Podcasts about Dresden

Lisa Smartt of Dresden, Tennessee loves to make people laugh. A motivational humorist and writer, she travels nationally speaking to groups on a variety of fun and interesting topics. In her own words, “I'm always open to designing new talks to meet a group's needs as long as they don't need insight into algebra, organizational skills, map reading or pet counseling.” She's also a writer who has published a number of books and a popular newspaper column. In this episode, Lisa shares stories from her childhood, how she discovered her talent for public speaking and tips to use when listeners find themselves in front of an audience. Tip number one: be your authentic self. You can follow Lisa at lisasmartt.com. This episode is sponsored by the Reelfoot National Wildlife Refuge. This podcast episode is available online on Soundcloud, Castbox, Apple Podcasts, YouTube, Spotify and other popular podcast platforms and apps.

After a night of heavy shelling, Kyiv faces a day of diplomacy as a senior Chinese official is set to arrive in Kyiv. Also in the programme: Today five people were found guilty for carrying out a jewellery heist in Dresden in 2019 and Faisal Abbas, editor-in-chief of the Saudi-based Arab News, on Saudi Arabia and the future of the Middle East. (Picture: The explosion of a missile seen in the sky over Kyiv during a Russian missile strike. Credit: REUTERS/Gleb Garanich)

Get ready to discover the incredible potential of our sense of smell in this fascinating episode of our podcast! Join us as we dive into the world of olfactory science with Dr. Thomas Hummel from the University of Dresden in Germany. In this conversation, we'll explore the importance of our sense of smell, how it impacts our ability to think, and the exciting potential for neuroplasticity in this field. Plus, we'll delve into the latest research on olfactory training and how it can help patients with olfactory loss. Whether you're a scientist, a curious learner, or just someone who loves to explore the wonders of the human body, this conversation is sure to captivate your senses. So tune in now to learn more about the wonders of the human sense of smell with Dr. Thomas Hummel. And don't forget to check out the paper he co-authored on the effects of olfactory training in patients with olfactory loss for more information.https://www.sciencedirect.com/science/article/pii/S0149763422003426Support the showLearn more at www.profselenabartlett.com

It was a cold and frosty morning in Milton Keynes, Buckinghamshire, on Friday, February 15th, 2019. Children across the country woke up excited because it was the last day of school before half term. For 19-year-old Leah Croucher, it was a day like any other. She got out of bed, got dressed and set off for work. Leah usually made the short journey on foot, but as 9 AM came and went, she never arrived. Her disappearance would spark a nationwide manhunt as her missing person posters were distributed far and wide. The exhaustive investigation would see officers from the Thames Valley police force trawling through thousands of hours of CCTV footage and knocking on the doors of more than 4,000 homes…*** LISTENER CAUTION IS ADVISED *** This episode was researched and written by Emily G. Thompson.Edited by Joel Porter at Dot Dot Dot Productions.Script editing, additional writing, illustrations and production direction by Rosanna FittonNarration, editing assistance, additional writing, and production direction by Benjamin Fitton.Listen to our companion podcast ‘They Walk Among America' here: https://play.acast.com/s/they-walk-among-americaBecome a ‘Patreon Producer' and get exclusive access to Season 1, early ad-free access to episodes, and your name in the podcast credits. Find out more here: https://www.patreon.com/TheyWalkAmongUsMore information and episode references can be found on our website https://theywalkamonguspodcast.comMUSIC: Recognize by Grant Borland Vanished by Wicked Cinema Allied by Wicked Cinema The Space Between by Chelsea McGough St Mary by Chelsea McGough and Stephen Keech Stasis Interrupted by Dresden the Flamingo Sussex by Stephen Keech Crescendo by Featherland Ripley by Falls Hold this Place by Alice Winter They Walk Among Us is part of the Acast Creator Network - https://www.acast.com/theywalkamongusSOCIAL MEDIA: Twitter - https://twitter.com/TWAU_PodcastFacebook - https://www.facebook.com/theywalkamonguspodcastInstagram - https://www.instagram.com/theywalkamonguspodcastSupport this show http://supporter.acast.com/theywalkamongus. Hosted on Acast. See acast.com/privacy for more information.

Click the post for details on this episode! Welcome back to Open House. Randy Seidman here, fresh off a month-long tour that took me from North America to Asia to Europe and back. One of my favorite stops was on the island of Koh Phangan in Thailand, where I returned to the mighty Jungle Experience. This time I brought along San Francisco legend, Syd Gris, the man behind Burning Man's biggest stage, Opulent Temple. So today's episode features a portion of both of our sets, starting with mine. Seven thousand lovely souls danced to our beats laced with live percussion. The mixer got hot from time to time, which you might hear, and I suppose that mirrored the heavy fire-play, coupled with the dragon's steamy mouth from within which we roared. Coming up at the end of May, I'm at Church Nightclub in Denver and 45East in Portland, hope to see you on the dance floor. You can grab all past episodes and track lists from openhousepodcast.com, Soundcloud, or wherever you like to download your favorite podcasts. For now, turn it up. Randy Seidman's Website - Click HERE Randy Seidman's Soundcloud - Click HERE Randy Seidman's Beatport - Click HERE Randy Seidman's Spotify - Click HERE Randy Seidman's Facebook - Click HERE Randy Seidman's Twitter - Click HERE Randy Seidman's Track List: 01) Etienne Ozborne, Jerome Robins - Cruel Summer (Original Mix) 02) Angel Heredia - Unknown (Original Mix) 03) Gonzalez, Gonzalo (Spain), Javier Sequera - You Know What I Like (Randy Format Edit) 04) Earth N Days - Just Be Good To Me (Original Mix) 05) Dj Smilk, Dave Bo - Sex On Sax (Sean Finn Remix) 06) Mark Stacey - Summer Haze (Original Mix) 07) Salvatore Bruno, Chris Luno - Fly (Randy Lifting Me Up Mashup) 08) Angel Heredia - Sing Ha He (Original Mix) 09) Angel Heredia - Zurek (Original Mix) 10) Angel Heredia - Atlas (Original Mix) 11) Jorge Montia, Joe Red & Jose Ponce - Dark Valley (Original Mix) 12) Mark Knight & Adrian Hour - Chaos Theory (Original Mix) 13) Zhu - In The Morning (Cooperated Souls Remix) 14) Chicane - Offshore (Kryder Extended Remix) [Randy Without You Near Mashup] 15) Blacker & James, Different Stage - Give Me Your Love (Original Mix) 16) Lastlings 'Get What You Want' (Vintage Culture Dub Edit) [Randy No Education Mashup] 17) Savin - Illusion (Original Mix) [Randy Reflection Mashup] 18) David Jones - Rhythm Alive (Randy Edit) 19) Randy Seidman - ID 20) Randy Seidman - ID 21) Franky Wah - Rise (Original Mix) 22) Sied Van Riel - Rush (Miss Monique Extended Remix) [RANDY RUNNING MASHUP] 23) Marius Drescher - We Had It All (Original Mix) --------------------------------------------------------------------------------------------------------- I hope you enjoyed the first hour, a portion of my recent set recorded at Jungle Experience in Thailand. Up next is another artist whose mix was recorded that same night. Widely regarded as one of the hardest working people in the scene, a San Francisco legend, and the man behind one of Burning Man's biggest and longest running stages, Opulent Temple - where he has consistently booked (and played with) the likes of Carl Cox, Above and Beyond, Gabriel and Dresden, Gorgon City, Diplo and more. For the next hour, enjoy Syd Gris recorded live at Jungle Experience on the island of Koh Phangan. Syd Gris's Soundcloud - Click HERE Syd Gris's Instagram - Click HERE Syd Gris's Facebook - Click HERE Syd Gris's Twitter - Click HERE Syd Gris's RA - Click HERE Syd Gris's Track List: 01) FISHER (OZ) - Yeah The Girls (feat. MERYLL) 02) Gorgon City - Sidewindah (feat. Flirta D) 03) AMPRS&ND - Lemme See You 04) MK, Dom Dolla - Rhyme Dust 05) KH (UK) - Looking at Your Pager (Chris Lake Extended Remix) 06) Lil Wayne & SIDEPIECE - A Milli (SIDEPIECE Extended Mix) 07) 070 Shake - Cocoon (Martin Garrix & Space Ducks Remix) 08) Skrillex, Bobby Raps - Leave Me Like This (Original Mix) 09) Gorillaz - New Gold feat.

