Podcasts about Hammer Museum

e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts to locate a synthesis between seemingly opposed terms: subject and object; object and image; original and duplicate; freedom and captivity.   Coleman Collins is a 2025 Guggenheim Fellow. He has also received support from the Graham Foundation for Advanced Studies in the Fine Arts, the New York Foundation for the Arts, and Cafe Royal Cultural Foundation. He received an MFA from UCLA in 2018, and was a 2017 resident at the Skowhegan School for Painting and Sculpture. In 2019, he participated in the Whitney Museum's Independent Study Program.  Recent exhibitions and screenings have taken place at e-flux, New York; Ehrlich Steinberg, Los Angeles; Herald Street, London; Soldes, Los Angeles; the Palestine Festival of Literature, Jerusalem/Ramallah; Larder, Los Angeles; Hesse Flatow, New York; Brief Histories, New York; Carré d'Art, Nîmes; and the Kunsthalle Wien in Vienna. His work is in the permanent collection of the Hammer Museum, Los Angeles. He is currently an Assistant Professor of Art at the University of California, Irvine. He lives and works in Los Angeles.

“Art is a form of prayer … a way to enter into relationship.”Artist and theologian Bruce Herman reflects on the sacred vocation of making, resisting consumerism, and the divine invitation to become co-creators. From Mark Rothko to Rainer Maria Rilke, to Andres Serrano's “Piss Christ” and T.S. Eliot's Four Quartets, he comments on the holy risk of artmaking and the sacred fire of creative origination.Together with Evan Rosa, Bruce Herman explores the divine vocation of art making as resistance to consumer culture and passive living. In this deeply poetic and wide-ranging conversation—and drawing from his book *Makers by Nature—*he invites us into a vision of art not as individual genius or commodity, but as service, dialogue, and co-creation rooted in love, not fear. They touch on ancient questions of human identity and desire, the creative implications of being made in the image of God, Buber's I and Thou, the scandal of the cross, Eliot's divine fire, Rothko's melancholy ecstasy, and how even making a loaf of bread can be a form of holy protest. A profound reflection on what it means to be human, and how we might change our lives—through beauty, vulnerability, and relational making.Episode Highlights“We are made by a Maker to be makers.”“ I think hope is being stolen from us Surreptitiously moment by moment hour by hour day by day.”“There is no them. There is only us.”“The work itself has a life of its own.”“Art that serves a community.”“You must change your life.” —Rilke, recited by Bruce Herman in reflection on the transformative power of art.“When we're not making something, we're not whole. We're not healthy.”“Making art is a form of prayer. It's a form of entering into relationship.”“Art is not for the artist—any more than it's for anyone else. The work stands apart. It has its own voice.”“We're not merely consumers—we're made by a Maker to be makers.”“The ultimate act of art is hospitality.”Topics and ThemesHuman beings are born to create and make meaningArt as theological dialogue and spiritual resistanceCreative practice as a form of love and worshipChristian art and culture in dialogue with contemporary issuesPassive consumption vs. active creationHow to engage with provocative art faithfullyThe role of beauty, mystery, and risk in the creative processArt that changes you spiritually, emotionally, and intellectuallyThe sacred vocation of the artist in a consumerist worldHow poetry and painting open up divine encounter, particularly in Rainer Maria Rilke's “Archaic Torso of Apollo”Four Quartets and spiritual longing in modern poetryHospitality, submission, and service as aesthetic posturesModern culture's sickness and art as medicineEncountering the cross through contemporary artistic imagination“Archaic Torso of Apollo”Rainer Maria Rilke 1875 –1926We cannot know his legendary head with eyes like ripening fruit. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned to low, gleams in all its power. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast's fur: would not, from all the borders of itself, burst like a star: for here there is no place that does not see you. You must change your life.About Bruce HermanBruce Herman is a painter, writer, educator, and speaker. His art has been shown in more than 150 exhibitions—nationally in many US cities, including New York, Boston, Washington, Chicago, Los Angeles, and Houston—and internationally in England, Japan, Hong Kong, Italy, Canada, and Israel. His artwork is featured in many public and private art collections including the Vatican Museum of Modern Religious Art in Rome; The Cincinnati Museum of Fine Arts print collection; The Grunewald Print Collection of the Hammer Museum, Los Angeles; DeCordova Museum in Boston; the Cape Ann Museum; and in many colleges and universities throughout the United States and Canada.Herman taught at Gordon College for nearly four decades, and is the founding chair of the Art Department there. He held the Lothlórien Distinguished Chair in Fine Arts for more than fifteen years, and continues to curate exhibitions and manage the College art collection there. Herman completed both BFA and MFA degrees at Boston University College of Fine Arts under American artists Philip Guston, James Weeks, David Aronson, Reed Kay, and Arthur Polonsky. He was named Boston University College of Fine Arts Distinguished Alumnus of the Year 2006.Herman's art may be found in dozens of journals, popular magazines, newspapers, and online art features. He and co-author Walter Hansen wrote the book Through Your Eyes, 2013, Grand Rapids, Wm. B. Eerdmans Publishing, a thirty-year retrospective of Herman's art as seen through the eyes of his most dedicated collector.To learn more, explore A Video Portrait of the Artist and My Process – An Essay by Bruce Herman.Books by Bruce Herman*Makers by Nature: Letters from a Master Painter on Faith, Hope, and Art* (2025) *Ordinary Saints (*2018) *Through Your Eyes: The Art of Bruce Herman (2013) *QU4RTETS with Makoto Fujimura, Bruce Herman, Christopher Theofanidis, Jeremy Begbie (2012) A Broken Beauty (2006)Show NotesBruce Herman on Human Identity as MakersWe are created in the image of God—the ultimate “I Am”—and thus made to create.“We are made by a Maker to be makers.”To deny our creative impulse is to risk a deep form of spiritual unhealth.Making is not just for the “artist”—everyone is born with the capacity to make.Theological Themes and Philosophical FrameworksInfluences include Martin Buber's “I and Thou,” René Girard's scapegoating theory, and the image of God in Genesis.“We don't really exist for ourselves. We exist in the space between us.”The divine invitation is relational, not autonomous.Desire, imitation, and submission form the core of our relational anthropology.Art as Resistance to Consumerism“We begin to enter into illness when we become mere consumers.”Art Versus PropagandaCulture is sickened by passive consumption, entertainment addiction, and aesthetic commodification.Making a loaf of bread, carving wood, or crafting a cocktail are acts of cultural resistance.Desire“Anything is resistance… Anything is a protest against passive consumption.”Art as Dialogue and Submission“Making art is a form of prayer. It's a form of entering into relationship.”Submission—though culturally maligned—is a necessary posture in love and art.Engaging with art requires openness to transformation.“If you want to really receive what a poem is communicating, you have to submit to it.”The Transformative Power of Encountering ArtQuoting Rilke's Archaic Torso of Apollo: “You must change your life.”True art sees the viewer and invites them to become something more.Herman's own transformative moment came unexpectedly in front of a Rothko painting.“The best part of my work is outside of my control.”Scandal, Offense, and the Cross in ArtAnalyzing Andres Serrano's Piss Christ as a sincere meditation on the commercialization of the cross.“Does the crucifixion still carry sacred weight—or has it been reduced to jewelry?”Art should provoke—but out of love, not self-aggrandizement or malice.“The cross is an offense. Paul says so. But it's the power of God for those being saved.”Beauty, Suffering, and Holy RiskEncounter with art can arise from personal or collective suffering.Bruce references Christian Wiman and Walker Percy as artists opened by pain.“Sometimes it takes catastrophe to open us up again.”Great art offers not escape, but transformation through vulnerability.The Fire and the Rose: T. S. Eliot's InfluenceFour Quartets shaped Herman's artistic and theological imagination.Eliot's poetry is contemplative, musical, liturgical, and steeped in paradox.“To be redeemed from fire by fire… when the fire and the rose are one.”The collaborative Quartets project with Makoto Fujimura and Chris Theofanidis honors Eliot's poetic vision.Living and Creating from Love, Not Fear“Make from love, not fear.”Fear-driven art (or politics) leads to manipulation and despair.Acts of love include cooking, serving, sharing, and creating for others.“The ultimate act of art is hospitality.”Media & Intellectual ReferencesMakers by Nature by Bruce HermanFour Quartets by T. S. EliotThe Archaic Torso of Apollo by Rainer Maria RilkeWassily Kandinsky, “On the Spiritual in Art”Amusing Ourselves to Death by Neil PostmanThings Hidden Since the Foundation of the World by René GirardThe Art of the Commonplace by Wendell BerryAndres Serrano's Piss ChristMakoto Fujimura's Art and Collaboration

