Podcasts about Dylan Thomas

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

SAN ONOFRE-Patricia Morgan interviú Aye up, Pat! https://www.ivoox.com/podcast-san-onofre_sq_f1146007_1.html Domingo 15 febrero 2026 Enlace a las 33 1ªs angloentrevistas  Siguientes 33 Angloentrevistas Traducidas, Vol.2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 God told me to skin you alive y The Rebel, que peláramos la pava con Patricia Morgan, inseparable compañera en la vida y en Datblygu ("datblagui") de David R. Edwards. Personaje éste larger than life y ´appen, que su propio compatriota Dylan Thomas. Los muchachos de SAN ONOFRE, iuvenes (y bien mandaos) cum sumus, le damos placer auditivo al bueno de Ben Wallers. Los contactos previos a nuestro intercambio radiofónico con Cymru no podrían haber sido más propicios. Sí, postonophrismo en estado salvaje: Alegría, creatividad, dulzura, humor, amor, espíritu travieso y detectivesco, aberración, irreverencia ... ¡Estamos de celebración! ¿Acaso no lo estamos perpetuamente? ¿Es Datblygu la banda más "desarrollada", "evolucionada" y "progresista" de la historia"? ¿Es ésta, acaso, una pregunta retórica? ¿Lo es la siguiente? ¿Deberíamos SAN ONOFRE contribuir a la colección Microbíos, de la mágica Libritos Jenkins con una microbío de Datblygu? Todas estas candentes cuestiones y muchas otras serán desveladas en subsiguientes episodios de "Soap" "Enredo" SAN ONOFRE. Datblygu am byth!

As January draws to a close, we take a look back through some of the conversations we have had so far in 2026. First, publisher Alessandro Gallenzi joined us to reveal how he turned literary detective and uncovered Dylan Thomas's youthful plagiarism, then Joanna Kavenna explains why she invented a game to write her new novel, Tristram Fane Saunders surveys the poetic landscape and Maria Scott talks us through her discovery of photographs of Jeanne Duval, muse and lover of Charles Baudelaire.Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Places where strangers become friends Good morning. The pub in Oxford last week looked its usual, amazing self. I'd been doing a bit of teaching and was staying in a nearby college overnight. Outside was dark, cold and wet. But as I pushed the pub door open, I was met with a warm, candlelit cacophony of conversation. People were eating supper, playing board games, reading books. It was a glorious, uplifting sight. We know that, for decades now, pub landlords have been facing multiple challenges in order simply to keep their doors open. In 2025, the equivalent of one pub a day in England and Wales had to close its doors permanently. So it was good this week to hear Prince William talking about how much he loves everything a pub has to offer and urging us to do all we can to support our local. Pubs, he said, are the beating heart of many communities, where we can meet with friends and neighbours.2 Along with churches and other places of worship, many of which are also reimagining themselves simply to survive, pubs provide a radical alternative to the social isolation and loneliness affecting many groups in society. I observe this more and more in the course of my own work. Often unseen, people of all ages and backgrounds can unwittingly find themselves alone, without the meansor motivation to find a non-transactional space where they can simply “be” with other people. Many community cafes are also thriving like never before. Christian theology has always celebrated hospitality. The Bible stresses the importance of people being together to meet as well as sharing food and drink. This is something Jesus is also frequently found doing in the gospels as he meets with an interesting range of people. St Paul, whose feast day the Church celebrates tomorrow, wrote many letters to the early Church, stressing not only the importance of worship but also the spiritual benefits that fellowship with others brings. He regards this as an important ingredient towards spiritual renewal and happiness. For centuries pubs have been at the centre of British culture. The Catholic writer Hillaire Belloc warned - “when you have lost your Inns drown your empty selves, for you will have lost the last of England.” They've left their mark throughout literature, in Orwell and Dickens, Dylan Thomas and Chaucer. His pilgrims began their journey to Canterbury at the Tabard Inn! As modern-day pilgrims, navigating an ever-complex world of conundrums and challenges [wherever our final destination might be] preserving spaces for conversation and friendship, where strangers can become friends, is surely an imperative.

