Podcasts about Dylan Thomas

Only Your Eyes Are Unclosed is a 2008 film by Anthony Shapland, duration 60 minutes. The film depicts sixty urban locations around Swansea city in the hour before sunrise, radiating from a geographical centre point. The hour begins in the dead of night with a due north location in Mount Pleasant, and each subsequent location moves around the city like the hands of a clock, with a minute spent in each place before moving ever closer to dawn. The locations featured span a large area of Swansea. They begin with empty streets in Mount Pleasant, lit only by the glow of streetlights, and move on to the deserted train station entrance where a lone zebra crossing flashes in the dark. Moving on to the brightly lit high‑rise car park off New Cut Road, the calm surface of the River Tawe, and the distant, steel works viewed from Port Tennant, with continuous plumes of smoke rising into the early morning crimson sky. The journey continues across the iconic Sail Bridge, to the Maritime Quarter, where flats overlook the quiet marina. Followed by the former GWR stone Revetment Wall on the north side of Victoria Quay, and the coastal steps swallowed by high tide, travelling on to an unusually still Oystermouth Road lined with parked work vans. Locations across the road feature the prison's barbed‑wire‑topped walls, the stately Brangwyn Hall, and the very steep, cobbled street of Constitution Hill. As the sun rises through St James Crescent Park and the residential streets of Sketty, the film ends with views across the city from Mayhill and Townhill as dawn breaks. A silent semi-fictional narrative is conveyed through subtitles that accompany each scene, for example: “A fox finds a curry carton. It licks the polystyrene clean before walking away. Carl Seers reminds himself to take the blue wrench tomorrow. Mrs Watkins' sink is set right back against the wall.” Despite the romantic construction of the work these texts are only part fiction, built on real names, occurrences and observations. The title of the film is a nod to Under Milk Wood by Swansea born, Dylan Thomas, which was published in 1954, shortly after Thomas's death in 1953. In an in-conversation with curator and writer, Lisa Le Feuvre, Anthony Shapland once said about returning to the period between night and day throughout his practice: “Early morning in a city before normal activities take place - it feels as if you are experiencing ‘non-hours'. In the city the streetlamps extend twilight which creates a situation where anything can happen, where possibilities are infinite. It's as if the entire rules of engagement for the day have been replaced and new rules are waiting to be made up.... “I grew up in a rural area and moving to the city opened up a new sense of the night. There is a certain point in the city at night when you can feel as if you are on your own - you can possess the space in some way. The urban early morning can be incredibly peaceful. There is a sense that everything has stopped for a while, that everyone is sleeping. You can rest in that waiting moment before it all starts again. When I was filming in the city I discovered there is one hour when it is OK to be polite to people - when you can say ‘good morning' to strangers and it is acceptable. It is that moment when it starts to get light - the first time I experienced it I was really taken by surprise, and I realised that the healthy dog-walkers and workers were assuming I had got up early, rather than stayed out late.” Anthony Shapland is a Welsh artist, founder of artist-led space g39, and novelist. He grew up in Bargoed in the Rhymney Valley. Within his writing and artistic practice, he blends documentary and fiction, drawing on his lived experience of rural queerness and growing up performing straight.

Across continents and centuries outsider poets have made a bold stand for the life of the body, contemplative ecstasy, sexual liberation, and the sacredness of nature, often in the face of religious and political repression.  From Rajasthan to New York, Ancient Persia to London, and Swansea in Wales to Balkh in Afghanistan, ecstatic poets have broken taboos around sex, death, gender, social caste, and religious dogma. In a follow-up to last week's interview with Britt Hartley of No-Nonsense Spirituality, Julian reflects on how poetry has always lit up his inner world as a form of embodied spirituality that transcends religious frameworks or supernatural metaphysics. He shares favorite pieces that span 800 years and three continents from Mirabai, Walt Whitman, Mary Oliver, Kabir, David Whyte, Dylan Thomas, and Rumi, along with stories from their lives, and his own. Learn more about your ad choices. Visit megaphone.fm/adchoices

Op 2 mei 1924 werd dichter James Holmes geboren. Hij emigreerde naar Nederland en verwierf bekendheid als vertaler van onze grote dichters. We duiken in deze uitzending dan ook in muziek & poëzie! Soms met woorden, soms met alleen noten, vaak met een combinatie. Van Spinvis tot Erykah Badu en van Simon Vinkenoog tot Dylan Thomas. Gedraaid in de uitzending: Marie Jaell - Nuit de Mai Daiamanda La Berge Dramm - Voices John Cage - Six Melodies I Chilly Gonzales - Poem Erykah Badu - Poetry Spinvis - Poezie Dylan Thomas - Do not go gentle Igor Stravinsky - In Memoriam Dylan Thomas Adam Baldych & Paolo Fresu - Poetry Elde Marie Pade - Faust Suite Spinvis & Saartje van Camp - Nachtwinkel Michael Stephen Brown - Twelve Blocks

Listen to today's podcast... Today is the day to share your favourite poem with your friends and co-workers. You may share the actual piece of paper you wrote it on, or you can Tweet it or FB it. Poetry can be shared at any time. Poetry can be a mantra for living.  It can express your emotions.  Sometimes it can remind us of those we have loved or lost.  Poetry can give a spiritual connection.  It can provide you with a new perspective, and it can transport you. One of my favourites for living my life is by Dylan Thomas.  Life is to be lived, not watched. Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Sometimes we find lessons in poems that are bang on. Take One Action Today To Build Your #Resiliency!      So Here are today's Tips For Building Resiliency and Celebrating National Poetry Month: Go through your old books and re-visit some of the poems that use to connect to your heart Search through the Internet to find some old classics or to read what a younger generation is writing about Write your own poem to express your gratitude or your emotions.  It can help you to go deeper and sort out all that you are experiencing Share your poems with others Don't forget that you can find more tips for coping with mental health issues, by checking out my Live Smart blog at worksmartlivesmart.com #mentalhealth #hr

