Podcasts about miss collins

Tabitha! We're taking Carrie White to the prom with a look at Stephen King's first feature film adaptation: Brian De Palma's 1976 classic, Carrie. Up for discussion: debate over Carrie as Monster, a satire of religion, our love of Miss Collins, Pino Donaggio's score, and why Trace implores everyone to watch Chris' death scene in the 2013 remake. References: > Brant Lewis. “They're All Going to Laugh at You – Exploring the Queer and Trans Lens of Carrie.” Slay Away > Brandon Trush. “The Power of Identity and Queer Liberation in Carrie” Bloody Disgusting Questions? Comments? Snark? Connect with the boys on Instagram, BlueSky, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote  Be sure to support the boys on Patreon!   Theme Music: Alexander Nakarada   Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's podcast Bruce and Wayne have special guest Shelley Collins. Ms. Collins is a former Federal Bureau of Prisons inmate. She is a benefactor of the Cares Act. She had a 30-month sentence but was able to cut it down to 15 months. Miss Collins was found guilty of Medicaid Fraud and was not able to go to trial. Through her experience, she is now thankful for that past missed opportunity. Throughout the podcast, Shelley explains her case and the process she went through to eventually be taken to prison. During her time in prison, she had to cope with the Covid-19 pandemic and the new guidelines of the Cares Act. Over the course of her sentence, she was able to help multiple inmates get their GED and would help write resumes. Shelley took a hopeless situation and made it into a positive learning experience. Later in the program, Shelley explains some of her stories of the events she had to endure while she was serving her prison time. Towards the end, she discusses how some of the lessons she learned in prison made her a stronger person and have helped her avoid making similar mistakes down the road. This is a very informative podcast. Shelley can be reached through email at shelleycollins509@gmail.com and her cell 252-723-6226 Bruce through his cell (214) 431-2032 and https://conciergecoach.net/ Wayne through email at wayne_515@yahoo.com

They're all gonna laugh at you! Join your favourite TransAtlantic podcasting crew: Ian, Liam, Ethan and Georgia (Meg's hiding under the stage, ready to tip the bucket) as we're heading to Prom with a guy that's got a helmet of hair in the Brian De Palma classic adaptation of Stephen King's horror debut, Carrie.  We're doing etymology on 'dirty pillows' in our 179th episode as we discuss: The believeability that Carrie wouldn't have heard of a menstrual cycle at age 17 The number of times that Miss Collins should have been fired in this film Whether the film made Sue & Tommy's intentions clear or if they purposely kept us in the dark (and how it's a much better film in one of those ways) Liam asks if we should forgive Carrie in the end Did they have to go the dream-sequence route in the final sequence? What exactly is Tommy's plan here?  Why does he kiss Laurie? Whether or not Carrie is the Best Film Ever Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Lina Oberholzer Ensign Ian Davies Chris Pedersen  Duane Smith (Duane Smith!) Randal Silva The Yeetmeister Nate The Great Rev Bruce Cheezy (with a fish on a bike) Andy Dickson Holly Callen Richard Ryan Kuketz Chris Dykstra Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/ Massive thanks to Lex Van Den Berghe for the use of 'Mistake' by Luckydog.  Catch more from Lex's new band, The Maids of Honor at https://soundcloud.com/themaidsofhonor Also massive thanks to Moonlight Social for our age game theme song.  You can catch more from them at https://www.moonlightsocialmusic.com/

Pardon the audio this episode, we had some telekinetic difficulties but it's not like we burned down the prom or anything. This week we're queening out on Oscar nominee Piper Laurie as one of horror's most monstrous mothers, Margaret White in 1976's "Carrie." (The question is even posed as to whether she should have won the Academy Award over Beatrice Straight in "Network" that year!) We also have much to say about Broadway legend Betty Buckley in her film debut as Miss Collins, a sympathetic gym teacher fond of a face journey and a cigarette in the principal's office. Plus: Sue Snell and Tommy Ross as "good kids," Nancy Allen as the iconically evil Chris, John Travolta as her flunky hunk, Ellen Travolta as a brief tangent that has nothing to do with "Carrie," and praise for Pino, Priscilla Pointer and that perfectly bonkers ending. Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