Today's poem, unusual in its structure and rhyme, turned out to be more of an epilogue: Thomas composed it for inclusion in his Collected Poems, no more than a year before his death. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today's episode, Neil delves into the profound and often overlooked topic of mortality. Drawing heavily from Stoic philosophy and Marcus Aurelius's Meditations, Neil argues that acknowledging our "finish line" is not morbid, but rather a powerful tool for clarity and motivation in both life and business.  KEY TAKEAWAYS Death is the only true inevitability; acknowledging this prevents us from letting ourselves "off the hook" by pretending we have unlimited time. Neil highlights three core tenets for a wiser life: control your perception, direct your actions properly, and willingly accept what you cannot change. Realizing the universe is "too busy" to intervene in your life can be incredibly liberating for those dealing with anxiety or fear of failure. Neil challenges the traditional idea of retirement, questioning whether activities like golf could ever be as satisfying as the moment a student finally "gets it." Treat every morning you wake up as a "bonus" and a reason for gratitude, rather than an entitlement. BEST MOMENTS "Think of the life you've lived until now as over, and as a dead man, see what's left as a bonus and live it according to nature."  "The universe doesn't give a flying f*** about us. Get over it." "I'm all in favor of arriving at my own graveside on a big motorcycle, sliding sideways and wheel-spinning over the edge with a maniac grin on my face." "Is there anything more satisfying to you than helping your tribe? Anything at all?" "Do not, as Dylan Thomas put it, go gentle into that good night." VALUABLE RESOURCES www.Neilcowmeadow.com info@neilcowmeadow.com HOST BIO Neil Cowmeadow is a maverick peripatetic guitar teacher from Telford with over 19 years' experience in the business of helping people. Learn how to start, grow and love your business with Neil's invaluable advice and tips without the buzzwords and BS! This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Celebrating another New Year, Nick Hennegan plays your literary requests which include Beat Poets, Dylan Thomas and West End Musicals.  www.BohemianBritain.com 

Celebrating another New Year, Nick Hennegan plays your literary requests which include Beat Poets, Dylan Thomas and West End Musicals. www.BohemainBritain.com

This week, publisher Alessandro Gallenzi reveals how he turned literary detective and uncovered Dylan Thomas's youthful plagiarism; and Norma Clarke on the stunning work of two 18th-century women portrait artists.'Mrs Kauffman and Madame Le Brun: The entwined lives of two great eighteenth-century women artists' by Franny Moyle Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

In this episode Patrick Spence-Thomas does a reading of Dylan Thomas' classic "A Child's Christmas in Wales". Patrick sadly passed away in 2008 after an iconic career as a re-recording mixer and a location sound recordist. The first half of this episode is a quick run down on who Patrick was and some of the work he did, including being both the mixer and narrator for Death Bed: The Bed That Eats! The episode wraps up with Patrick's wonderful reading of one of his favourite poems/stories. ________ SPONSORS: Sound Ideas is closing out the year with a massive Year-End Sale, and you're invited! Now through to the end of Decemeber, enjoy 50% off all proprietary items, including premium sound effects and production music trusted by creators worldwide. Don't wait, these savings disappear on December 31st at midnight, as we move into 2026. Check out https://sound-ideas.com/ today and create something amazing.________ The Soundscape Fund - George Vlad, Andy Martin and Thomas Rex Beverly are three of the sound community's busiest field recordists and they have joined forces to raise money for environmental causes this holiday season. All three have a deep love for the natural world and actively work to conserve the soundscapes of nature, through their field recording. They are each offering some of their recordings as prizes to bring the community together to help a great cause. There are three identical prizes to win, each worth more than $15,000! These prizes include, huge collections of commercial sound effects libraries, a one hour call with each of the three organizers, and nature albums for casual listening. For every $5 you donate, you get an additional chance to win! Just head over to the https://thomasrexbeverly.com/products/the-soundscape-fund-2025, and choose your donation amount. Contest runs until Dec 28th 2025. so enter now._________ Episode Notes: https://tonebenderspodcast.com/341-holiday-special-re-podcast-remembering-patrick/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this festive episode, we celebrate the holiday spirit with classic literary readings from Dylan Thomas and Charles Dickens. Experience the magic of Thomas's "A Child's Christmas in Wales," a nostalgic and whimsical reflection on Christmas past, and dive into Dickens's "A Christmas Carol," a timeless tale of redemption and social critique. Join host Jack Eidt as we journey through these beloved works, capturing the essence of Christmases past and the hope for future celebrations. We include clips from Dylan Thomas: A Child's Christmas In Wales: https://youtu.be/zFSs2IdDmuU Recorded Feb 1952 in Steinway Hall in New York City A Christmas Carol: A Ghost Story of Christmas: https://youtu.be/vT3skWqpUMA?si=12kYQhqExUsN8rsx Author: Charles Dickens, This was produced by the Mormon Channel, Created in 2015. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Dylan Marlais Thomas (1914 - 1953) was a popular poet writing in English, and from Swansea, Wales. He is famous for his acutely lyrical and emotional poetry, as well as his turbulent personal life. The originality of his work makes categorization difficult. His works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood. He also wrote stories and radio broadcasts such as the piece we share today, A Child's Christmas in Wales, as well as Portrait of the Artist as a Young Dog. Charles Dickens (1812 – 1870) was an English novelist, journalist, short story writer and social critic. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His notable works include the piece we excerpt today, "A Christmas Carol," as well as "Oliver Twist," and "Great Expectations," all still quite popular today. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes a column on PBS SoCal called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 243 Photo credit: Sol Etinge from Pixabay

Join Nick Hennegan who celebrates the annual Westminster Abbey wreath-laying ceremony for Welsh Poet Dylan Thomas. He includes 'A Child's Christmas in Wales' and music and poetry from Cerys Matthews. www.BohemianBritain.com 

