Podcasts about Henry Grimes

SONNY ROLLINS TRIO “DREAM WEAVER THE 1959 EUROPEAN” Stockholm, Sweden, March, 1959St. Thomas, There will never be another youSonny Rollins (ts) Henry Grimes (b) Pete La Roca (d) CONTE CANDOLI “QUINTET WITH BILL HOLMAN AND LOU LEVY” Los Angeles, July 26, 1955My old flame, Full count, Groovin' higherConte Candoli (tp) Bill Holman (ts) Lou Levy (p) Leroy Vinnegar (b) Larance Marable (d) OUT OF/INTO “MOTION I” New York ?, c. Continue reading Puro Jazz 05 de mayo, 2025 at PuroJazz.

SONNY ROLLINS TRIO “DREAM WEAVER THE 1959 EUROPEAN” Stockholm, Sweden, March, 1959St. Thomas, There will never be another youSonny Rollins (ts) Henry Grimes (b) Pete La Roca (d) CONTE CANDOLI “QUINTET WITH BILL HOLMAN AND LOU LEVY” Los Angeles, July 26, 1955My old flame, Full count, Groovin' higherConte Candoli (tp) Bill Holman (ts) Lou Levy (p) Leroy Vinnegar (b) Larance Marable (d) OUT OF/INTO “MOTION I” New York ?, c. Continue reading Puro Jazz 05 de mayo, 2025 at PuroJazz.

McCoy Tyner & Joe Henderson, Black Artist Group, Sonic Liberation Front, Orrin Evans, Jon Batiste, Pierre Francois Trio, Thelonius Garcia, Tryptique, Diane Roblin, Christopher Whitley, BADBADNOTGOOD, Anthony Fung, Louis Cole, Phi-Psonics, Adrian Younge & Ali Shaheed Muhammad, Amaro Freitas, David Lavoie & Carson TworowPlaylist: McCoy Tyner & Joe Henderson, featuring Henry Grimes and Jack DeJohnette - IsotopeBlack Artist Group - For Peace and Liberty Part 2Sonic Liberation Front, featuring Oliver Lake - JusticeOrrin Evans and the Captain Black Big Band, featuring Bilal - All That I AmJon Batiste - 5th Symphony in Congo SquarePierre Francois Trio, featuring Remi-Jean Leblanc and Rich Irwin - Prelude Opus 28 No. 4Thélonius García - Marche nocturneTryptique, featuring Fern Lindzon, George Koller and Colleen Allen - A Flower for AmadeusDiane Roblin & Life Force - NowChristopher Whitley - soliloquy 1BADBADNOTGOOD - AudaciaAnthony Fung - Pluto's DanceLouis Cole, featuring Metropole Orkest - Things Will Fall ApartPhi-Psonics - Morning SunAdrian Younge & Ali Shaheed Muhammad, featuring Dom Salvador - Os AncestraisAmaro Freitas, featuring Brandee Younger - GloriosaCarson Tworow and David Lavoie - Blindside

En 1966, el pianista McCoy Tyner y el saxofonista Joe Henderson se encontraron en el Slug, un club de jazz de Manhattan, para tocar con el bajista Henry Grimes y el baterista Jack DeJohnette. La grabación inédita de aquella noche en Nueva York puede escucharse ahora en el disco 'Forces of nature. Live at Slug´s': 'In and out', 'We´ll be together again', 'Isotope' y 'The believer'.Escuchar audio

SONNY ROLLINS TRIO “DREAM WEAVER THE 1959 EUROPEAN” Stockholm, Sweden, March, 1959St. Thomas, There will never be another youSonny Rollins (ts) Henry Grimes (b) Pete La Roca (d) CONTE CANDOLI “QUINTET WITH BILL HOLMAN AND LOU LEVY” Los Angeles, July 26, 1955My old flame, Full count, Groovin' higherConte Candoli (tp) Bill Holman (ts) Lou Levy (p) Leroy Vinnegar (b) Larance Marable (d) OUT OF/INTO “MOTION I” New York ?, c. Continue reading Puro Jazz 06 de enero, 2025 at PuroJazz.

SONNY ROLLINS TRIO “DREAM WEAVER THE 1959 EUROPEAN” Stockholm, Sweden, March, 1959St. Thomas, There will never be another youSonny Rollins (ts) Henry Grimes (b) Pete La Roca (d) CONTE CANDOLI “QUINTET WITH BILL HOLMAN AND LOU LEVY” Los Angeles, July 26, 1955My old flame, Full count, Groovin' higherConte Candoli (tp) Bill Holman (ts) Lou Levy (p) Leroy Vinnegar (b) Larance Marable (d) OUT OF/INTO “MOTION I” New York ?, c. Continue reading Puro Jazz 06 de enero, 2025 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

JOE HENDERSON / MCCOY TYNER “FORCES OF NATURE : LIVE AT SLUGS'” New York, 1966The believer, IsotopeJoe Henderson (ts) McCoy Tyner (p) Henry Grimes (b) Jack DeJohnette (d) LOUIS SCLAVIS / BENJAMIN MOUSSAY “UNFOLDING” Pernes-les-Fontaines, France, March, 2024Loma del tanto, Siete lagunas, A garden in IspahanLouis Sclavis (cl,b-cl) Benjamin Moussay (p) JASON RIGBY “ONE DETROIT-CLEVELAND TRIO” Brooklyn, NY, 2016You are too beautiful, Live by the sword, Dewey, Embraceable youJason Rigby (ts,sop) Cameron Brown (b) Gerald Cleaver (d) Continue reading Puro Jazz 10 de diciembre, 2024 at PuroJazz.

JOE HENDERSON / MCCOY TYNER “FORCES OF NATURE : LIVE AT SLUGS'” New York, 1966The believer, IsotopeJoe Henderson (ts) McCoy Tyner (p) Henry Grimes (b) Jack DeJohnette (d) LOUIS SCLAVIS / BENJAMIN MOUSSAY “UNFOLDING” Pernes-les-Fontaines, France, March, 2024Loma del tanto, Siete lagunas, A garden in IspahanLouis Sclavis (cl,b-cl) Benjamin Moussay (p) JASON RIGBY “ONE DETROIT-CLEVELAND TRIO” Brooklyn, NY, 2016You are too beautiful, Live by the sword, Dewey, Embraceable youJason Rigby (ts,sop) Cameron Brown (b) Gerald Cleaver (d) Continue reading Puro Jazz 10 de diciembre, 2024 at PuroJazz.

“WE THREE” Hackensack, N.J., November 14, 1958 ReflectionsPhineas Newborn, Jr. (p) Paul Chambers (b) Roy Haynes (d) “OUT OF THE AFTERNOON” Englewood Cliffs, N.J., May 16, 1962 Snap crackleRahsaan Roland Kirk (ts-1,manzello-2,stritch-3,c-fl-4,nose-fl-5) Tommy Flanagan (p) Henry Grimes (b) Roy Haynes (d) “CRAKLIN'” Englewood Cliffs, NJ, April 10, 1963 Under Paris SkiesBooker Ervin (ts) Ronnie Mathews (p) Larry Ridley (b) Roy Haynes (d) “TE VOU” New York ?, c. Continue reading Puro Jazz 4 de diciembre, 2024 at PuroJazz.

“WE THREE” Hackensack, N.J., November 14, 1958 ReflectionsPhineas Newborn, Jr. (p) Paul Chambers (b) Roy Haynes (d) “OUT OF THE AFTERNOON” Englewood Cliffs, N.J., May 16, 1962 Snap crackleRahsaan Roland Kirk (ts-1,manzello-2,stritch-3,c-fl-4,nose-fl-5) Tommy Flanagan (p) Henry Grimes (b) Roy Haynes (d) “CRAKLIN'” Englewood Cliffs, NJ, April 10, 1963 Under Paris SkiesBooker Ervin (ts) Ronnie Mathews (p) Larry Ridley (b) Roy Haynes (d) “TE VOU” New York ?, c. Continue reading Puro Jazz 4 de diciembre, 2024 at PuroJazz.

