secret government bailouts?Survey shows how the sector is cutting spendingHard raindrops keep falling on my headWith the power of knowledge – for the world Hosted on Acast. See acast.com/privacy for more information.

On Saturday 9th of October 2021, mother-of-four Nicole Hurley was brutally attacked in her bed; only the man who murdered her wasn't a stranger who'd stalked her or a burglar who'd broken in, but the jealous and controlling boyfriend she'd loved, lay beside, and raised a family with for half of her life. That night, he took her life, orphaned her children and devasted her family, yet - like so many domestic assaults which culminate in a killing – it could have been stopped, if only he'd got himself some help.Date: Sunday 10th of October 2021 at 12:30am (rough time of attack)Location: Block 2, Kingsland Estate, Broxwood Way, Primrose Hill, London, NW8.Victim: 1 (Nicole Ann Hurley)Culprits: 1 (Jason Bell). Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here GoFundMe for Nicole - https://www.gofundme.com/f/in-memory-of-nicole-hurleySupport this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

ColourTelly – Retro Feels, Real Talk & Records That MatterWhat do cathode ray tubes, homemade pasta, and Marvin Gaye have in common? They all come up in this week's My Music – a soulful sit-down with the genre-blurring, era-bending duo ColourTelly.From analogue gear to digital angst, Graham chats with Evie and Ollie about the stories behind the music, why their name sounds like it might be Italian, and how their sound walks the tightrope between deep dystopian themes and butter-smooth vocals. You'll hear about:

Spain's Prime Minister Pedro Sanchez said a "strong oscillation" in the European grid was behind the unprecedented power outage across Spain and Portugal on Monday.Both countries saw train stations, phone lines, traffic lights, and ATM machines knocked out.A large fire has broken out at an electrical substation in West London. This comes a month after a substation fire shut down Heathrow airport.Plus, ZSL hope to unravel the mystery of 230 film reels found hidden in their archive - some with cryptic titles, some with no title at all.Tech & Science Daily spoke to Tina Campanella, ZSL's Bicentenary Project Manager, to find out what help they need from historians and film buffs.Also in this episode:Hugging Face release their latest 3D printed arm for $100World-first clinical trial for fridge-free vaccine launches in the UK15% rise in applications to study artificial intelligence at UK universitiesWhy 15 avatar dogs interrupted a live football match on Twitch Hosted on Acast. See acast.com/privacy for more information.

Today's episode features guest host, Michael Upshall, Community and Outreach Manager at Core, who talks with Dr. Janice Fernandes, Academic Support Manager, University of West London. Janice is trailblazer in AI literacy and academic support in UK higher education. She has had a long career in librarianship- spanning over 35 years. Janice was the first in her family to attend university, and she talks about growing up in multicultural Mumbai and her journey from a career in chemistry and microbiology, with a love of the human body and how it functions like a perfect machine, to becoming a librarian with a PhD in information science.  Janice discusses the evolving role of AI in education, emphasizing the importance of understanding the ethical implications of AI and the need for AI literacy among students. She believes librarians need to up-skill and are crucial for promoting responsible AI use with students.    The video of this interview can be found here: https://youtu.be/xePx5J8_X50 Social Media: LinkedIn: https://www.linkedin.com/in/mupshall/ https://www.linkedin.com/in/dr-janice-fernandes-7a367b11/ Keywords:#InformationLiteracy #AcademicSupport #AIandEthics #DigitalEthics #InformationScience #DigitalLibraries #DigitalTools #DigitalAge #InformationPower  #EdTech #knowledge  #awareness #innovation #skills #FutureOfLibraries #InclusiveEducation #career #partnerships #collaboration #scholcomm #ScholarlyCommunication #libraries #librarianship #LibraryNeeds #LibraryLove #ScholarlyPublishing #AcademicPublishing #publishing #LibrariesAndPublishers #podcasts