Michelle Coltrane and Maggie LePique discuss her Mother, Alice Coltrane and the year-long celebration currently underway that's being called “The Year of Alice.”This celebration spans 2024-2025 and features previously unreleased music and reissues, brand new community programming, a multimedia museum exhibit, specially curated concerts, newly choreographed ballet works and much more.Jazz musician, composer, bandleader and spiritual and devotional leader, Alice Coltrane was born in Detroit, Michigan in 1937 to Solon and Annie McLeod, the fifth of six children. By the age of nine, she played organ during services at Mount Olive Baptist church.In the early 60's she began playing jazz as a professional in Detroit with her own trio and as a duo with vibist Terry Pollard.Alice Coltrane would go on to collaborate and performed with Kenny Clarke, Kenny Burrell, Ornette Coleman, Pharaoh Sanders, Charlie Haden, Roy Haynes, Jack DeJonette, Carlos Santana and more.Mrs Coltrane's interest in gospel, classical, and jazz music led to the creation of her own innovative style. Her proficiency on keyboard, organ, and harp was remarkable and her artistry matured into amazing arrangements and compositions.Her twenty recordings cover a time span from Monastic Trio (1968) to Translinear Light (2004).Michelle discusses at length one of the events here in Southern California that is part of the Year of Alice.Here in L.A. the exhibition Alice Coltrane, Monument Eternal at the Hammer Museum in Westwood is inspired by the life and legacy of jazz musician, composer and bandleader as well a spiritual and devotional leader, Alice Coltrane.This exhibition is part of a larger initiative called “The Year of Alice," and in partnership with the John & Alice Coltrane Home, Impulse Records, The New York Historical Society, the Detroit Jazz Festival and more.The exhibition presents works by contemporary American artists paired with items Coltrane's personal archive and features a range of mediums including video, performance, and sculpture together with Coltrane's archival hand-written correspondence, unreleased audio recordings, and rarely seen video footage.Upcoming event with Michelle Coltrane:Sai Anantam Devotional EnsemblePresented by CAP UCLA and Hammer MuseumSun, Apr 13, 2025 at 6:30pm The NimoyThe Year of Alice events include:Reissues of Alice Coltrane's albums and previously unreleased musicSpecially curated concerts in cities including New York, Brooklyn, Detroit, and CaliforniaA multimedia museum exhibitNewly choreographed dance worksCommunity programming and an Oral History ProjectDiscussions about Coltrane's life and workPartners in the celebration are:Impulse! RecordsDetroit Jazz FestivalHammer MuseumAlonzo King LINES BalletThe New York Historical SocietyShapeshifter LabLyon & Healey HarpsSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Source: https://www.alicecoltrane.com/Source: https://hammer.ucla.edu/exhibitions/2025/alice-coltrane-monument-eternalHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica stSend us a textSupport the show@profileswithmaggielepique@maggielepique

Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen

This is the first part of a two part conversation with Maryam Kashani on her book Medina By The Bay: Scenes of Muslim Study and Survival It's a cool book that weaves Maryam's scholarly ethnographic work with her talents as a filmmaker and a DJ to examine and illuminate various strains of Islam in the San Francisco Bay Area from the Black Power Movement to the so-called war on terror and the rise of the surveillance state. She dubs her approach an “ethnocinematic.”  We discuss legacies of anti-imperialist Islam on Turtle Island as well as more assimilative ways of being. We'll dig into this more in part 2, but we wanted to make sure to get this part out during Ramadan.  Kashani is an associate professor in Gender and Women's Studies and Asian American Studies at the University of Illinois Urbana-Champaign and is in the leadership collective of Believers Bail Out, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition. We'll include a lengthier bio in the show description. Believers Bail Out has a fundraiser to bail out Muslims during Ramadan which we will link in the show description. We really encourage folks to kick in what they can to support that initiative.  The other thing I wanted to make sure to mention is we do talk a little bit about Imam Jamil Al-Amin in this episode. I'm including a couple of links to projects and campaigns related to Imam Jamil Al-Amin in the show description. According to Students for Imam Jamil he has received a medical transfer thanks to the support and calls of many folks. But there are other ways people can continue to support Imam Jamil Al-Amin (see below).  And lastly, we have a Samir Amin Accumulation on a World Scale Study Group for patrons only. It will start Wednesday the 12th of March and run through June. I'll include a link with more details in the show description, but space is limited on that so if you want to reserve a spot make sure to sign up today at patreon.com/millennialsarekillingcapitalism which is also the best place to support our work on this podcast. Links: Purchase Medina By The Bay through Massive Bookshop, the bookstore that bails people out of jail. For Maryam's essay on Hajja Dhameera Ahmad check out the book Black Power Afterlives For more on Imam Jamil Al Amin: https://www.imamjamilactionnetwork.org/ and freeimamjamil.com and support the fundraiser for the "What Happened to Rap" film. Samir Amin Accumulation on a World Scale Study Group (7:30 PM Eastern Time US on Wednesdays) Believers Bail Out use Zakat to bail Muslims out of jail or immigrant detention Full bio: Maryam Kashani works from a deep commitment to the aesthetic and political possibilities of experimental filmmaking, music, and the essay form, whether as 16mm films and videos, text/sound/image installations and live performance, DJing, or written monograph. Her work explores the relationships between physical landscapes and the sociopolitical, material, and spiritual histories and forces that emerge with and against them and is concerned with narration and description, archive, and knowledge production with a particular focus on collective study and struggle in and against colonial racial capitalism across local and global geographies. She recently published Medina by the Bay: Scenes of Muslim Study and Survival (Duke University Press, 2023), which is an ethnocinematic examination of how multiracial Muslim communities in the San Francisco Bay Area survive within and against racial capitalist, carceral, and imperial logics. Her films and video installations (http://www.maryamkashani.com/) have been shown at film festivals, universities, and museums internationally, including the Sharjah Biennial, MoMA, Hammer Museum, Chelsea Museum, and the Pacific Film Archive. Kashani is an associate professor in Gender and Women's Studies and Asian American Studies at the University of Illinois at Urbana-Champaign and is in the leadership collective of Believers Bail Out, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.    

Episode No. 696 features curators Natalie Dupêcher and Leigh Arnold. Dupêcher is the curator of "Joe Overstreet: Taking Flight" at the Menil Collection, Houston. "Taking Flight" offers work from three of Overstreet's abstract painting series: Flight Pattern (early 1970s), and related bodies of work from the 1960s and 1990s. While recent exhibitions such as "Now Dig This!" (Hammer Museum, 2011) and "Soul of a Nation" (Tate Modern, 2017) have included Overstreets, this is the first solo museum exhibition of his work in 30 years. The Menil's exhbition guide is available here. An exhibition catalogue will be available in the late spring. "Taking Flight" is on view through July 13. Arnold is the curator of "Haegue Yang: Lost Lands and Sunken Fields" at the Nasher Sculpture Center, Dallas. Across two floors, the exhibition reveals Yang's critique of the modernist project and its tendency toward singular Western domination. It is on view through April 27. Works discussed on the program include: Yang's Spring Sailors – Six Synecologies Aloft (2024) at 2024's Lahore Biennial. Instagram: Natalie Dupêcher, Leigh Arnold, Tyler Green.

Michael Ned Holte is a writer, independent curator, and educator based in Los Angeles, as well as the Associate Dean for the School of Arts at CalArts.He has held exhibitions at the Armory Center for the Arts in Pasadena, the MAK Center for Art and Architecture at the Schindler House, and the Hammer Museum, to name only a few. He has also written monographic essays on artists including Charles Gaines, Richard Hawkins, Alice Konitz, Shio Kusaka, Caitlin Lonegan, Roy McMakin, Steve Roden, Clarissa Tossin, and Shirley Tse. On today's episode, Stephen Anthony Rawson talks with Michael about his recent book, Good Listener: Meditations on Music and Pauline Oliveros. This book is a result of a year-long performance of Pauline Oliveros's Sonic Meditation XXI, which asks the question: “What constitutes your musical universe?”

Episode 460 / Greg Ito Greg Ito (b. 1987, Los Angeles, CA) earned his BFA from San Francisco Art Institute. His work has been exhibited widely in solo and group exhibitions including at Institute of Contemporary Art, San Diego, CA; Long Beach Museum of Art, Long Beach, CA; Maki Gallery, Tokyo, Japan; Anat Ebgi, Los Angeles, CA; SPURS Gallery, Beijing, China; Lyles and King, New York, NY; Jeffrey Deitch, New York; NY and Yerba Buena Center for the Arts (YBCA), San Francisco, CA. Ito's work is included in the permanent collections of public institutions including the Hammer Museum, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Institute of Contemporary Art Miami (ICA Miami); K11 Art Foundation, Hong Kong; and the Los Angeles County Museum of Art (LACMA). Greg lives and works in Los Angeles, CA. his current show  MOTION PICTURES is at the Long Beach Museum of Art.

Welcome to a very special episode of Moon to Moon. Our honored guest is Mother Witch Amanda Yates Garcia, also known as The Oracle of Los Angeles. Amanda has long been someone I deeply admire as a leader of integrity, honesty, wisdom, and inspiration. Amanda is incredibly smart, wildly magnetic, and wholly grounded in her devotion.  What happened here was a gift. And it's an honor to share this conversation with you today. May it be a lantern to light your heart and to lift your spirit.   Thank you, Amanda.  Amanda Yates Garcia is a writer, witch, and the Oracle of Los Angeles. Her work has been featured in The New York Times, The LA Times, The SF Chronicle, The London Times, CNN, BRAVO, as well as a viral appearance on FOX. She has led rituals, classes and workshops on magic and witchcraft at UCLA, UC Irvine, MOCA, The Hammer Museum, LACMA, The Getty and many other venues. Amanda hosts monthly moon rituals online, and the popular Between the Worlds podcast, which looks at the Western Mystery traditions through a mythopoetic lens. Her book, Initiated: Memoir of a Witch, received a starred review from Kirkus and Publisher's Weekly and has been translated into six languages. To find out more about her work become a member of her Mystery Cult on Substack.   +++ Learn more about The Magician's Table 2025 and find out who the 13th readers are here.  Applications open Feb 14 for Early Bird weekend (Feb 14-16).  To apply that weekend, you must be on the waitlist. Join the waitlist here. +++ E M E R G E N C E  A S T R O L O G Y ⁠⁠https://brittenlarue.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠@brittenlarue ⁠⁠⁠⁠⁠⁠Order Living Astrology⁠⁠⁠⁠⁠⁠ Join my newsletter here Check out my new podcast CRYSTAL BALLERS on Spotify, Podbean, and Apple. +++ Podcast art: Angela George. Podcast music: Jonathan Koe.

