Podcasts about high museum

Ep.245 Natia Lemay (b. 1985 in Toronto, Ontario) was raised in Winnipeg, Manitoba, Canada, and is based in Toronto, Ontario, Canada. Her Interdisciplinary autoethnographic practice reflects her lived experience. Through personal stories, she interrogates the intersections between the mind, the body, and space to understand how these experiences relate to a broader cultural context. Natia Lemay has exhibited widely throughout North America. The artist was selected for the 2024 Fountainhead residency in Miami and the 2022 Royal Drawing School Residency in Dumfries, Scotland. She was awarded the National Trust Prize at Expo Chicago 2024, with her work acquired by High Museum in Atlanta in addition to being collected by the Art Gallery of Ontario, The Minneapolis Institute of Art, The Minnesota Museum of American Art, The North Dakota Museum of Art and The Montclair Museum of Art. She received her BFA from Ontario College of Art and Design in 2021 with a minor in Social Sciences and her MFA from Yale School of Art in 2023. Photo Credit is Gesi Schilling: Fountainhead Artist Residency Artist https://www.natialemay.com/ Whitehot Magazine https://whitehotmagazine.com/articles/her-first-nyc-solo-show/5792 Fountainhead Arts https://www.fountainheadarts.org/fhtv/artists/natia-lemay Juxatpoz https://www.juxtapoz.com/news/magazine/features/natia-lemay-the-act-of-being-seen/ Perrotin https://www.perrotin.com/artists/natia_lemay/1335#biography Galerie Nicolas Robert https://www.gallerynicolasrobert.com/natia-lemay Hyperallergic https://hyperallergic.com/851029/miami-fountainhead-residency-2024-selected-artists/ Ocula https://ocula.com/art-galleries/wilding-cran-gallery/artworks/natia-lemay/these-strange-girls-will-radiate-in-our-darkness/ Culture Type https://www.culturetype.com/tag/natia-lemay/ New American Paintings https://www.newamericanpaintings.com/artists/natia-lemay

La gran ciudad y el campo suelen ser conceptos excluyentes. Por su ubicación, clima y amor por los árboles, la capital del estado de Georgia es una excepción: casi la mitad del término municipal está cubierto de árboles. El bosque asoma en enormes espacios como Piedmont Park y el jardín botánico, en los frondosos laterales de muchas calles o en la enorme franja de naturaleza del BeltLine, antigua línea férrea rehabilitada como vía verde a lo largo de decenas de kilómetros. Podemos identificar infinidad de especies, incluido el melocotonero, que da nombre a una de las arterias principales (Peachtree Street) y presta su fruto como emblema y apodo a esta ciudad: The Big Peach. Una de sus habitantes, la filóloga y profesora Shannon Williams, nos acompaña junto a su pareja, Francisco Espinosa. Con ellos visitamos el Parque Olímpico del Centenario, legado de los juegos olímpicos de 1996, y el surtido de atracciones que tiene en su perímetro: una noria gigante, la sede central del canal CNN, estadios, un descomunal acuario y el contiguo Mundo de Coca-Cola, exhibición permanente sobre esta marca de raíz atlantesa. A unos pasos encontramos el Centro para los Derechos Civiles y Humanos, que mantiene vivo el espíritu de un ciudadano ejemplar, el premio Nobel de la Paz Martin Luther King. Su casa natal y otros lugares ligados a su biografía se reúnen en un parque histórico nacional que recorremos de la mano de Julie Galle. También contamos con las voces de otras residentes: Vanessa Álamo, Swani González y Ana Mari Toro. Descubrimos mercados y restaurantes en Krog Street Market y Ponce City Market; barrios inspiradores como el East Side, Midtown o el lujoso Buckhead; y propuestas culturales de la talla del High Museum of Art. Cerramos ruta en Roswell, encantador suburbio del norte de Atlanta que conserva construcciones anteriores a la guerra civil de Estados Unidos.Escuchar audio

Michael Rooks, Curator of Modern and Contemporary Art, details "Kim Chong Hak, Painter of Seoraksan," which opens at the High Museum of Art on April 11. Plus, "How Do You Atlanta's" Mike Jordan gets you ready for record store day and we hear about Atlanta's many listening rooms.See omnystudio.com/listener for privacy information.

Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen

Curator Michael Rooks details “Thinking Eye, Seeing Mind: The Medford and Loraine Johnston Collection,” which is on view at the High Museum of Art through May 25. Plus, Donnita Hathaway, daughter of legendary soul singer Donny Hathaway and Robert King, Jr., writer and actor in the new musical revue "The Voices of Donny Hathaway," discuss the show, which is on stage at AMC Performance Company through March 2.See omnystudio.com/listener for privacy information.

New Year, New season of Studio Noize! Your boy JBarber went to see Giants at the High Museum of Art and he has some thoughts. The exhibition featured art from the Dean Collection of Swizz Beats and Alicia Keys. There are so many conversations to be had coming out of the show. There's wealth and celebrity, there's propaganda, and there's phenomenal, awe inspiring art. We owe it to them and their efforts to give a good honest critique of the whole endeavor. The same way we examine a show like Afro Atlantic Histories we should examine the good and bad about Giants. A great way to blast into the new year! Listen, subscribe, and share!Episode 194 topics include:Giants at the High Museum of Art in Atlantacelebrity and wealth in articonographythe who's who of Black artKehinde Wiley's 30ft paintingBarkley Hendrickpropaganda in exhibitionsAbout Giants:Musicians, songwriters, and producers Swizz Beatz (Kasseem Dean) and Alicia Keys have stood as giants in the global cultural landscape for decades. As collectors, the Deans have lived their ethos of “artists supporting artists,” acquiring a world-class collection of paintings, photographs, and sculptures by diverse, multigenerational artists.The exhibition illuminates the renown and impact of legendary and canon-expanding artists. Preeminent “giants” such as Barkley L. Hendricks, Esther Mahlangu, and Gordon Parks push the boundaries of what can be seen on canvas and in photography while building a foundation for today's Black creatives. Contemporary artists like Hank Willis Thomas and Qualeasha Wood use materials like textiles, steel, and beads to celebrate Blackness and critique society, while mesmerizing compositions from Deana Lawson and Mickalene Thomas challenge and add nuance to perceptions of Blackness. Embodying the exhibition's “giant” ethos, the paintings by Amy Sherald and Titus Kaphar command attention through striking monumentality. Together, these works bring to the fore many facets of the term giants and reflect the spirit of the Deans, whose creative lives infuse the exhibition. See more: Giants exhibition at the High MuseumFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Ep.227 Zohra Opoku examines the politics of personal identity formation through historical, cultural, and socio-economic influences, particularly in the context of contemporary Ghana. Opoku's explorations have primarily been expressed through her photography, which she translates into screen printing. This process has led to a collage art practice that combines hand-stitched embroidery on various pre-dyed natural fabrics. She also incorporates references from West African brass-making traditions into her work, which can be experienced as applications on the textile pieces or as sculptures themselves. While her work relays social commentary and broadly relevant themes around the human experience, each of Zohra's explorations is intimately rooted in personal identity politics. She repeatedly integrates family heirlooms and her own self-image into her visual observations of Ghana's cultural memory. In 2023, she is among the artists exhibited in the 15th edition of Sharjah Biennale ‘Thinking Historically in the Present' (United Arab Emirates), as Black Rock Sénégal Alumni at 14th edition of DAK'ART ‘Forger/Out Of Fire' in 2022 and at 7th Athens Biennale ‘Eclipse'(Greece) 2021. She has exhibited internationally such as the Brooklyn Museum (NYC), The Museum for Photography (Chicago), The Cleveland Museum of Art, High Museum of Art (Atlanta), Kunsthaus Hamburg, Kunstmuseum Wolfsburg, Musée de l'Ethnographie (Bordeaux), Guggenheim Museum (Bilbao), Kunsthal Rotterdam, Archaeological Museum of Mykonos, Southbank Centre / Hayward Gallery (London), TATE London, SAVVY Contemporary (Berlin), Palais Populaire (Berlin), National Museum Nairobi, CCA Lagos, Nubuke Foundation (Accra) and RAW Material Company (Dakar). Her work is collected by renowned institutions such as the Los Angeles County Museum of Art, Los Angeles; CCS Bard College Hessel Museum of Art, Annandale-on-Hudson, NY; The Royal Museum of Ontario Toronto, Ontario; The Faurschou Foundation, Copenhagen, Denmark; TATE Modern, London, United Kingdom; The Onassis Collection, Athens, Greece and The Centre Pompidou, Paris, France. Zohra Opoku is born 1976 in Altdöbern (former GDR/ East Germany), lives and works in Accra/ Ghana and is represented by Mariane Ibrahim Gallery Chicago / Paris / Mexico City. Photo credit Nii Odzenma Artist https://www.zohraopoku.com/ Mariane Ibrahim Gallery https://marianeibrahim.com/artists/33-zohra-opoku/ Berlin Art Institute https://berlinartinstitute.com/visit-to-zohra-opoku-at-suite-berlin-and-mariane-ibrahim/ deCordova Sculpture Park and Museum https://thetrustees.org/exhibit/platform-33-zohra-opoku-self-portraits/ Interior Design https://interiordesign.net/designwire/10-questions-with-textile-artist-zohra-opoku/ Financial Times https://www.ft.com/content/2d916c9b-fafe-457e-8d21-0b6763430668 C& https://contemporaryand.com/magazines/zohra-opoku-empowering-children-of-color-to-love-themselves/ The Art Newspaper https://www.theartnewspaper.com/2024/09/10/four-galleries-and-four-artists-team-up-on-collaborative-project-suite-berlin Aperture https://aperture.org/editorial/zohra-opokus-evocative-reflections-on-mortality-and-resilience/ NYTimes https://www.nytimes.com/2023/07/14/arts/design/african-royalty-tate-modern.html The Guardian https://www.theguardian.com/artanddesign/2021/nov/01/laced-cut-mix-review-new-art-exchange-nottingham Wikipedia https://en.wikipedia.org/wiki/Zohra_Opoku

Episode No. 682 is a holiday clips episode featuring artist Leslie Martinez. Martinez is included within "Shifting Landscapes," which is at the the Whitney Museum of American Art in New York until January 2026. The exhibition considers how evolving political, ecological, and social issues motivate artists as they address the world around them (which is to say US artists are addressing land and landscape as they have since the days of Ralph Waldo Emerson and Thomas Cole.) The show was curated by Jennie Goldstein, Marcela Guerrero, and Roxanne Smith, with Angelica Arbelaez. Seven previous MAN Podcast guests are in the exhibition, including Robert Adams (Episode No. 41,  227, 555), Teresita Fernández, LaToya Ruby Frazier, An-My Lê, Patrick Martinez, Amalia Mesa-Bains, and Alison Saar. Martinez was previously featured in solo shows at MoMA PS1 in Queens, and the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. For images, see Episode No. 635. Instagram: Leslie Martinez, Tyler Green.

