Podcasts about contemporary art center

David Humphrey has maintained a forty-year commitment to making formally inventive, psycho-socially engaged paintings. Over this time he has  continued to transform images from the public realm into imaginative hybrids of the social and eccentrically individual, the historic and vividly contemporary. His work celebrates the peculiar nesting within the familiar.  Mixing various representational schema with improvisational abstraction, he tells stories of vexed intimacy, political/ socio reality, and imaginative projections crashing into the real. David Humphrey (b. 1955) has been the subject of 44 solo exhibitions including McKee Gallery, NY; Sikkema Jenkins, NY; Fredric Snitzer Gallery, Miami; and Contemporary Art Center, Cincinnati. His work is in the collections of several museums and public collections including Walker Art Center, Minneapolis; Carnegie Museum of Art, Pittsburgh; The Metropolitan Museum of Art, NY; Museum of Fine Arts, Boston as well as the Saatchi Gallery, London. He is currently teaching in the MFA program of Columbia. He was awarded the Rome Prize in 2008. Humphrey has had five solo exhibitions at Fredericks & Freiser. David Humphrey, Colored Drinks, 2024 Acrylic on canvas 72 x 60 inches David Humphrey, Plant Thoughts, 2024 Acrylic on canvas 60 x 72 inches David Humphrey, Wolf, 2024 Acrylic on canvas 54 x 44 inches

On this week's Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois is joined by William Butler, executive director of the Contemporary Art Center of Peoria, who talks about the upcoming 'St. Valentine's Live at the Five Spot' featuring the legendary jazz vocalist Judy Page.

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois speaks with William Butler, executive director of the Contemporary Art Center of Peoria, about their exciting lineup of holiday events and programs.

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois chats with artist Barbie Perry about her art installation Hope Chest on display now through Oct. 18 at the Contemporary Art Center of Peoria.

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois talks with professional artist and designer Heather Ford about her upcoming exhibition Transformative Manifestations, taking place July 5-August 16 at the Contemporary Art Center of Peoria.

“The thing that I am fighting against is the same thing that I think that the impulse to found the Lesbian Herstory Archives in 1974 was. We are in a life struggle project, which is to stop erasure and build stronger coalitions with people that are battling a lot of repression. And I think that liberatory projects absolutely depend on intergenerational knowledge sharing.” Ariel GoldbergLast year, the Jewish Museum of Maryland presented an exhibition titled Material/Inheritance: Contemporary Work by New Jewish Culture Fellows. Curated by Leora Fridman and presented in partnership with the New Jewish Culture Fellowship, this groundbreaking show featured 30 Jewish artists dealing with themes like chosen and biological family, queer and trans identities, embodiment and sexuality, diasporic homes, ritual reinventions, activist movements, political histories, and so much more.One of the artists featured in Material/Inheritance, Ariel Goldberg, contributed to the exhibition by creating an episode of the Disloyal podcast with co-hosts Mark Gunnery and Naomi Rose Weintraub. Ariel Goldberg is a writer, curator, and photographer based in New York City who curated a show titled Images on which to build, 1970s-1990s. That exhibition, which is on view at the Chicago Cultural Center through August 4, 2024, explores photographic documentation of activism, education, and media production within lesbian, trans, queer, and feminist grassroots organizing from the 1970s through the 1990s. It was commissioned by the Contemporary Art Center in Cincinnati as part of the 2022 FotoFocus Biennial, and was on view at the Leslie-Lohman Museum of Art in New York City last year. On this episode of Disloyal, Goldberg talks about their research into the Lesbian Herstory Archives (LHA) traveling slideshows, reading texts related to that project, and playing audio from interviews they did with the LHA's Joan Nestle and Alexis Danzig. They also spoke to Disloyal hosts Mark Gunnery and Naomi Rose Weintraub about queer imaging practices, the importance of intergenerational knowledge sharing in queer communities, and ways that images and education fit into social movements. You can see Ariel Goldberg on Tuesday, May 14, on Zoom or at the Center for New Jewish Culture in Brooklyn, New York, where they will be hosting an event called Abundant, Rich Lives: Returning to the Lesbian Herstory Archives Slideshow. Ariel will be in conversation with longtime activists Alexis Danzig and Deborah Edel about the Lesbian Herstory Archives slideshow, and they will screen clips of a recently digitized version of it. The panel will also reflect on media production within lesbian, queer, and trans grassroots organizing of the recent past and its relevance for today's social movement struggles.

Katya Chizayeva is a New Orleans-based Ukrainian American artist, community activist, and acupuncturist.  She is currently working on a show with Goat in the Road Productions based on her recent experiences in Ukraine called Top 5 Survival Moves, which gives us "a glimpse of Chizayeva's ongoing work with Ukrainian soldiers coming back from the front lines, and examine(s) the complex identities that Chizhayeva holds; as a Ukrainian, a Jewish person, a New Orleanian, and a fierce opponent of Russian imperialism."  Tickets are available via the Contemporary Art Center's website. You can find more information about the New Orleans based Ukrainian NGO Katya mentions (Kryla) here.   For more info about us visit www.mondobizarro.org Our theme music is by Rotary Downs.

This week Andy Demczuk joins the podcast to talk about his recent imaginative landscape paintings that are informed through the process of mixing and editing his original music. He's completing his MFA from the University of Cincinnati-DAAP and has a MFA Thesis Exhibition at the Contemporary Art Center in Cincinnati (OH). The show opens February 23rd 5-8PM and the runs through March 16th. Andy's work was selected by artist/curator Mia Risberg from our 2023 Studio Break Student Competition.

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward's hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London's Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.Edward's distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography's Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York's annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world. In episode 224, Edward discusses, among other things:His transition from film to digitalStaying positive by ‘moving through grief to land on meaning'Making compelling images and how scale creates ambiguityDefining the over-riding theme of his work early onThe environmental impact of farmingWhether he planned his careerWhy he started a lab to finance his photographyAnd how being an entrepreneur feeds into his work as an artistVertical IntegrationExamples of challenging situations he has facedThe necessity for his work to be commoditisedHis relative hope and optimism for the future through positive technologyThe importance of having a hopeful component to the workHow he offsets his own carbon footprint Referenced:Joel SternfeldEliiot PorterStephen ShoreJennifer BaichwalNicholas de Pencier Website | Instagram“The evocation of the sense of wonder and the sense of the surreal, or the improbable, or ‘what am I looking at?', to me is interesting in a time where images are so consumed; that these are not for quick consumption they're for… slow. And I think that when things reveal themselves slowly and in a more challenging way, they become more interesting as objects to leave in the world. That they don't just reveal themselves immediately, you can't just get it in one quick glance and you're done, no, these things ask you to look at them and spend time with them. And I discover things in them sometimes that I never saw before. They're loaded with information.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

This week, painter and installation artist, Jesse Bransford, joins me to discuss his magic and occult-inspired work.  We discussed the meanings behind the sigils and circles he embeds in his work, his fascination with the magician Surrealist, Kurt Seligmann, and his thoughts on the role of the artist as a practitioner of vision, generosity and belief. Find Jesse Bransford online at: web: https://www.jessebransford.com/ ig: @jessebransford get his book: UK: https://fulgur.co.uk/books/fourthandfifthpyramids/?v=7516fd43adaa / US: https://namepublications.org/item/2023/jesse-bransford-the-fourth-and-fifth-pyramids/ octagon house: https://www.chronogram.com/home/a-wayward-spirit-finds-home-16469398 Hyperallergic article by Allison Meier about "Language of the Birds: Occult and Art,"  New York University's 80WSE Gallery: https://hyperallergic.com/270566/recreating-the-magic-circle-of-a-surrealist-seriously-into-the-occult/ Kurt Seligmann's Magical Evening: https://rmc.library.cornell.edu/surrealismandmagic/exhibition/images/200pxw/SAM_528.jpg Kurt Seligmann's Book: "Mirror of Magic" Maurice Tuchman's Book: "The Spiritual in Art: Abstract Painting 1890-1985" (find on ebay or amazon) More about Jesse: Jesse Bransford is a New York-based artist whose work is exhibited internationally at venues including The Carnegie Museum of Art, the UCLA Hammer Museum, PS 1 Contemporary Art Center and the CCA Wattis Museum among others. He holds degrees from the New School for Social Research (BA), Parsons School of Design (BFA) and Columbia University (MFA). A professor of art at New York University, Bransford's work has been involved with belief and the visual systems it creates since the 1990s. Work has been presented in books from Fulgur Press, “A Book of Staves (Galdrastafabók),” and most recently “The Fourth and Fifth Pyramids.” He lectures widely on his work and the topics surrounding his work. He is the co-organizer of the biennial Occult Humanities Conference and an editorial member of the Black Mirror Network. Thank you, Jesse! Thank you, Pep Talks Patrons! Thank you to my sponsor The Pack Art School: https://thepack.art/artistrebirthcycle All music by Soundstripe ---------------------------- Peps has a Patreon! ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/PepTalksforArtists⁠⁠⁠⁠⁠⁠⁠! Join the Peps fam on Patreon and become a part of the Pep Talks Peerage today. Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠ Amy, your beloved host, on IG: ⁠⁠@talluts⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois chats about the many activities you can enjoy indoors at the Contemporary Art Center of Peoria during the coldest months of the year.

