Heart Banter by David Gittlin

Vince Gill wrote “Jenny Dreamed of Trains.” He performs it beautifully, but John Denver's version caught my attention. The song reminds us what we can create when we hold fast to a dream and work to make it happen. Dreams call to us, despite the many distractions that come between the songs in our hearts. The ordinary necessities of life kept me from pursuing my dreams until I cleared the distractions and focused fully on bringing forth what was always in my heart. In the song, Jenny's dream seemed impossible, but with faith and the force of her will fueled by passion, a teenage girl changed the world around her. Nothing is impossible if we listen to and accept the dreams in our hearts. I have written and published 15 novels and created a YouTube channel with guitar and vocal song covers that has reached more than one million subscribers. You can do it, too. Have the courage to live your dreams. The beauty and power of “Jenny Dreamed of Trains” have made me cry at times. Does the song take you back to your Childhood dreams? Where are they now? Please enjoy my covers. Vince Gill wrote “Jenny Dreamed of Trains.” He performs it beautifully, but John Denver's version caught my attention. The song reminds us what we can create when we hold fast to a dream and work to make it happen. Dreams call to us, despite the many distractions that come between the songs in our hearts. The ordinary necessities of life kept me from pursuing my dreams until I cleared the distractions and focused fully on bringing forth what was always in my heart. In the song, Jenny's dream seemed impossible, but with faith and the force of her will fueled by passion, a teenage girl changed the world around her. Nothing is impossible if we listen to and accept the dreams in our hearts. I have written and published 15 novels and created a YouTube channel with guitar and vocal song covers that has reached more than one million subscribers. You can do it, too. Have the courage to live your dreams. The beauty and power of “Jenny Dreamed of Trains” have made me cry at times. Does the song take you back to your Childhood dreams? Where are they now? Please enjoy my covers. Chapters (00:00:06) - Jenny Dreamed of Trains (Song)

I recently changed my music source from Sirius XM to Pandora. As an avid fan of Folk and Country Music, it turned out to be a wise decision. Now, I can listen to my favorite recording artists singing songs from the 60's through the 90's. And lately, several of those songs are appearing on this blog. Like the previous song I posted here, “Silver Skies Blue” captured my attention almost immediately. I had never heard it before because, prior to Pandora, I had never listened to Judy Collins' music the way I do now. In addition to Silver Skies Blue, I've posted several of Judy's cover and original songs, including: When I Was a Girl in Colorado, Suzanne, and Hey, That's No Way to Say Goodbye. The album “Silver Skies Blue” features songs by Collins and Ari Hest, who also performs with his polished guitar playing and powerful, deep voice that complements Judy's higher one perfectly. Released in 2016, the album earned Collins her first Grammy nomination in 40 years. Chapters (00:00:06) - I Color My Silver Skyes Blue

I recently changed my music source from Sirius XM to Pandora. As an avid fan of Folk and Country Music, it turned out to be a wise decision. Now, I can listen to my favorite recording artists singing songs from the 60s through the 90s. And lately, several of those songs are appearing on this blog. Like the previous song I posted here, “Silver Skies Blue” captured my attention almost immediately. I had never heard it before because, prior to Pandora, I had never listened to Judy Collins' music the way I do now. In addition to Silver Skies Blue, I've posted several of Judy's cover and original songs, including: When I Was a Girl in Colorado, Suzanne, and Hey, That's No Way to Say Goodbye. The album “Silver Skies Blue” features songs by Collins and Ari Hest, who also performs with his polished guitar playing and powerful, deep voice that complements Judy's higher one perfectly. Released in 2016, the album earned Collins her first Grammy nomination in 40 years. Here's my cover. Chapters (00:00:06) - I Color Your Silver Sky Blue

At 82 years young, Judy Collins used poetry that she had written and collected over the years to create an album of original songs named Spellbound. She used the isolation of the COVID-19 pandemic to write and perfect the music. “Spellbound” broke new ground because it was the first album Judy Collins produced in her six-decade career that contained all original songs. This is a remarkable achievement for someone who had made her name mostly by singing and playing cover songs from recording artists she admired. The first song on “Spellbound” is titled “When I Was a Girl in Colorado.” I've changed it to “A Boy in Colorado.” In words and music, the song paints a picture of the artist moving with her family to Denver, Colorado, from Seattle, Washington, as a young girl in 1949. The song's lyrics hearken back to the natural beauty of “rivers dancing on canyon walls,” “blooming paintbrush flowers,” and “bluebirds in the pine trees.” These images reflect Judy's deep love for the wilderness, which at one point in her early life almost led her to become a park ranger. Here's my cover. Drop me a line if you feel moved to. Chapters (00:00:14) - Like the Wind

“When You Say Nothing At All” is a country music song with a storied past. Written by Paul Overstreet and Don Schlitz, the song was picked up by Keith Whitley. He loved the song when he first heard it, and wasn't going to let it go to another recording artist. Whitley had learned his lesson after passing on another Overstreet-Schlitz song that became a hit for Randy Travis. This time around, “When You Say Nothing At All” became a major hit for Whitley when he introduced it in 1988 on his “Don't Close Your Eyes” album. Sadly, Whitley passed away a few months later at the age of 33. As an interesting side note, Schlitz and Overstreet created the song after an unproductive day in the studio. While strumming their guitars, they sang about coming up with nothing at all, which led to the song's lyrics. They didn't think the song was anything special, but history proved them wrong. Country Singer Allison Krause and her band, Union Station, reintroduced the song in 1995 on a tribute album to Keith Whitley. “When You Say Nothing At All” became their first top 10 country hit. Chapters (00:00:15) - When You Say It Best To Me

