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Episode No. 710 features curator Timothy Anglin Burgard and artist Tony Lewis. Burgard is the curator of "Wayne Thiebaud: Art Comes from Art" at the Legion of Honor in San Francisco. The exhibition details how Thiebaud drew ideas from and reimagined European and US artworks both old and new. It is on view through August 17. A superb catalogue was published by the Fine Arts Museums of San Francisco in association with University of California Press. Amazon and Bookshop offer it for $54-60. Lewis is featured in "What drawing can be: four responses" at the Menil Collection's Menil Drawing Institute, Houston. The exhibition, which also offers work by Jillian Conrad, Teresita Fernández, and Constantin Luser, presents ways in which the four artists stretch the boundaries of drawing and offer new ideas of what it can be. It's on view through August 10. The gallery guide is available here. Lewis' work examines the relationship between semiotics and language as a means to confront subjects such as race, power, communication, and labor. His solo exhibition credits include the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, and the Rose Art Museum, Brandeis University. His work is in the collection of museums such as the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, the Studio Museum in Harlem, and the Museum of Modern Art, New York. Instagram: Tony Lewis, Tyler Green.
On this episode I'm joined by Cassi Namoda as we discuss her newly commissioned work presented for 16 edition of the Sharjah Biennial, elucidated through the curatorial theme, to carry. Asking questions such as, what does it mean to carry a home, a history, a language, a legacy, and a lineage.Born in Maputo, Mozambique, Cassi Namoda is known for her strong color palette and narrative approach to painting. Her hybrid narratives are at once wondrous and poignant, every day and fantastical, archival and current. Cassi's work transfigures the cultural mythologies and historical narratives of life in post-colonial Africa, particularly those of the artist's familial home of Mozambique. The idiosyncratic subjects who appear and reappear in her paintings also convey this hybridity: they emerge from African indigenous religions just as much as they spring from Western mythologies. Cassi's work is held in the collections of the Pérez Art Museum Miami, Miami; Baltimore Museum of Art, Baltimore; MACAAL, Marrakesh; and The Studio Museum; New York. In the episode, discusses her evolving body of work, including paintings that originated at the Joseph and Annie Albers residency in Connecticut that connect to her current paintings on view for the Sharjah Biennial 16. In the works, she explores themes of climate change and matriarchal societies, while emphasizing the holistic interconnectedness of her art and life. She also reflects on the importance of preserving ancestral knowledge and matriarchal wisdom, the role of women in society, and how her experiences as a mother influence her artistic practice. The conversation underscores the interconnected nature of life and art, advocating for self-attunement and holistic living.-------------------------------------------------------------------- WHERE YOU CAN FOLLOW ME AND SUBSCRIBE Website - Sign up for my newsletter https://lightworkco.com/ Instagram - Follow me on Instagram https://www.instagram.com/sadeolo/https://www.instagram.com/lightworkcompany/ YouTube - Subscribe to my YouTube Channel www.youtube.com/@lightworkco
Glenn Lowry became the sixth director of The Museum of Modern Art, New York (MoMA) in 1995. He has overseen the physical transformation of the Museum's campus through two building campaigns that have more than doubled the size of MoMA's galleries, quintupled its endowment, created an education and research center, and inspired a new model for the presentation of modern and contemporary art. Lowry has championed innovation, both onsite and online, to grow MoMA's annual visitation to nearly 3 million in the galleries and 35 million across moma.org. He expanded the Museum's curatorial departments, with the addition of Media and Performance, and supported MoMA's intellectual growth by creating new research programs like Contemporary and Modern Art Perspectives (CMAP).In 2000, he led the merger of MoMA with the contemporary art center PS1, and in 2015, he worked with Thelma Golden to introduce a joint fellowship program with the Studio Museum in Harlem for rising professionals in the arts. Lowry is a strong advocate of contemporary artists and their work and he has lectured and written extensively in the support of contemporary art, on the role of museums in society, and on other topics related to his research interests. He currently serves on the boards of The Robert Rauschenberg Foundation, the Clark Art Institute, the Art Bridges Foundation and The Kiran Nadar Museum of Art, as well as on the advisory boards of the Istanbul Modern and the Mori Art Museum. Lowry is a fellow of the American Academy of Arts and Sciences and a resident member of the American Philosophical Society.He and Zuckerman discuss courting risk, creating the time to think, controlling the process, professional guidelines, the goal for museums to be independent and private enterprises, thinking that opens possibilities, being fearless, passion, and why art matters!
When it comes to his iconic street portraits, Jamel Shabazz is all about building relationships and spreading joy. Yet, beyond the rich tapestry created with both the neighbors and strangers, friends and rivals he's encountered across New York's five boroughs, Jamel's most meaningful role might be that of a street teacher, touching the lives of the people in front of his lens and inviting them to mark their place in history. In today's podcast, we learn from the master while tracing his career path, from early observational learning at the side of his father—a professional photographer in his own right—to his first street portraits of classmates and friends. Jamel also shares how his singular vision was shaped by outside forces, including three years overseas in the Army and 20 years as a New York City corrections officer. Incredibly, Jamel was able to take his camera along inside, and he describes the fine line he walked in our chat. “So, it was illegal,” he admits, “but I was known to have done it throughout my entire career. As time went on, I became known as that photographer within the department that photographed everybody. You know, the brass, the officers. And I gave everybody the photographs. So, yes, I killed them with kindness.” Guest: Jamel Shabazz Guest Bio: Jamel Shabazz is a documentary, fashion, and street photographer from Brooklyn, who has spent more than four decades capturing the cultural shifts and struggles of New York City through iconic photographs. His pictures have been exhibited worldwide, are permanently housed in prestigious institutions, and currently featured in nine monographs, along with more than three dozen other photo books. A recipient of the 2018 Gordon Parks Award and the Gordon Parks Foundation/Steidl book prize in 2022, Jamel is also dedicated to education, having instructed young students through programs at the Studio Museum in Harlem, the Schomburg Center, and the Bronx Museum. As a member of the Kamoinge photo collective and a board member of En Foco, Jamel's artistic mission remains centered on preserving urban history and culture through powerful, intimate portraits. Stay Connected: Jamel Shabazz Website Jamel Shabazz Instagram Jamel Shabazz Facebook Jamel Shabazz Wikipedia Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens
Ep.242 Shaunté Gates (b. 1979) lives and works in Washington, D.C. He studied at Duke Ellington School of the Arts and Bowie State University. Early in his career, Gates trained in oil painting and portraiture. His past experience as a tattoo artist and television motion graphics editor caused a profound shift in his artistic practice. His recent work employs a multidisciplinary approach, layering photography, painting, and found text to create dreamlike landscapes that explore labyrinthine social constructs and the physical sites that house and perpetuate them. Echoing the aesthetics of paper theater, his compositions unfold like intricate stage sets, where layered imagery and shifting perspectives evoke a sense of constructed reality and theatrical illusion. Gates was a participating artist in the Smithsonian Institution's “Men of Change” four-year traveling exhibition spanning ten museums, including the International African American Museum in Charleston, SC, California African American Museum, Cincinnati Underground Railroad Museum and Washington State History Museum (2019-23). He has been awarded the Louis Comfort Tiffany Biennial Grant (2022) and residencies with The Nicholson Project (2023), The Kennedy Center (2019) and Washington Project for the Arts (2018; 2017). Gates has work in esteemed private collections and institutions such as the Studio Museum in Harlem and Munson, Utica, NY. He has completed many public art commissions including Transcending, a painting commemorating the 140th anniversary of Howard University School of Law. Photo credit: Biko Gates Artist https://www.shauntegates.com/ Virginia Tech https://artscenter.vt.edu/exhibitions/shaunte-gates.html Sperone Westwater https://www.speronewestwater.com/artists/shaunte-gates#tab:slideshow Marc Straus https://marcstraus.com/artists/98-shaunte-gates/ FAD Magazine https://fadmagazine.com/2025/03/03/marc-straus-gallery-now-represent-shaunte-gates/ Zidoun-Bossuyt https://zidoun-bossuyt.com/artists/shaunte-gates/ | https://zidoun-bossuyt.com/exhibitions/shaunte-gates-poppies-parachutes-iii-we-should-be-flying-by-now/ Smithsonian https://menofchange.si.edu/exhibit/artist-pairings/shaunte-gates/ The Roanoker https://theroanoker.com/events/shaunt%C3%A9-gates-2025/ Phillips Collection https://www.phillipscollection.org/event/2024-08-25-collaging-shaunte-gates Brooklyn Rail https://brooklynrail.org/2023/10/artseen/Shaunt-Gates-In-Light-of-the-Hunt/ Culture Type https://www.culturetype.com/tag/shaunte-gates/ Washington Informer Bridge https://wibridgedc.com/the-transformative-power-of-found-objects-with-shaunte-gates/ RUSH Philanthropic https://rushphilanthropic.org/artist/shaunte-gates/
In this episode of PhotoWork, host Sasha Wolf has a deeply moving conversation with renowned photographer Jamel Shabazz. They talk about his lifelong love for photography and how he uses it to make a social impact. Jamel opens up about how his life experiences have shaped his approach to art and hard work. The episode also covers his book, “A Time Before Crack,” and its importance to his community at the time. It's a heartfelt conversation that goes beyond just photography. Tune in to hear the insights and stories from a photographer passionate about making a difference. https://www.jamelshabazzphotographer.com ||| https://www.instagram.com/jamelshabazz/ Jamel Shabazz is best known for his iconic photographs of New York City during the 1980s. A documentary, fashion, and street photographer, he has authored 12 monographs and contributed to over three dozen other photography related books. His photographs have been exhibited worldwide and his work is housed within the permanent collections of The Whitney Museum, The Studio Museum in Harlem, The Smithsonian's National Museum of African American History and Culture, The Fashion Institute of Technology, The Art Institute of Chicago and the Getty Museum. Over the years, Shabazz has instructed young students at the Studio Museum in Harlem's “Expanding the Walls” project, The Schomburg Center for Research in Black Culture “Teen Curator's” program, and the Bronx Museum's “Teen Council.” He is also the 2018 recipient of the Gordon Parks award for excellence in the arts and humanitarianism and the 2022 awardee of the Gordon Parks Foundation/Steidl book prize. Jamel is also a member of the photo collective Kamoinge, and a board member of En Foco, another photo collective. His goal as an artist is to contribute to the preservation of world history and culture.
This conversation between curators Ebony L. Haynes, Thomas (T.) Jean Lax, and K.O. Nnamdie was initiated alongside an essay series in e-flux journal titled “After Okwui Enwezor,” edited by Serubiri Moses. The episode begins with three short audio excerpts from [1] On the Politics of Disaggregation: Notes on Cildo Meireles' Insertions into Ideological Circuits—Parsons The New School for Design [2] Postwar: Art between the Pacific and the Atlantic, 1945–1965—Fondation Giacometti [3] Art Dubai Global Art Forum 8: 1955–2055: A Documenta Century Exhibitions covered include: Postwar: Art Between the Pacific and the Atlantic, 1945–1965 (2016) and the 56th Venice Biennale: All the World's Futures (2015). Additionally, the idea of rigorous curating, and the horizon is explored in discussion of recent exhibitions including Judson Dance Theater: The Work is Never Done (2018) at MoMA, and Invisible Man (2017) featuring Jessica Vaughan, Kayode Ojo, Torkwase Dyson and Pope.L at Martos Gallery, and Evil N*gger (2025) featuring Glenn Ligon and Julius Eastman at 52 Walker. The “After Okwui Enwezor” series in e-flux journal reflects on the resounding presence of the late writer, curator, and theoretician. Along with a focus on his many innovative concepts like the “postcolonial constellation,” the series presents a wide evaluation of Enwezor's curatorial and theoretical practice following other similar initiatives, such as the special issue on Enwezor by the journal he founded, Nka Journal of Contemporary African Art. Moving beyond tributes and biography, this series covers topics such as the relevance of Enwezor's approach to politics, the limits of the exhibition as a form for critique, his conception of modernity and writing on the contemporary, his nomadic epistemology, accounts of his biennials in Seville, Paris, and Venice as institutional critique, and the specific contribution of non-Western artists in the art world. Ebony L. Haynes is the curator and Senior Director at 52 Walker, a David Zwirner gallery space presenting longer format exhibitions with primarily conceptual and research-based artists. T. Lax is a curator of media and performance at New York's Museum of Modern Art, where he has co-organized Judson Dance Theater: The Work is Never Done (2018), Just Above Midtown: Changing Spaces (2022) and Ceremonies Out of the Air: Ralph Lemon (2024) among others. Thomas began his career at the Studio Museum in Harlem, where he contributed to the landmark “f show” contemporary art series in 2012 and put together When The Stars Begin To Fall: Imagination and the American South in 2014. K.O. Nnamdie is an artist, writer, curator, and art advisor. Nnamdie ran Restaurant Projects, a curatorial project between 2018 and 2025 based on their interest in the intersection between hospitality and the arts. Nnamdie also directed anonymous gallery between 2021 and 2024.