This week's show, Turning Tables, moves through soul, jazz, broken beat and smooth club sounds. I'm flipping between past and present, originals and reworks as per usual. Opening with Allysha Joy, whose work continues to sit at that intersection of jazz, soul and spiritual expression. There's a reimagined song by Emmavie, before moving into her own Dropping Keys, full of warmth, Ooh and have a beautiful signed copy of Allysha's 2024 LP The Making Of Silk. There's a delightful thread of musicianship running throughout from TM Juke and Alice Russell, through to Bastien Keb and DJ Day — all groovy. I enjoyed playing Marvin Gaye and deeper cuts like The Frank Derrick Total Experience remind us of the lineage, while newer collaborations from Karriem Riggins, Liv.e, Goapele bring a fresh energy. The second half moves a little closer to the dancefloor with soulful, percussive contributions from Toronto Hustle, Sean Roman, Javonntte, and Roland Clark alongside Musclecars.

We took a trip out to Dylan Thomas's boathouse the home where he wrote some of his most iconic work. Sitting above the Taf estuary, it's one of those places where you really feel the connection between environment and creativity. Quiet, reflective, and full of atmosphere. Please do get involved and follow on Soundcloud, Mixcloud & Apple Podcasts. Cover image taken through window at Dylan Thomas's Boat House, Laugharne, South Wales UK Full track list and links to resources www.djrobbieduncan.com/elecsoul

Piše Meta Kušar, bereta Eva Longyla Marušič in Jure Franko. Lirični prostor je velika knjiga o resnični liričnosti. Avtor Brane Senegačnik se je s to temo ukvarjal že v dveh knjigah: Smrt lirike? (2015) in Dežela, ki je ni na zemljevidu: lirični vidiki antropologije (2019). Vsak, ki se posveča svoji notranjosti, opazi, da nam v umetnosti zdaj velikokrat porušene duše vsiljujejo svoj revolucionarni, rušilni sistem reševanja sveta, tisti ki sledijo notranjemu glasu, krhki, a s posebno iskreno svetlobo, pa jim morajo to dovoliti. Zaradi trenda. Brane Senegačnik, pesnik in univerzitetni profesor klasične filologije, se je tokrat še bolj sistematično in megalomansko, v najboljšem pomenu besede, spet lotil vprašanj »Kakšen je lirični človek in kakšen njegov lirični prostor?« Pregledal je enormno število zahodnih literarnih znanstvenikov, filozofov in pesnikov, sedeminsedemdeset jih je. Razmislek se začne z enostavnimi ugotovitvami: »Poezija je jezik naše življenjske spontanosti, nikakor samo mišljenjske. V resnični poeziji je nekaj arhetipičnega, kar je filozof Jan Patočka poimenoval kot zajemanje sveta naivnega doživljanja, ki ga je potrebno abstraktno ohraniti.« Naivno ni mišljeno slabšalno, ampak je občečloveško s prvotnimi vzorci, arhetipi, ki niso ideje, ampak oblike, ponavljajo se od pradavnih začetkov do trenutka, ko jih posameznik zaživi v svojem življenju. Ob tem se bo kdo celo vprašal, ali se je pisanja poezije mogoče naučiti iz priročnikov in filozofskih razprav, teh, ki jih je avtor preštudiral in nam jih v svoji eruditski knjigi ponudil. Gotovo je v Senegačnikovi knjigi upoštevano prav vse, kar je bilo resnega o tej zadevi v sodobnem času natisnjenega. Dobro, da ob takem opusu ni izgorel. Vedno obstajajo razlike med akademskim in pristno človeškim konceptom liričnosti. Knjiga Lirični prostor nas s svojo razkošnostjo ugotovitev desetin in desetin raziskovalcev utrjuje v stališču, da je neizprosna iskrenost poezije ena tistih veščin, ki je človek ne more pretentati. Seveda je tu duhovita trditev Wolfganga Iserja, ki je sodobno raziskovanje umetnosti oziroma literature posrečeno označil kot proizvodnjo teorij. »Množica vseh teorij kaže, da je umetniško delo mnogoplastno, da pomeni zelo veliko različnih stvari, vendar iz tega ne sledi, da ga ni mogoče ontološko razložiti.« Velik del problema je v tem, da bistvo poezije ni dosegljivo prek natančnega vedenja, do njega se ne dokopljemo z informacijami, ampak s pomeni. Pamet ne more dobro skozi življenje, čeravno so od vseh štirih funkcij zaznavanja misli najbližje realnosti sveta; ne pa tudi najbližje smislu življenja. Bistvo je dosegljivo intuiciji, ki jo človek pri sebi zazna ali pa je ostala v nezavednem. Nedosegljiva. Poezija je zvrst človeškega ustvarjanja, ki zadeva svobodo. Danes že zelo zoženo antropološko obzorje, posthumanizem, cunamiji informacij, orientiranost k objektom, introvertiranost, ožigosana z avtizmom, muza, zasmehovana kot romantična izmišljotina – vse to množi viruse mnogih literarnoteoretskih in šolskih razlag, tistih, ki se ukvarjajo s poezijo bolj zaradi službenega imperativa, manj pa zaradi notranje nuje. Brane Senegačnik, pesnik in senzibilen bralec poezije, s široko paleto znanja, kulturne osveščenosti in zgodovinskega čuta, še posebej za muze, saj antična pota poezije izvrstno pozna, kot pesnik pa praktikant notranjega samoizpraševanja, se že dolgo spopada z dejstvom, ki ga v sodobni poeziji lahko vsak zazna: sodobni zahodni človek je izšolan in streniran za obvladovanje vsega, kar obstaja, manj vešč je za dojemanje svojega bistva. Prav to pa nam z empatijo omogoči zaznati skupno bistvo vsega, kar je. Kar je pesnik Dylan Thomas imenoval Ta moč: In naprej: »Ta moč, ki skozi zeleno bilko žene cvet / žene moj zeleni čas; in ta, ki uničuje žile korenin, / pustoši tudi mene.« Po branju dragocene Senegačnikove knjige Lirični prostor mi je žal, da ob vseh teh eruditih ni nihče omenil muze, brez katere že v antiki ni šlo. Priznam, da me muza pokliče k zapisu in brez nje ne začnem. Muza je garancija za tisto nujo, da pesmi pišemo samo zato, ker bi umrli, če jih ne bi pisali. Muza je resnica poezije in ona je tista, ki varuje poezijo, da je ni mogoče našminkati. Prav zaradi te resnice naroda brez poezije ni. Prav zaradi te resnice pri poeziji ni emeritusa. Knjiga Lirični prostor razkriva, da so naše kariere različne; nekatere zahtevajo bibliografske enote, druge pa izkušnjo maksimalne iskrenosti duha. Senegačnikova zahteva oboje. So celo znanstveniki, ki čutijo krvavo nujo po celovitosti, ki je objektiven dejavnik in se s subjektom sooča neodvisno od njega. Zapišejo sebstvo. Redki ga definirajo. Če verjamemo Carlu Gustavu Jungu je sebstvo entiteta, ki ni psihična. Obstaja tudi akademsko brez pristno človeškega koncepta. Kakorkoli že, znanstveniki iščejo in definirajo lirični prostor, poezija pa skrbi sama zase in je ne briga usoda pesnika – človeka. Kadar so filozofi bratje lirikov, razumejo tudi to. Senegačnik omenja Franca Vebra, »ki je vedel, da nas lirika postavlja pred vsebinsko načelno uganko sveta in življenja: v njiju odkriva usodno sporočilo, zapisano v neznanem jeziku. To sporočilo pa je naslovljeno na vsakega človeka, je sporočilo o njegovi nenadomestljivosti.«