“When You Say Nothing At All” is a country music song with a storied past. Written by Paul Overstreet and Don Schlitz, the song was picked up by Keith Whitley. He loved the song when he first heard it, and wasn't going to let it go to another recording artist. Whitley had learned his lesson when he passed on another Overstreet-Schlitz song that became a hit for Randy Travis. This time around, “When You Say Nothing At All” became a major hit for Whitley when he introduced it in 1988 on his “Don't Close Your Eyes” album. Sadly, Whitley passed away a few months later at the age of 33. As an interesting side note, Schlitz and Overstreet created the song after an unproductive day in the studio. While strumming their guitars, they sang about coming up with nothing at all, which led to the song's lyrics. They didn't think the song was anything special, but history proved them wrong. Country Singer Allison Krause and her band, Union Station, reintroduced the song in 1995 on a tribute album to Keith Whitley. “When You Say Nothing At All” became their first top 10 country hit.

“Talking In Your Sleep” is not exactly a happy song. I chose it for the guitar background and the melody, both of which I find quite beautiful. I'm a long-time fan of Gordon Lightfoot, and I've covered many of his songs on this blog. However, this song is not as well known as many of Lightfoot's others, and I hadn't listened to it in decades. But the song kept popping up on the Pandora stations I've been listening to lately, and it captured my attention immediately. “Talking In Your Sleep” is a touching, country-folk song written and performed by the Canadian singer-songwriter. Reprise Records released the song in 1971 on Gordon's 6th album, Summerside of Life. It became a moderate hit, reaching #64 on the U.S. Billboard Hot 100 charts and #19 on the Canadian RPM charts. In case you were wondering, RPM stands for the title of a popular Canadian music trade journal called Records, Promotion, Music. Moderate hit or not, “Talking In Your Sleep” rings my doorbell. I hope it will ring yours as well. My mentor, Jerry Lamberth, calls it “a wonderful song,” and one of the first lessons he posted on his site, Jerry's Guitar Bar. With Jerry's tutelage, I'm playing the song close to Lightfoot's original.

“Talking In Your Sleep” is not exactly a happy song. I chose it for the guitar background and the melody, both of which I find quite beautiful. I'm a long-time fan of Gordon Lightfoot, and I've covered many of his songs on this blog. However, this song is not as well known as many of Lightfoot's others, and I hadn't listened to it in decades. But the song kept popping up on the Pandora stations I've been listening to lately, and it captured my attention immediately. “Talking In Your Sleep” is a touching, country-folk song written and performed by the Canadian singer-songwriter. Reprise Records released the song in 1971 on Gordon's 6th album, Summerside of Life. It became a moderate hit, reaching #64 on the U.S. Billboard Hot 100 Charts and #19 on the Canadian RPM charts. In case you were wondering, RPM stands for the title of a popular Canadian music trade journal called Records, Promotion, Music. Moderate hit or not, “Talking In Your Sleep” rings my doorbell. I hope it will ring yours as well. My mentor, Jerry Lamberth, calls it “a wonderful song,” and one of the first lessons he posted on his site, Jerry's Guitar Bar. With Jerry's tutelage, I'm playing the song close to Lightfoot's original. Chapters (00:00:12) - I heard you talking in your sleep

Townes Van Zandt's life touched mine only tangentially until recently. I first heard of Van Zandt through Nanci Griffith's cover of his song “Tecumseh Valley.” Like many Van Zandt ballads, it tells a tragic and beautifully melodic story about a woman named Caroline. “Techumseh Valley” is about a life, a time, and a place far from the life I've led. Yet, it's a song I'll never forget. Although Van Zandt never became a big name in the music world during his career, it is because of the depth, emotion, and poignancy of songs like “Tecumseh Valley” that the singer and songwriter is remembered and celebrated today, almost thirty years after his death. There are two more Van Zandt songs that have really touched me. They are “If I Needed You” and “Pancho and Lefty.” I'm covering “Pancho and Lefty” here. “If I Needed You” will arrive in the near future. Thanks for listening. Chapters (00:00:07) - A Little Something About Pancho

Townes Van Zandt's life touched mine only tangentially until recently. I first heard of Van Zandt through Nanci Griffith's cover of his song “Tecumseh Valley.” Like many Van Zandt ballads, it tells a tragic and beautifully melodic story about a woman named Caroline. “Techumseh Valley” is about a life, a time, and a place far from the life I've led. Yet, it's a song I'll never forget. Although Van Zandt never became a big name in the music world during his career, it is because of the depth, emotion, and poignancy of songs like “Tecumseh Valley” that the singer and songwriter is remembered and celebrated today, almost thirty years after his death. There are two more Van Zandt songs that have really touched me. They are “If I Needed You” and “Pancho and Lefty.” I'm covering “Pancho and Lefty” here. “If I Needed You” will arrive in the near future. Thanks for listening. Chapters (00:00:07) - Pancho the Bandit

The ending of a love relationship is often painful and dramatic. In “Hey, That's No Way to Say Goodbye,” Leonard Cohen has penned a poetic plea for a graceful, respectful breakup that honors the beauty of a dying connection, rather than dwelling on the pain, anger, and lingering regret of the ending. Cohen wrote the song in 1966 on a decrepit bed in the Penn Terminal Hotel in Midtown Manhattan. In 1967, Judy Collins, who became Cohen's good friend, recorded the song for her album  Wildflowers. The following month, Cohen's own version was released on his debut album, Songs of Leonard Cohen. Cohen described the song as “a moment of clarity in the middle of a love affair's end.” He also explained, “It's about acknowledging that love changes but doesn't truly die. The bodies may part, but the connection remains in the light and the words left behind.” While introducing “Hey, That's No Way to Say Goodbye” during his 1976 Live at Montreux performance, Cohen memorably said: “As you eastern metaphysicians know, just as from the darkest mud blooms the whitest lotus, so from the brownest hotel room you occasionally get a good song.” Playing heartfelt, beautiful songs like this one juices me up. Enjoy this enhanced cover version.