Photography by Balarama Heller Aaron Gilbert (b. 1979, Altoona, PA) lives and works between New York and Los Angeles. Gilbert received a BFA in painting from Yale University in 2005 followed by a MFA in painting from the Rhode Island School of Design (RISD) in 2008. Gilbert also holds an Associate of Science in Mechanical Engineering Technology from Penn State University (2000). Gilbert's work has been exhibited with Sant'Andrea de Scaphis, Rome; PPOW Gallery, New York; Chris Sharp Gallery, Los Angeles; Lyles & King, New York; and Deitch Projects, New York. Gilbert's work is in major public collections including the Whitney Museum of American Art, Brooklyn Museum of Art, Hammer Museum, Studio Museum in Harlem, Columbus Museum of Art, High Museum, and RISD Museum. Aaron Gilbert has also been the recipient of many awards including the Colene Brown Art Prize in 2022, Louis Comfort Tiffany Foundation Grant in 2015, and was named the 2010 “Young American Painter of Distinction” by the American Academy of Arts and Letters. Gilbert has held residencies at Fountainhead Residency (2013), Yaddo (2012), Lower Manhattan Cultural Council Workspace Residency (2008), and American Academy in Rome Affiliate Fellowship (2008). Aaron Gilbert • g • o • p • u • f • f •, 2025 Oil on linen 66 x 129 inches (167.6 x 327.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert The Fourth Way, 2024 Oil on linen 108 x 74 3/8 inches (274.3 x 188.6 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen Aaron Gilbert Judah (Al Green), 2024 Oil on linen 21 3/4 x 28 7/8 inches (55.2 x 73.7 cm) © Aaron Gilbert Courtesy of the artist and Gladstone Photography by David Regen
On this episode, I'm joined by Shinique Smith. Born in Baltimore, Maryland, and now Los Angeles based, Shinique Smith is best known for her visual poetry, monumental fabric sculptures, and paintings of calligraphy and collage that engage abstraction. Her work gained critical acclaim and widespread attention through her participation in important group exhibitions, including Frequency at the Studio Museum in Harlem, 30 Americans organized by the Rubell Family Collection and Unmonumental at the New Museum. Last fall, Smith unveiled a new monumental aluminum sculpture for Miami Arts in Public Spaces at the Port of Miami. She currently has work on view in several shows across the US, including By Way Of: Material and Motion in the Guggenheim Collection, curated by Naomi Beckwith, Poetics of Dimensions at the ICASF, curated by guest curator Larry Ossei-Mensah, and earlier this month, Smith opened up a two person show celebrating the 10th anniversary of the Nigerian Rele Gallery, Social Fabrics, Magic and Memory, features Smith's work in conversation with Lagos-based artist. Marcelina Acpojotor. Over the last twenty years, Smith has gleaned visual poetry from clothing and explored concepts of ritual using breath, bunding and calligraphy as tools toward abstraction. Her layered works range from palm-sized bundled microcosms to monolithic bales to massive chaotic paintings that contain vibrant and carefully collected mementos from her life. Smith's practice operates at the convergence of consumption and spiritual sanctuary, balancing forces and revealing connections across space and time, race, gender and place to suggest the possibility of new worlds.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com © 2025 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: http://autumnjoiknight.com/ About Autumn: AUTUMN KNIGHT, is a New York based interdisciplinary artist working with performance, video, sound and text. Her work has been on view at various institutions including Human Resources Los Angeles (HRLA) Shedhalle (Zurich), The Whitney Museum of American Art, PICA (Portland Institute of Contemporary Art) The Kitchen, MCA Chicago, Museum Ostwall (Germany) BAM (Brooklyn Academy of Music), Performance Space New York, Her performance work, WALL, is the first live performance work acquired for the permanent collection of the Studio Museum in Harlem. Knight is the recipient of various awards, grants, honors and fellowships including Artadia Award, Art Matters Grant, Rema Hort Mann Grant, Anonymous Was a Woman Award, Foundation for Contemporary Arts, the Nancy B. Negley Rome Prize in Visual Art, and a Guggenheim Fellowship and most recently the Trellis Art Fund. About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary). With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
James Little (b. 1952, Memphis, TN) holds a BFA from the Memphis Academy of Art and an MFA from Syracuse University. He is a 2009 recipient of the Joan Mitchell Foundation Award for Painting. In addition to being featured prominently in the 2022 Whitney Biennial at the Whitney Museum of American Art in New York, his work has been exhibited extensively in solo and group exhibitions around the world, including at MoMA P.S.1, New York; Crystal Bridges Museum of American Art, Bentonville; Studio Museum in Harlem, New York; St. Louis Art Museum, St. Louis; Virginia Museum of Fine Arts, Richmond; and the Smithsonian Institute, Washington, D.C. In 2022, Little participated in a historic collaboration for Duke Ellington's conceptual Sacred Concerts series at the Lincoln Center, New York, with the New York Choral Society at the New School for Social Research and the Schomburg Center in New York. Recent solo exhibitions include: Petzel, New York (2024); Kavi Gupta, Chicago (2022); Dixon Gallery and Gardens, Memphis (2022); Louis Stern Fine Arts, West Hollywood (2020); and June Kelly Gallery, New York (2018). His paintings are represented in the collections of numerous public and private collections, including the Whitney Museum of American Art, New York; Virginia Museum of Fine Art, Richmond; The Studio Museum, Harlem, New York; The Menil Collection, Houston; Library of Congress, Washington, D.C.; Memphis Brooks Museum of Art, Memphis; Maatschappij Arti Et Amicitiae, Amsterdam; Saint Louis Art Museum, Saint Louis; Everson Museum of Art, Syracuse; New Jersey State Museum, Trenton; Tennessee State Museum, Nashville; and the Newark Museum, Newark. James Little Trophy Wives, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York James Little The Problem with Segregation, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York James Little Mahalia's Wings, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York
In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha's personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach. https://keishascarville.com/home.html ||| https://www.mackbooks.us/products/lick-of-tongue-rub-of-finger-on-soft-wound-br-keisha-scarville Keisha Scarville (b. Brooklyn, NY; lives Brooklyn, NY) weaves together themes dealing with loss, latencies and the elusive body. Her work has been widely exhibited, including the Studio Museum of Harlem, Huxley-Parlour in London, ICA Philadelphia, Contact Gallery in Toronto, The Caribbean Cultural Center, Lightwork, The Brooklyn Museum of Art, and Higher Pictures. Recent group exhibitions include The Rose at the lumber room, Portland, Oregon (curated by Justine Kurland); If I Had a Hammer - Fotofest Biennial, Houston (2022); and All of Them Witches, Jeffrey Deitch, Los Angeles (2020, curated by Dan Nadel and Laurie Simmons). Her work is held in the collections of the Smithsonian Museum of American Art, Yale University Art Gallery, the George Eastman House, Denver Museum of Art, and the Detroit Institute of Arts. She has participated in residencies at Lightwork, Lower Manhattan Cultural Council, WOPHA, Baxter Street CCNY, and Skowhegan School of Painting and Sculpture. In addition, her work has appeared in publications including Vice, Small Axe, and The New York Times where her work has also received critical review. She is a recipient of the 2023 Creator Lab Photo Fund and awarded the inaugural Saltzman Prize in Photography earlier this year. She is currently a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University and a faculty member at Parsons School of Design in New York. Her first book, lick of tongue rub of finger on soft wound, was published by MACK and shortlisted in the 2023 Aperture/Paris Photobook Awards. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com
Ep.225 Mario Moore, a Detroit native, received a BFA from the College for Creative Studies, Detroit, MI in 2009 and an MFA in Painting from the Yale School of Art, New Haven, CT in 2013. He is a recent Kresge Arts Fellow (2023) and a recipient of the prestigious Princeton Hodder Fellowship (2018-2019). He also has been awarded residencies at Duke University, Josef and Annie Albers Foundation, Fountainhead, and Knox College. Moore's work is in the permanent collections of but not limited to the Detroit Institute of Arts, Princeton University Art Museum and The Studio Museum in Harlem. Moore's work has been widely exhibited, including at the Smart Museum of Art, Chicago, IL; Cranbrook Art Museum, Bloomfield Hills, MI; Jeffrey Deitch Gallery, Los Angeles, CA; Arthur Roger Gallery, New Orleans, LA; The Cleveland Museum of Art, and Colby College Museum of Art. Mario Moore / Enshrined: Presence & Preservation exhibition—Moore's largest survey of work to date—opened at the Charles H. Wright Museum of African American History, Detroit in June 2021 and traveled to the California African American Museum (CAAM) in March 2022, his first solo exhibition on the West Coast]. Moore's most recent traveling museum exhibition, Revolutionary Times opened at the Flint Institute of Arts in January 2024 and closed at the Grand Rapids Art Museum in August 2024. Mario Moore currently works and lives in Detroit, MI. Headshot by Danielle Eliska Artist https://www.mariomoorestudio.com/ ABC news https://www.abc12.com/video/detroit-native-brings-revolutionary-times-to-the-flint-institute-of-arts/video_1a604728-0a2e-5a4b-969d-f0304557c2a1.html Hour Detroit https://www.hourdetroit.com/art-topics/two-new-exhibitions-at-cranbrook-art-museum-highlight-detroit-artists/ Canvas Rebel https://canvasrebel.com/meet-mario-moore/ David Klein Gallery https://www.dkgallery.com/artists/45-mario-moore/ Grand Rapids Art Museum https://www.artmuseumgr.org/press-releases/artist-mario-moore-bridges-untold-stories-of-americas-past-and-present-at-the-grand-rapids-art-museum Kresege Arts https://kresgeartsindetroit.org/artist/mario-moore/ Shondaland https://www.shondaland.com/act/a40458000/detroit-artist-mario-moore-interview/ Outlier Media https://outliermedia.org/mario-moore-artist-detroit-painter-interview/ LSU Museum of Art https://www.lsumoa.org/mario-moore-responding-to-history CAA Museum https://caamuseum.org/exhibitions/2022/enshrined-presence-preservation Duke Arts https://arts.duke.edu/projects/mario-moore/ Duke Form https://www.dukeform.co/all-content/mario-moore Sakehile & Me https://www.sakhileandme.com/artists/mario-moore.htm Cranbrook Art Museum https://cranbrookartmuseum.org/events/artist-led-tour-skilled-labor-mario-moore-sabrina-nelson-richard-lewis/ CCS Detroit https://www.ccsdetroit.edu/news/mario-moore-honored-with-ccss-2023-distinguished-alumni-award/ Detroit Metro Times https://www.metrotimes.com/arts/mario-moore-tells-detroits-underground-railroad-history-in-new-exhibit-midnight-and-canaan-31303155 Cultured Mag https://www.culturedmag.com/article/2022/11/02/mario-moore-painting-black-history Princeton University https://www.cnn.com/2020/01/01/us/princeton-university-portraits-workers-trnd/index.html The Art Newspaper https://www.theartnewspaper.com/2020/01/20/princeton-artist-fellow-mario-moore-celebrates-african-american-workers
Schools eerily quiet about election results, Bernice King 2017 election advice resurfaces, an ode to Ella Jenkins legacy in children's music and Malcolm Peacock uses art to push boundaries. NewsSchools Are Eerily Quiet About the Election Results, Educators SayElla Jenkins, Chicago's first lady of children's music, dies at 100Malcolm Peacock Asks, “When Is the Last Time You Trusted Yourself?” | Studio Museum in HarlemBernice King: Post-Election Advice Follow @PodSaveThePeople on Instagram.