Ep.222 José Parlá (b.1973) creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music, calligraphy, dance, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language, politics, identity, and how we define places and spaces. Parlá's relationship with mark-making is physical and textural, incorporating the body's gestures into a painterly stream of consciousness composed of areas of addition, erasure, and layering that challenge the status quo of visual culture. Parlá was born to Cuban parents in Miami, Florida, and lives and works out of Brooklyn, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah, Georgia; the New World School of the Arts, Miami, Florida; and Miami Dade College, Miami, Florida. Solo exhibitions of Parlá's work have been organized at institutions such as The Bronx Museum, New York (2022); Gana Art Center, Seoul (2022); Istanbul'74, Istanbul (2019); Hong Kong Contemporary Art (HOCA) Foundation, Hong Kong (2019); Neuberger Museum of Art, New York (2018); SCAD Museum of Art, Savannah (2017); Brooklyn Academy of Music (BAM), New York (2017); Goss-Michael Foundation, Dallas (2016); High Museum of Art, Atlanta (2015); amongst others. Public arts projects include permanent large-scale commissions including Far Rockaway Writer's Library, a collaboration between Snøhetta and Parlá, New York (2023); University of Texas, Austin (2018); ONE World Trade Center, New York (2015); A collaboration with Snøhetta, Hunt Library at North Carolina State University, Raleigh (2013); Barclays Center, New York (2012); Brooklyn Academy of Music (BAM), New York (2012); Concord City Place, Toronto (2010). Select group exhibitions and biennials include The Culture: Hip Hop & Contemporary Art in the 21st Century, Baltimore Museum of Art, Baltimore (2023); Brooklyn Abstraction, Four Artists, Four Walls, Brooklyn Museum, New York (2022); Reflections, Gana Art, Seoul (2019); Glasstress, Fondazione Berengo Art Space, Venice (2019); Beyond the Streets, New York (2019); Yasiin bey: Negus, Brooklyn Museum, New York (2019); Victors for Art, University of Michigan Museum of Art, Ann Arbor (2017); Post No Bills: Public Walls as Studio and Source, Neuberger Museum of Art, New York (2016); Seeing, Saying, Images and Words, Van Every/Smith Galleries, Davidson College, North Carolina (2016); Wrinkles of the City: Havana Cuba: JR & José Parlá, the Havana Biennial, Havana (2012); amongst others. Parlá's work is in several public collections including the Brooklyn Museum, New York; The British Museum, London; Buffalo AKG Art Museum, New York; El Espacio, Miami; POLA Museum of Art, Japan; Pérez Art Museum Miami, Florida; The Gordon Parks Foundation, Pleasantville, NY; The Neuberger Museum of Art, New York; and The National Museum of Fine Arts, Havana. Parlá serves on the board of National YoungArts Foundation. Parlá has received numerous awards, including the Scholastic Art & Writing Awards, Alumni Achivement Award (2024) Gordon Parks Foundation Fellowship (2023), the Hirshhorn Museum Artist x Artist honoree (Hank Willis Thomas x José Parlá) (2023), National Young Arts Foundation Award (2022), Americans for the Arts National Art Award (2022), Americans for the Arts Public Art Network (2019), Miami Dade College Alumni Hall of Fame Award inductee (2016), Brooklyn Arts Council honoree (2014), Institute of Contemporary Arts(ICA) London – Grand Prize (2013), Heartland Film Festival - Best Documentary Short and Best U.S. Premiere for Wrinkles of the City, Havana (2013) Scholastic Art Award. Photographer James Chororos

In this episode, artists Meghann Riepenhoff and Penelope Umbrico chat with MoCP curator, Kristin Taylor. The two artists discuss their backgrounds and shared interests in experimenting and pushing the indexical qualities of photography, as well as the work of Alison Rossiter and Joanne Leonard.Meghann Riepenhoff is most well-known for her largescale cyanotype prints that she creates by collaborating with ocean waves, rain, ice, snow, and coastal shores. She places sheets of light-sensitized paper in these water elements, allowing nature to act as the composer of what we eventually see on the paper. As the wind driven waves crash or the ice melts, dripping across the surface of the coated paper, bits of earth sediment like sand and gravel also become inscribed on the surface. The sun is the final collaborator, with its UV rays developing the prints and reacting with the light sensitizing chemical on the paper to draw out the Prussian blue color. These camera-less works harness the light capturing properties of photographic processes, to translate, in her words, “the landscape, the sublime, time, and impermanence.” Rieppenhoff's work has been featured in exhibitions at the High Museum of Art, the Museum of Fine Arts Boston, the Denver Art Museum, the Portland Museum of Art, Crystal Bridges Museum of Art, among many others. Her work is held in the collections of the High Museum of Art, the Museum of Fine Arts Houston, Harvard Art Museum, Amon Carter Museum of American Art, and the San Francisco Museum of Modern Art. She has published two monographs: Littoral Drift + Ecotone and Ice with Radius Books and Yossi Milo Gallery. She was an artist in residence at the Banff Centre for the Arts and the John Michael Kohler Center for the Arts, was an Affiliate at the Headlands Center for the Arts, and was a 2018 Guggenheim Fellow.Penelope Umbrico examines the sheer volume and ubiquity of images in contemporary culture. She uses various forms of found imagery—from online picture sharing websites to photographs in books and mail order catalogs—and appropriates the pictures to construct large-scale installations. She states: "I take the sheer quantity of images online as a collective archive that represents us—a constantly changing auto-portrait." In the MoCP permanent collection is a piece titled 8,146,774 Suns From Flickr (Partial) 9/10/10. It is an assemblage of numerous pictures that she found on the then widely used image-sharing website, Flickr, by searching for one of its most popular search terms: sunset. She then cropped the found files and created her own 4x6 inch prints on a Kodak Easy Share printer. She clusters the prints into an enormous array to underscore the universal human attraction to capture the sun's essence. The title references the number of results she received from the search on the day she made the work: the first version of the piece created in 2007 produced 2,303,057 images while this version from only three years later in 2010 produced 8,146,774 images. Umbrico's work has been featured in exhibitions around the world, including MoMA PS1, NY; Museum of Modern Art, NY; MassMoCA, MA; San Francisco Museum of Modern Art, CA; Milwaukee Art Museum, WI; The Photographers' Gallery, London; Daegu Photography Biennale, Korea; Gallery of Modern Art, Brisbane Australia; among many others, and is represented in museum collections around the world. She has received numerous awards, including a Guggenheim Fellowship; Sharpe-Walentas Studio Grant; Smithsonian Artist Research Fellowship; New York Foundation of the Arts Fellowship; Anonymous Was a Woman Award. Her monographs have been published by Aperture NYC and RVB Books Paris. She is joining us today from her studio in Brooklyn, NY.

Kevin W. Tucker, the High Museum of Art's Chief Curator, discusses “Georgia O'Keeffe: My New Yorks,” which opens on Friday and runs through February 16. Plus, Katie Coleman of “Run Katie Run” takes the spotlight for our series, “Speaking of Music,” and we premiere “The Beverage Beat with Beth McKibben,” our new series that examines Atlanta's vibrant world of cocktails and zero-proof beverages.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Curator Kimberli Gant discusses the new exhibition at the High Museum of Art, “Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys.” Plus, Dr. Scott Stewart joins us for the latest edition of “Music in Media,” curator Faron Manuel details the downtown Atlanta digital art installation “Local Stories,” and we hear about the new mural “Aging Is Living: Celebrating Legacy and Community.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rachel Parish and Sarah Cameron Sunde explain the story behind their upcoming “Atlanta to the Atlantic” Flux Project installation. Terminus Modern Ballet co-founders Rachel Van Buskirk and Tara Lee discuss changes and a forthcoming farewell performance. Plus, artist Greg Mike details the new ABV gallery space in East Atlanta, and we hear about the High Museum's upcoming “Access for All” day.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode No. 664 features curator Sarah Kelly Oehler and artist Rebecca Manson. With Annelise K. Madsen, Oehler is the co-curator of "Georgia O'Keeffe: “My New Yorks." The exhibition spotlights O'Keeffe's paintings of New York City, surrounding them with pictures she made of Lake George and the Southwest. It's at the Art Institute of Chicago through September 22, when it will travel to the High Museum of Art in Atlanta. The exhibition catalogue was published by the AIC. Amazon and Bookshop offer it for $40-46. The Modern Art Museum of Fort Worth is showing "Rebecca Manson: Barbecue," an immersive installation made from ceramic. Manson's work has been shown in group shows at institutions such as Ballroom Marfa in Texas, and the Center for Craft, Asheville, NC, and at Tribeca Park in New York. "Manson" was curated by Clare Milliken and will be on view through August 25. Instagram: Sarah Kelly Oehler, Rebecca Manson, Tyler Green.