Tonight's Jazz Feature is an iconic album by master drummer Roy Haynes with a hand picked quartet of amazing musicians. The album was issued on Impulse Records and recorded in May of 1962 and usually always makes the list of 100 best Jazz albums. The group that Roy picked was unique beginning with Roland (aka Rahsaan) Kirk on all of his horns: tenor saxophone, manzello, stritch, and flutes, pianist Tommy Flanagan, bassist Henry Grimes and of course Roy Haynes. The album consists of four well selected standard tunes and 3 originals by Haynes. With this album we celebrate Roy's 99 years on the planet and his huge contribution to Jazz history and a life well lived. Roy was born in Boston on March 13,1925 and died on November 12,2024 peacefully ay his home in Nassau County New York,

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A recording at Slugs featuring McCoy Tyner, Joe Henderson, Henry Grimes and Jack DeJohnette is an unearthed live gem for the ages that tops a playlist featuring inspiring recent and upcoming releases. The playlist also features Bill Laurance, Michael League; Jacky Terrasson; Johane Myran, Red Star Orchestra; Oan Kim & The Dirty Jazz; James Brandon Lewis. Detailed playlist at https://spinitron.com/RFB/pl/19824668/Mondo-Jazz (from "How Does It Feel" to "Taking Off"). Happy listening!

Welcome back to us 2 playing you some gorgeous jazz,soul,afro,brazilian,dance beats from the glorious 1960's to some brand new tunes and as usual all the bit's in between.Aja & Claire Opa -African BirdRoy Haynes-  Quiet Fire (RIP)Art Pepper-Mambo De La PintaBossa Nova Noites featuring Monique Elen & Mari Bodas, with Joao Castilho and Andre Siqueira - That's The Way Of The WorldS-Tone - Step Into My LifeAzymuth - Arabuta (Maunick Dub) (Part 1)Biomania - DivanoTomin - movementHamish Balfour - South of the Sunkrajenski. - The Dome (Agogo Records)Jazz 2 More- Dancing With A Jazz SpiritLefto Early Bird - I Sing To Find Peace Of Mind - Jana Rush Remix (Brownswood)Ralf GUM feat. Monica Blaire - AWA (Atjazz Love Soul Mix Edit) [Foliage Records]Edith Peters - This Is The Moment - 01 This Is The Moment (Rework By Gerardo Frisina)Malone & Barnes - Galactic InterludeSeelow & Mayer Formation - Soul -In Sounds - Sound In SpiritMcCoy Tyner, Joe Henderson, Henry Grimes & Jack DeJohnette - We'll Be Together AgainLudivine Issambourg -New Morning (ft. Nils Landgren)Agile Experiments - Got SomethingDelgui - Smile At The Future

“Dreams do come true.” That's how Greg sums up this episode, as he and Nate talk with master drummer Jack DeJohnette about an incredible recording made in the spring of 1966. Featuring a ferocious quartet co-led by pianist McCoy Tyner and tenor saxophonist Joe Henderson, it captures each of those giants at a turning point in his career. Blue Note Records will release this album, Forces of Nature: Live at Slugs', on Nov. 22. (Nate contributed the main liner notes.) In our far-reaching conversation, Jack reflects on what makes this recording special; the dynamics between the musicians in the band, including bassist Henry Grimes; and the secret to keeping one's composure in the midst of a musical storm.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

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Wie entscheiden Sie, welche Musik Ihnen gefällt? In der Regel ist es so, dass sich unsere musikalischen Vorlieben und Präferenzen auf bereits bestehendem Wissen entwickeln, auf Forschung und Recherchen von anderen. Wenn sich ein Werk oder eine Komposition im sogenannten Kanon durchgesetzt haben, dann sind sie da und eigentlich auch nicht mehr wegzudenken. Wer aber schreibt diesen Kanon? Welche Leerstellen gibt es, die zu füllen sind? Oder gibt es auch andere Perspektiven auf Musikgeschichtsschreibung? Den Musiker, Musikwissenschaftler, Buchautor Harald Kisiedu bewegen solche Fragen. Seit vielen Jahren beschäftigt er sich mit Komponistinnen und Komponisten afrikanischen Ursprungs, sein Fachgebiet ist also die sogenannte "afrodiasporische Neue Musik". Kisiedu beobachtet im klassischen Musik-Establishment eine Schieflage, zeitgenössische Musik werde als "weißes Feld" konstruiert. Darüber schreibt er in seinem Buch "Composing While Black" und wirbt für ein Umdenken im Musikbetrieb. Harald Kisiedu selbst hat in New York studiert, dort seine wissenschaftliche Laufbahn begonnen, ist als Saxophonist mit legendären Jazzmusikern wie Branford Marsalis, George Lewis oder Henry Grimes aufgetreten. Kisiedu lebt heute in Hamburg, unterrichtete Jazzgeschichte und Musikwissenschaft an Hochschulen in Osnabrück oder Leipzig. Über sein Leben und Werk, über Musik und Jazz spricht er mit Charlotte Oelschlegel in "NDR Kultur à la carte".

Estas dos palabras dan título a un álbum grabado por Ornette Coleman en doble cuarteto a finales de 1960 para el sello Atlantic. La obra —cuyo título completo es Free Jazz: A Collective Improvisation— rompe las estructuras previas del jazzy apunta a un paroxismo nunca escuchado._____Has escuchadoAscension - Edition I (1965) / John Coltrane. John Coltrane, saxofón tenor; McCoy Tyner, piano; Jimmy Garrison, bajo; Elvin Jones, batería; Archie Schepp y Pharoah Sanders, saxofón tenor; John Tchicai y Marion Brown, saxofón alto; Art Davis, bajo. Impulse (1987)Hello Chi (1970) / Art Ensemble of Chicago. Fontella Bass, voz; Lester Bowie, trompeta; Roscoe Mitchell, flauta y saxofón alto; Joseph Jarman, flauta y saxofón alto; Malachi Favors, bajo. FreeFactory (2010)Simple Like (1969) / Anthony Braxton. Leo Smith, trompeta y mult. instrumentos; Anthony Braxton, saxofón alto y mult. instrumentos; Leroy Jenkins, violín y mult. instrumentos; Steve McCall, percusiones. BYG Records (1969)Sunday Morning Church (2003) / William Parker. Billy Bang, violín; Hamid Drake, batería; William Parker, contrabajo. Thirsty Ear (2003)Truth Is Marching in (1966) / Albert Ayler. Albert Ayler, saxofón tenor; Don Ayler, trompeta; Michel Sampson, violín; Bill Folwell y Henry Grimes, bajos; Beaver Harris, batería. Impulse (1998)_____Selección bibliográficaANDERSON, Iain, This Is Our Music: Free Jazz, the Sixties, and American Culture. University of Pennsylvania Press, 2007BRADLEY, Francis R., Universal Tonality: The Life and Music of William Parker. Duke University Press, 2021CARLES, Philippe y Jean-Louis Comolli, Free Jazz: Black Power. Traducido por Juan Giner. Anagrama, 1973JENKINS, Todd S., Free Jazz and Free Improvisation: An Encyclopedia. Greenwood Press, 2004JOST, Ekkehard, Free jazz: une étude critique et stylistique du jazz des années 1960. Outre Mesure, 2002KOLODA, Richard, Holy Ghost: The Life & Death of Free Jazz Pioneer Albert Ayler. Jawbone Press, 2022MAZZOLA, Guerino y Paul B. Cherlin, Flow, Gesture, and Spaces in Free Jazz Towards a Theory of Collaboration. Springer, 2009ONSMAN, Andrys y Robert Burke, Experimentation in Improvised Jazz: Chasing Ideas. Routledge, 2019PARKER, William et al., Conversations. Rogueart, 2011—, Conversations II: Dialogues and monologues. Rogueart, 2015—, Conversations III: Dialogues and monologues. Rogueart, 2019—, Conversations IV. Rogueart, 2023PEYROU, Mariano, Free jazz: la música más negra del mundo. Anagrama, 2024RUSH, Stephen, Free Jazz, Harmolodics, and Ornette Coleman. Routledge, 2017SCHWARTZ, Jeff, Free Jazz: A Research and Information Guide. Routledge Music Bibliographies, 2018*SKLOWER, Jedediah, Free jazz, la catastrophe féconde: une histoire du monde éclaté du jazz en France (1960-1982). L'Harmattan, 2006SPICER, Daniel, Peter Brötzmann: Free-Jazz, Revolution and the Politics of Improvisation. Repeater, 2024STEINBECK, Paul, Message to Our Folks: The Art Ensemble of Chicago. The University of Chicago Press, 2017SZWED, John F., Space Is the Place: The Lives and Times of Sun Ra. Duke University Press, 2020TONELLI, Chris (Chris J.), Voices Found: Free Jazz and Singing. Routledge, 2019TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018*WILMER, Val, As Serious As Your Life: Black Music and the Free Jazz Revolution, 1957-1977. Serpent's Tail, 2018 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