In some religions and communities, great weight is placed on the family and its so-called collective honour. Name and reputation can overshadow everything else, and a specific code of honour must be followed. Sometimes, when perceived shame has been brought upon a family, the alleged wrongdoer is forced to pay the ultimate price…*** LISTENER CAUTION IS ADVISED *** This episode was researched and written by Emily G. Thompson.Edited by Joel Porter at Dot Dot Dot Productions.Script editing, additional writing, illustrations and production direction by Rosanna FittonNarration, editing assistance, additional writing, and production direction by Benjamin Fitton.Listen to our companion podcast ‘They Walk Among America' here: https://play.acast.com/s/they-walk-among-americaBecome a ‘Patreon Producer' and get exclusive access to Season 1, early ad-free access to episodes, and your name in the podcast credits. Find out more here: https://www.patreon.com/TheyWalkAmongUsMore information and episode references can be found on our website https://theywalkamonguspodcast.comMUSIC: Aurora by Featherland Vanished by Wicked Cinema Reconciliation by Wicked Cinema Harvester by Wicked Cinema Crooked Man by Wicked Cinema The Edge by Caleb Etheridge Stasis Interrupted by Dresden, The Flamingo West by Shimmer Foretold by Shimmer Things Gone Wrong by Moments Salvation by Moments They All Belong by Moments Hold This Place by Alice in Winter Two Lives by Alice in Winter Growing Pains by Featherland Arcadia by Cody Martin Apex Program by Cody Martin They Walk Among Us is part of the Acast Creator Network - https://www.acast.com/theywalkamongusSOCIAL MEDIA: Twitter - https://twitter.com/TWAU_PodcastFacebook - https://www.facebook.com/theywalkamonguspodcastInstagram - https://www.instagram.com/theywalkamonguspodcastSupport this show http://supporter.acast.com/theywalkamongus. Hosted on Acast. See acast.com/privacy for more information.

Italian lender Unicredit reports Q1 profit of €2.1bn as revenues grew by 56 per cent. French bank BNP Paribas beats expectations by posting a Q1 income of €2.8bn with CFO Lars Machenil telling CNBC that European banks are robust enough to handle the sector's recent turmoil. In the U.S., several regional banks lead with losses after JPMorgan's rescue of First Republic Bank fails to stem the sell-off, pulling Wall Street into the red. German chip giant Infineon launches its new €5bn factory in Dresden benefiting from EU funding. Its CEO Jochen Hanebeck says that Europe must learn to fend for itself against global competitors. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Europas länder har utvisat hundratals misstänkta ryska agenter under det gångna året. Hör om hur historiens största spionutvisning påverkar och pressar Putins underrättelseverksamhet i Europa. Sedan Rysslands fullskaliga invasion av Ukraina har Europas länder utvisat hundratals personer som misstänks för spionage för Rysslands räkning. Aldrig förr i historien har så många misstänkta spioner utvisats och analytiker är eniga om att utvisningarna har gjort det avsevärt svårare för Ryssland att samla in information på europeisk mark. Men det är samtidigt en svår balansgång för Europa. Utvisningarna kan leda till att metoder och strategier förfinas, att inhämtningen blir mer aggressiv och att så kallade sovande agenter aktiveras.Europas främsta tummelplatser för spioner Bryssel och Wien. Norden och Schweiz. Hör om platserna i Europa som just nu är i fokus för Rysslands underrättelseaktiviteter och vilka ställen som traditionellt anses utgöra tummelplatser för spioner och varför. Vi dyker också ner i den europeiska spionhistorien. Följ med till Glienicker Brücke i Tyskland där uppmärksammade spionutväxlingar ägde rum under Kalla kriget. Hör också om Vladimir Putins tid som KGB-agent i Dresden, en period som anses ha varit formerande år för den ryske presidenten. Medverkande: Bo Torbjörn Ek, programledare och reporter för podden Gräns. Daniel Alling, korrespondent i Berlin. Carolina Angelis, säkerhetsrådgivare och tidigare verksam inom underrättelsetjänsten. Programledare: Caroline SalzingerProducent: Therese Rosenvinge

Manchmal passieren Dinge, die dich einfach nur sprachlos und glücklich zurücklassen. Wie diese Nachricht, die wir von unserer über 80-jährigen Nachbarin erhalten haben. Das echte Leben schreibt eben doch noch immer die besten Geschichten. Lass dich inspirieren. One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

Vincent Meissner Trio y su más reciente trabajo, su segundo álbum, Wille, una producción para el sello ACT en este 2023, es la visita al 2 de uno de hoy.

Torrential rainfall had caused flash floods along the coastal Cliff Road in Salcombe, South Devon. Once there was a break in the clouds on that remarkably wet summer day, holiday goers seized the opportunity to make the most of their vacation. It was around 5 PM on Sunday, June 27th, 2021, when Charlotte Rollings and her family left the beach, and returned to the cottage where they were staying. The clothes designer was walking along the footpath by Bennett Road with her partner and parents, when Charlotte's mother noticed something unusual…*** LISTENER CAUTION IS ADVISED *** This episode was researched and written by Eileen Macfarlane.Edited by Joel Porter at Dot Dot Dot Productions.Script editing, additional writing, illustrations and production direction by Rosanna FittonNarration, editing assistance, additional writing, and production direction by Benjamin Fitton.Listen to our companion podcast ‘They Walk Among America' here: https://play.acast.com/s/they-walk-among-americaBecome a ‘Patreon Producer' and get exclusive access to Season 1, early ad-free access to episodes, and your name in the podcast credits. Find out more here: https://www.patreon.com/TheyWalkAmongUsMore information and episode references can be found on our website https://theywalkamonguspodcast.comMUSIC: Growing Pains by Featherland Vanished by Wicked Cinema Reconciliation by Wicked Cinema Crooked Man by Wicked Cinema The Edge by Caleb Etheridge Hold this Place by Alice in Winter Stasis Interrupted by Dresden, The Flamingo Sussex by Stephen Keech Things Gone Wrong by Moments Quiet Desperation Part 2 by JCar Shadow Passage by Cody Martin They Walk Among Us is part of the Acast Creator Network - https://www.acast.com/theywalkamongusSOCIAL MEDIA: Twitter - https://twitter.com/TWAU_PodcastFacebook - https://www.facebook.com/theywalkamonguspodcastInstagram - https://www.instagram.com/theywalkamonguspodcastSupport this show http://supporter.acast.com/theywalkamongus. Hosted on Acast. See acast.com/privacy for more information.

Synopsis On today's date in 1841 an all-Beethoven concert was given at the Salle Erard to raise funds for the proposed Beethoven monument in Bonn, the late composer's birthplace. Franz Liszt was the piano soloist in Beethoven's “Emperor” Concerto, conducted by Hector Berlioz. About a month earlier, Liszt had dazzled Paris with the premiere of his new piano fantasia on themes from the popular opera “Robert the Devil,” by Giacomo Meyerbeer. So, as Liszt walked on stage—with the entire orchestra in place, all ready for Beethoven's Concerto—the audience clamored loudly for a repeat performance. They made such a racket that Berlioz and the orchestra had no choice but to sit idly by until Liszt first encored his Fantasia. In the audience was a 27-year old German named Richard Wagner, reviewing the concert for a Dresden newspaper. Wagner was outraged that the Beethoven was put on hold for Liszt's flashy solo. We're not sure if Wagner attended a concert the following day at the Salle Pleyel, but any modern-day time traveler would probably want to stick around to hear Frederic Chopin give one of HIS rare Parisian recitals, performing, among other works, his own F-Major Ballade. Music Played in Today's Program Franz Liszt (1811 – 1886) Reminiscences de Robert le Diable Leslie Howard, piano Hyperion 66861

Kennst du das? Dein Kind schreit, die Arbeit nervt, der Nachbar macht Kracht, die wichtige Post kommt zu spät und deine Partnerin will auch noch irgendwas von dir, was dir im Augenblick absolut nicht in den Kram passt? Vielleicht passiert nicht immer alles auf einmal, aber diesen einen Moment, an dem man sich am liebsten per Fingerschnipps an einen anderen Ort beamen möchte, hast du ganz sicher schon einmal erlebt. Wenn dich das nächste Mal also etwas tierisch nervt, erinnere dich an diese Folge meines Podcasts, denn ich verrate dir einen mentalen Trick, der dich ab sofort in diesen Augenblicken ganz entspannt und sogar dankbar werden lässt. Ein grandioser Lift-Hack, der auch tatsächlich funktioniert. Freue dich drauf! One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