This marks 5 years of this podcast. A thank you to my listeners, to my tech support, and a celebration in the form of 6 birthday poems by Marilyn Hacker, Milton, May Sarton, and Dylan Thomas. The theme of time passing and self judgment.

Lords: Jason https://bumpyskies.com/ Ben https://www.zerofiftyone.net/ Topics: Prepping for a colonsocopy, the jmac way! https://fogknife.com/2023-12-31-my-colonoscopy-strategies.html How to do things you're bad at The Trustworthy Shirts Tournament https://eldritch.cafe/@cassolotl/116156921111844432 Do not go gentle into that good night, by Dylan Thomas https://poets.org/poem/do-not-go-gentle-good-night Microtopics: The Wordle Puzzmo and Dall-E shitposts channel. Plugging your turbulence forecasting web site at both ends. Kids picking a name for themselves at age 8 and then being stuck with it forever. Going to court and the judge is named "velociraptor#1993" and that's just normal. Trying to pick a baby name and suggesting the name of your great grandmother whom you never met, velociraptor1993. People still being named Baker even though nobody bakes any more. Ripped off vs. stolen. Colonoscopy Strategies. Poorly understood advice from well meaning friends. Drinking squid ink the day before your colonoscopy. A power-blasted clean empty warehouse of a colon. Why are you still listening to these colonoscopy stories? Skip to the end of the episode where I ask you to give money to the patreon. The tattoo on the inside of your colon of an arrow indicating "this polyp right here" Staying up until 3 AM drinking an entire jerry can of mineral wax. Referring to the COVID pandemic as "the pandy" The colonoscopy robot's tattoo gun. Knowing all the names of parts of the intestines because of the difficult boss fight inside an intestine at the end of Metal Gear Solid 2: Sons of Liberty. Hideo Kojima setting out to design a game to force people to write strategy guides about traversing the human rectum. What Google searches Hideo Kojima was trying to inspire when he designed Snatcher. Writing a strategy guide for drinking a five gallon can of lemon-flavored gym socks. Slightly chewy boiled sweets. Whether Jim should already have had a colonoscopy by now. Getting your colon cancer screening kit in the mail and it swishes when you shake the box. The tattoo scissor robot: it's out there waiting for you. Getting an image of someone else's intestines tattooed on the inside of your intestines. Getting "how's my driving" or "if you can read this you're too close" or "we bought this before we realized Elon was a fascist" tattooed on the inside of your intestines. Striving to be more comfortable with being bad at skills. All the ways you can fail at throwing pottery. Learning to enjoy being bad at the piano. The doodle that Bach drew on the cover of Well Tempered Clavier. Flanderizing yourself because nobody else will. Art forms where you accumulate physical evidence of your skill progression. Recording three audio books and observing yourself getting better at recording audio books. Audible's gig economy thing. Never studying piano because you get too much done when you procrastinate studying piano. Converted telephone microphones. Trying to learn to play piano with a broken digital piano and really getting into electronics repair. Playing live music and being completely at the mercy of time passing. The Moogseum in Asheville, North Carolina. The aspect of human existence that you're most missing out on. Sitting there watching people play music and wishing you could also play music. Learning to play the Final Countdown riff or the Axel F riff and being set for life. Following a tutorial to create a convincing cover of Satisfaction by Benny Benassi. Rip it Up, by Orange Juice. Ten Ragas to a Disco Beat. The Lesser Trolley Problems. Whether viewers of The Good Place are more likely to value moral philosophy. M*A*S*H vs. Moomins. Who would go around wearing a M*A*S*H shirt in 2026? Deciding how much to trust a Moomins aficionado without knowing how old they are. Identifying Moomins on sight. Owl House vs. Owl City. People who go around wearing Owl House shirts without thinking about all the passers by assuming that they mean the Fireflies band. What the characters in Interstellar think of Dylan Thomas. The last wave by soaking in the green bay. Whether you should get mad before you die. Breathing life and fire into those who yet live. Showing people an argument for losing so that they get mad and win instead. Charitable Reads Book Club, LLC. Production values that are way too high for this bit. Soupertasters 15, with guest star Michael Caine. Corn poems vs. carrot poems.