In this episode of "This Week" by Daily Bruin Podcasts, learn about important campus safety updates, including recent developments in a Saxon Suites assault case and UCPD reports. Moreover, Sports correspondents cover UCLA women's basketball making program history with their first-ever No. 1 national ranking after defeating defending champions South Carolina. The episode also features updates on UCLA football's crosstown showdown with USC, Arts coverage from the Hammer Museum, "Glicked" release, and international news from the COP29 climate conference.

Episode No. 681 of The Modern Art Notes Podcast features artist Tidawhitney Lek. Lek is featured in "Spirit House" at the Cantor Arts Center at Stanford University. The exhibition considers how 33 contemporary artists of Asian descent challenge the boundary between life and death through art, including how the spiritual relates to diaspora, connections to ancestral homelands, and the experience of feeling present within multiple cultures and multiple geographies. The show's curatorial framework was inspired by spirit houses, small devotional structures found throughout Thailand that provide shelter for the supernatural. The exhibition was curated by Aleesa Pitchamarn Alexander with Kathryn Cua. It is on view through January 26, 2025. An excellent exhibition catalogue, titled "Spirit House: Hauntings in Contemporary Art of the Asian Diaspora,"  was published by the Cantor and Gregory R. Miller & Co. Amazon and Bookshop offer it for $45-50. Discussed on the program: Martha Rosler's "House Beautiful: Bringing the War Home" series may be viewed on the website of the Museum of Modern Art, New York. The work of Amir Fallah and Annie Lapin. Lek's website. Lek is a southern California-based, Cambodian-American artist whose work examines narratives surrounding and the daily experiences of a first-generation American born to immigrant parents. Her work has been included in exhibitions at the Museum of Contemporary Art San Diego, the Made in LA biennial at the Hammer Museum, University of California, Los Angeles, and the Institute of Contemporary Art Miami. Her first museum solo show was at the Long Beach Museum of Art last year. Instagram: Tidawhitney Lek, Tyler Green.

Trans rights advocates are bracing for potential challenges as President-elect Donald Trump hints at policies that could threaten the community’s rights.  Today, about one-third of office space in downtown LA sits empty. It’s a far cry from the once-booming real estate market in the city’s urban core. Why? Martha Stewart shares her journey from self-made billionaire to prison inmate to unlikely friend of Snoop Dogg in a revealing new documentary.  Ron Finley grew up in South LA surrounded by a severe lack of nature. It pushed him to transform sections of his neighborhood into lush, edible gardens. Now, he’s bringing his DIY gardening practice to the Hammer Museum in Westwood. 

The Hammer Museum at UCLA hosts “Christina Ramberg: A Retrospective” from October 12, 2024, to January 5, 2025, showcasing over ...

Episode No. 674 features curators Kristen Collins and Nancy K. Turner, and curator Thea Liberty Nichols. Collins and Turner are the curators of "Lumen: The Art and Science of Light" at the J. Paul Getty Museum, Los Angeles. "Lumen" explores how scientific understandings of light shaped the visual culture of the Middle Ages. It includes over 100 works, including celestial globes, golden altars, and illuminated manuscripts from the Christian and Islamic worlds. It's on view through December 8, 2024. "Lumen" is part of PST ART : Art & Science Collide, a regional cultural celebration taking place across over 70 Southland exhibition and performance spaces. It is accompanied by an excellent catalogue published by the Getty. Amazon and Bookshop offer it for $60-70. With Mark Pascale, Thea Liberty Nichols is the co-curator of "Christina Ramberg: A Retrospective," which opens at the Hammer Museum on October 12 and which runs through January 5, 2025. Ramberg was a painter who developed an intense visual vocabulary derived from often fetishized objects such as corsets, hands, high-heeled shoes and hair, building from them into arresting compositions. Late in her life -- Ramberg died in 1995 at the age of 49 -- she also made an extraordinary series of quilts. The exhibition was a significant critical hit at the Art Institute of Chicago, where it was on view over the summer. The wonderful catalogue was published by the Art Institute of Chicago, which originated the show. Amazon and Bookshop offer it for about $45.

Amanda Yates Garcia (she/her) is a writer, witch, and the Oracle of Los Angeles. Her work has been featured in The New York Times, The LA Times, The SF Chronicle, The London Times, CNN, BRAVO, as well as a viral appearance on FOX. She has led rituals, classes and workshops on magic and witchcraft at UCLA, UC Irvine, MOCA, The Hammer Museum, LACMA, The Getty and many other venues. Amanda hosts monthly moon rituals online, and the popular Between the Worlds podcast, which looks at the Western Mystery traditions through a mythopoetic lens. Her book, Initiated: Memoir of a Witch, received a starred review from Kirkus and Publisher's Weekly and has been translated into six languages. To find out more about her work become a member of her Mystery Cult on Substack. Episode Highlights Welcome to our third cross-pollination episode, where we share space with other queer podcasters and creators. Amanda is the host of "Between the Worlds" podcast. We are so grateful to have Amanda Yates Garcia share some time with us. Join us for a queerly witchy saunter and exploration of the medicine of enough.  Amanda gets us started and casts a delicious, magic circle, and then we dive in and explore. We get curious about our “enough's” and spend some time both in the light and shadowy aspects, while being between the worlds.  We get cozy naming our “enough's” which takes us into our queer + witchy stories, potently connecting some dots.  We close by sending a care spell out to our collective past and future selves.  Web links Find Amanda online at OracleOfLosAngeles.com You can also connect with her on Instagram @oracleofla Listen to Between the Worlds podcast here Join the private Queer Spirit Community to continue the conversation and connect with other listeners.  Join us for FREE meditation + chanting + breath work circles online.   And follow us on Instagram!  Join our mailing list  to get news and podcast updates sent directly to you.

For the 30th episode of "Reading the Art World," host Megan Fox Kelly speaks with Gary Garrels, curator of the exhibition “Willem de Kooning and Italy” and editor of the associated catalogue, published by Marsilio Arte and distributed internationally by Artbook D.A.P..In the interview, Gary provides insight into Willem de Kooning's engagement with Italy in the 1950s and early 1960s, sharing how the artist was “steeped in the history” of the place. The book and the conversation between Gary and Megan zero in on a crucial, but unexplored, period in de Kooning's career.“Willem de Kooning and Italy” is a beautifully illustrated accompaniment to the exhibition at Gallerie dell'Accademia di Venezia (closes September 15, 2024). The exhibition is curated by art historian Gary Garrels and Anish Kapoor Foundation director Mario Codognato, and is the first to analyze the impact of de Kooning's Italian sojourns on his later production. Bringing together 75 works belonging to the period from the late 1950s to the 1980s, such as the famous “Door to the River,” “A Tree in Naples,” and “Villa Borghese,” painted in 1960 in New York, it is the largest de Kooning retrospective ever organized in Italy.Gary Garrels is a highly respected and influential curator for more than thirty-five years at major museums in the United States, including: Dia Art Foundation, New York, Director of Programmes, 1987-1991; Walker Art Center, Minneapolis, Senior Curator, 1991-1993; San Francisco Museum of Modern Art, Chief Curator of Painting and Sculpture, 1993-2000; Museum of Modern Art, New York, Chief Curator, Department of Drawings and Curator, Department of Painting and Sculpture, 2000-2005; Hammer Museum, Los Angeles, Chief Curator and Deputy Director of Exhibitions and Public Programmes, 2005-2008; and again at San Francisco Museum of Modern Art, as Senior Curator of Painting and Sculpture, 2008- 2020. He is currently an independent curator living and working in New York, focused on projects of special interest.PURCHASE THE BOOK: In Italy: Marsilio Arte. Internationally: Artbook D.A.P.SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