Ep.210 For Gerald Lovell (b. 1992), painting is an act of biography. Combining flat and impressionistic painting with thick daubs of impasto, Lovell's monumental portraits depict loving scenes often lost to the abyss of memory. Lovell's portraits refuse the notion that all Black figures put down on canvas are somehow political. Rather, his work records a deep commitment to fostering alternative community narratives by imbuing his subjects with social agency and self determinative power, while also revealing individualistic details that lay their essential humanity bare. Born in Chicago to Puerto Rican and Black parents, Lovell began painting at the age of 22 after dropping out of the graphic design program at the University of West Georgia. He has exhibited at P·P·O·W, New York; Jeffrey Deitch, Moore Building, Miami, FL; Anthony Gallery, Chicago, IL; Kohn Gallery, Los Angeles, CA; The Harvey B. Gantt Center for African-American Arts + Culture, Charlotte, NC; MINT, Atlanta, GA; and Galerie Peter Kilchmann, Zurich, Switzerland, among others. In 2022, Lovell's work was on view in What is Left Unspoken, Love at the High Museum of Art, Atlanta, GA, and is in the museum's permanent collection. Lovell completed the Fountainhead Artists Residency in October 2023. His second exhibition with P·P·O·W, verde, was held in Spring 2024. Portrait ~ Courtesy of Fountainhead, Miami. Photo, Cornelius Tulloch PPOW Gallery https://www.ppowgallery.com/artists/gerald-lovell#tab:thumbnails https://www.ppowgallery.com/exhibitions/gerald-lovell2#tab:thumbnails;tab-1:slideshow Anthony Gallery https://anthonygallery.com/exhibition/in-the-eye-of-the-beholder/ Juxtapoz https://www.juxtapoz.com/news/painting/gerald-lovell-verde-p-p-o-w-gallery-nyc/ Culture Type https://www.culturetype.com/2024/03/02/new-york-closing-soon-5-gallery-shows-featuring-works-by-nathaniel-oliver-tuli-mekondjo-theaster-gates-richmond-barthe-christopher-udemezue-and-gerald-lovell/ The Atlantic Journal-Constitution https://www.ajc.com/things-to-do/atlanta-painter-gerald-lovell-creates-portraits-of-family-friends-black-life/2PBC7PXW65AGLAGW4EI5U3K5SE/ whitewall https://whitewall.art/art/gerald-lovells-exhibition-at-ppow-captures-all-that-he-has/ Anderson Ranch https://www.andersonranch.org/people/gerald-lovell/ Artrabbit https://www.artrabbit.com/events/gerald-lovell-verde-ppow-390-broadway Black Art and Design https://www.blackartanddesign.com/artists/gerald-lovell-artist-overview/ The Galllery | Wish https://www.wishatlgallery.com/gerald-lovell Office Magazine https://officemagazine.net/gerald-lovell-finds-beauty-mundane Art in NYC https://artinnewyorkcity.com/2021/01/23/all-that-i-have-paintings-by-gerald-lovell-at-p-p-o-w/

More than 50 years after Henry Halem designed a series of cast glass sculptures inspired by the Kent State shootings, he decided to bring the imagery back to life. At a time when the Vietnam War empowered social activism and fueled political debates, the May 4, 1970, Kent State shootings seemed to take center stage, influencing several genres of music and art. Among these works was Halem's glass sculptures. “The imagery was based on the shootings at Kent State and the blindness that the political system had in relationship to what young people were about in protesting the war. They were blind to the generation that was protesting. And, so, I made these blinded images that had their eyes covered,” Halem said. Today, Halem is at it again, creating another series of blinded sculptures, but this time for a different reason. He has created seven blinded sculptures in the series so far, three of which are on view at Habatat Galleries Detroit. “I revived the imagery,” Halem said, “the blind imagery, to reflect the narrative of our blindness to the destruction of the earth, and who we are, what we are.” As a teenager growing up in the Bronx, Halem learned to throw pots at the Greenwich House Pottery in New York's Greenwich Village. Now, at 86 years old, he's still making art. Holding a BFA from the Rhode Island School of Design and an MFA from George Washington University, Halem did post graduate work at the University of Wisconsin as an assistant to Harvey Littleton in 1968. In 1969, Halem founded the glass program at Kent State University (KSU) and taught there for 29 years, subsequently teaching at Pilchuck Glass School and Penland School of Craft. He was one of the founders of the Glass Art Society and served as its first president.  Halem's body of work ranges from his early blown vessels to Vitrolite glass collages, glass castings to enameled and painted glass wall panels. His narrative boxes have been described as “… ordinary glass boxes filled with enigmatic objects and reverse glass drawings and paintings.” He is known for powerful responses to political events – the 1970 Kent State shootings, 9/11, and a memorial for American soldiers who died in Iraq.  Exhibiting extensively throughout the U.S., Europe and Japan, Halem's work is in the permanent collections of The Corning Museum of Glass, Cleveland Museum of Art, Smithsonian Institution, Toledo Museum, Detroit Institute of Art, High Museum of Art in Atlanta, Philadelphia Museum of Art, the Hokkaido & Niijima Museums in Japan, and the Decorative Arts Museum, Prague. He has been honored by the Glass Art Society and the American Crafts Council; he received the Governor's Award from the State of Ohio as well as the President's Medal for Outstanding Achievement from KSU. He penned Glass Notes: A Reference for the Glass Artist and is still an authority on all things glass. Throughout the years, Halem has amassed a diverse set of techniques that are put into action with a little bit of know-how. No matter what he does regarding art, it gets “distilled” through what he has learned from one of his favorite books, Zen and the Art of Motorcycle Maintenance. “The moral of that book was, in order to fix something, you have to know how it works,” Halem said. “So, my search is into finding out how things work. That, and my belief that the artist's job is to question authority in itself, is what drives me.”  

Monica Obniski, the High Museum's decorative arts and design curator, discusses “Panorama,” their new outdoor piazza installation. Plus, WABE's H Johnson joins us with music from jazz organist Shirley Scott, and we listen back to Atlanta actor and artist Danielle Deadwyler detailing her time filming the HBO series “Station 11.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John Wieland, president of The JW Collection, joins host Carol Morgan for this week's Atlanta Real Estate Forum Radio episode. In this podcast segment, Wieland discusses The Warehouse, his 39,000 square foot private art collection that is now open to the public one day a month for the first time. When Wieland and his wife began collecting art, they started with pieces they admired priced within their budget. As time passed, his role in the real estate industry helped fund his passion for art and allow unique pieces to grace the walls of their home and office. The Great Recession caused a lot of businesses to change locations and adjust, including John Wieland Homes & Neighborhoods. While Wieland needed to downsize his office, he also needed a new place to house his expansive art collection. When a bank-owned property came available on the west side of Atlanta, he jumped on the opportunity and opened the doors of The Warehouse's permanent location in 2010. Today, The Warehouse showcases 400 pieces from 250 national and international artists. Themes include home, house and domesticity from a diverse perspective. “The interesting thing about art collecting is that you start out financing pieces focused on your collecting interests,” Wieland said. “Then after a while, the art seems to find you.” Managing an art exhibition goes beyond the art, it includes a ton of supportive elements. To keep the pieces safe and distinctive, Wieland invested in quality security, climate control, lighting and positioning. Due to the materials used, some art needs more care than others, which is why The Warehouse has targeted air conditioning that keeps the pieces at a controlled temperature. Art is best expressed in collections, so Wieland curates groupings of his art that complement each other, have a regional connection or some other tying factor. Wieland said, “We want the art in any of our gallery spaces to talk to each other.” The Warehouse offers visitors a glimpse of many different art types, including paintings, sculptures, fabric works and more. The exhibition also has pieces from notable individuals such as war veteran, Ferdinand Cooper, Reverand Howard Finster and numerous folk artists. Some pieces like the impressionable sculpture standing 16 feet by 24 feet wide from the 1988 MoMA Show capture the attention of visitors from the start. When Wieland purchased it on a whim, the piece was deconstructed and shipped to Atlanta, then reconstructed and placed outside his Gwinnett office where it was on display for years. Wieland also published his book, Homeward: Selections From The Wieland Collection in 2016, further spreading the reach of his collection. This monograph highlights various pieces that he acquired over the years and is available for purchase at The Warehouse and the High Museum of Art. Looking to plan your visit to The Warehouse? The art exhibition is open the second Saturday of every month. Admission is free but requires an advanced reservation. Prospective visitors can visit the website up to 30 days in advance and secure a time slot for the following month. Open from 10 a.m. until 4:30 p.m., The Warehouse offers both guided and self-guided tours. Wieland said, “I think everyone has felt like this was a wonderful experience, which is what we are trying to accomplish. We will never be charging for that.” Tune in to the full interview above to learn more about The Warehouse, or visit TheWarehouse.org. A special thank you to Denim Marketing for sponsoring Atlanta Real Estate Forum Radio. Known as a trendsetter, Denim Marketing has been blogging since 2006, podcasting since 2011 and is currently working on strategies for the Google Helpful Content update and ways to incorporate AI into sales and marketing. Contact them when you need quality, original content for social media, public relations, blogging, email marketing and promotions. A comfortable fit for companies of all shapes and sizes,