The ending of a love relationship is often painful and dramatic. In “Hey, That's No Way to Say Goodbye,” Leonard Cohen has penned a poetic plea for a graceful, respectful breakup that honors the beauty of a dying connection, rather than dwelling on the pain, anger, and lingering regret of the ending. Cohen wrote the song in 1966 on a decrepit bed in the Penn Terminal Hotel in Midtown Manhattan. In 1967, Judy Collins, who became Cohen's good friend, recorded the song for her album  Wildflowers. The following month, Cohen's own version was released on his debut album, Songs of Leonard Cohen. Cohen described the song as “a moment of clarity in the middle of a love affair's end.” He also explained, “It's about acknowledging that love changes but doesn't truly die. The bodies may part, but the connection remains in the light and the words left behind.” While introducing “Hey, That's No Way to Say Goodbye” during his 1976 Live at Montreux performance, Cohen memorably said: “As you eastern metaphysicians know, just as from the darkest mud blooms the whitest lotus, so from the brownest hotel room you occasionally get a good song.” Playing heartfelt, beautiful songs like this one juices me up. Enjoy this cover version. Chapters (00:00:07) - How to say goodbye to a lover

In his thirties, Leonard Cohen wrote novels, poetry, and the occasional song. These were his passions, and he hoped to make a living at them. Unfortunately, at this early stage in his career, Cohen realized these passions couldn't support him. Most people at this point would, with a heavy heart and great disappointment, turn to a more mundane and practical way to make a living. Not Leonard. He decided to earn his way with another one of his loves: Country Music. Along the way, Cohen had taught himself to play the acoustic guitar. It should be noted that most successful singer-songwriters begin to hone their musical talents from the ages of somewhere between five and twelve. Again, not Leonard. It should also be noted that the decade-long eruption of folk music from the early sixties to the early seventies had passed Cohen by, largely unnoticed. In other words, Cohen's chances of a successful music career were less than his chances in the literary arts. People laughed at his hubris. Now, here's the interesting part. I will refer to my experiences with my father to illustrate the point I'm going to make. My father was a very successful businessman. I once asked him, “What is the secret of your success?” In his typical manner, he gave me a short answer: “In my early thirties,” he said, “I found out that I had the goods.” Translated, that means my dad discovered that he had the talent in spades to build companies and make money. Okay, let's go back to Leonard Cohen. On his way to Nashville, Cohen stopped in New York. There, someone introduced him to Judy Collins. What are the odds of a no-name like Leonard Cohen meeting a rising star like Miss Collins? I'd say at least 28 million to one. Unless there is another factor at play. And here's what I believe. Because Leonard Cohen inherently “had the goods,” he met Judy Collins, and they became good friends. Eventually, Collins brought her friend's work to the attention of a record label. In time, Cohen became a household name and an internationally known recording artist. Leonard Cohen, whether he knew it or not, had a remarkable musical talent. He had what it took to be a star. And what I've discovered is that you can't force it. Yes, it takes hard work to hone your talent, but don't expect to be the 1% unless you are the 1%. At some point, one has to accept whether or not one has “the goods.” I dreamed of becoming a widely read author. It never happened, but I've mellowed about it. I enjoy writing my little books that are read by my little audience. I never dreamed of reaching a broad audience with my music. But that has happened. It takes an effort, and I enjoy it almost as much as writing. I guess the moral of the story is to enjoy what you do if you are following your heart, and most importantly, don't worry about the results. Chapters (00:00:11) - The Love of a Seaman

Suzanne: The Lady Of The Harbor In his thirties, Leonard Cohen wrote novels, poetry, and the occasional song. These were his passions, and he hoped to make a living at them. Unfortunately, at this early stage in his career, Cohen realized these passions couldn't support him. Most people at this point would, with a heavy heart and great disappointment, turn to a more mundane and practical way to make a living. Not Leonard. He decided to earn his way with another one of his loves: Country Music. Along the way, Cohen had taught himself to play the acoustic guitar. It should be noted that most successful singer-songwriters begin to hone their musical talents from the ages of somewhere between five and twelve. Again, not Leonard. It should also be noted that the decade-long eruption of folk music from the early sixties to the early seventies had passed Cohen by, largely unnoticed. In other words, Cohen's chances of a successful music career were less than his chances in the literary arts. People laughed at his hubris. Now, here's the interesting part. I will refer to my experiences with my father to illustrate the point I'm going to make. My father was a very successful businessman. I once asked him, “What is the secret of your success?” In his typical manner, he gave me a short answer: “In my early thirties,” he said, “I found out that I had the goods.” Translated, that means my dad discovered that he had the talent in spades to build companies and make money. Okay, let's go back to Leonard Cohen. On his way to Nashville, Cohen stopped in New York. There, someone introduced him to Judy Collins. What are the odds of a no-name like Leonard Cohen meeting a rising star like Miss Collins? I'd say at least 28 million to one, unless there is another factor at play. And here's what I believe. Because Leonard Cohen inherently “had the goods,” he met Judy Collins, and they became good friends. Eventually, Collins brought her friend's work to the attention of a record label. In time, Cohen became a household name and an internationally known recording artist. Leonard Cohen, whether he knew it or not, had a remarkable musical talent. He had what it took to be a star. And what I've discovered is that you can't force it. Yes, it takes hard work to hone your talent, but don't expect to be the 1% unless you are the 1%. At some point, one has to accept whether or not one has “the goods.” I dreamed of becoming a widely read author. It never happened, but I've mellowed about it. I enjoy writing my little books that are read by my little audience. I never dreamed of reaching a broad audience with my music. But that has happened. It takes an effort, and I enjoy it almost as much as writing. I guess the moral of the story is to enjoy what you do if you are following your heart, and most importantly, don't worry about the results. Please enjoy my cover of Leonard's beautiful song, Suzanne.