The John & Alice Coltrane Home and the Coltrane Family, in partnership with Impulse! Records, Detroit Jazz Festival, Hammer Museum, Alonzo King LINES Ballet, The New York Historical Society, and many more, have declared 2024-2025 to be THE YEAR OF ALICE, celebrating the extensive life work of spiritual leader, composer, and musician Alice Coltrane.In addition to being an iconic and remarkably prolific musician, Mrs. Coltrane was a beloved and wise spiritual leader, a pragmatic person with a keen eye for business, and a deeply giving human, who emphasized the importance of charitable giving, education, and spiritual guidance.My guest today, Michelle Coltrane, is a jazz vocalist and composer. She was born in Paris, France and was raised primarily in Long Island, New York by her mother, musician Alice Coltrane, and her step-father, saxophonist John Coltrane.Michelle has performed and collaborated with artists such as Scott Hiltzik, Shea Welsh, Kenny Kirkland, Jeff Watts, Ronnie Laws, Billy Childs, Jack DeJohnette, Marvin "Smitty" Smith, Reggie Workman, The Gap Band, McCoy Tyner and her brother Ravi Coltrane.Michelle has performed internationally with the Sai Anantam Ashram Singers presenting the music of Alice Coltrane.Her second album, Awakening, was released in 2017 and featured sung versions of her father, John Coltrane's, songs.Michelle of course co-hosted the “Straight No Chaser” radio program with me here on KPFK in Los Angeles and she is chief creative officer of the John Coltrane Home, a non-profit organization.September Events"A Force For Good Day" - A John & Alice Coltrane Home Service Event at the Half Hollow Hills Community Library in Dix Hills, NY. Mark your calendar for this free event, featuring a young persons concert of Long Island student musicians. Saturday, September 14 | 1pm - 4pm.LINES Ballet premiere  - as part of "The Year of Alice," the LINES Ballet will premiere a new work set to Alice Coltrane's transformative music. Thursday, September 26 | 7:30pm.TicketsAlso in September, please check back for more Year Of Alice events at Shapeshifter Plus in Brooklyn. Source: https://www.alicecoltrane.com/Source: https://thecoltranehome.org/Source: https://store.ververecords.com/pages/artist/alice-coltraneHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Tomorrow is The Problem, kicks off its fifth season with a deep-dive into the groundbreaking work of conceptual artist, Charles Gaines. Over the course of his ongoing career, Gaines repeatedly revolutionized understanding of art: how it can be made, what makes it meaningful, and why art criticism consistently fails Black artists.  Host Dr. Donna Honarpisheh sits down with art historian and curator Ellen Tani, contemporary artist Edgar Arceneaux, and Charles Gaines himself to discuss Gaines' prolific work.  Tomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.  Zapatista Orchestration recording courtesy of Charles Gains and the Hammer Museum.

There is a hot, summertime celebration of queer voices at five venues across L.A. July 19 to July 28, 2024 More than 50 narrative and documentary short and feature films will be screened during Queer Rhapsody, a celebration of LGBTQIA+ voices in partnership with five iconic venues across L.A. Organized by the UCLA Film & Television Archive, the series creates joyful, communal, and brave spaces for radical engagement among film fans, arts leaders and queer culture workers at a volatile time when identities and communities are under fire.  Today we talk about that roster of films with the Creative Director/Senior Programmer Martine Joelle McDonald .. Queer Rhapsody opens July 19th with a sneak peek screening at the Billy Wilder Theater at the Hammer Museum in Westwood of the documentary, Second Nature,  Narrated by Elliot Page, the film follows trans trailblazer evolutionary biologist Dr. Joan Roughgarden as she meets groundbreaking scientists exploring the 1500+ animal species that engage in same-sex sexual behavior and same-sex families. Throughout the two-week series, Queer Rhapsody will present 15 film programs, 7 of which will be short film programs. The series includes 8 feature film programs with weekend afternoon and evening screenings.  Martine is a film curator and teaching artist, founder of Practice Wonder, a creative studio and narrative change consulting practice, and was  Director of Artist Development at Outfest.  With co-host Brody Levesque

There is a hot, summertime celebration of queer voices at five venues across L.A. July 19 to July 28, 2024 More than 50 narrative and documentary short and feature films will be screened during Queer Rhapsody, a celebration of LGBTQIA+ voices in partnership with five iconic venues across L.A. Organized by the UCLA Film & Television Archive, the series creates joyful, communal, and brave spaces for radical engagement among film fans, arts leaders and queer culture workers at a volatile time when identities and communities are under fire.  Today we talk about that roster of films with the Creative Director/Senior Programmer Martine Joelle McDonald .. Queer Rhapsody opens July 19th with a sneak peek screening at the Billy Wilder Theater at the Hammer Museum in Westwood of the documentary, Second Nature,  Narrated by Elliot Page, the film follows trans trailblazer evolutionary biologist Dr. Joan Roughgarden as she meets groundbreaking scientists exploring the 1500+ animal species that engage in same-sex sexual behavior and same-sex families. Throughout the two-week series, Queer Rhapsody will present 15 film programs, 7 of which will be short film programs. The series includes 8 feature film programs with weekend afternoon and evening screenings.  Martine is a film curator and teaching artist, founder of Practice Wonder, a creative studio and narrative change consulting practice, and was  Director of Artist Development at Outfest.  With co-host Brody Levesque

Episode No. 660 of The Modern Art Notes Podcast is a holiday clips program with artist Kiyan Williams. Williams' work is on view in the 2024 Whitney Biennial, which is at the Whitney Museum of American Art, New York through August 11. On July 6, Art Omi in Ghent, NY will present "Kiyan Williams: Vertigo." It features large-scale works including Vertigo and 2022's Ruins of Empire, a reimagining of Thomas Crawford's Statue of Freedom, which was installed atop the US Capitol dome in 1863. Ruins of Empire debuted at Brooklyn Bridge Park in New York as part of the Public Art Fund's "Black Atlantic" exhibition. The Whitney exhibition was curated by Chrissie Iles and Meg Onli with Min Sun Jeon and Beatriz Cifuentes; the Art Omi show was curated by by Sara O'Keeffe, Senior Curator, with Guy Weltchek. This program was recorded on the occasion of the aforementioned Public Art Fund exhibition and the Hammer Museum's 2022 presentation of “Hammer Projects: Kiyan Williams”, the artist's first solo museum show. Instagram: Kiyan Williams, Tyler Green. 

Episode 469"Sugar"Cinematographer: Richard Rutkowski.An active cinematographer whose work encompasses indie features, documentary, commercials, and major streaming productions, Richard is based in New York and also works extensively overseas. His photography on the first seasons of FX's Cold War spy drama The Americans drew widespread critical acclaim. Likewise his camerawork on the wartime drama Manhattan, set in Los Alamos during the top secret creation of the atom bomb, earned glowing mentions and two ASC Award Nominations for Best Cinematography. Recent projects include Apple's Sugar, starring Colin Farrell and James Cromwell, and the WW II epic Masters of the Air, produced by Gary Goetzman, Tom Hanks and Steven Spielberg. Additional credits include the pilot and three seasons of Amazon's international action hit Jack Ryan, USA Network's surrealist drama Falling Water, produced by Gale Ann Hurd, and Hulu's Castle Rock for producers Sam Shaw and Dustin Thomason. Most recently Richard filmed the pilot block of The Hunting Wives, a new series produced by Lionsgate for the Starz Network.Growing up in Provincetown, Massachusetts; Fort Smith, Arkansas; and Water Mill, New York - disparate locations that traced the career of his late father, landscape painter Casimir Rutkowski - Richard developed an appreciation of context, diversity, and the examined details of individual environments. His early ambition was to become an architect.While attending Harvard College, Richard began making 16mm short films mixing live action, stop animation, and electronic sound composition. One such project was Sunshine Superman, created with the artist Christopher Knowles and screened in festivals and in art gallery exhibition ever since. While working as first assistant to extraordinary cinematographers such as Ed Lachman ASC; Eric Edwards; David Stockton ASC; and the late Freddie Francis BSC, Rutkowski continued lensing short films and indie features for emerging directors. After earning a Grand Jury Prize at Slamdance for Kevin Asher Green's minimalist mini-DV film Homework, Rutkowski shot director Neil Burger's debut feature, Interview with the Assassin, nominated for Independent Spirit Awards in Best First Feature and Best Cinematography categories.Working with a legendary mentor, theater maestro Robert Wilson, over 20 years led to Richard filming the artist's initial HD Video Portraits. Meticulously staged, slow-moving images of Mikhail Baryshnikov, Winona Ryder, Brad Pitt, Steve Buscemi, and Robert Downey Jr. sparked a growing collection that has been exhibited internationally ever since. Over a three year period Rutkowski produced, shot and directed The Space in Back of You in homage to Japanese dancer Suzushi Hanayagi, a mesmerizing, eclectic talent whose approach to stage movement deeply influenced Wilson and other avant-guard luminaries. This film premiered at New York's Lincoln Center and has screened on Arte Channel, the Baryshnikov Center for Dance, and at the Pompidou Center in Paris. Filming groups of workers and individual laborers in painterly long takes, Richard collaborated with artist Sharon Lockhart on Double Tide, Lunchbreak and Exit, projects since screened at MoMA in New York, LA's Hammer Museum and other major gallery and museum installations over the last twelve years.https://linktr.ee/mondaymorningcritic

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features a conversation with Oakland based painter Héctor Muñoz-Guzmán. Hector discusses his life and artistic journey, including his upbringing in Berkeley, education at Parsons School of Design and Rhode Island School of Design, and the challenges he faced with his health. He shares insights into his artwork, including his first solo show 'Tocando Tierra' in Los Angeles, which represents men in his life and himself at different stages. Hector also talks about his experiences teaching at Creative Growth in Oakland, working on a mural with artist William Scott at SFMOMA, and his forthcoming studies in the MFA program at UC Berkeley. The episode highlights Hector's deep connection to his culture and community, and how these influences shape his artwork.About Artist  Héctor Muñoz-Guzmán:Hector spent his foundation year at The Parsons School of Design and a year in The Rhode Island School of Design's painting department. He was a finalist for the Tournesol Award at The Headlands Art Center and has received the Berkeley Individual Artist Grant. His work has been exhibited at Fall River MoCA, Bureau Gallery, Movimiento De Arte y Cultura Latino Americana (MACLA), Good Mother Studio, and Part 2 Gallery. He published an art book with Sming Sming Books. He works as an artist instructor for William E. Scott. He currently lives in Oakland, CA.Héctor's work has been published in Juxtapoz, 48 Hills, Mousse Magazine and Graphite Journal “POCKET” at the Hammer Museum.To learn more about and purchase his book, Brown Eyes  From Russell Street, CLICK HERE. For more about his exhibit in Los Angeles, Tocando Tierra, CLICK HERE. Follow  on Instagram:  @HectorFMunoz--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

AI news. Learning from your mistakes. The Hammer Museum. Out on a Monday. Snake at a wedding. B/CS Chamber of Commerce update. Free wine. Gym memberships. The internet can make you happier.