MDJ Script/ Top Stories for June 11th                   Publish Date:  June 11th    Commercial: From the Ingles Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Tuesday, June 11th and Happy heavenly Birthday to NFL coach Vince Lombardi. ***06.11.24 – BIRTHDAY – VINCE LOMBARDI*** I'm Dan Radcliffe and here are the stories Cobb is talking about, presented by Credit Union of Georgia.  Human Skeletal Remains Found in Kennesaw Marietta Man Drowns in Lake Allatoona After Tubing Incident Rhonda Jacobson Named Cobb Chamber's Woman of Distinction   All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!    BREAK: CUofGA STORY 1: Human Skeletal Remains Found in Kennesaw Human skeletal remains were discovered in Kennesaw on Monday by a Cobb Electric Membership Corporation employee near the EMC power station at 4043 George Busbee Parkway. Reported at 12 p.m., the remains were in an advanced state of decomposition. Kennesaw Police, currently lacking details on the victim's gender, age, or cause of death, noted no open cases matching the discovery. The remains were collected by the Cobb Medical Examiner's Office for an autopsy. The location, on the city limits, leaves many possibilities about the origin of the remains, said police spokesman David Buchanan. STORY 2: Marietta Man Drowns in Lake Allatoona After Tubing Incident A Marietta man, Robbie Cornelius, drowned in Lake Allatoona on Sunday after falling off a boat-pulled tube. Responding to a 2:25 p.m. call near Little River Marina, Georgia Department of Natural Resources (DNR) game wardens, along with Cherokee Fire and EMS and the Cherokee County Sheriff's Office, learned Cornelius wasn't wearing a life jacket and complained of leg pain upon falling. Rescue attempts by others failed as he began pulling them under. Using SONAR, game wardens and firefighters found Cornelius's body around 5 p.m. in 16 feet of water. The Cherokee County coroner now has his body. STORY 3: Rhonda Jacobson Named Cobb Chamber's Woman of Distinction Rhonda Jacobson, co-founder and co-owner of Cumberland Diamond Exchange, was named the Cobb Chamber of Commerce's Cobb Executive Women 2024 Woman of Distinction. Jacobson, also the VP of human resources and a gemologist, has been a key figure at Cumberland Diamond Exchange for over 40 years, driving the company to numerous accolades. The award recognizes exceptional leadership, community involvement, and social responsibility. Jacobson actively supports various causes and organizations, including the Wellstar Foundation and SafePath Children's Advocacy Center. Her mentorship and dedication to her profession and community set a sterling example for women in business.     We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.    We'll be right back.   Break: DRAKE STORY 4: Marietta School Board to Hear Cell Phone Policy Proposal The Marietta Board of Education will review a new cell policy for middle-grade students on Tuesday. Superintendent Grant Rivera proposes locking students' cellphones and smartwatches in pouches throughout the school day, which can only be opened by staff. The policy aims to address mental health concerns and social media usage. The initial purchase of pouches will not exceed $100,000. Exceptions will be made for medical conditions, and families can purchase their own pouches if desired. Stakeholder feedback has been incorporated into the policy. A vote on the purchase will occur on June 18 after further public discussion. STORY 5: GOP congressional candidate walks off debate stage During a debate for Georgia's 2nd Congressional District runoff, Republican candidate Chuck Hand walked off the stage, leaving opponent Wayne Johnson to debate alone. Hand objected to debating someone outside the district, as Johnson lives in Macon. Johnson then highlighted Hand's misdemeanor from the Jan. 6 Capitol attack. Johnson addressed illegal immigration, asylum policies, and opposed cuts to the Supplemental Nutrition Assistance Program (SNAP). He also suggested replacing federal student loans with grants and defended in vitro fertilization without federal funding. The district covers Southwest Georgia, from Columbus to the Florida line. We'll be back in a moment.   Break: INGLES 2 STORY 6: Lower Roswell Road Upgrades Back on Cobb Commission Agenda The Cobb Board of Commissioners will consider three items related to the $11.2 million road improvement project on Lower Roswell Road. The project includes resurfacing, adding a raised median and turn lanes, extending sidewalks, and creating a multi-use trail. Aimed at reducing crashes, it has raised concerns among local business owners about potential traffic and economic impacts during the two-year construction period. Commissioner Jerica Richardson delayed the project to address these concerns, developing a fact sheet and appointing a construction ambassador to work with businesses. Key decisions on land acquisition and construction contracts will be discussed at the meeting. STORY 7: 'God's Amen': Marker for Famed Vinings Folk Artist Unveiled The Georgia Historical Society, in partnership with local organizations, has unveiled a historical marker honoring self-taught African-American artist Nellie Mae Rowe. Located at the Hotel Indigo in Vinings, the marker commemorates Rowe's life and her “Playhouse,” where she created art after her husband's death. Rowe's home, known for its vibrant decorations and sculptures, was demolished after her death in 1982. The dedication event, attended by about 100 people, highlighted Rowe's influence on American folk art. Her works are displayed globally, including at the High Museum of Art and the Metropolitan Museum of Art. Break: MARIETTA THEATRE HANDS ON HARDBODY   Signoff-   Thanks again for hanging out with us on today's Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.mdjonline.com/ Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: ingles-markets.com cuofga.org drakerealty.com mariettatheatre.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

In the first-ever episode of PhotoWork with Sasha Wolf recorded in front of an audience, Sasha and photographer Rahim Fortune gathered at picturehouse + thesmalldarkroom to discuss his new book, Hardtack, published by Loose Joints. Sasha and Rahim delve into the significance of collaboration, with Rahim emphasizing the various forms of collaboration involved at every stage of the book's creation. This includes the individuals Rahim photographed, the production team at picturehouse, and the editing process with Sarah Chaplin Espenon at Loose Joints. https://www.rahimfortune.com | https://loosejoints.biz/collections/current-titles/products/hardtack Rahim Fortune is a visual artist and educator from the Chickasaw Nation of Oklahoma. He uses photography to ask fundamental questions about American identity. Focusing on the narratives of individual families and communities, he explores shifting geographies of migration and resettlement and the way that these histories are written on the landscapes of Texas and the American South. Fortune's previous book, I Can't Stand to See You Cry, was published by Loose Joints in 2021 and was the winner of the Rencontres d'Arles Louis Roederer Discovery Award 2022. His work has been featured in exhibitions worldwide and many permanent collections, including the High Museum in Atlanta, GA, LUMA Arles, the Victoria and Albert Museum, and The Boston Museum of Fine Art. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

This week: we explore the Art Institute of Chicago's exhibition dedicated to what Georgia O'Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career. Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London's contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie's auction later this month. We talk to the chair of Studio Voltaire's trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK's most dynamic non-profits. And this episode's Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth's 2022 series Francisco de Goya, Still Life with Ribs and Lamb's Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth's painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.Georgia O'Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.The date of XXX, as the sale of works to benefit Studio Voltaire at Christie's is called, is yet to be confirmed. Check the organisations' websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.Martha Jungwirth, Guggenheim Bilbao, until 22 September. Hosted on Acast. See acast.com/privacy for more information.

Ep.202 Adebunmi Gbadebo (b. 1992 in Livingston, NJ) is a multidisciplinary artist working with paper, ceramics, sound, and film, exploring Gbadebo explores the archival record of her family's ancestry. Through her research, material selection, and technical process, the artist emphasizes the prejudice of the historical record, activating her practice to restore Black subjectivity. She received a BFA from the School of Visual Art, New York. In 2023, she was the recipient of the Maxwell and Hanrahan Craft Fellowship and the Keynote speaker for the American Ceramic Circle annual conference. In 2022, she was a Pew Fellow at the Pew Center for Arts & Heritage. Gbadebo is currently an Artist in Residence at The Clay Studio and has exhibited across the US and internationally in Africa, Europe, Asia and Australia. Her work is now on view in major exhibitions such as the 24th Sydney Biennale: Ten Thousand Suns; Minneapolis Museum of Art: Collage/Assemblage Part II: 1990-Now; and Hear Me Now: The Black Potters of Old Edgefield, South Carolina, which opened at the Metropolitan Museum of Art, New York, in 2022, and has traveled to the Museum of Fine Arts Boston, University of Michigan Museum of Art, and is now at the High Museum of Art in Atlanta. Gbadebo's work is in the public collections of the Smithsonian National Museum of African Art, Washington, D.C.; Smithsonian National Museum of African American History and Culture, Washington D.C.; Boston Museum of Fine Arts, Boston, MA; Minnesota Museum of American Art, St. Paul, MN; Minneapolis Institute of Art, Minneapolis MN; Weisman Museum of Art, Minneapolis, MN; Newark Museum of Art, Newark, NJ; and South Carolina State Museum, Columbia, SC. Her public commissions include an ongoing sculpture project in collaboration with students and faculty from Clemson University, SC, and the Harriet Tubman Monument (2021), Newark, NJ. Photo Credit:Tobias Truvillion Articles ● Past Present Projects Magazine: Past Present No. 4 ● The Pew Center For Arts and Heritage: Fellow to Fellow: Adebunmi Gbadebo and Odili Donald Odita on Meaning in Materiality ● WHYY: Philly artist wins $100K craft prize for her work remembering Black ancestors ● PBS: Treasures of New Jersey ● Penn Today: Ritual and Remembrance ● The Boston Globe At the MFA, enslaved Black potters' work brings lives into the light in ‘Hear Me Now' ● The Post and Courier At the Met, in Harlem and beyond, acclaimed artist honors enslaved SC ancestors ● Forbes, Haunting Generational Trauma In “Remains” By Adebunmi Gbadebo At Claire Oliver Gallery In Harlem ● Brooklyn Rail, Abstraction in the Black Diaspora ● New York Times, Critic's Pick: The Magnificent Poem Jars of David Drake, Center Stage at the Met ● New York Times, New Shows That Widen the Beaten Path

Kerry Lee, co-artistic director of the Atlanta Chinese Dance Company, discusses her contributions to this year's National Council on the Arts. Plus, The High Museum's photography curator, Gregory Harris, details the new exhibition “Truth Told Slant,” which is on view at The High through August 11.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Claudia Einecke, the High Museum's Curator of European Art discusses their new exhibition, “Dutch Art in a Global Age,” which is on view through July 14. Plus, Emma Burke takes the spotlight for our series, “Speaking of Dance,” and we learn how art organizations can apply for the new grants from the Community Foundation of Greater Atlanta.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lauren Quin draws from a pool of the unformed and the entropic to render shapes caught in a process of emergence or recession. Parts grow out of other parts. And like bacteria, material starts to infect and invade. Her mark-making implies a passage between dimensions that generate sensuality and movement. Quin holds an MFA from the Yale School of Art, and a BFA from the School of the Art Institute of Chicago. Her work has been the subject of several solo exhibitions including her first US museum show, My Hellmouth, at the Nerman Museum of Art in 2023. Her work is held in numerous public collections including the Columbus Museum of Art, Dallas Museum of Art, High Museum of Art, ICA Miami, Museum of contemporary art, Los Angeles, Museum of Fine Arts Boston, Nerman Museum of Art; Pérez Art Museum, Phoenix Art Museum, Walker Art Center, and the Hirschorn Museum. Lauren opens her first solo show in New York on May 3rd at 125 Newbury.