Do machines think?  Find out in today's episode with Ksenia Se, the Founder of the Turing Post newsletter. Over 20 years of her career, Ksenia has donned many hats: from New York Chief Editor of a global media platform to fintech executive to PR Director at Moscow's first Contemporary Art Center to Journalist, and even to a Llama Walker. Regardless of her role, her passion for technology has always remained.  In 2018, after a brief affair with blockchain, A.I. and machine learning caught her attention and became her fields of self-study. By 2019, she had started thinking about a media publication named Turing Post to feature digital avatars, articles written by robots, generative art, and more – but the technology wasn't there yet. Then in 2020 during the pandemic, Ksenia and Jesus Rodriguez conceived an educational A.I. newsletter. Named TheSequence, it became her gateway to machine learning, where she currently spearheads partnerships. When the buzz around ChatGPT grew, she revived her first idea and launched Turing Post, now serving as her A.I. canvas. As an avid learner, Ksenia helps her readers understand A.I.'s roots, its current impact on society, and where it might take us in the future. Importantly, she discusses how we might steer its course. In today's episode, you'll learn more about the history of large language models, known as LLMs, in addition to the importance of Alan Turing, how the Turing Test is still relevant, and interesting questions Turing asked that we're still exploring. Ksenia also shares how she uses A.I. in her own work, thoughts on the future of humans augmenting our abilities with technology, and why we shouldn't anthropomorphize tech too much, but instead should expand beyond our human-like thinking to not limit ourselves and the possibilities of evolving with technology. EPISODE SHOW NOTES: https://creativitysquared.com/podcast/ep24-ksenia-se-a-i-dont-mimic-us/  JOIN CREATIVITY SQUARED Sign up for our free weekly newsletter: https://creativitysquared.com/newsletter  Become a premium member: https://creativitysquared.com/supporters  SUBSCRIBE Subscribe on your favorite podcast platform: https://creativitysquared.com Subscribe for more videos: https://youtube.com/@creativity_squared/?sub_confirmation=1 CONNECT with C^2 https://instagram.com/creativitysquaredpodcast https://facebook.com/CreativitySquaredPodcast https://giphy.com/channel/CreativitySquared https://tumblr.com/blog/creativitysquared https://tiktok.com/@creativitysquaredpodcast #CreativitySquared CONNECT with Helen Todd, the human behind C^2 https://instagram.com/helenstravels https://twitter.com/helenstravels https://linkedin.com/in/helentodd https://pinterest.com/helentodd Creativity Squared explores how creatives are collaborating with artificial intelligence in your inbox, on YouTube, and on your preferred podcast platform.  Because it's important to support artists, 10% of all revenue Creativity Squared generates will go to ArtsWave, a nationally recognized non-profit that supports over 100 arts organizations. This show is produced and made possible by the team at PLAY Audio Agency: https://playaudioagency.com. Creativity Squared is brought to you by Sociality Squared, a social media agency who understands the magic of bringing people together around what they value and love: http://socialitysquared.com. #AI #ArtificialIntelligence #ArtificialIntelligenceAI #ArtificialIntelligenceNow #ArtificialIntelligenceTechnology #ArtificalIntelligence #TuringTest #Tech #Turing #ExMachina #MachineLanguage #MachineLearning #MachineLearningTools #AIMedia #AIArtCommunity #AIArtwork #GenerativeArt #AICreative #FutureTechnology #FutureTech #TheFutureIsNow #DeepLearning #GenerativeModels #NeuralNetworks #NaturalLanguageProcessing #ConversationalAgents #EquitableTechnology #AIAndCulture #TechPodcast #AIPodcast

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. On this podcast, Emily chats with Adia Millett, an Oakland based artist working in sculpture, textiles, embroidery, painting, collage, drawing, installation and video.About Artist Adia Millett:Originally from Los Angeles, Adia received her BFA from the University of California, Berkeley and an MFA from the California Institute of Arts. She has exhibited at prominent institutions including the New Museum, New York; P.S. 1, New York; Museum of the African Diaspora, San Francisco; Oakland Museum, CA; Crocker Art Museum, Sacramento; Yerba Buena Center for the Arts, San Francisco; Santa Monica Museum of Art, CA; The Museum of Contemporary Art, Atlanta; The Contemporary Art Center, New Orleans; Barbican Gallery, London, San Jose Quilt and Textile Museum; California African American Museum, Los Angeles and di Rosa Center for Contemporary Art in Napa. Millett has taught at Columbia College in Chicago, UC Santa Cruz, Cooper Union in NY, and California College of the Arts. She is currently based in Oakland, California. Visit Adia's Website: AdiaMillett.comFollow Adia on Instagram: @AdiaMillettLearn more about Adia's current exibits: Wisdom Keepers at the Institute of Contemporary Art San JoseHaines GalleryInventing Truth at The Studio Museum in Harlem--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois talks with William Butler, Executive Director of the Contemporary Art Center of Peoria, and Kira Santiago, the owner, farmer, and designer at Kira's Flowers about the upcoming exhibition "Flowers for Ukraine."

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois talks with William Butler, Executive Director of the Contemporary Art Center of Peoria, and Kira Santiago, the owner, farmer, and designer at Kira's Flowers about the upcoming exhibition "Flowers for Ukraine."

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois talks with Marc Supreme of the YANI Collective and William Butler, Executive Director of the Contemporary Art Center of Peoria, about two upcoming Juneteenth events.

The Greg and Dan Show speaks with Cindy Youngren and Chris Di Piazza of the local Flamenco pop band Tambora about their upcoming performance at the Contemporary Art Center of Peoria on Friday, December 9th from 6:30 pm – 8:30 pm. Purchase tickets at 309tix.com. See omnystudio.com/listener for privacy information.

Join the Black Women Stitch Patreon. Alexandra EregbuAlexandria Eregbu is a multimedia artist, writer, and educator whose practice draws from ancestral histories, lived experiences, and her own imagination to deepen her connectivity to the natural world. Her work is driven by travel, storytelling, memories (whether lived or dreamt), and surrealist activity across the diaspora— spanning from Nigeria, West Africa, the Caribbean, and her native city in Chicago. Her contributions have been presented at the Center for Afrofuturist Studies at Public Space One in Iowa City, Poets House in New York, the Camargo Foundation in Cassis, France, Casa Rosada in Salvador, Brazil, and Contemporary Art Center in New Orleans, among others. Her writing has been published by the University of Chicago Press, Terremoto Magazine, and Green Lantern Press. Alexandria is a current Emerging Artist Fellow with the Driehaus Museum (2020); a recipient of the 3Arts Award (2016); and Newcity Breakout Artist (2015). She teaches as faculty in the department of Fiber & Material Studies at the School of the Art Institute of Chicago. Lisa WoolforkLisa Woolfork is an associate professor of English, specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory and American slavery. She is the convener and founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville Virginia. The city became a symbol of lethal resurging white supremacist violence. #Charlottesville. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation. Insights from this episode:What it means to teach sewing at art schoolHow art intertwines with social justiceHow artwork works as a form of empowermentAlexandra empowering young boys and girlsWhat textile means to AlexandraAlexandra landing and working with IndigoWhat the project ‘Finding Ijeoma' is and what it meant for herExpressing herself through deejaying Quotes from the show:“Justice is definitely something that has become more and more central to my practice. Where that initially started was my work teaching young people between the ages of 14-19 years old” —Alexandra Eregbu in “Stitch Please”“When I first started this program, a lot of them (young boys and girls) assumed I was just like them. It really pit me in a unique position to be a friend and also a mentor” —Alexandra Eregbu in “Stitch Please”“The power of being present, is what these young boys and girls, who often times just need a listening ear, a little affirmation here and it will take them so far” —Alexandra Eregbu in “Stitch Please”“You can have a job that doesn't require you to clock in and clock out. You can have a job that is not extracting from you. You can have a job where you create beauty (…) I think that it's important that kids know that” —Lisa Woolfork in “Stitch Please”“I take responsibility and I think it's a privledge to be able to know where it is you are from. And I take responsibility: that's something I don't really take lightly” —Alexandra Eregbu in “Stitch Please”“Some of those girls still check in with me to this today, which is a blessing: you just never know whose life you gonna touch” —Alexandra Eregbu in “Stitch Please” Stay Connected:Lisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa Woolfork Alexandra EregbuWebsite: Alexandria EregbuLinkedIn: Alexandria Eregbu Instagram: Alexandria Eregbu This episode was produced and managed by Podcast Laundry.