This weekend our Global Outreach team welcomes Stephen Jones, one of our ministry partners from London. He is a pastor and counselor, serving West London as a window to the world. In particular, their counseling services open doors to communities that might not otherwise consider the Gospel. On Sunday morning he will present more details about how he and his wife are caring for their community. As many know, counseling is about walking with people through the wilderness of their lives. And often that is precisely how God sends us in his love. Join us as we hear how "God Soothes Us and Sends Us to the Wilderness"  

On this mid-week episode - THE 367th EPISODE SPECTACULAR! - we take a look at the news the Hollywood trend for outwardly warning that you're definitely totally leaving the business. ALSO: Sky News journalists get DEEP FAKED. A West London teenager becomes the next Steve Jobs. AND OVER IN AMERICA: Texas have banned Virginia's State flag. Because of course they have. Here are some links i really hope you click: Patreon

When the Countess of Lucan burst into a West London pub drenched head-to-toe in blood, it instantly sparked a national obsession. Lord Lucan – the suave, speedboat-racing, professional-gambling aristocrat – was wanted for the murder of their housekeeper, Sandra Rivett. And he had disappeared without a trace.This week, we sift through the theories on Britain's most famous fugitive (from the bonkers to the actually quite credible) to try to get to the bottom of the nation's favourite murder mystery once and for all.Exclusive bonus content:Wondery - Ad-free & ShortHandPatreon - Ad-free & Bonus EpisodesFollow us on social media:YouTubeTikTokInstagramVisit our website:WebsiteSources available on redhandedpodcast.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On Friday 28th of February 1997 sometime after 7pm, at 6b Gosfield Street, a brutal and bloody attack on a lone sex-worker occurred in this first floor flat. Barely reported in the newspapers and ignored by television, the murder of ‘Robyn' Browne is a case which was largely forgotten… yet the truth of what happened could be hidden among a scattering of facts, being drenched by a deluge of bigotry, racism and fear which helped derail the investigation.Date: Friday 28th of February 1997 after 7pm (time of murder)Location: First Floor, 6B Gosfield Street, Fitzrfovia, London, W1Victim: 1 (James Darwin Errol Browne , known as 'Robyn')Culprits: 1 (James Hopkins).Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://turnercontemporary.org/whats-on/resistance/ ]www.worldphoto.org/sony-world-photography-awards https://autograph.org.uk Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025

Today is a public holiday in Britain, so in a special Easter episode, we take you to a grand terrace in West London, where a green door blends into its elegant surroundings.We go behind that door – into a school unlike any other. There, you'll hear from young Ukrainians who fled their homes within hours of the invasion, and from the teachers and classmates helping them rebuild their lives in a foreign land.Through their voices, we explore what it means to grow up far from home – and how one London school has become both a lifeline and a second home for a generation caught between worlds.Learn more about St Mary's Ukrainian School:https://www.stmarysukrschool.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

On Friday the 7th of February 1936, 32-year-old Carmen Swann booked a twin room for one night in Clarendon Court at 33 Maida Vale, West London. Staying in Room 4 of Flat 20 on the third floor, she and her 8-year-old daughter unpacked their cases, popped on their nightdresses, ordered a pot of tea and got into bed beside the reassuring warmth of the fire. Their stay marked the end of a very long journey, and it was here that their lives would cease.Date: Friday the 7th of February 1936, after 9:30pm (drugs taken)Location: Room 4, Flat 20, Clarendon Court, 33 Maida Vale, West London, W9.Victim: 2 (Valerie & Carmen Swann)Culprits: 1 (Carmen Swann) Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