"Sax Trios have long been an engaging and explorative vehicle for bassists. Think the freedom of Wilbur Ware on "A Night at the Village Vanguard", Oscar Pettiford on "Freedom Suite", or Ray Brown on "Way Out West"...yeah, we love Sonny Rollins! In this episode Bob and Reuben share and rap about some of their favorite Sax Trios 'situations'. Larry Grenadier, Henry Grimes, Pablo Menares, Dave Holland, and Kiyoshi Kitagawa are featured in this 1st of a 2-part series." Here's a bonus Spotify Playlist with some of our favorite Sax Trios. Let us know what YOU like!If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

The Jazz feature tonight is an album that this writer deems an essential Jazz album. "Out of the Afternoon" presents drum master Roy Haynes leading a very special quartet. Mr. Haynes just celebrated his 99th Birthday recently. Roy presents a young up and coming phenomena called Roland Kirk on tenor saxophone, manzello (an elongated alto saxophone) and the stritch (a soprano saxophone variant) and the flute and various whistles. Roland is a creative force here and a one-man band sometimes blowing all 3 horns at once! On piano is Tommy Flanagan and on bass is the great Henry Grimes. This album issued first on Impulse Records is a true classic and one for the ages. Tonight's Jazz feature "Out of the Afternoon".

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Badass pianist talks about working with Henry Grimes, Dee Dee Bridgewater and being part of this great American musical lineage.

"The Truth Is Marching In" Albert Ayler: Live In Greenwich Village. The Complete Impulse Recordings (Impulse! Rec. 1966 - 1967) Albert Ayler, Don Ayler, Michael Sampson, Bill Folwell, Henry Grimes, Beaver Harris. El tema es una composición de Albert Ayler. ¿Sabías que? Aunque el disco en el que se incluye "The Truth Is Marching In" tiene el título Live In Greenwich Village. The Complete Impulse Recordings recoge las grabaciones al completo con los distintos discos en directo de Albert Ayler que Impulse! fue publicando a lo largo de su historia: Albert Ayler In Greenwich Village, The Village Concerts y The New Wave In Jazz. Este doble CD incluía únicamente un tema inédito. "The Truth Is Marching In" es uno de los temas míticos de Albert Ayler. Uno de los motivos es que fue uno de los temas que interpretó en directo en el funeral de John Coltrane. En la lujosa caja de Revenant de diez CD titulada Holy Ghost: Rare & Unissued Recordings (1962–70) se puede escuchar esa versión. Albert Ayler ha sido uno de los protagonistas del Record Store Day de abril de 2022 gracias a la edición del fantástico Revelations. The complete ORTF recordings (Elemental Music, 2022). En el disco hay más de dos horas de material inédito, de primerísima calidad. En breve, lo repasaremos a fondo en Tomajazz. © Pachi Tapiz, 2022 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=62338 https://www.tomajazz.com/web/?p=31329 Más información sobre Albert Ayler https://www.ayler.co.uk/ https://www.tomajazz.com/web/?tag=albert-ayler Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

To mark the beginning of our third season, we start right where we left off, with a vernal equinox walk in the woods. As we make our way on the trail, we'll discuss the meanings and histories of this threshold into spring, and feature a variety of ways that the equinox is celebrated around the world. Special thanks to David Brandon Ross for composing and performing the meditation featured at the end of the episode. David Brandon Ross (he/him) holds a Bachelor of Music degree from Berklee College of Music Boston, MA as well as a degree in mechanical design from SUNY Corning, NY. He studied theater with Charles Combs at Berklee and also trained at Dell'arte school of physical theater in Blue Lake California. Dave has been composing, performing and recording in the NYC avant garde music scene since 2002 releasing numerous albums as a leader and side man. He is the recipient of a Boston Music award and has played at Lincoln Center, Kennedy Center for the arts in Washington, DC and Vision Festival, NYC with artist Henry Grimes, William Hooker, JD Parran, Jason Hwang and many others. Dave is the author of a US patent and has designed and built many unique instruments including the patent pending Outar. He is a passionate music tinkerer. He instantly fell in love with the ability to combine sociological change with improvisational theater, acting and music through the live foley and on the spot scoring that is required in Playback theater. Dave is also owner and CEO of Gleefulwellness LLC which brings uplifting services to the community through art and wellness. Dave is honored to be a proud member of Big Apple Playback Theatre since 2019. You can find him on Spotify. Tree Speech's host, Dori Robinson (she/hers), is a director, playwright, dramaturg, and educator who seeks and develops projects that explore social consciousness, personal heritage, and the difference one individual can have on their own community. Some of her great loves include teaching, the Oxford comma, intersectional feminism, and traveling. With a Masters degree from NYU's Educational Theatre program, she continues to share her love of Shakespeare, new play development, political theatre, and gender in performance. Dori's original plays have been produced in New York, Chicago, and Boston. More information at https://www.dorirobinson.com This week's episode was recorded in Massachusetts on the native lands of the Wabanaki Confederacy, Pennacook, Massachusett, and Pawtucket people. Logo design by Mill Riot. Special thanks to the Western Avenue Lofts and Studios for all their support. Tree Speech is produced and co-written by Jonathan Zautner with Alight Theater Guild. The mission of the guild is to advance compelling theatrical endeavors that showcase the diversity of our ever-changing world in order to build strong artists whose work creates empathy, challenges the status quo and unites communities. For more information about our work and programs, please visit www.alighttheater.org. Learn more about the podcast at: www.treespeechpodcast.com, and IG: treespeechpodcast --- Send in a voice message: https://anchor.fm/treespeech/message

New York City-based bassist Mark Lewandowski originally hails from Nottingham, England. His interest in the bass took him to London to study at the Guildhall School of Music and Drama. Whilst studying at the school Mark was rapidly producing a strong name for himself on the London scene; playing regularly at the world famous Ronnie Scott's Jazz Club by only his second year in the capital. He was also awarded the Yamaha Jazz award, and is now continuing his studies in New York City as part of the celebrated Artist Diploma programme at the prestigious Juilliard School. He has been lucky to perform with a diverse range of musicians including such names as John Surman, Wynton Marsalis, Buddy Greco, Sheila Jordan, Henry Grimes, Steve Wilson, Paul Dunmall, Vic Juris, Martin Carthy, Jean Toussaint, Tcha Limberger, Julian Joseph, Bobby Wellins, Peter King, Soweto Kinch, Zoe Rahman.Support the show (https://www.buymeacoffee.com/thejazzpodcast)