Season 1, Ep. 12 ("Monsterpiece Theatre"). When Moderates Attack. An employee airs her grievances. A legendary sportscaster makes an unforgettable exit. And we examine various monsters and scary things, both old and new. Boo! Written by Lori Furth, Lyssa Graham, Dale Leopold and Jack Mooney. Featuring the vocal talents of the Suffolk & Goode Players: Rebecca Davis (Red Apron Announcer, Igor, Scary Neighbor #2) Dustin Ebaugh (Jay, Wolfman Announcer, Tom Cole, Ambien Announcer,) Lori Furth (Protester #1, Ellen Sadler, APA Announcer, Scary Neighbor #3) Lyssa Graham (Herself, sheep, Miss Collins, Ad Voice 2) Dale Leopold (Announcer, Himself, Dracula, Scary Neighbor #1) Nancy McLemore (Wolfman victim, Nightmare Mom) Chris Mezzolesta (Red Apron Dad, Reporter, Wolfman, Jimmy Highbottom, Freddie, Nightmare Dad) Karyn O'Bryant (Jake, Red Apron Mom, Dracula victim) George Washington III (Protester #2, HR Director, Steve, Joey, Dr. Frankenstein), and introducing Rachel Dilliplane (HR Secretary, Tina, Cheerleading Squad. Kid Walla) Original Music composed and performed by Chris Mezzolesta. The song "Nightmare on Our Street" was written by Lori Furth and Chris Mezzolesta, and performed by Nancy McLemore and Chris Mezzolesta.  Editing, Sound design and audio production by Dale Leopold Artwork by Richard McMurry

Stinking Pause – the movie review podcast with Scott, who this week is joined by Paul to chat about high school proms, pig's blood and bat-shit crazy mothers. It's back to 1976 for a look at Carrie starring Sissy Spacek, Piper Laurie, William Katt, Nancy Allen and John Travolta….directed by Brian de Palma. The story of Carrie White, a girl brought up, almost in isolation, by her domineering, religious mother Margaret. After an embarrassing incident in the showers causes her classmates to tease Carrie ruthlessly, her teacher Miss Collins disciplines them severely. However, one of the students feels sorry for what she did and asks her boyfriend to take Carrie to the senior prom instead of her. Determined to have revenge, the other students hatch a plot against Carrie, which turns horribly wrong when Carrie's strange mental powers are unleashed during the school prom. “I can see your dirty pillows. Everyone will.” This and previous episodes can be found on; Apple Podcasts Podchaser Stitcher Spreaker Player FM Acast IHeartRadio Libsyn Podcast Party Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com #Podpals #PodernFamily Thanks for listening Scott and Paul 

Shy, friendless, teenage Carrie White (Spacek) is constantly bullied by her terrible classmates at their boring high school. They’re probably just jealous, because she has these secret psychic powers. Miss Collins is trying to do her best to relate to Carrie, but still can’t help staring at her like she’s a fucking freak. Meanwhile, bully queen Christine, and her dufus boyfriend JOHN TRAVOLTA kill a bunch of pigs and drain their blood for an obviously hilarious prank. Sue feels bad for Carrie and asks her super hot boyfriend Tommy to ask Carrie to go to prom with him, because everyone knows that’s a nice thing to do. What could go wrong? Stephanie calls out John and Bluv for not being woke enough, Bluv opens up about being bullied, and like great friends Steph and John ROAST him! Teen of the Week: Edie McClurg played teenage Helen in Carrie, and also played Mr. Rooney's secretary Grace in Ferris Bueller's Day Off.