Ep.221 Shinique Smith. Known for her monumental fabric sculptures and abstract paintings of calligraphy and collage, Smith's personal histories and belongings intertwine with thoughts of the vast nature of ‘things' that we consume, cherish, gift, and discard and how these objects resonate on intimate and social scales. Over the last twenty years, Smith has gleaned visual poetry from textiles and explored concepts of ritual using breath, bunding and mark-making as tools toward abstraction. Her layered works range from palm-sized bundled microcosms to monolithic bales to massive chaotic paintings that contain vibrant and carefully collected mementos from her life. Smith's practice operates at the convergence of consumption and spiritual sanctuary, balancing forces and revealing connections across space and time, race, gender, and place to suggest the possibility of new worlds. Born in Baltimore, MD, currently residing in Los Angeles, California, Smith has received awards and prizes from Joan Mitchell, the Tiffany Foundation, Anonymous Was a Woman and the American Academy of Arts and Letters among others. Her work has gained attention through her participation in celebrated biennials and group exhibitions including the 13th Bienal de Cuenca and 8th Busan Biennale; Frequency at the Studio Museum in Harlem, 30 Americans organized by the Rubell Family Collection, UnMonumental at the New Museum and Hauser + Wirth LA's Revolution in the Making. Smith's work has also been exhibited and collected by other prestigious institutions such as the Baltimore Museum of Art; Brooklyn Museum of Art; California African American Museum, Denver Art Museum, the Frist, Indianapolis Museum of Art at Newfields, Los Angeles County Museum of Art, Minneapolis Art Institute, MOMA PS1, Museum of Fine Arts, Boston, Musée d'art contemporain de Montréal, Nerman Museum of Contemporary Art, SCAD, the Ringling Museum of Art, the Whitney and the Guggenheim. Photo credit: Courtesy of the artist Artist https://www.shiniquesmith.com/ moniquemeloche https://www.moniquemeloche.com/artists/207-shinique-smith/biography/ https://www.moniquemeloche.com/exhibitions/218-collage-culture/press_release_text/ The Phillips Collection https://www.phillipscollection.org/event/2024-07-06-multiplicity The Ringling Museum https://www.ringling.org/event/shinique-smith-parade/ SRQ https://www.srqmagazine.com/srq-daily/2023-12-01/23073_The-Ringling-Presents-Shinique-Smith-Parade Hyperallergic https://hyperallergic.com/552240/meet-las-art-community-sharing-inspiration-with-people-of-color-has-always-been-a-priority-for-shinique-smith/ Centure for Maine Contemporary Art https://cmcanow.org/event/shinique-smith-continuous-poem/ Newfields https://discovernewfields.org/Shinique-Smith-Torque Guggenheim https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection Kemper Museum of Contemporary Art https://www.kemperart.org/program/artist-talk-shinique-smith Products | For Freedoms https://checkout.forfreedoms.com/products/by-the-light-2024 ICASF https://www.icasf.org/exhibitions/16-the-poetics-of-dimensions See Great Art https://www.seegreatart.art/shinique-smith-artworks-displayed-with-european-masterpieces-at-ringling-museum/ Visit Indy https://www.visitindy.com/event/shinique-smith-torque/158358/ Guild Hall https://www.guildhall.org/events/ring-the-alarm-a-conversation-with-shinique-smith-renee-cox/ AWARE https://awarewomenartists.com/en/artiste/shinique-smith/ Flora Animalia https://floraanimalia.com/blogs/news/shinique-smith?srsltid=AfmBOorqjJTBqroKRSW96gcOjCXK374pQUKNseNnhQ1A0rZNtRrOdoaj
Episode No. 679 features artist Hugh Hayden. The Nasher Sculpture Center in Dallas is presenting "Hugh Hayden: Homecoming," an exhibition of new works informed by Hayden's upbringing in Dallas. The show includes sculptures that explore themes such as nostalgia, childhood, education, and religion. The exhibition was curated by Leigh Arnold and will be on view through January 5, 2025. The Rose Art Museum at Brandeis University is presenting "Hugh Hayden: Home Work," a survey of the last decade of Hayden's work. The show includes a site-responsive installation conceived for the Rose. "Home Work" was curated by Gannit Ankori and Sarah Montross, and will be on view through June 1, 2025. Among the museums that have presented solo shows of Hayden's work are the deCordova Sculpture Park and Museum, Lincoln, Mass.; the Blaffer Art Museum, University of Houston; the Institute of Contemporary Art Miami, and White Columns, New York. His work is in the collection of museums such as the Metropolitan Museum of Art, New York, the Studio Museum in Harlem, the Whitney Museum of American Art, New York, and the Baltimore Museum of Art. Instagram: Hugh Hayden, Tyler Green.
In honor of WNYC's 100th birthday, All Of It is celebrating 100 pieces of art in New York City. Each month we'll speak with a tastemaker in the arts world about their favorites. Our November segment features Thelma Golden, director and chief curator of the Studio Museum of Harlem, who shares 10 pieces she thinks all New Yorkers should see.
On this episode, I'm joined by Samuel Levi Jones ahead of his latest solo exhibition at Vielmetter, Los Angeles, abstraction of truth. The exhibition presents a profound and timely critique of the structures that shape our understanding of authority and history. Jones' method of deconstructing books and now, flags serves as a powerful metaphor for the dismantling of the colonial and imperial narratives that continue to influence our legal and social systems. By physically tearing apart these symbols of power and reassembling them into abstract compositions, Jones not only challenges the authority of these texts but also invites viewers to question the origins and implications of the knowledge they represent.Samuel Levi Jones was born and raised in Marion, Indiana, and he lives and works in Indianapolis, Indiana. Trained as a photographer and multidisciplinary artist, he earned a B.A. in Communication Studies from Taylor University and a B.F.A from Herron School of Art and Design in 2009. He received his MFA in Studio Art from Mills College in 2012. He is the recipient of the 2014 Joyce Alexander Wein artist prize awarded by the Studio Museum in Harlem.
This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.
Episode No. 662 features artists Sarah Sze and Zoë Charlton. The Nasher Sculpture Center in Dallas is showing "Sarah Sze," a presentation of new works that explore how memory marks time and space, and how art negotiates image and object. The exxhibition is on view through August 18. Sze represented the United States at the 2013 Venice Biennale. Other -ennials at which her work has been featured include the Whitney (2000), Carnegie (1999), Berlin (1998), Guangzhou (2015), Liverpool (2008), and Lyon (2009). She has made public artworks for sites such as LaGuardia Airport in New York, and Storm King Art Center. Charlton is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. The exhibition presents impressions of the Great Migration as considered by a dozen contemporary artists. The exhibition, which was co-curated by Ryan N. Dennis and Jessica Bell Brown, was organized for Berkeley by Anthony Graham with Matthew Villar Miranda. It's on view through September 22. Charlton's work often addresses culturally loaded landscapes and histories. It has been included in exhibitions at museums such as the Studio Museum in Harlem and Crystal Bridges Museum of American Art, Bentonville, Ark. Her work is in the collection of museums such as The Phillips Collection, Washington, DC, the Birmingham (Ala.) Museum of Art, and the Baltimore Museum of Art. Instagram: Zoe Charlton, Tyler Green.
Ep.206 David Huffman (b. 1963, Berkeley, CA) has work in the collections of SFMOMA, San Francisco; LACMA, Los Angeles; Berkeley Art Museum, CA; Studio Museum, Harlem; Minneapolis Institute of Art, MN; Oakland Museum of California; Crocker Art Museum, Sacramento, CA; San José Museum of Art, CA; Palo Alto Art Center, CA; Eileen Norton Collection, Los Angeles; Birmingham Museum of Art, AL; Frederick R. Weisman Art Museum, Minneapolis, MN, Arkansas Art Center; ASU Art Museum, Tempe, AZ; Lodeveans Collection, London; and the Embassy of the United States of America, Dakar, Senegal, among others. Huffman enjoyed a recent solo exhibition at the Museum of the African Diaspora, San Francisco and has been included in recent group exhibitions at the de Young Museum, San Francisco; Everson Museum of Art, NY; Weatherspoon Museum of Art, NC; and The Write Museum, MI. He is the recipient of numerous awards and residencies including the Eureka Fellowship, ARTADIA San Francisco, Palo Alto Public Arts Commission, and the Barclay Simpson Award. He studied at the New York Studio School and received his MFA at California College of the Arts & Crafts, San Francisco. Huffman lives and works in Oakland, CA; he is currently on the board at SFMOMA. Huffman is represented by Jessica Silverman, San Francisco and Casey Kaplan, New York. Photo credit: Francis Baker Artist http://david-huffman.com/ Casey Kaplan https://caseykaplangallery.com/artists/david-huffman/ | https://caseykaplangallery.com/?exhibitions=david-huffman Jessica Silverman https://jessicasilvermangallery.com/online-shows/david-huffman-odyssey/ SFMOMA https://www.sfmoma.org/artist/David_Huffman/ BAMPFA https://bampfa.org/event/artists-curatorial-gallery-talks-david-huffman MOAD SF https://www.moadsf.org/exhibitions/david-huffman-terra-incognita KQED https://www.kqed.org/arts/13911456/at-moad-david-huffmans-terra-incognita-explores-black-trauma-among-the-stars Studio Museum in Harlem https://www.studiomuseum.org/artists/david-huffman PAFA https://www.pafa.org/museum/collection-artist/david-huffman Hyperallergic https://hyperallergic.com/678893/david-huffman-afro-hippie-berkeley-art-center/ Berkeley Side https://www.berkeleyside.org/2021/08/13/david-huffman-berkeley-art-center U.S. Dept of State https://art.state.gov/personnel/david_huffman/ California College of the Arts https://www.cca.edu/newsroom/faculty-spotlight-david-huffman-paintingdrawing-fine-arts/ Open-Editions https://open-editions.com/collections/david-huffman Miles McEnery https://www.milesmcenery.com/exhibitions/david-huffman Templon https://www.templon.com/exhibitions/cosmography/ Artforum https://www.artforum.com/events/david-huffman-3-250228/ ARTnews https://www.artnews.com/art-in-america/aia-reviews/david-huffman-protest-paintings-casey-kaplan-1234707187/ Daily Art Fair https://dailyartfair.com/exhibition/18000/david-huffman-casey-kaplan
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This Episode, Emily chats with Los Angeles based sculptor & printmaker, Alison Saar. She was visiting the Bay Area recently working with Arion Press on their recent production of Octavia Butler's Kindred. They dive Alison's artistic journey, influences, and her recent project illustrating Octavia Butler's 'Kindred' for Arian Press. Alison reflects on her upbringing in a creatively rich environment, heavily influenced by her artist parents, Betty and Richard Saar. She discusses her techniques, particularly her affinity for woodcuts and linoleum blocks, and the importance of texture in her work. The conversation also touches on Saar's interest in African and Indigenous art, her spiritual connections, and significant influences such as Elizabeth Catlett. The episode concludes with insights into Saar's favorite creatively inspiring places in Los Angeles and her experience of continuously making art from a young age.About Artist Alison Saar:Alison credits her mother, acclaimed collagist and assemblage artist Betye Saar, with exposing her to metaphysical and spiritual traditions. Assisting her father, Richard Saar, a painter and art conservator, in his restoration shop inspired her learning and curiosity about other cultures.Saar studied studio art and art history at Scripps College in Claremont, California, receiving a BA in art history in 1978. In 1981 she earned her MFA from the Otis Art Institute in Los Angeles. In 1983, Saar became an artist-in-residence at the Studio Museum in Harlem, incorporating found objects from the city environment. Saar completed another residency in Roswell, New Mexico, in 1985, which augmented her urban style with Southwest Native American and Mexican influences.Saar's style encompasses a multitude of personal, artistic, and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints incorporate found objects including rough-hewn wood, old tin ceiling panels, nails, shards of pottery, glass, and urban detritus. The resulting figures and objects become powerful totems exploring issues of gender, race, heritage, and history. Saar's art is included in museums and private collections across the U.S.Visit Alison on the web by CLICKING HERE. Follow Alison on Instagram: @Alison_SaarLearn more about her Kindred project with Arion Press HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