It's been a tough year for New York. This episode we check in with Geng, the man behind one of our favorite labels, Purple Tape Pedigree, and see how these fine “purveyors of weaponized media and information” are handling the pandemic and the uprisings. With live performance no longer an option, the model of mutual support demonstrated by a crew like PTP is all the more important. Geng tells us about the history of PTP, the benefits of peer-support, community activism, and why it's more important now than ever to understand hip hop as spiritual music. Interview recorded between Montreal and Queens, May 2020 and January 2021 Produced and mixed in Montreal, February 2021 Read more at: http://acloserlisten.com/2021/02/19/sp-episode-17-before-the-internet-with-geng-ptp-podcast TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Milford Graves with Sunny Morgan ‎– – “Nothing 19” (Percussion Ensemble, ESP Disk, 1965) INTRO Raekwon/RZA – “Ice Cream (instrumental)” (Only Built 4 Cuban Linx…, Loud, 1995) Amani + King Vision Ultra – “An Unknown Infinite” (An Unknown Infinite, PTP, 2020) King Vision Ultra – “excerpts from B Side” (Pain of Mind, PTP, 2018) Amani + King Vision Ultra – “Guillotine” (An Unknown Infinite, PTP, 2020) Milford Graves, Marshall Allen, Henry Grimes – “(live excerpt)” (Angel Orensanz Center / Arts for Art – 4 Dec 2012) Geng – “Iron Man (Chopped _ Slowed by Geng)” (Screwing Yourself To Live: A Chopped & Slowed Tribute To Black Sabbath, PTP, 2012) YATTA – “Bliss” (WAHALA, PTP, 2019) Dis Fig – “Excerpt” (An Atypical Brain Damage, PTP, 2018) Moor Mother – “This Week (Feat. Geng)” (The Motionless Present, Fear Anger Love, 2017) King Vision Ultra – “Excerpt” (QUATTRO (death circus), PTP, 2020) Amani + King Vision Ultra – “Scrapes (Feat. ELUCID)” (An Unknown Infinite, PTP, 2020) Monie Love – “Monie in the Middle” (Live at the Apollo, 1990) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Queen Latifah – “Ladies First (Feat. Monie Love)” (All Hail the Queen, Tommy Boy, 1989) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Cannibal Ox – “Stress Rap (instrumental blend)” (The Cold Vein, DefJux, 2001) DREAMCRUSHER – Excerpt from B-side (Panopticon!, PTP, 2020) Kepla & DeForrest Brown Jr – “Reflex and Bone Structure.” (Absent Personae, PTP, 2017) Mobb Deep – “[The Grave Prelude]/Cradle To The Grave (instrumental)” (The Infamous, Loud, 1995) billy woods – “Dirge (Feat. Vordul Mega)” (Camouflage, Backwoodz, 2003) Ennio Morricone – “Paura E Aggressione (Short Version)” (Crime And Dissonance, Ipecac, 2005) Bad Brains – “I Luv I Jah” (I Luv I Jah, Alternative Tentacles, 1982) Moor Mother & billy woods – “Giraffe Hunts” (BRASS, Backwoodz, 2020) Madvillain – “America's Most Blunted (instrumental blend)” (Madvillainy, Stones Throw, 2004) Public Enemy – “Leave This Off Your Fuckin' Charts (instrumental)” (Fear of a Black Planet, Def Jam, 1990) Negativland – “A Nice Place To Live” (Points, Seeland, 1981) Brand Nubian – “Step to the Rear” (One For All, Elektra, 1990) RZA – “Banister Fight” (Kill Bill Vol. 1 OST, Maverick, 2003) Giuseppi Logan Quartet – Bleecker Partita (The Giuseppi Logan Quartet, ESP Disk, 1965) ---- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://anchor.fm/soundpropositions/support

"Moon Ray" Roy Haynes Quartet: Out of the Afternoon (Impulse!, 1962) El cuarteto: Rahsaan Roland Kirk, Tommy Flanagan, Roy Haynes y Henry Grimes. El tema es una obra de Artie Shaw, Paul madison y Arthur Quenzer. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Esta semana, en una nueva sesión de Rebelión Sónica, los invitamos a escuchar música de “Hope”, el nuevo trabajo del trío liderado por el multifacético guitarrista estadounidense Marc Ribot, Ceramic Dog. Lanzado el 25 de junio pasado por el sello Northern Spy, se trata del cuarto álbum de la banda, que completan el bajista Shahzad Ismaily y el baterista Ches Smith. Ribot comentó sobre “Hope” que “cuando comenzaron estas sesiones de grabación en la última semana de mayo de 2020, no había salido de mi casa para ir a ningún otro lugar que no fuera la tienda de comestibles en más de dos meses. No había tomado un taxi ni el metro. Había perdido a varios amigos a causa del COVID-19”. Agregó que “cuando con mis compañeros Ceramic Dog descubrimos una manera de grabar, entramos al estudio por separado, nos sentamos en habitaciones separadas y aisladas desde las que no podíamos vernos, comunicándonos a través de micrófonos y auriculares”. En la parte final del programa, viajamos algunos años al pasado en el catálogo de Ribot, para escucharlo con material del LP en vivo de 2014 “Live at the Village Vanguard”, esta vez, junto a su Marc Ribot Trio integrado por el bajista Henry Grimes y el baterista Chad Taylor. Semana a semana, Rebelión Sónica se transmite por radio Rockaxis los miércoles a las 10, 17 y 23 horas -se repite los domingos a las 19-, con la conducción de Héctor Aravena.

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It’s been a tough year for New York. This episode we check in with Geng, the man behind one of our favorite labels, Purple Tape Pedigree, and see how these fine “purveyors of weaponized media and information” are handling the pandemic and the uprisings. With live performance no longer an option, the model of mutual support demonstrated by a crew like PTP is all the more important. Geng tells us about the history of PTP, the benefits of peer-support, community activism, and why it’s more important now than ever to understand hip hop as spiritual music. Interview recorded between Montreal and Queens, May 2020 and January 2021 Produced and mixed in Montreal, February 2021 Read more at: http://acloserlisten.com/2021/02/19/sp-episode-17-before-the-internet-with-geng-ptp-podcast TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Milford Graves with Sunny Morgan ‎– – “Nothing 19” (Percussion Ensemble, ESP Disk, 1965) INTRO Raekwon/RZA – “Ice Cream (instrumental)” (Only Built 4 Cuban Linx…, Loud, 1995) Amani + King Vision Ultra – “An Unknown Infinite” (An Unknown Infinite, PTP, 2020) King Vision Ultra – “excerpts from B Side” (Pain of Mind, PTP, 2018) Amani + King Vision Ultra – “Guillotine” (An Unknown Infinite, PTP, 2020) Milford Graves, Marshall Allen, Henry Grimes – “(live excerpt)” (Angel Orensanz Center / Arts for Art – 4 Dec 2012) Geng – “Iron Man (Chopped _ Slowed by Geng)” (Screwing Yourself To Live: A Chopped & Slowed Tribute To Black Sabbath, PTP, 2012) YATTA – “Bliss” (WAHALA, PTP, 2019) Dis Fig – “Excerpt” (An Atypical Brain Damage, PTP, 2018) Moor Mother – “This Week (Feat. Geng)” (The Motionless Present, Fear Anger Love, 2017) King Vision Ultra – “Excerpt” (QUATTRO (death circus), PTP, 2020) Amani + King Vision Ultra – “Scrapes (Feat. ELUCID)” (An Unknown Infinite, PTP, 2020) Monie Love – “Monie in the Middle” (Live at the Apollo, 1990) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Queen Latifah – “Ladies First (Feat. Monie Love)” (All Hail the Queen, Tommy Boy, 1989) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Cannibal Ox – “Stress Rap (instrumental blend)” (The Cold Vein, DefJux, 2001) DREAMCRUSHER – Excerpt from B-side (Panopticon!, PTP, 2020) Kepla & DeForrest Brown Jr – “Reflex and Bone Structure.” (Absent Personae, PTP, 2017) Mobb Deep – “[The Grave Prelude]/Cradle To The Grave (instrumental)” (The Infamous, Loud, 1995) billy woods – “Dirge (Feat. Vordul Mega)” (Camouflage, Backwoodz, 2003) Ennio Morricone – “Paura E Aggressione (Short Version)” (Crime And Dissonance, Ipecac, 2005) Bad Brains – “I Luv I Jah” (I Luv I Jah, Alternative Tentacles, 1982) Moor Mother & billy woods – “Giraffe Hunts” (BRASS, Backwoodz, 2020) Madvillain – “America’s Most Blunted (instrumental blend)” (Madvillainy, Stones Throw, 2004) Public Enemy – “Leave This Off Your Fuckin' Charts (instrumental)” (Fear of a Black Planet, Def Jam, 1990) Negativland – “A Nice Place To Live” (Points, Seeland, 1981) Brand Nubian – “Step to the Rear” (One For All, Elektra, 1990) RZA – “Banister Fight” (Kill Bill Vol. 1 OST, Maverick, 2003) Giuseppi Logan Quartet – Bleecker Partita (The Giuseppi Logan Quartet, ESP Disk, 1965) ---- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.

