Podcasts about bfe

“We are the spear of victory.” Join Ian & Liam for our 334th episode as we march into battle, confront history, and revisit Gina Prince-Bythewood's epic The Woman King (2022). Megs isn't with us this week — she's reportedly been recruited into military service and informed us that podcasting now ranks somewhere below her training and defending the kingdom. Kev? He attempted to negotiate a peace treaty with a rival podcast and accidentally got himself appointed as a trade envoy. We wish them both luck. Later, we're joined for The Endgame by BFF of the BFE: Juleen, who helps us unpack the film's legacy, historical context, and emotional impact. This week we discuss: Viola Davis' commanding performance — fierce, disciplined, and deeply human. Is this one of the great action-drama performances of the modern era? The balance between history and storytelling — where does the film take liberties, and what responsibilities come with doing so? Ian shares some exciting casting news — as he finds out the result of an audition while simultaneously trying out for a second production. The action sequences — visceral, kinetic, and grounded. How does the film distinguish itself from other historical epics? Liam explores the film's treatment of leadership — strength, sacrifice, and the burden of responsibility. Ian makes what may be his most unexpected comparison yet — drawing a connection between The Woman King and The Notebook that somehow makes more sense than it should. The supporting cast — who stands out alongside Viola Davis, and which relationships give the story its emotional core? We discuss the passing of Anthony Head — reflecting on a career that touched everything from cult television to stage productions and beyond. The “show vs tell” balance — does the film trust its audience enough, or does it occasionally over-explain its themes? Juleen joins us for The Endgame — bringing perspective on the film's historical representation, emotional resonance, and where it sits among modern epics. The ending — triumphant, bittersweet, or something in between? What does victory actually look like in this story? And finally, whether The Woman King is the Best Film Ever — or one of the most compelling historical dramas of the last decade. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“The drama doesn't stop when the cameras do.” Join Ian, Liam & Kev for our 333rd episode as we step behind the scenes of daytime television, backstage rivalries, and gloriously oversized egos with Soapdish (1991). Megs isn't with us this week — she's reportedly accepted a surprise role as the long-lost twin sister of a character who was presumed dead after falling into a volcano. We expect her dramatic return during sweeps week. This week we discuss: Sally Field's performance as Celeste Talbert — charming, chaotic, insecure, and impossible not to root for. Is this one of the great comedy performances of the early '90s? The ensemble cast — Kevin Kline, Robert Downey Jr., Cathy Moriarty, Elisabeth Shue, Whoopi Goldberg. How does a film with this much talent avoid collapsing under its own weight? The satire of television production — petty feuds, ratings desperation, and the beautiful absurdity of soap-opera storytelling. Ian breaks down the film's narrative structure — twists, reveals, mistaken identities, and why the screenplay commits so fully to the bit. Liam explores whether the film works better as industry satire or outright farce — and whether those are even different things. Kev weighs in on the performances — who understands exactly what movie they're in, and who steals every scene they enter. The soap-opera influence — evil twins, secret children, miraculous survivals, and why audiences keep coming back for more. The “show vs tell” balance — does the film cleverly parody melodrama, or occasionally become the thing it's mocking? The surprisingly sharp commentary — beneath the silliness, what is the film actually saying about fame, aging, and relevance? Elisabeth Shue's role — innocent newcomer, plot device, or the emotional anchor holding the madness together? The ending — ridiculous, heartfelt, and exactly as over-the-top as it needs to be or low hanging fruit in a moment that's aged terribly? And finally, whether Soapdish is the Best Film Ever — or one of the most underrated ensemble comedies of its era. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Today's episode is a master series panel that took place on June 4, 2025 in Toronto. Award winning editor Ricardo Acosta, CCE talks with Nick Hector, CCE, BFE about how the film PARADE: QUEER ACTS OF LOVE & RESISTANCE, captured the pivotal moments that sparked Canada's 2SLGBTQI+ movement, honouring the activists and elders whose resistance led to the rights we have today.

“I never had any friends later on like the ones I had when I was twelve... does anyone?” Join Ian, Kev & Megs for our 332nd episode as we walk the tracks, dodge leeches, and revisit Rob Reiner's coming-of-age classic Stand By Me (1986). This week is all about friendship, memory, growing up, and the strange sadness of knowing some moments only become important once they're already gone. Liam drops in later for a special bonus segment, while BFF of the BFE: Ariannah Who Loves BFE The Most™ joins us for The Endgame. This week we discuss: River Phoenix's extraordinary performance — vulnerable, intelligent, and quietly devastating. Was this the role that proved he was destined for greatness? The chemistry of the four boys — natural, funny, chaotic, and deeply believable. Is this one of the strongest young ensembles ever put to film? The film's relationship with memory — nostalgia, grief, and the way adulthood reshapes childhood stories. Ian breaks down the narration structure — reflective storytelling, emotional hindsight, and why Richard Dreyfuss' voiceover works where so many others fail. Megs explores the emotional honesty of the film — masculinity, vulnerability, and the fear of being left behind. Kev weighs in on the pacing and atmosphere — quiet moments, campfire stories, and why the journey matters more than the destination. The balance of humour and sadness — how the film pivots effortlessly between childhood comedy and existential dread. Ian talks about the short story in the middle of this bigger story and what Stephen King is really doing with it Liam joins us for a bonus segment — dropping in to talk about the film's legacy, Stephen King adaptations, and why stories about friendship hit differently as you get older. The “show vs tell” balance — does the film earn its emotional resonance through subtle character work, or does nostalgia do some of the lifting? Ariannah joins us for The Endgame — helping us unpack why Stand By Me continues to resonate across generations and whether its emotional simplicity is actually its greatest strength. The ending — bittersweet, perfect, and quietly heartbreaking. Does any closing narration hit harder than this? And finally, whether Stand By Me is the Best Film Ever — or simply one of the most emotionally truthful coming-of-age films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“You have been weighed. You have been measured. And you have been found wanting.” Join Ian & Liam for our 331st episode as we joust for glory, dance to Queen in medieval Europe, and revisit Brian Helgeland's wildly anachronistic crowd-pleaser A Knight's Tale (2001). Megs isn't with us this week — she's apparently been appointed to the royal court after successfully inventing modern fashion 600 years early. Kev? Last seen trying to enter a jousting tournament under a fake noble title before being immediately exposed by Paul Bettany. This week we discuss: Heath Ledger's breakout leading-man performance — charming, earnest, rebellious. Was this the moment Hollywood realised he could do absolutely anything? The film's glorious tonal chaos — medieval sports movie, romantic comedy, rock concert, underdog drama. Why does this bizarre cocktail somehow work? Paul Bettany's Chaucer — flamboyant, scene-stealing, and possibly the film's secret MVP. Liam breaks down the film's anachronisms — Queen, Bowie, Nike-energy editing. Does the film transcend historical accuracy through sheer confidence? Ian explores the underdog narrative — class, identity, and whether William's rise actually challenges the social order or merely slips inside it. The romance between William and Jocelyn — genuine chemistry or the weakest part of the film? The sports-movie structure — training montages, rivalries, and comeback arcs dressed in chainmail. The “show vs tell” balance — does the film earn its emotional moments through character work, or simply overwhelm you with charisma and music? Rufus Sewell's Count Adhemar — classic villainy, simmering resentment, and one of the great sneering performances of the era. What's with the romantic plot's detour in Act II - where did that come from? The ending — triumphant, ridiculous, emotionally earned… or all three simultaneously? And finally, whether A Knight's Tale is the Best Film Ever — or simply one of the most aggressively lovable films of the 2000s. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank

“Boy, I got vision… and the rest of the world wears bifocals.” Join Ian, Liam & Kev for our 330th episode as we saddle up, head for Bolivia (Megs has headed back to America early), and ride into one of the most charming, melancholy, and effortlessly watchable westerns ever made with Butch Cassidy and the Sundance Kid (1969). It's outlaws, bicycles, and impossible charisma this week as we ask whether two of cinema's coolest men were ever really built for the world they lived in. This week we discuss: Paul Newman and Robert Redford's legendary chemistry — playful, effortless, and endlessly quotable. Is this one of the greatest screen pairings of all time? The tone — western, comedy, tragedy, anti-western. How does the film balance charm with the creeping inevitability of its ending? Newman's Butch Cassidy — talkative, inventive, and always thinking three steps ahead. Is he a genius… or simply delaying reality? Redford's Sundance Kid — cool, lethal, and increasingly aware the world is changing around him. Ian breaks down the film's structure — episodic storytelling, tonal pivots, and why the pacing feels so modern for 1969 - but does it rob us with the ending Liam questions the mythology of outlaws — are Butch and Sundance rebels, romantics, or simply criminals we've chosen to like? Kev dives into the cinematography and score — sweeping landscapes, freeze frames, and Raindrops Keep Fallin' on My Head somehow working against all odds. Liam educates us all on the Old West and references about 25 other Westerns in the process The pursuit — who are those guys, and why does the film turn a chase into existential dread? Katharine Ross as Etta Place — underwritten love interest or essential emotional grounding? There's a cameo in this film that you'll never see coming - we didn't The ending — iconic, tragic, and endlessly imitated. Does freezing the moment make it more powerful? The “show vs tell” balance — how much does the film rely on charm and implication rather than explicit emotional beats? And finally, whether Butch Cassidy and the Sundance Kid is the Best Film Ever — or simply one of the coolest films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“The Force, it's calling to you. Just let it in.” Join Ian, Liam & Kev for our 329th episode as we celebrate our annual Star Wars Day release by jumping to lightspeed into J.J. Abrams' galaxy-reviving blockbuster Star Wars: The Force Awakens (2015). Megs? She's not with us this week — She's been recruited by the Resistance after showing a worrying amount of lightsaber proficiency. This week we discuss: The revival question — how The Force Awakens brought Star Wars back to life after a decade away. Nostalgia, safety, or smart recalibration? Daisy Ridley's Rey — mysterious, capable, and instantly central. Is she the perfect modern Star Wars protagonist? Why is her best work done when she's not talking? John Boyega's Finn — defector, comic relief, emotional anchor. Does the film fully realise his potential? Adam Driver's Kylo Ren — volatile, conflicted, and deliberately unfinished. One of the saga's most interesting villains? Ian breaks down the film's structure — echoes of A New Hope. Homage, remix, or outright repetition? Kev dives into the spectacle — practical effects, sound design, and what it's like to watch your first Star Wars Film The legacy characters — Han, Leia, and Luke. How well does the film balance past and future? The humour — lighter, faster, more modern. Does it fit the Star Wars tone? The “show vs tell” balance — does the film rely too heavily on familiarity, or does it earn its emotional beats? The ending — powerful, quiet, and iconic. Does it stick the landing? And finally, whether Star Wars: The Force Awakens is the Best Film Ever — or simply the most important reboot of the modern blockbuster era. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Today on Art of the Cut, we have the lead editor and the VFX editor of the documentary series, The Dinosaurs, from Netflix and Amblin' Entertainment.Ben Lavington Martin, BFE was the lead editor on the series and cut the first episode. His other work includes The World According to Jeff Goldblum, David Attenborough's Natural History Museum Alive, One Strange Rock, and Nova, among many others.Matt Howorth was the visual effects editor. His other credits include shorts: Rodents and Bull Shark Bandits.Our discussion today is about walking the line between animation editing and natural history documentary storytelling… and calibrating science, entertainment, and emotion over eons of evolution.If youre interested in reading along with this interview and seeing the trailer and clips and images from the docu-series, check out BorisFX's blog site:borisfx.com/blog/aotc

“Let my people go.” Join Ian, Liam & Megs for our 328th episode as we part the Red Sea, confront destiny, and revisit one of the most ambitious animated films ever made with The Prince of Egypt (1998). Kev? He's not with us this week — he attempted to follow a mysterious burning bush into the desert and hasn't returned. We assume he's negotiating some very specific commandments. This week we discuss: The scale of the storytelling — biblical epic through animation. How does the film balance intimacy with spectacle? Val Kilmer's dual performance — Moses and God. Subtle, conflicted, and quietly powerful. Ralph Fiennes' Ramses — tragic, proud, and deeply human. One of animation's most underrated antagonists? The music — from Deliver Us to When You Believe. Does the soundtrack elevate the film into something transcendent? Megs explores the film's emotional core — brotherhood, identity, and the cost of doing what is right. Ian breaks down the animation — traditional techniques blended with early CGI. How well does it hold up? Liam questions the narrative focus — is this Moses' story, Ramses' story, or something shared between them? The depiction of faith — reverent, interpretive, and accessible. Does the film succeed regardless of belief? The plagues sequence — visually stunning, morally complex, and still haunting. The “show vs tell” balance — how much does the film trust its visuals versus its dialogue and songs? Ian goes all Old Testament, telling us that 'the book was better' and how they left the ultimate sideplot sitting on the table The ending — epic, earned, and emotionally resonant. Does it land as both spectacle and personal journey? And finally, whether The Prince of Egypt is the Best Film Ever — or one of the greatest animated films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Wie lassen sich Energieverbrauch, Kosten und CO2-Emissionen in der Industrie und im kommunalen Sektor gleichzeitig reduzieren? In dieser Folge spricht Holk Schubert, Standortleiter Berlin der BFE Energie und Umwelt GmbH, über praxistaugliche Effizienzkonzepte.Dabei wird deutlich: Technologie allein reicht nicht aus. Das Expertenteam der BFE (eine Tochter der MVV) berät seit 1979 Unternehmen und Institutionen dabei, unabhängig von fossilen Energien zu werden. Schubert erklärt, warum eine interdisziplinäre Strategie und insbesondere der Faktor Mensch die entscheidenden Hebel für eine wirtschaftliche und ökologische Transformation sind.

You know we love our wrestling here at the BFE (well… some of us do). Join Ian from Best Film Ever and Stew from The Stew World Order podcast as we break the BFE format by looking at WrestleMania 42. We discuss whether CM Punk vs Roman Reigns delivered on the big stage, why were there so many adverts, what was the point of Pat McAfee, did we care about the big return in the women's division, whether the Jade Cargill experiment is over now, and what was with all the wrestlers using each others' finishers this year? Catch more of Stew on his own podcast: Stew World Order at https://podcasts.apple.com/us/podcast/stew-world-order/id1559913522 You can also catch him at his website where he writes about all sorts of fun things: https://swoproductions.com/

“Follow the money.” Join Ian, Liam & Kev for our 327th episode as we type through the night, chase sources, and piece together one of the greatest journalistic thrillers ever made with All the President's Men (1976). Megs? She's not with us this week — she insisted on meeting a source in an underground parking garage and hasn't come back up yet. We assume she's waiting for a shadowy figure to confirm something. This week we discuss: Robert Redford and Dustin Hoffman as Woodward & Bernstein — contrasting energies, relentless curiosity, and the slow grind of uncovering truth. The procedural storytelling — phone calls, notes, dead ends. Why the film makes paperwork feel like high drama. The pace — deliberately methodical. Does the lack of traditional “action” heighten tension or test patience? Megs explores the role of journalism — integrity, persistence, and the cost of getting it right. Ian breaks down the film's structure — accumulation of detail, repetition, and how small discoveries build into something enormous. Liam questions accessibility — does the film expect too much knowledge from its audience, or does it teach you as it goes? The use of sound and silence — typewriters, newsroom chatter, and the weight of quiet spaces. Deep Throat — myth, mystery, and whether the film benefits from keeping him just out of reach. The ending — abrupt, unresolved, and historically loaded. Does it land emotionally without showing the full outcome? We debate “show vs tell” — is the film a masterclass in restraint, or does it occasionally feel too distant? The legacy — how this film shaped political cinema and public trust in journalism. And finally, whether All the President's Men is the Best Film Ever — or simply one of the most important investigative films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

"Welcome to Jumanji!" Join Ian, Liam & Megs for our 326th episode as we press start, pick our avatars, and get sucked into the chaotic, comedic, and surprisingly heartfelt world of Jumanji: Welcome to the Jungle (2017). Kev? He's not with us this week — he selected his character without reading the stats and is now stuck in the jungle with a weakness to cake and only one life remaining. We wish him luck. This week we discuss: The central gimmick — body-swap comedy meets video game logic. Why this concept works far better than it has any right to. Dwayne Johnson's performance — bravado, vulnerability, and comedic timing. Is this one of his most self-aware roles? Kevin Hart as the reluctant sidekick — high-energy, fast-talking, and constantly outmatched. Does he elevate or overwhelm? Jack Black's scene-stealing turn — Surely even Megs will commend his commitment, physicality, and one of the boldest comedic performances in a mainstream blockbuster.   Karen Gillan's balancing act — action hero competence with awkward teenage insecurity underneath. Megs explores the film's take on identity — how stepping into a different body reframes confidence, perception, and self-worth. Ian breaks down the narrative structure — game levels, stakes, callbacks and consequences that are both earned and why the film's pacing feels so clean. Liam questions the emotional core — does the film earn its character growth, or is it just well-disguised formula? The video game rules — clear, fun, and occasionally inconsistent. When do they help the story, and when do they get bent? We're looking  at you, Nick Jonas The humour — broad, physical, and surprisingly sharp. Which jokes land, and which ones don't quite stick? The ending — satisfying, predictable, or just the right amount of both? And finally, whether Jumanji: Welcome to the Jungle is the Best Film Ever — or one of the most unexpectedly successful reboots of the modern era. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

You know we love our wrestling here at the BFE (well some of us...). Join Ian from Best Film Ever and Stew from The Stew World Order podcast as we break the BFE format by looking ahead to WrestleMania 42.  Stew watched last year's show from Reliant Stadium and like most punters on that weekend, he's not going back. We discuss whether the build has been good this year? What is going on with Pat McAfee? Why have we forgotten about Randy Orton in all of this? Who were the biggest snubs this year? Can anything be done to save Jade Cargill? And how did Rusev and JD McDonaugh get on the card this year? We'll preview each match on the card as well as try to figure out John Cena & Danhausen's roles among the festivities as we discuss how to build a character, how to build a feud, and where WWE goes after the big weekend. Catch more of Stew on his own podcast: Stew World Order at https://podcasts.apple.com/us/podcast/stew-world-order/id1559913522 You can also catch him at his website where he writes about all sorts of fun things: https://swoproductions.com/