“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don't remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it. “Eternal Flame” became one of The Bangles' biggest hits, reaching #1 in nine countries, including the USA in 1989. I still don't know why “Eternal Flame” barged unannounced into my head, but I'm glad it did. The song is BEAUTIFUL. Here's my cover. Chapters (00:00:08) - Close Your Eyes, Give Me Your Hand

It started out as a poem. Then it turned into a song. Then it became a background song for the movie “Beaches.” After various song covers at home and abroad, in 1988, Bette Midler made “Wind Beneath My Wings” a #1 hit in the USA. A year later, the song won Grammy Awards for both Record of the Year and Song of the Year. Here's my version. Chapters (00:00:08) - My Hero

It started out as a poem. Then it turned into a song. Then it became a background song for the movie “Beaches.” After various song covers at home and abroad, in 1988, Bette Midler made “Wind Beneath My Wings” a #1 hit in the USA. A year later, the song won Grammy Awards for both Record of the Year and Song of the Year. Here's my version. Chapters (00:00:09) - When You Were Simply Everything

“Sky Blue and Black” is an emotional roller coaster, looking back on the joys and sorrows of love and its lasting impact. Jackson Browne wrote the song over four years and released it on his album “I'm Alive” in 1992. The source material comes from Jackson's relationship with a famous actress. However, Browne never wants his songs to be identified with his specific life events, so he rarely speaks about his real-life relationships, especially in the context of his music. “It's a drag even to imagine that people are thinking about [the] relationship instead of their own lives,” Jackson told the Los Angeles Times. “I think if a song is any good, eventually it'll turn out to be about the life of the listener and not about the life of the writer. Anyway, that's my hope.” Enjoy my revised version of “Sky Blue and Black” with background instrumentation.

Cat Stevens wrote “The First Cut Is The Deepest” when he was eighteen. At the time, he had no intention of becoming a worldwide star performer. He sold the song for thirty pounds to P.P. Arnold, a soul singer who lived near him in London. She released “The First Cut Is The Deepest” on her first album. It reached #18 on the U.K. charts in 1967. Eventually, Rod Stewart and Sheryl Crow covered the song, making it a major hit in America. Stevens released his version of the song on his debut album, New Masters. Because he never released “The First Cut Is the Deepest” as a single, the album went largely unnoticed. Despite his shyness, Stevens' songwriting and singing burst through to make him an international star in the music industry. I'm using Stevens' version in my cover. Chapters (00:00:15) - When You Know First Cut Is the deepest

The Seekers are an Australian band formed in 1962. The Folk and Gospel group achieved the zenith of their popularity in the mid '60's with several hit songs. Their most memorable chart-topper is a song titled “I'll Never Find Another You.” It reached #1 on the UK charts in 1965, making the Seekers the only Australian band with a #1 hit song outside of Australia. The song reached #97 in the United States, quite a feat in itself. The group has continued to perform to standing ovations around the world into the 1990's. I am dedicating this song to my wife of 37 years, Bonnie Erens-Gittlin. Without exaggeration, every word in the lyrics of this song applies. I am grateful to have spent my adult life with this woman and the beautiful daughter we have raised. Here's my cover. Listening to the Heart Brings Peace and Harmony into a Life Chapters (00:00:10) - "For You Will Be My Someone Forever"

“True Colors” is a song with legs. It started out as a song written for a mother in a traditional ballad format. Billy Steinberg and Tom Kelly wrote the song in 1986 and offered it to Anne Murray, a popular singer at the time. Murray passed on the song. Cyndi Lauper took it and creatively revamped the format into a stark and breathtaking version. The song became a hit worldwide because of its universal appeal. The songwriters acknowledge that Lauper was the perfect artist to adapt the song partly because of her bold style. Released as the title song on Lauper's 1986 album, “True Colors,” is the only original song on the album that the artist did not help to write. In 1998, Phil Collins covered the song on his “Greatest Hits” album. Australian country music star Kasey Chambers covered the song as the theme for the 2003 Rugby World Cup. In 2007, Cindy Lauper launched “The True Colors Tour” to support gay rights and fight hate crimes. In 2016, Justin Timberlake and actress Anna Kendrick used the song in the soundtrack for the movie “Trolls.” Kodak also used the song to advertise its film stock. Like I said: The song has legs. Here's my version. Chapters (00:00:05) - True Colors

Eric Andersen's voice, songs, guitar, and piano playing created a career that has spanned over 45 years. He has recorded 25 albums of original songs and made numerous tours of North America, Europe, and Japan.His songs have been recorded and performed by world-renowned artists such as Judy Collins, Peter Paul and Mary, Linda Ronstadt, Johnny Cash, The Grateful Dead, Linda Thompson, plus many others in Europe, Australia, England, and Japan. One of Eric's most famous songs is "Thirsty Boots." I loved it from the first time I heard it. Here's my cover. Chapters (00:00:09) - A stranger stops for a while

Cat Stevens first met Alun Davies as a backup musician in a recording session. He liked what he heard. After another session, Stevens recognized that Davies was an exceptional talent. In a following private session, Stevens played something like fifty of his original songs for Davies, whereupon Davies decided Cat was also an exceptional talent. He agreed to accompany Stevens on an upcoming tour. After the tour, Davies became Stevens' permanent 2nd guitar until Stevens stopped playing music with his conversion to Islam in 1977. When Stevens began performing again in 2003, the two artists reunited. Here is a new version of "How Can I Tell You" with me playing and singing Davies' now famous second guitar part. Chapters (00:00:00) - How Can I Tell You That I Love You?