Sammy and Jack are reunited with Peter Rutzler on the Thursday Club to reflect on Monday night's defeat to Bournemouth. Fulham then return to the Cottage at the weekend to face a Chelsea side that are experiencing a dip in form. Everything on paper suggests that Fulham should clean up with a victory against their West London rivals but Fulham's unpredictability this season might not fill all fans with confidence. They cast their minds back to Boxing Day and predict whether Fulham can do the double over Chelsea for the first time. They look forward to Tosin's reception back at the Cottage and predict how Silva will decide to set up. In part two, they answer your listener questions. Should Fulham be looking to score some more worldies? Is the Riverside development becoming a positive for the club? --SHOW-LINKS:If you enjoy Fulhamish, please consider contributing a small amount monthly to help pay our costs. As a bonus, you receive access to our exclusive Telegram group chats where you can chat with fellow FFC fans and Fulhamish listeners ➼ https://levellr.com/communities/fulhamish--GUESTS:Sammy James ➼ https://www.x.com/@MrSammyJamesJack Collins ➼ https://www.x.com/@jackjcollinsPeter Rutzler ➼ https://www.x.com/@PeterRutzlerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the third instalment of my favourite short yet scary stories. I have conducted over 100 interviews for The West London Witch, but not all of those stories fit our structure. So what happened to them? Well, the main reason a story does not make it onto the show is because it is simply too short. However, today I decided it was time to dust off some more of my favourite mini stories. I hope you enjoy this collection of boo moments that were just too spooky to sit hidden away on my hard drive.

Saturday 19th of December 1992 at 2:20pm, behind a wooden hut at White City bus depot off Caxton Road in Shepherd's Bush, the body of 32-year-old successful Peter Wickins was found, he was naked except for a pair of socks and had been stabbed 19 times. The Police assumed because he was a millionaire dressed in a tuxedo and that his Rolex watch was missing, that it must be a robbery gone wrong. But it led to a story which was much darker, as one of life's winners... met one of life's losers.Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.· Date: Saturday 19th of December 1992 at 2:20pm (body found)· Location: White City bus depot, off Caxton Road, Shepherd's Bush, London, W12· Victim: 1 (Peter James Wickins)· Culprits: 2 (Gordon Topen & Frances Graham/Wright).For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

Fulham deal Liverpool their first league away loss of the season at Craven Cottage. Plus, Southampton are relegated by Spurs, Arsenal fail to win in Merseyside, and the Manchester derby is a yawn-fest. Also, the USWNT friendly, Kevin De Bruyne's future, and one Crystal Palace fan runs the Brighton marathon.This is Early Kick Off from the Men in Blazers media network and presented by our great friends of the pod STōK Cold Brew Coffee, all your global football stories straight from the back pages of Europe's newspapers in around 10 minutes.This episode was made in the UK for Men In Blazers by…Host: Sammy James Producer: George Cooper Assistant producer: Elizabeth BarnardResearcher: Jack CollinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's episode, a full house reflects on the 0-0 draw against Chelsea at the Gtech, extending Brentford's winless run at home to 10 matches. The Bees had big chances in the game, but failed to secure what would've been a first home win against their West London rivals in the Premier League. The draw did earn us our first clean sheet of the season at home, though, and we are now mathematically safe from relegation (!). A game to forget, but plenty of talking points to get into. We chat about the lack of attacking depth on Brentford's bench, why watching Kevin Schade can be an extremely frustrating watch at times, and look ahead to Arsenal on Saturday. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brentford look to put Wednesday night's narrow defeat at Newcastle behind them as Chelsea roll into town for a big West London clash on Sunday.The Bees have a decent record against The Blues, especially at Stamford Bridge, however, Tomas Frank and the lads will be hoping for their first win on home turf during the Premier League era.Billy 'The Bee' Grant and Dave 'Laney' Lane got together ahead of the weekend to look back at the events at St James' Park and what they expect will happen at the Gtech this weekend. Hosted on Acast. See acast.com/privacy for more information.

On Saturday 25th of May 1963 at 12:20am, four men were ejected from The Establishment Club on Greek Street in Soho. They left without a struggle, with no blood spilled, no damage done and nobody hurt. And yet, with accusations of corruption, violence and an attempted murder in its wake, it sparked a criminal trial and an inquiry which almost brought down the Metropolitan Police, courtesy of one of West End Central's most corrupt officers – Detective Sergeant Harold ‘Tanky' Challoner.Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. Triple nominated at the True Crime Awards and nominated at the British Podcast Awards. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.Date: Saturday 25th of May 1963 at 12:20am (time of arrest)Location: The Establishment Club, 18 Greek Street, Soho, London, W1Victim: 4 (Ernest George Pink, Robert Joseph Brown, William Francis and Frederick Bridgeman)Culprits: 8 (Det Serg Kenneth Etheridge, Det Sgt Harold Gordon Challoner, Det Con James Robb, Det Con Clifford Smith, Det Con Donald Robinson, PC Normal Birch, PC David Jenkins and PC Owen Tweedy).For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