Join Nick Hennegan who celebrates the annual Westminster Abbey wreath-laying ceremony for Welsh Poet Dylan Thomas. He includes 'A Child's Christmas in Wales' and music and poetry from Cerys Matthews. www.BohemianBritain.com

The Emma Rice Company's adaptation of Dylan Thomas' A Child's Christmas in Wales opened last week to rave reviews. Hannah grabbed some time with its founder, writer and director Emma Rice, to talk about a change of name, a new venue in Somerset, and Thomas. And a lot more besides, including Emma's time as artistic director at The Globe, something that did not end happily, and why she thinks we're all being a bit hard on Enid Blyton. More information about the Emma Rice Company here: https://www.emmaricecompany.co.uk/ To support us on Patreon visit Standard Issue Podcast | creating a magazine for ears, by women for women | Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Emerging from Edinburgh's music scene in the mid-1990s, Idlewild carved out their place in a British rock scene choc-a-bloc with guitar bands (the halo of Britpop) through a combination of emotional intensity and literary edge. All of this is present in the band still, right down to new song “Back Then You Found Me” name checking Dylan Thomas's Under Milk Wood. Their 1998 debut album, Hope Is Important, announced them as something more than just another Scottish guitar band. Their songs were tight, but angular, and threaded with Woomble's poetic phrasing and a strong melodic core. Did Idlewild have the boom and bust fame of Brett Anderson's “Stations of the Cross” career curve (on which this podcast is based, I remind you)?Of a sort, yes. Building on an acclaimed debut album (Broken Windows),  2002's The Remote Part, Idlewild reached a classic creative x commercial peak. That album is perhaps still their most well known - a more expansive, anthemic sound without abandoning the sensibilities that had become their trademark. It contained bona fide chart hits, “You Held the World in Your Arms” and “American English” and set the band on the way to being one of the key British bands in the early 2000s.But in a sense, the “stratospheric rise to the top” was kept well in check. Perhaps it was personnel changes (I haven't counted but the band has had more than its fair share of bassists). They pivoted toward a warmer, more reflective style on Warnings/Promises (2005), incorporating folk influences and richer textures. It bridged the band to maturity and opened up their options but ultimately did not satisfy the major label they were signed to, Parlophone. An arena tour with Coldplay somewhat exposed Idlewild's “limitations” if you want to put it that way - not musically, but in terms of performance - the will and the way to take their show to the big stages expected by major labels. There was no meltdown, no drama. But major label life is what it is - both back then, and in the present time. “Our label mates were Kylie Minogue, Radiohead, Coldplay and Blur. We were definitely at the bottom of that pile”.When Parlophone didn't want to renew a new deal after four albums, it was time for the band to re-adjust. To Woomble, it was liberating - eventually. “For Make Another World, we felt like we'd toured enough, we had a fan base. Then after Post Electric Blues (2009) we decided to take some time away. As a band we felt intact, but we also felt like we wanted to stay up at the level we were, not to end up just playing clubs. The music business was so strange then (2007), we ended up taking five years away and came back with a renewed sense of what we could do, creatively”. Their string of subsequent albums, Everything Ever Written (2015), Interview Music (2019) and now Idlewild all have something to offer, and demonstrate the band's refusal to stagnate. The one-two punch of Woomble's poetic lyrics and Jones's jagged, urgent guitar work still delivers something, if not unique, then most definitely a cut above standard indie fare - more depth, more emotion. Few bands transition successfully from ragged punk-inflected rock to expansive indie-folk, but Idlewild managed it without alienating their audience or diluting their artistic character. In short, Idlewild's career is a testament to thoughtful songwriting, evolution, and the enduring power of emotionally intelligent rock. Most definitely an interesting and quietly inspiring longevity story. Support the showGet more related content at: https://www.songsommelier.com/

Dylan Thomas's A Child's Christmas in Wales is a cozy, musical recollection of childhood holidays—told with the kind of wonder only a child can hold and only an adult can remember.Never too soon for a Christmas story.Thank you for being here - if you're interested in more content from the show, check out our Patreon for the Dozing Off community:patreon.com/dozingoffpodcastSleep well, Lance

Ruth Mota joins Julia and provisional Hive member Hannah Tool to read and discuss Dylan Thomas's Fern Hill and share selections from her debut chapbook, Kitchen Table Midwife of the Dispossessed, which is available for pre-order here. You can hear more of Ruth's poems on December 4th at “The Power of Her Voice,” a poetry benefit for Santa Cruz Community Health, at Temple Beth El in Aptos - tickets available here.Ruth Mota currently lives in the redwoods of Santa Cruz, California after residing a decade in northeast Brazil and working as an international health trainer throughout Latin America and Africa. Now she devotes her time to writing poetry and facilitating poetry circles to groups in her community like veterans, seniors or men in jail. Her poem “The Sloth” is nominated for a Pushcart Prize by The Connecticut River Review, and over sixty of her poems have been published in online and print journals. Her first chapbook, entitled Kitchen Table Midwife of the Dispossessed, is available for pre-order now through Finishing Line Press.