The Reunion - December, 1957 recording sessions featuring Gerry Mulligan. One with the reunion of Mulligan and Chet Baker in a quartet setting (with Henry Grimes and Dave Bailey) and two tunes from the unreleased album "Gerry Mulligan with the Vinnie Burke String Quartet" featuring Calo Scott and Dick Wetmore --- Support this podcast: https://anchor.fm/john-clark49/support

  ROY HAYNES – OUT OF THE AFTERNOON – Englewood Cliffs, N.J., May 16 & 23, 1962 Moon Ray (1,2), Raoul (1,2), Snap crackle (1,2,3,4,5,spoken intro) Rahsaan Roland Kirk (ts-1,manzello-2,stritch-3,c-fl-4,nose-fl-5) Tommy Flanagan (p) Henry Grimes (b) Roy Haynes (d) HANK MOBLEY & LEE MORGAN –...

Next week's episode is going to be about trumpeter Don Cherry.  In anticipation of that, and to tie it to last week's episode about Henry Grimes, this episode showcases Cherry's Symphony for Improvisers, which also features Grimes (*and Pharoah Sanders on piccolo, which I left out in the VO... Oops!) .  Enjoy and check back next week for the full Don Cherry episode

This week's episode is about the bassist Henry Grimes.  Grimes was a Juliard-trained musician, who took an interest in free jazz in the 1960's, who disappeared from the music world for three and a half decades.  It features music from his early, conventional playing, from the peak of the free jazz movement, and music he made during his triumphant return in the 2000's.  Questions? Comments? Requests? email me at WNPMPod@gmail.com

On April 15, bassist Henry Grimes passed away.  I will have a full episode about his life and music ready for next week.  In the meantime, enjoy some of his poetry and a track from Spirits Aloft, his live album with drummer Rashied Ali. Questions? Comments? Requests? E-mail me: WNPMPod@gmail.com

Drummer Chad Taylor's latest record is a collaboration with saxophonist Brian Settles and pianist Neil Podgurski called The Daily Biological (Cuneiform Records, 2020). In this interview, Taylor talks about his early days with Brian Settles and comedian Dave Chappelle; the origin of this trio; his work with the recently departed Henry Grimes; life during the pandemic; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Drummer Chad Taylor's latest record is a collaboration with saxophonist Brian Settles and pianist Neil Podgurski called The Daily Biological (Cuneiform Records, 2020). In this interview, Taylor talks about his early days with Brian Settles and comedian Dave Chappelle; the origin of this trio; his work with the recently departed Henry Grimes; life during the pandemic; and more. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Drummer Chad Taylor‘s latest record is a collaboration with saxophonist Brian Settles and pianist Neil Podgurski called The Daily Biological (Cuneiform Records, 2020). In this interview, Taylor talks about his early days with Brian Settles and comedian Dave Chappelle; the origin of this trio; his work with the recently departed Henry Grimes; life during the … Continue reading "The Jazz Session #525: Chad Taylor"

a cura di Alessandro Achilli. Musiche di Albert Ayler, Henry Grimes, Tomeka Reid & Alexander Hawkins, Giovanni Venosta, Massimo De Mattia

a cura di Alessandro Achilli. Musiche di Albert Ayler, Henry Grimes, Tomeka Reid & Alexander Hawkins, Giovanni Venosta, Massimo De Mattia (prima parte)

a cura di Alessandro Achilli. Musiche di Albert Ayler, Henry Grimes, Tomeka Reid & Alexander Hawkins, Giovanni Venosta, Massimo De Mattia (prima parte)

Bassist and poet Henry Grimes died on April 15, 2020 from complications due to Covid-19. In this episode, I read one of Henry's poems and a poem I wrote for Henry. After that, pianist Carmen Staaf recalls her relationship with Grimes. The final section is a previously unaired 2008 interview with Henry Grimes recorded at the Jazz At The Lake festival in Lake George, NY. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Bassist and poet Henry Grimes died on April 15, 2020 from complications due to Covid-19. In this episode, I read one of Henry's poems and a poem I wrote for Henry. After that, pianist Carmen Staaf recalls her relationship with Grimes. The final section is a previously unaired 2008 interview with Henry Grimes recorded at the Jazz At The Lake festival in Lake George, NY. / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Su historia comenzó en la misma ciudad en el mismo año: Philadelphia, 1935. Y acabó en la misma ciudad y en el mismo año: Nueva York, 2020. Con apenas dos días de diferencia. Ambos, además, vivieron décadas al margen de la música, desparecidos para la comunidad jazzística. Fueron incluso dados por muertos. Ambos regresaron a la escena después de décadas fuera de circulación, aunque con diferente suerte. De la mano de Jesús Moreno, 'desde mi cadiera' dedicamos el programa al saxofonista Giuseppi Logan y al contrabajista Henry Grimes, fallecidos la pasada semana. Un recorrido por su música y por sus vidas. Además, nuestro pequeño homenaje al legendario Lee Konitz, otra de las bajas jazzísticas a consecuencia de la pandemia, con el que Grimes llegó a grabar. Toda la información y derechos: http://www.elclubdejazz.com

Bassist and poet Henry Grimes died on April 15, 2020 from complications due to Covid-19. In this episode, I read one of Henry’s poems and a poem I wrote for Henry. After that, pianist Carmen Staaf recalls her relationship with Grimes. The final section is a previously unaired 2008 interview with Henry Grimes recorded at … Continue reading "The Jazz Session #518: Remembering Henry Grimes"

Su historia comenzó en la misma ciudad en el mismo año: Philadelphia, 1935. Y acabó en la misma ciudad y en el mismo año: Nueva York, 2020. Con apenas dos días de diferencia. Ambos, además, vivieron décadas al margen de la música, desparecidos para la comunidad jazzística. Fueron incluso dados por muertos. Ambos regresaron a la escena después de décadas fuera de circulación, aunque con diferente suerte. De la mano de Jesús Moreno, 'desde mi cadiera' dedicamos el programa al saxofonista Giuseppi Logan y al contrabajista Henry Grimes, fallecidos la pasada semana. Un recorrido por su música y por sus vidas. Además, nuestro pequeño homenaje al legendario Lee Konitz, otra de las bajas jazzísticas a consecuencia de la pandemia, con el que Grimes llegó a grabar. Toda la información y derechos: http://www.elclubdejazz.com

In Zeiten von Corona können Livekonzerte zwar nicht stattfinden, aber dafür scheinen Studio Aufnahmesessions an Bedeutung zu gewinnen – natürlich unter den vorgegebenen Abstandsregeln. Trotzdem kann auch so sehr intime Musik entstehen. Dann sind letzte Woche zwei grosse Jazzmusiker gestorben: Lee Konitz und Henry Grimes. Wir lassen sie nochmals aufleben. Und wir hören rein in die neuen Alben von Tomeka Reid / Alexander Hopkins und von Grégoire Maret.

Don Cherry of course is associated with Ornette Coleman but this album shows us by 1965, he was his own man on the trumpet and as a composer. This wonderful album done for Blue Note Records who by the mid-60s had opened it's doors to some of the more adventurous Jazz players like Cecil Taylor, Andrew Hill, Eric Dolphy, Ornette Coleman and of course Don Cherry. Cherry put together a great quartet with newcomer Leandro "Gato" Barbieri from Argentina on tenor saxophone, Henry Grimes on bass and the always creative Edward Blackwell on drums. Two compositions make up the date and both are mini-suites. The first is "Complete Communion" and the second is called "Elephantasy" both are divided into various movements. Freedom and cohesion dominate this date and the band sounds as if it's having fun. There is a wonderful joy and dancing quality to the music along with more introspective moments too. Complete Communion is a gem in Don Cherry's discography.