In this song, Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens' love is unattainable in the present. Yet, I believe, the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet his perfect love. There are many interpretations of “How Can I Tell You.” In my view, the song is hopeful rather than despairing. However one interprets “How Can I Tell you,” I feel the song is filled with incredible beauty that cannot help but shine through. Stevens first met Alun Davies as a backup musician in a recording session. He liked what he heard. After another session, Stevens recognized that Davies was an exceptional talent. In a following private session, Stevens played something like fifty of his original songs for Davies, whereupon Davies decided Cat was an equally exceptional talent. He agreed to accompany Stevens on an upcoming tour. After the tour, Davies became Stevens' permanent 2nd guitar until Stevens stopped playing music with his conversion to Islam in 1977. When Stevens began performing again in 2003, the two artists reunited. Here is a new version of "How Can I Tell You" with me playing and singing Davies' now famous second guitar part. Chapters (00:00:00) - Sam How Can I Tell You That I Love You?

Have you heard of Steve Gillette? If you were alive in the 1960s and liked folk music, there's a chance the name rings a bell. Gillette never reached the top of the charts, but he's a very talented singer/songwriter. Many of his songs have been performed by artists you have heard of, including John Denver, Gordon Lightfoot, Ian and Sylvia, Nanci Griffith, and Linda Ronstadt. “The Bells in the Evening” appears on Gillette's debut album, released in 1967. The album, simply titled “Steve Gillette,” stands as one of Steve's finest recordings. “The Bells” is a bittersweet (actually sweet-bitter) song of love blossoming in the spring and fading away in the fall. I find the melody and lyrics deeply moving. Perhaps you will, too. The song is also replete with imagery. When you listen, what images come to your mind? I've revisited “The Bells of the Evening,” adding a new background track by Giovanni Egusquista. Here's my cover. Chapters (00:00:24) - How to Remember a Love Song

A movie studio commissioned a composer to write "Everything I Do" for Kevin Costner's Film, "Prince of Thieves." Bryan Adams, with his producer Mutt Lange, wrote the lyrics, bridge, arrangement, and outro. Adams used a line from the movie for the song title. The studio did not like the instrumentation in the finished product. They buried it midway in the credits, not anticipating what a huge hit the song would become. "Everything I Do" is one of the most successful singles of all time, selling over 3 million copies. It was #1 for 16 weeks in England and seven weeks in the United States. Please enjoy my cover with background instrumentation by Giovanni Egusquiza.  Chapters (00:00:12) - "Everything I Do, I Do It For You"

If you missed the vocal and guitar cover of "Heaven," here it is again with a rocking digital enhancement. Chapters (00:00:07) - God's Love Songs For People In Heaven

"How Can I Tell You" with digital instrumentation. Chapters (00:00:23) - "Always Thinking of You"

Previous to this writing, I had never heard of Bryan Adams. I am in the minority because Adams has created a number of beautiful, chart-topping hits that most people besides me are familiar with. “Heaven” is another song that came into my mind from someplace I can't define. When I heard Boyce Avenue's stirring performance of it, I fell in love with the song immediately. On July 15, 1985, “Heaven” reached #1 on the Billboard Chart. Paradoxically, it was written for a movie that flopped. Bryan Guy Adams was born in 1959. As a teenager, he played in bands and in local studios.  In 1978, he met drummer and songwriter Jim Vallance, and together they formed a partnership that lasted for decades.  Their early collaboration helped Adams strike a deal with A&M Records for a reported one dollar.  His debut album was released when the folk-rock genre exploded in the early eighties.  The album was good enough to earn Adams a second one with A&M. It helped establish Adams as an artist on the rise.  His third album, 1983's Cuts Like a Knife, proved to be the singer-songwriter's breakthrough effort, including three Top 40 hits. Later that year, while working on his fourth studio album, Reckless, Adams considered including “Heaven” on it, but initially felt it didn't live up to the quality of the rest of the album. At the last minute, however, Adams changed his mind and added “Heaven” to the Reckless tracklist. Reckless went on to sell 12 million copies worldwide, becoming the most successful album of Adam's career. Here's my cover of “Heaven.”  Chapters (00:00:06) - Baby, You're All That I Want In Heaven

Here's another song, written by Paul Kennerly and made famous by Emmylou Harris, called “Heaven Only Knows.” The song was released on Emmylou's 1989 album, “Bluebird.” The song reached #16 on the Hot Country Music Chart. Since I'm a newcomer to the Country Music Scene, I'd never heard of Paul Kennerly before. He's an Englishman who has written 30 published Country Music songs. (I guess there are stranger things that abound in our world). I don't recall Kennerly's name being mentioned in connection with any of the songs I've covered here. Be that as it may, he has written two powerful songs that Emmylou Harris has brought to my attention. I covered the other song, “Born to Run,” in my previous blog. “Heaven Only Knows,” as performed by Emmylou and her band, features a driving beat, compelling lyrics, and the recording artist's beautiful, singular voice. Digital Backup by Joaquin Masch Here's my cover. Chapters (00:00:08) - Why Loving You Should Make Me Cry

“Long May You Run” is written by Neil Young. The song came alive for me when I heard Emmylou Harris and her band perform it. Now in her seventies, Emmylou is still beautiful and sings like an angel, as attested to in the video I've included. After hearing Miss Harris' version of the song, I began listening to many of her other reels on YouTube. She is a consummate, unique performer, not to mention beautiful. Emmylou's music has remained consistently excellent throughout her forty-year career. Willie Nelson is quoted as saying, “There are two types of people in this world…those who love Emmylou and those who have not met her.” Harris has released more than twenty-five albums. She was inducted into the Country Music Hall of Fame in 2008 and earned a Lifetime Achievement Award in 2018. Here's my cover.

