Podcasts about dub poetry

#BabilKulesi

#BabilKulesi

Linton Kwesi Johnson is one of the greatest poets of the modern era. His uncompromising political verse infused with reggae has influenced many people, and helped chronicle the lived experience of Black Britain for decades. This year, Linton has published a selection of his prose from the 1970s to 2021, titled “Time Come.” He joins Tom to talk about his life in words, poetry and music.

RePPiN4U WISE THE DOME 1. DJ MISS C BROWN – RePPiNU Intro 2. LILSPINNANIGHTBAG!!! - Opening 3. SWIZZ BEATZ/JADAKISS - Hustle, Repeat 4. RJ PAYNE F/ LLOYD BANKS – Banks Meets Payne 5. A-F-R-O - Alphabetical Algorithm 6. HAVOC & CORMEGA – Pledge Allegiance 7. KEMETSTRY – High Vibrations 8. SMOKE DZA & THE SMOKERS CLUB F/ CURREN$Y – 42 9. JANET JACKSON – Pillow Talk 10. DERRICK – Authentic 11. ES X DAS DA BEAT JUNKIE – Doers 12. KONFLIK F/ EL DA SENSEI – Shine 13. SKYZOO – The Balancing Act 14. WISE WURDZ INTERVIEW 15. WISE WURDZ – Are We Free? 16. WISE WURDZ – Teach Me About Africa 17. WISE WURDZ F/ RICHIE INNOCENT TOOTS WISE – Never See The Trouble Ahead

Una notte turbolenta di pulsazioni dub, di bassi profondi e di parola

Una notte turbolenta di pulsazioni dub, di bassi profondi e di parola

Dub poet Roger Robinson, winner of this year's prestigious TS Eliot prize talks us through his early influences, the inspiration behind his poetry and his collaborations with electronic musician The Bug, as part of the brilliant King Midas Sound. Roger won the TS Eliot Prize for his collection of poetry titled, 'A Portable Paradise', which tackle themes such as racism and events such as the Grenfell Tower fire, as well as exploring the idea of paradise and searching for it throughout life.

Rawrrrrrr.  March is growling at us.  Enjoy this lion themed reggae hour in celebration of March and spring that is almost within reach! 00:00 - DJ Drew Intro 02:05 - Dem War - Likkle Lion 06:17 - We Play Reggae (Tic Tac) - Likkle Lion 11:00 - Jah Dance - Likkle Lion 16:40 - Dub'n it with DJ Drew 17:30 - Me & My Lioness - Randy Valentine 20:55 - Lion - Gentleman 25:14 - Lioness Order Dub - Mad Professor Meets Jah9 28:48 - The Lion's Claw - Weeding Dub 32:12 - Dub'n it with DJ Drew 33:00 - Lion Out Of Zion - Midnite 37:32 - Lion Wears The Crown - Midnite 43:50 - Fyah Burnin Dub - Mighty Lion 47:06 - Reality Dub (Dub 4 The Love of Jah!) - Mightly Lion 50:27 - DJ Drew Outro 52:05 - Dub Poetry (feat. DJ Lion) - Danakil 56:44 - Finish

Rawrrrrrr.  March is growling at us.  Enjoy this lion themed reggae hour in celebration of March and spring that is almost within reach! 00:00 - DJ Drew Intro 02:05 - Dem War - Likkle Lion 06:17 - We Play Reggae (Tic Tac) - Likkle Lion 11:00 - Jah Dance - Likkle Lion 16:40 - Dub'n it with DJ Drew 17:30 - Me & My Lioness - Randy Valentine 20:55 - Lion - Gentleman 25:14 - Lioness Order Dub - Mad Professor Meets Jah9 28:48 - The Lion's Claw - Weeding Dub 32:12 - Dub'n it with DJ Drew 33:00 - Lion Out Of Zion - Midnite 37:32 - Lion Wears The Crown - Midnite 43:50 - Fyah Burnin Dub - Mighty Lion 47:06 - Reality Dub (Dub 4 The Love of Jah!) - Mightly Lion 50:27 - DJ Drew Outro 52:05 - Dub Poetry (feat. DJ Lion) - Danakil 56:44 - Finish

Broadcasted on Friday, January 17, 4-6pm ET on CFRC 101.9fm’s ‘finding a voice’ – In the first hour, you’ll hear an eclectic mix of recordings: US poet William Stafford, Welsh poet Dylan Thomas, and Ontario dub poet Chet Singh. In the second hour, you’ll hear poetry by Canadian poet Norman Cristofoli, followed by triphop spoken Continue Reading

Oku Onuora and some very moving and powerful dub poetry all show today! I've Seen - Oku Onuora Poetry In Motion - SOJA 00:00 - DJ Drew Intro 02:29 - I’ve Seen - Oku Onuora 07:08 - If Not Now - Oku Onuora 11:03 - Jamaica - Oku Onuora 15:08 - Dub'n it with DJ Drew 15:55 - Shocking Dub - Linton Kwesi Johnson 20:41 - Cultural Dub - Linton Kwesi Johnson 24:09 - Everything To Me - SOJA 29:25 - More - SOJA 34:18 - Sing To Me - SOJA 37:32 - Dub'n it with DJ Drew 38:14 - Fuel For Fire - Oku Onuora 42:15 - Don’t Like It - Oku Onuora 46:32 - Dubword Warrior - Oku Onuora 50:49 - DJ Drew Outro 52:51 - Dub Poetry Media (Feat. DJ Lion) - Danakil 57:29 - Finish

Ingeniería al servicio de la deconstrucción musical. En busca de una nueva dimensión espacial. El Club del Dub: Ecos electrónicos, remezcla instrumental y reverberaciones suenan en Universidad 1075

Louisa Layne investigates the reggae music archive, exploring music and poetry through Linton Kwesi Johnson’s dub club.