Nick Hennegan celebrates the birthdays this week of two of the greatest writers of the last century – Dylan Thomas and Sylvia Plath - in their own words! www.BohemianBritain.com And celebrate writers live every week in London with The London Literary Pub Crawl!

Nick Hennegan is in a pub in Wales, celebrating national poetry of TWO countries. With contributions from T. Lew Jones, Dylan Thomas and John Keats. www.BohemianBritain.com

When I was young, I read a famous poem that I now regard as one of the strangest poems ever written. It is the one entitled “Do not go gentle into that good night” by Dylan Thomas with its repeated refrain “do not go gentle into that good night…rage, rage against the dying of the light”.

When I was young, I read a famous poem that I now regard as one of the strangest poems ever written. It is the one entitled “Do not go gentle into that good night” by Dylan Thomas with its repeated refrain “do not go gentle into that good night…rage, rage against the dying of the light”.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Oblivion by Phish (2024)Song 1: Never Too Much by Luther Vandross (1981)Song 2: My Cherie Amour by Stevie Wonder (1969)Song 3: Oblivion by The Wilderness of Manitoba (2021)Song 4: The Gal From Joe's by Duke Ellington (1938)Song 5: Mind Mischief by Tame Impala (2012)Song 6: Oblivious by Aztec Camera (1983)Song 7: Curse of the Tooth Nightmare by Giraffes? Giraffes! (2011)Song 8: Lady (Hear Me Tonight) by Modjo (2000)Song 9: Dylan Thomas by Better Oblivion Community Center (2019)Song 10: Cue the Machines by Yonatan Gat (2018)

Welcome to the Paint The Medical Picture Podcast, created and hosted by Sonal Patel, CPMA, CPC, CMC, ICD-10-CM.Thanks to all of you for making this a Top 15 Podcast for 4 Years: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/medical_billing_and_coding_podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonal's 15th Season starts up and Episode 15 features a Newsworthy update on the OIG Work Plan for July 2025.Sonal's Trusty Tip and compliance recommendations focus on the latest improper payment details regarding E/M services from a 2023 data report.Spark inspires us all to reflect on hopes and aspirations based on the inspirational words of Dylan Thomas.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paint The Medical Picture Podcast now on:Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6hcJAHHrqNLo9UmKtqRP3X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/paint-the-medical-picture-podcast/id153044217⁠7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/bc6146d7-3d30-4b73-ae7f-d77d6046fe6a/paint-the-medical-picture-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Paint The Medical Picture Podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCzNUxmYdIU_U8I5hP91Kk7A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sonal on LinkedIn:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/sonapate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And checkout the website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paintthemedicalpicturepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to be a sponsor of the Paint The Medical Picture Podcast series, please contact Sonal directly for pricing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaintTheMedicalPicturePodcast@gmail.com⁠⁠

Ikebana ist die sehr minimalistische japanische Kunst des Blumenarrangierens, um Harmonie und eine besondere Ästhetik zu erzeugen – und sie ist die Inspiration für die neueste Single von Yaama ("Ikebana Flower"), die zudem ihre aktuellen EPs "Cut" und "Continuity" nach einem japanischen Ästhetik Prinzip benannt hat. "Cut/Continuity" ("Schnitt-Kontinuität") – unter diesem Titel hat Yaama acht Songs auf zwei EPs veröffentlicht, die eine Verbundenheit zwischen Leben und Tod oder Trennung und Verbindung ausdrücken sollen und eine direkte Übersetzung aus dem Japanischen sind: Kire Tsuzuki. Wenn also in der Kunst, Dichtung, Architektur oder auch der Naturdarstellung etwas "abgeschnitten" wird, entsteht gerade durch diesen Einschnitt etwas Neues, das die Phase des Übergangs sichtbar macht. Der Übergang in der Musik von Yaama besteht vor allem aus dem Zusammenbringen unterschiedlichster Anmutungen: Beats und Synthies treffen auf Folk und Jazz wie poetische Lyrics. Sounds, die an gewissen Stellen abbrechen, Verzerrungen und dann in ihren Songs wieder zu einer Einheit zusammenfinden. Inspirieren lässt Yaama, die zuvor auch schon unter ihrem bürgerlichen Namen Mariama Ceesay Musik veröffentlicht hat, allerdings nicht nur von japanischer Ästhetik, sondern auch von dem amerikanischen Poeten schlechthin: Dylan Thomas! Unter anderem ist Yaamas Interpretation seines Gedichtes "Do not go gentle into that good night" auch auf ihrer Doppel-EP "Cut/Continuity" gelandet. Über ihre Faszination japanischer Ästhetik – und natürlich über ihre neue Musik kann Yaama heute Abend im studioeins sprechen.