This week on The Art Career Emily sits down in the empty galleries of, Giants: Art from the Dean Collection, with Kimberli Gant, Curator of Modern & Contemporary Art at the Brooklyn Museum. Kimberly Gant has curated numerous exhibitions and gallery reinstallations including the Giants: Art from the Dean Collection of Swizz Beatz & Alicia Keys, Spike Lee: Creative Sources (20023-2024), A Movement in Every Direction: Legacies of the Great Migration (2003), and Black Orpheus: Jacob Lawrence & the Mbari Club (2022). Gant received her PhD in Art History from the University of Texas Austin (2017), and holds both a MA and BA in Art History from Columbia University (2009) and Pitzer College (2002). Gant has published scholarly work in academic books, such as Anywhere But Here: Black Intellectuals in the Atlantic World and Beyond (2015), art publications such as NKA: Journal of Contemporary African Art, Art Lies and African Arts, and exhibition catalogues for The Brooklyn Museum, the Chrysler Museum, The Newark Museum, The Contemporary Austin, the Studio Museum of Harlem, MoCADA, Paris Photo, and the Centre for Contemporary Art Lagos. A huge thanks to Swiss Beats and Alicia Keys for understanding the importance of artists supporting artists. @drkimgant @brooklynmuseum
O primeiro voo solo da ave negra de Tadáskía, artista plástica brasileira, aconteceu nesta semana em Nova York em uma das salas do renomado Museu de Arte Moderna (MoMA). A exposição Projects: Tadáskía abriu ao público nesta sexta-feira (24). Luciana Rosa, correspondente da RFI em Nova YorkEm exposição com curadoria conjunta com o The Studio Museum no Harlem, sob a coordenação de Thelma Golden, a curadora Ana Torok, mente por trás da mostra, conta que a parceria pretende colocar em evidência as promessas da arte. "Queremos dar uma plataforma, mostrar artistas emergentes, ou artistas que pensamos ter um estilo singular. Nesse caso, muitos dos meus colegas viram a mostra da Tadáskía na Bienal de São Paulo do ano passado", conta.O trabalho da artista foi um dos principais destaque da 35ª Bienal de São Paulo, com "Coreografias do Impossível" (2023), uma instalação de grande porte com seus desenhos murais e esculturas.Na perspectiva da artista carioca, a estreia no MoMA é também um sonho sendo realizado. "É realmente uma situação quase fantasiosa se tornando verdade", diz.Uma poesia, nascida em um momento de hospitalização durante a infância de Tadáskía, foi transformada em um livro, cujas 61 páginas se espalham pelas paredes, acompanhadas de desenhos feitos em papel e, finalmente, envolvidos pelo grande mural feito em lápis carvão e coloridos com a ajuda de 5 assistentes. Um trabalho de amor, como define Ana Torok, sobre as três semanas de confecção da instalação. No audioguia da mostra, Tadáskía compara os desenhos feitos na parede a um livro de colorir gigante através do qual ela convida outros artistas a colorir livremente.Uma fluidez que a artista explica fazendo uma analogia a sua própria experiência de vida. "Acredito que, de novo, seja a passagem de uma coisa a outra. Então, no livro, Ave Preta Mística, que é o meu primeiro livro, dá para ver uma passagem de sensações a qual essa ave se depara. Muitas vezes ela se depara com o sol, com a montanha, e com outros seres que parecem familiares, mas são desconhecidos, é a luz, é a linha, tem momentos de alegria, mas também tem momentos mais solitários", conta a artista. Em seu trabalho, Tadáskia mistura desenho, poesia e escultura, e têm preferência por materiais vivos e perecíveis como vegetais, temperos, frutas, bambus e até casca de ovo. Ela diz que "as esculturas têm essa natureza" e "que o tempo de vida de cada elemento nessas esculturas passa de maneira diferente. Então um líquido evapora, o pó renasce, as frutas cedem ao tempo", explica. A ave negra que voou até o MoMAA curadora Thelma Golden apresenta Tadáskía explicando que nos Estados Unidos, as pessoas pretas nascem sabendo que é preciso estar pronto para enfrentar todo o tipo de situação, e que a brasileira é um bom exemplo de alguém que já nasceu pronta para a vida.Suas palavras se dirigem a uma artista que teve de enfrentar muitos desafios até descobrir seu caminho para a liberdade. Preta e Trans, Tadáskía faz questão de reforçar sua identidade e diz que é "extremamente emocionante" chegar onde chegou e que espera "que as pessoas vejam - através de seu exemplo - que há muitas possibilidades de ser trans e negra, não existe só uma maneira determinada pela sociedade". Ave Negra Mística, segundo ela, evoca essa liberdade, "que é uma liberdade individual, e também coletiva".Seu voo solo ao MoMA, teve algumas paradas internacionais anteriores como Espanha, Portugal e Holanda. Generosa, a artista diz esperar que com seu trabalho "o desejo de alçar voos alcance muitas das pessoas em situações de exclusão social e política".A obra agora faz parte da coleção permanente do MoMAEm março deste ano, o MoMA incluiu Ave Preta Mística em sua coleção permanente. "A obra que eu disse ter sido destaque da Bienal de São Paulo entrou na coleção do museu em março", conta Ana Torok. A sala onde a obra está montada é um dos espaços de acesso gratuito do museu de Nova York. Por isso, a expectativa é que esta seja uma mostra com grande apelo popular, que o público possa interagir com o mural e também se ater aos desenhos que, como explica Ana Torok, formam uma trajetória mais intimista que aberta para ser reconstruída pelo expectador. "O livro não está fechado, as páginas estão soltas, partindo da decisão da artista de que tudo pode mudar de ordem, de que não há uma ordem fixa", diz a curadora. Essa é a quinta exposição feita pelo MoMA em parceria com o Museu Studio do Harlem, que está em reforma, e atende a um desejo de expansão em direção à América Latina. "Parte da nossa missão é ter mais representação da arte da América Latina e Tadáskía nos parece uma voz contemporânea muito interessante dessa região", pontua Ana Torok.As asas de Tadáskía permitiram que ela trouxesse as cores do Rio de Janeiro a Nova York, e em uma noite primaveril em Manhattan ela descansou as penas para celebrar junto aos amigos, como diz outro poeta - Caetano Veloso - a dor e a delícia de ser o que é. "Eu sinto como se as minhas asas estivessem abertas prontas para voar a todo tempo, e estou aproveitando e comemorando essa oportunidade que a vida me ofereceu para voar".
So excited to welcome Artist, Frederick Hayes, to the podcast this week. Fred makes graphite drawings and paintings of faces, and he also creates found-material assemblage sculptures that portray the psychological interior of his subjects. Half made up and half based on the street photos that he takes, his portraits conjure up a community of people. These heads function as general archetypes but also as familiar faces that Fred might see in his community, remember from his past, or have seen in the media as victims of racial injustice. Fred Hayes is also an artist who studiously avoids being pigeonholed, and I loved hearing about how he prioritizes freedom in his varied studio practice. Find Frederick Hayes online: IG: https://www.instagram.com/fhay_00/ WEB: https://www.fredhayesstudio.com/ 2023 Lillian Orlowsky and William Freed Grant-Winners Exhibition at PAAM (thru 6/16/24, Provincetown): https://paam.org/the-2023-artist-grant-recipients/ This episode is kindly sponsored by the New York Studio School. Check out their June-July 2024 Summer Marathon courses here: nyss.org Artists mentioned: Henri Matisse, Emil Nolde, Cartier Bresson, Robert Rauschenberg, Margaret Kilgallen, Terry Hoff & Chris Johanson of the Mission School / Luggage Store Gallery, Max Beckmann Frederick Hayes has exhibited work at Triple Candie, the Studio Museum, Hallwalls Contemporary, New Museum, San Francisco Museum of Modern Art, San Jose Museum, San Diego Museum of Contemporary Art, Addison Gallery of American Art, DeSaisset Museum, Boston University, Number 35, and the Luggage Store and Patricia Sweetow Gallery in San Francisco, CA. Hayes has held residencies at MacDowell, VCCA, LMCC and The Headlands Center for the Art. He is the recipient of a 2020 NYFA-NYSCA Fellowship in Printmaking/Drawing/Book Arts, a 2012 & 2001 Pollack-Krasner Grant, a 2010 Robert Blackburn Workshop Studio Immersion Program Fellowship, a 2000 San Francisco Art Commission Individual Artist Grantand his work is in the collection of the San Francisco Museum of Modern Art, the New Museum of Contemporary Art, the Studio Museum in Harlem, the Addison Gallery of American Art, and UC Berkeley Art Museum Thank you, Fred! Thank you Patrons and Listeners! Appreciate everyone! Check the pod out on IG! And why not review Peps on Apple Podcasts? Yay! Find me, your beloved host, online at: amytalluto.com and @talluts All music by Soundstripe ---------------------------- Pep Talks Website: peptalksforartists.com Pep Talks on IG: @peptalksforartists Amy, your beloved host's website: amytalluto.com Amy, your beloved host, on IG: @talluts Pep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8s BuyMeACoffee Donations always appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support
I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith. Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum's vision, Beckwith's career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem. Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024. But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can't wait to find out more. -- LINKS: Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection https://www.guggenheim.org/about-us/staff/naomi-beckwith https://www.sengasenga.com/ https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/ https://www.youtube.com/watch?v=DutixbTscWM https://www.moma.org/calendar/exhibitions/5078 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
I found out about Ravon through the newsletter she launched this earlier year, New Terms & Conditions, a glossary for an anti-colonial black feminist Critical Media Ecology or abc glossary for short. Ravon Ruffin Feliz (she/they) is a new york-based artist, cyber anthropologist, writer, educator, and founder of Citation Studio, a Black feminist experimental thinking studio mapping the possibilities of computing, archives, and nature with/on/for/at the internet. She has worked in the arts and culture sector for 10+ years tending to public engagements with art, archives, and the internet, URL and AFK. Ravon has held positions at the New Museum, The Studio Museum in Harlem, The Museum of Modern Art, and the Smithsonian National Museum of African American History and Culture across education, public programs, and digital strategy design. She has a M.A. in American Studies from George Washington University, and a degree in Anthropology from VCU, two cultural landscapes that have deeply shaped her practice. In this episode we delve into Ravon's background in museums and also her views on technology through a black feminist perspective. Enjoy! Links: abcglossary.xyz (glossary coming soon here) blackle.com sfpc.study (school for poetic computation Jingle by: space primo
American artist Charles Gaines' body of work engages formulas and systems that interrogate relationships between the objective and the subjective realms. In his drawings, works on paper and photographs he investigates how rule-based processes and systems construct the experiences of aesthetics, politics, and language. By employing multi-layered practices, including images, texts, and grids, as well as working in a serial character, Gaines examines image structures while critically questioning forms of representation. He recently retired from the CalArts School of Art, where he was on faculty for over 30 years and established a fellowship to provide critical scholarship support for Black students in the M.F.A. program. His work has been the subject of numerous exhibitions in the United States and around the world, most notably at Dia:Beacon, San Francisco Museum of Modern Art, The Studio Museum, Harlem NY, and Hammer Museum, Los Angeles CA. His work has also been presented at the 1975 Whitney Biennial and the Venice Biennale in 2007 and 2015. In addition to his artistic practice, Gaines has published several essays on contemporary art, including Theater of Refusal: Black Art and Mainstream Criticism (University of California, Irvine, 1993) and The New Cosmopolitanism (California State University, Fullerton, 2008). In 2019, Gaines received the 60th Edward MacDowell Medal. He was inducted into the National Academy of Design's 2020 class of National Academicians and the American Academy of Arts and Letters in May 2022. In 2023, he received an honorary doctorate from his alma mater, the Rochester Institute of Technology in New York. He and I spoke about legacy, continuous learning, creating context and systems, paradoxes of perception, feeling versus intellectual exercises in art, the language of art and what is possible, tantric Buddhist art, chance as a method, philosophy of aesthetics, trees, and AI!