About Jesse Bransford Jesse Bransford is a New York-based artist whose work is exhibited internationally at venues including The Carnegie Museum of Art, the UCLA Hammer Museum, PS 1 Contemporary Art Center and the CCA Wattis Museum among others. He holds degrees from the New School for Social Research (BA), Parsons School of Design (BFA) and Columbia University (MFA). An associate professor of art at New York University, Bransford's work has been involved with belief and the visual systems it creates since the 1990s. Recent work has focused on the folk magic of the Norse traditions, specifically the talismanic stave spells and the seiðr traditions. Parts of this work are collected in the recently published book from Fulgur Press, “A Book of Staves (Galdrastafabók).” He lectures widely on his work and the topics surrounding his work. He is the co-organizer of the biennial Occult Humanities Conference and an editorial member of the Black Mirror Network. Show Partners Tech For Campaigns About The Side Woo Co-Hosts: Sarah Thibault & Elizabeth Bernstein Sound editing: Sarah Thibault Content editing: Sarah Thibault Intro and outro music: LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through NINA ARNETTE, a media production company and metaphysical hub. To learn more about NINA ARNETTE go to ninaarnette.co. For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thesidewoopodcast/message Support this podcast: https://anchor.fm/thesidewoopodcast/support

Après une première participation en 2019, le Pouvoir judiciaire rejoint à nouveau le parcours artistique organisé par l'association heART@geneva qui se déroule du 30 août au 31 octobre 2022.  La 3ème Biennale de heART@geneva présente des œuvres d'art contemporain en dialogue avec des sites emblématiques au cœur de Genève. Les personnes accédant au Palais de justice depuis l'entrée principale du Bourg-de-Four peuvent ainsi découvrir la sculpture intitulée "Veritas humanum est" du jeune artiste suisse Jan Steenman, au-dessus de la fontaine située dans la première cour.  Jan Steenman est un artiste suisse né à Genève en 1994. Il a déjà participé à des expositions majeures telles que : Art Amsterdam, Kunst Rai, en 2021 - BIG ART n.5, Zaandam en 2020 et Rattling Trickling Whispering, Het HEM, Contemporary Art Center à Amsterdam en 2020 – ou Artist Council Exhibition, Palm Springs Museum, en 2019.  Nous sommes allés à sa rencontre au palais de Justice.

Join Lori and her guests, Laura and Sabrina Merage, in this conversation about "generational philanthropy." Laura and Sabrina come from a family of business owners as well as philanthropists. In this episode, they talk about having a legacy that comes from a passion perspective, rather than from a duty-bound perspective. What is its impact on the next generation? Stay tuned!   Here are the things to expect in this episode: Coming from a family that values philanthropy more than anything in their lives. Having their own individual foundations within the family. Supporting a cause that they feel passionate about. Taking on a legacy is huge pressure on the next generation, whether they're passionate about it or not. What does a conversation on philanthropy look like between generations? Recognizing that storytelling is a form of social impact. And much more!   About Laura and Sabrina Merage: Laura Merage is an accomplished artist and venture philanthropist who leads initiatives that impact the lives of thousands of people every day. Laura's generosity has made a profound impact on Denver's Art and Culture landscape, including the 2008 launch of RedLine Contemporary Art Center, an urban art laboratory fostering education and engagement between artists and communities to create positive social change. As RedLine flourished over the last decade, Laura envisioned another dynamic nonprofit, and founded Black Cube in 2015, a nonprofit, experimental art museum that operates nomadically and aims to nurture the self-sufficiency of artists and inspire people to experience contemporary art beyond traditional white museum and gallery walls. Laura brings her artistic and business expertise to these organizations and provides strategic leadership to the David and Laura Merage Foundation's Early Childhood Education and Jewish Life initiatives. Laura serves on the University of Tel Aviv Board and is an emeritus board member for the Anti-Defamation League.   Sabrina Merage Naim (she/her) is passionate about promoting tolerance and inclusivity between religious, cultural, racial, and ethnic communities. She founded the Sabrina Merage Foundation in 2008 with the intention of building bridges between diverse societies through educational programs for young people. Sabrina focuses much of her philanthropic efforts on uniting communities and paving the way for individuals from diverse backgrounds to connect, teach, and learn from one another. Sabrina is also the founder of Echo Capital Group, a venture capital firm focused on early stage investments in consumer product companies founded by young, driven entrepreneurs who are developing exciting concepts for the uniquely individual Millennial demographic.   Connect with Laura and Sabrina! Laura Merage: https://merage.org/ Sabrina Merage: https://sabrinameragefoundation.org/ Evoke Media: https://weareevokemedia.com/ Instagram: https://www.instagram.com/breakingglasspod/   Connect with Lori Kranczer! Website: https://www.everydayplannedgiving.com/  Facebook Group: https://www.facebook.com/groups/positiveimpactphilanthropy  LinkedIn: https://www.linkedin.com/in/lorikranczer/  

Anna Conway was born in 1973 in Durango, Colorado. She received her BFA from the Cooper Union for the Advancement of Science and Art and later received her MFA from Columbia University School of the Arts. Conway is the recipient of two awards from the Pollock-Krasner Foundation (2005 and 2011), the William Metcalf Award from the American Academy of Arts and Letters (2008), and the John Simon Guggenheim Fellowship (2014). Recent solo exhibitions include Anna Conway, Fergus McCaffrey, New York; Anna Conway: Purpose, Collezione Maramotti, Reggio Emilia, Italy; Anna Conway, American Contemporary, New York; and Anna Conway, Guild & Greyshkul, New York. Recent group exhibitions include In My Room, Fralin Museum of Art, Virginia; The Last Brucennial, Bruce High Quality Foundation, New York; Uncharted, University Art Museum, State University of New York, Albany; Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York; and Greater New York, P.S. 1 Contemporary Art Center, Long Island City. She lives and works in New York.

Ernesto Neto (*1964, Rio de Janeiro) lives and works in Rio de Janeiro. The artist participated in the Venice Biennale in 2001 and 2017. In recent years, his work has been the subject of solo exhibitions in public institutions including The Museum of Fine Arts, Houston (2021); Centro Cultural La Moneda, Santiago (2020); Pinacoteca de Sāo Paulo, and Museo de Arte Latinoamericano de Buenos Aires - MALBA (2019); Fondation Beyeler, in the Zurich Main station (2018); Museum of Contemporary Art Chicago (2017); Thyssen-Bornemisza Art Contemporary - TBA 21, Vienna (2015); Aspen Art Museum, Colorado, and the Guggenheim Bilbao (2014); Espace Louis Vuitton, Tokyo (2012); and Museum of Modern Art, New York (2010), The Art Museum of Nantes (2009); The Panthéon, Paris (2006); among others. Neto's work is represented in institutional collections worldwide including The Museum of Modern Art, New York; Tate, London; Solomon R. Guggenheim Museum, New York; Carnegie Museum of Art, Pittsburgh; Albright-Knox Gallery, Buffalo; Boijmans van Beuningen Museum, Rotterdam; Art Gallery of New South Wales, Sydney; Hara Museum, Tokyo; Contemporary Art Center of Inhotim, Brumadinho; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Museum of Contemporary Art, Los Angeles; and Centre Pompidou, Paris. Ultimatum at Galerie Max Hetzler 57, rue du Temple, 75004, Paris 12 March —16 April 2022 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Alice Tippit received both her BFA and MFA from the Art Institute of Chicago. Tippit addresses her interest in language and the drift of meaning through her paintings and drawings. Her boldly graphic imagery is familiar yet rendered strange through a series of shifts: in scale; interaction of color; from negative to positive space. Tippit's work is currently on view in The Regional, a survey of artists from the Midwest, at the Contemporary Art Center in Cincinnati, Ohio. Her work has been written about in the New York Times, ArtForum, and Frieze, among other publications. Recent solo and group exhibitions include Nicelle Beauchene, New York, NY; PATRON, Chicago, IL; Grice Bench, Los Angeles, CA; Kimmerich Galerie, Berlin; Corbett vs Dempsey, Chicago, IL; CHART Gallery, New York, NY; Anton Kern Gallery, New York, NY. Tippit lives and works in Chicago, Illinois.