Valentina Ferri"La cioccolata di Euterpe"Partitura per nuovi mitifveditoriwww.fveditori.itCosa hanno in comune Leonora Carrington ed Edgar Allan Poe? Una merenda con la cioccolata a Parigi e Francesco Petrarca? E ancora, cosa può avvicinare i versi di un mistico islamico a quelli del poeta Dylan Thomas? La risposta è: la musica. Grazie alla sua musa Euterpe, infatti, prendono qui vita tanghi e quadri surrealisti, pagine dodecafoniche insieme ad Arie rossiniane e gourmanderie. Ogni autore qui crea tra-miti fra la propria arte e il talento altrui dando vita a spartiti in cui possono figurare danze popolari spagnole e pagine di Aleksandr Skrjabin, Sirene fuggite dall'Ulysses di James Joyce e feste mascherate alla corte di Leonor Fini. Un viaggio appassionante attraverso i capolavori della letteratura, della pittura e della musica, tra testi sacri e profani ascoltati – letti – in una inedita “partitura”. Valentina Ferri è giornalista, attrice e scrittrice: autrice di testi teatrali e biografie su personaggi dell'arte e della musica, coniuga da molto tempo la ricerca sulla voce e l'efficacia della comunicazione sonora con la scrittura e l'interpretazione di testi e autori inediti. È alla ricerca della pietra filosofale, della parola che mondi possa aprirci e, forse, della prima nota che diede fuoco alle stelle. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

Professional voice actor Talia Genevieve, '11, talks about how her time in Montco's Sound Recording and Music Technology program helped launch a career as a voice actress. You can see her work on the animated series “Universal Basic Guys.” Recorded by Kyle Ziebis & Dylan Thomas, edited by Matt Frankl from the College's Sound Recording and Music Technology Program

Why do people report ghostly knights, phantom horses and spectral visions during the full moon in this Welsh beauty spot? What ancient force still lingers atop Cefn Bryn?  On this episode, Mark journeys to the windswept heights of Gower during the summer solstice to investigate one of Wales's oldest and most mysterious sites — a place steeped in druidic ritual, pagan legend, and haunting lore. Is this neolithic tomb truly connected to King Arthur? Did Merlin himself walk these lands? And what really happens at midnight when the capstone stirs and the spirits rise? From love-seeking rituals involving ghostly cakes, to tales of Dylan Thomas invoking the dead, this is one eerie pilgrimage you won't forget. Explore the lore... if you dare!   ORDER PARANORMAL SWANSEA AND GOWER BY MARK REES: Get Mark's latest "Ghosts of Wales" book "Paranormal Swansea and Gower" now! You can order it online here.   BUY MARK REES A COFFEE: If you'd like to support the GHOSTS AND FOLKLORE OF WALES podcast you can treat Mark to a coffee here: Mark Rees on Ko-Fi - thank you/ diolch!  https://ko-fi.com/markrees    WHAT IS THE GHOSTS AND FOLKLORE OF WALES PODCAST WITH MARK REES? The Ghosts and Folklore of Wales podcast explores the eerie world of Welsh ghosts, ghost stories, lore, myths, and legends. Launched by author and journalist Mark Rees (Ghosts of Wales, Paranormal Wales) in early 2020, this weird and wonderful podcast delves into the country's countless curious subjects, blending decades of research from books and articles with long-lost tales from dusty old tomes. From "real-life" encounters with the uncanny to fantastical adventures from the Mabinogion, new episodes are uploaded monthly and feature everything from pesky poltergeists to fire-breathing dragons, with the odd wicked — and not-so-wicked — witch along the way. Alongside the regular stories, you can expect the occasional special guest, live ghost hunts, and all sorts of quirky surprises from a Welsh storyteller with original ideas. Seasonal specials include dark folklore and Gothic Halloween (Nos Calan Gaeaf) traditions, plus everyone's favourite skull-headed Christmas visitor, the Mari Lwyd. Dare you explore haunted Wales? From the sublime mountains and cascading waterfalls to bustling cities and remote farms, journey through the paranormal and unexplained in all corners of Cymru. Think of it as unlocking the Welsh X-Files with some tenuous Ghostbusters references and terrible sound effects along the way!  Be sure to subscribe so you never miss a spooky episode. For more details and to get in touch with Mark Rees, please visit https://markreesonline.com/: Mark Rees homepage Mark Rees on social media Books by Mark Rees (Ghosts of Wales, Paranormal Wales etc.) Ghosts and Folklore of Wales podcast Until next time, nos da!