On Friday 25th of October 2013 at 11:15am, charity workers aided by the police coordinated the escape of several followers from a flat in Brixton. Some of the women had been held for 30+ years, one for her entire life, but they didn't see themselves as hostages, as having began living life in the commune under a political belief, they didn't realise it had become a cult, under the control of their leader 'Comrade Bala' and a God-machine called JACKIE. Date: Friday 25th of October 2013 at 11:15am (their release)Commune 1: 60 Shakespeare Road, Herne Hill, London, SE24Commune 2: 1C Peckford Place, Brixton, London, SW9,Bookshop: Mao Zedong Memorial Centre, 140 Acre Lane, Brixton, SW2Victim: several (including Katy Morgan-Davies, Sian Davies, Josephine Herivel, Aishah Abdul Wahab, Oh Kar Eng )Culprits: 1 (Aravindan Balakrishnan, aka Comrade Bala, or AB)Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

United Kingdom correspondent Alice Wilkins spoke to Lisa Owen about how politicians have been debating a new assisted dying law but it could take four years for it to come into effect and London police making an upsetting discovery of the body of a newborn baby in West London. She also spoke about a judge reprimanding two Paddington Bear vandals.

Spring break begins next week on March 29 and classes will be back in session on April 7.Come out to BMO stadium on March 30 to celebrate Long Beach State Night at the Angel City FC game. They will face the Seattle Reign at 5 p.m. Students, alumni and staff can purchase discounted tickets through the Events & Orgs app on the CSULB Single Sign-On. The city of Los Angeles is expected to have a nearly $1 billion budget shortfall in the next year. LA Administrative Officer Matt Szabo said that much of the current financial crisis was due to spending on emergency relief from the Palisades fire, legal settlements and the general downward trend of the economy. Mayor Karen Bass is expected to turn in her new budget for the city on April 21.President Donald Trump signed an executive order on Thursday, March 20 in hopes of dismantling the Department of Education. Shutting down the entire department would take an act of Congress which will likely not pass; however, the Trump administration can defund and narrow down the department as they see fit.The Gaza Strip was attacked in an airstrike last Tuesday, March 18 after the ceasefire between Palestine and Israel began in Jan. Palestinian officials have reported at least 69 deaths due to the airstrike. Israel Prime Minister Benjamin Netanyahu says a lack of progress in the ceasefire agreement is what instigated this attack. This airstrike ended a month of peace in the 17-month-long war between Hamas and Israel.Late Thursday night, March 20, firefighters responded to a transformer fire that erupted in an electrical substation in West London. This fire led to a power outage and the closure of Heathrow Airport. Being Europe's busiest flight hub, over 1,300 flights to and from have been affected and continued disruptions are expected. After two and a half days, Heathrow resumed its normal schedule on Sunday, March 23.Host: Luis CastillaEditor: Aidan SwanepoelProducers: El Nicklin, Aidan SwanepoelLike, comment, and follow us on your favorite platform for more content!Apple Podcastshttps://podcasts.apple.com/us/podcast/long-beach-current-podcasts/id1488484518Spotify⁠https://open.spotify.com/show/4HJaqJep02kHeIQy8op1n1⁠⁠⁠⁠Overcasthttps://overcast.fm/itunes1488484518/long-beach-current-podcasts