“This is nothing. This is nothing. Why does the dog wag its tail? Because a dog is smarter than its tail.” Join Ian & Liam for our 325th episode as we step into the spin rooms, sound stages, and manufactured realities of Barry Levinson's razor-sharp political satire Wag the Dog (1997). Megs isn't with us this week — she's been hired to produce a last-minute war in Albania (tight turnaround, great exposure). Kev? He's currently composing a patriotic anthem that may or may not exist by the time you hear this. This week we discuss: Dustin Hoffman's Stanley Motss — flamboyant, obsessive, and desperate for credit. Is this one of the great comedic performances of the '90s? Robert De Niro's Conrad Brean — calm, calculated, and morally untethered. Is he the real power in the film… or just the most efficient? The central satire — media manipulation, political theatre, and the terrifying ease of creating “truth.” We share many stories of what it means to guide an actor, when you should back off, and what do we do when we simply 'can't find the character' ourselves Ian breaks down the film's narrative precision — lean, fast, and ruthlessly efficient storytelling. Liam explores the film's relevance — does Wag the Dog feel prophetic, outdated, or uncomfortably current? The machinery of deception — producers, actors, composers. Who actually “makes” reality in this world? The escalation of the lie — how small fabrications spiral into full-scale belief. The “show vs tell” balance — is the film too clever for its own good, or exactly as sharp as it needs to be? Which character were we both all-out on? What does it mean for something to be satirical and at what point does that present itself in the film? Is it harder to get on board with the conceit of the film in 2026 compared to 1997 and why? Ian shares everything he knows about Albania and where he learned it from The ending — dark punchline, inevitable consequence, or the ultimate statement on power? The moral centre (or lack of one) — does the film care about truth, or just the performance of it? And finally, whether Wag the Dog is the Best Film Ever — or one of the most incisive political satires ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE

“It's not about the money.” Join Ian & Megs for our 324th episode as we step into the perfectly constructed, quietly audacious bank heist of Spike Lee's Inside Man (2006). Clocks are ticking, identities are shifting, and nothing is quite what it seems as we try to work out who's really in control… and who never was. This week we discuss: Denzel Washington as Detective Frazier — cool, controlled, and always just one step behind. Is this one of Denzel's most understated performances? Clive Owen's Dalton Russell — precise, patient, and almost philosophical. Is he a villain, a hero, or something far more interesting?  Also, is he more than just a poor man's Gerard Butler? Jodie Foster's power broker — calculated, composed, and operating on a completely different level of influence.  Do we forgive her more easily because of her gender? The structure of the heist — meticulous, layered, and deliberately misleading. How does the film hide its intentions in plain sight? Megs explores the film's themes of power and privilege — what's really being stolen, and who actually gets away with it. Ian breaks down Spike Lee's direction and cinematography — style, pacing, and how he injects social commentary into a genre film without slowing it down. The use of misdirection — costumes, timelines, and narrative sleight of hand. When does the audience realise they've been played? The “show vs tell” balance — how much does the film explain, and how much does it trust the audience to catch up? The ending reveal — clever, satisfying, or just slightly too neat? Does the film even know what the ending of its own plot is? Are we satisfied with how it ended and what would be the danger of making it more explicit? The moral question — is justice served, or simply… redirected? And finally, whether Inside Man is the Best Film Ever — or one of the smartest, most rewatchable heist films of the 21st century. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“I'm tired, boss.” Join Ian, Liam, Megs & Kev for our 323rd episode as we walk the long corridor, sit with miracles, and confront justice, compassion, and cruelty in Frank Darabont's The Green Mile (1999). It's heavy, it's heartfelt, and yes — we all know what's coming… but that doesn't make it any easier. This week we discuss: Michael Clarke Duncan's towering performance — gentle, tragic, otherworldly. Is John Coffey one of the most emotionally devastating characters ever put to screen? Tom Hanks as Paul Edgecomb — quiet authority, moral conflict, and the burden of knowing what's right when the system says otherwise. The film's central tension — justice versus legality. What happens when the law is wrong but must still be carried out? Megs explores the emotional mechanics — how the film earns its tears, and whether it ever crosses into manipulation. Ian breaks down Darabont's storytelling — classical structure, patient pacing, and why the film leans so heavily into sincerity. Liam questions if the film sacrifices characterisation for what the plot needs to occur Kev weighs in on the execution room and if the set designers missed a trick there The supporting cast — from Brutal to Percy. Who stands out, and who embodies the film's darkest impulses? The treatment of death row — humane, harrowing, and unflinching. Does the film confront or soften its reality? The ending — cathartic, crushing, or quietly haunting? What lingers after the final frame? And finally, whether The Green Mile is the Best Film Ever — or one of the most emotionally overwhelming films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Today's episode is a conversation that took place in Toronto during EditCon 2025 with Peter Denes and Steve Taylor, CCE, as they discuss their editing of the opus documentary THE TRAGICALLY HIP: NO DRESS REHEARSAL. This DGC Award-winning, four-part series tells the story of a bunch of scrappy kids from Kingston, Ontario, who went on to make music history. Denes and Taylor will reflect on the mammoth task of shaping 40 years of music and memories into a rock and roll story that defined Canada to Canadians. Moderated by Nick Hector, CCE, BFE.

“Silencio.” Join Ian & Liam for our 322nd episode as we drive headfirst into the dream logic, fractured identities, and eerie Hollywood mythology of David Lynch's Mulholland Drive (2001). Coffee is poured, clues are scattered, and certainty is politely asked to leave the room. We're later joined for The Endgame by BFF of the BFE: Shai Bergerfroind, the man responsible for bringing this cinematic puzzle to the podcast in the first place. This week we discuss: David Lynch's dream architecture — narrative fragments, emotional logic, and whether Mulholland Drive is meant to be solved… or simply experienced. Naomi Watts' astonishing dual performance — hopeful ingénue, shattered dreamer, and everything in between. Is this one of the great performances of the 2000s? Laura Harring's enigmatic presence — mystery, glamour, and the gravitational pull of Rita's identity crisis. Ian examines Lynch's vision of Hollywood — a seductive fantasy factory that quietly devours the people chasing it. Liam attempts to untangle the film's structure — where the dream ends, where reality begins, and whether those categories even apply. The Club Silencio sequence — performance, illusion, and the film's thesis delivered in one haunting set-piece. The supporting characters — gangsters, directors, hitmen, and cowboys. Comic absurdity or pieces of a much larger symbolic puzzle? The film's treatment of identity and reinvention — Hollywood as both dream machine and nightmare engine. Shai Bergerfroind joins us for The Endgame — helping us unpack why this film matters so much to him, how he reads the film's emotional core, and whether the mystery is actually the point. The ending — devastating revelation, emotional collapse, or simply another layer of the dream. And finally, whether Mulholland Drive is the Best Film Ever — or one of the most hypnotic and endlessly interpretable films ever made Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/  