There would not be TTPD without its tongue-in-cheek title track! In today's episode, Laura and Sara unpack the lyrics of “The Tortured Poets Department” and analyze how the song lays the groundwork for listeners to understand the gravity of Taylor's “cyclone” relationship with her fellow tortured poet. Taylor's self-awareness and sense of humor shines in this one! Who else is gonna TROLL you like Taylor?! P.S…. Stay tuned at the end of this episode, because the ladies are sharing a snippet of their newest Patreon episode unpacking the lyrics of “Maroon”! Chapters(00:00) Intro & What's On Our Plates(09:07) Taylor Updates(16:53) TTPD Introduction(22:00) Our Initial Impressions(25:02) The Folklore Of TTPD (34:10) Verse 1: Matty's Old Interviews On Typewriters, Taylor's Sense Of Humor, Familiarity(41:36) Chorus 1: Dylan Thomas & Patti Smith, "Just Kids" References To Youth & Nostalgia(46:48) Verse 2: "Chocolate" & Charlie Puth, Tattooed Golden Retriever, Similar Dread, Cyclone As Chaos, Were Taylor & Matty Coding Each Other Into Their Songs(58:45) Chorus 2: Trolling, Tongue in Cheek Playfulness(01:02:03) The Diabolical Bridge: Unpacking The Role Of Mutual Friends, "Mutual Manic Phase," Wedding Rings & How This Song Lays The Groundwork For The Rest of TTPD(01:13:21) Chorus 3 & Outro, Production Notes & Noting The Lack Of Poetic Lyricism (01:19:21) This Song As A Recipe & Our Ratings(01:23:38) Signing Off & Patreon SnippetSUPPORT US ON PATREON! Show us some love and get monthly bonus episodes and first dibs on upcoming episode ideas. We'd be enchanted to have you join our Swiftie community!Links ReferencedTaylor Swift's Ex Matty Healy Talks His Love of Typewriters in Resurfaced Clip After 'Tortured Poets' ReleaseTaylor Swift's Ex Matty Healy Praised Charlie Puth in Resurfaced Tweet From 2018Lucy Dacus Confirms Taylor Swift's ‘Tortured Poets Department' Lyric Is About Her: ‘She Texted Me and Asked for My Approval'Twix Bar RecipePlease make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:email blankplatepod@gmail.comleave a voicemail at (717) 382-831Patreon (get bonus episodes and first dibs on episode ideas)YouTubeInstagramTikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: InstagramListen to our previous podcast: Passports & Pizza

John Wilson onSir Godfrey “Geoff” Palmer, the scientist whose discovery of a new brewing method revolutionized the industry and saved them millions of poundsBarbara Holdridge, the entrepreneur who co-founded a new record label that paved the way for the audiobook industry Kim Woodburn, the reality TV Star who made gained popular recognition through the TV show How Clean Is Your House?Sly Stone the American genre-bending musician who fronted the band Sly and the Family Stone. Interviewee: Catherine Bisset Catrina Rose Matthew Rubery Arlene HirschkowitzProducer: Ribika MoktanDetails of help and support with pregnancy related issues are available at BBC Action Line. https://www.bbc.co.uk/programmes/articles/1KhLYgXHRxyw67mkGRRXQ3R/information-and-support-pregnancy-related-issuesArchive used: Scientific, BBC Radio 4, 04/08/2015; Sunday Morning with Cathy Macdonald; Writers and Company, CBC, 24/11/2002; Child's Christmas in Wales, read by Dylan Thomas, Caedmon Audio, 02/1952 https://soundcloud.com/harperaudiopresents/childschristmasinwales ; The Connor Phillips Show, BBC Radio Ulster, 26/04/2024; How Clean is Your House?, S1 E1, Channel Four Television Corporation, dir Simon Bisset, series producer Steph Harris, A Talkbalk production, 2003; I'm a Celebrity Get me out of here 2009, YouTube Upload, 12/02/2015; An excerpt from Sly on the air at KSOL, courtesy of Arlene Hirschkowitz

Inspired by Dylan Thomas' "Under Milk Wood," "The Forever Wave" is a futuristic radio play set in a drowned San Francisco, circa 2070. What communities will emerge in a future where our systems have collapsed and “normal” is a historical relic?  Brought to vivid, auditory life by a multicultural, multigenerational, and multilingual cast of 12, “The Forever Wave” is a study in resilience, resourcefulness, and community. "If you survive the apocalypse,” one narrator asks, “don't you get to help build what comes after it?" Learn more at https://estrellasuerteproductions.com/forever-wave/.  Binge on all of our audio shows at atlantafringe.org/fringe-audio or wherever you enjoy podcasts.

Inspired by Dylan Thomas' "Under Milk Wood," "The Forever Wave" is a futuristic radio play set in a drowned San Francisco, circa 2070. What communities will emerge in a future where our systems have collapsed and “normal” is a historical relic? Brought to auditory life by a multicultural, multigenerational, and multilingual cast of 12, “The Forever Wave” is a study in resilience, resourcefulness, and community. "If you survive the apocalypse, don't you get to help build what comes after it?"  Bonus interview with writer/director Nicole Gluckstern, and Forever Wave map designer, Burrito Justice. Learn more at https://estrellasuerteproductions.com/forever-wave/.  Binge on all of our audio shows at atlantafringe.org/fringe-audio or wherever you enjoy podcasts.