Grindin' coffee. Camel riding. What is wrong with my car? New foods. Starbucks numbers are down. How to use your coffee grounds. AI news. Learning from your mistakes. The Hammer Museum. Out on a Monday. Snake at a wedding. Free wine. Gym memberships.

American artist Charles Gaines' body of work engages formulas and systems that interrogate relationships between the objective and the subjective realms. In his drawings, works on paper and photographs he investigates how rule-based processes and systems construct the experiences of aesthetics, politics, and language. By employing multi-layered practices, including images, texts, and grids, as well as working in a serial character, Gaines examines image structures while critically questioning forms of representation.   He recently retired from the CalArts School of Art, where he was on faculty for over 30 years and established a fellowship to provide critical scholarship support for Black students in the M.F.A. program. His work has been the subject of numerous exhibitions in the United States and around the world, most notably at Dia:Beacon, San Francisco Museum of Modern Art, The Studio Museum, Harlem NY, and Hammer Museum, Los Angeles CA. His work has also been presented at the 1975 Whitney Biennial and the Venice Biennale in 2007 and 2015. In addition to his artistic practice, Gaines has published several essays on contemporary art, including Theater of Refusal: Black Art and Mainstream Criticism (University of California, Irvine, 1993) and The New Cosmopolitanism (California State University, Fullerton, 2008). In 2019, Gaines received the 60th Edward MacDowell Medal. He was inducted into the National Academy of Design's 2020 class of National Academicians and the American Academy of Arts and Letters in May 2022. In 2023, he received an honorary doctorate from his alma mater, the Rochester Institute of Technology in New York. He and I spoke about legacy, continuous learning, creating context and systems, paradoxes of perception, feeling versus intellectual exercises in art, the language of art and what is possible, tantric Buddhist art, chance as a method, philosophy of aesthetics, trees, and AI!

Major gifts are critical for every arts organization. This episode features board member and major gift philanthropist Susan Bay Nimoy, wife of the late actor Leonard Nimoy (most known for his role as Spock on Star Trek, and yes, we talk about it!). We cover all things major gifts, including relationship building, how that takes time, and what the process is that compels her as a major donor to give generously.Susan Bay Nimoy has served on the board of many arts organizations, including the Hammer Museum in Los Angeles, Symphony Space in New York, The Museum of Contemporary Art in Los Angeles, and the Griffith Observatory. She recently endowed The Nimoy Theatre in LA, which is part of UCLA's Center for the Art of Performance.Want to know what to say when building major donor relationships in the arts and ultimately soliciting a major gift? Download your free resource, the Major Donor Fast Track Guide.

Roy Dowell (b. 1951 in Bronxville, NY) received his Master of Fine Arts and his Bachelor of Arts from the California Institute of the Arts, Valencia, CA and studied at the California College of Arts and Crafts, Oakland, CA.  Roy has been the subject of recent solo exhibitions at The Landing, Los Angeles, CA; Miles McEnery Gallery, New York, NY; Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA; as-is.la, Los Angeles, CA; 1969 Gallery, New York, NY; Tif Sigfrids Gallery, Los Angeles, CA; Proxy Paris @Galerie Ygrec, Paris, France; and James Harris Gallery, Seattle, WA.  His work has been included in institutional group exhibitions at the American Academy of Arts and Letters, New York, NY; Aspen Art Museum, Aspen, CO; Centro Cultural del México Contemporáneo, Mexico City, Mexico; Corcoran Gallery of Art, Washington, D.C.; Hammer Museum, Los Angeles, CA; Los Angeles County Museum of Art, Los Angeles, CA; Musée d'art moderne et d'art contemporain, Nice, France; Museum of Contemporary Art, Los Angeles, CA, and elsewhere.  Roy's work may be found in the collections of the Berkeley Art Museum the Hammer Museum, Los Angeles County Museum of Art, the Museum of Contemporary Art, Los Angeles, CA; the Museum of Contemporary Art, San Diego, CA; and the San Francisco Museum of Modern Art among others.  He lives and works in Los Angeles, CA and Mexico City, Mexico.

Ep.195 Connie Butler is the Director of MoMA PS1 in New York. Prior to her arrival in September 2023, since 2013, she was Chief Curator at the Hammer Museum in Los Angeles where she organized numerous exhibitions including the biennial of Los Angeles artists Made in LA (2014); Mark Bradford: Scorched Earth (2015); Marisa Merz: The Sky Is a Great Space (2017); Lari Pittman: Declaration of Independence (2019); and Witch Hunt (2021). She also co-organized with MOMA, Adrian Piper: A Synthesis of Intuitions which opened at the Hammer in October 2018. From 2006-2013 she was the Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, New York where she co-curated the first major Lygia Clark retrospective in the United States (2014) and On Line: Drawing Through the Twentieth Century (2010) in addition to Greater New York (2010) and Mike Kelley (2013) at MOMAPS1. Butler also organized the groundbreaking survey WACK! Art and the Feminist Revolution (2007) at the Museum of Contemporary Art, Los Angeles where she was curator from 1996-2006. In 2020 Butler received the Bard College Audrey Irmas Award for Curatorial Excellence. Photo credit: Tag Christof MoMA https://press.moma.org/news/moma-ps1-announces-new-director/ Wikipedia https://en.wikipedia.org/wiki/Cornelia_Butler NYTimes https://www.nytimes.com/2023/05/08/arts/design/moma-ps1-new-director-connie-butler.html The Art Newspaper https://www.theartnewspaper.com/2023/05/10/connie-butler-moma-ps1-director-hammer-museum Art Review https://artreview.com/connie-butler-to-direct-moma-ps1/ Whitewalls https://www.widewalls.ch/news-feed/moma-ps1-connie-butler-director Hyperallergic https://hyperallergic.com/873871/moma-ps1-workers-urge-director-connie-butler-to-settle-a-fair-contract/ Hyperallergic https://hyperallergic.com/820809/who-is-connie-butler-the-new-director-of-moma-ps1/ Sun Valley Museum of Art https://svmoa.org/events/lectures-talks/2023-07-20/on-collecting-three-conversations-collector-as-curator LA Times https://www.latimes.com/entertainment-arts/story/2023-05-08/commentary-staff-changes-at-the-ucla-hammer-museum Center for Curatorial Leadership https://www.curatorialleadership.org/participants/ccl-program/cornelia-butler/ ARTnews https://www.artnews.com/art-news/news/connie-butler-moma-ps1-director-1234667070/ WACK! Art and the Feminist Revolution https://www.moca.org/exhibition/wack-art-and-the-feminist-revolution Mark Bradford Exhibition https://hammer.ucla.edu/exhibitions/2015/mark-bradford-scorched-earth UCLA/ Hammer Museum https://newsroom.ucla.edu/stories/hammer-museum-connie-butler

Today's guest, Amanda Yates Garcia is a writer, witch, and the Oracle of Los Angeles. Her work has been featured in The New York Times, The LA Times, The SF Chronicle, The London Times, CNN, BRAVO, as well as a viral appearance on FOX. She has led rituals, classes and workshops on magic and witchcraft at UCLA, UC Irvine, MOCA, The Hammer Museum, LACMA, The Getty and many other venues. Amanda hosts monthly moon rituals online, and the popular Between the Worlds podcast, which looks at the Western Mystery traditions through a mythopoetic lens. Her book, Initiated: Memoir of a Witch, received a starred review from Kirkus and Publisher's Weekly and has been translated into six languages. To find out more about her work become a member of her Mystery Cult on Substack. https://amandayatesgarcia.substack.com/www.Oracleofla.cominstagram.com/oracleofla We talked aboutHearing and following the inner call.The vital role of artists and poets in our culture.Magical realism and living a magical life.Witchcraft, what it actually is. I love her focus on creativity and reclaiming.Overcoming fears that prevent you stepping into your creative magic.Migraine, illness and creativity.The empowerment of having a secret life.Books Mentioned:Initiated - Amanda Yate GarciaCrow Moon: reclaiming the wisdom of the dark woods - Lucy H. Pearce Hosted on Acast. See acast.com/privacy for more information.