Ein Video hat vor kurzem die Runde gemacht und einen weltweiten Shitstorm ausgelöst. Darin zu sehen ist der Dalai Lama, wie er während eines Empfangs im nordindischen Dharamsala einen Jungen küsst und zu ihm auf Englisch sagt: „Suck my tongue“, also „Lutsch meine Zunge“. Eine Welle der Empörung und ein weltweiter Shitstorm bricht daraufhin auf den Dalai Lama ein. Der Dalai Lama ist, als geistiges Oberhaupt und spiritueller Führer Tibets, ein Vorbild für viele Buddhisten und Millionen Menschen auf der ganzen Welt. „Dalai Lama“ ist ein Titel, der übersetzt „Ozean gleicher Lehrer“ oder „Ozean der Weisheit“ bedeutet. Wer diesen Titel trägt, ist demnach ein besonders kluger Mensch, der so viel Wissen in seinem Kopf hat, wie der Ozean Wasser. Wie passt das nun zusammen, dass ein 87-jähriger alter Mann einen kleinen Jungen aus Indien küsst und ihn auffordert, an seiner Zunge zu lutschen? Ist der Dalai Lama ein Heiliger oder ein Creep? Das Internet war sich schnell einig: „Der Dalai Lama muss gecancelt werden, denn was er da getan hat, war eindeutig ein sexueller Übergriff, Machtmissbrauch und einfach nur ekelhaft. Weg mit ihm und zwar sofort!“ In dieser Folge meines Podcasts teile ich meine Gedanken zu diesem Vorfall und lade dich ein, einfach mal in Ruhe zuzuhören und dir erst dann eine Meinung zu bilden. Manchmal im Leben ist nämlich nicht alles so, wie es auf den ersten Blick zu sein scheint. One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

People are always telling you to find work-life balance. It's easy to say, but why is it so hard to do? In this episode, we explore the struggle that every grad student experiences: trying to find the right balance between spending time on academics and living the rest of their life. Several grad students, past and present, share their stories. They talk about the guilt of saying no, the anxiety of proving they belong and the mistakes they made along the way. They point to a sobering, but perhaps reassuring, conclusion: finding the perfect balance – and staying there, in the Goldilocks Zone – may be an impossible dream.Music credits: Licensed from soundstripe.com: "Shaken and Stirred" by Dreamland (theme song); “Hypnotized” by Cast of Characters; “Ticking” by Alternate Endings; “Exploring the Unknown” by Adam Saban; “Caffeinated Marimba” by JCar; “Old Moon” by Lincoln Davis; “Which Witch” by Dresden the Flamingo; “Glasgow” by Falls; “Pensive” by Shimmer; “As Fate Would Have It” by Wicked Cinema; “Particles” by Chelsea McGough.

Synopsis On today's date in 1789, Mozart was in Dresden, performing his brand-new Piano Concerto at the Royal Saxon Court. Mozart was pretty good at documenting his own compositions, and we know from a catalog of his works that he finished this Concerto in late February the previous year. Unfortunately for posterity, Mozart was less dutiful in copying out all of the solo piano part, which he no doubt just kept in his head. The surviving manuscript score contains just a shorthand version of the solo piano part, with the music for the left-hand hardly there at all. Modern performers have to rely on their own wit and imagination to fill in the blanks, as it were… and, who knows: maybe Mozart played it differently each time himself, improvising around his own sketchy outline as the mood took him? In any case, Mozart must have been proud of this Concerto. He played it again at the festivities surrounding the coronation of Emperor Leopold II in Frankfurt in October of 1790. Ever since, this Concerto has been known as the Coronation Concerto. Music Played in Today's Program Wolfgang Mozart (1756 – 1791) Piano Concerto No. 26 (Coronation) Jenö Jandó, piano; Concentus Hungaricus; Mátyás Antál , conductor. Naxos 8.550209

Almost everything electronic is powered by chips. But the global semiconductor industry has been beset by the Covid pandemic, conflict, and economic slowdown. Despite the challenges, it's set to become a trillion-dollar industry by 2030. Alex Bell takes an exclusive look inside one of Europe's biggest chip manufacturing factories - GlobalFoundries' plant in Dresden, Germany - to find out how chipmakers are preparing for the future. Presenter / producer: Alex Bell (Picture: The GlobalFoundries plant in Dresden, Germany. Credit: Getty Images.)

Ich erzähle dir in dieser Folge von meinem neuen Projekt und warum mein Projekt auch dein Projekt sein könnte. Klingt spannend? Ist es auch... One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

Susan Sideropoulos ist bereits zum dritten Mal zugast in meinem Podcast. Sie ist eine erfolgreiche Schauspielerin, Autorin, Moderatorin, Ehefrau und Mutter von zwei Jungs. Sie wohnt in Berlin und lebt ihr Traumleben. Aber ist das alles wirklich so einfach und rosarot, wie es von außen scheint? "Natürlich nicht", lacht sie und verdreht die Augen, als wolle sie mir sagen: "Wenn du wüßtest!" Aber, und an dieser Stelle lacht sie wieder und ergänzt: "Das Leben schwer zu nehmen, ist mir einfach zu anstrengend." Wie passend, denn genau so heisst ihr neues Buch, das gerade erschienen ist: "Das Leben schwer nehmen ist einfach zu anstrengend - Wie du Tag für Tag Freude und Leichtigkeit einlädst" Zum Buch: Hier kannst du reinlesen und es bestellen In dem tollen Gespräch reden wir u.a. über: Triggerpunkte und wie wir mit ihnen umgehen können Missverständnisse in Beziehungen und welcher Trick immer hilft wie gute Kommunikation funktioniert Schauspielerwitze spirituellen Schnickschnack Lieblingsfrauen Mamas und Papas auf dem Spielplatz das Schulsystem Cancel Culture und die Angst, etwas falsch zu machen Warum Leichtigkeit in schweren Zeiten eine Superkraft ist Authentizität Susans größte Herausforderung und warum sie dieses Buch schreiben musste Hör dir auch gerne unsere ersten beiden Gespräche an. Folge 059: Hier den Podcast hören Folge 017: Hier den Podcast hören Ganz viel Freude mit unserem Gespräch. Wenn es dir gefallen hat, dann lass doch gerne eine ehrliche Bewertung da. Das würde mich so richtig freuen. One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr von und über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

A new investigative report published jointly by Meduza and The Bell looks closely at Rostec, one of Russia's key state corporations, and its campaign to exert control over the public discourse on Telegram about Rostec's operations and executives. Rostec is responsible for developing, manufacturing, and exporting high-tech products in aviation, mechanical engineering, radio electronics, medical technology, and a lot more. This is the Kremlin's arms conglomerate, controlling outfits like the Kalashnikov Concern, Uralvagonzavod, Avtovaz, and many more factories that make the war machines now wreaking havoc in Ukraine. Rostec is as serious as they come, and its long-time CEO, Sergey Chemezov, has been running the show since 2007 since the state corporation was founded in 2007. The history between Chemezov and Vladimir Putin goes back to the 1980s when the two were both Soviet intelligence agents in Dresden. So why does an enterprise with so much clout bother with bloggers on Telegram? And what does it say about the information available to Russians in an age without an independent press? Journalist Svetlana Reiter, who coauthored Meduza's report on Rostec and Telegram, joins The Naked Pravda to discuss the story. Timestamps for this episode: (6:48) What's so special about Vasily Brovko, Rostec's director of special assignments (10:09) What's so special about Telegram in Russia? (13:37) Fighting extortion albeit with ulterior motives (23:03) Anonymity on Telegram or a lack thereof

On this episode of They Walk Among America… It was the summer of 1973 in Three Forks, Montana, and the Jaeger family were on a month-long camping vacation, touring the west. On June 25th, they were camping in Missouri Headwaters State Park, a recreational area comprising 535 acres of woodland alongside the Missouri River. The State Park is known as a popular haunt for vacation makers, wanting to be close to nature, and is replete with bountiful fishing spots, hiking trails, hunting areas, and water-related activities. Just five years earlier, the state park had become a no-go zone after a little boy was stabbed in the arm and then clubbed to death after an unknown person cut a hole in his tent. But by now, that was just a faded memory, and the state park was as popular as ever…*** LISTENER DISCRETION IS ADVISED *** ‘They Walk Among America' is a Law & Crime podcast network production.This episode was hosted by Nina Innsted.Researched and written by Emily G. Thompson.Editing and scoring by Kory Hilpmann. Script editing, additional writing and production direction by Rosanna and Benjamin Fitton.MUSIC: Shadow Passage by Cody MartinStill by Alsever LakeHaunted by EmorieSharaf by Cast of CharactersRevenant by Clark WalkerPetalstone by Cody MartinTurpentine by BRASKOUnrelenting by Dakota MackInsidiously by Wicked CinemaLeatherface by Wicked CinemaEvil Intent by Kurtis ParksMind Over Matter by Chelsea McGoughThe Curse of the Hourglass by Phillip MountThe Evil Within by Dresden The FlamingoA Most Sinister Kind by Dresden, The FlamingoAdditional musical compositions by Kory Hilpmann.For more information, visit https://lawandcrime.com/podcasts/ or https://theywalkamonguspodcast.com/ Hosted on Acast. See acast.com/privacy for more information.