On this week's episode of Out and About, host Jenn Gordon talks with William Butler from the Contemporary Art Center of Peoria about their current exhibition "Home Sweet Home" by Iranian artist Shahrbanoo Hamzeh. Through melancholic but colorful paintings, Hamzeh explores what occurs behind closed doors and suggests that our bodies, domestic spaces and home countries function as three parallel homes on different levels. The exhibit is on display in the Preston Jackson Gallery at the Contemporary Art Center now thru February 19. For more information visit Contemporary Art Center of Peoria.

Episode 273: This week Shahrbanoo Hamzeh joins the podcast to talk about her abstract paintings that explore traumas created by dilemmas related to boarders and boundaries.  She has a solo exhibition at the Contemporary Art Center of Peoria called: Home Sweet Home through 2/19 with an opening reception on 1/22.  Shahrbanoo was one of Studio Break’s The post Shahrbanoo Hamzeh appeared first on Studio Break.

Miguel Abreu Gallery is pleased to announce Jimmy Raskin's STATIONS OF THE LAST ECCENTRIC, the artist's fourth one-person exhibition at the gallery. The exhibit is open Jan. 4th - Feb. 5, 2022. STATIONS OF THE LAST ECCENTRIC features nine layered works, each holding at its center The Cone of Expression. This diagrammatic overlay includes a prominent vertical line that imposes a primordial fold, creating a mirror-image wherein a chosen picture of the cosmos faces itself. This event, in turn, conjures a myriad of faces staring back at the viewer. The phenomenon, known as facial pareidolia, instills an emotional charge in an otherwise non-sentient image or form. A point of connective stillness emerges, which may be considered sacrificial: we bypass the layers, critical-distance, dynamic conversations therein, and reach an almost humorous reduction point; an anthropomorphic flattening in the name of stillness. Within the gaze of the gaze, a space for mesmerization or resonance is generated. An artist book accompanies the exhibition. Jimmy Raskin (b. 1970, Los Angeles) lives and works in New York. A graduate of the California Institute of the Arts, Raskin has exhibited his work internationally and staged “lecture-performances” in institutions, art galleries and other non-traditional gathering places since the mid-1990s, notably at the P.S.1 Contemporary Art Center, Thread Waxing Space, Foundation 2021, Greene-Naftali, Cooper Union, Miguel Abreu Gallery, SculptureCenter (all in New York), as well as at the Centre Pompidou, Paris, Real Art Ways, Hartford, The Swiss Institute, Paris, and KW Institute for Contemporary Art, Berlin. In 2013, Raskin participated in Performa 13 as part of Performa After Hours, which marked his second contribution to the performance biennial, following A Certain Misgiving in the Disciple (2009). Raskin's third one-person exhibition at Miguel Abreu Gallery, Petals Ears & Tears, was held in 2013. Previously, his work was selected for the Art Statements sector of Art |42| Basel (2011). He was included in For the blind man in the dark looking for the black cat that isn't there (2010), a major group exhibition curated by Anthony Huberman at the Contemporary Art Museum St. Louis. The show traveled to the Museum of Contemporary Art, Detroit, the ICA, London, de Appel Arts Center, Amsterdam, and Culturgest, Lisbon. Raskin also participated in the group exhibition Breaking New Ground Underground (2009), curated by Thea Westreich at Stonescape, a private museum in Napa Valley, California. Raskin's publications include The Prologue, The Poltergeist & The Hollow Tree (Foundation 20 21, 2005), The Lisbon Lecture (Sequence Press, 2012), Corner Jump (Onestar Press, 2012), and The Final Eternal Return, published as part of his participation in the group exhibition Tribe-Specific at Felix Gaudlitz, Vienna (2019). Jimmy Raskin, STATION 4, 2021, 18×31 in., courtesy Miguel Abreu Gallery Jimmy Raskin, STATION 7, 2021, 18×31 in., courtesy Miguel Abreu Gallery

In this episode of PhotoWork with Sasha Wolf, Sasha talks with photographer, film maker and Yale MFA Senior Critic in Photography, (as well as interim Acting Director of Graduate Studies) John Pilson. They discuss John's artistic journey, how he landed at Yale as a grad student himself and the Yale graduate program as it is today. https://www.instagram.com/johnpilson/ John Pilson lives and works in Brooklyn, NYC and teaches in the Yale School of Art's Graduate Studies in Photography Program where he is a Senior Critic. He has exhibited his work at P.S.1 Contemporary Art Center and at the Museum of Modern Art. Mr. Pilson has been an artist-in-residence at the Harvestworks Digital Media Arts Center and the LMCC World Views Program. At the Venice Biennale in 2002 he was awarded one of four prizes given to artists in the International Exhibition. Pilson was the editor for volume one of A New Nothing published by Sleeper Studio in 2021 and he is a contributor to the upcoming book, Object Lesson: The Influence of Richard Benson, to be published by Aperture in 2022. Find out more at https://photowork.pinecast.co

On this week's episode of Out and About, Jenn Gordon sits down with artist André Petty to talk about his work currently on display at the Contemporary Art Center now through October 15. The exhibit is entitled “Faces and Forms” and features Petty's pop art portraits, as well as Sculptures by Scott Mossman. For more information visit Contemporary Art Center of Peoria.

On this episode of Out and About, producer Daniel Musisi sits in for host Jenn Gordon and is joined by Contemporary Art Center of Peoria executive director William Butler to discuss its Juneteenth Celebration.

Christy Gast photo credit: Keil Troisi (Amenia, New York) is an artist based in New York whose sculptures and video installations focus on issues of politics and aesthetics with regard to landscape. Her work has been exhibited at MoMA/P.S.1 Contemporary Art Center, Performa, Exit Art and Artist’s Space in New York, Perez Art Museum of Miami, Bass Museum, de la Cruz Collection and Nina Johnson Gallery in Miami, Matucana 100 and Patricia Ready Gallery in Santiago, CL, and the Kadist Art Foundation in Paris.     Cucú and Her Fishes (Act 1) Binational Seminar on Patagonian Peat Bogs

Angela Dufresne is a painter originally from Connecticut, raised in Kansas and now based in Brooklyn. Her work articulates non-paranoid, porous ways of being in a world fraught by fear, power and possession. Through painting, drawing and performative works, she wields heterotopic narratives that are both non hierarchical and perverse.   She had solo exhibits at the Kemper Museum in Kansas City “Making Scene ‘ in the fall of 2018 and has a solo at the Dorsky Musuem at SUNY New Paltz “Just my Type” in 2019. She’s exhibited at Hammer Museum in Los Angeles, P.S.1 Contemporary Art Center in New York, The National Academy of Arts and Letters in New York, the Kemper Museum in Kansas City, Brooklyn Academy of Music in New York, The Cleveland Institute of Art, The Aldridge Museum in Connecticut, Sarah Lawrence College in Yonkers, New York, the Rose Museum in Waltham, Massachusetts, Mills College in Oakland, California, and the Minneapolis School of Art and Design. She is currently Associate Professor of painting at RISD. Awards and honors include National Academy of Arts and Design induction 2018, a 2016 Guggenheim Fellowship, residency at Yaddo, a Purchase Award at The National Academy of Arts and Letters, two fellowships at The Fine Arts Work Center at Provincetown, The Center for the Arts in Sausalito, California, and a Jerome Foundation Fellowship.  