During Frieze Los Angeles week 2024, Matthew Newton, UBS Art Advisory Specialist, is joined in conversation by three phenomenal leaders in the art world: Erin Christovale, Curator at the Hammer Museum, Bridget Finn, Director, Art Basel Miami Beach, and Mary Rozell, Global Head of the UBS Art Collection at the Hammer Museum. The group discusses emerging art communities using Los Angeles as a lens.

Episode No. 644 features artists Thenjiwe Niki Nkosi and Trey Burns. The Hammer Museum is presenting "Hammer Projects: Thenjiwe Niki Nkosi" through August 11. The exhibition features ARENA V (2024), Nkosi's latest investigation of the social and psychological experiences of Black gymnasts. "Nkosi" is curated by Ikechúkwú Onyewuenyi with Connie Butler. Nkosi is a South Africa-based artist whose work often uses the world of sport, and especially athletes, to consider imperial histories and their impacts on the present, fellowship, competition, and performance. She has been featured in group exhibitions at the 15th Sharjah Biennial, United Arab Emirates, at the Zeitz Museum of Contemporary Art Africa, Cape Town, the Aga Khan Museum, Toronto, and more. In collaboration with East Side Projects, Nkosi presented the multimedia work Equations for a Body at Rest across many spaces in Birmingham, UK as part of the 2022 Commonwealth Games. Nkosi's short film The Same Track, referenced on the program, may be viewed here. The Nasher Sculpture Center in Dallas is showing "Nasher Public: Trey Burns" through April 21. The exhibition features Burns' Prairie Piece which examines north Texas' ecology through seemingly incongruent subjects such as Robert Smithson's unrealized proposals for the Dallas-Fort Worth airport, and the George W. Bush administration and Bush's presidential library at Southern Methodist University. Burns has exhibited at the Pavilion Vendôme and the Ecole Nationale d'Architecture in Paris, at Wassaic Projects, and more. He is also the co-director of Dallas' Sweet Pass Sculpture Park, a non-profit that provides space and support for outdoor sculpture.

In this episode, we welcome Jarl Mohn, the LA art collector and philanthropist who founded the E! Entertainment network in his professional life, among other impressive media and business ventures. Jarl became a DJ at a young age, partly in an attempt to escape the realities of life in a state foster home. Success in his professional career led him to the art world - which he initially distrusted as an industry “designed to take advantage of idiots like us”. Jarl talks to us about what changed his mind, and how he ended up building two distinct art collections. An ardent Angeleno, he tells us how LA is the future of art and reveals his secret dream of pulling off a very slow heist involving Walter de Maria's ‘The Lightning Field'.

Ep.188 Demetrio "Dee" Kerrison. Born in Harlem, NY, he now resides in Los Angeles. In 2001 after a visit to the Studio Museum of Harlem to view an exhibition titled “Freestyle” and curated by Thelma Golden and Christine Y. Kim, he decided to begin building an art collection with a particular focus on African Diasporic artists. Since then, Dee and his wife Gianna Drake Kerrison have built an eclectic contemporary art collection which foregrounds emerging and ultra contemporary figurative painters. Abstract, sculpture, conceptual, and photographic works are also featured in the collection. They are active patrons, and they site on many art focused boards both past and present to include William H. Johnson Foundation, Mistake Room, Noah Purifoy Foundation, the Hammer Museum Board of Advisors and Mike Kelly Foundation. Image ~ Photo credit Dania Maxwell/ Los Angeles Times Demetrio Dee Kerrison https://www.linkedin.com/in/deekerrison/ Gianna Drake Kerrison https://www.linkedin.com/in/gianna-drake-kerrison-76685a34/ Hammer Museum https://hammer.ucla.edu/ Cultured Magazine https://www.culturedmag.com/article/2021/11/05/dee-kerrison-life-was-forever-changed-by-art-so-what-comes-next Future Fairs https://archive.futurefairs.com/journal-posts-2/demetrio-kerrison LA Times https://www.latimes.com/entertainment-arts/story/2023-02-17/faces-of-frieze-los-angeles-2023-opening-day-photos NY Times https://www.nytimes.com/2023/12/08/arts/design/los-angeles-art-galleries.html?smid=nytcore-ios-share&referringSource=articleShare Hyperallergic https://hyperallergic.com/557471/gallery-platform-la/ Gallery Platform LA https://galleryplatform.la/editorials/demetrio-kerrison KPCC https://www.kpcc.org/show/take-two/2018-01-15/why-these-art-collectors-in-orange-county-are-focusing-on-artists-of-color Noah Purifoy Foundation https://www.noahpurifoy.com/board-of-trustees

Episode No. 639 features artists Sin Wai Kin and Jacqueline Kiyomi Gork. The Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley is presenting "MATRIX 284/Sin Wai Kin: The Story Changing," the artist's first US exhibition. BAMPFA's exhibition includes Sin's two most recent video works: The Breaking Story (2022) and Dreaming the End (2023). "The Story Changing" was curated by Victoria Sung and is on view through March 10. BAMPFA's eight-page exhibition brochure features a conversation between Sung and Sin. Sin often uses speculative fiction and narrative in performance and in filmic works. Informed by their experience in London's drag scene, Sin's work asks questions about history, the present, and the construction of reality and factuality. Sin was shortlisted for the UK's Turner Prize in 2022. Their work has been shown at museums such as Fondazione Memmo, Rome, Centre d'Art Contemporain, Geneva, Somerset House, London, The British Museum, London, Palais de Tokyo, Paris, the 2019 Venice Biennale, and more. On the second segment, a re-air of a 2017 segment with Jacqueline Kiyomi Gork. The Carpenter Center for the Visual Arts, Harvard University is presenting "Poems of Electronic Air," Gork's East Coast institutional debut, through April 7. The exhibition combines recent sculpture with a commissioned, site-specific installation made for the CCVA's Le Corbusier-designed building. Gork has previously exhibited at the Yerba Buena Center for the Arts, San Francisco, SFMOMA, SculptureCenter, New York, BAMPFA, and in the Hammer Museum's 2019 Made in L.A. biennial. For images, see Episode No. 302. Instagram: Sin Wai Kin, Jacqueline Kiyomi Gork, Tyler Green.

This episode we are thrilled to be joined by the trailblazing artist Shahzia Sikander. Originally from Lahore, Pakistan; Sikander works across a variety of media including: paintings, video, and most recently, sculpture. She is best known for subverting Central and South-Asian manuscript painting traditions and launching the form known today as neo-miniature. Sikander earned a Bachelor of Fine Arts from the National College of Arts in Lahore; and a Master of Fine Arts from Rhode Island School of Design. Her work is included in the permanent collections of the Museum of Modern Art in New York; the Hammer Museum in Los Angeles, California; the Hirshhorn Museum in Washington, D.C.; and the Solomon R. Guggenheim Museum, in New York and Abu Dhabi - among many others. In addition, Sikander is the recipient of numerous honors including the Pollock Prize for Creativity, the Asia Society Award for Significant Contribution to Contemporary Art, and a MacArthur Fellowship - just to name a few Enjoy!! Some artists, poets, and writers discussed in this episode: Fahmida Riaz Adrienne Rich Solmaz Sharif Robin Coste Lewis Maya Angelou Audre Lorde Angela Carter Rebecca Solnit bell hooks Bashir Ahmad William Kentridge You can learn more about Shahzia's residency at Columbia's Zuckerman Institute here. https://zuckermaninstitute.columbia.edu/alan-kanzer-artist-residence Shahzia is represented by Sean Kelly gallery. https://www.skny.com/artists/shahzia-sikander For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram! https://www.instagram.com/artfromtheoutsidepodcast/