Welcome to Season 5 of The Art Career where we sit down with Sienna Fekete at The Lower East Side Girls Club. Sienna Fekete is a Curator and Educator based in New York City with a background in radio, podcasting, and music. She is currently the Senior Arts Manager at The Lower Eastside Girls Club. Additionally, she is the curator of The Community Cookbook project volumes 1-3, was the 2021–2022 Curatorial Fellow at The Kitchen, was the host of the Points of View podcast via Cultured Magazine, and and was a Co-founder of Chroma, a cultural agency and creative studio centering on the work and perspectives of women of color. She looks forward to creating more women of color-led initiatives, producing audio projects, spearheading public programming and educational opportunities, growing her practice as a curator, and building collectively with her community. She has worked with BBC Radio 1 and 1Xtra, On Air Fest, Red Bull Arts, NTS, The Lot Radio, StoryCorps, Top Rank Magazine, Domino Sound, SiriusXM, Adidas, Nike, CultureHub, AnOther Magazine, BOMB Magazine, Dazed Magazine, Awake NY, Knockdown Center, Abrons Art Center, Glossier, The Standard, Calvin, Klein, Silica Magazine, Sky High Farm, Ethel's Club, Buffalo Zine, 8 Ball Community, Documenting the Nameplate, POWRPLNT, TXTbooks, Park Avenue Armory, The New Museum, The Public Art Fund, The Studio Museum in Harlem, MoMa, MoMA PS1, Printed Matter, The Community Paris, The Guggenheim, and The Museum of Contemporary Art, Los Angeles. theartcareer.com Sienna Fekete: @sii_sii The Lower Eastside Girls Club @girlsclubny Follow us: @theartcareer Podcast host: @emilymcelwreath_art Editing: @benjamin.galloway
Ep.198 Allison Janae Hamilton (b. 1984 in Kentucky, raised in Florida) has exhibited widely across the U.S. and abroad. Her work has been the subject of institutional solo exhibitions at the Georgia Museum of Art, the Joslyn Art Museum, Massachusetts Museum of Contemporary Art (MASS MoCA), and Atlanta Contemporary, as well as a commissioned solo project with Creative Time. Her sculpture, Love is like the sea… (2023) is currently on view in the Poydras Corridor Sculpture Exhibition, presented by The Helis Foundation in New Orleans, LA. Select recent group exhibitions include The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Virginia Museum of Fine Arts; Shifting Horizons, Nevada Museum of Art; Enunciated Life, California African Art Museum; More, More, More, TANK Shanghai; and Indicators: Artists on Climate Change, Storm King Art Center. Work by the artist is held in public collections such as the Studio Museum in Harlem, the Hood Museum of Art, The Menil Collection, Nasher Museum of Art, Nevada Museum of Art, and Speed Museum of Art, among others. Hamilton has participated in a range of fellowships and residencies, including at the Whitney Independent Study Program, New York, NY; the Studio Museum in Harlem, New York, NY; and Fundación Botín, Santander, Spain. She is the recipient of the Creative Capital Award and the Rema Hort Mann Foundation Grant. Hamilton holds a PhD in American Studies from New York University and an MFA in Visual Arts from Columbia University. She lives and works in New York. Portrait: Heather Sten Artist https://www.allisonjanaehamilton.com/ Marianne Boesky Gallery https://marianneboeskygallery.com/artists/60-allison-janae-hamilton/press/ Storm King Art Center https://indicators.stormking.org/allison-janae-hamilton/ Georgia Museum of Art https://georgiamuseum.org/exhibit/allison-janae-hamilton-between-life-and-landscape/ University of Georgia https://www.wuga.org/show/museum-minute/2022-10-28/museum-minute-allison-janae-hamilton Nasher Museum of Art https://nasher.duke.edu/stories/allison-janae-hamilton-floridawater-ii-sisters-wakulla-county-fl-and-when-the-wind-has-teeth/ Helis Foundation https://www.thehelisfoundation.org/pcse/love-is-like-the-sea... Pippy HouldsworthGallery https://www.houldsworth.co.uk/exhibitions/140-tales-of-soil-and-concrete-brett-goodroad-allison-janae-hamilton-yun-fei-ji-arturo/works/ The Highline https://www.thehighline.org/art/projects/allison-janae-hamilton/ Contemporary Art Library https://www.contemporaryartlibrary.org/artist/allison-janae-hamilton-6327 Artpil https://artpil.com/allison-janae-hamilton/ The Clark https://www.clarkart.edu/microsites/humane-ecology/about-the-artists/allison-janae-hamilton UGA Today https://news.uga.edu/nature-is-at-the-center-of-allison-janae-hamiltons-work/ Rema Hort Mann Foundation https://www.remahortmannfoundation.org/allison-janae-hamilton/ Ogden Museum https://ogdenmuseum.org/event/florida-stories-a-conversation-with-author-lauren-groff-and-visual-artist-allison-janae-hamilton/ Kids Kiddle https://kids.kiddle.co/Allison_Janae_Hamilton WWD https://wwd.com/feature/allison-janae-hamilton-marianne-boesky-gallery-art-exhibition-1234792142/ Whitewall Art https://whitewall.art/art/allison-janae-hamilton-interrogates-myths-around-landscape-and-stories-of-paradise/ Whitewall Art https://whitewall.art/whitewaller/allison-janae-hamilton-a-romance-of-paradise/ Where y'at https://www.whereyat.com/allison-janae-hamilton-lauren-groff-florida-new-orleans The Bitter Southerner https://bittersoutherner.com/summer-voices/aunjanue-ellis/allison-janae-hamilton C& https://contemporaryand.com/exhibition/allison-janae-hamilton-a-romance-of-paradise/ The University of Texas at Austin https://repositories.lib.utexas.edu/items/3f37e356-f2a7-4f3b-a9d4-7614ddfac848 Urban Milwaukee https://urbanmilwaukee.com/people/allison-janae-hamilton/
Rudy has a show up and we are releasing this episode for 2016 on the occasion. KATES-FERRI PROJECTS is delighted to present Rudy Shepherd's first solo exhibition with the gallery, THE GOLDEN AGE, from April 3 to May 5, 2024, with a reception on Friday, April 5, from 6:00 PM to 8:00 PM at their 561 Grand Street space. This collection of acrylic on canvas paintings evolves from Shepherd's ongoing portrait series and delves into the visual culture of the golden age of hip-hop in the 1980s and 1990s, a period of tremendous innovation and stylistic experimentation in the genre. The artist renders intricate portraits of legendary musicians from iconic publicity photos and album covers, crafting massive 3' by 4' and 4' by 4' works that display the bravado and opulence of hip-hop while also interrogating it, prompting the viewer to reflect on the many meanings embedded in hip-hop imagery and music. Rudy Shepherd received a BS in Biology and Studio Art from Wake Forest University and an MFA in Sculpture from the School of Art Institute of Chicago. He has been in solo exhibitions at Aldrich Museum of Contemporary Art, CT, Latchkey Gallery, NY, Mixed Greens Gallery, NY, Smack Mellon, Brooklyn, NY, Regina Miller Gallery, Carnegie Mellon University, Pittsburgh, PA and group exhibitions at MoMA PS1, NY, The Studio Museum in Harlem, NY, Bronx Museum of Art, NY, Art in General, NY, Triple Candie, NY, Socrates Sculpture Park, NY, Cheekwood Museum of Art, TN, Contemporary Museum, Baltimore, MD, Aldrich Museum of Contemporary Art, CT, Southeastern Center of Contemporary Art, NC, Museum of Science and Industry, Chicago, IL, Tart Gallery, San Francisco, CA and Analix Forever Gallery, Geneva, Switzerland. He has been awarded Artist in Residence at PS1 National/International Studio Program, PS1 Contemporary Art Center, Long Island City, NY, Artist in Residence Visual + Harlem, Jacob Lawrence Institute for the Visual Arts, New York, N, Emerging Artist Fellowship, Socrates Sculpture Park, Long Island City, NY, Artist in Residence, Location One, NY, Process Space Artist in Residence Program Governors Island, Lower Manhattan Cultural Council, New York, NY. He has done public art projects on the campus of Carnegie Mellon University, Pittsburgh, PA, Penn State University, PA at Socrates Sculpture Park, Long Island City, NY, First Street Green Art Park, New York, NY and the Three Rivers Arts Festival, Pittsburgh, PA in 2015 and in Harlem in collaboration with the Studio Museum in Harlem.