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 7ú lá de mí Aibreán, liomsa Lauren Ní Loingsigh. I 2000 rinne ionsaí ar Michael Smith, an tAire Cosanta, ó ardoifigeach airm de bharr na áis a bhí ann do na trúpaí. I 2017 bhí daonra sa tír seo nach mór 5 milliún arís, an chéad uair ón ghorta. I 1989 bhí ach cúpla míle idir dhá uachtarán nuair a sheas an ceannaire Sóivéid sna meáin in Éirinn sa tSionainn. I 2000 bhí Aer Rianta I dtrioblóid de bharr nach raibh cóireáil camrais don chríochfort nua ag aerfort na Sionainne a chosain 27 milliún punt. Sin Westlife le Fool Again – an t-amhrán is mó ar an lá seo I 2000. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1962 bhuail Mick Jagger agus Keith Richards le Brian Jones don chéad uair I Londain. Bhí sé ag seinm giotár le banna ceoil Alexis Korner, Blues Incorporated. Agus gan mhoill tháinig siad le chéile mar The Rolling Stones. I 1985 chan Wham! I mBéising don chéad uair agus bhí sé am mór mar bhí siad an chéad bhanna cheoil ón iartharach chun seinm sa tSín. Chan siad os comhair 12,000 duine. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh aisteoir russle crowe sa Nua Shéalainn I 1964 agus rugadh amhránaí Anne-Maire sa Bhreatain ar an lá seo I 1991 agus seo chuid de a amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 7th of April, with me Lauren Ní Loingsigh 2000: Defence minister michael smith was subjected to an attack by a senior army officer over facilities provided for troops. 2017: Ireland was heading towards a population of five million for the first time since the Famine. 1989: Just a few miles separated the two presidents as the soviet leader stepped into the world media limelight at shannon. 2000: Aer Rianta came under fire for its failure to provide a sewege treatment plant for the new £27 million terminal at shannon airport. That was Westlife with Fool Again – the biggest song on this day in 2000. Onto music news on this day In 1962, Mick Jagger and Keith Richards met Brian Jones for the first time at Ealing Jazz Club in West London. Jones, who went under the name Elmo Lewis, was playing slide guitar with Alexis Korner's band, Blues Incorporated. Shortly afterward, they formed the Rolling Stones. In 1985, Wham! performed in Beijing, a groundbreaking moment that made them the first major Western band to appear in communist China. They sang before an audience of 12,000 in the city's Peoples' Gymnasium. And finally celebrity birthdays on this day – actor Russell Crowe was born in New Zealand in 1964 and singer Anne-Marie was born in the UK on this day in 1991 and this is one of her songs. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

The multi-talented singer/songwriting duo from Torquay, UKMidnight 5-6 talk about their releases “When”, “Wishing I Was Gone”, “The Sea”,“Oooo!!” and more! The duo of Simon and Helen met online after the death ofboth of their partners with common music interests including John Martyn,Little Feat, etc., and formed the group in Christmas of  '16; Simon is the lead vocalist/guitaristborn in a military family in Singapore later joining the Navy but by land;Helen is the bass guitarist/vocalist from Southell, West London and worked as aDesign Engineer after leaving college; they have a loyal following on all majorplatforms plus share the stories behind the music! Check out the amazingMidnight 5-6 on your favorite platform today! #midnight56 #singersongwritingduo#torquay #UK #when #wishingiwasgone #thesea #oooo #simon #helen #johnmartyn#littlefeat #militaryfamily #navy #singapore #southell #westlondon#designengineer #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm#bitchute #rumble #mikewagner #themikewagnershow #mikewagnermidnight56 #themikewagnershowmidnight56

The multi-talented singer/songwriting duo from Torquay, UKMidnight 5-6 talk about their releases “When”, “Wishing I Was Gone”, “The Sea”,“Oooo!!” and more! The duo of Simon and Helen met online after the death ofboth of their partners with common music interests including John Martyn,Little Feat, etc., and formed the group in Christmas of  '16; Simon is the lead vocalist/guitaristborn in a military family in Singapore later joining the Navy but by land;Helen is the bass guitarist/vocalist from Southell, West London and worked as aDesign Engineer after leaving college; they have a loyal following on all majorplatforms plus share the stories behind the music! Check out the amazingMidnight 5-6 on your favorite platform today! #midnight56 #singersongwritingduo#torquay #UK #when #wishingiwasgone #thesea #oooo #simon #helen #johnmartyn#littlefeat #militaryfamily #navy #singapore #southell #westlondon#designengineer #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm#bitchute #rumble #mikewagner #themikewagnershow #mikewagnermidnight56 #themikewagnershowmidnight56