I am so excited to say that my guest on the GWA Podcast is one of the most groundbreaking artists working today, Karon Davis. Hailed for her life-size sculptures, that she covers in white plaster dust and bases on her own or friend's bodies, Davis's works often take the form of installations, that very powerfully explore vital narratives of current and historical political events, as well as speak to the history of dance and performance. While they speak on a universal level, Davis especially looks to issues of history, race and violence in the US, memorialising key injustices witnessed by innocent victims from the 20th century, and beyond. By executing her figures in a stark shade of white, she also speaks to Western beauty ideals and standards that have been entrenched in our society since classical times. Brought up by a family of performers, Davis was exposed to the arts at a young age, the excitement of entertainment but also the reality of what people with these careers go through. And it's this insight that she gives us in her work – showing us both the pain and ecstasy to make something deemed beautiful, as her mother said, which was the title for her recent Salon 94 show: Beauty Must Suffer. Although a trained ballerina in her youth, Davis turned to filmmaking, studying at Spellman College, but her love of performance has stayed with her in her work. Entering an exhibition by Davis is like stepping into another world akin to watching a film or ballet playing out in front of you: there's narrative, costume, drama, a beginning and an end, but also beauty and pain. In 2012 Davis, along with her late husband Noah, founded the Underground Museum in Los Angeles, a groundbreaking space that featured the work of Black artists. And, most recently, Davis' work has been featured at the Hammer Museum, Jeffrey Deitch, Salon 94, and is in the collection of MOCA Los Angeles, LACMA, The Hammer Museum, and the Brooklyn Museum, among others. For those in New York, she has just installed a major sculpture on the High Line, of a ballerina taking her final bow, in conjunction with her exhibition that looked at the process of ballet, as well as the passion and resilience integral to life as a dancer, and artist. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Today on our episode #374 of All in the Industry®, Shari Bayer has a special "On the Road" show from the LA Chef Conference 2023, a premier industry conference on the West Coast, which took place on Monday, October 30th at the LA Trade-Tech's Culinary Arts Pathway, and was founded by Brad Metzger of Brad Metzger Restaurant Solutions, who was our guest on Episode #368 for a preview of the event along with nationally acclaimed chef Sherry Yard of Bakery By the Yard. As a part of the conference, Shari signed copies of her new book, Chefwise: Life Lessons from Leading Chefs Around the World (Phaidon, Spring 2023, #chefwisebook), with cookbook and culinary shop, Now Serving. Our show features two interviews -- first Shari chats with Courtney Storer, Chef & Culinary Producer of the hit TV series, The Bear, now streaming on Hulu. Courtney is a chef with more than 15 years of experience in restaurants, and the sister of Christopher Storer, the creator of the The Bear. As the show's culinary producer, she has been responsible for the food that is presented in each scene, as well as for the culinary skills of the cast, and getting the writers, cast, and crew acclimated to the culinary world the series takes place in. Courtney has worked in high-profile kitchens from Verjus in Paris to Jon & Vinny's in L.A. Second, Shari speaks with Matthew Kang, Lead Editor of Eater LA. Matthew has covered dining, restaurants, food culture, and nightlife in Los Angeles since 2008. His work has been featured in Angeleno Magazine and TASTE Cooking. He is the host of K-Town, a YouTube show covering Korean American food in America. Previously he was a commercial bank analyst and received a business degree from the University of Southern California. Thanks and congratulations Courtney, Matthew, Brad, and everyone involved in #LAChefCon! Wonderful to be a part of! Today's show also features Shari's PR tip to embrace a nickname, speed rounds, and Solo Dining experience at LULU, an open-air courtyard restaurant at the Hammer Museum in Westwood, LA, celebrating good food that is good for the planet; founded by legendary chef, food activist, and Chefwise contributor Alice Waters, and acclaimed chef, writer, and cookbook author David Tanis.  ** Check out Shari's new book, Chefwise: Life Lessons from Leading Chefs Around the World (Phaidon), available at Phaidon.com, Amazon.com and wherever books are sold! #chefwisebook** Listen at Heritage Radio Network; subscribe/rate/review our show at iTunes, Stitcher or Spotify. Follow us @allindustry. Thanks for being a part of All in the Industry®. Heritage Radio Network is a listener supported nonprofit podcast network. Support All in the Industry by becoming a member!All in the Industry is Powered by Simplecast.

Tschabalala Self is an artist born in Harlem who lives and works in Upstate New York. She received her undergraduate degree at Bard and her MFA from Yale. Recent solo exhibitions and perfiormances include Kunstmuseum, St Gallen, Le Consortium in Dijon, Performa 2021 Biennial in NYC, the Baltimore Museum of Art, the ICA in Boston, the Hammer Museum in LA, Art Omi in Ghent, the Yuz Museum in Shanghai and many others. She has had several museum shows and has had residencies at the Studio Museum in Harlem, the Red Bull House of Art in Detroit, Liquitex work residency in London, the Fountainhead Residency in Miami and many others. Her work has been covered in Art in America, ArtForum, Artnet, Bomb, Cultured, Essence, Frieze, Hyperallergic, The New York Times, T Magazine, The Art Newspaper, The Guardian, Vouge, W and more. Her work can be found in countless institutions, with highlights that include The Art Institute of Chicago, The Baltimore Museum of Art, the Brooklyn Museum, the California African American Museum, the Hirshhorn, LACMA, the New Museum, the MCA in LA, the Guggenheim, the Studio Museum in Harlem and the Whitney Museum. Buy the Sound & Vision book "WHY I MAKE ART" here: https://atelier-editions.com/products/why-i-make-art Thanks to all for listening to the podcast and making it possible to hit 400 episodes!

#198:  Each neighborhood of LA has its own history — meet a painter who brings her story to life in paint and glitter.  In the latest episode of How To LA, podcast host Brian De Los Santos and producer Victoria Alejandro visit the Flower District studio of Cambodian-American painter Tidawhitney Lek. Lek's work is currently on display at the Hammer Museum, as part of their Made In LA show, and at the Long Beach Museum of Art. She let us in on her process of creating intimate, personal work that captures both her family's history and domestic spaces in LA. Take a look at some of the works discussed in this episode on Tidawhitney's website and Instagram.And check out the LAist post here:  It's all a part of an occasional HTLA series centering on artists, mostly painters and photographers, who tell the story of Los Angeles through their works. You can find our earlier episodes on the feed. Guest: Painter Tidawhitney Lek        

Allison Miller was born in Evanston, Illinois and lives and works in Los Angeles. She received a BFA in Printmaking at the Rhode Island School of Design and an MFA in Painting from the University of California, Los Angeles. She is represented by Susan Inglett Gallery, NY and has had solo shows at The Pit, Los Angeles, The Finley, Los Angeles and ACME. Los Angeles. Group exhibitions of note include: The Holographic Principle, Philip Martin Gallery, Los Angeles, The Los Angeles Museum of Art (LAMOA) presents Mülheim/Ruhr and the 1970's, Kunstmuseum Mülheim an der Ruhr, Germany; “six memos for the next…”,  NOW-ism: Abstraction Today, Pizzuti Collection, Columbus, OH, Magazin 4 – Bregenzer Kunstverein, Bregenz, Austria and Made in L.A. 2012, Hammer Museum in collaboration with LAXART, Los Angeles. Miller's work can be found in the permanent collections of the Frances Lehman Loeb Art Center, Vassar College; the Orange County Museum of Art, Newport Beach; the Pizzuti Collection, Columbus; the Santa Barbara Museum of Art; and the Neuberger Museum of Art, Purchase, among others. Her work has been reviewed in The New Yorker, Artforum, Frieze, The Los Angeles Times, Flash Art, The Brooklyn Rail, and Hyperallergic, among others.

Artists Jackie Amézquita M.F.A. ‘22 and Roksana Pirouzmand M.F.A. ‘22 both currently have work on view at the Hammer Museum at UCLA's biennial "Made in L.A. 2023: Acts of Living." For the first episode of the new season, the UCLA Arts alumnae join "Works In Progress" to discuss what originally drew them to art, their work in the show, what they gained from their graduate studies at UCLA, and what it's like to be a working artist in Los Angeles.

Episode No. 629 features artist Alexandro Segade of My Barbarian, and a re-air of a 2013 conversation with artist Eleanor Antin. The Museum of Contemporary Art San Diego is presenting "Eleanor Antin and My Barbarian," a fiftieth anniversary celebration of Antin's landmark 100 Boots (1973). The exhibition also includes work featuring Antin's alter ego, the King of Solana Beach, and My Barbarian's Universal Declaration of Infantile Anxiety Situations Reflected in the Creative Impulse (2013), a feminist performance work that centers matrilineal creative inheritance. The work's title references the Universal Declaration of Human Rights, which was co-authored by Eleanor Roosevelt in 1948, and Melanie Klein's 1929 essay "Infantile Anxiety Situations Reflected in a Work of Art and the Creative Impulse." Performers include Segade and his My Barbarian mates Malik Gaines and Jade Gordon, as well as artists Mary Kelly and Antin. "Eleanor Antin and My Barbarian is on view through February 18, 2024. My Barbarian's work has been presented at museums such as the Los Angeles County Museum of Art, the Hammer Museum, and the Museum of Modern Art, New York, and in a 2021-22 survey at the Whitney Museum of American Art, New York. This Bomb magazine interview between My Barbarian and Andrea Fraser was referenced on the program.  For Antin images, see Episode No. 104.

We meet American artist Tabboo! (Stephen Tashjian, b. 1959, Leicester, Massachusetts) at his apartment in the East Village.We discuss his love of painting, his collection of glitter, early friendships via Boston including Nan Goldin and Jack Pierson. We explore his 1980s move to NY inspired by Klaus Nomi and New Wave, which led to his own regular performances at the legendary Pyramid Club appearing next to other drag legends like Rupaul and Lady Bunny. Notably, Tabboo! also contributed graphic design for album covers such as Deee-Lite's World Clique. The curly lettering on the album cover became an iconic image for the band and the rave culture of the early 1990s.Tabboo! is a multidisciplinary artist and painter based in New York City. He renders his subjects in a direct, intuitive style, suspending figurative elements against dreamlike colorfields. Tabboo! often draws subjects from his surroundings, depicting expressive cityscapes, portraits of friends, or imaginative still lifes inspired by the plants in his apartment. He also paints large, panoramic works and site-specific murals. These immersive settings recall the painted backdrops he made for performances in the 1980s and 1990s.While performing regularly himself, Tabboo! also designed numerous event fliers, posters, and album covers featuring his signature curvilinear text, which still appears in his work. Roberta Smith described Tabboo!'s paintings as “delicious, fresh and transparent, revealing every touch of color, every pour and drip.” His work is held in the collections of the Hammer Museum, Los Angeles; Institute of Contemporary Art, Miami: Museum of Fine Arts, Houston, Texas; and the Whitney Museum of American Art, New York.Tabboo!'s work is on view in the exhibition The Myth of Normal: A Celebration of Authentic Expression at the MassArt Art Museum, Boston, though May 19, 2024.Follow @TabbooNYC and https://karmakarma.org/artists/tabboo/and https://www.gordonrobichaux.com/artists/tabboo Hosted on Acast. See acast.com/privacy for more information.