In Nederland maken mensen meer theater dan dat er mensen naar het theater gaan. Beetje kromme zin, maar het moet wel gezegd: amateurtheater is nog steeds een vrij bloeiende kunstvorm, zeker buiten de grote steden. Mogelijk is het niet de meest jonge en diverse kunstvorm van het land, al compenseren de vele jongerentheaterscholen dat weer. Meestal zijn voorstellingen, in hun vrije tijd gemaakt door mensen die hun geld verdienen met een gewone baan, ook niet bedoeld voor een groot, landelijk publiek. Soms zijn zulke voorstellingen er wel, zoals bij Leidse amateurs die ik goed ken, en toen ik een paar weken geleden ging kijken bij ‘Om te beginnen bij het begin' had ik wel zo'n voorstelling te pakken. OuderdomHet stuk past in een ontwikkeling die onvermijdelijk is: we leven steeds langer, en de mensen die in de grote bloeitijd van het amateurtheater, in de jaren tachtig en negentig van de vorige eeuw, met hun kunst begonnen, krijgen te maken met ouderdomsverschijnselen, zoals dementie. Hoe werkt zoiets door in de kunst die mensen voor elkaar maken? De voorstelling die ik in Hoorn meemaakte vertelt het verhaal van een ziekteproces, van zeer nabij verteld door de weduwe van een aan Alzheimer overleden theatermaker. Hoe ga je om met zo'n proces, moet en kan je daar theater van maken? Hoe zit het eigenlijk met euthanasie? Het is niet niks waar deze liefhebbers in hun vrije tijd theater over hebben gemaakt. Hieronder vind je de hoogtepunten, per moment gerangschikt, voor als je wil zappen. * Wat is de voorstelling "Om te beginnen bij het begin"? (00:03:13)* Welke rol speelde Jos van Dijk als inspirator van het Nederlandse amateurtheater? (00:05:01)* Hoe houd je het veertig jaar vol als amateur?(00:08:08)* Het ziekteproces (00:20:18)* Theater als steun bij dementie en de rol van de gemeenschap (00:24:28)* Het maakproces: rouw, theatrale afstand en de rol van de acteur (00:27:00)* Dylan Thomas, accordeonmuziek en de dramaturgische structuur (00:32:28)* Euthanasie en de grenzen van de wet (00:37:02)Het is zeer de moeite waard het hele gesprek te luisteren!Fijn dat je meeleest! Deel deze podcast met anderen!15.000 luisteraarsDe nieuwsrubriek, halverwege, bevat een paar interessante nieuwsfeiten, die we in onze volgende editie uitgebreider zullen behandelen. Zoals over het Nederlands Fotomuseum.Luister ondertussen naar deze aflevering van De Omslag. Net als de gemiddeld 15.000 anderen die naar de vorige afleveringen luisterden. Volgende editie nemen we - opnieuw live - op in TivoliVredenburg. Dan, op 30 april, spreken we met Charl Landvreugd en Judy Mesman over hoe Nederland een plak kan worden waarin kunst van iedereen gelijkwaardig is, ongeacht afkomst en huidskleur. Je kunt erbij zijn, reserveer dan wel eerst bij TivoliVredenburg!Met vriendelijke groet!Wijbrand SchaapMet dank aan de medewerkers van TivoliVredenburg! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit nieuwsbrief.cultuurpers.nl/subscribe

The first of three very special interviews with some of the biggest names in Welsh folklore and ghostlore, in this episode it's author, journalist, cultural historian and self-proclaimed punk, Mark Rees!We begin with some merry badinage, discussing who Mark is and unpacking some of the important lessons we've learned from him and others across Series 7 - though the main event is a lovely chat that starts in Mark's home town of Port Talbot, via Mark's 'Lost Years' as a punk, through to the blossoming of his astonishing career as a D.I.Y. journalist, broadcaster, researcher, and author of wonderful books on the cultural history and legends of Wales.At the same time, inspired by an early love of Ghostbusters, Mark has been chasing down spooks for a while now - and not just in newspaper archives. He has uncovered things, including new details in the Rhonda Street Poltergeist case, the Cursed Wall of Margam, which is now top secret and thoroughly locked away, and a real life Scooby Doo case about a Welsh dog that genuinely caught a ghost.We're talking about what Mark thinks unites the Welsh and the English, and about those things that separate us. About the places in Wales he thinks people should go to and why, and about the people who inspired him, from Dylan Thomas and the 'Graveyard Poet' Thomas Gray to Peter Underwood.With an extra little bit at the end where Eleanor and Martin both share regrets about things they got wrong across Series 7, and a big announcement about our third book, we really hope you enjoy the episode. Speak to you again on Thursday for the second part of the trilogy - a chat with author, folklorist and expert pathologist Dr Delyth Badder!Visit Mark's website: https://markreesonline.com/about/ The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