Dalla metà degli anni novanta ad oggi la discografia di Linda Sharrock si allunga con diversi altri album, e con in mezzo un drammatico spartiacque nella sua vita e nella sua carriera. Uno degli album più pregevoli fra quelli in cui è apparsa assieme a Wolfgang Puschnig è Dream Weavers, inciso nel '97 in trio con il francese Michel Godard, specialista della tuba e di un antico strumento come il serpentone. E con due musicisti francesi scelti da lei la Sharrock nel 2003 incide Confessions, a lei intestato: il pianista Stephan Oliva e il contrabbassista Claude Tchamitchian le assicurano un accompagnamento molto asciutto, che mette in risalto le sue qualità e la sua originalità interpretativa. Nel 2005 e nel 2007 escono i due volumi di Late Night Show, intestati alla Sharrock e a Puschnig, che li incidono con l'idea di riprendere dei brani molto popolari, da Love Me Tender a Besame Mucho, proponendoli in versioni decisamente insolite. Poi nel 2009, a 62 anni, Linda Sharrock rimane vittima di un pesante ictus, che la lascia parzialmente paralizzata e incapace di parlare. La sua vita di artista sembra finita. Ma un giorno il grande contrabbassista Henry Grimes, uno dei protagonisti del free jazz degli anni sessanta, le fa visita nella sua casa di Vienna e si mette a suonare per lei il violino: e improvvisamente Linda Sharrock si mette a cantare: sono solo dei suoni, come dei lamenti. Poi il sassofonista austriaco Mario Rechtern la aiuta a tornare alla musica: i mezzi vocali della Sharrock sono a questo punto limitati, ma è come se nelle sue nuove condizioni Linda Sharrock ripartisse dalla sua vocalità nel free jazz ribollente che aveva vissuto tanti decenni prima. Forte della sua esperienza, la Sharrock sviluppa una propria nuova poetica, una sua espressione potente, estrema, dentro una musica anch'essa estrema: in coerenza con il suo passato. Il suo triplo Lp The Abissity of The Ground va esaurito e diventa di culto. E chi in questi ultimi anni ha assistito alle esibizioni di Linda Sharrock con le sue nuove compagini, con Mario Rechtern e con il chitarrista Max Bogner, in arte Margaret Unknown, parla di performance estremamente emozionanti.

Dalla metà degli anni novanta ad oggi la discografia di Linda Sharrock si allunga con diversi altri album, e con in mezzo un drammatico spartiacque nella sua vita e nella sua carriera. Uno degli album più pregevoli fra quelli in cui è apparsa assieme a Wolfgang Puschnig è Dream Weavers, inciso nel '97 in trio con il francese Michel Godard, specialista della tuba e di un antico strumento come il serpentone. E con due musicisti francesi scelti da lei la Sharrock nel 2003 incide Confessions, a lei intestato: il pianista Stephan Oliva e il contrabbassista Claude Tchamitchian le assicurano un accompagnamento molto asciutto, che mette in risalto le sue qualità e la sua originalità interpretativa. Nel 2005 e nel 2007 escono i due volumi di Late Night Show, intestati alla Sharrock e a Puschnig, che li incidono con l'idea di riprendere dei brani molto popolari, da Love Me Tender a Besame Mucho, proponendoli in versioni decisamente insolite. Poi nel 2009, a 62 anni, Linda Sharrock rimane vittima di un pesante ictus, che la lascia parzialmente paralizzata e incapace di parlare. La sua vita di artista sembra finita. Ma un giorno il grande contrabbassista Henry Grimes, uno dei protagonisti del free jazz degli anni sessanta, le fa visita nella sua casa di Vienna e si mette a suonare per lei il violino: e improvvisamente Linda Sharrock si mette a cantare: sono solo dei suoni, come dei lamenti. Poi il sassofonista austriaco Mario Rechtern la aiuta a tornare alla musica: i mezzi vocali della Sharrock sono a questo punto limitati, ma è come se nelle sue nuove condizioni Linda Sharrock ripartisse dalla sua vocalità nel free jazz ribollente che aveva vissuto tanti decenni prima. Forte della sua esperienza, la Sharrock sviluppa una propria nuova poetica, una sua espressione potente, estrema, dentro una musica anch'essa estrema: in coerenza con il suo passato. Il suo triplo Lp The Abissity of The Ground va esaurito e diventa di culto. E chi in questi ultimi anni ha assistito alle esibizioni di Linda Sharrock con le sue nuove compagini, con Mario Rechtern e con il chitarrista Max Bogner, in arte Margaret Unknown, parla di performance estremamente emozionanti.

Dalla metà degli anni novanta ad oggi la discografia di Linda Sharrock si allunga con diversi altri album, e con in mezzo un drammatico spartiacque nella sua vita e nella sua carriera. Uno degli album più pregevoli fra quelli in cui è apparsa assieme a Wolfgang Puschnig è Dream Weavers, inciso nel '97 in trio con il francese Michel Godard, specialista della tuba e di un antico strumento come il serpentone. E con due musicisti francesi scelti da lei la Sharrock nel 2003 incide Confessions, a lei intestato: il pianista Stephan Oliva e il contrabbassista Claude Tchamitchian le assicurano un accompagnamento molto asciutto, che mette in risalto le sue qualità e la sua originalità interpretativa. Nel 2005 e nel 2007 escono i due volumi di Late Night Show, intestati alla Sharrock e a Puschnig, che li incidono con l'idea di riprendere dei brani molto popolari, da Love Me Tender a Besame Mucho, proponendoli in versioni decisamente insolite. Poi nel 2009, a 62 anni, Linda Sharrock rimane vittima di un pesante ictus, che la lascia parzialmente paralizzata e incapace di parlare. La sua vita di artista sembra finita. Ma un giorno il grande contrabbassista Henry Grimes, uno dei protagonisti del free jazz degli anni sessanta, le fa visita nella sua casa di Vienna e si mette a suonare per lei il violino: e improvvisamente Linda Sharrock si mette a cantare: sono solo dei suoni, come dei lamenti. Poi il sassofonista austriaco Mario Rechtern la aiuta a tornare alla musica: i mezzi vocali della Sharrock sono a questo punto limitati, ma è come se nelle sue nuove condizioni Linda Sharrock ripartisse dalla sua vocalità nel free jazz ribollente che aveva vissuto tanti decenni prima. Forte della sua esperienza, la Sharrock sviluppa una propria nuova poetica, una sua espressione potente, estrema, dentro una musica anch'essa estrema: in coerenza con il suo passato. Il suo triplo Lp The Abissity of The Ground va esaurito e diventa di culto. E chi in questi ultimi anni ha assistito alle esibizioni di Linda Sharrock con le sue nuove compagini, con Mario Rechtern e con il chitarrista Max Bogner, in arte Margaret Unknown, parla di performance estremamente emozionanti.