Originally from San Diego, California, Kahlil Robert Irving is an artist currently living and working in the USA. He attended the Sam Fox School of Design and Visual Art, Washington University in St. Louis (MFA Fellow, 2017); and the Kansas City Art Institute (BFA, Art History and Ceramics/Sculpture, 2015). His work has been exhibited at the Nerman Museum of Contemporary Art, Kansas; the Arizona State University Art Museum, Phoenix; and the Rhode Island School of Design Museum, Rhode Island, among others. Kahlil Irving was selected to participate in the 2020 Great Rivers Biennial hosted by the Contemporary Art Museum St. Louis, where he is exhibiting a solo exhibition entitled “At Dusk” on view from September 11th, 2020 to February 21st, 2021. Recently, he was awarded the Louis Comfort Tiffany Foundation Grant and the Joan Mitchell Foundation Grant for Painters and Sculptors. In 2018, Kahlil Irving’s first institutional solo exhibition took place at Wesleyan University’s Center for the Arts, Connecticut, and was accompanied by a full-color catalogue with essays and an interview. Currently, he is presenting a large-scale commission on the project wall at the Contemporary Art Center, Cincinnati, Ohio. Mr. Irving's work is also featured in two concurrent collection exhibitions Making Knowing: Craft in Art, 1950–2019 and Nothing is so Humble: Prints from Everyday Objects at the Whitney Museum of American Art. Kahlil Irving's work is in the collections of J.P Morgan Chase Art Collection, New York; Nerman Museum of Contemporary Art, Kansas; the Carnegie Museum of Art, Pittsburgh; and the Whitney Museum of American Art, New York. He is also one of the new 30 featured artists in Forbes Magazine’s annual 30 Under 30: Art & Style showcasing 30 groundbreaking cultural figures in the arts all under 30-years-old. Photo Credit of Kahlil Irving: David Johnson

Paul Laster is a writer, editor, independent curator, artist, and lecturer. He is a New York desk editor at ArtAsiaPacific and a contributing editor at Whitehot Magazine of Contemporary Art. He was the founding editor of Artkrush and Artspace; started The Daily Beast's art section; and was previously art editor of Flavorpill and Russell Simmons OneWorld Magazine. He is a frequent contributor to Art & Object, Time Out New York, Harper’s Bazaar Arabia, Galerie, Sculpture, Architectural Digest, Surface, Garage, New York Observer, Cultured, ArtPulse, Upstate Diary, Conceptual Fine Arts, and has written for Art in America, Artnet, Interview, Paper, Flash Art, Newsweek, Modern Painters, Bomb Magazine, Flatt Magazine, ArtInfo, Avenue, Tema Celeste, amNew York, 99 Percent, Two Coats of Paint and On-Verge. A former Adjunct Curator at New York’s P.S.1 Contemporary Art Center (now MoMA PS1), Laster has organized exhibitions for galleries and nonprofit institutions since 1985. His curatorial projects from the past five years include Santero: Sculptural Works by Jorge A Valdes (2015) at Corridor Gallery, Brooklyn; Adam Frezza & Terri Chaio: Paper Islands (2015) at Humanities Gallery, LIU Brooklyn; A Weekend in the Country (2015) at Magnan Metz Gallery, New York; Maker, Maker (2017) at Children’s Museum of the Arts, New York; Mohamed Ahmed Ibrahim (2019) at Outsider Art Fair, Paris; Relishing the Raw: Contemporary Artists Collecting Outsider Art (2020) at Outsider Art Fair, New York; Five Artists, Five Mediums, Five Days – A Curated Selection for One Thing (2020) at Intersect Aspen; An Alternative Canon: Art Dealers Collecting Outsider Art (2020) at Andrew Edlin Gallery, New York; Now's the Time: Eight African Painters (2020) at Scope Immersive; and The Desire for Transparency: Contemporary Artists Working with Glass (2020) at Intersect Chicago. An exhibiting artist, Paul Laster has had 17 solo exhibitions in the United States and Europe, and participated in numerous group shows worldwide. His works are in many public and private collections, including the Art Institute of Chicago, Los Angeles County Art Museum, Smithsonian American Art Museum, National Gallery of Art, Philadelphia Art Museum and Whitney Museum of American Art. As a lecturer and visiting critic, Laster has spoken on art and curatorial practices and the use of the Internet and social media for building careers at Gerrit Rietveld Academy, Sandberg Institute, New York University, New York’s School of Visual Arts, Pratt Institute, California Institute of the Arts, Otis Art Institute, University of California in Riverside and Santa Barbara, Florida Atlantic University, Ewha Womans University in Seoul, Kutztown University of Pennsylvania, Brooklyn Museum, National Academy Museum, P.S.1 Contemporary Art Center, Cyan Museum of Art, Hudson Valley Center for Contemporary Art, Art Omi, Expo Chicago, the Armory Show, Art Chicago, Marc Straus Gallery, New York Academy of Art, Tyler School of Art, Residency Unlimited, Soho Beach House, Rizzoli Bookstore, Wave Hill, ESKFF at Mana Contemporary, Outsider Art Fair, Trestle Art Space, Pioneer Works, Intersect Aspen, Scope Art Fair and Intersect Chicago. Relatedly, Laster worked in Publications (1977-88) at the Museum of Modern Art, New York and was Publications Manager (1995-98) at Tony Shafrazi Gallery, New York. LINKS to writing online: https://www.artandobject.com/authors/paul-laster https://whitehotmagazine.com/contributors/paul-laster/750 https://www.galeriemagazine.com/author/paul-laster/ https://muckrack.com/paul-laster --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tune in to Episode 22 of the PA Talks series with Hernan Diaz Alonso and Erick Carcamo. Hernan Diaz Alonso is an Argentinian architect, the current director/ CEO of SCI-Arc, and the principal of Los-Angeles based architecture office HDA-X. He moved to Los Angeles in 2001 to pursue filmmaking, product & motion design and founded Xefirotarch in the same year. Alonso often uses animation software to create amorphous frames, exemplarily the well-known installation at P.S. 1 Contemporary Art Center in Queens in 2005. He has been a distinguished faculty member of SCI-Arc since 2001, serving in several leadership roles, including coordinator of the graduate thesis program from 2007–10, and graduate programs chair from 2010–15. He is widely credited with leading SCI-Arc's transition into digital technologies and played a key role in shaping the school's graduate curriculum over the last decade. Erick Carcamo is an educator, designer, and the principal & co-founder of Allblackform. Erick has been in pursuit of innovation and technology in the field of architectural thinking and teaching processes, and has taught numerous design studios and visual studies seminars at various universities, such as Yale School of Architecture, SCI-Arc, and UPenn School. His expertise, expanding his graduate thesis at GSAPP, is based on researching digital experimental techniques and strategic thinking for the manipulation of form in design. Erick holds a master's Degree in Advanced Architectural Design from Columbia University and a bachelor's Degree from The Southern California Institute of Architecture, SCI_Arc. The discussion focused on Hernan's trajectory in digital design, his influence at SCI_Arc, as director/CEO. as well as his teaching approach and philosophy towards architectural design and learning. Watch this podcast on YouTube: https://www.youtube.com/watch?v=wbqtBKnQJEw&feature=emb_title Listen on: Apple Podcasts: https://podcasts.apple.com/tr/podcast/pa-talks/id1503812708 Spotify: https://open.spotify.com/show/4P442GMuRk0VtBtNifgKhU Google Podcasts: https://podcasts.google.com/search/pa%20talks Support us on Patreon: patreon.com/parametricarchitecture Follow the platform on: Parametric Architecture: https://www.instagram.com/parametric.architecture/ PA Talks: https://www.instagram.com/pa__talks Website: https://parametric-architecture.com/patalks/