“I have to believe in a world outside my own mind.” Join Ian, Liam, Megs & Kev for our 321st episode as we piece together Polaroids, tattoos, and fragments of memory in Christopher Nolan's mind-bending thriller Memento (2000). This week the BFE timeline runs forward, backward, and occasionally sideways — and somewhere in the chaos a mystery guest drops in to help us figure out what actually happened. This week we discuss: Christopher Nolan's narrative construction — reverse chronology, fragmented storytelling, and whether genius sometimes requires a second viewing… or a flowchart. Guy Pearce's Leonard Shelby — sympathetic victim, unreliable narrator, or architect of his own personal myth? The two timelines — black-and-white clarity vs colour confusion. How the film weaponises structure to manipulate the audience. Megs explores memory as identity — if you can't remember who you are, can you still be responsible for what you do? Ian breaks down Nolan's early thematic obsessions — time, perception, control, and why Memento feels like the blueprint for the rest of his career. Liam questions the film's internal logic — how much of Leonard's system actually works, and how much depends on blind faith? Natalie and Teddy — manipulators, victims, opportunists, or something much harder to categorise? The mechanics of storytelling — how the film reveals information while simultaneously making us doubt it. Our mystery guest joins us — helping us untangle the film's structure and asking whether understanding Memento actually improves it. The ending (or beginning?) — revelation, tragedy, or the ultimate self-deception. And finally, whether Memento is the Best Film Ever — or simply one of the most brilliantly constructed puzzles cinema has ever produced. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“If you argue correctly, you're never wrong.” Join Ian, & Liam for our 320th episode as we light up the slick, fast-talking, morally elastic world of Jason Reitman's Thank You For Smoking (2005). It's spin, satire, and strategic deflection this week as we ask whether winning an argument is the same thing as being right. This week we discuss: Aaron Eckhart's Nick Naylor — charming, composed, and ethically slippery. Is this one of the great “bad good guy” performances of the 2000s? The art of spin — how the film weaponises rhetoric, reframing, and misdirection to hilarious — and unsettling — effect. Satire with teeth — does the film actually challenge corporate lobbying culture, or does it admire its own cleverness too much? We break down the film's tonal balance — sharp comedy undercut by quiet moments of moral reckoning. Liam explores the father-son dynamic — does the film ultimately soften Nick, or does it merely reposition him? Ian questions the target — is Big Tobacco the point, or is the film more interested in the machinery of persuasion itself? The MOD Squad scenes — Big Tobacco, Big Alcohol, Big Firearms. Broad caricature or disturbingly accurate power structures? Katie Holmes' subplot — narrative necessity, tonal misfire, or commentary on transactional journalism? The ending — redemption arc, compromise, or simply another pivot in a long career of strategic positioning? We debate whether satire ages well — does this feel timeless, or does it belong firmly to its Bush-era moment? And finally, whether Thank You For Smoking is the Best Film Ever — or simply one of the smartest, slickest comedies of its decade. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Chris Pedersen Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“You said you couldn't believe in someone who didn't believe in you.” Join Ian, Liam & Megs for our 319th episode as we dive headfirst into lace gloves, record store shifts, and 1980s romantic angst with John Hughes' Pretty in Pink (1986). It's class divides, prom politics, and the eternal question of who really deserves Andie Walsh. This week we discuss: Molly Ringwald as Andie — resilience, insecurity, and whether she's a fully realised protagonist or a Hughes archetype dressed in vintage. Blane's behaviour — romantic lead or emotional liability? Does the film let him off too easily? Duckie's devotion — lovable underdog, manipulative “nice guy,” or something more complicated? The class tension at the heart of the story — is the film actually saying something about wealth and identity, or just dressing teen drama up as social commentary? Megs unpacks the fashion — iconic, chaotic, deeply 80s. Does the final dress deserve its reputation? Ian explores the alternate ending — what changed, why test audiences intervened, and whether the original choice would have made for a stronger film. Liam questions the soundtrack supremacy — is this peak 80s needle-drop culture, or nostalgia doing heavy lifting? The father-daughter dynamic — quiet emotional centre or underdeveloped subplot?  Are certain viewers predispositioned to be on board with this - or not? The prom climax — catharsis, compromise, or cultural time capsule? We debate whether the film romanticises inequality — and whether Andie's final choice feels empowering or regressive. And finally, whether Pretty in Pink is the Best Film Ever — or simply one of the most enduring teen romances of the 1980s. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“We're all in this together.” Join Ian, Megs & Kev for our 318th episode as we lace up the Wildcats, grab the basketball (and the sheet music), and head back to East High for Disney Channel's cultural phenomenon High School Musical (2006). It's jazz hands, jump shots, and mid-2000s sincerity this week — and yes, we're absolutely committing to the choreography. This week we discuss: The lightning-in-a-bottle appeal — how a made-for-TV movie became a generational event - especially for one member of the panel. Zac Efron and Vanessa Hudgens — chemistry, charisma, and the myth-making of teen stardom.  Does Hudgens get enough credit for the success of the franchise? Ashley Tisdale's Sharpay Evans — villain, icon, or misunderstood theatre kid with ambition? Is she too good to dislike? Megs breaks down the musical structure — why the songs are catchier than they have any right to be, and which ones still slap. The team talks about the difficulty about the audition process - on both sides of the equation  We talk about the differences in social cliques in the North American school system versus the British school system Ian talks about how the whole plot is a conceit that he can't fully buy into - but why? Thematically — identity, peer pressure, and the fear of stepping outside the box. Why this simple message resonated so hard. The “show, don't tell” debate — does the film trust visual storytelling, or does it lean on dialogue and lyrics to do the heavy lifting? The Disney machine — how the film's success reshaped the network's future output. The ending performance — triumphant, predictable, or perfectly engineered for maximum serotonin? And finally, whether High School Musical is the Best Film Ever — or simply the most aggressively rewatchable Disney Channel Original Movie ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Editor - Nigel Williams How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee.  Having first worked with McGee on her hit series, Derry Girls, the two are back together for a show that features Lisa's well-known witty dialogue and quirky characters, but this time all wrapped up in a mystery. How to Get to Heaven From Belfast is an eight-part series that follows three longtime friends. Now in their late 30s, but still as close as ever, the girls are about to embark on the most thrilling adventure of their lives. When an email arrives, telling them about the death of the estranged fourth member of their childhood gang, a series of eerie events at her wake set them on a dark, dangerous and hilarious odyssey through Ireland and beyond.  Together they try to piece together the truth of the past. It's a show about friendship, memory and what happens when life doesn't turn out quite like you'd expected. NIGEL WILLIAMS Nigel Williams is one of the most highly sought-after editors in comedy. He hit gold in 2000 when two strangers were looking to cut a pilot. Those strangers were Ricky Gervais and Stephen Merchant. Together they made one of the biggest comedies of all time, The Office. Nigel then went on to edit some of the most successful comedies on TV, including Extras, Outnumbered, Motherland, Horrible Histories and Tracey Ullman's Show. Nigel also edited 5 seasons of Episodes, starring Matt Leblanc, in Los Angeles, working with Jeffrey Klarik and David Crane (creator of Friends). Williams was thrilled that his recent work on hit show Derry Girls was recognized with a coveted BFE award for Best Editor. He has also co-founded Wrap Party Agency, and is committed to promoting more diversity and inclusion within post-production. Visit Extreme Music for the new Extreme Music panel for Avid Media Composer See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

“Has anything you've done made your life better?” Join Ian, Liam, Megs & Kev for our 317th episode as we confront anger, ideology, consequence, and redemption in Tony Kaye's incendiary and unforgettable American History X (1998). This week, we're also joined by BFF of the BFE: Hermes Auslander, and — in a huge moment for the podcast — we sit down for a special interview with director Tony Kaye himself. This one is heavy. Necessary. Complicated. This week we discuss: Edward Norton's blistering performance — charismatic, terrifying, magnetic. Is this one of the great transformations of the 1990s? The black-and-white vs colour structure — memory, myth, and moral framing. How does the visual language shape our understanding of Derek's journey? The film's central question — can hate be unlearned, and if so, what does it cost? Hermes joins us to unpack the film's cultural and political legacy — why it still resonates, and why it remains controversial. The prison sequence — brutal, pivotal, and narratively dangerous. Does the film handle trauma responsibly? We examine the fine line between depiction and endorsement — does the film risk glamorising the ideology it condemns? The ending — inevitable, devastating, and still capable of knocking the wind out of an audience. What does it ultimately say about cycles of violence? Our special interview with Tony Kaye — reflections on authorship, conflict over the final cut, working with Edward Norton, and how he views the film now, decades later. The legacy question — has the film aged well? Has it been misunderstood? Has it been weaponised? And finally, whether American History X is the Best Film Ever — or one of the most important and confronting films we've ever covered. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“You think this is just a story?” Join Ian, Liam, Megs & Kev for our 316th episode as we descend into the basement, start pressing buttons we absolutely shouldn't, and dismantle the horror genre piece by piece with Drew Goddard and Joss Whedon's The Cabin in the Woods (2011). This week is less about jump scares and more about systems, sacrifice, and whether sometimes… you really should just play the hits. This week we discuss: The central divide — why some viewers desperately wish this film had played it straight, and whether subversion automatically improves a genre story. The two-year delay — why The Cabin in the Woods sat finished but unreleased, and how that limbo shaped its eventual reception. Ian's major life milestone this week — and why it weirdly mirrors one of the film's themes about control and agency. Who really enjoys the metaphor — and whether reading the film as an allegory enhances the experience or drains the fun out of it entirely. Liam's unstoppable TV digression — the show he simply will not stop referencing, regardless of relevance. We spend some well-earned time talking about Catherine O'Hara — authority, timing, and why she elevates everything she touches. The mechanics of the horror machine — archetypes, rituals, and the illusion of choice. Megs breaks down the film's gender politics — subversion, exploitation, and how knowingly the film handles both. Kev weighs in on the concept of gatekeeping and who gets to make all these rules anyway? The elevator scene — catharsis, overload, or glorious anarchy? The ending — nihilistic, freeing, or just pulling the plug on the whole genre. And finally, whether The Cabin in the Woods is the Best Film Ever — or simply the most elaborate middle finger horror ever aimed at its own audience. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Join Ian from Best Film Ever and Stew from The Stew World Order podcast as we break the BFE format by counting down to chaos at WWE Royal Rumble 2025 from Riyadh Season Stadium in Riyadh, Saudi Arabia. We discuss whether the Rumble matches delivered on surprises and storytelling—or if they were just a numbers game. Did WWE make the right call in crowning their Rumble winners? How did the Universal Championship match shake up the road to WrestleMania and is AJ Styles still on the road or has he taken the off ramp? We discuss how many kip-ups is too many for a show and what wrestlers do when their Super Mario stars wear off. We'll answer all these questions and hand out post-event superlatives celebrating the night's best (and worst). Catch more of Stew on his own podcast: Stew World Order at https://podcasts.apple.com/us/podcast/stew-world-order/id1559913522 You can also catch him at his website where he writes about all sorts of fun things: https://swoproductions.com/