Here's another song, written by Paul Kennerly and made famous by Emmylou Harris, called “Heaven Only Knows.” The song was released on Emmylou's 1989 album, “Bluebird.” The song reached #16 on the Hot Country Music Chart. Since I'm a newcomer to the Country Music Scene, I'd never heard of Paul Kennerly before. He's an Englishman who has written 30 published Country Music songs. (I guess there are stranger things that abound in our world). I don't recall Kennerly's name being mentioned in connection with any of the songs I've covered here. Be that as it may, he has written two powerful songs that Emmylou Harris has brought to my attention. I covered the other song, “Born to Run,” in my previous blog. “Heaven Only Knows,” as performed by Emmylou and her band, features a driving beat, compelling lyrics, and the recording artist's beautiful, singular voice. Here's my cover. Chapters (00:00:08) - Heaven Only Knows Just Why Loving You Should Make Me Cry

While searching for a video of Bruce Springsteen playing his iconic hit “Born to Run,” I stumbled upon a video of Emmylou Harris singing “Born to Run.” Now, here's the fascinating surprise: Emmylou is singing an entirely different song written by Paul Kennerly. And this song really rocks. Released in 1982 as the second single from Harris' album Cimarron, “Born to Run” reached number 3 on the Billboard Hot Country Singles & Tracks chart. Emmylou Harris sings like an Angel. She is a Country Music Hall of Fame inductee. I put Emmylou into my Hall of Fame alongside other Angels by the names of Eva Cassidy, Nanci Griffith, Linda Ronstadt, and Kate Wolf. Here's my cover of Paul Kennerly's “Born to Run.” Chapters (00:00:11) - Well I Was Born To Run

“Long May You Run” is written by Neil Young. The song came alive for me when I heard Emmylou Harris and her band perform it. Now in her seventies, Emmylou is still beautiful and sings like an angel, as attested to in the video I've included. After hearing Miss Harris' version of the song, I began listening to many of her other reels on YouTube. She is a consummate, unique performer, not to mention beautiful. Emmylou's music has remained consistently excellent throughout her forty-year career. Willie Nelson is quoted as saying, "There are two types of people in this world...those who love Emmylou and those who have not met her." Harris has released more than twenty-five albums. She was inducted into the Country Music Hall of Fame in 2008 and earned a Lifetime Achievement Award in 2018. Here's my cover. Chapters (00:00:07) - Long May You Run

The Beatles have produced a motherload of work in the thirteen* albums they released. Within their massive discography, there are bound to be songs that the band members liked or disliked in varying degrees. Lennon and McCartney wrote “It's Only Love” in 1965. The song is about a complex relationship that is ultimately worth it because, after all, “It's Only Love,” and that's the way it often goes. I was surprised to learn that John Lennon thought the song was “pure rubbish,” meaning that it was only a filler song created to feed the hounds of commerce. Paul McCartney had a more optimistic view: “Sometimes we didn't fight it if the lyric came out rather bland on some of those filler songs like ‘It's Only Love.' If a lyric was really bad, we'd edit it, but we weren't that fussy about it because it's only a rock ‘n' roll song. I mean, this is not literature.” Most fans, like myself, can relate to the song, finding the lyrics acceptable and the melody beautiful. Here's my cover.

Jackson Browne has always been a brilliant lyricist, singer, guitarist, and songwriter. I have enjoyed playing many of his songs on this blog. All of them are my favorites, and “Enough of the Night” is no exception. Written when he was turning forty, Browne originally thought he was writing about someone else, until he realized that “Enough of the Night” was about himself. He had grown tired of a destructive lifestyle that mostly involved drugs (Cocaine). He decided the time had come for a change, and Browne writes about it poignantly in his lyrics. Listen closely, and you'll see what I mean. “Enough of the Night” is also reminiscent of Jackson's sister, but that's another story entirely. Here's my cover. Chapters (00:00:08) - Enough for the Night

The Jackson Browne song “You Love the Thunder” is about a musician and a lover who joins him on tour, a thread that underlies many of the songs on Browne's album, Running on Empty. The album explores life on the road from performances, to backstage, hotel rooms, and relationships with band members and audiences. The lyrics of “You Love the Thunder” suggest that while Browne's lover may not always enjoy the difficult aspects of a musician's life on the road, they are irresistibly drawn to the excitement of the lifestyle and the passion that runs through it like a vein of valuable ore. The line, “To be a woman in love with a man in search of the flame,” exemplifies the central meaning of the song: the enduring, though sometimes challenging, love for someone driven by a passionate, and likely spiritual quest. Chapters (00:00:04) - You Love the Thunder and You Love the Rain

When the Eagles were a struggling group in Los Angeles, they noticed many beautiful women married to older, successful men. It posed the question: Were these women happy or unhappy? One night, while drinking in their favorite bar, they spotted a beautiful young woman. Alongside her, a fat, old, rich guy sat drinking. They were chatting, and apparently a couple. Glen Frey, the group's leader, commented, “Look at her. She can't hide those lying eyes.” The Eagles realized they had a great idea for a new song. They began to write the lyrics of "lyin Eyes" right then and there. The song tells an in-depth story about women who have taken the easy way out by marrying for money alone. While the song is entirely fictional, it has an incontrovertible ring of truth. Maybe that's why Lyin' Eyes reached number 8 on the Country Chart. It is the only Eagles song to become a top 10 Country hit. Here's my cover. Chapters (00:00:15) - There Ain't No Way to Hide Your Lion Eyes