Related to 1962 Paul Motian recordings from 1962 or by musicians Paul Motian played gigs with in 1962. Readings about Bill Evans, Orin Keepnews, Eddie Costa & Henry Grimes from Motian's unpublished autobiography Set List: https://jazzcloset.blogspot.com/2019/02/set-list-021119.html photo: Paul Motian in Provincetown, MA 1960 ©Paul Motian Archive

This week's episode is about the record label ESP Disk.  ESP was started as a means to spread the artificial universal language Esperanto, and somehow wound up releasing some of the most important free jazz of the 60s.  Featuring music by Albert Ayler, Henry Grimes, Marion Brown, Bob James, Paul Bley, Marzette Watts, and many more

Cuarta entrega del especial dedicado a Gerry Mulligan en la entrega 233 de HDO del 4 de febrero de 2017. En las cinco grabaciones que protagonizan esta entrega Gerry Mulligan se encuentra magníficamente acompañado de músicos como Chet Baker, Lee Konitz, Bob Brookmeyer, Art Farmer, Henry Grimes o Bill Crow en Lee Konitz Plays With The Gerry Mulligan Quartet (World Pacific Records, 1957), Gerry Mulligan Quartet Recorded In Boston At Storyville (Pacific Jazz Records, 1957), Gerry Mulligan Quartet Reunion With Chet Baker (World Pacific Records, 1957), Gerry Mulligan Quartet What Is There To Say? (Columbia, 1959), The Gerry Mulligan Quartet (Verve, 1962). © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 233 en http://www.tomajazz.com/web/?p=29123. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Marc Ribot. The list of musicians with whom Marc Ribot (Newark, 1954) has worked is just mind-boggling: from Tom Waits to Elvis Costello to Marianne Faithfull to many others. Ever since the 1980s, Ribot has been part of the most creative New York musical scene, from the time when he played with the John Lurie's Lounge Lizards. Today, Ribot is well known not only for his collaborations with John Zorn, but also as the leader of several projects, like his trio (with Chad Taylor and Henry Grimes), as well as the bands Los Cubanos Postizos and Ceramic Dog. The interview was originally broadcasted on November, 8th 2016. All rights reserved: http://www.elclubdejazz.com

La nómina de colaboraciones con músicos populares del guitarrista Marc Ribot es asombrosa, de Elvis Costello a Tom Waits, pasando por Marianne Faithfull y Susana Baca, entre otros muchos. En esta edición de 'Club de Jazz' del 8 de noviembre de 2016 conversamos con el guitarrista aprovechando su paso por Barcelona en la gira de su trío Ceramic Dog. Músico de la órbita de John Zorn y líder de los Cubanos Postizos o del trío junto a Chad Taylor y Henry Grimes, nos habla de sus inspiraciones y de su posición ante la piratería musical, entre otros asuntos. Toda la información y derechos: http://www.elclubdejazz.com

La nómina de colaboraciones con músicos populares del guitarrista Marc Ribot es asombrosa, de Elvis Costello a Tom Waits, pasando por Marianne Faithfull y Susana Baca, entre otros muchos. En esta edición de 'Club de Jazz' del 8 de noviembre de 2016 conversamos con el guitarrista aprovechando su paso por Barcelona en la gira de su trío Ceramic Dog. Músico de la órbita de John Zorn y líder de los Cubanos Postizos o del trío junto a Chad Taylor y Henry Grimes, nos habla de sus inspiraciones y de su posición ante la piratería musical, entre otros asuntos. Toda la información y derechos: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Marc Ribot. The list of musicians with whom Marc Ribot (Newark, 1954) has worked is just mind-boggling: from Tom Waits to Elvis Costello to Marianne Faithfull to many others. Ever since the 1980s, Ribot has been part of the most creative New York musical scene, from the time when he played with the John Lurie's Lounge Lizards. Today, Ribot is well known not only for his collaborations with John Zorn, but also as the leader of several projects, like his trio (with Chad Taylor and Henry Grimes), as well as the bands Los Cubanos Postizos and Ceramic Dog. The interview was originally broadcasted on November, 8th 2016. All rights reserved: http://www.elclubdejazz.com

El guitarrista Marc Ribot pisa por primera vez el Village Vanguard neoyorquino como líder y lo hace con un trío junto a Chad Taylor (bt) y Henry Grimes (cb). El contrabajista permaneció desaparecido más de 30 años. Le escuchamos en el mismo escenario 45 años junto a Albert Ayler. En esta edición de "Club de Jazz" del 21 de mayo de 2014 anticipamos la gira de Ahleuchatistas y de Full Blast, grupo de Peter Brötzmann en "desde mi cadiera" con Jesús Moreno. En el "Jazz Porteño" de Alberto Varela bailamos tango con Paquito D'Rivera y "Jazz - Clazz". En los "Ritmos Latinos" de Anxo, la música de Quantic y Lino Rocha. Al "Tren Azul" de Luis Díaz García se sube el clarinetista Mezz Mezzrow. Toda la información y derechos: http://www.elclubdejazz.com

El guitarrista Marc Ribot pisa por primera vez el Village Vanguard neoyorquino como líder y lo hace con un trío junto a Chad Taylor (bt) y Henry Grimes (cb). El contrabajista permaneció desaparecido más de 30 años. Le escuchamos en el mismo escenario 45 años junto a Albert Ayler. En esta edición de "Club de Jazz" del 21 de mayo de 2014 anticipamos la gira de Ahleuchatistas y de Full Blast, grupo de Peter Brötzmann en "desde mi cadiera" con Jesús Moreno. En el "Jazz Porteño" de Alberto Varela bailamos tango con Paquito D'Rivera y "Jazz - Clazz". En los "Ritmos Latinos" de Anxo, la música de Quantic y Lino Rocha. Al "Tren Azul" de Luis Díaz García se sube el clarinetista Mezz Mezzrow. Toda la información y derechos: http://www.elclubdejazz.com

A "desert island" disc. This was a short-lived band that performed a few gigs in the New York area then for two afternoons in May of 1962 went into the studio to record this date. The leader was the redoubtable Roy Haynes with Henry Grimes on bass and Tommy Flanagan on piano. They are at their very best but what makes this date unique and special is the front man...Rahsaan Roland Kirk on tenor saxophone, manzello (a soprano saxophone), the stritch (an elongated alto saxophone) and his distinctive flute and other paraphernalia. The well chosen repertoire includes three Haynes originals and four standards that have never been overplayed. When you hear this date you will understand why it is on many people's "desert island" records.

Ceramic Dog ironiza de forma punzante sobre la piratería y sus consecuencias para los músicos en "Your turn", su nuevo trabajo. En esta edición de "Club de Jazz" del 15 de mayo de 2013 escuchamos el "Masters of the internet" de Marc Ribot, Chad Taylor y Shahzad Ismaily. De Ribot escuchamos también su "Spiritual Unity" ayleriano junto a Henry Grimes, Chad Taylor y Roy Campbell. La saxofonista Ingrid Laubrock y su Anti-House presentan "Strong place". En el "Jazz Porteño", Alberto Varela presenta el homenaje a Charly García del trompetista Juan Cruz de Urquiza. Los "Ritmos Latinos" de Anxo son los de Wilson das Neves en "Se me chamar, ô sorte". "desde mi cadiera" Jesús Moreno nos lleva al café OTO para escuchar al ADA Trío de Peter Brötzmann junto a Pat Thomas. En el "Tren Azul" de Luis Díaz García, el piano de Bud Powell en trío junto a Ray Brown y Max Roach. El guitarrista catalán David Soler debuta discográficamente con "Botánicas" y su proyecto Denga. El pianista Juan Ortiz y su trío piensan que "Life is too short". Toda la información y derechos: http://www.elclubdejazz.com

Ceramic Dog ironiza de forma punzante sobre la piratería y sus consecuencias para los músicos en "Your turn", su nuevo trabajo. En esta edición de "Club de Jazz" del 15 de mayo de 2013 escuchamos el "Masters of the internet" de Marc Ribot, Chad Taylor y Shahzad Ismaily. De Ribot escuchamos también su "Spiritual Unity" ayleriano junto a Henry Grimes, Chad Taylor y Roy Campbell. La saxofonista Ingrid Laubrock y su Anti-House presentan "Strong place". En el "Jazz Porteño", Alberto Varela presenta el homenaje a Charly García del trompetista Juan Cruz de Urquiza. Los "Ritmos Latinos" de Anxo son los de Wilson das Neves en "Se me chamar, ô sorte". "desde mi cadiera" Jesús Moreno nos lleva al café OTO para escuchar al ADA Trío de Peter Brötzmann junto a Pat Thomas. En el "Tren Azul" de Luis Díaz García, el piano de Bud Powell en trío junto a Ray Brown y Max Roach. El guitarrista catalán David Soler debuta discográficamente con "Botánicas" y su proyecto Denga. El pianista Juan Ortiz y su trío piensan que "Life is too short". Toda la información y derechos: http://www.elclubdejazz.com