“We're doing our part” Join Ian, Liam, Megs & Kev for our 315th episode as we suit up, grab the propaganda reel, and drop feet-first into Paul Verhoeven's gloriously misunderstood sci-fi satire Starship Troopers (1997). It's bugs, blood, and bare-faced ideology this week as we try to work out whether this film knew exactly what it was doing all along. Do you want to know more? This week we discuss: The tone problem (or lack thereof) — is Starship Troopers a dumb action movie, a razor-sharp satire, or both at the same time? Paul Verhoeven's intent — does the film critique fascism so hard that some audiences miss the joke entirely? The performances — intentionally wooden propaganda archetypes, or just bad acting elevated by context? The aesthetics of fascism — uniforms, slogans, and spectacle. Why does the film make authoritarianism look so seductive? Ian breaks down the film's satirical mechanics — how exaggeration, repetition, and irony do the heavy lifting. Liam explores audience reception — why the film was misunderstood on release and reclaimed years later. Megs looks at gender and violence — equal-opportunity brutality, shower scenes, and the illusion of empowerment. Kev weighs in on the action — but don't get him started on the never-ending rounds of bullets The enemy — are the Arachnids monsters, victims, or an invented threat to justify endless war? The propaganda interstitials — world-building masterstrokes or narrative interruptions? Synthia joins us for The Endgame — helping us unpack the film's legacy, its political bite, and why it feels even more relevant now than it did in 1997. The ending — triumphant, horrifying, or both? What are we actually meant to cheer for? And finally, whether Starship Troopers is the Best Film Ever — or one of the smartest films ever disguised as a stupid one. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“Everybody be cool.” Join Ian & Liam for our 314th episode as we cross the border, miss the last turn-off to sanity, and crash headlong into Robert Rodriguez and Quentin Tarantino's genre-shredding cult classic From Dusk Till Dawn (1996). Megs isn't with us this week — she took a job managing the Titty Twister and immediately exercised her right to not be around for what happened next. Kev? Last seen arguing with a biker about tequila and quietly backing away when things started growing fangs. This week we discuss: The hard genre pivot — crime thriller to vampire splatterfest. Is this one of cinema's boldest structural swings or an act of deliberate sabotage? The first half vs. the second half — which film do we actually prefer, and should they ever have been stitched together in the first place? George Clooney's breakout performance — cool, controlled, and shockingly confident. Did this film secretly create a movie star? Quentin Tarantino the actor — indulgent, uncomfortable, and deeply divisive. Does his presence add anything, or actively derail the film? Ian questions the film's tonal discipline — is chaos the point, or does excess eventually become exhaustion? Liam explores the film's grindhouse DNA — exploitation homage, midnight-movie energy, and why this works better at 11:30pm than 2:00pm. Salma Hayek's iconic sequence — empowerment, objectification, or pure genre spectacle? We unpack why this moment still sparks debate. The violence escalation — gleeful, grotesque, and increasingly cartoonish. Where does fun end and numbness begin? The rules of the vampires and the timing of when characters turn  — clear, flexible, or completely improvised depending on the scene? You won't believe the piece of literature that Ian wants to compare this to The ending — aftermath, absurdity, and the sudden return to moral quiet after absolute carnage. And finally, whether From Dusk Till Dawn is the Best Film Ever — or simply the wildest left turn ever taken by a mainstream '90s movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“You can't handle the truth.” Join Ian & Liam for our 313th episode as we step into the pressurised courtroom, moral brinkmanship, and razor-sharp dialogue of Rob Reiner's A Few Good Men (1992). Button up the dress whites, take your seats, and prepare for a film obsessed with duty, power, and the stories institutions tell themselves to survive. This week we discuss: Aaron Sorkin's dialogue as a weapon — rhythm, repetition, and confrontation. Is this peak Sorkin, or the moment his style becomes unmistakably dominant? Tom Cruise as Lt. Kaffee — charming, evasive, underestimated. Is this Cruise's most interesting performance precisely because he starts behind the power curve? Jack Nicholson's Colonel Jessup — operatic, terrifying, magnetic. Does the film become his the moment he enters it? The courtroom structure — how the film drip-feeds information, builds pressure, and engineers one of the most famous climaxes in cinema history. The ethics at the heart of the story — where does responsibility lie: with the men who carried out orders, or the system that created them? Ian talks about criticisms of the ending and if they're reading the film correctly  We explores how masculinity functions in the film — honour, obedience, pride, and camaraderie The supporting cast — Demi Moore's steely professionalism, Kevin Bacon's moral slipperiness, and who almost got Kevin Pollak's role That scene — inevitability versus surprise. Does the famous monologue work because it's shocking, or because it feels unavoidable? The ending — justice served, or merely order restored? What actually changes once the truth is out? And finally, whether A Few Good Men is the Best Film Ever — or simply one of the most watchable, endlessly quotable courtroom dramas ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“Somebody almost walked off wiith all my stuff.” Join Ian & Liam for our 312th episode as we step into the emotionally raw, confrontational, and fiercely theatrical world of For Colored Girls (2010) — a film that asks big questions about pain, survival, and voice, and demands we sit with the discomfort of its delivery. We're later joined by BFF of the BFE: Juleen for The Endgame, as we try to make sense of what hits hardest… and what doesn't land at all. This week we discuss: Whether For Colored Girls successfully translates from stage to screen — or if something vital is lost in the move from choreopoem to cinema. The central tension — is it possible to fully agree with a film's message and still believe it's not a well-made film? The sheer level of star power — and why the performances feel wildly disparate. Which ones moved us, which ones frustrated us, and which ones actively pulled us out of the film. Who unexpectedly steals the show — emerging from the ensemble to deliver a performance that cuts through everything else. The question of tone — is there simply too much poetry here, even when it's beautifully spoken and powerfully performed? How close this film came to being worse — and how an originally cast actress's pregnancy may have unintentionally saved the film from an even harsher imbalance. Ian questions the film's direction and framing — does Tyler Perry trust the material enough, or does the camera overemphasise emotion that should be allowed to breathe? Liam explores the film's confrontational style — is the lack of subtlety a flaw, or is subtlety beside the point entirely? The emotional toll — is the film asking us to witness pain, process it, or simply endure it? Juleen joins us for The Endgame — bringing insight, perspective, and lived context to the discussion, and helping us unpack what the film is reaching for, even when it misses. The ending — cathartic, overwhelming, or emotionally blunt? We unpack whether the final moments feel earned. And finally, whether For Colored Girls is the Best Film Ever — or a deeply important work whose ambition outpaces its execution. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“I wrote you.” Join Ian & Liam for our 312th episode as we step into the strange, tender, and quietly unsettling world of Ruby Sparks (2012) — a film about creativity, control, fantasy, and what happens when the person you imagine refuses to stay that way. Typewriters ready. Boundaries optional. This week we discuss: The central conceit — what happens when your idealised version of someone becomes real, and whether the film earns the right to ask that question. Paul Dano's performance — wounded, awkward, gifted, and quietly terrifying. Is Calvin a romantic lead… or a cautionary tale? Zoe Kazan's Ruby — luminous, frustrating, independent, and increasingly human. How does the film balance charm with agency? The ethics of authorship (first level) — when creativity crosses into control, and when love turns into manipulation.  The ethics of authorship (second level)- What about the ethics of Zoe Kazan's screenplay and performance opposite her actual romantic partner in Paul Dano Our own Ruby Sparks asks whether the film understands its own power dynamics — or if it occasionally romanticises behaviour it should interrogate harder. The meta-text — a film written by its female lead about being written by a man. How much does that context change everything? We talk about fantasy vs. reality in relationships — and how dangerous it is to fall in love with someone who exists only on your terms. Is Calvin a hard lead to sympathise with on any level?  Does his status as financially successful cause him to be less easy to support? There are… hypotheticals discussed — moments that feel uncomfortably specific, strangely timed, or oddly familiar, without ever being about anything in particular. Pure coincidence, obviously. We talk about whether this is strictly a male-female perspective or if it's something innately more comprehensively human than that The tonal shift — rom-com whimsy giving way to something much darker. Does the film stick the landing? The ending — hopeful, troubling, cyclical? What does the final image actually suggest?  Ian presents what he thinks is the author's intent And finally, whether Ruby Sparks is the Best Film Ever — or one of the most quietly confronting relationship films of the 2010s. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“I just want to be loved… preferably by Christmas.” Join Ian, Liam (always listed second), Megs & Kev for our 310th episode as we swap mirror-lined jealousies and boxing-laden family dramas for frosted cottages, floppy fringes, and Nancy Meyers' warm, impractical kitchens with The Holiday (2006). Crack open the mulled wine, argue about accents, and prepare to answer the most important seasonal question of all: is this even a Christmas film… or is it secretly a New Year's movie pretending to care about tinsel? This week we discuss: Whether The Holiday qualifies as a Christmas film at all — or if it's really a New Year's movie wearing a festive jumper, pressed into service only because our Patreon members voted it in as the Christmas review. How Ian possibly survives reviewing a film starring Cameron Diaz — given his long, storied, and deeply felt loathing toward her screen presence. How Megs approaches a film built around Jack Black — an actor she famously does not enjoy - despite her choices of undergarments - especially when he's positioned as a romantic lead. Nancy Meyers' world-building — does the film ever show us emotion, or does it rely entirely on characters telling us exactly how they feel at all times? Cameron Diaz's Amanda — chaotic, guarded, and allergic to crying. Is this performance misunderstood… or exactly why Ian struggles? Kate Winslet's Iris — earnest, wounded, endlessly self-sacrificing. Is she the emotional heart of the film or a fantasy of suffering femininity? Jude Law's Graham — peak Meyers male fantasy, or walking red flag wrapped in knitwear? Jack Black's Miles — pretentious douchebag, charming underdog, or the film's secret emotional MVP? The dual-location structure — England vs. LA, coziness vs. confidence. Does the contrast deepen the story or just sell vibes? The film's relationship with grief, loneliness, and romantic recovery — is it sincere, or comfort-food cinema avoiding real mess? Kev weighs in on the soundtrack and score cues — emotional shorthand or effective storytelling tool? Can we get over the plotholes? Who goes to LA to visit a house sight unseen and who leaves their dog behind for someone else to look after? The ending(s) — festive payoff, narrative convenience, or emotional earnedness? Haven't they just chosen a false ending once you really look at it? And finally, whether The Holiday is the Best Film Ever — or simply the most aggressively rewatchable seasonal comfort movie ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Got some gifting goodies for the gearhead in your day (a little late, we know...) - tap in while Hostus Maximus Justin Fort and The Walkin' Dude get together in BFE for a night in the garage and a list of ideas for your last minute shopping.  Most of these are pretty easy, too, so you really CAN do it today.  Everything from tools (themed upfitting, anyone?), training (welding, driving or wiring?), preparedness (ready for your next disappearing act?), lighting (but not blinding!), gifts made in the U.S.A. (easier than you think!), chemicals (is it empty?), period-correct movies (getting back to your roots...), surveillance (because The Woods!), injectors (because 4Runner...), a disco ball and a Z06. You can even help the Garage Hour out and find Justin and Dan what they want for Christmas.  Dig in: trail electronics, Rain-X, ammo, flannel, Sea-Foam, vampire clips, heat shrink, razor wire, good tape, Maglites, Jaime's articulated loader versus 12' of snow in Mammoth, vintage snowplows, Chuck Norris, the X-Files and Fortean logic. Because we promised:  Miller Lite, Charles Fort, a JF Summit #4 update, blinding Jaime (as witness in our first-ever upload-only Garage Hour), Rodney Dangerfield, Johnny Carson, the good Baldwins, Dr. Evil versus Space Chick, plus Dick Dale, Link Wray, Slayer, Pulp Fiction, Usual Suspects, and an Excellent Weirdo R.I.P. for Peter Greene.