50: Chapter 48. Dea ex Machina This episode is scripted by John Ruths and Newell Fisher. This is the only Chapter in WD written from a human perspective. The phrase "Deus ex Machina" means "the god in the machine" In a story, it signifies a highly unlikely event that resolves an issue, saves someone and provides a happy conclusion. However...this chapter is called DEA ex Machina, meaning the "Goddess in the Machine". When we read the beginning of the chapter and we see the name "Lucy", we know that she must be the "Dea ex Machina". The pre-chapter quote is from the poem, Fern Hill by Dylan Thomas. It is about an idyllic childhood spent on a farm. It is such a childhood that, arguably, saves Hazel. We begin with Lucy, the farm girl from Nuthanger.  It's early and she's just waking up.  When we hear about the possibility of a dog barking, we can link it to when the farm dog was alerted and broke away as he tore off after Dandelion.  Lucy hears a "sharp sound" and it's a squealing.  This gets Lucy up to see what the source of the sound is.  Thinking it's most likely a rat, Lucy sees that it's actually a rabbit! Lucy has a brief confrontation with Tab, one of the farm's resident cats.  She takes hold of the rabbit that we know to be our very own Hazel. Just as with the adults at the farm, it's interesting how Adams lays out how she speaks English, reflecting her Hampshire accent. Hazel in her arms, Lucy encounters her father.  He explains in his own way that to keep a wild rabbit in a hutch is a death sentence.  Her father also defends what the farm cat was doing; and in reality, he's quite right.  Her father asks Lucy to hand over Hazel.  We the reader know what this means. Lucy cries.  She knows her father is right but she's understandably upset.  Lucy wins out. She wants to show the rabbit to the visiting doctor.  Lucy goes upstairs, temporarily places Hazel in a drawer, gets some "cloze" on, and will soon meet the doctor.   The dog is back, spotted coming up the lane by the doctor, and we now know that it is a Black Labrador.  He's clearly been in a fight.  If nothing else, we know that General Woundwort did fight back, given the dog's leg bite and scratched nose.  We also learn, in passing, that the dog's name is Bob. The doctor, whose name interestingly is Adams, sees Lucy's mother first and thinks he'll have time to look at Hazel. Hazel is given an impromptu physical exam.  While Adams is a fan of providing us with multiple points of view, we don't get Hazel's thoughts at all. In this one chapter he is portrayed as humans see him: a dumb animal.  The doctor acknowledges his wounded leg which he received right there at the farm, a recent cat scratch, and reinforces for Lucy that this rabbit cannot live in a hutch.   The doctor makes an offer.  Lucy can go with him on his next house call and Hazel can be dropped off in a location along the way. Luckily for him, Hazel is dropped off on the single track road that lies to the west of WD, on the ridge between it and Hare Warren Down. The just dropped off Hazel seems to have gone temporarily tharn but comes to himself after about half a minute and quickly gets away.  As he departs, the doctor confirms his leg wound.  Of course, we readers already know this.  As Hazel is never named in this chapter, it simply confirms again who this rabbit is.   The doctor states "he could perfectly well live for years" and that seems quite hopeful.  This 'rabbit' has certainly earned this in our eyes. And it will prove to be the case so even the doctor's observation is foreshadowing in a good way. Funnily enough the chapter ends with the Doctor making a reference to the song "Born and Bred in a Briar Patch" from the 1946 Disney movie "Song of the South". And so our brief foray into the human world ends.

For our final County Episode of Series 7 we're chatting about the heritage and folklore of the largest Welsh historic county, Carmarthenshire! A county that still exists, it's home to one of the truly ancient settlements of Britain, Carmarthen, which continues to thrive today having been consistently occupied since the Bronze Age.Elsewhere on this bumper-sized season finale we're talking about the county's highs and its lows, its many ghost stories, terrifying river monsters, contributions to Welsh identity - including the codification of Welsh national dress - and much more besides.We're stopping by ancient tombs, Merlin's birthplace, paying our respects to the bones of Dylan Thomas, discussing the erased marginalia of Wales' oldest book, bat demons that hatch out of rocks at New Year, and perhaps the most famous legend in all of Wales - one that recurs in all 13 Welsh historic counties though firmly rooted in CarmarthenshireIt's this tale that inspired our Local Legends guest for this week, Francesca Simon MBE, to write her new novel inspired by this same story.Some call it "The Lady in the Lake of Llyn y Fan Fach." Some called it "The Three Blows." For her version, Eleanor has called it "Farewell to the Lake" and it's a cracking conclusion to our new tellings of the folk tales of Wales.We sincerely hope that you enjoy the episode, and will speak to you again on Thursday for our brand new, seasonally-appropriate episode of the Three Ravens Bestiary all about Leprechauns!Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, we take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