Ep.196 Jacob Mason-Macklin lives and works in Queens, New York. Mason-Macklin graduated from the Columbus College of Art & Design in 2017. He is a 2016 alumnus of the Yale-Norfolk Summer School of Art and a 2019 alumnus of the Skowhegan School of Painting and Sculpture. In 2021-2022, Mason-Macklin was an Artist-in Residence at The Studio Museum in Harlem, Harlem, New York, USA. Recent exhibitions include: “Underground” at Mamoth Gallery in London, UK (2023), “The Future Won't Be Long Now” at SOMEDAY, Lower Manhattan, New York, USA (2023), and “It's Time For Me To Go” at MOMA PS1, Long Island City, New York, USA (2022-2023). A dou-exhibition with artist Ryan Huggins at Page gallery, New York, USA (2021). “Soul Procession” at Interstate Projects, Brooklyn, New York, USA (2020). “Pure Hell” at No Place Gallery in Columbus, Ohio, USA (2020); “Bounty” with Cudelice Brazelton at the Jeffrey Stark Gallery in New York, USA. Curated by Amanda Hunt (2017). Photo credit for headshot: Ally Caple Studio Museum Harlem https://www.studiomuseum.org/artists/jacob-mason-macklin MoMA https://www.moma.org/slideshows/626 MAMOTH https://www.mamoth.co.uk/exhibitions/42/installation_shots/image1586/ MAMOTH https://www.mamoth.co.uk/blog/47-watch-jacob-mason-macklin-s-residency-journey-in-london/ Art Rabbit https://www.artrabbit.com/events/jacob-masonmacklin-underground Artfacts https://artfacts.net/exhibition/jacob-mason-macklin:-underground/1143681 Art Viewer https://artviewer.org/jacob-mason-macklin-at-mamoth/ Page NYC https://page-nyc.com/exhibitions/jacob-mason-macklin Jeffrey Stark https://www.jeffreystark.nyc/project/cudelice_brazelton_jake_mason_macklin/
Today's episode features world famous visual artist Zoë Buckman (b. 1985 Hackney, East London): a multi-disciplinary artist working in sculpture, installation, and photography, exploring themes of Feminism, mortality, and equality. We talk about her origins and the line she tows between soft and hard both as an artist and advocate. Zoë is an intersectional feminist and we talk about what that means as a Jewish woman in 2024. More about Zoë: Notable solo shows have included BLOODWORK at Pippy Houldsworth Gallery London, Nomi at Pippy Houldsworth Gallery, London, No Bleach Thick Enough, at Pippy Houldsworth Gallery, London, Heavy Rag at Fort Gansevoort Gallery New York, Let Her Rave at Gavlak Gallery Los Angeles, Imprison Her Soft Hand at Project for Empty Space, Newark; Every Curve at PAPILLION ART, Los Angeles; and Present Life at Garis & Hahn Gallery, New York. Group shows include those at SF Moma, The Broad Museum, The Museum of Art & Design, NYC, The Parish Art Museum, The Baltimore Museum of Art, MOCA Virginia, The Camden Arts Centre, London, The Studio Museum in Harlem, The Children's Museum of the Arts, The Shirley Fitterman Center NY, MASSIMODECARLO Gallery Hong Kong, Mother Gallery, Beacon NY, Paul Kasmin Gallery NY, Goodman Gallery South Africa, Jack Shainman Gallery NY, Monique Meloche Chicago, NYU Florence Italy, Grunwald Art Gallery, Indiana University, and the Democratic National Convention, Philadelphia, the National Center for Civil and Human Rights, Atlanta, GA and The National Museum of African-American History & Culture, Washington, DC Buckman studied at the International Center of Photography (ICP), was awarded an Art Matters Grant in 2017, The Art Change Maker Award 2019 at The New Jersey Visual Arts Center, and The Art and Social Impact Award 2020 at Baxter St NYC, and completed a residency at Mana Contemporary in 2017. Public works include MENDED: a Times Square Midnight Momenta, a mural, We Hold These Truths To Be Self-Evident, in collaboration with Natalie Frank at the Ford Foundation Gallery of New York & Live Arts in NYC, and various billboard projects with For Freedoms. In February 2018 Buckman unveiled her first Public Sculpture presented by Art Production Fund on Sunset Blv, Los Angeles, a large scale outdoor version of her neon sculpture Champ, which has been up for several years. Buckman's work is included in the permanent collections of The National Portrait Gallery, London, The Institute of Contemporary Art, Miami, The Baltimore Museum of Art, The Rose Art Museum, Brandeis University, The Lowe Art Museum, University of Miami, The Chrysler Museum Virginia, and The Studio Museum in Harlem. More @zoebuckman on Instagram and at ZoeBuckman.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode No. 645 features curator María Elena Ortiz and artist Kenny Rivero. Ortiz is the curator of "Surrealism and Us: Caribbean and African Diasporic Artists since 1940" at the Modern Art Museum of Fort Worth. The exhibition investigates the history of surrealism in the Caribbean and posits that Caribbean intellectuals were key to the development of surrealism in other sites, such as Europe. The exhibition also examines the relationship between Caribbean surrealism and the Afrosurreal in the United States. The exhibition is at MAMFW through July 28. An excellent exhibition catalogue was published by DelMonico Books. Amazon and Bookshop offer it for about $50. Rivero is among the artists whose work is included in "Surrealism and Us." Rivero's work deconstructs histories and explores the construction of identity through paintings, collage, drawings, and sculpture. His work is in the collections of museums such as the Crystal Bridges Museum of American Art, Bentonville, Ark., the Baltimore Museum of Art, the Studio Museum in Harlem, El Museo del Barrio, New York, and the Whitney Museum of American Art, New York. Instagram: María Elena Ortiz, Kenny Rivero, Tyler Green.
Ep.192 Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023, Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges' 120-acre campus through a series of new commissions, touring group exhibitions, and long term loans. She has also acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, Counterpublic Triennial, Prospect New Orleans triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, and ART21 Magazine, amongst others. Glenn sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit. Photograph by Grace Roselli Allison Glenn https://www.allisonglenn.com/ Artnet https://news.artnet.com/art-world/valuations-allison-glenn-2395989 NYTimes https://www.nytimes.com/2023/05/09/arts/design/counterpublic-st-louis-public-art.html ARTnews https://www.artnews.com/art-news/artists/qa-david-adjaye-on-his-first-permanent-sculpture-1234670283/ e-flux https://www.e-flux.com/criticism/537239/counterpublic-2023 NPR https://www.stlpr.org/arts/2023-03-07/massive-public-art-exhibition-will-highlight-historical-injustices-in-st-louis The Architects Newsletter https://www.archpaper.com/2022/04/david-adjayes-first-permanent-public-artwork-among-art-and-architectural-commissions-for-2023-counterpublic-triennial-in-st-louis/ Artnet https://news.artnet.com/art-world/counterpublic-2023-2106157 ARTnews https://www.artnews.com/list/art-news/artists/shaping-art-2022-deciders-1234612406/naomi-beckwith/ NYTimes https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html Observer https://observer.com/power-series/2021-arts-power-50/ Artforum https://www.artforum.com/features/huey-copeland-and-allison-glenn-on-promise-witness-remembrance-249992/ SAIC https://www.saic.edu/news/alum-allison-glenn-and-the-power-of-listening NYTimes https://www.nytimes.com/2021/03/11/arts/design/speed-museum-breonna-taylor-curator.html Art Newspaper https://www.theartnewspaper.com/2021/02/25/speed-art-museum-will-reflect-on-the-death-of-breonna-taylor-in-an-exhibition Surface https://www.surfacemag.com/articles/breonna-taylor-exhibition-speed-art-museum-other-news/#taylor Culture Type https://www.culturetype.com/2021/02/22/the-week-in-black-art-february-22-28-2021-cameron-shaw-named-executive-director-of-california-african-american-museum-aperture-names-seven-new-trustees/ Artnet https://news.artnet.com/art-world/louisville-speed-art-museum-breonna-taylor-1945823 Observer https://observer.com/2021/02/breonna-taylor-speed-art-museum-louisville/ 88.9 WEKU https://www.weku.org/post/new-speed-exhibition-honor-life-legacy-breonna-taylor#stream/0
In this week's episode, we welcome Kris Graves (and his associate Frank Francis) to our gallery and onto the podcast to discuss a multitude of topics including life with a baby, the charm and uniqueness of Queens, the origins of Hip Hop, Graves' early commissioned work, museums' and cultural institutions' feelings about NFTs, Black Lives Matter, the role that race plays in art, history, and society, working day jobs, and how NFTs can be gate keeper resistant, and what is next for Graves. Originally recorded February 13, 2023 Kris Graves (b. 1982 New York, NY) is an artist and publisher based in New York and California. Graves creates artwork that deals with societal problems and aims to use art as a means to inform people about cultural issues. Using a mix of conceptual and documentary practices, Graves photographs the subtleties of societal power and its impact on the built environment. He explores how capitalism and power have shaped countries -- and how that can be seen and experienced in everyday life. Graves also works to elevate the representation of people of color in the fine art canon; and to create opportunities for conversation about race, representation, and urban life. He photographs to preserve memory. Graves received his BFA in Visual Arts from S.U.N.Y. Purchase College and has been published and exhibited globally, including Museum of Modern Art, New York; Getty Institute, Los Angeles; and National Portrait Gallery in London, England; among others. Permanent collections include the Metropolitan Museum of Art, Getty Institute, Schomburg Center, Whitney Museum, Guggenheim Museum, Museum of Fine Arts, Houston; Brooklyn Museum; and The Wedge Collection, Toronto; amongst others. Frank Frances (b.1983 Columbia, SC) is a NYC-based artist whose work challenges the everyday perceptions of memories and prejudice with close studies of photography's materiality and dynamics; he is no stranger to being both voyeur and subject. He has shown in solo and group exhibitions domestically and internationally at Sasha Wolf Gallery, The Studio Museum of Harlem, Glasshouse, Carriage Trade and Werkstadt Graz to name a few. Reviews and features of their work have appeared in publications such as The New York Times, The New Yorker, Vice, NPR, ArtInfo, Bomblog, and Bloomberg BusinessWeek among others. He received an MFA from the School of Visual Arts. His first book Remember The South is published by Monolith Editions https://krisgraves.com/ https://www.instagram.com/krisgraves/ https://twitter.com/kgpnyc https://www.instagram.com/kgpnyc/ http://www.frankfrances.com https://www.instagram.com/frankfrancesstudio/
Ep.188 Demetrio "Dee" Kerrison. Born in Harlem, NY, he now resides in Los Angeles. In 2001 after a visit to the Studio Museum of Harlem to view an exhibition titled “Freestyle” and curated by Thelma Golden and Christine Y. Kim, he decided to begin building an art collection with a particular focus on African Diasporic artists. Since then, Dee and his wife Gianna Drake Kerrison have built an eclectic contemporary art collection which foregrounds emerging and ultra contemporary figurative painters. Abstract, sculpture, conceptual, and photographic works are also featured in the collection. They are active patrons, and they site on many art focused boards both past and present to include William H. Johnson Foundation, Mistake Room, Noah Purifoy Foundation, the Hammer Museum Board of Advisors and Mike Kelly Foundation. Image ~ Photo credit Dania Maxwell/ Los Angeles Times Demetrio Dee Kerrison https://www.linkedin.com/in/deekerrison/ Gianna Drake Kerrison https://www.linkedin.com/in/gianna-drake-kerrison-76685a34/ Hammer Museum https://hammer.ucla.edu/ Cultured Magazine https://www.culturedmag.com/article/2021/11/05/dee-kerrison-life-was-forever-changed-by-art-so-what-comes-next Future Fairs https://archive.futurefairs.com/journal-posts-2/demetrio-kerrison LA Times https://www.latimes.com/entertainment-arts/story/2023-02-17/faces-of-frieze-los-angeles-2023-opening-day-photos NY Times https://www.nytimes.com/2023/12/08/arts/design/los-angeles-art-galleries.html?smid=nytcore-ios-share&referringSource=articleShare Hyperallergic https://hyperallergic.com/557471/gallery-platform-la/ Gallery Platform LA https://galleryplatform.la/editorials/demetrio-kerrison KPCC https://www.kpcc.org/show/take-two/2018-01-15/why-these-art-collectors-in-orange-county-are-focusing-on-artists-of-color Noah Purifoy Foundation https://www.noahpurifoy.com/board-of-trustees
I Like Your Work: Conversations with Artists, Curators & Collectors
James Everett Stanley is a New England-based painter whose work has been exhibited most recently at Sean Horton Presents, New York (2023); Hirschl & Adler Modern, New York (2023); Provincetown Arts Society, Provincetown (2023); EXPO Chicago (2022); Art Basel Miami Beach (2021); Gaa Gallery, Provincetown (2020); and his work is included in the permanent collection of The Studio Museum in Harlem. A graduate of the MFA program at Columbia University, Stanley is the recipient of fellowships from the Sharpe-Walentas Studio Program, Skowhegan School of Painting and Sculpture, and The Fine Arts Work Center in Provincetown. He is associate professor of painting at Massachusetts College of Art and Design in Boston, Massachusetts. LINKS: jameseverettstanley.com www.instagram.com/jamesestanley I Like Your Work Links: Check out our sponsor for this episode: The Sunlight Podcast at https://www.sunlighttax.com/podcast Chautauqua Visual Arts: https://art.chq.org/school/about-the-program/two-week-artist-residency/ 2-week residency https://art.chq.org/school/about-the-program/ 6-week residency Join the Works Membership ! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram
Join Quenton Baker and special guests for a celebration of and conversation on their new book ballast. This event occurred on April 26, 2023. Ballast is a poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery. In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker's ballast is an attempt at incomplete redress. With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker's poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions. Ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry. Poets: Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, jubilat, Vinyl, The Rumpus, and elsewhere.They are a two-time Pushcart Prize nominee and the recipient of the2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of This Glittering Republic (Willow Books, 2016) and we pilot the blood (The 3rd Thing, 2021). Marwa Helal was born in Al Mansurah, Egypt. She is the author of Ante body (Nightboat Books, 2022), Invasive species (Nightboat Books, 2019), the chapbook I AM MADE TO LEAVE I AM MADE TO RETURN (No Dear, 2017) and a Belladonna chaplet (2021). Helal is the winner of BOMB Magazine's Biennial 2016 Poetry Contest and has been awarded fellowships from the Whiting Foundation, New York Foundation of the Arts, Jerome Foundation, Poets House, Brooklyn Poets, and Cave Canem, among others. She has presented her work at the Museum of Modern Art (MoMA), the Studio Museum in Harlem, the Brooklyn Museum, and the Guggenheim Museum. Douglas Kearney has published seven collections, including Optic Subwoof (2022), the 2022 Griffin Poetry Prize-winning Sho (2021), Buck Studies (2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and California Book Award silver medalist (Poetry). M. NourbeSe Philip calls Kearney's collection of libretti, Someone Took They Tongues (2016), “a seismic, polyphonic mash-up.” Kearney's Mess and Mess and (2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called “an extraordinary book.” WIRE magazine calls Fodder (2021), a live album featuring Kearney and frequent collaborator, Val-Inc., “Brilliant.” Natasha Oladokun is a Black, queer poet and essayist from Virginia. She earned a BA in English from the University of Virginia, and an MFA in creative writing from Hollins University. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Watch the live event recording: https://youtube.com/live/Sp7hlQNb2FE?feature=share Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Tschabalala Self is an artist born in Harlem who lives and works in Upstate New York. She received her undergraduate degree at Bard and her MFA from Yale. Recent solo exhibitions and perfiormances include Kunstmuseum, St Gallen, Le Consortium in Dijon, Performa 2021 Biennial in NYC, the Baltimore Museum of Art, the ICA in Boston, the Hammer Museum in LA, Art Omi in Ghent, the Yuz Museum in Shanghai and many others. She has had several museum shows and has had residencies at the Studio Museum in Harlem, the Red Bull House of Art in Detroit, Liquitex work residency in London, the Fountainhead Residency in Miami and many others. Her work has been covered in Art in America, ArtForum, Artnet, Bomb, Cultured, Essence, Frieze, Hyperallergic, The New York Times, T Magazine, The Art Newspaper, The Guardian, Vouge, W and more. Her work can be found in countless institutions, with highlights that include The Art Institute of Chicago, The Baltimore Museum of Art, the Brooklyn Museum, the California African American Museum, the Hirshhorn, LACMA, the New Museum, the MCA in LA, the Guggenheim, the Studio Museum in Harlem and the Whitney Museum. Buy the Sound & Vision book "WHY I MAKE ART" here: https://atelier-editions.com/products/why-i-make-art Thanks to all for listening to the podcast and making it possible to hit 400 episodes!
