Podcasts about yuz museum

Julie Curtiss was born in 1982 in Paris, France and lives and works in Brooklyn, New York. She studied at the École Nationale Supérieure des Beaux-arts, Paris, during which time she undertook two exchange programmes; one at the Hochschule für Bildende Künste, Dresden and the other at the School of the Art Institute of Chicago. Curtiss graduated in 2006 with a BA and MFA. Recent solo exhibitions include White Cube Hong Kong (2023); Anton Kern Gallery, New York (2022; 2020; 2019); White Cube Mason's Yard, London (2021); Various Small Fires, Los Angeles (2018); and 106 Green, Brooklyn, New York (2017). Group exhibitions include Fondation Carmignac, Porquerolles, France (2024); Dallas Museum of Art, TX (2023); MCA Chicago, IL (2023); Yuz Museum, Shanghai (2023); FLAG Art Foundation, New York (2023); Leeum Museum of Art, Seoul (2022); Biennale des Arts de Nice, France (2022); The Shed, New York (2021); Nassau County Museum of Art, Roslyn, New York (2019); Perrotin, Seoul (2019); Clearing, New York (2019); White Cube Bermondsey, London (2017). She has been the recipient of a number of fellowships and awards, including Youkobo Art Space Returnee Residency Program, Tokyo (2019); Fellow of the Sharpe-Walentas Studio Program, New York (2018); Saltonstall Arts Colony Residency, New York (2017); Contemporary Art Center at Woodside Residency Program, New York (2013); VAN LIER Fellowship, New York (2012); Louis Vuitton Moët Hennessy's Young Artists Award (2004); and Erasmus European Exchange Program Grant, Hochschule für Bildende Künste, Dresden (2003).Curtiss' work is represented in a number of museum collections, among which are Bronx Museum, New York; Columbus Museum of Art, Ohio; High Museum, Atlanta; Los Angeles County Museum of Art; Maki Collection, Japan; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; and Yuz Museum, Shanghai.

Tschabalala Self is an artist born in Harlem who lives and works in Upstate New York. She received her undergraduate degree at Bard and her MFA from Yale. Recent solo exhibitions and perfiormances include Kunstmuseum, St Gallen, Le Consortium in Dijon, Performa 2021 Biennial in NYC, the Baltimore Museum of Art, the ICA in Boston, the Hammer Museum in LA, Art Omi in Ghent, the Yuz Museum in Shanghai and many others. She has had several museum shows and has had residencies at the Studio Museum in Harlem, the Red Bull House of Art in Detroit, Liquitex work residency in London, the Fountainhead Residency in Miami and many others. Her work has been covered in Art in America, ArtForum, Artnet, Bomb, Cultured, Essence, Frieze, Hyperallergic, The New York Times, T Magazine, The Art Newspaper, The Guardian, Vouge, W and more. Her work can be found in countless institutions, with highlights that include The Art Institute of Chicago, The Baltimore Museum of Art, the Brooklyn Museum, the California African American Museum, the Hirshhorn, LACMA, the New Museum, the MCA in LA, the Guggenheim, the Studio Museum in Harlem and the Whitney Museum. Buy the Sound & Vision book "WHY I MAKE ART" here: https://atelier-editions.com/products/why-i-make-art Thanks to all for listening to the podcast and making it possible to hit 400 episodes!