SAN ONOFRE-Patricia Morgan interviú Aye up, Pat! https://www.ivoox.com/podcast-san-onofre_sq_f1146007_1.html Domingo 15 febrero 2026 Enlace a las 33 1ªs angloentrevistas  Siguientes 33 Angloentrevistas Traducidas, Vol.2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 God told me to skin you alive y The Rebel, que peláramos la pava con Patricia Morgan, inseparable compañera en la vida y en Datblygu ("datblagui") de David R. Edwards. Personaje éste larger than life y ´appen, que su propio compatriota Dylan Thomas. Los muchachos de SAN ONOFRE, iuvenes (y bien mandaos) cum sumus, le damos placer auditivo al bueno de Ben Wallers. Los contactos previos a nuestro intercambio radiofónico con Cymru no podrían haber sido más propicios. Sí, postonophrismo en estado salvaje: Alegría, creatividad, dulzura, humor, amor, espíritu travieso y detectivesco, aberración, irreverencia ... ¡Estamos de celebración! ¿Acaso no lo estamos perpetuamente? ¿Es Datblygu la banda más "desarrollada", "evolucionada" y "progresista" de la historia"? ¿Es ésta, acaso, una pregunta retórica? ¿Lo es la siguiente? ¿Deberíamos SAN ONOFRE contribuir a la colección Microbíos, de la mágica Libritos Jenkins con una microbío de Datblygu? Todas estas candentes cuestiones y muchas otras serán desveladas en subsiguientes episodios de "Soap" "Enredo" SAN ONOFRE. Datblygu am byth!

As January draws to a close, we take a look back through some of the conversations we have had so far in 2026. First, publisher Alessandro Gallenzi joined us to reveal how he turned literary detective and uncovered Dylan Thomas's youthful plagiarism, then Joanna Kavenna explains why she invented a game to write her new novel, Tristram Fane Saunders surveys the poetic landscape and Maria Scott talks us through her discovery of photographs of Jeanne Duval, muse and lover of Charles Baudelaire.Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Places where strangers become friends Good morning. The pub in Oxford last week looked its usual, amazing self. I'd been doing a bit of teaching and was staying in a nearby college overnight. Outside was dark, cold and wet. But as I pushed the pub door open, I was met with a warm, candlelit cacophony of conversation. People were eating supper, playing board games, reading books. It was a glorious, uplifting sight. We know that, for decades now, pub landlords have been facing multiple challenges in order simply to keep their doors open. In 2025, the equivalent of one pub a day in England and Wales had to close its doors permanently. So it was good this week to hear Prince William talking about how much he loves everything a pub has to offer and urging us to do all we can to support our local. Pubs, he said, are the beating heart of many communities, where we can meet with friends and neighbours.2 Along with churches and other places of worship, many of which are also reimagining themselves simply to survive, pubs provide a radical alternative to the social isolation and loneliness affecting many groups in society. I observe this more and more in the course of my own work. Often unseen, people of all ages and backgrounds can unwittingly find themselves alone, without the meansor motivation to find a non-transactional space where they can simply “be” with other people. Many community cafes are also thriving like never before. Christian theology has always celebrated hospitality. The Bible stresses the importance of people being together to meet as well as sharing food and drink. This is something Jesus is also frequently found doing in the gospels as he meets with an interesting range of people. St Paul, whose feast day the Church celebrates tomorrow, wrote many letters to the early Church, stressing not only the importance of worship but also the spiritual benefits that fellowship with others brings. He regards this as an important ingredient towards spiritual renewal and happiness. For centuries pubs have been at the centre of British culture. The Catholic writer Hillaire Belloc warned - “when you have lost your Inns drown your empty selves, for you will have lost the last of England.” They've left their mark throughout literature, in Orwell and Dickens, Dylan Thomas and Chaucer. His pilgrims began their journey to Canterbury at the Tabard Inn! As modern-day pilgrims, navigating an ever-complex world of conundrums and challenges [wherever our final destination might be] preserving spaces for conversation and friendship, where strangers can become friends, is surely an imperative.

Today's poem, unusual in its structure and rhyme, turned out to be more of an epilogue: Thomas composed it for inclusion in his Collected Poems, no more than a year before his death. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

In today's episode, Neil delves into the profound and often overlooked topic of mortality. Drawing heavily from Stoic philosophy and Marcus Aurelius's Meditations, Neil argues that acknowledging our "finish line" is not morbid, but rather a powerful tool for clarity and motivation in both life and business.  KEY TAKEAWAYS Death is the only true inevitability; acknowledging this prevents us from letting ourselves "off the hook" by pretending we have unlimited time. Neil highlights three core tenets for a wiser life: control your perception, direct your actions properly, and willingly accept what you cannot change. Realizing the universe is "too busy" to intervene in your life can be incredibly liberating for those dealing with anxiety or fear of failure. Neil challenges the traditional idea of retirement, questioning whether activities like golf could ever be as satisfying as the moment a student finally "gets it." Treat every morning you wake up as a "bonus" and a reason for gratitude, rather than an entitlement. BEST MOMENTS "Think of the life you've lived until now as over, and as a dead man, see what's left as a bonus and live it according to nature."  "The universe doesn't give a flying f*** about us. Get over it." "I'm all in favor of arriving at my own graveside on a big motorcycle, sliding sideways and wheel-spinning over the edge with a maniac grin on my face." "Is there anything more satisfying to you than helping your tribe? Anything at all?" "Do not, as Dylan Thomas put it, go gentle into that good night." VALUABLE RESOURCES www.Neilcowmeadow.com info@neilcowmeadow.com HOST BIO Neil Cowmeadow is a maverick peripatetic guitar teacher from Telford with over 19 years' experience in the business of helping people. Learn how to start, grow and love your business with Neil's invaluable advice and tips without the buzzwords and BS! This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Celebrating another New Year, Nick Hennegan plays your literary requests which include Beat Poets, Dylan Thomas and West End Musicals.  www.BohemianBritain.com 