Got some gifting goodies for the gearhead in your day (a little late, we know...) - tap in while Hostus Maximus Justin Fort and The Walkin' Dude get together in BFE for a night in the garage and a list of ideas for your last minute shopping.  Most of these are pretty easy, too, so you really CAN do it today.  Everything from tools (themed upfitting, anyone?), training (welding, driving or wiring?), preparedness (ready for your next disappearing act?), lighting (but not blinding!), gifts made in the U.S.A. (easier than you think!), chemicals (is it empty?), period-correct movies (getting back to your roots...), surveillance (because The Woods!), injectors (because 4Runner...), a disco ball and a Z06. You can even help the Garage Hour out and find Justin and Dan what they want for Christmas.  Dig in: trail electronics, Rain-X, ammo, flannel, Sea-Foam, vampire clips, heat shrink, razor wire, good tape, Maglites, Jaime's articulated loader versus 12' of snow in Mammoth, vintage snowplows, Chuck Norris, the X-Files and Fortean logic. Because we promised:  Miller Lite, Charles Fort, a JF Summit #4 update, blinding Jaime (as witness in our first-ever upload-only Garage Hour), Rodney Dangerfield, Johnny Carson, the good Baldwins, Dr. Evil versus Space Chick, plus Dick Dale, Link Wray, Slayer, Pulp Fiction, Usual Suspects, and an Excellent Weirdo R.I.P. for Peter Greene.

“I'm not a stepping stone.” Join Ian, Liam & Megs for our 309th episode as we step into the sweat-soaked gyms, fractured families, and hard-won resilience of David O. Russell's The Fighter (2010). Lace up the gloves, tape the wrists, and prepare for a story about loyalty, damage, and the cost of fighting your way out of the place you came from.  We're bragging about knocking down Sugar Ray Leonard this week as we discuss: Christian Bale's extraordinary, Oscar-winning transformation — volatile, compulsive, heartbreaking. Is this one of the great supporting performances of modern cinema? Mark Wahlberg as Micky Ward — or is he just playing Mark Wahlberg with less swearing? Amy Adams' breakout performance — sharp, grounded, and unflinching. Did the camera take advantage of her though? The family dynamic — love, obligation, manipulation, and control. When does support turn into sabotage? Megs breaks down the portrayal of working-class women — authenticity, resilience, and why the female characters feel unusually real for a boxing movie. Ian explores how The Fighter subverts the sports-film formula — less about glory, more about survival and self-definition.  Is it even a boxing film? The documentary-style camerawork — raw, intimate, and invasive. How does the film blur the line between sports drama and social realism? The ethics of redemption — does Dicky earn his comeback, or does the film soften the damage he's done?  Which member of the cast just couldn't forgive him The boxing itself — brutal, unromantic, and exhausting. Does stripping away spectacle make the fights hit harder? The ending — triumphant, restrained, emotionally complicated or underwhelming? We unpack what “winning” actually means here. And finally, whether The Fighter is the Best Film Ever — or simply one of the most honest American sports dramas of the 21st century. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“The Champ… is here.” Join Ian and special guest Stew from The Stew World Order Podcast as we sit down at the Ringside Roundtable to take a deep-dive look at one of the most polarizing, celebrated, and influential wrestlers in WWE history — John Cena. Across nearly two decades, Cena went from Ruthless Aggression rookie to the face of an entire era, and this special episode breaks down every chapter of his career with honesty, insight, and maybe a few “You Can't See Me” jokes. This week we discuss the following  while debating we can be seen or not: Our Cena origin stories — Ruthless Aggression debuts, the Undertaker handshake, the F-U era, the rapper gimmick, and the pivot to PG's Hustle, Loyalty, Respect. Which version of Cena did we meet first? What made Cena appealing — why kids adored him, whether his “Never Give Up” mantra was authentic, and if he was secretly underrated in-ring all along. Where the hate came from — the roots of the Cena Sucks movement, the difference between hating the booking and hating Cena himself, and whether fans resented how “corporate” he felt. Was the backlash justified? — did fan criticism have merit, or did Cena silence doubters with consistently strong, big-match performances later in his career? Cena's in-ring legacy — how good he actually was bell-to-bell, the key matches that define his style, and whether “Super Cena” booking helped or hindered him. The Cena character — iconic or limiting? Should he have turned heel? And how effective was his mic work beyond the occasional goofy promo? Did Cena make stars… or bury them? — who benefitted most from working with him (Owens, Styles, Umaga) and who fans believe he held back. Was Cena good for wrestling overall? — did he grow the audience or preside over decline? Was his mainstream presence a net positive? And did WWE rely on him too heavily? Cena's cultural footprint — is he WWE's last true megastar? How Make-A-Wish shaped his legacy, and whether Hollywood changed how fans view him today. Cena vs. modern WWE — how he'd fare if he debuted now, how his style fits today's product, and whether Roman Reigns is truly Cena 2.0. The endgame — did Cena step away at the right time? Should Gunther be his final opponent? Is Saturday Night's Main Event the right farewell? Does he need one last WrestleMania moment? Defining rivalries — the feuds that shaped his career, whether he elevated or overshadowed opponents, and our Top 5 Cena Rivalries each. Cena's legacy — where he ranks all-time, how defining he was for the PG Era, and how his longevity compares to Hulk Hogan, Steve Austin, The Rock, and Roman Reigns. And finally, the verdict — was John Cena good or bad for wrestling? Has history softened the criticism? And what is his true legacy when everything is weighed together? Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE

“I just want to be perfect.” Join Ian & Megs for our 308th episode as we step into the mirror-lined, razor-edged, emotionally fraught world of Darren Aronofsky's Black Swan (2010). Lace up your shoes, crack your knuckles, and prepare to descend into obsession, duality, and tutu-level trauma. This week we discuss: Natalie Portman's extraordinary, Oscar-winning transformation — fragile ingénue, ruthless perfectionist, and fractured psyche in one. Mila Kunis as the effortless chaos to Nina's claustrophobic control — real threat or manifested paranoia? Aronofsky's visual language: reflections, doubles, textures, and body horror. How does he trap the audience inside Nina's deteriorating mind? The film's depiction of artistic pressure and perfectionism — when does ambition turn pathological? What other film could we not stop referencing whilst watching this film Megs questions the ballet accuracy (and the wildly inaccurate bits) — including the culture, the training, and the psychological toll Ian asks if the film does a good enough job educating the audience about ballet to make the film accessible We talk about how Black Swan functions as a companion piece to The Wrestler — obsession as both craft and self-destruction. The boundaries between reality and hallucination — when does the film stop being literal? Or was it metaphor all along? We examine the film's treatment of sexuality, identity, and agency through the lens of duality: White Swan vs. Black Swan, innocence vs. corruption, submission vs. liberation. The final performance — triumphant, tragic, transcendent? We unpack the film's unforgettable ending. And finally, whether Black Swan is the Best Film Ever — or simply one of the most hypnotic psychological thrillers of the 21st century. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“We're as real as a f**king donut!” Join Ian, Liam & Beadle Steve for our 307th episode as we cruise down Sunset Boulevard, slip into our moccasins, and take a long, nostalgic look at Quentin Tarantino's sun-drenched fairytale Once Upon a Time in Hollywood (2019). Megs and Kev? They're not with us this week — Megs got invited to a last-minute audition on a Spaghetti Western set outside Rome, and Kev got lost trying to hitchhike to the Playboy Mansion. We wish them both luck. We're also waxing poetic about Jay Glennie's excellent history of the film with "The Making of Quentin Tarantino's Once Upon a Time In Hollywood" available everywhere now. This week we discuss: How Tarantino utilises revisionist history and a clear late sixties aesthetic into his most affectionate, laid-back film yet. Leonardo DiCaprio's turn as Rick Dalton — insecure, electric, and oddly sympathetic. Brad Pitt's Cliff Booth — stuntman, handyman, maybe-murderer, absolute legend. Beadle Steve weighs in on the film's leaving of breadcrumbs and its toasty payoff How the film handles Sharon Tate with grace, warmth, and unexpected emotional weight much to Liam's appreciation The Manson Family sequences — slow-burning dread done right but where is Charlie and why does Ian argue it's the right call for the film? Ian breaks down Tarantino's structural choices: meandering brilliance or indulgent reimagining? The film's controversial ending — catharsis, fantasy, or simply Tarantino being Tarantino?  Does it help if you know the real life history? Someone argues it doesn't matter and the film still works. Nostalgia vs. narrative: does the film rely too heavily on vibes, or is that the point? We question whether OUATIH is a buddy film, a fairy tale, a love letter, or all of the above. The “Rick Dalton meltdown” scene — one of the great comedic acting moments of the decade? Which parts got combined and then split again on account of scheduling conflicts Who was supposed to be in the film if not for tragedy occurring? And finally, whether Once Upon a Time in Hollywood is the Best Film Ever — or just Tarantino's most beautifully crafted hangout movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Buy Jay Glennie's book at https://amzn.eu/d/fTGfDBu We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“Which would be worse… to live as a monster, or to die as a good man?” Join Ian, Liam & Kev for our 306th episode as we board the ferry to Ashecliffe and plunge headfirst into the mist, trauma, and unreliable memories of Martin Scorsese's Shutter Island (2010). Megs? She's not with us this week — she insisted on exploring Ward C “just for a quick look” and the gates slammed shut behind her. We're hoping she'll be released pending evaluation. This week we discuss: How Scorsese blends noir, horror, and psychological drama into one of the most atmospheric films of the 2010s. Leonardo DiCaprio's performance — genius unraveling, or a masterclass in controlled chaos? Mark Ruffalo's deceptively calm presence — partner, puppet, or something much more unsettling? Are we naturally prejudiced to think Ben Kingsley is the villain because he's British? How does Scorsese take a psychological thriller and masquerade it within both a whodunnit and a conspiracy film Which special effects had us marveling at their ingenuity and which ones had us reaching for our Resties ballots? How could the narrative alignment choices made by Scorsese have gone terribly wrong Ian breaks down the film's narrative structure — why repeated viewings make the film richer, not clearer. Liam asks whether the film asks too much from the viewer  How trauma, denial, and memory shape the film's psychological core — and why the story hits different every rewatch. B-Tech Kev picks up on some subtleties and asks if we saw what he saw whilst Ian talks about how the ability to pause and rewind has changed cinema Genre blending: is Shutter Island a detective mystery, a horror film, or a psychological portrait of grief? The lighthouse reveal — one of Scorsese's most tension-filled sequences. We debate the meaning of the ending, Teddy's awareness, and that final chilling line. And finally, whether Shutter Island is the Best Film Ever — or simply the most beautifully disorienting mind maze Scorsese ever built. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Find out more about Juleen's nephew, Castor, and how you can help at https://gofund.me/73a67a9d6 We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“But I tried, didn't I? Goddammit, at least I did that.” Join Ian & Liam for our 305th episode as we get ourselves committed to one of the greatest American films ever made: One Flew Over the Cuckoo's Nest (1975). Kev and Megs? They won't be joining us this week — Megs was last seen challenging Nurse Ratched's medication schedule and Kev tried to lift the hydrotherapy console to escape. Security is “having a chat” with both of them. This week we discuss: How Miloš Forman's direction created a sense of art imitating life. But who was Miss Ratched and who was Mac? Jack Nicholson's legendary performance as R.P. McMurphy — charming, chaotic, and dangerously alive.  But is it just Jack playing Jack? Louise Fletcher's cold, controlled terror as Nurse Ratched — is she evil, institutionalised, or the product of her system? The film's astonishing supporting cast — from Danny DeVito to Brad Dourif — and why the ensemble might be one of the best ever assembled.  Who asked for asshole Doc Brown? The real power struggle at the heart of the film: rebellion vs. routine, individuality vs. institution. Ian breaks down the film's narrative structure and why one sequence isn't necessary Liam reflects on the humour, the heartbreak, and the explosive final act — does any other ending hit quite like this one? Is Mac crazy? How would someone pretending to be crazy present themselves in this environment? We discuss the film's legacy: its Oscars sweep, its influence on pop culture, and its place in the “Great American Films” canon. Is McMurphy a hero, a catalyst, or a cautionary tale? What was Milos Forman trying to say in the film based on his personal lifestory? And finally, whether One Flew Over the Cuckoo's Nest is the Best Film Ever — or simply one of the boldest critiques of power and conformity ever committed to screen. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Find out more about Juleen's nephew, Castor, and how you can help at https://gofund.me/73a67a9d6 We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

At last… our pod is complete again.” Join Ian, Liam & Megs (she always goes last), along with Friend of the Podcasters: Beadle Steve, for our 304th episode as we sharpen our razors, roll out the pie dough, and dive into the gothic, gory glory of Sweeney Todd: The Demon Barber of Fleet Street (2007). This week, we're not just talking Burton's blood-soaked macabre attempt at a masterpiece — we're also sharing our collective memories from our very own recent production of Sweeney Todd! Expect behind-the-scenes stories, backstage laughs, and maybe a few stories about trap doors and jettisons of blood This week we discuss: How Tim Burton's adaptation balances musical theatre grandeur with cinematic horror — and where it falls short. Johnny Depp's take on the title role: tortured genius or just Burton doing Burton again? Helena Bonham Carter's Mrs. Lovett — delightful, deranged, and determined to make the worst pies in London. How Alan Rickman and Timothy Spall manage to be both repulsive and magnetic - but can they sing?  Who do we think could've done it better? The use of colour, lighting, and sound — and why did the crew need so many garbage bags? How Sweeney Todd manages to turn tragedy into operatic spectacle without losing its emotional sting. We discuss at great length a couple of elements that one of us just couldn't overlook We share our favourite moments (and biggest mishaps) from our own stage production — from what it's like to be reviewed ourselves to unexpected laughter in the wrong places and if you can imagine it - Ian flexing in the spotlight What it's like performing Sondheim's music live — the challenge, the rhythm, and the glorious chaos. Beadle Steve joins us to talk about his experience, his favourite scenes, and whether he's still hearing “Ding Dong!” in his sleep... and what happened to the ensemble anyway? And finally, whether Sweeney Todd: The Demon Barber of Fleet Street is the Best Film Ever — or just the bloodiest musical we've ever loved. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Byeeeee! Just kidding ... sort of! In what is a farewell episode for Flirtations, I must share that the show is taking a pause for the foreseeable future. In what was a difficult decision for the Flirt Board (me and my cat, Sugar), we're gonna unplug the mic for a minute. I can't thank you all enough for all of your streams and support of the Flirtcast, and I promise to come back with new episodes! It's been a life changing experience to bring you each of these conversations, and I thank you so much for listening to and sharing the show! All the episodes will continue to stream and the socials will continue to be active. I'll still be posting new things to your feeds and talking about all things flirting and dating! Inside this episode, I'll share more about why the show is taking a breather, where I'm at in my life (perhaps oversharing, I don't know!), and what's coming next. I'm so proud of this show and hope each episode inspires you to be your flirtiest self ever - and discover entirely new things about yourself along the way!

“Sometimes the most beautiful things in life don't make sense.” Join Ian & Liam, along with BFF of the BFE: Ariannah (Who Loves BFE the Most™), for our 303rd episode as we ride through the heart and humanity of Peter Bogdanovich's Mask (1985) — the moving, funny, and unforgettable story of Rocky Dennis, his extraordinary mother, and the people who refused to let difference define them. This week we discuss: How Mask walks the perfect line between sentiment and sincerity without tipping into melodrama. Cher's powerhouse performance — fierce, fragile, and absolutely magnetic but was she well directed (or even well written?) Eric Stoltz's stunning transformation and how the film lets his humanity shine through the prosthetics. Why this might be the most compassionate film of the 1980s — and what it still teaches us about empathy today. Ariannah joins us to talk about how disability and difference are portrayed on screen, and why this one hits harder than most. The use of music (and that classic Springsteen debate) — how the soundtrack shapes the film's emotional DNA. We rip on Bogdanovich's simplistic direction and how his brevity is far from the film's greatest strength. Ian wonders whether the film's emotional punches still land as powerfully for modern audiences. We talk about how Mask redefined expectations for family drama and biopic storytelling. And finally, whether Mask (1985) is the Best Film Ever — or just one of the most human films we've ever covered. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

It's the LOVE episode of Flirtations y'all, with Shaun Galanos! The creator behind @thelovedrive and co-host of the “We Can Do Better” podcast is on the show to take us on a journey as we talk about love! Along the way, we'll answer questions like, “what is love?” “How can we create more of it in our lives?” Whether you're dating, in a relationship, not really looking, or maybe just confused about it all, love is a universal energy that is part of all our relationships, including the one with ourselves! We'll also share some common obstacles that hold us back from fully embracing love, and what we can do to be more open to the experience in dating and in our relationships. We've also got a discussion on one of the biggest questions in dating, when to say "I love you," offering tips on when and how to express this feeling! Finally, Shaun spills some of his best flirting tips, strategies to strike up a conversation, and ways to make the first move! And who should make the first move, anyway? Shaun has an answer! You don't wanna miss this episode as we explore love and its many dimensions! Let's go! *originally aired December 8, 2024* Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Take the FREE Flirt Styles Quiz Get INSTANT ACCESS to my anti-anxiety flirting and dating guide Download my FLIRTING AND TEXTING CONVERSATION GUIDE Grab my FREE Dating App Survival handbook Book your 1:1 Flirting Audit Ask the Flirt Coach About our guest:  Shaun Galanos is a speaker & coach who helps people have better, more loving relationships through open, honest, and playful communication.  While his formal background is in interpersonal communication and personal and professional coaching, most of his teachings come from his experiences trying to build healthy relationships with those around him and years of personal therapy.  Hosting experts on his podcast, creating endless Q&A reels on Instagram, and coaching people through his courses and workshops have also informed how he empowers folks to communicate openly, honestly, and playfully about their sex and love life. You can connect with Shaun learn more about his work on his Substack and Instagram! About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy - with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the Flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage. Ultimately, this practice of connection helps flirters and daters alike create stronger relationships, transcend limiting beliefs, and develop an unwavering love for the self. His work has been featured in Fortune, NBC News, The Huffington Post, Men's Health, and Yoga Journal. You can connect with Benjamin on Instagram, TikTok, watch on YouTube, and stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