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with East Bay Artist David Huffman, a painter, installation artist and educator. About Artist David Huffman:David Huffman studied at the New York Studio School, New York, NY and the California College of the Arts and Crafts in Oakland, CA. He received his MFA at the California College of the Arts in San Francisco in 1999. Huffman has had solo shows at venues including, Miles McEnery Gallery, New York, NY (2019); Jessica Silverman Gallery, San Francisco, CA (2018); Worlds in Collision, Roberts and Tilton Gallery, Culver City, CA (2016). Recent group exhibitions include To the Hoop, Basketball and Contemporary Art, Weatherspoon Museum of Art, NC (upcoming); Ordinary Objects / Wild Things, de Young Museum, San Francisco, CA (2019); and Sidelined, Curated by Samuel Levi Jones, Galerie Lelong & Co, New York, NY (2018).In 2019, Huffman completed permanent commissions in Oakland and San Francisco at the Chase Center in collaboration with SFMOMA.His work may be found in the permanent collections of Arizona State University Art Museum, Arizona State University, Tempe Campus, Tempe, AZ; Berkeley Art Museum and Pacific Film Archive, University of; California, Berkeley, Berkeley, CA; Birmingham Museum of Art, Birmingham, AL; San Francisco Museum of Modern Art, San Francisco, CA; The Studio Museum in Harlem, New York, NY, among others.Visit David's Website: David-Huffman.comFollow David on Instagram: @DavidHuffmanStudioSee David's work through the Jessica Silverman Gallery--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Ep.178 features Deborah Roberts (American, b. 1962) a mixed media artist whose work challenges the notion of ideal beauty. Her work has been exhibited internationally across the USA and Europe. Roberts' work is in the collections of the Whitney Museum of American Art, New York, New York; Brooklyn Museum, New York, New York; The Studio Museum in Harlem, New York, New York; LACMA, Los Angeles, California; the Virginia Museum of Fine Arts, Richmond, Virginia, Guggenheim Museum, New York, New York, and the Modern Art Museum of Fort Worth, Fort Worth, Texas, among several other institutions. She was selected to participate in the Robert Rauschenberg Residency (2019) and was a finalist for the 2019 Outwin Boochever Portrait Competition, as well as the recipient of the Anonymous Was A Woman Grant (2018), and the Pollock-Krasner Foundation Grant (2016). Texas Metal of Arts Award (2023) Roberts received her MFA from Syracuse University, New York. She lives and works in Austin, Texas. Roberts is represented by Stephen Friedman Gallery, London and Susanne Vielmetter Los Angeles Projects, CA. Photo by Moyo Oyelola Artist https://www.deborahrobertsart.com/ Current Book https://www.radiusbooks.org/all-books/p/deborah-roberts-twenty-years-of-art-work Stephen Friedman Gallery https://www.stephenfriedman.com/artists/51-deborah-roberts/ Vielmetter https://vielmetter.com/artists/deborah-roberts/ The Contemporary Austin https://thecontemporaryaustin.org/exhibitions/deborah-roberts/ MCA Denver https://mcadenver.org/exhibitions/deborah-roberts Galerie Mitterrand https://galeriemitterrand.com/en/exhibitions/189-deborah-roberts-niki-de-saint-phalle-the-conversation-continues/ Culture Type https://www.culturetype.com/2023/10/16/on-view-deborah-roberts-is-presenting-mixed-media-collages-that-consider-black-boyhood-at-site-santa-fe/ The Guardian https://www.theguardian.com/artanddesign/2023/feb/06/black-kids-collage-legend-deborah-roberts-tyre-nichols Essence https://www.essence.com/art/deborah-roberts-artist/ University of Texas https://www.galleriesatut.org/gallery-showings/blog-post-title-one-nh7cz-ph2z8-efkhg-6gsdp-f2emz-r4g45-djdhw-28dfc-74hc7-x8z3h-jd46n Ampersand Art https://ampersandart.com/blog-full-article/featured-artist-deborah-roberts 27East https://www.27east.com/arts/artist-talk-with-deborah-roberts-2175350/ Artnews https://www.artnews.com/art-in-america/features/deborah-roberts-collage-defiance-black-children-1234591645/ Vogue https://www.vogue.com/article/deborah-roberts-artist Texas Monthly https://www.texasmonthly.com/arts-entertainment/deborah-roberts-has-exhibited-art-worldwide-she-hasnt-had-a-solo-museum-show-in-her-hometown-until-now/ Artnet News https://news.artnet.com/news/anti-trump-art-us-elections-1918311 Harpers Bazaar https://www.harpersbazaar.com/uk/culture/bazaar-art/a34244410/bazaar-art-covers-2020/ Wikipediahttps://en.wikipedia.org/wiki/Deborah_Roberts_(visual_artist) Sightline shttps://sightlinesmag.org/seeing-and-being-seen-in-a-solo-museum-deborah-roberts-asks-us-to-look
The annual Studio Museum residency has long been one of the most prestigious artist residencies in the city, and a fertile ground for emerging Black artists. The program includes alumni such as David Hammons, Mickalene Thomas, and Kehinde Wiley. A new exhibition at MoMA PS1 presents the work of the 2022-23 artists in residence: Jeffrey Meris, Devin N. Morris, and Charisse Pearlina Weston. Meris and Morris join us alongside curator Yelena Keller to discuss the show. And Ever An Edge: Studio Museum Artists in Residence 2022–23 is on view through April 8.
Ep.177 features gallerist Kendra Jayne Patrick. Her art gallery operates between Switzerland and the USA. Its programming is focused on the twenty-first century avant-garde, specializing in sculpture, painting, digital, and photography from a post-conceptual and post-internet posture. The program operates from a brick-and-mortar location in Bern, Switzerland and then spare spaces within established New York art galleries; art fairs; and unusual exhibition sites. Adventure, scholarship, and the pleasure of looking govern the gallery's programming and ethos, and all are reflected in its fluid exhibition model. Kendra Jayne Patrick artists and exhibitions have been featured in The New York Times, Vice's GARAGE magazine, Artsy, Vulture, Artnet, ARTnews, Barron's, the San Francisco Chronicle, and DAZED Magazine, Art in America, Cultured, The Guardian, Gallery Talk magazine, PHILE Magazine, Document Journal, Office Magazine, The Art Newspaper, and The New Yorker. Kendra Jayne Patrick artists are represented in collections at the Metropolitan Museum of Art, New York, NY; The Museum of Fine Arts Houston, Houston, TX; The Studio Museum in Harlem, New York, NY; The Dallas Museum of Art, The National Museum of African American History and Culture, Washington, DC. Photo credit: Ernst Fischer Kendra Jayne Patrick https://gallerykendrajaynepatrick.com/ Art Basel https://www.artbasel.com/catalog/gallery/30253/Kendra-Jayne-Patrick https://www.artbasel.com/stories/lambdalambdalambda-kendra-jayne-patrick-hua-international-young-galleries?lang=en NY Times https://www.nytimes.com/2021/12/04/arts/design/art-basel-miami-diversity.html https://www.nytimes.com/2023/09/27/t-magazine/starting-galleries-art-dealers.html Cultured Magazine https://www.culturedmag.com/article/2023/06/12/art-basel-dealers-debut Art Forum https://www.artforum.com/news/art-basel-miami-beach-reveals-2023-exhibitors-list-252980/ Art Newspaper https://www.theartnewspaper.com/2023/02/23/galleries-making-their-art-basel-debuts-this-yearand-what-theyre-bringing Art Dependence Magazine https://artdependence.com/articles/what-to-expect-at-art-basels-2023-edition-in-switzerland/ Artnet https://news.artnet.com/news-pro/where-art-basel-headed-recession-2318140 EXPO Chicago https://www.expochicago.com/exhibitors/exposure/2023-exposure Yard Concept https://www.yard-concept.com/journal/kendra-jayne-patrick Vice https://garage.vice.com/en_us/article/4ad37p/kendra-jayne-patricks-seating-chart-for-a-fall-dinner-party-in-a-pandemic Halsey McKay https://www.halseymckay.com/kendra-jayne-patrick-presents-david-jeremiah-play-press-release Gallery Girls https://gallerygurls.net/art-convos/2021/7/18/art-convo-with-kendra-jayne-patrick NADA https://www.newartdealers.org/programs/nada-miami-2020/presentations/75 Ada Friedman https://www.adafriedmanstudio.com/recent-exhibitions/kendra-jayne-patrick--fall-2022 LinkedIn https://www.linkedin.com/in/kendra-jayne-patrick-247001180/ Glasstire https://glasstire.com/2023/07/27/top-five-july-27-2023/
Ep 175~ The paintings of Calida Rawles (b. 1976, Wilmington, DE; lives and works in Los Angeles, CA) merge hyper-realism with poetic abstraction. Situating her subjects in dynamic spaces, her recent work employs water as a vital, organic, multifaceted material, and historically charged space. Ranging from buoyant and ebullient to submerged and mysterious, Black bodies float in exquisitely rendered submarine landscapes of bubbles, ripples, refracted light and expanses of blue. For Rawles, water signifies both physical and spiritual healing as well as historical trauma and racial exclusion. She uses this complicated duality as a means to envision a new space for Black healing, and to reimagine her subjects beyond racialized tropes. Enhancing the seductive nature of water, the work tempers heavier subjects with aquatic serenity and geographic and temporal ambiguities, inviting multiple readings. Embedded in her titles and topographical notations in the compositions, Rawles' canvases represent an expansive vision of strength and tranquility during today's turbulent times, while insisting on the triumph of humanity. Rawles received a B.A. from Spelman College, Atlanta, GA (1998) and an M.A. from New York University, New York, NY (2000). Solo exhibitions of her work have been organized at Lehmann Maupin, New York, NY (2021); Various Small Fires, Los Angeles, CA (2020); and Standard Vision, Los Angeles, CA (2020). Her work has been featured in numerous group exhibitions including Generation*. Jugend trotz(t) Krise, Kunsthalle Bremen, Bremen, Germany (2023); Rose in the Concrete, San Francisco Museum of Modern Art, San Francisco, CA (2023); 12th Berlin Biennale for Contemporary Art, Berlin, Germany (2022); Black American Portraits, Los Angeles County Museum of Art (LACMA), Los Angeles, CA (2021), Spelman College Museum of Fine Art, Atlanta, GA (2023); A Shared Body, FSU Museum of Fine Arts, Tallahassee, FL (2021); View From Here, Los Angeles County Museum of Art (LACMA), Los Angeles, CA (2020); Art Finds a Way, Norton Museum of Art, West Palm Beach, FL (2020); Visions in Light, Windows on the Wallis, Beverly Hills, CA (2020); Presence, Fullerton College Art Gallery, Fullerton, CA (2019); With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA (2017); Sanctuary City: With Liberty and Justice for Some, San Francisco Arts Commission, San Francisco, CA (2017); LACMA Inglewood + Film Lab, Inglewood, CA (2014); and Living off Experience, Rush Arts Gallery, New York, NY (2002). Rawles created the cover art for Ta-Nehisi Coates's debut novel, “The Water Dancer,” and her work is in numerous public and private collections, including Dallas Museum of Art, Dallas, TX; Los Angeles County Museum of Art (LACMA), Los Angeles, CA; Pérez Art Museum Miami, Miami, FL; Spelman College Museum of Fine Art, Atlanta, GA; and Studio Museum in Harlem, New York, NY. Photo credit: Marten Elder Artist https://www.lehmannmaupin.com/artists/calida-rawles/featured-works Lehmann Maupin https://www.lehmannmaupin.com/exhibitions/calida-rawles2 Various Small Fires https://www.vsf.la/exhibitions/35-calida-rawles-a-dream-for-my-lilith/overview/ Cultured Magazine https://www.culturedmag.com/article/2023/02/08/calida-rawles-painter-spelman-college-black-portraiture-exhibition Gagosian https://gagosian.com/quarterly/contributors/calida-rawles/ NYTimes https://www.nytimes.com/2021/04/09/t-magazine/calida-rawles-portrait.html The Cut https://www.thecut.com/2020/03/the-artist-whose-paintings-have-captivated-ta-nehisi-coates.html The Art Newspaper https://www.theartnewspaper.com/2022/02/19/calida-rawless-mural-makes-waves-at-new-inglewood-stadium This is Colossal https://www.thisiscolossal.com/2023/11/calida-rawles-a-certain-oblivion/ ARTnews https://www.artnews.com/art-news/artists/calida-rawles-water-paintings-lehmann-maupin-1234584059/