Lois visits art scholar and curator Naomi Beckwith, the recipient of the High Museum's 2024 David C. Driskell Prize. Plus, we'll hear about Oakland Cemetery's light and art celebration, “Illumine,” and Shannon Mulvaney and Jacob Blaisdell of Decatur's Ella Guru Record Shop discuss Record Store Day and how limited exclusive releases can be problematic.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we're back and we've just returned from some great trips. Kiki was on a relaxing trip to St. Lucia, where she soaked up the sun, hiked the Pitons (well, partially), and experienced the local culture at the Friday night street party in Gros Islet. It was the perfect getaway to disconnect and enjoy the beauty of the Caribbean.Medinah, on the other hand, had a wild adventure in Brazil. From her hilarious attempt to get a Brazilian wax in Brazil to her eye-opening visit to a favela, she shares the raw and real experiences that made her trip unforgettable. She even got to witness the grandeur of Carnival and learned about the deep African roots in Brazilian culture.We also touch on the importance of group travel and how it can lead to unexpected friendships and personal growth. Plus, we give a shoutout to our Patreon community and encourage you to join us for exclusive content and live chats.Lastly, we share some fun activities to do in Atlanta, like the First Fridays at the High Museum and a DJ mixing class called Scratch Out Loud. And of course, we can't forget to mention our lifesaver, Lume, which kept us fresh throughout our travels and everyday life, and Viia Hemp for keeping us zen.That's all for this episode. Make sure to tune in, join our Patreon, and check out our sponsors. Until next time, keep the discussions dirty and the cocktails strong. Cheers!Thanks to our sponsors!Control Body Odor ANYWHERE with @lumedeodorant and get $5 off off your Starter Pack (that's over 40% off) with promo code COCKTALES at LumeDeodorant.com! #lumepodTry VIIA Hemp! https://bit.ly/3J1UitO and use code COCKTALES!Check out some of our other sponsors here:https://www.cocktalespodcast.comFollow Us@cocktalespodcast@kikisaidso@coffeebeandeanWant to sponsor or collaborate with us? contact us at sales@cocktalespod.comInterested in being a guest? Please contact addie@cocktalespod.com and include your information, what makes you an interesting guest, and any relevant links!For all promo codes and links for promotions in the episode, follow this link: https://www.cocktalespodcast.comContact Us!Advice: advice@cocktalespod.comCocktales: cocktales@cocktalespod.comWeird Sex: weirdsex@cocktalespod.comLive Show Sponsorship: sales@cocktalespod.comGuest Request/ General Inquiries info@cocktalespod.comGet your Vesper2https://www.lovecrave.com/products/vesper2/?aop=cocktalesGet Your Merch & Order Your Card Gamehttps://www.imcurioustoknow.comGet Klassy Baste! Learn to Cook with Kiki https://www.klassybaste.comJoin Kiki's Book Club https://www.patreon.com/kikisaidsoTravel With Medinah! https://linktr.ee/MedinahMonroePurchase Medinah's Coffee Mug! www.medinahmonroe.comInterested in sponsoring? Contact sales@cocktalespod.com today! Become a supporter of this podcast: https://www.spreaker.com/podcast/cocktales-dirty-discussions--2818687/support.

On Sunday, March 10th ATLradicalart held a rally outside the High Museum in Atlanta, GA. Their rally was to say No Artwashing Israeli Apartheid! They ask: "How does Empire use Art against the people and to cover up complicity in genocide?" Listen to the voices from outside on the streets! Songs/Speakers in order: 1) Song and chant - Priscilla Gay Smith 2) Opening with Rozina Shivaz Gilani 3) Umaymah Mohammad 4) Song by Emmanuel Lockett 5) Andrea Ornelas - Gaza Monologue 6) Nushrat Nur 7) Poem by Keara Skates 8) Gaza Monologue 9) Cristy York 10) Libre Sankara - Gaza Monologue 11) Song by Divina Salam

Parul Kapur's novel Inside the Mirror (University of Nebraska Press, 2024) centers on twin sisters growing up in 1950s Bombay, who aspire to become artists. The family is still recovering from the Partition of India in 1947, especially the twins' grandmother, who once fought for justice against the British regime. One sister is supposed to study medicine, but she is a talented painter, and other studies education, but she is highly trained in a classical Hindu dance form called Bharata Natyam. They live in a Bengali community in which parents choose their daughters' husbands and society demands conformity. Jaya's paintings and Kamlesh's dancing could destroy their chances of finding a good husband, ruin their father's career, and affect the family's standing in their community. Jaya moves out of the house, an aberration not only affects her medical schooling, but also disturbs the bond she has with her twin. This is a beautifully written novel about family, art, British colonialism, and coming of age in a time and place in which women could not easily choose their own paths. Parul Kapur was born in Assam, India and immigrated to the United States with her family when she was seven. She received a BA in English Literature from Wesleyan University and an MFA from Columbia University. Returning to India, she worked for a year as a reporter for the city magazine Bombay, covering social issues, and culture and the arts. A journalist, literary critic and fiction writer, Parul was a press officer at the United Nations in New York and a freelance arts writer for The Wall Street Journal Europe, New York Newsday, ARTnews, and Art in America during a decade spent in Germany, France, and England. Her articles and reviews have also appeared in The New Yorker, The Paris Review, Esquire, GQ, Slate, Guernica, and Los Angeles Review of Books. Her short stories appear in Ploughshares, Pleiades, Prime Number, Midway Journal, Wascana Review, and the anthology {Ex}tinguished & {Ex}tinct. In 2010, she founded the Books page at ArtsATL, Atlanta's leading online arts review, covering the literary scene for four years. She was also a co-founder of the global voices program, showcasing a diversity of authors, at the Decatur Book Festival, formerly the nation's largest indie book festival. She created programs such as visits to collectors' homes and artist studio visits for members of the High Museum in Atlanta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Parul Kapur's novel Inside the Mirror (University of Nebraska Press, 2024) centers on twin sisters growing up in 1950s Bombay, who aspire to become artists. The family is still recovering from the Partition of India in 1947, especially the twins' grandmother, who once fought for justice against the British regime. One sister is supposed to study medicine, but she is a talented painter, and other studies education, but she is highly trained in a classical Hindu dance form called Bharata Natyam. They live in a Bengali community in which parents choose their daughters' husbands and society demands conformity. Jaya's paintings and Kamlesh's dancing could destroy their chances of finding a good husband, ruin their father's career, and affect the family's standing in their community. Jaya moves out of the house, an aberration not only affects her medical schooling, but also disturbs the bond she has with her twin. This is a beautifully written novel about family, art, British colonialism, and coming of age in a time and place in which women could not easily choose their own paths. Parul Kapur was born in Assam, India and immigrated to the United States with her family when she was seven. She received a BA in English Literature from Wesleyan University and an MFA from Columbia University. Returning to India, she worked for a year as a reporter for the city magazine Bombay, covering social issues, and culture and the arts. A journalist, literary critic and fiction writer, Parul was a press officer at the United Nations in New York and a freelance arts writer for The Wall Street Journal Europe, New York Newsday, ARTnews, and Art in America during a decade spent in Germany, France, and England. Her articles and reviews have also appeared in The New Yorker, The Paris Review, Esquire, GQ, Slate, Guernica, and Los Angeles Review of Books. Her short stories appear in Ploughshares, Pleiades, Prime Number, Midway Journal, Wascana Review, and the anthology {Ex}tinguished & {Ex}tinct. In 2010, she founded the Books page at ArtsATL, Atlanta's leading online arts review, covering the literary scene for four years. She was also a co-founder of the global voices program, showcasing a diversity of authors, at the Decatur Book Festival, formerly the nation's largest indie book festival. She created programs such as visits to collectors' homes and artist studio visits for members of the High Museum in Atlanta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Episode No. 643 of The Modern Art Notes Podcast features curator and art historian John P. Bowles and artist Stacy Kranitz. Along with Dennis Carr and Jacqueline Francis, Bowles is the co-curator of "Sargent Claude Johnson," a survey of the artist's career at The Huntington Library, Art Museum, and Botanical Gardens in San Marino, Calif. through May 20. The exhibition features over 40 works Johnson, a major Harlem Renaissance-era sculptor who lived in Oakland, Calif., made between the Great Depression and the civil rights era. It is the first Johnson exhibition in over 25 years. The excellent exhibition catalogue was published by the Huntington. Amazon and Bookshop offer it for about $40. The second segment features photographer Stacy Kranitz. Earlier this month Pro Publica published "The year after a denied abortion," an extraordinary story and photo essay by Kranitz and Kavitha Surama. The piece follows Mayron Michelle Hollis as the state of Tennessee simultaneously questioned Hollis' fitness to care for her four children and forced her to continue a life-threatening pregnancy. Kranitz was featured on the program in September 2023 when “A Long Arc: Photography and the American South since 1845” debuted at the High Museum of Art, Atlanta. The exhibition opens at the Addison Gallery of American Art in Andover, Mass., this weekend. It will remain on view through July 31. The exhibition considers the South as a forger of American identity and examines how Southern photographers have contributed to both the advance of their medium, and the US project. “A Long Arc” was curated by Gregory J. Harris and Sarah Kennel. The catalogue was published by Aperture. Bookshop and Amazon offer it for about $70. Kranitz's work, primarily made in the southern Appalachian Mountains, presents the complexity and instability of a rugged region on which industry has preyed. Her work is in the collection of museums such as the Harvard Art Museums and the Museum of Fine Arts, Houston. Her 2022 book As it Was Give(n) to Me was published by Twin Palms and was shortlisted for a Paris Photo-Aperture First Photobook Award. Bookshop and Amazon offer it for about $75-80. For images of Kranitz's work discussed on the program presented by series or project, please see Episode No. 620 and: As it Was Give(n) to Me; From the Study on Post Pubescent Manhood; Fulcrum of Malice; and Target Unknown.