What you'll learn in this episode:   What jewelry can tell us about the aesthetics and values of a particular era. Why sustainability in the jewelry industry is essential, and why the definition of “sustainable” is much broader than we might think. Why maintaining purpose is the key to making our world and our creative work better. Why the term “ethical jewelry” is less about materials and more about our choices as consumers and makers. How Lisa decides which topics deserve attention at Initiatives in Art and Culture's conferences.   About Lisa Koenigsberg   Lisa Koenigsberg is President and Founder, Initiatives in Art and Culture (IAC) and an internationally recognized thought-leader in visual culture. Koenigsberg's work is characterized by commitment to authenticity, artisanry, materials, sustainability, and responsible practice. Over 20 years ago, she established IAC's multi-disciplinary conference series on visual culture and has since been responsible for launching its web-based webinars and other offerings. She has held leadership positions at NYU where she also served on the faculty, at several major museums, and at the New York City Landmarks Preservation Commission.   Koenigsberg's writings have appeared in such books as The Art of Collecting (ed. D. Jensen), Auspicious Vision: Edward Wales Root and American Modernism, Architecture: A Place for Women (eds. E. P. Berkeley and M. McQuaid), The Gilded Edge: The Art of the Frame (ed. E. Wilner), in journals such as Gems and Jewellery (the publication of the Gemmological Association of Great Britain), American Art Journal, Proceedings of the American Antiquarian Society, and Journal of the Society of Architectural Historians, as well as in magazines and in Trendvision's Trendbook.   A frequent speaker, she has also organized symposia and special sessions at universities, museums, and professional organizations throughout the US and abroad, including at the State Art Collections of Dresden, NYU, City University Graduate Center, the Smithsonian Institution, the Norton Museum of Art, and the United Nations, and has organized and chaired sessions at the American Association of Museums, the Goldsmiths Company (London), the Society of Architectural Historians, Yale University Art Gallery, the Aspen Institute, and the Jewelry Industry Summit and at JCK.   She holds graduate degrees from The Johns Hopkins University and from Yale University from which she received her PhD. She is president of the Board of the Morris–Jumel Museum, a trustee of Glessner House in Chicago, and is a member of the Advisory Board of Ethical Metalsmiths and of the board of the NY Silver Society.   Additional Resources: Initiatives in Art and Culture Instagram Initiatives in Art and Culture Facebook Initiatives in Art and Culture Linkedin Initiatives in Art and Culture Linktr.ee Lisa Koenigsberg Linkedin   Photos are available on TheJewelryJourney.com     Transcript: What is sustainable jewelry? According to Lisa Koenigsberg, it's about much more than the materials used. As founder of Initiatives in Art and Culture (IAC), Lisa has organized dozens of conferences to encourage people to explore sustainability, stores of value, visual culture and more, all through the lens of jewelry. She joined the Jewelry Journey Podcast to talk about what visual culture is and why it's significant; what it means for makers and jewelry professionals to maintain purpose; and what we can expect from IAC's upcoming conferences. Read the episode transcript here. Sharon: Hello everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, my guest is Lisa Koenigsberg speaking to us from New York and environs back east. She is the founder of Initiatives in Art and Culture, which is focused on a number of issues such as women in western art. There's also a conference, which I just noticed, on arts and crafts in the art world. She is an internationally recognized authority on material culture. This July, she is chairing an important conference called “Maintaining Purpose” with a focus on how to make something we all love, jewelry. We'll learn more about her jewelry journey today and hear more about the conference. I didn't go into all the details of the conference and her background because it would take too long. Lisa, welcome to the program. Lisa: Thank you. It's so nice to be here. Sharon: Tell us about your jewelry journey. Were you a jeweler? Were you educated as a jeweler? Lisa: No, I am not a jeweler. I am the child of two people who are very object-driven and, of course, a mother with extraordinary taste. But in terms of how you might say I studied jewelry, jewelry was part of what we looked at when thinking about—a term I find not felicitous, but I'll use it for the moment—decorative arts, so fitting into the range of the useful and the beautiful. Silver, for example. Jewelry certainly had a space there, and that was the earliest point for me that was non-life-driven. One of the great blessings that happened to me was that I did my graduate work at Yale. That was when the arts and crafts movement wasn't codified in the same way it is now. We sat around and talked about it in the back room of the American Arts office. There were objects there, and we had the opportunity to hold, see, explore. At the time, I also used to wash silver and jewelry for an extraordinary dealer who wrote a wonderful book, Rosalie Roberian. One of the things that did was give me a sense of weight, dimension, proportion, of engaging closely with materiality. Although the arts and crafts is one dimension, I think that illustrates well one of the things that has been so important for me, which is looking for the opportunity to hold, the opportunity to talk with makers. For example, every year, The Goldsmiths' Company in the U.K. does something called the Goldsmiths' Fair. At the Goldsmiths' Fair, there is one week with 67 or so makers. During that time, you can go and speak with any of the makers, explore the work in your hand, look closely at it. I think the journey of looking is probably one of the most important things. I've been interested in jewelry as a manifestation of the aesthetic of any era for a very long time as well. My background and training are cross-disciplinary. I'm an American studies person. For me, one of the things I always look for is what we are seeing as characteristic of an age, for example. I see jewelry as very much a part of the tangible expressions of an era. For example, if you're talking about a brooch, you can be working on a sculpture for the body, similarly with neckwear. It's one of the most intriguing forms of expression there is. Making jewelry, the impulse to craft out of whatever the culture sees as precious material, is one of the innate impulses we have, along with the urge to adorn. If you step back and think about it, jewelry is intertwined with so many events of state, events of faith, events of heart. The Pope, for example, wears the Fisherman's Ring, and at the passing of each Pope, that ring is shattered; a new ring is made. We're all currently fixated on the crown jewels as Charles' coronation comes up. All of that is actually jewelry. It's jewelry indicative of state, of lineage, obviously of aesthetics. The band that many of us wear on one left or right ring finger, as simple or as elaborate as it may be, that is jewelry. It's a signifier. It's also invested with tremendous emotion. Jewelry plays an enormously powerful role in culture. It's another kind of historical document. So, if we look at jewelry, we can learn things. For example, you can explore the kinds of ornament it was thought only men wore, but by actually going back and looking, as it was done in the exhibition “Golden Kingdoms,” you can see that women also wore certain kinds of major ceremonial ornament. You can learn from the inscriptions. You can learn about stylistic transmission from the aesthetics. One of the things we don't think about so much is what we leave behind. When we go and look at how we have explored previous cultures, past cultures, one of the things we see is that the documents are often what have been termed luxury arts. They are art that are made of objects that are deemed precious within a culture. They demonstrate a certain egis over resources and talent, but they also serve as documents of that culture. They tell us things about religion, about aesthetics, about faith, about ritual. We need to be thinking about that with regard to jewelry in our own age as well. What are we leaving behind? Sharon: You cover so many things in Initiatives in Art and Culture. You talk about gems and sustainability and art. It's so many things. How did you start this, and what is the conference about? Lisa: I founded Initiatives in Art and Culture in 2004. One of the reasons it was started is because I had developed a series of conferences that had, at their core, a concern for visual culture. What does visual culture tell you? Because there is much to be learned about materiality. What's it made of? How do we get those materials? And that opens the door to discussing sustainability. Then, what's done with those materials? What are the forms? What are the means of expression, whether it's three-dimensional, such as a ring, or two-dimensional, except that it really has a third dimension, however subtle it may be. So, within the category of good, better or best, what differentiates an object from another? Then taking it a step further, what does that object mean in terms of the way we use it, in terms of its place in society, in terms of what it says? Beyond that, how is it linked to the time, or does it presage the future in some way? I'm sure I've left out some foci related to political and social concerns, but it's that wholeness that is inherent in visual culture. That is the focus of what IAC does. We have deep commitment to artistry and materials as well as a commitment to responsible practice. Sharon: Several questions. Were you always interested in all of this, or is it something your professors taught you and you learned as you read? It's not the way I would look at something. I think it's really interesting. How did you start looking at this? Lisa: I was born into a family that was and remains very visually engaged and involved with art, very involved with looking. Well before I had what one might think of as a professor, I had my parents, who in effect included me in their world of looking from moment one. My experience of art, of objects, has been part of my life since the very beginning. For us, a shared experience was very often looking, whether it was going to an exhibition or a trip planned specifically to see certain things. This was very much part of my world, or the world I was lucky enough to be born into. That included the people that were friends of my parents, and that included curators and collectors and people who were very engaged in the world of looking. My mother herself is a very well-recognized either fiber artist or artist who does sculpture using wire to explore grid and void. I say that to avoid the nomenclature wars. I was very lucky to have some extraordinary teachers, but one of the best teachers I had was in high school. We reenacted the Ruskin Whistler trial. I was the attorney for Ruskin, so I had to know all about each one of the witnesses, each one of the people who appeared and testified in the trial, and that made art come alive in a way that was exceptional. Another thing was that during those years, there was something called the myth and image school. It's the idea that an era has emblems that are representative, that are invested with particular meaning. There may be a flip side to that emblem or a parallel that represents its opposite, but this idea, one which is very cross-disciplinary and often ranges through literature and art, was incredibly formative for me. This is the stuff my teachers exposed me to when I was 13, 14. I was reading these books because they had read them in school, in college, and they shared them with us. For me, going to university—I went to Johns Hopkins and did a BA/MA in history—it was, on the one hand, a new chapter and transformative, but on the other hand, it was in some ways a continuation of what I had been doing all the way along. Sharon: Correct me if I'm wrong, but it seems like—I've watched your conferences for a long time, and it seems that you focus on art and gems and other things. This idea of maintaining purpose and an emphasis on sustainability seems to be in the last few years. Am I incorrect? Do you just put on a conference when you think it's a really important subject and it's coming to the fore? Lisa: Sustainability is a dicey word when it comes to what exactly that means. At root, it is to survive, but in our thinking, sustainability is linked to responsible practice, which can involve how you source materials, how you make an object, what the circumstances and conditions of that making are. We actually have been interested in that since the first project. It was called “Green,” and it was in 2008. The reason that happened was there was an increasing concern with what was then called sustainability, which was often associated with the color green. We had something I definitely want to revive, which is a conference of 20 years of looking at fashion jewels, the zeitgeist of culture, photography, literature, etc. This term sustainability was being used, green was being used, and one of the things I didn't want to do was a superficial one-off. So, we decided that for the 10th year—I think it was the 10th year—of that conference, we would do something called “Green: Sustainability, Significance, and Style.” In that conference we looked at color, of course; we even looked at green diamonds, but we also looked at coral and organic material that's made into jewelry. The issues pertaining to coral were at peak interest at that point, and we did quite a lot in that conference with gold. That was the first time I worked with Toby Pomeroy, with whom I've been fortunate enough to be both friends and colleagues since then. At that point, Toby had done something that was then radical, which was to approach the refiner Hoover & Strong to see if it could be demonstrated that the materials, the scrap, that he came in with was the only material that was in the batch that was refined and that it remained segregated from everything else. That was what you might call an exploration in chain of custody, in the sense that he had a sense of origin of these materials and he wanted to ensure that he could attest to their integrity. Hoover & Strong met the challenge. At that point, Toby was making quite a lot of jewelry, and there was a term that was being used called Eco Loops. Toby has since gone on to do remarkable work with regard to mercury elimination, and he will be involved in the conference, “Maintaining Purpose,” that we are doing. With “Maintaining Purpose”—and actually with the “Green” conference, we had Mike Kowalski, who was then the chair of Tiffany, involved in the conference. There was a great deal of focus on things like land reclamation and after-mining and that sort of thing. Having said that, one thing I'd like to stress is that one of our speakers, who at that point was the head of Bono's RED, got up and said, “I know you're all wondering, ‘What's a red person doing at a green conference?'” I felt as if I had been hit over the head with pipe, because I had never thought about environmental sustainability or integrity as being isolated from social condition and well-being. Now, when you look at the 17 SDG, you'll see so many different issues broken out, but one of the things I thought was, “Gosh, we've got to do red now,” because this is a split I wasn't thinking about or perceiving. Green and red basically led to the creation of a conference. Our initial thinking was to do a conference that would look at precious substances. We did a coral conference; we did a diamond conference, which we were very privileged to do. We had wonderful support from Sally Morrison for that project. Then I woke up and realized we had never done gold, so effectively what happened is that the conference on precious substances became the Gold Conference. The Gold Conference is now entering its 13th year. We broadened gold to include gold and diamonds because we wanted to draw people's attention to stores of value, which these materials are, and also comparative approaches to things like mining, whether it's formalized or otherwise. And also because, of course, metal and stone go together. That's not to say we do not explore and include focus on other stones. We're very proud that Cruzeiro Mines, which is a tourmaline and rubellite mine from Brazil that has exemplary practices and absolutely beautiful stones, is participating in this year's conference. But the way the Gold and Diamond Conference evolved was it came to use jewelry as a lens for a 360-degree approach to the life and the issues associated with the material in question. On the one hand, you have great artistry, like Giovanni Corvaja. We were privileged to have Daniel Brush speak, whose loss I feel keenly. Every year we welcome wonderful jewelers. At the same time, we think about the issues related to extracting material or recycling material and what those words mean. What is recycling? We have repurposed since the dawn of time, so what gives something that halo of recycling? Do we have to think about what we're using? And, of course, jewelry is a created object. What are the environmental ramifications of extracting, creating the jewelry business writ large? Often in our heads, we think about jewelry and we see a craftsperson, a maker. That aspect of things is very dear to our hearts, and we're keenly interested in artisanry. At the same time, you have other aspects to this jewelry industry, large corporations that produce for particular market segments. You have the luxe maison. In some ways, they're all compatriots in a world, in other ways competitors in a world, and yet bound together by a common concern for ensuring that this world we have continues. Without this world, without this air, without this earth, we are nothing. We can't make anything. We have effaced ourselves. I think there is a point of critical mass that's been reached where there is a deep and general concern. One of the things I fear and that I hope I can help with is building community to encourage people to keep going forward despite the fears that we may have about doing something a different way. Last year our conference was “Boldly Building the Future.” How do you boldly build the future? We have many declarations that have been stated about gold, for example. There was a declaration drafted and shepherded through for the gold industry by LBMA and the World Gold Council. They have principles. Principles are not blueprints. How do you get from that vision, the abstract vision, to its implementation? How do you transform? We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