This is Part Two of Two of The Chalk Pit Murder. On Thursday 28th of November 1946, Australian politician Thomas Ley enlisted four good people to help him trap a bad man who terrorised women. As a simple plan with no law broken and nobody hurt, it was a gentlemanly reaction to a dastardly crime by a criminal who they felt deserved worse. Only what began as a good deed by four decent and moral people, soon descended into deceit and death. Date: Thursday 28th of November 1946 at 7:00pm+ (murder of John Mudie)Location: 5 Beaufort Gardens, Knightsbride, London, SW3 (Ley's house, with entrance being on Brompton Place)Victim: 1 (John McMain Mudie, known as Jack)Culprits: 5 (Thomas John Ley & Lawrence John Smith, plus co-conspirators John William Buckingham Snr, Lilian Florence Bruce & John Buckingham Jnr) Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

On this episode, we were joined by Lola Kirke, the British-American actress and musician known for Mozart in the Jungle, Mistress America, and Gone Girl, who has written Wild West Village—a witty and moving essay collection described by Booklist as the “Andy Warhol Diaries for rich New York City art kids of the new millennium.”The book follows Kirke's famous family—including her father, Simon (drummer for Free and Bad Company), and her sister, Jemima (of HBO's Girls)—from West London to the West Village, as Lola navigates life in a family of larger-than-life personalities who party hard, exude effortless cool, and embody talent, beauty, and sophistication.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now.

Nate Kreckman on MTN West Tourney, 14 Briefs - London Talk, 28:45 Twitter Yelling

This is Part One of Two of The Chalk Pit Murder. On Thursday 28th of November 1946, Australian politician Thomas Ley enlisted four good people to help him trap a bad man who terrorised women. As a simple plan with no law broken and nobody hurt, it was a gentlemanly reaction to a dastardly crime by a criminal who they felt deserved worse. Only what began as a good deed by four decent and moral people, soon descended into deceit and death.Date: Thursday 28th of November 1946 at 7:00pm+ (murder of John Mudie)Location: 5 Beaufort Gardens, Knightsbride, London, SW3 (Ley's house, with entrance being on Brompton Place)Victim: 1 (John McMain Mudie, known as Jack)Culprits: 5 (Thomas John Ley & Lawrence John Smith, plus co-conspirators John William Buckingham Snr, Lilian Florence Bruce & John Buckingham Jnr)Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

And Then There Was...On this episode I am joined by Chubby and the Gang. Chubby and the Gang are an English rock band formed in West London in 2019. Consisting of vocalist Charlie "Chubby Charles" Manning-Walker, guitarists Ethan Stahl and Tom "Razor" Hardwick, bassist Maegan Brooks Mills and drummer Joe McMahon, the band was formed out of a number of UK hardcore punk bands, including Arms Race, Vile Spirit and Gutter Knife.Mark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also proudly sponsored by Vice-Press.If you are a fan of films and pop culture, check out Vice Press. All of their limited edition posters, art prints & collectibles are officially licensed & are made for fans like us to collect & display in their homes. Vice Press work directly with artists and licensors to create artwork and designs that are exclusive to them.This year, Vice Press also launched Vice Press Home Video, dedicated to releasing classic films on VHS. And yes, they play! Get 10% off of your first order using code MARKANDME10 or head to vice-press.com/discount/MARKANDME10All artwork and designs are produced by Dead Good Tees - Dead Good Tee crafts graphic T-shirts for true horror and movie enthusiasts. Drawing inspiration from classic movies, iconic villains, and the darker side of cinema, their designs offer a subtle nod to the genre's most unforgettable moments. Visit www.deadgoodtees.co.ukEvery episode of Mark and Me is for Billy x 