This week, publisher Alessandro Gallenzi reveals how he turned literary detective and uncovered Dylan Thomas's youthful plagiarism; and Norma Clarke on the stunning work of two 18th-century women portrait artists.'Mrs Kauffman and Madame Le Brun: The entwined lives of two great eighteenth-century women artists' by Franny Moyle Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

In this episode Patrick Spence-Thomas does a reading of Dylan Thomas' classic "A Child's Christmas in Wales". Patrick sadly passed away in 2008 after an iconic career as a re-recording mixer and a location sound recordist. The first half of this episode is a quick run down on who Patrick was and some of the work he did, including being both the mixer and narrator for Death Bed: The Bed That Eats! The episode wraps up with Patrick's wonderful reading of one of his favourite poems/stories. ________ SPONSORS: Sound Ideas is closing out the year with a massive Year-End Sale, and you're invited! Now through to the end of Decemeber, enjoy 50% off all proprietary items, including premium sound effects and production music trusted by creators worldwide. Don't wait, these savings disappear on December 31st at midnight, as we move into 2026. Check out https://sound-ideas.com/ today and create something amazing.________ The Soundscape Fund - George Vlad, Andy Martin and Thomas Rex Beverly are three of the sound community's busiest field recordists and they have joined forces to raise money for environmental causes this holiday season. All three have a deep love for the natural world and actively work to conserve the soundscapes of nature, through their field recording. They are each offering some of their recordings as prizes to bring the community together to help a great cause. There are three identical prizes to win, each worth more than $15,000! These prizes include, huge collections of commercial sound effects libraries, a one hour call with each of the three organizers, and nature albums for casual listening. For every $5 you donate, you get an additional chance to win! Just head over to the https://thomasrexbeverly.com/products/the-soundscape-fund-2025, and choose your donation amount. Contest runs until Dec 28th 2025. so enter now._________ Episode Notes: https://tonebenderspodcast.com/341-holiday-special-re-podcast-remembering-patrick/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this festive episode, we celebrate the holiday spirit with classic literary readings from Dylan Thomas and Charles Dickens. Experience the magic of Thomas's "A Child's Christmas in Wales," a nostalgic and whimsical reflection on Christmas past, and dive into Dickens's "A Christmas Carol," a timeless tale of redemption and social critique. Join host Jack Eidt as we journey through these beloved works, capturing the essence of Christmases past and the hope for future celebrations. We include clips from Dylan Thomas: A Child's Christmas In Wales: https://youtu.be/zFSs2IdDmuU Recorded Feb 1952 in Steinway Hall in New York City A Christmas Carol: A Ghost Story of Christmas: https://youtu.be/vT3skWqpUMA?si=12kYQhqExUsN8rsx Author: Charles Dickens, This was produced by the Mormon Channel, Created in 2015. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Dylan Marlais Thomas (1914 - 1953) was a popular poet writing in English, and from Swansea, Wales. He is famous for his acutely lyrical and emotional poetry, as well as his turbulent personal life. The originality of his work makes categorization difficult. His works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood. He also wrote stories and radio broadcasts such as the piece we share today, A Child's Christmas in Wales, as well as Portrait of the Artist as a Young Dog. Charles Dickens (1812 – 1870) was an English novelist, journalist, short story writer and social critic. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His notable works include the piece we excerpt today, "A Christmas Carol," as well as "Oliver Twist," and "Great Expectations," all still quite popular today. Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes a column on PBS SoCal called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 243 Photo credit: Sol Etinge from Pixabay

Join Nick Hennegan who celebrates the annual Westminster Abbey wreath-laying ceremony for Welsh Poet Dylan Thomas. He includes 'A Child's Christmas in Wales' and music and poetry from Cerys Matthews. www.BohemianBritain.com 