In this episode, we're talking about women, but not just any women. Women of the Civil Right Movement, we are kicking off Black History month. We discuss the history of the Civil Rights Movement including some of the well-known events and then talk about how women were not only involved in these events but also often held leadership roles. Then we consider how the media of the time viewed their fight, and how history upholds or diminishes their effort. This is followed up with further details on how women truly were the backbone of the Civil Rights Movement. Finally we discuss what how their struggles impacted women of the time and today. Trigger warnings: Racism, sexual harassment     Follow the podcast: BlueSky and Twitter: @BigRepPod Instagram and TikTok: @BigReputationsPod   Become a Patreon supporter: patreon.com/bigreputationspod   Merch: https://www.redbubble.com/shop/ap/86669619 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Hosts: Kimberly Kunkle and Rebecca L. Salois Logo Design: Samantha Marmolejo Music: Shawn P. Russell Sound Consultant and Mixing: Shawn P. Russell Recording and Editing: Rebecca L. Salois ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Sources: Belles of Liberty: Gender, Bennett College and the Civil Rights Movement in Greensboro, North Carolina, by Linda Beatrice Brown “The Women of Selma: The Backbone of a Movement,” by Keecee DeVenny “Six of the Women Behind Brown v. Board of Education,” by the Legal Defense Fund “Women in the Modern Civil Rights Movement,” by the National Museum of African American History and Culture “The Invisible Women of the Civil Rights Movement,” by Beth Olanoff “The Sit-In Movement,” National Women's History Museum A Woman Purposed To Be A King, by Bernice A. King Photos From the Civil Rights Movement by the High Museum of Art Atlanta  

Curators Katherine Jentleson and Monica Obniski discuss “Hear Me Now: The Black Potters of Old Edgefield South Carolina,” opening February 16 at the High Museum of Art. Plus, Yvonna Hoba takes the spotlight in our series, “Speaking of Dance,” and we hear about the new installation from artist Mike Stasny, “Millennial Pink,” which is opening at Underground Atlanta this Friday.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to ARTMATTERS: The Podcast for Artists. Today is the final installment of my conversation with the artist TL Solien. In this last section, TL talks about building his dream studio, selling his dream studio, the best years of his career, dwindling interest, staying afloat, vulnerability, taking things personally, contemplating failure, building paintings in moments of fracture, learning art history late, finding satisfaction, healthy fuel, 30 minutes of joy, scale, notes from an opera, Tex Avery cartoons, how he starts a painting now, being stumped, and problem solving.I'd like to add that I've been receiving a lot of love for the previous parts of this  conversation, and if this means you would like more long-form conversations like this one, please let me know at artmatterspodcast@gmail.com Finally please consider supporting this podcast by donating to ARTMATTERS Patreon. I just set it up and by donating you will help ensure the availability and continuation of these quality conversations.  About:T.L Solien, born in Fargo North Dakota in 1949, received a BA degree in Art from Moorhead State University, Moorhead MN in 1973, and an MFA in Painting and Sculpture from the University of Nebraska-Lincoln in 1977.TL Solien has been  invited to  participate in numerous exhibitions  of National and International magnitude including, the 1983 Whitney Biennial, the 39th  Biennial of American Painting at the Corcoran Museum, Washington, D.C.; Avant-Grade in the 80”s, at the Los Angeles County Museum of Art; The American Artist as Printmaker,   Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis, MN; and Contemporary Drawings, High Museum of Art, Atlanta, GA. Solien was the subject, recently, of a 25 year retrospective at the Madison Museum of Contemporary Art, Madison WI, entitled “ T.L. Solien: Myths and Monsters", as well as a touring exhibition porganized by the Plains Museum of Fargo North Dakota, entitled "Toward the Setting Sun", comprised of 65 work, and supported by a 200 page catalog published and distributed by the University of Minnesota Press.TL Solien has had approximately 40 solo exhibitions over the last 25 years.TL Solien is represented in numerous corporate and public collections including, The Whitney Museum of American Art, New York; The Art Institute of Chicago, IL; The Walker Art Center, Minneapolis;  High Museum of Art, Atlanta; The Metropolitan Museum, New York; The Tate Modern, London;  The Smithsonian Museum ,Washington D.C.;  The Frederick Weisman Foundation, Los Angeles;  The National Museum of American Art, Washington, D.C.;  The Milwaukee Museum of Art, Milwaukee, WI. and  Madison Museum of Contemporary Art, Madison, WI.   TL Solien is currently represented by Tory Folliard Gallery in Milwaukee, and his most recent solo exhibition was at OTI in Los Angeles, CA. If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mann guest: TL Solienhttps://www.solientl.com/insta: @tlsolien

Episode No. 635 of The Modern Art Notes Podcast features artist Leslie Martinez and curator Anthony Graham. MoMA PS1 in Queens is presenting "Leslie Martinez: The Fault of Formation," through April 8. The exhibition features paintings built with paint, folds, pools, and collaged materials such as rags and dried acrylics. Martinez's way of making paintings both mines the history of abstraction, but also a no-waste approach informed by methodologies of rasquachismo, a term coined by scholar Tomás Ybarra-Fausto to describe a Chicano "attitude rooted in resourcefulness yet mindful of stance and style." The show was curated by Elena Ketelsen González. Martinez was previously featured in a solo show at the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. The Speed Art Museum in Louisville is showing Martinez's work in "Current Speed: Angel Otero/Leslie Martinez" through March 24. The exhibition features works by the two artists that are new to the Speed's collection. The presentation was organized by Tyler Blackwell. On the second segment, a re-presentation of curator Anthony Graham on the Alexis Smith retrospective he organized at the Museum of Contemporary Art San Diego in 2022. Smith died earlier this week. She was 74. For images, see Episode No. 568.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jim Goldberg discuss his new book, Coming and Going, published by MACK, which is a very personal story but also a book about storytelling itself. Jim talks about his lifelong interest in social justice and Sasha and Jim connect Jim's work to both Jazz and Punk music. Sasha also announces the first ever participants in the PhotoWork Foundation Fellowship. https://jimgoldberg.com/ https://www.mackbooks.us/collections/frontpage/products/coming-and-going-br-jim-goldberg Jim Goldberg's innovative and multidisciplinary approach to documentary makes him a landmark photographer and social practitioner of our times. His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations which investigate the nature of American myths about class, power, and happiness. A prolific and influential bookmaker, Goldberg's recent books include Ruby Every Fall, Nazraeli Press (2014); The Last Son, Super Labo (2016); Raised By Wolves Bootleg (2016), Candy, Yale University Press (2017), Darrell & Patricia, Pier 24 Photography (2018) and Gene (2018). Goldberg has exhibited widely, including shows at the Museum of Modern Art, New York; SFMOMA; the Museum of Fine Arts, Boston; the Corcoran Gallery of Art; the Los Angeles County Museum of Art; and the Yale University Art Gallery. His work is also regularly featured in group exhibitions around the world. Public collections including MoMA, SFMOMA, the Whitney Museum of American Art, the Getty, the National Gallery, LACMA, MFA Boston, The High Museum, Nelson-Atkins Museum of Art, Library of Congress, MFA Houston, National Museum of American Art, and the Art Institute of Chicago. Goldberg has received three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize, among many other honors and grants. Goldberg is Professor Emeritus at the California College of the Arts. He is represented by Casemore Kirkeby Gallery in San Francisco. Goldberg joined Magnum Photos in 2002. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Monica Obniski, the High Museum's decorative arts and design curator, discusses the exhibition “Sonya Clark: We are Each Other.” Plus, we hear about NPR's College Student Podcast Challenge, and choreographer Patsy Collins takes the spotlight in our series, “Speaking of Dance.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alliance Theatre co-artistic director Christopher Moses and High Museum director of education Andrew Westover discuss their collaboration for the High Museum exhibit “Beatrix Potter: Drawn to Nature” and the Alliance Theatre's “Into the Burrow: A Peter Rabbit Tale.” Plus, we visit with Liz Roberts, the loyal shopper-turned-owner of Indie Craft Experience and hear about their upcoming Holiday Shopping Spectacular.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Patricia Sampson is the Director of the Bookstore Resource Center at The King Center in Atlanta, Georgia. She has also work for the High Museum of Art Atlanta as Manager or Retail Shops and Visual Merchandising. She began her retail career in for-profit retail in her home state of New York. She wore many different […]