Artist Angela Dufresne makes the case that painting is like cats, fashion is like dogs. Neil proposes that certain worked-out bodies are never naked. ABOUT THE GUEST Angela Dufresne is a painter originally from Connecticut, raised however in the town in Kansas (Olathe-Suburbs) that Dick and Perry stopped in before they killed the Clutters (In Cold Blood), and now based in Brooklyn. She received the first college degree in her lineage. Her work articulates non-paranoid, porous ways of being in a world fraught by fear, power and possession. Through painting, drawing and performative works, she wields heterotopic narratives that are both non hierarchical and perverse. She’s exhibited The Hammer Museum in Los Angeles, P.S.1 Contemporary Art Center in New York, The National Academy of Arts and Letters in New York, the Kemper Museum in Kansas City, Brooklyn Academy of Music in New York, The Cleveland Institute of Art, The Aldrich Museum in Connecticut, the Dorsky Museum at SUNY New Paltz, among others. She is currently Associate Professor of painting at RISD. Awards and honors include National Academy of Arts and Design induction 2018, a 2016 Guggenheim Fellowship, residency at Yaddo, a Purchase Award at The National Academy of Arts and Letters, two fellowships at The Fine Arts Work Center at Provincetown, The Center for the Arts in Sausalito, California, and a Jerome Foundation Fellowship. ABOUT THE HOST Neil Goldberg is an artist in NYC who makes work that The New York Times has described as “tender, moving and sad but also deeply funny.” His work is in the permanent collection of MoMA, he’s a Guggenheim Fellow, and teaches at the Yale School of Art. More information at neilgoldberg.com. ABOUT THE TITLE SHE’S A TALKER was the name of Neil’s first video project. “One night in the early 90s I was combing my roommate’s cat and found myself saying the words ‘She’s a talker.’ I wondered how many other gay men in NYC might be doing the exact same thing at that very moment. With that, I set out on a project in which I videotaped over 80 gay men in their living room all over NYC, combing their cats and saying ‘She’s a talker.’” A similar spirit of NYC-centric curiosity and absurdity animates the podcast. CREDITS This series is made possible with generous support from Stillpoint Fund Producer: Devon Guinn Creative Consultants: Aaron Dalton, Molly Donahue Mixer: Fraser McCulloch Visuals and Sounds: Joshua Graver Theme Song: Jeff Hiller Website: Itai Almor & Jesse Kimotho Social Media: Lourdes Rohan Digital Strategy: Ziv Steinberg Thanks: Jennifer Callahan, Larry Krone, Tod Lippy, Sue Simon, Jonathan Taylor TRANSCRIPTION

Paul Laster is a Brooklyn-based editor, critic, independent curator, artist and lecturer. Paul is the New York desk editor at ArtAsiaPacific and a contributing editor at Whitehot Magazine of Contemporary Art. He was the founding editor of Artkrush and Artspace, started TheDailyBeast's art section, and was the art editor of Flavorpill and Russell Simmons’ OneWorld Magazine. He’s a contributor to Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Art & Object, Architectural Digest, Cultured Magazine, Art Review Asia, Ocula, Observer, ArtPulse, ConceptualFineArts and Glasstire. He has also written for Art in America, artBahrain, Interview, Modern Painters, Paper, Flash Art, Newsweek, Bomb Magazine, Avenue, Tema Celeste, amNew York, Artnet and ArtInfo. A former curator at P.S.1 Contemporary Art Center (now MoMA PS1), his recent curatorial projects include Relishing the Raw: Contemporary Artists Collecting Outsider Art at the Outsider Art Fair, New York; Mohamed Ahned Inrahim at the Outsider Art Fair, Paris; Maker, Maker (with Renée Riccardo) at the Children’s Museum of the Arts, New York; A Weekend in the Country at Magnan Metz Gallery, New York; Adam Frezza & Terri Chaio: Paper Islands at Humanities Gallery, LIU Brooklyn; and The Garden at 4AM (with Renée Riccardo) at Gana Art New York. Paul reflects on the changes he is navigating in a sudden halt to his many travels and seeing art in different platforms now.

Episode #100!!!! Made it to triple digits!Today's special guests are the epitome of the feminine... creative, artistic, talented, nurturing, healing, and mystical. What a pleasure it is to share their stories.My first guest, Natasha Althouse@musicbynatasha, is a musician, vocalist, wife, mom and holistic bodyworker whose healing practice focuses on postural imbalances, stress induced tension, injury care, and digestive and reproductive health. I met Natasha a few years ago for Mayan Abdominal Massage work and was blown away by the profound nature of what she does, blending massage, sound and energy work together in a very powerful way. We get to chat about life, how and why she makes music, the unique nature of Mayan Abdominal Massage, her connection to Ixchel and so much more. She's in the studio NOW working on an album which she expects to be birthed into the world sometime in 2020. She even gifts us with a little song during the interview. I cry...again.Today's second guest is the multi-dimensional Stephanie Diamond, Artist, Entrepreneur and Community-Builder. She founded Listings Project -- listings and other opportunities geared towards artists and creatives -- 17 years ago and talks about how it has transformed over the years into a legit community building business! She also facilitates 5-Rhythms and explains how the nature of the experience of dancing 5-Rhythms so closely mirrors the reality of life. Before doing any of those things, Stephanie was and always has been an artist, creating, largely around community. Her Art has been exhibited at MoMA, MASS MoCA, MoMA/P.S. 1, Studio Museum in Harlem, Queens Museum of Art, Bronx Museum of the Arts, Project Row Houses, Philadelphia Mural Arts, SculptureCenter, The Aldrich Contemporary Art Museum and the Contemporary Art Center in Vilnius, Lithuania, to name a few. We talk about all this, plus the fact that she does not have a smart phone! I want what she doesn't have!!!Today's show was engineered by Manuel Blas at Radio Kingston, www.radiokingston.org.We heard music from our fave, Shana Falana, http://www.shanafalana.com/Feel free to email me, say hello or let me know who you think should be a guest on the show: she@iwantwhatshehas.orgLeave me a voicemail with your thoughts or a few words about who has what you want and why! (845)481-3429** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IT :)http://iwantwhatshehas.org/podcastITUNES | SPOTIFY | STITCHERITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCASTITCHER: https://www.stitcher.com/podcast/she-wants/i-want-what-she-has?refid=stpr'Follow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcastTWITTER * https://twitter.com/wantwhatshehas 

Photo credit: Cedric Angeles Reoccurring themes of technology and the manipulation of nature can be found in Brian Guidry’s paintings and installations. Guidry's paintings range visually from compressed lines of color to abstract eruptions. The artist synthesizes color, sound and texture to create “digitized” or “dissolved landscapes,” using a specific color palette sampled from a variety of natural sources. The injection of these “natural” colors into geometric planes and constructions creates shapes and voids suggestive of portals or slips in time, leading the viewer over the precipice of the normal, into the magical realism of the uncanny, peculiar and quantum. Brian Guidry lives and works in South Louisiana. He received his BFA from the University of Louisiana at Lafayette. He received his MFA in Painting from Pratt Institute, Brooklyn, New York. His work has been exhibited nationally and internationally. Selected exhibitions include; The Bronx Museum in New York; Gana Art Space, Seoul, Korea; the Odgen Museum of Southern Art in New Orleans; The Contemporary Art Center in New Orleans and the National Collage of Arts in Lahore, Pakistan. His work has been featured and discussed in Time Out Chicago, ArtForum, The Times-Picayune, Gambit Weekly, Pelican Bomb, The New York Times, and New American Paintings. His work is in the collections of the New Orleans Museum of Art; The Odgen Museum of Southern Art, New Orleans, LA.; National College of Arts--Lahore, Pakistan; New York Public Library, New York, NY; Pratt Institute Library, Brooklyn, NY; and Paul & Lulu Hilliard University Art Museum, Lafayette, LA. The book mentioned during the interview was "Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018” , Peter Schjeldahl Blueshift 2017, Hand-lined acrylic on canvas 43 1/4 x 33 1/4 inches Oxizion 2014, acrylic and oil on canvas, 40.5” X 33”

Adia Millett, originally from Los Angeles, received a BFA from the UC Berkeley and an MFA from Cal Arts. In addition to Millett’s current exhibit at CAAM, she has a show opening at The San Jose Quilt and Textile Museum next month.  She has been included in exhibitions at the Oakland Museum, The Museum of African Diaspora, PS1, The Studio Museum in Harlem, The Craft Contemporary in LA; The New Museum, The Museum of Contemporary Art in Atlanta; The Contemporary Art Center, New Orleans, the Contemporary Art Center of Virginia. Millett has taught at Columbia College in Chicago, UC Santa Cruz, Cooper Union in NY, and California College of the Arts. Millett currently lives and works in Oakland, California.  The book mentioned in the interview is White Fragility. Black Quicksand 2018 Acrylic, paper, and glitter on wood Golden Shower 2016 Textiles 104”x 92”