Season 10 continues!!! Russell & Robert meet leading artist Math Bass from their studio in Los Angeles, California. Bass is an artist known for fusing performance with paintings and sculptures using formal elements like solid colors, geometric imagery, raw materials, and visual symbols. Bass has exhibited internationally and is represented by Tanya Leyton, Berlin and Vielmetter, Los Angeles.Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video. Throughout the work of Math Bass, recognizable forms appear and yet turn abstract, becoming shapes rather than signifiers, like shadows manipulated by the sun. Repetition is used as a tool to foreground these forms as part of a visual lexicon Bass has been developing over the last several years in the Newz! series — where forms and symbols exist in a multitude of perspectives and (re)interpretation — suggesting the possibility of mutable meaning.Though graphic in the flatness of the forms, there is a crispness and lightness to Bass's geometric abstraction–thin layers of opaque paint are delicately applied to the raw canvas. In their artistic practice, the artist explores breaking down the common boundaries found within the medium(s) and modes of presentation in order to actively engage the viewer in both surreal and everyday ways.Bass received a BA from Hampshire College and an MFA from the University of California, Los Angeles. Recent solo exhibitions include: Tanya Leighton, Berlin (2019); Hammer Museum, Los Angeles (2018); Mary Boone Gallery, New York (2018); The Jewish Museum, New York (2017); Yuz Museum, Shanghai (2017); and MoMA PS1, New York (2015). Bass has also participated in selected group exhibitions at Martos Gallery, New York (2019); Fredericks & Freiser, New York (2019); Gordon Robichaux, New York (2018); and the Made in L.A. Biennial at the Hammer Museum, Los Angeles, (2012). They will have a solo exhibition at the Henry Art Gallery at the University of Washington, Seattle, Fall 2021 - Winter 2022.Their work is included in the permanent collections of Los Angeles County Museum of Art, CA; the Hammer Museum, Los Angeles, CA; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, San Diego; and Yuz Museum, Shanghai, CN.Follow @MathPearlBass on Instagram.For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Talk Art NYC!!! Russell & Robert meet artist Brian Donnelly aka KAWS at his Brooklyn studio for a rare glimpse into the private world of one the world's most iconic creative figures. KAWS engages audiences far beyond the museums and galleries in which he regularly exhibits. His prolific body of influential work straddles the worlds of art and design to include paintings, murals, large-scale sculptures, street art, graphic and production design. Over the last two decades KAWS has built a successful career with work that consistently shows his formal agility as an artist, as well as his underlying wit, irreverence, and affection for our times. The nature of his work possesses a sophiticated humour and thoughtful interplay with consumer products and collaborations with global brands from DIOR (with Kim Jones), to his own, now dormant, streetwear label OriginalFake.He often draws inspiration and appropriates from pop-culture animations to form a unique artistic vocabulary for his works across various mediums. Now admired for his larger-than-life sculptures and hardedge paintings that emphasize line and color, KAWS' cast of hybrid cartoon and human characters are perhaps the strongest examples of his exploration of humanity. KAWS has been exhibited at the Doha Fire Station Museum, National Gallery of Victoria Melbourne, Museum of Contemporary Art Detroit, High Museum of Art, Brooklyn Museum, Yorkshire Sculpture Park in England, the Modern Art Museum of Fort Worth, and the Yuz Museum in Shanghai, and the Yuz Museum in Shanghai.Follow @KAWS on Instagram or visit www.KawsOne.com If you've enjoyed this episode, be sure to leave us a review on Apple Podcasts or email talkartpodcast@gmail.com as we love hearing your feedback! @talkart See acast.com/privacy for privacy and opt-out information.

While in Taiwan for the Taipei Dangdai art fair we spoke with renowned collector and philanthropist Budi Tek, who has dedicated his collection of contemporary art to the rest of the world. Budi began collecting in 2004 and went on to build the Yuz Collection, which consists of contemporary art from the East and West, with a significant focus on Chinese contemporary art from the early 1980s to the late 1990s. In 2014, Budi founded the Yuz Museum in Shanghai under the umbrella of the Yuz Foundation. The museum has staged ambitious exhibitions of international Contemporary artists including Yang Fudong, Huang Yuxing, Liu Shiyuan, Random International, Andy Warhol, and Alberto Giacometti. This past year Budi announced a partnership between the Yuz Museum and LACMA, furthering his aim to expand international contemporary art through the exchange of ideas, collections, sponsorships, and academic projects.

What were the hot topics of 2018? Host Charlotte Burns looks back on the year in this special episode, breaking down key moments in conversation with Julia Halperin (executive editor of artnet News). The broadening of the canon across markets and museums—from African American artists to outliers, from women artists to conspiracists—was a major topic for In Other Words guests last year. Another key area of focus was the future of the museum, with topics from deaccessioning to digital swarming discussed by institutional leaders in their appearances on the show, including Glenn Lowry (director, MoMA), Richard Armstrong (director, Solomon R. Guggenheim Museum and Foundation), Jessica Morgan (director, Dia Art Foundation), Michael Govan (CEO and Wallis Annenberg director, LACMA), Doryun Chong (deputy director and chief curator, M+ ), Budi Tek (founder, Yuz Museum and Foundation) and Lisa Phillips (director, New Museum of Contemporary Art). And the most popular topic of 2018? Art criticism. Roberta Smith (co-chief art critic of the New York Times) and Jerry Saltz (New York magazine's senior art critic) talked about their writing and audiences, as well as the best art being made today. Tune in to toast the year. Transcript: http://www.artagencypartners.com/podcast/podcast-highlights-from-2018/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.