Football in Germany had a big problem with violent, racist, far-right supporters. But a social innovation, organised and run by fans, has been credited with helping to change the dynamic in the stands. “Fan projects” attract young fans with the promise of youth clubs and cheap transport to games. We go to a game with a fan project in Dresden to see how it works. And from the US, we hear how one woman is on a mission to make ice hockey more accessible to black women. Presenter: Myra Anubi Reporter: Jessica Bateman Producer: Ann Hepburn Series producer: Tom Colls Sound mix: Hal Haines Editor: Richard Vadon Email: peoplefixingtheworld@bbc.co.uk Image: Ronald Beć

What you'll learn in this episode:   What jewelry can tell us about the aesthetics and values of a particular era. Why sustainability in the jewelry industry is essential, and why the definition of “sustainable” is much broader than we might think. Why maintaining purpose is the key to making our world and our creative work better. Why the term “ethical jewelry” is less about materials and more about our choices as consumers and makers. How Lisa decides which topics deserve attention at Initiatives in Art and Culture's conferences.   About Lisa Koenigsberg   Lisa Koenigsberg is President and Founder, Initiatives in Art and Culture (IAC) and an internationally recognized thought-leader in visual culture. Koenigsberg's work is characterized by commitment to authenticity, artisanry, materials, sustainability, and responsible practice. Over 20 years ago, she established IAC's multi-disciplinary conference series on visual culture and has since been responsible for launching its web-based webinars and other offerings. She has held leadership positions at NYU where she also served on the faculty, at several major museums, and at the New York City Landmarks Preservation Commission.   Koenigsberg's writings have appeared in such books as The Art of Collecting (ed. D. Jensen), Auspicious Vision: Edward Wales Root and American Modernism, Architecture: A Place for Women (eds. E. P. Berkeley and M. McQuaid), The Gilded Edge: The Art of the Frame (ed. E. Wilner), in journals such as Gems and Jewellery (the publication of the Gemmological Association of Great Britain), American Art Journal, Proceedings of the American Antiquarian Society, and Journal of the Society of Architectural Historians, as well as in magazines and in Trendvision's Trendbook.   A frequent speaker, she has also organized symposia and special sessions at universities, museums, and professional organizations throughout the US and abroad, including at the State Art Collections of Dresden, NYU, City University Graduate Center, the Smithsonian Institution, the Norton Museum of Art, and the United Nations, and has organized and chaired sessions at the American Association of Museums, the Goldsmiths Company (London), the Society of Architectural Historians, Yale University Art Gallery, the Aspen Institute, and the Jewelry Industry Summit and at JCK.   She holds graduate degrees from The Johns Hopkins University and from Yale University from which she received her PhD. She is president of the Board of the Morris–Jumel Museum, a trustee of Glessner House in Chicago, and is a member of the Advisory Board of Ethical Metalsmiths and of the board of the NY Silver Society.   Additional Resources: Initiatives in Art and Culture Instagram Initiatives in Art and Culture Facebook Initiatives in Art and Culture Linkedin Initiatives in Art and Culture Linktr.ee Lisa Koenigsberg Linkedin   Photos are available on TheJewelryJourney.com   Transcript:   What is sustainable jewelry? According to Lisa Koenigsberg, it's about much more than the materials used. As founder of Initiatives in Art and Culture (IAC), Lisa has organized dozens of conferences to encourage people to explore sustainability, stores of value, visual culture and more, all through the lens of jewelry. She joined the Jewelry Journey Podcast to talk about what visual culture is and why it's significant; what it means for makers and jewelry professionals to maintain purpose; and what we can expect from IAC's upcoming conferences. Read the episode transcript here.    Sharon: Hello everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    Today, my guest is Lisa Koenigsberg speaking to us from New York and environs back east. She is the founder of Initiatives in Art and Culture, which is focused on a number of issues such as women in western art. There's also a conference, which I just noticed, on arts and crafts in the art world. She is an internationally recognized authority on material culture. This July, she is chairing an important conference called “Maintaining Purpose” with a focus on how to make something we all love, jewelry. We'll learn more about her jewelry journey today and hear more about the conference. I didn't go into all the details of the conference and her background because it would take too long. Lisa, welcome to the program.   Lisa: Thank you. It's so nice to be here.   Sharon: Tell us about your jewelry journey. Were you a jeweler? Were you educated as a jeweler?   Lisa: No, I am not a jeweler. I am the child of two people who are very object-driven and, of course, a mother with extraordinary taste. But in terms of how you might say I studied jewelry, jewelry was part of what we looked at when thinking about—a term I find not felicitous, but I'll use it for the moment—decorative arts, so fitting into the range of the useful and the beautiful. Silver, for example. Jewelry certainly had a space there, and that was the earliest point for me that was non-life-driven.    One of the great blessings that happened to me was that I did my graduate work at Yale. That was when the arts and crafts movement wasn't codified in the same way it is now. We sat around and talked about it in the back room of the American Arts office. There were objects there, and we had the opportunity to hold, see, explore. At the time, I also used to wash silver and jewelry for an extraordinary dealer who wrote a wonderful book, Rosalie Roberian. One of the things that did was give me a sense of weight, dimension, proportion, of engaging closely with materiality. Although the arts and crafts is one dimension, I think that illustrates well one of the things that has been so important for me, which is looking for the opportunity to hold, the opportunity to talk with makers. For example, every year, The Goldsmiths' Company in the U.K. does something called the Goldsmiths' Fair. At the Goldsmiths' Fair, there is one week with 67 or so makers. During that time, you can go and speak with any of the makers, explore the work in your hand, look closely at it. I think the journey of looking is probably one of the most important things.    I've been interested in jewelry as a manifestation of the aesthetic of any era for a very long time as well. My background and training are cross-disciplinary. I'm an American studies person. For me, one of the things I always look for is what we are seeing as characteristic of an age, for example. I see jewelry as very much a part of the tangible expressions of an era. For example, if you're talking about a brooch, you can be working on a sculpture for the body, similarly with neckwear. It's one of the most intriguing forms of expression there is. Making jewelry, the impulse to craft out of whatever the culture sees as precious material, is one of the innate impulses we have, along with the urge to adorn.    If you step back and think about it, jewelry is intertwined with so many events of state, events of faith, events of heart. The Pope, for example, wears the Fisherman's Ring, and at the passing of each Pope, that ring is shattered; a new ring is made. We're all currently fixated on the crown jewels as Charles' coronation comes up. All of that is actually jewelry. It's jewelry indicative of state, of lineage, obviously of aesthetics. The band that many of us wear on one left or right ring finger, as simple or as elaborate as it may be, that is jewelry. It's a signifier. It's also invested with tremendous emotion.    Jewelry plays an enormously powerful role in culture. It's another kind of historical document. So, if we look at jewelry, we can learn things. For example, you can explore the kinds of ornament it was thought only men wore, but by actually going back and looking, as it was done in the exhibition “Golden Kingdoms,” you can see that women also wore certain kinds of major ceremonial ornament. You can learn from the inscriptions. You can learn about stylistic transmission from the aesthetics.    One of the things we don't think about so much is what we leave behind. When we go and look at how we have explored previous cultures, past cultures, one of the things we see is that the documents are often what have been termed luxury arts. They are art that are made of objects that are deemed precious within a culture. They demonstrate a certain egis over resources and talent, but they also serve as documents of that culture. They tell us things about religion, about aesthetics, about faith, about ritual. We need to be thinking about that with regard to jewelry in our own age as well. What are we leaving behind?   Sharon: You cover so many things in Initiatives in Art and Culture. You talk about gems and sustainability and art. It's so many things. How did you start this, and what is the conference about?   