I studied painting with Tony Smith at Hunter College but started out studying biochemistry and physics. I really thought of these fields as philosophy: as an illumination of limits and the backdrop for a discussion of humanity's striving to overcome them. This is not meant to describe an interest in myth, be it social or political, but rather an involvement in the elements of thought and the operations that give rise to the structure of understanding. I have exhibited nationally and internationally, and have had many solo exhibitions: Nicholas Davies Gallery, P.S.1 Contemporary Art Center, Hal Bromm Gallery, Minus Space Gallery, University of Alabama College of Arts and Sciences, and others in NY and abroad.  A recent exhibition at the J.P.Najar Foundation in Dubai resulted in the purchase of a large work. Likewise a painting shown at the American Academy of Arts and Letters in NYC resulted in a purchase award. Some group exhibitions have been in the Leubsdorf Art Gallery/ Hunter College, Sydney Non Objective/ Australia, Stavanger Kunstmuseum/ Norway, Non- Objectif Sud/ France, American Drawing in the Louisana Museum in Denmark, Stadtishe Galerie im Lenbachhaus, Germany, the MIT List Center in Boston. This year there have been drawings in ‘Flat Out” at Mana Contemporary, Jersey City and “Strange Attractors” at Seton Hall’s Walsh Gallery in NJ. I have received grants from the John Simon Guggenheim Memorial Foundation, National Endowment for the Arts, and the New York State Council on the Arts (CAPS). The work has been written about in Art Forum, Art in America, The NYTimes, The Brooklyn Rail, ArtSlant and others.Yve Alain Bois has written the catalog essay, “Atoms”, for the exhibition “Linda Francis, Drawings” at Wm Patterson University in 1996. The two books I mentioned during our interview were : “ The Book of Disquiet” by Fernando Pessoa, and My Struggle” by Karl Ove Knausguaard. Neutron Star, 2009, Oil on Wood panel, 72”x72" “We Can Build You”, 2013, oil on wood, 40”x90”. "Homage to Messier”, 1991, 40”x32”, Chalk and eraser on paper.

Continuing our exploration into the umbrella of environmental art, in this episode Andrew speaks with artist, Aviva Rahmani, who creates public, site-specific art to fight off land developers. Focusing on her series, Blued Trees Symphony, Aviva explains how her approach incorporates community, creativity and legal theory to protect natural landscapes. She also touches upon her belief of our community being in a time of "eco-suicide," and where she identifies her art in the umbrella of "environmental art."-About Blued Trees Symphony- The Blued Trees Symphony is an ongoing, site-specific land art project wherein Aviva Rahmani and collaborators convert threatened lands into art pieces. The hope is that by having them protected by the Visual Artists Rights Act (VARA), Aviva can the prevent the use of eminent domain to seize lands for pipeline construction where the artworks are situated.The first iteration of Blued Trees Symphony emerged on, June 21, 2015 in Peekskill, New York. It is now installed over many miles of proposed pipeline expansions, and each 1/3 measure of those miles has been copyrighted for protection. Visually, Blued Trees Symphony presents stretches of trees painted with musical movements using an environmentally friendly ultramarine pigment. Together, these movements form a score which can be read and performed.Learn more about Blued Trees Symphony here-About Aviva Rahmani-Aviva Rahmani began her career as a performance artist, founding and directing the American Ritual Theatre (1968-1971), performing throughout California. She graduated from California Institute of the Arts and received a PhD from Plymouth University, UK, Rahmani has presented workshops on her theoretical approach to environmental restoration and her transdisciplinary work has been exhibited internationally including in The Independent Museum of Contemporary Art (IMCA), Cyprus with the National Centres of Contemporary Art (NCCA), Ekaterinburg and Moscow, Russian Federation, KRICT, Daejeon, Korea, the Hudson River Museum, Yonkers, NY, the Contemporary Art Center, Cincinnati, OH, and the Boulder Museum of Contemporary Art, Boulder, CO. Her work has been discussed and covered in books, essays, and in art magazines such as Art in America, Art News, The Huffington Post and Leonardo. Rahmani’s video documentation Gulf to Gulf sessionshave been viewed on line from over eighty-five countries. “Trigger Points/ Tipping Points,” a precursor to Gulf to Gulf, premiered at the 2007 Venice Biennale. In 2002, her pioneering community action project, Blue Rocks, helped restore degraded wetlands on Vinalhaven Island, Maine a USDA investment of over $500,000. The Blued Trees Symphony (2015 - present) has received numerous awards and been extensively written about and exhibited internationally. A Mock Trial is scheduled for the project at the Cardozo Law School, NYC on April 25, 2018.Learn more here

Happy holidays and New Years everyone! I hope you are enjoying this much needed time with friends and family. On this particular episode, I took a brief trip to London to visit some friends and see some art. While there, I had the chance to chat with Ariel René Jackson. Ariel is currently pursuing her MFA at UT Austin, but was able to spend a semester studying in London at the Royal College of Art. Ariel and I first met while Ariel was visiting Berlin. Both of us presented a snippet of our work at Das Kapital, a bar in Neukölln. Ariel and I bonded over being the only people of color in that space, which we touch upon in our conversation. Ariel's work uses installations and videos to situate her practice into ideas of spatial matters as black matters, while understanding landscape as palimpsest, something reused or altered but still bearing visible traces of its earlier form. Ariel's work has been shown in spaces such as the Studio Museum in Harlem, the DePaul Art Museum in Chicago, and the Contemporary Art Center in New Orleans. Ariel is also part of an upcoming exhibition at Sculpture Center in Long Island City. The title of the show is "Other Objects" and opens January 14th. Go ahead and check out her work if you are in the neighborhood. I had so much fun chatting with Ariel that I lost track of time and we ended up with a long interview. We discussed the presentation of violence, catering art for white people, and our thoughts on residencies. I hope you enjoy this. Links Mentioned: Ariel’s Website Ariel’s Instagram Guerrero Gallery, San Francisco Strange clubbing clothing store in Camden Trevor Noah latest standup Sculpture Center: Other Objects Recess Art Pigford v. Glickman Excerpt of the video I showed in Das Kapital, Berlin Édouard Glissant - For Opacity Netflix’s American Vandal Kehinde Wiley Kara Walker Glenn Ligon Langston Hughes - Let America Be America Again Olafur Eliasson’s Weather Project VCU: Post MFA Residency Claes Oldenburg - The Store Lauren Halsey Fred Moton’s book with Lauren Halsey’s artwork Eric N Mack W. E. B. Du Bois Follow Seeing Color: Seeing Color Website Subscribe on Apple Podcasts Facebook Twitter Instagram

Episode 6 of "Lost On The River" features musical guests Joesph, who discuss upcoming releases and perform for us in the Herzog space. We're also joined by Ryan Hall of ambient music blog Tome To The Weather Machine and Whited Sepulchre and Heligator Records. Our Herzog History segment covers Patti Smith's visit and rehearsal at Herzog Studio while she was in town for a performance at Memorial Hall, in conjunction with a show at Contemporary Art Center. Your hosts once again are Aaron Sharpe, Elias Leisring and Bill Furbee - join us for another trip Lost On The River!Big thanks to our sponsors, the Thunderdome Restaurant Group - bringing you favorites like the Eagle, Maplewood Kitchen and Bar, Krueger’s and Bakersfield. Also, thanks to Ottos Covington, and Eli’s Bbq.Intro/Outro music by All Seeing Eyes.JoesphTome To The Weather MachineWhited Sepulchre Records

ArtYard began in Frenchtown, NJ with a “hatch.” From a huge egg, people emerged in chicken costumes to the music of a jazz saxophonist, leading a parade from ArtYard's future headquarters in an old egg hatchery to its current space at 62A Trenton Road. It's the kind of unexpected, collaborative event that ArtYard has become known for, and that you can expect more of in the future. Producer Susan Wallner visited ArtYard Founder and Executive Director Jill Kearney at the new, expansive center for the contemporary arts, which opened in 2016. A major exhibition, "(in)animate" opens September 30 and will be up through December 31, 2017. Curated by ArtYard's Artistic Director, Elsa Mora, "(in)animate" features both local and national artists.

The first event in a new series of programs at Emory University called “Memorial Drive: Nexus Contemporary Art Center,” presented by the Rose Library and ArtsATL, this panel discussion explores the history of the arts in Atlanta. Nexus alumni helped build the institution in its founding years, and their discussion focuses on the history of the Nexus Contemporary Arts Center (now Atlanta Contemporary Arts Center) and its role in broadening the arts scene in Atlanta and the South. The panel is moderated by Randy Gue, curator of modern political and historical collections at the Rose Library, Emory University.