Episode No. 627 features artists Erica Mahinay and Teresa Baker. Mahinay and Baker (Mandan/Hidatsa) are both included in "Made in L.A. 2023: Acts of Living," the sixth iteration of the Hammer Museum's biennial. The exhibition, which is on view through December 31, was curated by Diana Nawi and Pablo José Ramírez, with Ashton Cooper. This is the second of two MAN Podcast episodes that will feature artists from the program. The first featured artists Melissa Cody and Roksana Pirouzmand. Mahinay is a painter and sculptor whose work references and updates modernism in address of the body. She has had solo exhibitions at galleries in New York, Los Angeles, and Rome. Baker's mixed-media works combine artificial and natural materials to make abstracted landscapes that explore space and movement. She has been featured in solo exhibitions at the Scottsdale (Ariz.) Museum of Contemporary Art and the Museum of Southeast Texas, Beaumont, and in group exhibitions at Ballroom Marfa, the Nerman Museum of Contemporary Art, Overland Park, Kan., and Marin MOCA, Novato, Calif.  Instagram: Erica Mahinay, Teresa Baker, Tyler Green.

Episode No. 623 features artists Melissa Cody and Roksana Pirouzmand. Cody and Pirouzmand are both included in "Made in L.A. 2023: Acts of Living," the sixth iteration of the Hammer Museum's biennial. The exhibition, which is on view through December 31, was curated by Diana Nawi and Pablo José Ramírez, with Ashton Cooper. This is the first of two MAN Podcast episodes that will feature artists from the program. Cody, a fourth-generation Navajo weaver, creates tapestries from traditional techniques that engage both ancestral and contemporary ideas and forms. Her work is partly informed by the Germantown style, developed in the nineteenth century by weavers who used industrially dyed yarns produced in Germantown, Pennsylvania and shipped west to be used by Diné weavers. Cody's work has been included in exhibitions at the Crystal Bridges Museum of American Art, Bentonville, Ark., the National Gallery of Canada, Ottawa, SITE Santa Fe, the Institute of American Indian Arts, and more. Pirouzmand is an Iranian multidisciplinary artist whose work reference and use the human body to address diaspora and memory. She has exhibited across southern California at venues such as the California Institute of the Arts' REDCAT. Instagram: Melissa Cody, Roksana Pirouzmand, Tyler Green.

This past weekend, tenant advocates, labor unions, workers, and renters marched in Downtown LA to demand good wages, better employee benefits, and housing security. Curators Diana Nawi and Pablo José Ramiréz traveled across LA to put together the Hammer Museum's biennial show, Made in LA. It features works by 39 local artists.

Episode No. 621 features artist Carmen Winant and curator Negar Azimi. The Minneapolis Institute of Arts is exhibiting Winant's "The last safe abortion" through December 31. It features Winant's assemblages of historical photographs gathered from across the Midwest that detail the work of providing health care to women. That work includes answering phones, presenting training sessions, scheduling appointments, and more. "The last safe abortion" was curated by Casey Riley. Winant's work typically explores representations of women through strategies such as collage and installation. Her exhibition credits include the Wexner Center for the Arts at The Ohio State University, the Carnegie Museum of Art, Pittsburgh, Sculpture Center, Queens, the Bemis Center for Contemporary Arts, Omaha, the Institute of Contemporary Art Boston, and many venues in Europe. Azimi discusses her exhibition "Becoming Van Leo," the first international survey of the photography of the late Armenian artist known as Van Leo. It's on view at the Hammer Museum in Los Angeles through November 5. Born Levon Boyadjian in Turkey, Leo became a leading studio photographer in Cairo between the 1940s and the 1960s. Azimi's exhibition includes some of Leo's earliest pictures from the 1930s, his extensive experiments with self-portraiture, and his challenging of East-West binaries. Instagram: Carmen Winant, Tyler Green.

Ep. 168 features Chase Hall's (b. 1993, St. Paul, Minnesota). His paintings and sculptures respond to generational celebrations and traumas encoded throughout American history. Responding to a variety of social and visual systems, each of which intersects with complex trajectories of race, hybridity, economics, and personal agency, Hall generates images whose materiality is as crucial to their compositional makeup as their indelible approach to representation. A central body of paintings, made with drip-brew techniques derived from coffee beans and acrylic pigments on cotton supports, is notable for both its conceptual scope and its intimacy. The use of brewed coffee carries powerful symbolic weight since it evokes centuries-old geopolitical systems associated with the commodification of a plant native to Africa, but in Hall's hands, it also becomes a means of achieving subtle visual textures, a range of brown skin tones, and a mark-making vocabulary precipitated on the closeness of touch. Above all, however, it is his improvisational willingness to immerse himself in the indefinable personal hieroglyphics of each picture that gives his work its resonance and impact. Chase Hall was the subject of a solo exhibition at the SCAD Museum of Art, Savannah, Georgia in 2023. In 2022, Hall was commissioned by the Metropolitan Opera to produce a large-scale artwork, the monumental diptych Medea Act I & II, for its opera house in New York, on view through June 2023. Hall has been included in group exhibitions including Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum (2023), Los Angeles; Black American Portraits, Los Angeles County Museum of Art (2021); Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art, University of Illinois Chicago (2021); and This Is America | Art USA Today, Kunsthal KAdE, Amersfoort, the Netherlands. Hall has been an artist-in-residence at The Mountain School of Arts, Los Angeles; Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts; and Skowhegan School for Painting and Sculpture, Maine. Hall's work is in the permanent collections of institutions including the Los Angeles County Museum of Art; Dallas Museum of Art; Institute of Contemporary Art, Miami; Fondation Louis Vuitton, Paris; Baltimore Museum of Art; Brooklyn Museum, New York; Hammer Museum, Los Angeles; High Museum of Art, Atlanta; Montreal Museum of Fine Arts; Walker Art Center, Minneapolis; The Studio Museum in Harlem, New York; and Whitney Museum of American Art, New York. Hall lives and works in New York. Artist https://chasehallstudio.com/ David Kordansky Gallery https://www.davidkordanskygallery.com/exhibitions/chase-hall2 Pace Prints https://paceprints.com/2023/chase-hall-melanoidin Galerie Eva Presenhuber https://www.presenhuber.com/selected-public-exhibitions/chase-hall#tab:slideshow Aspen Art Museum https://www.aspenartmuseum.org/artcrush/live-auction/chase-hall Met Opera https://www.metopera.org/visit/exhibitions/current-exhibition/ Whitney Museum of Art https://whitney.org/artists/20278 Document Journal https://www.documentjournal.com/2023/03/chase-hall-the-close-of-the-day-scad-moa-art-exhibition-painting-black-culture-savannah-american-south/ New York Times https://www.nytimes.com/2022/06/02/arts/television/the-wire-20th-anniversary.html New York Times Opinion https://www.nytimes.com/2021/04/16/opinion/sunday/george-floyd-daunte-wright-minnesota.html New York Magazine https://nymag.com/author/chase-hall/ Cultured Mag https://www.culturedmag.com/article/2023/06/20/painter-chase-hall-met-opera The Art Newspaper https://www.theartnewspaper.com/2023/07/13/curator-playing-matchmaker-emerging-artists-aspen-collectors Hollywood Reporter https://www.hollywoodreporter.com/lifestyle/arts/frieze-week-2023-artists-shows-los-angeles-1235325588/

I am so excited to say that my guest is one of the most renowned painters working in the world right now, Christina Quarles. A painter of bodies that stretch, condense, tangle, and meld into shapes that range from fleshy to stringy, Quarles is globally hailed for transposing this warm-blooded vessel onto a flat surface with ambiguity and effervescence. Her paintings make us feel, viscerally react both physically and emotionally with their fluorescent colouring, limbs that dismantle from the body, faces devoid of detail that exist between reality and surreality, all while echoing the constantly in flux body that we all live within. Born in 1985 in Chicago, and based in Los Angeles, Quarles emphasises through paint her and our multitudinous positions in the world. Working with acrylic paint and programmes such as adobe illustrator for the background and structures that surround the figures, her process, like her chosen subject, is full of dichotomies, between the historic and contemporary, absence and presence, night and day, in locations that exist in water and on land, in bodies that are both shadow and the full figure. A graduate of Hampshire College, for which she completed dual BA degrees in Philosophy and Studio Art, an MFA graduate of Yale School of Art and Skowhegan School of Painting and Sculpture, Quarles in the past few years has exhibited across the globe in some of the most prestigious institutions and group exhibitions, from the landmark Radical Figures at Whitechapel Gallery to last year's Venice Biennale, and has had solo exhibitions at the Hepworth Wakefield and Hammer Museum in Los Angeles, but today we meet her in Menorca, at Hauser & Wirth, for her newly opened exhibition Come In From An Endless Place, which I can't wait to find out more about. THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/ ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield https://www.thegreatwomenartists.com/