Patricia Sampson is the Director of the Bookstore Resource Center at The King Center in Atlanta, Georgia. She has also work for the High Museum of Art Atlanta as Manager or Retail Shops and Visual Merchandising. She began her retail career in for-profit retail in her home state of New York. She wore many different […] The post Patricia Sampson With The King Center appeared first on Business RadioX ®.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Irina Rozovsky talk about her gradual realization that photography was going to be her life's work. They discuss how Irina's process has changed since becoming a partner and mother, and relocating to the South. They also discuss The Humid, "An educational space committed to the practice of rigorous and ambitious photography", that Irina started with her husband, Photographer Mark Steinmetz. Irina's work is included in, A Long Arc: Photography and the American South since 1845 at the High Museum of Art in Atlanta, Georgia where this episode was recorded. https://www.irinar.com https://high.org/exhibition/a-long-arc/ https://www.thehumid.com Irina Rozovsky (b. 1981, Moscow), makes photographs of people and places, transforming external landscapes into interior states. She lives in Athens, Georgia, USA and runs the photography space The Humid with her husband Mark Steinmetz Irina Rozovsky captures her contemplative, cinematic photographs from dramatic vantage points and with a deep sense of empathy. Her work highlights people and the surroundings that influence them, ranging from scenes of contemporary Israel to more personal moments with family in her native Russia. In Rozovsky's series One to Nothing, images of Israel are varied and consist of desert landscapes or sparkling views of cityscapes, often with obscured glimpses of community members engaged in daily rituals. As the sense of place figures prominently in her repertoire, for This Russia, Rozovsky took haunting images of life today in the place of her birth, while My Mother and Other Things from the Sky depicts intimate scenes of domesticity within the photographer's own family. Meanwhile, her photographs of Brooklyn, New York for In Plain Air portray a cross-section of life in Prospect Park, near the photographer's current home. Rozovsky's work has been published and exhibited internationally. Solo and group shows include those staged at Smith College in Northampton, the Carpenter Center for the Visual Arts at Harvard University in Cambridge, the Breda International Photo Festival in the Netherlands, the Philadelphia Museum of Art, the Haggerty Museum of Art in Milwaukee, the Chelsea Art Museum in New York, the Southeast Museum of Photography in Daytona Beach, the Noorderlicht Festival in Groningen, the Netherlands and A Long Arc: Photography and the American South since 1845 at the High Museum of Art in Atlanta, Georgia. Rozovsky participated in Light Work's artist-in-residence program in August 2012. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

In this episode of PhotoWork with Sasha Wolf, Sasha and Michael travelled to the High Museum of Art in Atlanta, GA to speak with Keough Family Curator of Photography​, Gregory Harris and photographer, Rahim Fortune about the amazing show, A Long Arc: Photography and the American South since 1845, up through January 14, 2024. Greg talks about how he and Sarah Kennel --curator of Photography at Virginia Museum of Art-- collaborated on the curation of the exhibition, some of the history behind the work, and the practical and curatorial decisions needed in order to narrow down the breadth of work made in the south from 1845 to today. Rahim shares his process of writing the afterword to the exhibition catalog, with Dr. Shakira Smith, published by Aperture, and shares his response to the work in the show along with its historical significance to the history of Black photographers in the American South. https://high.org/exhibition/a-long-arc/ https://aperture.org/books/a-long-arc-photography-and-the-american-south/ https://high.org/person/gregory-harris/ https://www.rahimfortune.com Rahim Fortune uses photography to ask fundamental questions about American identity. Focusing on the narratives of individual families and communities, he explores shifting geographies of migration and resettlement, and the way that these histories are written on the landscapes of Texas and the American South. Rahim has published two books of his photographs. His work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the High Museum in Atlanta GA, The LUMA Arles, Nelson Atkins Museum and The Boston Museum of Fine Art. “Fortune's calm and striking photographs provide a compelling glimpse into the daily rhythms of the community, revealing its deep humanity and dignity, at a time when his own personal pain resonated with the experience of the nation. But his images also capture the pain, tensions and relentless everyday reality that have influenced the lives of these people. His portraits are so grippingly engaging because he finds the necessary balance between thoughtful compassion and hard truth.” - Collector Daily Gregory J. Harris is the High Museum of Art's Donald and Marilyn Keough Family Curator of Photography. He is a specialist in contemporary photography with a particular interest in documentary practice. Since joining the Museum in 2016, Harris has curated over a dozen exhibitions including Mark Steinmetz: Terminus (2018), Paul Graham: The Whiteness of the Whale (2017), and Amy Elkins: Black is the Day, Black is the Night (2017). For the Museum's 2018 collection reinstallation, he surveyed a broad sweep of the history of photography through prints from the High's holdings in Look Again: 45 Years of Collecting Photography. His collaborative projects have included Way Out There: The Art of Southern Backroads (2019), a joint exhibition with the High's folk and self-taught art department. Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also organized and authored catalogues for the exhibitions We Shall: Photographs by Paul D'Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015). Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris has contributed essays to monographs by Amy Elkins, Matthew Brandt, Jill Frank, and Mark Steinmetz. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Ep.172 features Leslie Smith. He lives and works in Madison, Wisconsin. | He was a 2022 Joan Mitchell Foundation Fellow and earned a BFA at the Maryland Institute College of Art and an MFA at the Yale School of Art. | Smith's interests lie in our conscious effort to alter personal perception. | Recent works explore Abstraction's inherent personal and political properties as they relate to broadening notions of Black representation, with a mindset that it's possible to present a new interpretation of contemporary abstraction. His work can be found in the permanent collections of the High Museum of Art, Atlanta; the Virginia Museum of Fine Art, Richmond; the Birmingham Museum of Art; the Abroms-Engel Institute for the Visual Arts, Birmingham; and the FRAC Auvergne, France. Smith is a Full Professor of Painting and Drawing at the University of Wisconsin-Madison. Photo by Jim Escalante Artist http://www.lesliesmith3.com/ Chart Gallery https://chart-gallery.com/exhibitions/49-leslie-smith-iii-reaching-for-something-high/ Joan Mitchell 2022 https://www.joanmitchellfoundation.org/leslie-smith-iii Joan Mitchell 2023 https://www.joanmitchellfoundation.org/journal/in-the-studio-leslie-smith-iii University Wisconsin–Madison https://art.wisc.edu/2022/09/23/leslie-smith-iii-wins-joan-mitchell-fellowship/ Two Coats of Paint https://twocoatsofpaint.com/2023/10/leslie-smith-iii-poignantly-off-balance.html Maus Contemporary https://mauscontemporary.com/artists/leslie-smith-iii/ Art Daily https://artdaily.com/news/162053/-Leslie-Smith-III--Reaching-for-Something-High--solo-exhibition-opening-at-CHART- Art New City https://art.newcity.com/2021/01/08/abstracting-lived-experience-a-review-of-leslie-smith-iii-at-hawthorn-contemporary/ M+B Photo https://www.mbphoto.com/artworks/17654/ Wide Walls https://www.widewalls.ch/maus-contemporary-expo-chicago-2019-leslie-smith-iii-interview/ Wikipedia https://en.wikipedia.org/wiki/Leslie_Smith_III

In this episode, we are privileged to host two remarkable figures from the entertainment industry, each with a unique story to tell. Amber Havens, whose journey began in children's theater, eventually led her to Los Angeles, where she attended a prestigious acting conservatory, embarking on a 30-year odyssey filled with diverse experiences across the entertainment business. With a passion for connecting clients with exceptional talent, she's made her mark as a casting expert, covering everything from film and television extras to principal roles and commercial print and video. Amber's knack for fostering strong relationships and her multi-faceted industry insights make for an enlightening conversation.Tish Campbell stands at the crossroads of business and creativity, with an impressive career spanning casting direction, jewelry design, and business ownership. She's played a pivotal role in the development of programs at esteemed cultural and higher education institutions, from the High Museum of Art in Atlanta to the Yerba Buena Center for the Arts in San Francisco. Tish's journey extends to her tenure as the Executive Director of the Institutional Advancement department at the Savannah College of Art & Design, where she played a substantial role in raising funds for scholarships, museum exhibitions, and event sponsorships across four campuses. Her unwavering commitment to nurturing creative talent and building pathways for their success adds a dynamic layer to this engaging conversation. Join us for an illuminating discussion as Amber Havens and Tish Campbell share their insights into the intricate worlds of entertainment, casting, and the creative community.Remember to stay safe and keep your creative juices flowing!---Tech/Project Management Tools (*these are affiliate links)Buzzsprout*Airtable*17hats*ZoomPodcast Mic*

Episode No. 620 features artists Stacy Kranitz and Kristine Potter. Kranitz and Potter are included in "A Long Arc: Photography and the American South since 1845" at the High Museum of Art, Atlanta. The exhibition considers the South as a forger of American identity and examines how Southern photographers have contributed to both the advance of their medium, and the US project. "A Long Arc" was curated by Gregory J. Harris and Sarah Kennel, and will be on view through January 14, 2024 before traveling to the Addison Gallery of American Art, Andover, Mass., and to the Virginia Museum of Fine Arts, Richmond. The catalogue was published by Aperture. Bookshop and Amazon offer it for about $70. Kranitz's work, primarily made in the southern Appalachian Mountains, presents the complexity and instability of a rugged region on which industry has preyed. Her work is in the collection of museums such as the Harvard Art Museums and the Museum of Fine Arts, Houston. Her 2022 book As it Was Give(n) to Me was published by Twin Palms and was shortlisted for a Paris Photo-Aperture First Photobook Award. Bookshop and Amazon offer it for about $75-80. Aperture has just published Potter's second monograph, Dark Waters. The book extends Potter's interest in using the US landscape as an ideological site by exploring how nineteenth and twentieth-century 'murder ballads' marry site to misogynistic violence. Bookshop and Amazon offer it for about $43-61. Instagram: Stacy Kranitz, Kristine Potter, Tyler Green.