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Patrick Martinez, a mixed media visual artist from Los Angeles.About Artist Patrick Martinez:Patrick Martinez maintains a diverse practice that includes mixed media landscape paintings, neon sign pieces, cake paintings, and his Pee Chee series of appropriative works. The landscape paintings are abstractions composed of Los Angeles surface content; e.g. distressed stucco, spray paint, window security bars, vinyl signage, ceramic tile, neon sign elements, and other recognizable materials. These works serve to evoke place and socio-economic position, and further unearth sites of personal, civic and cultural loss.Patrick's neon sign works are fabricated to mirror street level commercial signage, but are remixed to present words and phrases drawn from literary and oratorical sources. His acrylic on panel Cake paintings memorialize leaders, activists, and thinkers, and the Pee Chee series documents the threats posed to black and brown youth by law enforcement.Patrick Martinez (b. 1980, Pasadena, CA) earned his BFA with honors from Art Center College of Design in 2005. His work has been exhibited domestically and internationally in Los Angeles, Mexico City, San Francisco, Minneapolis, Miami, New York, Seoul, and the Netherlands, and at venues including the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, the Brooklyn Museum, Crystal Bridges Museum of American Art, the Studio Museum in Harlem, the Smithsonian National Portrait Gallery, the Smithsonian NMAAHC, the Tucson Museum of Art, the Buffalo AKG Museum, the Columbus Museum of Art, the Vincent Price Art Museum, the Museum of Latin American Art, the Crocker Art Museum, the Rollins Art Museum, the California African American Museum, the Nerman Museum of Contemporary Art, and El Museo del Barrio, among others.Patrick's work resides in the permanent collections the Whitney Museum of American Art, the Broad Museum, Crystal Bridges Museum of American Art, the Museum of Contemporary Art Los Angeles (MOCA), the Rubell Museum, the Smithsonian National Museum of American History, the California African American Museum, the Autry Museum of the American West, the Benton Museum of Art at Pomona College, the Nerman Museum of Contemporary Art, the Smithsonian National Museum of African American History and Culture, the Los Angeles County Museum of Art (LACMA), the Tucson Museum of Art, the Pizzuti Collection of the Columbus Museum of Art, the University of North Dakota Permanent Collection, the JPMorgan Chase Art Collection, the Crocker Art Museum, the Escalette Permanent Collection of Art at Chapman University, the Manetti-Shrem Museum of Art at UC Davis, the Rollins Museum of Art, and the Museum of Latin American Art, among others.Patrick was awarded a 2020 Rauschenberg Residency on Captiva Island, FL. In the fall of 2021 Patrick was the subject of a solo museum exhibition at the Tucson Museum of Art entitled Look What You Created. In 2022, Patrick was awarded a residency at the Atlantic Center for the Arts. This year, Patrick's suite of ten neon pieces purchased by the Whitney Museum of American Art is on yearlong exhibition installed in the Kenneth C. Griffin Hall in the entrance of the Museum. In September 2023, Patrick opened a solo exhibition at the ICA San Francisco titled Ghost Land and in November of 2023 Patrick will exhibit in Desire, Knowledge, and Hope (with Smog) at The Broad Museum in Los Angeles, CA. Patrick will be the subject of an expansive solo exhibition at the Dallas Contemporary opening in April 2024. Patrick lives and works in Los Angeles, CA and is represented by Charlie James Gallery, Los Angeles.CLICK HERE to see more of Patrick's work. Follow Patrick on Social Media: @Patrick_Martinez_StudioFor more info on his Ghost Land Exhibit, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Ep. 168 features Chase Hall's (b. 1993, St. Paul, Minnesota). His paintings and sculptures respond to generational celebrations and traumas encoded throughout American history. Responding to a variety of social and visual systems, each of which intersects with complex trajectories of race, hybridity, economics, and personal agency, Hall generates images whose materiality is as crucial to their compositional makeup as their indelible approach to representation. A central body of paintings, made with drip-brew techniques derived from coffee beans and acrylic pigments on cotton supports, is notable for both its conceptual scope and its intimacy. The use of brewed coffee carries powerful symbolic weight since it evokes centuries-old geopolitical systems associated with the commodification of a plant native to Africa, but in Hall's hands, it also becomes a means of achieving subtle visual textures, a range of brown skin tones, and a mark-making vocabulary precipitated on the closeness of touch. Above all, however, it is his improvisational willingness to immerse himself in the indefinable personal hieroglyphics of each picture that gives his work its resonance and impact. Chase Hall was the subject of a solo exhibition at the SCAD Museum of Art, Savannah, Georgia in 2023. In 2022, Hall was commissioned by the Metropolitan Opera to produce a large-scale artwork, the monumental diptych Medea Act I & II, for its opera house in New York, on view through June 2023. Hall has been included in group exhibitions including Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum (2023), Los Angeles; Black American Portraits, Los Angeles County Museum of Art (2021); Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art, University of Illinois Chicago (2021); and This Is America | Art USA Today, Kunsthal KAdE, Amersfoort, the Netherlands. Hall has been an artist-in-residence at The Mountain School of Arts, Los Angeles; Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts; and Skowhegan School for Painting and Sculpture, Maine. Hall's work is in the permanent collections of institutions including the Los Angeles County Museum of Art; Dallas Museum of Art; Institute of Contemporary Art, Miami; Fondation Louis Vuitton, Paris; Baltimore Museum of Art; Brooklyn Museum, New York; Hammer Museum, Los Angeles; High Museum of Art, Atlanta; Montreal Museum of Fine Arts; Walker Art Center, Minneapolis; The Studio Museum in Harlem, New York; and Whitney Museum of American Art, New York. Hall lives and works in New York. Artist https://chasehallstudio.com/ David Kordansky Gallery https://www.davidkordanskygallery.com/exhibitions/chase-hall2 Pace Prints https://paceprints.com/2023/chase-hall-melanoidin Galerie Eva Presenhuber https://www.presenhuber.com/selected-public-exhibitions/chase-hall#tab:slideshow Aspen Art Museum https://www.aspenartmuseum.org/artcrush/live-auction/chase-hall Met Opera https://www.metopera.org/visit/exhibitions/current-exhibition/ Whitney Museum of Art https://whitney.org/artists/20278 Document Journal https://www.documentjournal.com/2023/03/chase-hall-the-close-of-the-day-scad-moa-art-exhibition-painting-black-culture-savannah-american-south/ New York Times https://www.nytimes.com/2022/06/02/arts/television/the-wire-20th-anniversary.html New York Times Opinion https://www.nytimes.com/2021/04/16/opinion/sunday/george-floyd-daunte-wright-minnesota.html New York Magazine https://nymag.com/author/chase-hall/ Cultured Mag https://www.culturedmag.com/article/2023/06/20/painter-chase-hall-met-opera The Art Newspaper https://www.theartnewspaper.com/2023/07/13/curator-playing-matchmaker-emerging-artists-aspen-collectors Hollywood Reporter https://www.hollywoodreporter.com/lifestyle/arts/frieze-week-2023-artists-shows-los-angeles-1235325588/
American curator Lauren Haynes is Director of Curatorial Affairs and Programs at the Queens Museum. Prior to joining the Queens Museum, Haynes worked at museums across the United States including Crystal Bridges Museum of American Art and the Studio Museum in Harlem. Haynes is a specialist in contemporary art by artists of African descent – her curatorial vision aims to challenge traditional narratives and push boundaries within the art world, embracing both established artists and emerging talents, bridging the gap between tradition and innovation. Haynes was a 2018 Center for Curatorial Leadership fellow and a recipient of a 2020 ArtTable New Leadership Award. Since 2022, Haynes has been a member of the board of the Association of Art Museum Curators (AAMC) and AAMC Foundation.She and Zuckerman discuss having work study jobs at college museums, navigating artist interactions and needs, deliberate care, growing and developing a contemporary program, tv as a hobby, dreaming of rest and moments of pause, looking for patterns, and how kids confidently talk about art!
Episode No. 608 is a holiday clips episode featuring artist Ebony G. Patterson. The New York Botanical Garden is presenting "…things come to thrive…in the shedding…in the molting…," a site-specific exhibition that immerses Patterson's work in the NYBG's spaces. It is on view in the Bronx through October 22. This episode was taped in 2020 on the occasion of “Ebony G. Patterson… while the dew is still on the roses…”, a survey of work Patterson had made in the previous decade that was on view at the Nasher Museum of Art at Duke University. Patterson's installations, tapestries, videos and sculptures wield beauty to address disenfranchised communities, violence, masculinity and the impacts of colonialism. “… while the dew” especially examines her consideration of gardens. Patterson's work has been the subject of solo exhibitions at the Baltimore Museum of Art, the Savannah College of Art and Design Museum of Art, The Studio Museum in Harlem, the Bermuda National Gallery, and more. For images, see Episode No. 436.
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