British actor Lashana Lynch takes us back to the tight-knit West London community where she grew up and to her grandparents' record shop, which was the soundtrack to her childhood. She talks about the importance of bringing her Jamaican heritage to the red carpet and how she channels her mother's strength and discipline to prepare for certain roles. She also share her love for her mama's saltfish dish and why she craves Jamaican comfort food when she's on set.Your Mama's Kitchen is a production of Higher Ground.Produced by Sonia Htoon.Associate Producers are Camila Thur de Koos and Jenna Levin.Sound design and engineering from Andrew Eapen, Ryan Kozlowski and Roy Baum.Executive producers for Higher Ground are Mukta Mohan, Dan Fierman and Michele Norris.The show's closing song is 504 by The Soul Rebels.Editorial and web support from Melissa Bear and Say What Media. Talent booker is Angela Peluso.Copyright 2024 by Higher Ground Audio, LLC / Sound Recording copyright 2024 by Higher Ground Audio, LLC. Hosted on Acast. See acast.com/privacy for more information.

Back to back Premier League wins for Chelsea have John Obi Mikel smiling again. That is, until Chris McHardy informs him of the Blues' fixture list in the run in. gulp John also gives his verdict on Arsenal's title ambitions after two more dropped points at Manchester United, and breaks why he think the title will be heading to West London before it ever goes North. https://www.instagram.com/obionepodcast?igsh=MWNzbHVocHdzeWZwdA== https://x.com/obionepodcast?s=21 https://www.facebook.com/share/1AJ7ZPB4Cp/?mibextid=wwXIfr Learn more about your ad choices. Visit megaphone.fm/adchoices

On Tuesday 6th of September 2022, 71-year-old Susan Hawkey was last seen entering her flat on Aylesbury Street in Neasden. Nobody saw her, nobody heard her, and – although vulnerable and afraid - no-one was looking out for her. And yet, the quiet isolation of her flat aided her brutal torture and murder by a pack of brainless thugs.Date: Tuesday 6th of September 2022 (mid afternoon, last seen alive)Location: ground floor flat, 65a Aylesbury Street, Neasden, London, UK, NW10Victim: 1 (Susan Anne Hawkey)Culprits: 2 (Xyaire Howard & Chelsea Grant)Method: tortureMurder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

On 1st January 1932, in the attic room of 27 Old Compton Street in Soho, 19-year-old domestic servant Edith McQuaid gave birth to a baby boy. Whether he died of natural causes, or she took his life by infanticide will never be known. But she wasn't alone. Edith was one of 1000s of women who concealed the pregnancy, the body of the dead babies or murdered them at birth across the United Kingdom, and yet, it wasn't there fault, as this national scandal had been raging for centuries.Date: 1st of January 1932 (birth and death of her baby)Location: attic, 27 Old Compton Street, Soho, London, UK, W1Victim: 1 (name unknown)Culprits: 1 (Edith McQuaid)Method: infanticide / neonaticideMurder Mile is one of the best UK / British / English true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

On Friday 11th of June 2021 at 6:23am, 34-year-old Jemma Mitchell left her home at 9 Brondesbury Park in Wilsden to visit her friend and fellow Christian Mee Kuen Chong known as Deborah. She was wheeling behind her an empty blue suitcase, five hours later, the suitcase was full and her friend was dead. But why? Date: Monday 26th of April 1993 at 4:20pm (murder of Paul Milburn)Location #1: 9 Brondesbury Park, Wilsden, NW6 (Jemma's house)Location #2: 196 Chaplin Road, Wembley, HA0 (Deborah's house)Victim: 1 (Mee Kuen Chong, known as Deborah)Culprits: 1 (Jemma Mitchell)Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

Monday 31st of October 1960, at 5:30pm, the body of 53-year-old William Davies was found inside the top-floor flat of 5 Westbourne Park Road in Bayswater, London, W2. There was no sign of a break-in, no struggle and no obvious robbery. He was found on his knees, with a knife in his chest, and even though all the evidence pointed to this being a suicide, the police knew it wasn't.Date: Sunday 30th of October 1960 (at 12:20am+, likely time of murder)Location: top floor flat, 5 Westbourne Park Road, Bayswater, London, UK, W2Victim: 1 (William Davies)Culprits: 1 (Istvan Szabo)Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.For links click hereTo subscribe via Patreon, click here Support this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.