After a decade in obscurity, processing rehabilitation and personal crisis, Patrick Wolf is returning with his seventh album Crying The Neck. We hear about his new lease of life, playing with Patti Smith in Dylan Thomas' boathouse and the Clapham sandwich shop he hasn't been invited back to. Photo: Furmaan Ahmed Support 101 Part Time Jobs from £2 per month: Patreon.com/101parttimejobs Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Dave and Wayne for genre television show news, a glimpse into what the hosts are watching, listener feedback, and analysis of the Apple TV+ series Dark Matter. This week on the SciFi TV Rewatch podcast we discuss the differing dilemmas facing Jason Prime and Amanda as he searches for his world, and she searches for a world to call her new home.   In our What We're Watching segment, Dave returns to film and enjoys the Dylan Thomas centered The Edge of Love. Wayne, once again, seems a bit disappointed with the latest episode of Doctor Who, another Doctor-lite tale. In Listener Feedback, Fred from the Netherlands, Alan in England, and Alan in Missouri provide their weekly audio feedback, and Cincinnati Joe checks in via email.  Remember to join the genre television and film discussion on the SciFi TV Rewatch Facebook group for the latest genre television show news and podcast releases. Episode Grade: A  

We're briefly leaving our luxury villas to talk about season three of The White Lotus! Join us as we chat about the cast, the season's setting, the characters we loved and hated, and what we can learn about the characters based on their book choices. Then we have a long overdue conversation with Todd Osborne about his debut poetry collection, Gatherer. You'll even be treated to a few readings of his poems in this section of the episode!Look for our next Bookpisode on May 13th where we'll be discussing When the Wolf Comes Home, the new novel by Nat Cassidy. Then join us and special guest Mary Kay McBrayer (author of Madame Queen: The Life and Crimes of Harlem's Underground Racketeer, Stephanie St. Clair) to talk about Good American Family (Hulu) on May 27.P.S. Our lil podcast just turned 8 years old! If you'd like to get us a birthday gift, please leave us a rating and review on Apple Podcasts and consider supporting us on Patreon for just $3/month! TOC::30– Welcome, Todd!10:24–What is White Lotus?13:09–Cast talk15:00–Setting30:00– Characters54:14– What's up with the storyline with Rick?1:05:38– What characters are reading1:12:46–Interviewing Todd about Gatherer!1:57:30– What's up next?Links - “One Art” by Elizabeth Bishop- https://www.poetryfoundation.org/poems/47536/one-art “Do Not Go Gently Into That Good Night” by Dylan Thomas- https://poets.org/poem/do-not-go-gentle-good-night “Morning Rituals” by Todd Osborne- https://www.hobartpulp.com/web_features/morning-rituals Gatherer, available at Belle Point Press- https://bellepointpress.com/products/gatherer

Professor Carl Jones is a conservation biologist who is best known for saving the Mauritius kestrel from extinction. He is the scientific director of Mauritian Wildlife Foundation, chief scientist at Durrell Wildlife Conservation Trust and an honorary professor in ecology and conservation biology at the University of East Anglia.He was born in Carmarthen in Wales and was fascinated with animals from an early age, rearing rescued common kestrels, owls and hawks in his back garden. He studied biology at North-East London Polytechnic and, after learning about the plight of the Mauritius kestrel, he was determined to go out to the country to try to save the bird.He arrived in Mauritius in 1979 when there were only two known breeding pairs left in the wild. By the time he left in 1999 he'd established a captive breeding programme and today hundreds of Mauritius kestrels fly over the islands where he spent decades pioneering his, sometimes controversial, methods. Today the Mauritius kestrel is the national bird. He is also responsible for saving from extinction three species of reptiles, a fruit bat and several plants.He was appointed an MBE for his work in 2004 and in 2016 he won the prestigious Indianapolis Prize – the world's leading award for animal conservation.Carl lives in Carmarthen with his wife and two children and assorted animals including two Andean condors called Carlos and Baby. DISC ONE: Prokofiev: Peter and the Wolf Opus 67 - The London Symphony Orchestra, conducted by Sir Adrian Boult DISC TWO: Under Milk Wood by Dylan Thomas. Narrated by Richard Burton and performed by Meredith Edwards, Gwenllian Owen and Gwenyth Petty DISC THREE: Sex & Drugs & Rock & Roll - Ian Dury DISC FOUR: La Rivière Noire - John Kenneth Nelson DISC FIVE: Asimbonanga - Johnny Clegg & Savuka DISC SIX: Sega lakordeon – Rene oule bwar mwa - La Troupe de l'Union DISC SEVEN: Londonderry Air - Beatrice Harrison DISC EIGHT: Clear Sky - Catrin FinchBOOK CHOICE: The Collected Works of Dylan Thomas LUXURY ITEM: Binoculars CASTAWAY'S FAVOURITE: Asimbonanga - Johnny Clegg & Savuka Presenter Lauren Laverne Producer Paula McGinley

John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

It's an extra-long BREAKING MAYBERRY ALL-STARS featuring three of our favorite returning guests to talk about the three-no-wait-four-part Andy Griffith Epic - "The Hollywood Arc".Yes, for the first (only?) time in the show's run, the Taylors are leaving North Carolina, and this causes everyone to lose their damn minds. We brought in backup for this one, and our returning guests are bewildered and mystified and one case, deeply upset by Goober's hat.It's Season 6, Episodes 7, 8, and 9 "Off to Hollywood", "Taylors in Hollywood", and "The Hollywood Party".