In the old church space that is Copenhagen's Contemporary Art Center, Nikolaj Kunsthal, hosts Jan Sneum and Jan Stricker meet the eight Nordic artists who have been commissioned to create new sound works especially for The Lake Radio. Hear interviews with CM von Hausswolff (SE), Klara Lewis (SE), Jana Winderen (NO), Maia Urstad (NO), Pejk Malinovski (DK), Gry Bagøien (DK), Hildur Gudnadóttir (IS), and Skúli Sverrisson (IS) as well as the works themselves. Photo by Magnus Kaslov

There are several beautiful pieces at the Contemporary Art Center. First we hear about Got Jazz, Fiber Artists Coalition, and we learn about sculpture by Barbara Cooper. Both can be seen at the Contemporary Art Center September through October.

Today, we’re looking at works on display in downtown Peoria, all participating in the city’s Celebration of Women Artists. The Contemporary Art Center features works by Chicago artist Christie Rojek and members of the Prairie Fiber Arts Guild. Around the corner, the Peoria Art Guild displays a sculpture by Ashley Morgan, and photographs by Barb Hoffman.

This week, we talk with William Butler from the Contemporary Art Center. They're hosting their annual Fine Art Auction Saturday night from 7:00 to 10:00 p.m. The event includes both a silent and a live auction, along with musical entertainment. Butler talks about some of the works featured in the auction, how it's designed to benefit both the Center and the participating artists, and some of the other ongoing activities at the CAC.

This week on Peoria's Hidden Treasures, we’re looking at works of art on Water Street in downtown Peoria.On the wall above the Water Street Café is a mural depicting New Orleans’ Mardi Gras parade. Revelers include a court jester, a centaur and a bull and a mermaid. A few blocks away is a sculpture called “Peoria Portal.” Consisting of a column of raw granite, a column of bronze, and a modern arch, the piece encapsulates a history of architectural ideas. Across from Contemporary Art Center stands a sculpture, “Flight of the Cakewalkers,” by Peoria’s Preston Jackson. Learn more in this week's installment of Peoria's Hidden Treasures.

This week: A BAS bureau twofer! First Patricia talks to Mika Tajima. This week, Patricia Maloney chats with artist Mika Tajima at the San Francisco Museum of Modern Art just before the opening of the exhibition Stage Presence, where her collaborative film, performance, and sculptural project, Today is Not a Dress Rehearsal, is currently on view through October 8, 2012 . Mika Tajima, was born in Los Angeles, and lives and works in Brooklyn. She earned a BA from Bryn Mawr College in 1997, an MFA from Columbia University in 2003, and attended The Fabric Workshop and Museum Apprentice Training Program in 2003. Her work has been included in the exhibitions The Pedestrians, South London Gallery, London (2011); Transaction Abstraite, New Galerie, Paris (2011); The Double, Bass Museum, Miami (2010); Knight’s Move, Sculpture Center, Long Island City (2010); Today is Not a Dress Rehearsal, San Francisco Museum of Modern Art (2009); The Extras, X Initiative, New York (2009); Learn to Communicate Like a Fucking Normal Person, Art Production Fund, New York (2009); Deal or No Deal, Kevin Bruk Gallery, Miami (2008); 2008 Whitney Biennial, Whitney Museum of American Art, New York (2008); Mika Tajima: Broken Plaid/Holding Your Breath (taking the long way), RISD Museum, Providence (2008); The Double, The Kitchen, New York (2008); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Music Is a Better Noise, PS.1 Contemporary Art Center, Long Island City (2006); Grass Grows Forever in Every Possible Direction, Walker Art Center, Minneapolis (2005); Echoplex, Swiss Institute Contemporary Art, New York (2005); and Uncertain States of America, Astrup Fearnley Museum, Oslo, Norway (2005). She is part of the music-based performance group New Humans. The following is part of the ongoing collaboration between Bad at Sports and Art Practical. You can read an abridged version of the interview here. Next: New India correspondant Tanya Gill goes to the India Art Fair! Tanya Gill, a Chicago artist living in New Delhi, wanders through the India Art Fair of 2012. Over the course of four days she spoke to Gallery owners and artists, and found a surprising number of Chicago connects. Recorded here are her conversations with Kiran Chandra, Renuka Sawhney of The Guild, artist Vibha Galhotra, artist Ram Rahman from The SAHMAT Collective, Laura Williams of Art 18/21, artists Joan Livingston and Katarina Weslien from the School of the Art Institute of Chicago, Ritika Baheti of the Autonomous Public Laboratory Project, and four living works of art by Preeti Chandrakant.

This week: Duncan talks with Wangechi Mutu! With many thanks to the School of the Art Institute of Chicago's visiting artist program for making this interview possible. Wangechi Mutu (b.1972, Nairobi, Kenya) is an artist who lives and works in Brooklyn, New York. Originally from the Kenyan Kikuyu tribe, she was educated in Nairobi at Loreto Convent Msongari (1978-1989) and later studied at the United World College of the Atlantic, Wales (I.B., 1991). Mutu moved to New York in the 1990s, focusing on Fine Arts and Anthropology at the New School for Social Research and Parsons School of Art and Design. She earned a BFA from the Cooper Union for the Advancement of the Arts and Science in 1996, and then received an MFA from Yale University (2000). Mutu’s work has been exhibited at galleries and museums worldwide including the San Francisco Museum of Modern Art, the Miami Art Museum, Tate Modern in London, the Studio Museum in Harlem in New York, Museum Kunst Palast in Düsseldorf, Germany, and the Centre Pompidou in Paris. Her first solo exhibition at a major North American museum opened at the Art Gallery of Ontario in March 2010.[1]She participated in the 2008 Prospect 1 Biennial in New Orleans and the 2004 Gwangju Biennale in South Korea. Her work has been featured in major exhibitions including Greater New York at the P.S.1 Contemporary Art Center and The Museum of Modern Art in New York, Black President: The Art and Legacy of Fela Anikulapo-Kuti at the New Museum of Contemporary Art in New York and the Barbican Centre in London, and USA Today at The Royal Academy in London. On February 23, 2010 Wangechi Mutu was honored by Deutsche Bank as their first Artist of the Year. The prize included a solo exhibition at the Deutsche Guggenheim in Berlin. Titled My Dirty Little Heaven, the show traveled in June 2010 to Wiels Center for Contemporary Art in Brussels, Belgium. She is represented by Barbara Gladstone in New York, Susanne Vielmetter Los Angeles Projects in Los Angeles and Victoria Miro Gallery in London.

This week: We talk to Artist Nathan Carter who has a work in the current MCA Exhibition “Alexander Calder and Contemporary Art: Form, Balance, Joy”about his work, the youth perspective, and the secret trasmissions of numbers stations. Here is a slightly outdated bio I lifted: Nathan Carter’s wall reliefs, sculptures, collages, and hanging objects are inspired by myriad aspects of contemporary society: modes of transportation, mass communication devices, sports insignias, and architecture for mass gatherings like stadiums and parade grounds. At once gestural and reductive, his works amplify strategies first explored by modernist artists in the early 20th century. Deeply rooted in a fascination with how visual abstract codes represent a means of abbreviated, if not universal, communication, Carter’s free-form compositions are simultaneously non-objective and referential. Playful at first impression, Carter’s art contains allusions to mundane yet foreboding engagements, such as radio transmissions, encoded transcriptions, and other electronic communications that serve not only to link us to world networks, but also to place us under surveillance and deprive us of our privacy. Often our dependence on these tools and the despair that results from their failure to properly operate is a recurring leitmotif in his work. Nathan Carter was born in Dallas, TX, in 1970 and currently lives and works in New York, NY. He received his MFA from Yale University, New Haven, CT, in 1999. He has had solo exhibitions at Galería Pilar Parra, Madrid (2007); Casey Kaplan Gallery, New York (2006, 2004, 2001); and Esther Schipper, Berlin (2006). He also participated in Art 33 Basel, Basel, Switzerland (2002). Selected group exhibitions include Neo Baroque, DA2 Centre of Contemporary Art of Salamanca, Spain (2005-06); Greater New York 2005, P.S. 1 Contemporary Art Center, Long Island City, NY; and GNS, Palais de Tokyo, Paris (2003).