When the Eagles were a struggling group in Los Angeles, they noticed many beautiful women married to older, successful men. It posed the question: Were these women happy or unhappy? One night, while drinking in their favorite bar, they spotted a beautiful young woman. Alongside her, a fat, old, rich guy sat drinking. They were chatting, and apparently a couple. Glen Frey, the group's leader, commented, “Look at her. She can't hide those lying eyes.” The Eagles realized they had a great idea for a new song. They began to write the lyrics right then and there. The song tells an in-depth story about women who have taken the easy way out by marrying for money alone. While the song is entirely fictional, it has an incontrovertible ring of truth. Maybe that's why Lyin' Eyes reached number 8 on the Country Chart. It is the only Eagles song to become a top 10 Country hit. Here's my cover. Chapters (00:00:16) - When You Can't Hide Your Lion Eyes

“Glenn Frey and Don Henley wrote this song together, and Frey sang lead. Along with “Desperado,” it was one of two songs they came up with in the first week that they started writing together. The songs formed the basis of the Eagles' second album, with Frey and Henley comparing the life of a cowboy to that of a musician. “Tequila Sunrise” shows the transient nature of each lifestyle, as the singer falls for a woman who just wants to use him and move on. The theme didn't immediately connect with the buying public, but the songs and the album stood the test of time.”*  *Excerpted from Songfacts® Chapters (00:00:19) - It's Another to Kill The Sunrise

Cat Stevens wrote “The First Cut Is The Deepest” when he was eighteen. At the time, he had no intention of becoming a worldwide star performer. He sold the song for thirty pounds to P.P. Arnold, a soul singer who lived near him in London. She released “The First Cut Is The Deepest” on her first album. It reached #18 on the U.K. charts in 1967. Eventually, Rod Stewart and Sheryl Crow covered the song, making it a major hit in America. Stevens released his version of the song on his debut album, New Masters. Because he never released “The First Cut Is the Deepest” as a single, the album went largely unnoticed. Despite his shyness, Stevens' songwriting and singing burst through to make him an international star in the music industry. I'm using Stevens' version in my cover.

In this song, I believe (Yusuf) Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens' love is unattainable in the present. Yet, I further believe, that the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet her. In this sense, the song is hopeful rather than despairing. However one interprets “How Can I Tell you,” I feel that the song is filled with incredible beauty that shines through. And thank you, Yusuf Islam (Cat Stevens), for your always beautiful, wise, and inspiring music. Here's my cover. Chapters (00:00:23) - "How Can I Tell You That I Love You..."

Many of Yusuf/Cat Stevens' songs convey underlying messages about childhood and the relationships between children and adults, such as ‘Father & Son' and ‘Oh Very Young,' to name a few. “Where Do the Children Play?” is no exception. It becomes increasingly timely with each passing day, given the environmental crisis we are facing. The song refers to the destruction of natural spaces caused by overdevelopment and industrialization. It asks a fundamental question: What future awaits our children when the spaces where they play are increasingly paved over and polluted?  “Where Do The Children Play” prompts us to consider the inherent features of the ‘progress' we are making, as well as Humanity's impact on planet Earth. Essentially, this beautiful and simple song begs for a balanced relationship between Human Beings and nature. Typical of a Cat Stevens song, the rhythm is quite unique. Here's my cover.

"Father and Son" is a song about the age-old story where the father's vision for his son does not align with his son's dreams for the future. Cat Stevens refurbishes the story with his unique and beautiful phrasing in the lyrics and melody. It has taken me some time to warm up to this song due to the violent rift I had with my father regarding my future. My Dad passed away in 2006, and now, in my older years, I can see and appreciate the opportunities he gave me. I am at peace with the relationship, and I am inspired by my father's accomplishments. You might think this song pertains to Cat Stevens' struggles with his father, but that is not the case. His father owned a Greek restaurant, and like all fathers, wanted his son to join the business. Stevens, of course, had vastly different ideas. Wisely, his father never stood in the way of his son's dreams. Stevens wrote this song, imagining a Russian father and son differing about the son's future. "Father and Son" was originally planned as part of a stage play. The project never saw the light of day. Stevens eventually released the song on his "Tea for the Tillerman" album. Here's my cover.

Far from old age, Cat Stevens wrote “Oh Very Young” when he was twenty-five. The wisdom in the song surpasses Stevens' chronology with lines like, “You're only dancin' on this Earth for a short while.” Stevens contracted tuberculosis when he was nineteen, and it almost killed him. After that experience, Stevens kept an eye on the Big Picture. Always the explorer, Stevens sought the meaning and purpose of life, as illustrated in his songs like “On the Road to Find Out.” He eventually converted to Islam in 1977. Around the same time, he permanently left the world stage as a singer and songwriter. In his relatively short career, Cat Stevens left us with a body of music that is still relevant today and, to millions around the world, extremely enjoyable. Originally, I played this song using a picking method, and then I switched to strumming. I watched a video of Stevens performing the song with a strumming method. I thought, I'll never be able to play it that fast. To my amazement, I wound up playing the song as fast as Stevens when I strummed it. Interesting. Here's my cover. Chapters (00:00:08) - Oh, Very Young What Will You Leave Us This Time?