Lisa: I founded Initiatives in Art and Culture in 2004. One of the reasons it was started is because I had developed a series of conferences that had, at their core, a concern for visual culture. What does visual culture tell you? Because there is much to be learned about materiality. What's it made of? How do we get those materials? And that opens the door to discussing sustainability. Then, what's done with those materials? What are the forms? What are the means of expression, whether it's three-dimensional, such as a ring, or two-dimensional, except that it really has a third dimension, however subtle it may be. So, within the category of good, better or best, what differentiates an object from another? Then taking it a step further, what does that object mean in terms of the way we use it, in terms of its place in society, in terms of what it says? Beyond that, how is it linked to the time, or does it presage the future in some way? I'm sure I've left out some foci related to political and social concerns, but it's that wholeness that is inherent in visual culture. That is the focus of what IAC does. We have deep commitment to artistry and materials as well as a commitment to responsible practice.   Sharon: Several questions. Were you always interested in all of this, or is it something your professors taught you and you learned as you read? It's not the way I would look at something. I think it's really interesting. How did you start looking at this?   Lisa: I was born into a family that was and remains very visually engaged and involved with art, very involved with looking. Well before I had what one might think of as a professor, I had my parents, who in effect included me in their world of looking from moment one. My experience of art, of objects, has been part of my life since the very beginning. For us, a shared experience was very often looking, whether it was going to an exhibition or a trip planned specifically to see certain things. This was very much part of my world, or the world I was lucky enough to be born into. That included the people that were friends of my parents, and that included curators and collectors and people who were very engaged in the world of looking. My mother herself is a very well-recognized either fiber artist or artist who does sculpture using wire to explore grid and void. I say that to avoid the nomenclature wars.    I was very lucky to have some extraordinary teachers, but one of the best teachers I had was in high school. We reenacted the Ruskin Whistler trial. I was the attorney for Ruskin, so I had to know all about each one of the witnesses, each one of the people who appeared and testified in the trial, and that made art come alive in a way that was exceptional. Another thing was that during those years, there was something called the myth and image school. It's the idea that an era has emblems that are representative, that are invested with particular meaning. There may be a flip side to that emblem or a parallel that represents its opposite, but this idea, one which is very cross-disciplinary and often ranges through literature and art, was incredibly formative for me. This is the stuff my teachers exposed me to when I was 13, 14. I was reading these books because they had read them in school, in college, and they shared them with us. For me, going to university—I went to Johns Hopkins and did a BA/MA in history—it was, on the one hand, a new chapter and transformative, but on the other hand, it was in some ways a continuation of what I had been doing all the way along.    Sharon: Correct me if I'm wrong, but it seems like—I've watched your conferences for a long time, and it seems that you focus on art and gems and other things. This idea of maintaining purpose and an emphasis on sustainability seems to be in the last few years. Am I incorrect? Do you just put on a conference when you think it's a really important subject and it's coming to the fore?   Lisa: Sustainability is a dicey word when it comes to what exactly that means. At root, it is to survive, but in our thinking, sustainability is linked to responsible practice, which can involve how you source materials, how you make an object, what the circumstances and conditions of that making are. We actually have been interested in that since the first project. It was called “Green,” and it was in 2008. The reason that happened was there was an increasing concern with what was then called sustainability, which was often associated with the color green. We had something I definitely want to revive, which is a conference of 20 years of looking at fashion jewels, the zeitgeist of culture, photography, literature, etc. This term sustainability was being used, green was being used, and one of the things I didn't want to do was a superficial one-off.    So, we decided that for the 10th year—I think it was the 10th year—of that conference, we would do something called “Green: Sustainability, Significance, and Style.” In that conference we looked at color, of course; we even looked at green diamonds, but we also looked at coral and organic material that's made into jewelry. The issues pertaining to coral were at peak interest at that point, and we did quite a lot in that conference with gold.    That was the first time I worked with Toby Pomeroy, with whom I've been fortunate enough to be both friends and colleagues since then. At that point, Toby had done something that was then radical, which was to approach the refiner Hoover & Strong to see if it could be demonstrated that the materials, the scrap, that he came in with was the only material that was in the batch that was refined and that it remained segregated from everything else. That was what you might call an exploration in chain of custody, in the sense that he had a sense of origin of these materials and he wanted to ensure that he could attest to their integrity. Hoover & Strong met the challenge. At that point, Toby was making quite a lot of jewelry, and there was a term that was being used called Eco Loops. Toby has since gone on to do remarkable work with regard to mercury elimination, and he will be involved in the conference, “Maintaining Purpose,” that we are doing.    With “Maintaining Purpose”—and actually with the “Green” conference, we had Mike Kowalski, who was then the chair of Tiffany, involved in the conference. There was a great deal of focus on things like land reclamation and after-mining and that sort of thing. Having said that, one thing I'd like to stress is that one of our speakers, who at that point was the head of Bono's RED, got up and said, “I know you're all wondering, ‘What's a red person doing at a green conference?'” I felt as if I had been hit over the head with pipe, because I had never thought about environmental sustainability or integrity as being isolated from social condition and well-being. Now, when you look at the 17 SDG, you'll see so many different issues broken out, but one of the things I thought was, “Gosh, we've got to do red now,” because this is a split I wasn't thinking about or perceiving. Green and red basically led to the creation of a conference.    Our initial thinking was to do a conference that would look at precious substances. We did a coral conference; we did a diamond conference, which we were very privileged to do. We had wonderful support from Sally Morrison for that project. Then I woke up and realized we had never done gold, so effectively what happened is that the conference on precious substances became the Gold Conference. The Gold Conference is now entering its 13th year. We broadened gold to include gold and diamonds because we wanted to draw people's attention to stores of value, which these materials are, and also comparative approaches to things like mining, whether it's formalized or otherwise. And also because, of course, metal and stone go together. That's not to say we do not explore and include focus on other stones. We're very proud that Cruzeiro Mines, which is a tourmaline and rubellite mine from Brazil that has exemplary practices and absolutely beautiful stones, is participating in this year's conference.    But the way the Gold and Diamond Conference evolved was it came to use jewelry as a lens for a 360-degree approach to the life and the issues associated with the material in question. On the one hand, you have great artistry, like Giovanni Corvaja. We were privileged to have Daniel Brush speak, whose loss I feel keenly. Every year we welcome wonderful jewelers. At the same time, we think about the issues related to extracting material or recycling material and what those words mean. What is recycling? We have repurposed since the dawn of time, so what gives something that halo of recycling? Do we have to think about what we're using? And, of course, jewelry is a created object. What are the environmental ramifications of extracting, creating the jewelry business writ large? Often in our heads, we think about jewelry and we see a craftsperson, a maker. That aspect of things is very dear to our hearts, and we're keenly interested in artisanry. At the same time, you have other aspects to this jewelry industry, large corporations that produce for particular market segments. You have the luxe maison.    In some ways, they're all compatriots in a world, in other ways competitors in a world, and yet bound together by a common concern for ensuring that this world we have continues. Without this world, without this air, without this earth, we are nothing. We can't make anything. We have effaced ourselves. I think there is a point of critical mass that's been reached where there is a deep and general concern. One of the things I fear and that I hope I can help with is building community to encourage people to keep going forward despite the fears that we may have about doing something a different way. Last year our conference was “Boldly Building the Future.” How do you boldly build the future? We have many declarations that have been stated about gold, for example. There was a declaration drafted and shepherded through for the gold industry by LBMA and the World Gold Council. They have principles. Principles are not blueprints. How do you get from that vision, the abstract vision, to its implementation? How do you transform?   We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. 