John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale's Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

On this episode, Marc talks with Mark Doyle, author of "John Cale's Paris 1919," published in February of 2025 as part of the 33.3 series of short books on individual albums. It's a fascinating examination of John Cale's 1973 album, which Doyle approaches along the theme of "ghosts," with chapters on "The Ghosts of New York," "The Ghost of Dylan Thomas," "The Ghosts of HIstory," and "The Ghosts of Christmas."As Doyle writes, "If you are looking for some systematic explanation of the songs' mysteries, some Grand Unified Theory that will tie together all the historical, literary, and autobiographical references in the lyrics, I am afraid this is not that book. Instead, I will undertake the more delicate task of identifying, one at a time, and with the utmost care, just a few of the ghosts haunting the album, taking their measure for a few moments before they float off into the night."You can buy Mark's book here, and we hope you enjoy our conversation with him!

Dylan Thomas, watching on YouTube, asked, 'I'm curious about the early life of Marcus Furius Camillus. He seems to pop up during the siege of Veii in Livy's work, with few mentions beforehand, and is then an important figure going forward. Are there any primary sources that recount his early life and career? The man's a legend, easily one of the top ten Romans of all time, but there seem to be scant records of him.'   Join us on Patron patreon.com/ancientwarfarepodcast    

‘I try to live my life as though I were stitching together a book of songs.' This week, Sally offers us a tour through the stitched-together songs of her life, reflecting on the form of rhapsody. Join her for a series of vignettes on art, education, memory, and connection. This text of this episode is based on an address Sally gave at Wadham College Chapel, part of an evening of ‘Taking Heart in Poetry & Song' for St David's Day. More information can be found here.  The full text of Dylan Thomas' poem, ‘The force that through the green fuse drives the flower', quoted early in the episode can be found here.  The wonderful piano music in the opening and closing sections is, respectively, ‘Tuesday' and ‘Saturday' by Paul Sebastian. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

Filmmaker and author David Dylan Thomas stops by the Mayberry studios to talk about 2024's I Saw The TV Glow, a movie that's about the horrors and freedoms of nostalgia but also about trans/queer stuff and also maybe about a short-lived McDonald's Ad Campaign.Support Dave's Kickstarter for "White Meat: Appetizer": https://www.kickstarter.com/projects/daviddylanthomas/white-meat-appetizerListen to the White Meat Podcast: https://www.spreaker.com/podcast/the-white-meat-podcast--6272000Listen to Kill James Bond: https://www.killjamesbond.com/If you like this, leave a rating and review or visit our Patreon or email us at breakingmayberry@gmail.com.

Dylan Thomas: brilliant poet or self-indulgent blowhard? In this episode, Jacke talks to John Goodby, co-author of the biography Dylan Thomas: A Critical Life, about the misconceptions swirling around the famous Welsh poet, and the approach that he and fellow author Chris Wigginton took in presenting a revealing and fresh introduction to Thomas's life and work. PLUS Jacke reads an essay by Emily Brontë in which she wades through deep currents of darkness and gloom to catch a glimpse of hope. Additional listening: 408 Dylan Thomas (with Scott Carter) 647 The Brontës The Brontës' Secret Scandal (with Finola Austin) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

The infamous Hotel Chelsea in New York City has long been associated with creativity, tragedy, and the supernatural. In this episode, we explore the haunted history of this legendary hotel, where artists, writers, and musicians once lived—and some say, still linger. From the ghost of poet Dylan Thomas to mysterious sounds and ghostly apparitions, the hotel's guests continue to report strange encounters. Could the artistic energy of the past still echo through the halls, or are the ghosts of Chelsea's most famous residents refusing to leave? We take a deep dive into the paranormal activity that has cemented this hotel's haunted reputation.

The infamous Hotel Chelsea in New York City has long been associated with creativity, tragedy, and the supernatural. In this episode, we explore the haunted history of this legendary hotel, where artists, writers, and musicians once lived—and some say, still linger. From the ghost of poet Dylan Thomas to mysterious sounds and ghostly apparitions, the hotel's guests continue to report strange encounters. Could the artistic energy of the past still echo through the halls, or are the ghosts of Chelsea's most famous residents refusing to leave? We take a deep dive into the paranormal activity that has cemented this hotel's haunted reputation.