On 26 April 2018, Linton Kwesi Johnson read from a selection of his poetry and discussed with Professor Paul Gilroy the inter-generational and transatlantic relationships that had nurtured it. This special gathering of the Postcolonial Writing and Theory seminar explored the formation and development of Linton Kwesi Johnson’s poetry and the inter-generational and transatlantic relationships that nurtured it and shaped its political underpinnings. In particular, we considered the special significance of music in his development, the lyricism of ‘dub poetry’ and the distinctive approaches to recording and performance that he has developed in the forty years since the release of Dread Beat and Blood. Linton Kwesi Johnson is an acclaimed Jamaican-born British poet and performer. He coined and popularised the term dub poetry, a form of performance-based oral poetry inspired by reggae music. In 2002, he became only the second living poet published in the Penguin Modern Classics series. As well as having released several commercially successful and classic albums as a reggae artist, Johnson’s volumes of poetry include Voices of the Living and the Dead (1974), Dread Beat and Blood (1975), and Inglan’ is a Bitch (1980). Paul Gilroy is Professor of American and English Literature at King’s College London, a foundational figure in the field of Black Atlantic Studies, and a world-leading scholar in cultural studies and the music of the black diaspora. Dr Louisa Layne, the chair of the discussion, is a lecturer in English and Comparative literature at the University of Oslo.

On 26 April 2018, Linton Kwesi Johnson read from a selection of his poetry and discussed with Professor Paul Gilroy the inter-generational and transatlantic relationships that had nurtured it. This special gathering of the Postcolonial Writing and Theory seminar explored the formation and development of Linton Kwesi Johnson's poetry and the inter-generational and transatlantic relationships that nurtured it and shaped its political underpinnings. In particular, we considered the special significance of music in his development, the lyricism of ‘dub poetry' and the distinctive approaches to recording and performance that he has developed in the forty years since the release of Dread Beat and Blood. Linton Kwesi Johnson is an acclaimed Jamaican-born British poet and performer. He coined and popularised the term dub poetry, a form of performance-based oral poetry inspired by reggae music. In 2002, he became only the second living poet published in the Penguin Modern Classics series. As well as having released several commercially successful and classic albums as a reggae artist, Johnson's volumes of poetry include Voices of the Living and the Dead (1974), Dread Beat and Blood (1975), and Inglan' is a Bitch (1980). Paul Gilroy is Professor of American and English Literature at King's College London, a foundational figure in the field of Black Atlantic Studies, and a world-leading scholar in cultural studies and the music of the black diaspora. Dr Louisa Layne, the chair of the discussion, is a lecturer in English and Comparative literature at the University of Oslo.

Candian+Antiguan Dub Poet Legend, Clifton Joseph dropped by to share some perspective on the poetry scene of today and read some poems ahead of his Pandora's Collective reading in West Vancouver.

Profs Susheila Nasta and Mark Stein speak about the genesis of their new Cambridge History project, Dr Gail Low discusses the networks and institutions of Caribbean-British writing. Dr Henghameh Saroukhani considers the literary importance of Linton Kwesi Johnson’s dub poetry, and Dr Florian Stadtler looks at recent Asian-British cinema.

Profs Susheila Nasta and Mark Stein speak about the genesis of their new Cambridge History project, Dr Gail Low discusses the networks and institutions of Caribbean-British writing. Dr Henghameh Saroukhani considers the literary importance of Linton Kwesi Johnson's dub poetry, and Dr Florian Stadtler looks at recent Asian-British cinema.

Music Mix & dub Dr RemiX drremix Vox: Moshi Kamachi

The windows to Kaysha Lee?s soul are her powerful voice, introspective lyrics and harmonious melodies.  learning to play piano at age six, to hearing her dad sing tunes from their native Jamaica, music has always been in Kaysha?s life. At 15, Kaysha began to  participate in gospel choirs. Eventually, she toured Canada, the U.S. and France with the Nathaniel Dett Chorale, received a Gemini award as part of the Sharon Riley and Faith Chorale and performed at Barack Obama's inauguration. . Kaysha was also a vocal and piano theory teacher. She credits these experiences with helping her to embark, in summer 2009, on a solo career. RasTakura of Royal African Soldiers, Resides in beautiful parish of St.Ann home of Reggae Legend Bob Marley.He was introduced to Mutabaruka thought provoking Cutting Edge program from a conversation with some older youths on the street and as an avid listener and student of the radio show his consciousness began to shift and he examined Dub Poetry. CaribbeanRadioShow Show Call in at 8pm 1-661-467-2407 8:00-11:00pmemail your music to caribbeanradioshow@gmail.com

Sat, 1 Jan 1994 12:00:00 +0100 http://epub.ub.uni-muenchen.de/4898/ http://epub.ub.uni-muenchen.de/4898/1/4898.pdf Nowak, Helge Nowak, Helge (1994): Rezension von "Verbal Riddim. The politics and aesthetics of african-carribean dub poetry" von Christian Habekost. In: Glaser, Marlies und Pausch, Marion (Hrsg.), Caribbean writers between orality & writing. Bd. 12, Matutu. Rodopi: Amsterdam , pp. 227-229.