Kein Weg ist endlos. Jede Straße, auch die längste, kommt irgendwann an ein Ende, an dem man sich entscheiden muss: Fahre ich links oder rechts weiter? Im Leben ist es nicht anders. Immer wieder durchlaufen wir verschiedene Phasen, in denen wir neue Entscheidungen treffen müssen: Mit dem Alten weitermachen oder etwas Neues probieren? So oder so, der Weg, der dich an diesen Ort im Hier und Jetzt geführt hat, ist immer der richtige, auch wenn es sich oft nicht so anfühlt. Ein Weg, auch wenn er zu Ende geht, auch wenn er holprig ist und viele Schlaglöcher hat, kann nicht falsch sein. Denn es gibt keinen falschen Weg, wenn du verstehst, dass dich selbst der größte Umweg an dein Ziel bringen kann. Davon möchte ich dir heute in dieser Folge erzählen. One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr von und über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

Sogar die New York Times bezeichnet Leipzig als Top-Reiseziel weltweit. Diese Stadt ist nicht nur wunderschön, sie ist spannend, lecker und voller Überraschungen. Sei es für Familien, Pärchen, Outdoor-, Party- oder Kultur-Liebende: Sachsens Perle bietet Museen, Konzerte, bildhübsche Hinterhöfe & Hotels, Restaurants vom Feinsten, eine pulsierende Szene und Sachen, die ihr niemals erwartet hättet. Wie wäre es mit über 200 Kilometer Wasserwegen und mehr Brücken als Venedig? (ein Kanu-Paradies!) Oder Vierteln wie Connewitz und Plagwitz, auf die selbst Berlin neidisch sein kann. Das monumentale Völkerschlachtdenkmal, pittoreske Villenviertel, vegane Cafés neben bodenständigen Gasthäusern, malerische Natur im Umland, und ratet mal was Bach, Campino (Die Toten Hosen) und Goethe gemeinsam haben? Richtig: Leipzig! Was genau das ist plus alles, was ihr für den deutschen Städtetrip des Jahres braucht, erfahrt ihr in dieser Episode. Diese Folge entstand mit freundlicher Unterstützung von Sachsen-Tourismus. Wo wir gerade dabei sind :)… Am 28.4. treten wir in Leipzig auf! Auf der Buchmesse. Kommt gern vorbei, erkundet LIVE mit uns die Welt, hört die besten Reise-Geschichten, stellt unverschämte Fragen und seid Teil einer Live-Podcast-Folge. Außerdem könnt ihr uns live erleben am: 24. April in Frankfurt, 25. April in München, 26. April in Berlin, 27. April Leipzig (Leipziger Buchmesse), 25. Oktober in Essen und 26. Oktober in Köln. Tickets gibt es an allen VVK-Stellen und online! Unser Buch „Reisen Reisen - wie wir die Welt entdecken wollen“ vereint rund 30 der schönsten kleinen Reisegeschichten, die ihr jemals gelesen habt - inklusive Gastbeiträgen von Melanie Raabe, Annika Ziehen und Marteria. Zu bestellen überall und hier: https://bit.ly/3YjEIyv

Die „Letzte Generation“ blockierte eine Straße in Dresden. Nach etlichen Aktionen der Aktivisten ist die Situation nun eskaliert – die Autofahrer äußerten ihre Wut mit Gewalt gegen die Klimakleber. Web: https://www.epochtimes.de Probeabo der Epoch Times Wochenzeitung: https://bit.ly/EpochProbeabo Twitter: https://twitter.com/EpochTimesDE YouTube: https://www.youtube.com/channel/UC81ACRSbWNgmnVSK6M1p_Ug Telegram: https://t.me/epochtimesde Gettr: https://gettr.com/user/epochtimesde Facebook: https://www.facebook.com/EpochTimesWelt/ Unseren Podcast finden Sie unter anderem auch hier: iTunes: https://podcasts.apple.com/at/podcast/etdpodcast/id1496589910 Spotify: https://open.spotify.com/show/277zmVduHgYooQyFIxPH97 Unterstützen Sie unabhängigen Journalismus: Per Paypal: http://bit.ly/SpendenEpochTimesDeutsch Per Banküberweisung (Epoch Times Europe GmbH, IBAN: DE 2110 0700 2405 2550 5400, BIC/SWIFT: DEUTDEDBBER, Verwendungszweck: Spenden) Vielen Dank! (c) 2023 Epoch Times

Endlich gibt es wieder eine große Frage-Antwort-Runde. Auf Instagram konntet ihr mir eure Fragen stellen und in dieser Folge habe ich zehn davon beantwortet: Wie kann ich gelassener mit Situationen umgehen, die mir in Beziehungen nicht gefallen? Wie kann ich mich immer wieder mit meiner Vision verbinden? Unglücklich in der Ehe! Passen wir noch zusammen? Wann ist es Zeit zu gehen? Was ist dein aktuelles Projekt? Glaubst du an ein Leben nach dem Tod? Wenn sie sagen, „Du bist immer so ruhig!“, wie darauf reagieren? Wie finde ich meine Träume wieder? Woher weiß ich überhaupt, dass es mein großer Traum ist und nicht nur eine dumme Idee? Wie schaffe ich es, mich wieder dem Leben hinzugeben? Wann wird eine Heldenreise erzählenswert, was und wie macht sie zur Inspiration für andere? Viel Spaß mit meinen Antworten. Ich hoffe, sie bringen dich auf deinem Weg ein Stückchen weiter. One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets Noch mehr von und über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars' Online-Shop: https://www.lars-amend-shop.de/

Amid the smoke and gore on the first island near Vulcans Point, Macekor and Dresden strike down the flesh and bones of their enemies while Felosial and The Fraternity start an assault near the rocky cliffs. But if you listen closely you might hear some organ music on the wind...Patreon: patreon.com/thisishowwerollEmail: thisishowwerolldnd20@gmail.comTwitter: @tihwr20Discord: https://discord.gg/H2RSDTYVFacebook: https://www.facebook.com/groups/687097571930276Linktree: https://linktr.ee/tihwrCinematic Dark by Grand Project on PixabayEurope - The Final Countdown OrganCinematic Dramatic by AleXZavesa from Pixabay