What were the hot topics of 2018? Host Charlotte Burns looks back on the year in this special episode, breaking down key moments in conversation with Julia Halperin (executive editor of artnet News). The broadening of the canon across markets and museums—from African American artists to outliers, from women artists to conspiracists—was a major topic for In Other Words guests last year. Another key area of focus was the future of the museum, with topics from deaccessioning to digital swarming discussed by institutional leaders in their appearances on the show, including Glenn Lowry (director, MoMA), Richard Armstrong (director, Solomon R. Guggenheim Museum and Foundation), Jessica Morgan (director, Dia Art Foundation), Michael Govan (CEO and Wallis Annenberg director, LACMA), Doryun Chong (deputy director and chief curator, M+ ), Budi Tek (founder, Yuz Museum and Foundation) and Lisa Phillips (director, New Museum of Contemporary Art). And the most popular topic of 2018? Art criticism. Roberta Smith (co-chief art critic of the New York Times) and Jerry Saltz (New York magazine’s senior art critic) talked about their writing and audiences, as well as the best art being made today. Tune in to toast the year. Transcript: http://www.artagencypartners.com/podcast/podcast-highlights-from-2018/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

Maurizio Cattelan’s fun house exhibition of 30 international artists in Shanghai until Dec 20, 2018. Yuz museum. Looking at the idea of appropriation. And art thievery.

This week we bring you a special episode from Hong Kong, where we staged our first ever live In Other Words event on 29 March, a panel discussion on "The Future of The Museum”. Our guests included Michael Govan, director, Los Angeles County Museum of Art (LACMA); Doryun Chong, deputy director and chief curator, M+ in Hong Kong; and Allan Schwartzman. The panel was introduced by Kevin Ching, CEO of Sotheby's Asia and moderated by Charlotte Burns.  Joining us remotely was Budi Tek, the founder of the Yuz Museum and Foundation, Shanghai, who broke the news of an unprecedented collaboration between Yuz and LACMA. This opened a discussion about the increasing willingness of museum directors and private patrons to collaborate and share. Our panelists also spoke about where innovation is taking place geographically; about cultural norms and how they manifest differently region to region; and about new technologies, such as augmented reality, and how they might impact museums and exhibition making. These are, of course, just a few of the topics covered. Tune in for the rest.  Transcript: http://www.artagencypartners.com/transcript-the-future-of-the-museum-2/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.

This week we bring you a special episode from Hong Kong, where we staged our first ever live In Other Words event on 29 March, a panel discussion on "The Future of The Museum”. Our guests included Michael Govan, director, Los Angeles County Museum of Art (LACMA); Doryun Chong, deputy director and chief curator, M+ in Hong Kong; and Allan Schwartzman. The panel was introduced by Kevin Ching, CEO of Sotheby’s Asia and moderated by Charlotte Burns.  Joining us remotely was Budi Tek, the founder of the Yuz Museum and Foundation, Shanghai, who broke the news of an unprecedented collaboration between Yuz and LACMA. This opened a discussion about the increasing willingness of museum directors and private patrons to collaborate and share. Our panelists also spoke about where innovation is taking place geographically; about cultural norms and how they manifest differently region to region; and about new technologies, such as augmented reality, and how they might impact museums and exhibition making. These are, of course, just a few of the topics covered. Tune in for the rest.  Transcript: http://www.artagencypartners.com/transcript-the-future-of-the-museum-2/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

Savona interviews Barbara Pollack, independent curator and critic, who writes regularly about contemporary art for such publications as the New York Times, Artnews, Art and Auction, and Art in America. Most recently, she curated the exhibition Sun Xun: Prediction Laboratory at the Yuz Museum in Shanghai. Since 1994, has covered the development of China's contemporary art scene and its market for publications including Vanity Fair, New York Times, Washington Post, Departures, Art in America, Artnews, Art and Auction, Modern Painters and artnet.com; has written profiles and catalogue essays for many major artists in China including Ai Weiwei, Liu Ye, Zhang Xiaogang, Li Songsong, Zeng Fanzhi, Lin Tianmiao, Wang Qingsong and Yin Xiuzhen; recipient of grants from the Asian Cultural Council and Andy Warhol Foundation; since 2001, Professor, School of Visual Arts. Fellow, MacDowell Colony for the Arts. Author: The Wild, Wild East; An American Art Critic's Adventures in China. Expertise: cultural leaders, art, global art movements in emerging centres, particularly China