Ep. 168 features Chase Hall's (b. 1993, St. Paul, Minnesota). His paintings and sculptures respond to generational celebrations and traumas encoded throughout American history. Responding to a variety of social and visual systems, each of which intersects with complex trajectories of race, hybridity, economics, and personal agency, Hall generates images whose materiality is as crucial to their compositional makeup as their indelible approach to representation. A central body of paintings, made with drip-brew techniques derived from coffee beans and acrylic pigments on cotton supports, is notable for both its conceptual scope and its intimacy. The use of brewed coffee carries powerful symbolic weight since it evokes centuries-old geopolitical systems associated with the commodification of a plant native to Africa, but in Hall's hands, it also becomes a means of achieving subtle visual textures, a range of brown skin tones, and a mark-making vocabulary precipitated on the closeness of touch. Above all, however, it is his improvisational willingness to immerse himself in the indefinable personal hieroglyphics of each picture that gives his work its resonance and impact. Chase Hall was the subject of a solo exhibition at the SCAD Museum of Art, Savannah, Georgia in 2023. In 2022, Hall was commissioned by the Metropolitan Opera to produce a large-scale artwork, the monumental diptych Medea Act I & II, for its opera house in New York, on view through June 2023. Hall has been included in group exhibitions including Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum (2023), Los Angeles; Black American Portraits, Los Angeles County Museum of Art (2021); Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art, University of Illinois Chicago (2021); and This Is America | Art USA Today, Kunsthal KAdE, Amersfoort, the Netherlands. Hall has been an artist-in-residence at The Mountain School of Arts, Los Angeles; Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts; and Skowhegan School for Painting and Sculpture, Maine. Hall's work is in the permanent collections of institutions including the Los Angeles County Museum of Art; Dallas Museum of Art; Institute of Contemporary Art, Miami; Fondation Louis Vuitton, Paris; Baltimore Museum of Art; Brooklyn Museum, New York; Hammer Museum, Los Angeles; High Museum of Art, Atlanta; Montreal Museum of Fine Arts; Walker Art Center, Minneapolis; The Studio Museum in Harlem, New York; and Whitney Museum of American Art, New York. Hall lives and works in New York. Artist https://chasehallstudio.com/ David Kordansky Gallery https://www.davidkordanskygallery.com/exhibitions/chase-hall2 Pace Prints https://paceprints.com/2023/chase-hall-melanoidin Galerie Eva Presenhuber https://www.presenhuber.com/selected-public-exhibitions/chase-hall#tab:slideshow Aspen Art Museum https://www.aspenartmuseum.org/artcrush/live-auction/chase-hall Met Opera https://www.metopera.org/visit/exhibitions/current-exhibition/ Whitney Museum of Art https://whitney.org/artists/20278 Document Journal https://www.documentjournal.com/2023/03/chase-hall-the-close-of-the-day-scad-moa-art-exhibition-painting-black-culture-savannah-american-south/ New York Times https://www.nytimes.com/2022/06/02/arts/television/the-wire-20th-anniversary.html New York Times Opinion https://www.nytimes.com/2021/04/16/opinion/sunday/george-floyd-daunte-wright-minnesota.html New York Magazine https://nymag.com/author/chase-hall/ Cultured Mag https://www.culturedmag.com/article/2023/06/20/painter-chase-hall-met-opera The Art Newspaper https://www.theartnewspaper.com/2023/07/13/curator-playing-matchmaker-emerging-artists-aspen-collectors Hollywood Reporter https://www.hollywoodreporter.com/lifestyle/arts/frieze-week-2023-artists-shows-los-angeles-1235325588/

Hiejin Yoo is a German born, Korean artist currently living and working in Los Angeles Her work has been shown at The High Museum of Art in Atlanta, Half Gallery, Frederic Snitzer, Blum & Poe, Almine Rech, Konig Gallery, Loyal Gallery, Stems Gallery, The Pit, Spurs Gallery in Beijing and many others. Her work has been covered in Galerie Magazine, Juxtapoz, Hypebeast, Whitewall, ArtForum, It's Nice That, Elle Indonasia, New American Paintings, the LA Times and many more.

The new director of the BAIA Foundation, Faron Manuel returns to the Noize! Faron and JBarber talk about his years of experience as a curator and writer that took him from Clark Atlanta Museum as a docent to the High Museum of Art and now his new role at Black Art In America. Faron talks about his plans for the foundation, new partnerships and programming on the horizon, and curating in the contemporary art market. We dive into the upcoming Fine Art Print Fair and his thoughts on the work of Richard Mayhew. More of that good art talk you love on the Noize! Listen, subscribe, and share!Episode 177 topics include:being an informed collector and artistworking on the Black Art in America Foundationworking at the High Museum of Artpartnerships with the Future Foundationreal-life experience in institutionscurating Better Days: Joy and Revolutionthesis about Richard MayhewFine Art Print Fair at BAIA GalleryFaron Manuel is the Director of the Black Art In America (BAIA) Foundation. A 501c3 organization that provides funding and professional development opportunities for Black artists and arts professionals in Atlanta and beyond. Before joining the BAIA Foundation, Manuel oversaw two Mellon Foundation-funded curatorial fellowship grants at the High Museum of Art in Atlanta from 2016-2023. Before joining the High Museum, he was the Special Projects Curatorial Assistant to the Clark Atlanta University Art Museum Director. He also served as the Assistant Editor at Black Art In America from 2015-2016, where he regularly interviewed collectors and reported widely on contemporary art.Manuel earned his B.A. in History from Clark Atlanta University in 2015, where he completed several museum fellowships. He has worked as an independent curator and art writer with notable collections and institutions over the years, doing much to expand the footprint of early-career artists. He was presented with the Hammonds House Honors Award for Curatorial Excellence in 2019 and recently served as a Resource Specialist for the Aspen Institute's 2022 Fall Workshop Series on grant program development.See more: BAIA Welcomes Faron Manuel As Director Of BAIA Foundation Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

For part 2 of Sasha's conversation with writer Rebecca Bengal and photographer Kristine Potter, Rebecca talks about her short story, Blood Harmony which is part of Kristine's book, Dark Waters co-published by Aperture with Images Vevey and The Momentary. Kristine and Rebecca discuss how a piece of fiction, in this case, a short story, can function within a photo book. Sasha and Rebecca also talk about Rebecca's new book, Strange Hours, published by Aperture, a collection of her essays on photography, and how you assemble essays written independently of one another into one book. https://www.rebeccabengal.net https://aperture.org/books/coming-soon/strange-hours-photography-memory-and-the-lives-of-artists/ http://www.kristinepotter.com https://aperture.org/books/coming-soon/kristine-potter-dark-waters/ Rebecca Bengal is a writer of fiction, essays, and documentary journalism about art, literature, film, music, and the environment. A regular contributor to Aperture, her writing has been published by the Paris Review, Vogue, Vanity Fair, the New York Times, Oxford American, Southwest Review, the Believer, the Guardian, and the Criterion Collection, among many others. She has contributed stories and essays to books by Carolyn Drake, Justine Kurland, Kristine Potter, Paul Graham, Danny Lyon, and Charles Portis. A MacDowell fellow in fiction and a former editor at American Short Fiction, DoubleTake, and Vogue, she holds an MFA from the Michener Center for Writers in Austin. Originally from western North Carolina, Bengal lives in Brooklyn. Kristine Potter (1977) is an artist based in Nashville, Tennessee, whose work explores masculine archetypes, the American landscape, and cultural tendencies toward mythologizing the past. Her first monograph Manifest was published by TBW Books in 2018. Her second monograph Dark Waters is being published by Aperture in the summer of 2023. Potter was awarded a Guggenheim Fellowship in 2018 and was awarded the Grand Prix Image Vevey for 2019-2020. Potter's work is in numerous public and private collections including that of The High Museum of Art, The Georgia Museum of Art, the Swiss Camera Museum, and Foundation Vevey. Potter is currently an Assistant Professor of Photography at Middle Tennessee State University. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

For part 1 of this 2 part episode, returning guest, photographer Kristine Potter, and first time guest, writer Rebecca Bengal, talk to Sasha about how they each started down their career paths, the similarities in their upbringings and how their early interest in music influenced the way they think about visual art. Sasha and Kristine discuss the history of "murder ballads" used to reference the casual violence against women in Kristine's new book, Dark Waters, published by Aperture which includes a short story by Rebecca. In part 2 of this episode, Sasha and Rebecca will talk about her short story and her new book, Strange Hours: Photography, Memory, and the Lives of Artists, also published by Aperture. http://www.kristinepotter.com https://aperture.org/books/coming-soon/kristine-potter-dark-waters/ https://www.rebeccabengal.net https://aperture.org/books/coming-soon/strange-hours-photography-memory-and-the-lives-of-artists/ Kristine Potter (1977) is an artist based in Nashville, Tennessee, whose work explores masculine archetypes, the American landscape, and cultural tendencies toward mythologizing the past. Her first monograph Manifest was published by TBW Books in 2018. Her second monograph Dark Waters is being published by Aperture in the summer of 2023. Potter was awarded a Guggenheim Fellowship in 2018 and was awarded the Grand Prix Image Vevey for 2019-2020. Potter's work is in numerous public and private collections including that of The High Museum of Art, The Georgia Museum of Art, the Swiss Camera Museum, and Foundation Vevey. Potter is currently an Assistant Professor of Photography at Middle Tennessee State University. Rebecca Bengal is a writer of fiction, essays, and documentary journalism about art, literature, film, music, and the environment. A regular contributor to Aperture, her writing has been published by the Paris Review, Vogue, Vanity Fair, the New York Times, Oxford American, Southwest Review, the Believer, the Guardian, and the Criterion Collection, among many others. She has contributed stories and essays to books by Carolyn Drake, Justine Kurland, Kristine Potter, Paul Graham, Danny Lyon, and Charles Portis. A MacDowell fellow in fiction and a former editor at American Short Fiction, DoubleTake, and Vogue, she holds an MFA from the Michener Center for Writers in Austin. Originally from western North Carolina, Bengal lives in Brooklyn. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com