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Estas dos palabras dan título a un álbum grabado por Ornette Coleman en doble cuarteto a finales de 1960 para el sello Atlantic. La obra —cuyo título completo es Free Jazz: A Collective Improvisation— rompe las estructuras previas del jazzy apunta a un paroxismo nunca escuchado._____Has escuchadoAscension - Edition I (1965) / John Coltrane. John Coltrane, saxofón tenor; McCoy Tyner, piano; Jimmy Garrison, bajo; Elvin Jones, batería; Archie Schepp y Pharoah Sanders, saxofón tenor; John Tchicai y Marion Brown, saxofón alto; Art Davis, bajo. Impulse (1987)Hello Chi (1970) / Art Ensemble of Chicago. Fontella Bass, voz; Lester Bowie, trompeta; Roscoe Mitchell, flauta y saxofón alto; Joseph Jarman, flauta y saxofón alto; Malachi Favors, bajo. FreeFactory (2010)Simple Like (1969) / Anthony Braxton. Leo Smith, trompeta y mult. instrumentos; Anthony Braxton, saxofón alto y mult. instrumentos; Leroy Jenkins, violín y mult. instrumentos; Steve McCall, percusiones. BYG Records (1969)Sunday Morning Church (2003) / William Parker. Billy Bang, violín; Hamid Drake, batería; William Parker, contrabajo. Thirsty Ear (2003)Truth Is Marching in (1966) / Albert Ayler. Albert Ayler, saxofón tenor; Don Ayler, trompeta; Michel Sampson, violín; Bill Folwell y Henry Grimes, bajos; Beaver Harris, batería. Impulse (1998)_____Selección bibliográficaANDERSON, Iain, This Is Our Music: Free Jazz, the Sixties, and American Culture. University of Pennsylvania Press, 2007BRADLEY, Francis R., Universal Tonality: The Life and Music of William Parker. Duke University Press, 2021CARLES, Philippe y Jean-Louis Comolli, Free Jazz: Black Power. Traducido por Juan Giner. Anagrama, 1973JENKINS, Todd S., Free Jazz and Free Improvisation: An Encyclopedia. Greenwood Press, 2004JOST, Ekkehard, Free jazz: une étude critique et stylistique du jazz des années 1960. Outre Mesure, 2002KOLODA, Richard, Holy Ghost: The Life & Death of Free Jazz Pioneer Albert Ayler. Jawbone Press, 2022MAZZOLA, Guerino y Paul B. Cherlin, Flow, Gesture, and Spaces in Free Jazz Towards a Theory of Collaboration. Springer, 2009ONSMAN, Andrys y Robert Burke, Experimentation in Improvised Jazz: Chasing Ideas. Routledge, 2019PARKER, William et al., Conversations. Rogueart, 2011—, Conversations II: Dialogues and monologues. Rogueart, 2015—, Conversations III: Dialogues and monologues. Rogueart, 2019—, Conversations IV. Rogueart, 2023PEYROU, Mariano, Free jazz: la música más negra del mundo. Anagrama, 2024RUSH, Stephen, Free Jazz, Harmolodics, and Ornette Coleman. Routledge, 2017SCHWARTZ, Jeff, Free Jazz: A Research and Information Guide. Routledge Music Bibliographies, 2018*SKLOWER, Jedediah, Free jazz, la catastrophe féconde: une histoire du monde éclaté du jazz en France (1960-1982). L'Harmattan, 2006SPICER, Daniel, Peter Brötzmann: Free-Jazz, Revolution and the Politics of Improvisation. Repeater, 2024STEINBECK, Paul, Message to Our Folks: The Art Ensemble of Chicago. The University of Chicago Press, 2017SZWED, John F., Space Is the Place: The Lives and Times of Sun Ra. Duke University Press, 2020TONELLI, Chris (Chris J.), Voices Found: Free Jazz and Singing. Routledge, 2019TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018*WILMER, Val, As Serious As Your Life: Black Music and the Free Jazz Revolution, 1957-1977. Serpent's Tail, 2018 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
This week, LIVE from Venue 16 our special guest is Steve McCall, who joins Mark Murphy, Terry Butcher, Russell Osman and Phil Ham for the 20th episode of LAPTV. We would like to thank our Main Sponsor DPS Tech, our Associated Sponsors, All About Hearing, Ginger Pickle, Fore Wood Floors, Hudson Group, Venue 16, John Keeble Cars (Bramford), and our Production Sponsors who are Come Hither Design, Jon Parker and Richard Garrett of Sound 4 Pro Audio.Life's A Pitch TV
Captain, leader, legend.Paul Wotton and Plymouth Argyle go together like scones and clotted cream, Wottsy is Argyle.He made his debut aged 17 under Steve McCall and by the time he retired at 36, had notched up 491 appearances for his hometown club.Many highs, a few lows and several bulletlike free-kicks.This is the story of Paul Wotton.