Coming up on this episode of Flirtations, we welcome Heidi Friedman to the show, author of the book Love Lessons: 104 Dates and the Stories That Led Me to True Love. After her divorce and stepping into life as a single parent, Heidi woke up one morning shortly after her fortieth birthday with a realization: she wasn't sure she'd ever experienced romantic love.  So, she set out on a journey — one that would take her on 104 dates, and we're going to hear about some of those experiences today. We'll talk about dating after divorce, dating as a single parent, and what it means to find love.  We explore the fears, the logistics, the judgment, and the hope — and how even after the loss of a previous life, love can still surprise you. Because dating in your 40s isn't about starting over — it's about beginning again. Which is kind of the same thing, but you get it! Alright Flirties, let's do this, and meet Heidi! Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Take the FREE Flirt Styles Quiz Get INSTANT ACCESS to my anti-anxiety flirting and dating guide Download my FLIRTING AND TEXTING CONVERSATION GUIDE Grab my FREE Dating App Survival handbook Book your 1:1 Flirting Audit Ask the Flirt Coach About our guest:  Heidi B. Friedman, formerly Goldstein and born Eisman, is a successful attorney and partner at a large law firm specializing in all areas of environmental law and environmental, social and governance (ESG) based counseling. Love Lessons is her first book, but Heidi has written regularly for Bloomberg, Law 360, and other publications related to her professional life and experience as a female lawyer. Heidi lives in Cleveland Heights, Ohio, with her husband Will, and their joint baby, Felix, a cur mix they rescued. Will is Heidi's do-over after being single for almost 10 years and surviving 104 dates. Heidi has four children. Two children she birthed, Morgan (25) and Zach (21) and two are her bonus children, Max (28) and Ben (26). Heidi and Will greatly enjoy traveling as well as spending time with friends. Heidi likes walks around Shaker Lakes, her time at yoga and Pilates, and date nights at a bar with Will. In her life, she has a strong network of amazing women who she treasures and who provide support, guidance and company for drinking wine. You can follow Heidi on Instagram and check out the I Love You More podcast on Apple. About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy - with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the Flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage. Ultimately, this practice of connection helps flirters and daters alike create stronger relationships, transcend limiting beliefs, and develop an unwavering love for the self. His work has been featured in Fortune, NBC News, The Huffington Post, Men's Health, and Yoga Journal. You can connect with Benjamin on Instagram, TikTok, watch on YouTube, and stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

On this episode of Flirtations, we're joined by dating coach and entrepreneur Tisia Saffold who is going to spill the dating tea with us and share all the big sister dating advice you wish you knew, but maybe haven't heard before ... until now! Here's what you can expect from this episode: Why you can't date potential (and the mindset shift you need right now if you are) How to choose yourself vs. waiting to be “chosen” in dating How to date with detachment, manage your emotions and anxiety, and be less reactive What about asking "what are we," early on, is this a good idea? How can you know if you're being lead on? What is cheap communication currency? (and why watching your stories doesn't mean anything) What is the uno reverse card in dating? And how can you use it to gain your power back? You're dating someone and they say they need space, what to do you in this situation? Can a friends with benefits/casual physical connection become more?  A message from Tisia for anyone dealing with heartbreak and MORE! What are you waiting for, let's goooo!! Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Take the FREE Flirt Styles Quiz Get INSTANT ACCESS to my anti-anxiety flirting and dating guide Download my FLIRTING AND TEXTING CONVERSATION GUIDE Grab my FREE Dating App Survival handbook Book your 1:1 Flirting Audit Ask the Flirt Coach About our guest:  Meet Tisia X.V. Saffold! Pronounced "Ta-see-a" and named from her late Mother's birth story of wanting "to see her" after long hours in labor, Tisia was born and raised in Chicago and relocated to the DMV area 10 years ago. Tisia is Founder & CEO of a Tech Startup-Cleare: a compliance software for the childcare industry. In addition to her thriving Startup, Tisia is a beauty and fragrance influencer who has reached over 100M social media accounts, going viral for her unique perspective on dating and relationships. After auditioning as a single in the DMV, Tisia was casted on OWN Networks "Ready to Love" Season 5. Stream the Dear Tisia podcast and subscribe to Dear Tisia on YouTube! You can follow Tisia on Instagram and join the Secret Girls Chat + check out coaching and other offers here. About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy - with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the Flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage. Ultimately, this practice of connection helps flirters and daters alike create stronger relationships, transcend limiting beliefs, and develop an unwavering love for the self. His work has been featured in Fortune, NBC News, The Huffington Post, Men's Health, and Yoga Journal. You can connect with Benjamin on Instagram, TikTok, watch on YouTube, and stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

Coming up on this episode of Flirtations, we're talking on of the most universal experiences we all share — loneliness. Joining us is Dr. James Ellis, a psychologist known online as @lonelinessdoctor, whose work explores how loneliness shapes our lives — and what it takes to find connection again. We talk about why meeting people can feel so hard in today, the visible and invisible barriers that keep us from reaching out, and how micro connections - those tiny, everyday exchanges - can actually rewire our sense of belonging. We also explore how external validation ties into our self-worth, and how the search for connection can sometimes become a search for ourselves — because who we are often reveals itself through what we do, how we show up, and how we let others see us. How we connect with our world. This episode is about more than just loneliness — it's about rediscovering the art of connection, one moment, one breath, one flirt at a time. Let's do this Flirties, and meet Dr. Ellis! Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Take the FREE Flirt Styles Quiz Get INSTANT ACCESS to my anti-anxiety flirting and dating guide Download my FLIRTING AND TEXTING CONVERSATION GUIDE Grab my FREE Dating App Survival handbook Book your 1:1 Flirting Audit Ask the Flirt Coach About our guest:   Dr. James Ellis is a psychologist, speaker, and founder of The Loneliness Doctor. His work explores loneliness as a social health crisis - highlighting the ways in which modern life erodes connection and identifying what it takes to restore it. Through his writing, clinical practice, and public education, he helps redefine how we understand and heal from disconnection in the modern world. You can connect with Dr. Ellis on Instagram! About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy - with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the Flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage. Ultimately, this practice of connection helps flirters and daters alike create stronger relationships, transcend limiting beliefs, and develop an unwavering love for the self. His work has been featured in Fortune, NBC News, The Huffington Post, Men's Health, and Yoga Journal. You can connect with Benjamin on Instagram, TikTok, watch on YouTube, and stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

What is connection? And why is connection so important? Not just for our hearts, but for our overall health and wellbeing? What about loneliness? In many ways the inverse of connection, how does loneliness impact our lives? Mentally? Emotionally? Physically? In this episode of Flirtations, we welcome Jemma Sbeg, a creator, author, and host of the "Psychology of Your 20's Podcast" to have a conversation with us all about connection and loneliness. What drives our need for connection? What are some challenges we face when connecting? Why might vulnerability and opening up cause us anxiety? What can we do to overcome this? How about loneliness? Where does loneliness come from and why can we feel it so deeply? What can we do to bring more connection into our lives and combat loneliness? Finally, yoga teacher Flirt Coach is back with a meditation for you on connection! For the final part of the episode, I invite you to get cozy and settle into a guided meditation all about bringing more connection into our lives! *originally aired October 27, 2024* Don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Take the FREE Flirt Styles Quiz Get INSTANT ACCESS to my anti-anxiety flirting and dating guide Download my FLIRTING AND TEXTING CONVERSATION GUIDE Grab my FREE Dating App Survival handbook Book your 1:1 Flirting Audit Ask the Flirt Coach About our guest: Jemma Sbeg is the creator and voice behind the wildly popular "The Psychology of Your 20's Podcast" that has resonated with 20 somethings around the world - and those both younger and older! With over 200 episodes (and counting) streaming, you're guaranteed to find a topic that meets you exactly where you're at in life. Jemma's highly informative and entertaining podcast has captured the attention of the "podlings" all over the world, helping us understand ourselves, and each other, a little bit better! Follow Jemma on Instagram: @jemmasbeg Follow the podcast on Instagram: @thatpsychologypodcast For business: psychologyofyour20s@gmail.com  Get the book, "Person in Progress" About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy - with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the Flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage. Ultimately, this practice of connection helps flirters and daters alike create stronger relationships, transcend limiting beliefs, and develop an unwavering love for the self. His work has been featured in Fortune, NBC News, The Huffington Post, Men's Health, and Yoga Journal. You can connect with Benjamin on Instagram, TikTok, watch on YouTube, and stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

It's a brand new Flirtini! I'm turning 40 today and what I've got for you in a honest reflection on where I'm at in my life and what's coming next. Thank you for being here!