We're Back! VOBS has made some big changes for 2019! A new time, a new format and updated technology! We look forward to having you join us as we bring you the top people in the VO biz and the latest in VO home studio recording techniques and technology! And we lead off 2019 with a guest you cannot miss! Tara Strong is the powerhouse animation voice in Hollywood! And she's our first guest on the newly reformatted Voice Over Body Shop this Monday night! Tara has had an iconic voice-over career, including roles such as Bubbles in "The Powerpuff Girls," Timmy Turner in "The Fairly OddParents," Dil Pickles in "Rugrats," Raven in "Teen Titans," "Batgirl," "Family Guy," "Drawn Together," "Ben 10," Melody in "The Little Mermaid 2.” She is Miss Collins on Nickelodeon's "Big Time Rush" and the current voice of "Harley Quinn on Batman.” Need we say more? Ok, She is Emmy nominated, a Shorty Award winner, Twilight Sparkle in "My Little Pony: Friendship is Magic" and currently playing "Unikitty" in the new hit series. She has 350,000 twitter followers (@tarastrong) and has used her social media to raise several hundred thousand dollars for kids with cancer and animal rescue groups, as well as using her commanding voices for her anti-bullying platform.  Brought to you by Voiceoveressentials.com, Vo2Gogo.com, Sourceelements.com, VoiceOverXtra.com, VOICEACTORWEBSITES.com and J. Michael Collins Demos jmcvoiceover.com/demo-production  

Today's Guest: Jackie Collins, novelist, Goddess of Vengeance Mr. Media is recorded live before a studio audience of chick lit novelists who aren’t talented enough to dust Jackie Collins’ stack of writing pads… in the NEW new media capital of the world, St. Petersburg, Florida! Order Goddess of Vengeance by clicking on the book cover above! The first time Jackie Collins was a guest on Mr. Media, I have to admit I was a little nervous. This is a novelist who has sold about 4 billion copies of her books and has been producing quality, popular work since I was in short pants. Would she hang up the minute the first dumbass remark came out of my mouth? JACKIE COLLINS audio excerpt: "I'm not that explicit but I'm explicit enough." Best-selling novelist Jackie Collins And when I inevitably stumbled over the title of her then current book, Poor Little Bitch Girl, would she put me in my place with a withering glance so toxic I could feel it through the phone line? Nope. She was a doll. I remember finishing that interview and feeling like that was a keeper. Miss Collins was charming, effervescent and, for struggling and successful writers alike to hear, quite the inspiration. I’m quite eager to spend the next 30 minutes with her to hear about her new book, Goddess of Vengeance, which continues the adventures of Lucky Santangelo and her supporting cast. I’m also hopeful we’ll hear more about her craft and how the autobiography is coming. I might even ask what her actor sister Joan is up to this time. Or I might not. Jackie Collins Website • Twitter • Facebook • Order Goddess of Vengeance by Jackie Collins   Kicking Through the Ashes: My Life As A Stand-up in the 1980s Comedy Boom by Ritch Shydner. Order your copy today by clicking on the book cover above!     The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!

《傲慢与偏见》（Pride and Prejudice）改编自英国作家简·奥斯汀的同名小说，1940年上映。讲述了19世纪初期英国的一个普通的中产家庭中五姐妹的爱情与择偶故事。片中因为男主人公富家公子达西的傲慢，从而使女主人公伊丽莎白对其产生了偏见，险些错过心中的真爱……故事以轻松幽默的风格向人们揭示了爱情生活当中的许多哲理。 外文名——Pride and Prejudice 出品时间——1939年 制片地区——美国 导 演——罗伯特·Z·伦纳德 编 剧——奥尔德斯·赫胥黎 制片人——Hunt Stromberg 类 型——剧情，爱情，喜剧 主 演——葛丽亚·嘉逊，劳伦斯·奥利弗 片 长——117分钟 上映时间——1940年7月26日 对白语言——英语 色 彩——黑白 角色 演员 配音 Elizabeth Bennet 葛丽亚·嘉逊 曹雷 Mr. Darcy 劳伦斯·奥利弗 毕克 Jane Bennet 莫琳·奥沙利文 郁瑞芳 Lydia Bennet 安·卢瑟福德 李梓 Mary Bennet 玛莎·亨特 程晓桦 Kitty Bennet 希瑟·安吉尔 Mrs. Bennet 玛丽·博兰 林彬 Mr. Bennet 埃德蒙·戈温 富润生 Lady Catherine 艾德娜·梅·奥立佛 张同凝 Miss Collins 卡伦·莫利 苏秀