Elastic and versatile multi-instrumentalist talks about leaning into the dark and light of all music and how he was affected by spiritual drummers like Steve McCall and Michael Carvin.
Free-Jazz newbie Roger travels down to London from Sheffield with three serious Jazz buffs. Their destination, the Lyric Theatre in West London to witness a rare UK gig by Chicago improvised-music titans Air. Lots of stuff about being under the enthusiastic tutelage of one of my key musical mentors Charlie Collins.The trip also takes in a studio visit to hang out with US new-wave sprites The Bongos.Intro and outro music: Simon Elliott-Kemp.Artwork: Rionagh.Sound FX courtesy of Freesound.orgWith particular thanks to:Allh - train interior.Kerri - flute.Stomachache - double bass.Ben Davis Drums - bowed cymbals.Jim RS Bjorklund - jazz drums.Colton T Brown - mystery sax.Primesteka - theatre lobby ambience.Lchapman1980 - theatre applause.Esares - drum loop.Annerie - background TV.Yap Audio Production - pub ambience.
Smart Agency Masterclass with Jason Swenk: Podcast for Digital Marketing Agencies
Have you ever wondered if the grass is greener for big agencies? Or is it easier to be a small agency that is more nimble? Are you struggling with prioritizing growth strategies? Does size matter when it comes to growth trajectory? It all comes down to perspective. Size only matters in relation to your vision of growing your agency. In this episode, we'll cover: What are the big agencies missing? Hurdles to overcome when growing an agency. 3 ways a small agency can grow faster. I talked to Steve McCall, a partner in a branded digital strategy agency called Carbon. Formerly, Steve was the general manager of a large agency in Boston. However, as he explains, life happened a few years ago. The death of a loved one gave him clarity on his career goals. So Steve took a risk by partnering with two former colleagues who had already begun Carbon. Steve is here to share the differences between big agencies and small agencies and how Carbon provides the best client experience, best product, and best work-life balance. What Are the Big Agencies Missing? "There is a lot to like about big agencies," Steve explains, adding that the benefits of a big agency include: The high level of brands that look to large agencies to deliver their services. The ability to grow your skillsets across different client categories and disciplines. However, Steve and his partners realized something was missing from their experiences with big agencies. Focus is placed on making sure the client experience is equal to the output, even if it cuts into profitability. "We are not always profit-focused," he says. "It's more about ensuring a great product and developing a relationship with the client. In a larger holding company model, that is challenging to do." Hurdles to Overcome When Growing An Agency Growing an agency that offers a work-life balance and is devoted to delivering quality products and client experiences isn't easy. The primary challenge was finding out where their product and level of service needed to be in order to be successful. Other challenges included: Profitability without sacrificing service. "There are a lot of investments you have to make when you start an agency." Even while the agency was determining what products to offer and how to satisfy clients, they also had to learn how to be profitable. Creating forward momentum. Growth takes momentum and it's easy to become complacent or get bogged down in the trenches. Carbon built momentum through providing as many in-house services as possible. 3 Ways a Small Agency Can Grow Faster Carbon places emphasis well-roundedness and Steve attributes their rapid growth to these 3 tactics: Cross-train. Steve said the ability to provide multiple services in-house with a small team requires each member of the team to have a base level skill set on as many tools as possible. This eliminates the bottleneck when only one person has the ability to perform a certain task. Use your client's data. Data will not only manage expectations but also help identify additional services to meet specific needs the client might not even know they have. This provides new revenue opportunities for you but also new business opportunities for them. Keep exploring what is possible. Just as you analyze your client's data, analyze your own data. Develop a grounded path forward in the firm understanding of where you are now as well as what it will take to get where you want to be. Looking for a Content Creation Solution? Verblio has been a long time supporter of the Smart Agency Masterclass and a trusted vendor we've been using for over two years. They are an amazing content creation solution designed specifically for agencies; their writers can help with all your content creation needs across a variety of industries. If you're interested in trying Verblio for yourself check out Verblio.com/smartagency for 50% off your first month of content.