Willie Nelson made “Always On My Mind” one of his signature songs. Upon hearing the song for the first time, Nelson knew that he wanted to add “Always On My Mind” to his repertoire. Several recording artists, including Elvis Presley, released the song unsuccessfully. When Nelson recorded it in 1982, the song became a smash hit. Nelson's sensitive rendition made the song a top 5 hit and a Grammy nomination. Wayne Carson wrote “Always” as an apology to his wife when he was working in a recording studio in Memphis and stayed ten days longer than he expected to. When Carson called his wife to tell her that he had to stay in Memphis longer, she let him have it. To make his wife feel better, Carson told her she was “always on his mind.” “It just struck me like someone had hit me with a hammer,” Carson told the LA Times. “I told [my wife] real fast I had to hang up because I had to put that into a song.  ‘Always' is about one long apology. I guess there are a lot of people in the world who are looking for a way to say [what the lyrics express] in a song.” “Always On My Mind” popped into my head from out of nowhere. Coincidentally, I've been hearing it at the gym where I work out, but after the fact. I've decided that it's a reminder from the cosmos to appreciate my loyal wife of thirty-six years. Here's my cover played in Nelson's style. Chapters (00:00:14) - Sometimes I Think I Didn't Love You Enough

This song is about a man who gives up his dreams to live a life of routine monotony due to the crushing necessity of earning a living. In a 1997 interview with Mojo magazine, Browne said of this song: “I'm a big fan of ambiguity and its bountiful rewards, and ‘The Pretender' is two things at once. It's that person in all of us that has a higher ideal, and the part that has settled for compromise, like Truffaut says, there's the movie you set out to make, and there's the one you settle for. But in a more serious sense, ‘The Pretender' is about 1960s idealism —the idea that life is about love, brotherhood, justice, social change, and enlightenment. These concepts were prevalent as our generation reached its stride, and later, we settled for something quite different. So when I say ‘Say a prayer for The Pretender,' I'm talking about those people who are trying to convince themselves that there really was nothing to that idealism.” (excerpt from an article by SongFacts.com) The boldface type is about a lyric in the song I could relate to most, since I lived through that period: “I want to know what became of the changes we waited for love to bring. Were they only the fitful dreams of some greater awakening?” Here's my cover of “The Pretender.” Chapters (00:00:20) - Praying for the Pretender

Jackson Browne wrote “For A Dancer” in memory of a modern dancer friend who died tragically in a fire. When Jackson's wife, the model Phyllis Major, died suddenly in 1976, “For A Dancer” mysteriously took on a new meaning. “That's how songs work,” Brown said in an interview. “They migrate into other parts of your life and other experiences.” Browne eventually played the song at the funerals of two other celebrity friends. And if one listens to the lyrics closely, “For A Dancer” becomes a larger commentary on the intransience of life itself. We cling to it like a thread. To me, the larger meaning underscores the necessity of using every precious moment wisely. Here's my cover. Chapters (00:00:12) - A Dance for the Dead

Jackson Browne's guitar techniques, lyrics, and melodies stand apart from the crowd. What he says through his music is sometimes searing, sad, and occasionally, happy. However, all of Browne's songs have something in common: an incredible sensitivity and beauty. Browne wrote "These Days" when he was only sixteen years old. Despite his youth, Browne demonstrated a keen sense of heartbreak. I'm not sure how a sixteen-year-old could feel the depth of emotion and remorse expressed in this song. If we assume Jackson experienced and gave voice to the words and tone of "These Days," then he was wise beyond his years and deeply rooted in himself from early on. The song had its first release when a protégé of Andy Warhol named Nico picked it up on her "Chelsea Girl" album. Brown played acoustic guitar in the background. "These Days" gained wider recognition when several artists subsequently covered it. Brown eventually released his version of the song in 1973 on the album "For Everyman." He rewrote "These Days" to make it more optimistic. In his own words, Jackson remembers, "Over the rest of my teenage years and into my 20s, I developed a kind of optimism, a kind of resoluteness, so I changed [one verse] to: 'I'll keep on moving, keep improving.' That's more to me what life is made of, the idea that I'll get through this, I'll continue looking." I've always wanted to play this song the way Jackson Browne does. Thanks to my friend Jerry Lambert, I can now do it. Here's my cover.

I first heard "Cornflower Blue" as the opening song on Kate Wolf's 1983 double album "Give Yourself to Love." As I listened to the album many times over, "Cornflower Blue" grew on me (no pun intended). I began to appreciate the exquisite beauty in the lyrics and in Kate's lovely singing voice. Oftentimes, songs like this one will find their way into my heart, and I feel compelled to play them myself. With this song, I had my doubts. The chances were good that I might not pull it off. Learning how to play "Cornflower Blue" like Kate does was like learning how to walk again. The style is completely counterintuitive to what I'm used to, but I'm glad I made the effort. I hope my cover of the song conveys some of the mystery and beauty of the original.

In a 2009 interview, Cat Stevens (by then Yusuf Islam) is quoted as saying: “I was on holiday in Spain. I was a kid from the West End of London--I never got to see the moon on its own. In the dark, there were always streetlamps. So there I was on the edge of the water on a beautiful night with the moon glowing, and suddenly I looked down and saw my shadow. I thought that was so cool; I'd never seen it before.” The song is about finding hope in any situation, of being present and joyful. With the simplicity and joy of a child, Stevens writes about seeing life as it is in the moment, without comparing it to others' lives or other times in an individual's life. Moonshaw is a beautiful song expressing the idea that every moment in life is rich and unique. Whether we are aware of it or not, Stevens is saying, we are always “leaping and hopping on a Moonshadow” every second of our existence. He cautions against being too wrapped up in our worries and concerns about what could be or what has been, and consequently missing the richness of life as it is. Here's my cover played in the artist's style.