This is a lively bravura portrait of a modern Melbourne woman of fashion, style and elegance. It has an arresting vitality. Her belongings, a luscious blue stole, elegant feathered hat and jewelled ring, are as much the subject of this work as is Miss Collins herself, and contribute to it a sense of opulence. Her flamboyant pose, with her head slightly tilted back and poised to one side, and her arms caught in mid-action, matches her vivacious personality. Her eyes appear to be laughing in accord with her smile and she seems to be deliberately posing or hamming it up for the artist. The subject, Miss Gladys Neville Collins, was the daughter of J.T. Collins, lawyer, Victorian State Parliamentary draughtsman, and trustee of the Public Library, Museums and National Gallery of Victoria. Lambert appears to have enjoyed painting her portrait and described her to Amy on 10 December 1921 as ‘a dear girl [who] sits for the fun of it and because her Dad thinks I am it’ (ML MSS 97/10, p.393). Lambert portrayed the individual features of Miss Collins but, with her collaboration, he arranged them to denote a characteristic type. Miss Collins’s tilted head, her half-open mouth, half-closed eyes, and almost-bare right arm suggest an individual sensuality, but they also indicate a form of codified (sexual) behaviour. Lambert's portrait presents a witty version of the pose of Bernini’s Ecstasy of St Teresa 1645–52 (Cornaro Chapel, Santa Maria della Vittoria, Rome), an established expression of the ecstatic experience, and one which was subsequently taken up by photographers, film-makers and advertisers. What is more, Lambert presented Miss Collins in a variation of the pose used by Joshua Reynolds in his portrait Sarah Siddons as the Tragic Muse 1784, which in 1921 (the year Lambert painted this portrait) the Duke of Westminster had controversially sold to The Huntington Library and Art Collection in California. By associating Miss Collins with this classic image of a leading actress, he hinted that she was playing a role in this portrait. It is also possible that Lambert knew Sargent’s Portrait of Ena Wertheimer: a vele gonfie of 1905 (Tate, London), a lively portrait of Ena wearing as a joke a black feathered hat and billowing cloak, painted essentially in black and white. It is similar to Lambert’s painting in its sense of extravagant posture and light-heartedness. If nothing else, both paintings are a reflection of the spirit of the times. In this portrait Lambert used a limited range of colours to great effect: a dark Manet black and a Gainsborough blue, with the addition of purple in the jewel on a chain around her neck. Lambert paid close attention to the clothing, capturing an array of textures – the lustrous steel-blue silk of her stole, the fluffy white fur collar, the white leather gloves, the transparent black lace sleeve and the black velvet of the hat wreathed with white ostrich plumes. Lambert painted the portrait with broad brushstrokes, and spontaneously, as a kind of ‘performance in paint’. When exhibited, it stood out from the prevalent brown tonalist portraiture painted at this time by other Australian artists, such as John Longstaff and W.B. McInnes. (W.B. McInnes’s much more restrained Portrait of Miss Collins was awarded the Archibald Prize for 1924 at the Art Gallery of New South Wales). Lambert’s tour de force was purchased for 600 guineas by the Art Gallery of New South Wales when it was shown at the New South Wales Society of Artists exhibition in 1922; at that time the highest price paid by a public gallery for a portrait by an Australian artist.