For the AACM 20th anniversary celebration, Cecil Taylor performed at Mandel Hall with Roscoe Mitchell, Douglas Ewart, Malachi Favors and Steve McCall. After the concert he recorded a station ID for WHPK.
Guests: Steve McCall and Matt Stevens, software entrepreneurs In this fast-moving world, collaboration is key. So, how can technologists and treatment providers find new ways to work together toward building a better future for patients? We’ll explore this with the co-founders of behavioral health EHR software Alleva, Steve McCall and Matt Stevens, on this episode of Recovery Unscripted. For more about Recovery Unscripted, visit http://recoveryunscripted.org For more about Alleva, visit http://allevasoft.com Music from this episode: "Permanent" by David Condos - URL: http://davidcondos.com "Delta" by Podington Bear - URL: http://freemusicarchive.org/music/Podington_Bear/Daydream/Delta_1534 "Deep Pools" by Podington Bear - URL: http://freemusicarchive.org/music/Podington_Bear/Inspiring/DeepPools "Shines Through Trees" by Podington Bear - URL: http://freemusicarchive.org/music/Podington_Bear/Said_Lion_To_Lamb_Box_Set_Disc_3/Shines_Through_Trees
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! HDO 450 es la octava entrega del especial dedicado a Henry Threadgill en HDO, y la sexta dedicada al trío AIR. En esta entrega especial para los mecenas de HDO suena Air Song, el fantástico estreno del trío formado por Henry Threadgill, Fred Hopkins y Steve McCall, grabado en 1975. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz.
HDO 448 es la sexta entrega del especial dedicado a Henry Threadgill en HDO. En el cuarto programa dedicado a su trío AIR suenan las grabaciones Air Lore, Air Mail y Live At Montreal International Jazz Festival que Henry Threadgill y Fred Hopkins grabaron bajo el nombre New Air, acompañados por Pheeroan AkLaff, que sustituyó en la batería a Steve McCall. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.
El especial Henry Threadgill llega en su quinta parada al tercer programa dedicado al grupo AIR (con Henry Threadgill, Fred Hopkins y Steve McCall). En el programa suena música de las grabaciones Montreaux Suisse y Air Lore. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.
HDO 445 es el tercero de los programas dedicado al saxofonista, flautista y compositor Henry Threadgill, y el primero de los cinco dedicados al trío AIR, la más prolífica en cuanto a grabaciones, que estuvo en activo durante la segunda mitad de la década de los años 70 e inicios de los 80. Junto al contrabajista Fred Hopkins y el baterista Steve McCall mantuvo una formación con un gran éxito de público tanto en sus grabaciones como en festivales, especialmente los europeos. En el programa suenan sus grabaciones Air Raid y Live Air. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.
En la entrega 444 de HDO, segunda parte del especial dedicado a Henry Threadgill, continúa el breve repaso a la música de los Loft en los años setenta, década en la que explota este creador. En el programa suena la música creada e interpretada por artistas como Sunny Murray, Dave Burrell, Andrew Cyrille, Jimmy Lyons, Karen Borca, y nuestro protagonista acompañado de Fred Hopkins y Steve McCall, o lo que es lo mismo, el trío Air, la primera de las formaciones de Henry Threadgill en la que HDO se detendrá en próximas entregas. Toda la música se encuentra editada en el triple CD Wildflowers: Loft Jazz New York 1976 (Douglas Records), grabado en en directo entre el 14 y el 23 de mayo de 1976. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.
Wraths ist eine noch unbekannte Band mit Pennywise Sänger Jim Lindberg am Mikro. Wir haben mit Bandgründer Steve McCall (manche kennen ihn noch von 1208) über Deutschland, den besonderen Gitarrensound auf dem Debüt, und wie man sich von Pennywise abgrenzen will.
This week Eddie and Neil are still coming at you from both Portland, Oregon and Chandler, Arizona!  This week the boys announce the upcoming trip to Vegas were Neil will drag Eddie and Mike to just about every Southeast Asian restaurant in town! The boys also dish on the authentic East Portland Hot Pot restaurant Chongquing Huo Guo, the amazing books Cocktails On Tap by Jacob Grier and Irreverent Insider Guide: Portland, Oregon by Steve McCall. Cocktail of the week: A twist on the classic GinTonic made with Farigoule.