Celebración de la música de Paul Motian. En esta edición de "Club de Jazz" del 30 de noviembre de 2011 escuchamos música de muy diversos proyectos del baterista con motivo de su fallecimiento el día 22 de noviembre vividos 80 años. De la mano de Roberto Barahona, Jesús Moreno, Alberto Varela y Ferran Esteve escuchamos "Etudes" de 1988 (con Charlie Haden y Geri Allen), "Funk dumpling" de 1962 (con Perry Robinson, Kenny Barron y Henry Grimes), "Intérieur Nuit" de 2001 (con Stephan Oliva y Bruno Chevillon), "Nothing ever was, anyway" de 1996 (con Marilyn Crispell y Gary Peacock) y "Monk in Motian" de 1988 (con Bill Frisell y Joe Lovano). Además Javier Gallego (periodista y baterista) nos regala "Byablue" de 1977 (con Charlie Haden, Keith Jarrett y Dewey Redman). Homenaje poético a Paul Motian del escritor madrileño Iván Carabaño con quien conversamos con motivo de la presentación de su libro "Océano Jazz" (al que Ana Alonso pone voz). Además en los "Ritmos Latinos" Anxo navega por otras aguas, las de Jerry González & The Fort Apache Band y las de La Mixta Criolla. Toda la información y derechos: http://www.elclubdejazz.com

Celebración de la música de Paul Motian. En esta edición de "Club de Jazz" del 30 de noviembre de 2011 escuchamos música de muy diversos proyectos del baterista con motivo de su fallecimiento el día 22 de noviembre vividos 80 años. De la mano de Roberto Barahona, Jesús Moreno, Alberto Varela y Ferran Esteve escuchamos "Etudes" de 1988 (con Charlie Haden y Geri Allen), "Funk dumpling" de 1962 (con Perry Robinson, Kenny Barron y Henry Grimes), "Intérieur Nuit" de 2001 (con Stephan Oliva y Bruno Chevillon), "Nothing ever was, anyway" de 1996 (con Marilyn Crispell y Gary Peacock) y "Monk in Motian" de 1988 (con Bill Frisell y Joe Lovano). Además Javier Gallego (periodista y baterista) nos regala "Byablue" de 1977 (con Charlie Haden, Keith Jarrett y Dewey Redman). Homenaje poético a Paul Motian del escritor madrileño Iván Carabaño con quien conversamos con motivo de la presentación de su libro "Océano Jazz" (al que Ana Alonso pone voz). Además en los "Ritmos Latinos" Anxo navega por otras aguas, las de Jerry González & The Fort Apache Band y las de La Mixta Criolla. Toda la información y derechos: http://www.elclubdejazz.com

This album is on so many people's "desert island discs". This classic was recorded over two dates in May of 1962. The band worked a few engagements around the New York area then went into the studio. Roy Haynes, who is now 86 years old is one of the wonders of the world as he is still playing as well, if not better than he was when he was much younger. He is amazing, as usual on this recording. Mr. Haynes for most part as a bandleader has always led groups with this simple instrumentation: saxophone, piano, bass and drums. This group was exceptional in that the saxophonist is Roland Kirk, who later became known as Rahsaan Roland Kirk. Kirk, who is blind lived in a world of sound. He plays three saxophones at once and has other instruments strung around his neck and also plays flute and clarinet. We hear some of his work on this record. He plays, flute, manzello (a type of soprano saxophone in Bb) and the stritch (a straight alto saxophone in Eb) plus his tenor saxophone. He are happy that Mr. Kirk visited this planet because there has been none other like him. On piano is "the poet of the piano", the late Tommy Flanagan. His sparkling lines highlight this session. Henry Grimes is on bass and at age 26 had already played with Charles Mingus, when Mingus preferred to play piano, also Sonny Rollins, Thelonious Monk and singer, Anita O'Day. This special band led by the redoubtable Mr. Haynes delivers on all 7 tunes. Four are standards that have not been overplayed and the remaining three are compositions (rare) by Roy Haynes. All in all a classic by a once in a lifetime group. Mr."Snap Crackle" lives!!!

Oren Rudavsky, Producer/Director, "To Educate a Girl," http://www.toeducateagirl.com/ In 2000, 110 million children in the world were not in school—two thirds of them were girls. In 2010, filmmakers Frederick Rendina and Oren Rudavsky traveled to Nepal and Uganda, two countries emerging from conflict and struggling with poverty, to find the answer to one question: What does it take to educate a girl? The film screens at the Mill Valley Film Festival at the Rafael Film Center, Oct. 16, 3:45 PM; Judy Irola Producer/Director, also has a film in the closing weekend of the MVFF: "Niger '66, A Peace Corps Diary," Friday, Oct. 15, 7 PM at the Rafael Film Ctr. & Sun., Oct. 17, 2:30 PM at Sequoia in Mill Valley. Visit mvff.org. After serving two years in the Peace Corps in Niger, Africa (1966-68) Irola returned to San Francisco where she went to work for KQED-TV in their documentary film unit. Now she is an esteemed professor at the University of Southern CA, where she holds the Conrad Hall Chair in Cinematography (endowed by George Lucas and Steven Spielberg) at USC's School of Cinematic Arts. AlterTheater Ensemble kicks off its expanded season with Intimate Apparel, a beautiful play about pursuing your dreams against the odds by Lynn Nottage, winner of 2009's Pulitzer Prize. Company co-founder Jeanette Harrison ("Mrs. Van Buren") and associate artist Dawn Scott ("Esther"), Rebecca Frank ("Mayme"), Matt Jones ("George") join us. The play runs through October 31 (extended). Visit altertheater.org or call (415) 454-2787. Henry Grimes & Roscoe Mitchell close the show. These two musical giants appear this evening, Friday, October 15, 2010, 8 PM in a duet concert at CNMAT (Center for New Music & Audio Technologies), 175O Arch St., Berkeley, CA, 9472O, $15, 51O-643-999O, http://cnmat.berkeley.edu/event/2011/10/15/henry_grimes_roscoe_mitchell ... We feature the music of Henry Grimes this show from Profound Sound Trio: Opus de Life and Henry Grimes Rashid Ali: Spirits Aloft.

This recording was the second album recorded in 1966 for Blue Note by the iconoclastic pianist/composer Cecil Taylor. Taylor's music has always posed a challenge to the listener as his music is dense and often seems arrhythmic. His ensembles or bands that he calls "Units" pose even more of a challenge. Not only does the listener have to hear Taylor's always busy playing but one has to hear the bassists and drummers as well as the horns that weave in and out and solo at length. This recording features members of his working unit. The wonderful alto saxophonist Jimmy Lyons is heard to good advantage here. Lyons was to Taylor what Charlie Rouse was to Thelonious Monk. Trumpeter Bill Dixon, who along with Taylor was one of the movers and shakers of so-called avant-guard Jazz was not a regular Unit member but he fit so well with Lyons in the ensemble passages and solos very effectively. Two bassists work hand in glove with Alan Silva playing mostly arco (bowed) and Henry Grimes plucking the bottom lines. Drummer Andrew Cyrille understands Taylor's unique rhythmic sence. Taylor many years before this recording had abandoned 4/4 time and other Jazz signatures and yet his music pulses with rhythms. "Conquistador" IS a challenge but if you listen to Taylor's music with the same intensity that he delivers it you will be amply rewarded. There is lyricism and beauty in this recording and all it need is your ears. Taylor was 81 on March 15,2010 and he is still creating and performing....Happy Birthday Cecil!

Jason Crane interviews pianist Luis Perdomo. Since coming to New York from his native Venezuela, Perdomo has blossomed as a player. As a student at the Manhattan School of Music and at Queens College, he studied with pianists Harold Danko and Sir Roland Hanna. As a professional musician, he's played with Ray Baretto, Ravi Coltrane, Miguel Zenon, Dafnis Prieto, and Timbalaye, to name a few. Perdomo's adventurous new record is Awareness (RKM Music, 2006). It features his working trio of Hans Glawischnig on bass and Eric McPherson on drums, and on several tracks, an expanded group with bassist Henry Grimes and drummer Nasheet Waits. Find out more about Luis Perdomo at LuisPerdomoJazz.com.