Nahezu alle Länder der Erde rüsten gerade kräftig auf. Wenn aber immer mehr Geld ins Militär fließen soll, suchen Staaten mitunter nach eigenwilligen Möglichkeiten der Finanzierung. Für eine kleine Debatte auch hierzulande sorgte nun Dänemark. Das Parlament hat beschlossen, einen Feiertag zu streichen, um das 2-Prozent-Ziel der NATO finanzieren zu können. Die dänische Wirtschaft soll durch diese Maßnahme um etwas mehr als 400 Millionen Euro pro Jahr wachsen. Es dauerte nicht lange, bis konservativ-liberale Journalisten und Politiker vorschlugen, auch in Deutschland einen Feiertag abzuschaffen, damit mehr Geld fürs Militär bereitgestellt werden kann. Diese Posse zeigt nur im Kleinen, wie sehr ein neuer Diskurs Einzug gehalten hat: Plötzlich scheint es wieder süß und ehrenvoll zu sein, sich für sein Vaterland zu opfern. „Frieren für die Freiheit“, forderte schon vor einem Jahr Alt-Bundespräsident Joachim Gauck, inzwischen hat die Verarmung in Deutschland rasant zugenommen. Da kommt eine Ablenkung durch patriotische Appelle gerade zur rechten Zeit. Mehr dazu von Ole Nymoen und Wolfgang M. Schmitt in der neuen Folge von „Wohlstand für Alle“. WERBUNG: Mehr Informationen zu "Teuer!", dem neuen Buch von Maurice Höfgen, findet ihr unter: https://mauricehoefgen.com/teuer Literatur: Die Studie des ifo-Instituts zu den Feiertagen: https://www.ifo.de/DocDL/sd-2018-06-hansen-meyer-feiertag-bip-2018-03-22.pdf. Die DIW-Studie zu Erbschaften und Firmenprivilegien: https://www.diw.de/documents/publikationen/73/diw_01.c.542137.de/16-36-4.pdf. Veranstaltungen: Am 16.3. sind wir für einen Vortrag in Leipzig: https://www.rosalux.de/veranstaltung/es_detail/1I6LG/. Am 17.3. sprechen wir dann in Dresden: https://www.rosalux.de/veranstaltung/es_detail/7KCKR/. Am 22.3. ist Wolfgang in Berlin beim Europapolitischen Forum zu Gast: https://www.igmetall.de/download/20230224_230223_Einladung_IGM_final_online_85bd3249ae7a49532a6a661d1677ac1261a95b4d.pdf. Social Media: Instagram: Unser gemeinsamer Kanal: https://www.instagram.com/oleundwolfgang/ Ole: https://www.instagram.com/ole.nymoen/ Wolfgang: https://www.instagram.com/wolfgangmschmitt/ TikTok: https://www.tiktok.com/@oleundwolfgang Twitter: Unser gemeinsamer Kanal: https://twitter.com/OleUndWolfgang Ole: twitter.com/nymoen_ole Wolfgang: twitter.com/SchmittJunior Ihr könnt uns unterstützen - herzlichen Dank! Paypal: https://www.paypal.me/oleundwolfgang Konto: Wolfgang M. Schmitt, Ole Nymoen Betreff: Wohlstand fuer Alle IBAN: DE67 5745 0120 0130 7996 12 BIC: MALADE51NWD Patreon: https://www.patreon.com/oleundwolfgang Steady: https://steadyhq.com/de/oleundwolfgang/about Die gesamte WfA-Literaturliste: https://wohlstand-fuer-alle.netlify.app

"Finde deine Leidenschaft und verbringe dein ganzes Leben mit ihr." Darum geht es in dieser kurzen Episode meines Podcasts und warum man manchmal erst mit über 60 die Lorbeeren dafür erntet. One Love. One Dream. One Team. Dein Lars Komm zu meiner IMAGINE TOUR 2023: 18.10. Wien // 19.10. München // 22.10. Neu-Isenburg // 23.10. Stuttgart // 24.10. Hannover // 26.10. Hamburg // 27.10. Hamburg (ausverkauft) // 02.11.Erfurt // 03.11. Magdeburg // 04.11. Leipzig // 11.11. Berlin // 12.11. Dresden // 14.11. Düsseldorf Bestell dir hier deine Tickets: https://www.myticket.de/de/lars-amend-imagine-tour-23-der-soundtrack-deines-lebens-tickets oder https://www.eventim.de/artist/lars-amend/ Noch mehr von und über Lars: - Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ - Lars auf Instagram: https://www.instagram.com/larsamend/ - Lars auf YouTube: https://www.youtube.com/larsamendcoaching

With time running out and the army amassed, Macekor and Dresden lead the people of Finrodelle and Sudradelle into battle against Berial's hoards. Naval support arrives as the troops on land face the enemy.Patreon: patreon.com/thisishowwerollEmail: thisishowwerolldnd20@gmail.comTwitter: @tihwr20Discord: https://discord.gg/H2RSDTYVFacebook: https://www.facebook.com/groups/687097571930276Linktree: https://linktr.ee/tihwrCinematic Dark by Grand Project on Pixabay

This story takes place at the Green Vault in Dresden, Germany. This museum was founded in 1723 by Agustus the Strong of Poland. In 2019, the museum had around 4000 items of jewelry and other gold/silver/ivory/pearl/precious metals and stones based items. Near the end of the year, on November 25th, there was a small fire on Augustus bridge (which was near the museum) at around 4am. This was the start of one of the largest museum heist in history… Stay safe out there. With love, Saaniya and Maddie x Sources: https://en.wikipedia.org/wiki/Dresden_Green_Vault_burglary https://en.wikipedia.org/wiki/Green_Vault https://www.theguardian.com/world/2022/dec/17/german-police-recover-31-items-stolen-in-2019-dresden-jewel-heist https://www.bbc.co.uk/news/world-europe-64013430 https://edition.cnn.com/style/article/dresden-green-vault-heist-trial-intl-cmd/index.html

Seit 2010 macht ein Konzept von sich reden, das eine Alternative zum Kapitalismus darstellen soll und dem selbst einige Unternehmer nicht abgeneigt zu sein scheinen. Auch manch bürgerlicher Kapitalismuskritiker kann sich dafür begeistern, denn es wird nicht bloß eine Kritik des bestehenden Wirtschaftssystems formuliert, sondern auch noch gleich eine Lebensphilosophie mitgegeben. Die Gemeinwohl-Ökonomie hat Anhänger nicht nur im deutschsprachigen Raum, sondern inzwischen gibt es in vielen Ländern Konvente und Bürgerräte, Initiativen und Unternehmen, die sich mit dem Wirtschaftsmodell beschäftigen bzw. es versuchsweise in die Tat umsetzen. In Deutschland, Österreich und der Schweiz ist das Konzept vor allem mit dem Aktivisten Christian Felber verbunden, dessen Buch „Gemeinwohl-Ökonomie“ den Ansatz verfolgt, einen holistischen Entwurf für eine andere Gesellschaft und Wirtschaft zu bieten. Die Wirtschaft soll in der Gemeinwohl-Ökonomie nicht länger auf möglichst viel Wachstum und Profit aus sein, stattdessen geht es darum, ein Wirtschaften zu etablieren, bei dem die Würde des Menschen und das Klima im Vordergrund stehen. Dazu bedarf es eines ausgeklügelten Anreizsystems. In der neuen Folge von „Wohlstand für Alle“ erläutern Ole Nymoen und Wolfgang M. Schmitt das Konzept und decken dessen Schwachstellen auf. Literatur: Christian Felber. Gemeinwohl-Ökonomie, Piper. Veranstaltungen: Am 15.3. ist Wolfgang zu Gast im „Literarischen Trio“ in Berlin: https://lfbrecht.de/event/das-literarische-trio-mit-wolfgang-m-schmitt/ Am 16.3. sind wir für einen Vortrag in Leipzig: https://www.rosalux.de/veranstaltung/es_detail/1I6LG/ Am 17.3. sprechen wir in Dresden: https://www.rosalux.de/veranstaltung/es_detail/7KCKR/ Ihr könnt uns unterstützen - herzlichen Dank! Paypal: https://www.paypal.me/oleundwolfgang Konto: Wolfgang M. Schmitt, Ole Nymoen Betreff: Wohlstand fuer Alle IBAN: DE67 5745 0120 0130 7996 12 BIC: MALADE51NWD Patreon: https://www.patreon.com/oleundwolfgang Steady: https://steadyhq.com/de/oleundwolfgang/about Twitter: Ole: twitter.com/nymoen_ole Wolfgang: twitter.com/SchmittJunior Die gesamte WfA-Literaturliste: https://wohlstand-fuer-alle.netlify.app