The Emma Rice Company's adaptation of Dylan Thomas' A Child's Christmas in Wales opened last week to rave reviews. Hannah grabbed some time with its founder, writer and director Emma Rice, to talk about a change of name, a new venue in Somerset, and Thomas. And a lot more besides, including Emma's time as artistic director at The Globe, something that did not end happily, and why she thinks we're all being a bit hard on Enid Blyton. More information about the Emma Rice Company here: https://www.emmaricecompany.co.uk/ To support us on Patreon visit Standard Issue Podcast | creating a magazine for ears, by women for women | Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Emerging from Edinburgh's music scene in the mid-1990s, Idlewild carved out their place in a British rock scene choc-a-bloc with guitar bands (the halo of Britpop) through a combination of emotional intensity and literary edge. All of this is present in the band still, right down to new song “Back Then You Found Me” name checking Dylan Thomas's Under Milk Wood. Their 1998 debut album, Hope Is Important, announced them as something more than just another Scottish guitar band. Their songs were tight, but angular, and threaded with Woomble's poetic phrasing and a strong melodic core. Did Idlewild have the boom and bust fame of Brett Anderson's “Stations of the Cross” career curve (on which this podcast is based, I remind you)?Of a sort, yes. Building on an acclaimed debut album (Broken Windows),  2002's The Remote Part, Idlewild reached a classic creative x commercial peak. That album is perhaps still their most well known - a more expansive, anthemic sound without abandoning the sensibilities that had become their trademark. It contained bona fide chart hits, “You Held the World in Your Arms” and “American English” and set the band on the way to being one of the key British bands in the early 2000s.But in a sense, the “stratospheric rise to the top” was kept well in check. Perhaps it was personnel changes (I haven't counted but the band has had more than its fair share of bassists). They pivoted toward a warmer, more reflective style on Warnings/Promises (2005), incorporating folk influences and richer textures. It bridged the band to maturity and opened up their options but ultimately did not satisfy the major label they were signed to, Parlophone. An arena tour with Coldplay somewhat exposed Idlewild's “limitations” if you want to put it that way - not musically, but in terms of performance - the will and the way to take their show to the big stages expected by major labels. There was no meltdown, no drama. But major label life is what it is - both back then, and in the present time. “Our label mates were Kylie Minogue, Radiohead, Coldplay and Blur. We were definitely at the bottom of that pile”.When Parlophone didn't want to renew a new deal after four albums, it was time for the band to re-adjust. To Woomble, it was liberating - eventually. “For Make Another World, we felt like we'd toured enough, we had a fan base. Then after Post Electric Blues (2009) we decided to take some time away. As a band we felt intact, but we also felt like we wanted to stay up at the level we were, not to end up just playing clubs. The music business was so strange then (2007), we ended up taking five years away and came back with a renewed sense of what we could do, creatively”. Their string of subsequent albums, Everything Ever Written (2015), Interview Music (2019) and now Idlewild all have something to offer, and demonstrate the band's refusal to stagnate. The one-two punch of Woomble's poetic lyrics and Jones's jagged, urgent guitar work still delivers something, if not unique, then most definitely a cut above standard indie fare - more depth, more emotion. Few bands transition successfully from ragged punk-inflected rock to expansive indie-folk, but Idlewild managed it without alienating their audience or diluting their artistic character. In short, Idlewild's career is a testament to thoughtful songwriting, evolution, and the enduring power of emotionally intelligent rock. Most definitely an interesting and quietly inspiring longevity story. Support the showGet more related content at: https://www.songsommelier.com/

Dylan Thomas's A Child's Christmas in Wales is a cozy, musical recollection of childhood holidays—told with the kind of wonder only a child can hold and only an adult can remember.Never too soon for a Christmas story.Thank you for being here - if you're interested in more content from the show, check out our Patreon for the Dozing Off community:patreon.com/dozingoffpodcastSleep well, Lance

Ruth Mota joins Julia and provisional Hive member Hannah Tool to read and discuss Dylan Thomas's Fern Hill and share selections from her debut chapbook, Kitchen Table Midwife of the Dispossessed, which is available for pre-order here. You can hear more of Ruth's poems on December 4th at “The Power of Her Voice,” a poetry benefit for Santa Cruz Community Health, at Temple Beth El in Aptos - tickets available here.Ruth Mota currently lives in the redwoods of Santa Cruz, California after residing a decade in northeast Brazil and working as an international health trainer throughout Latin America and Africa. Now she devotes her time to writing poetry and facilitating poetry circles to groups in her community like veterans, seniors or men in jail. Her poem “The Sloth” is nominated for a Pushcart Prize by The Connecticut River Review, and over sixty of her poems have been published in online and print journals. Her first chapbook, entitled Kitchen Table Midwife of the Dispossessed, is available for pre-order now through Finishing Line Press.

Nick Hennegan celebrates the birthdays this week of two of the greatest writers of the last century – Dylan Thomas and Sylvia Plath - in their own words! www.BohemianBritain.com And celebrate writers live every week in London with The London Literary Pub Crawl!

Nick Hennegan is in a pub in Wales, celebrating national poetry of TWO countries. With contributions from T. Lew Jones, Dylan Thomas and John Keats. www.BohemianBritain.com

When I was young, I read a famous poem that I now regard as one of the strangest poems ever written. It is the one entitled “Do not go gentle into that good night” by Dylan Thomas with its repeated refrain “do not go gentle into that good night…rage, rage against the dying of the light”.

When I was young, I read a famous poem that I now regard as one of the strangest poems ever written. It is the one entitled “Do not go gentle into that good night” by Dylan Thomas with its repeated refrain “do not go gentle into that good night…rage, rage against the dying of the light”.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Oblivion by Phish (2024)Song 1: Never Too Much by Luther Vandross (1981)Song 2: My Cherie Amour by Stevie Wonder (1969)Song 3: Oblivion by The Wilderness of Manitoba (2021)Song 4: The Gal From Joe's by Duke Ellington (1938)Song 5: Mind Mischief by Tame Impala (2012)Song 6: Oblivious by Aztec Camera (1983)Song 7: Curse of the Tooth Nightmare by Giraffes? Giraffes! (2011)Song 8: Lady (Hear Me Tonight) by Modjo (2000)Song 9: Dylan Thomas by Better Oblivion Community Center (2019)Song 10: Cue the Machines by Yonatan Gat (2018)

Welcome to the Paint The Medical Picture Podcast, created and hosted by Sonal Patel, CPMA, CPC, CMC, ICD-10-CM.Thanks to all of you for making this a Top 15 Podcast for 4 Years: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/medical_billing_and_coding_podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonal's 15th Season starts up and Episode 15 features a Newsworthy update on the OIG Work Plan for July 2025.Sonal's Trusty Tip and compliance recommendations focus on the latest improper payment details regarding E/M services from a 2023 data report.Spark inspires us all to reflect on hopes and aspirations based on the inspirational words of Dylan Thomas.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paint The Medical Picture Podcast now on:Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6hcJAHHrqNLo9UmKtqRP3X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/paint-the-medical-picture-podcast/id153044217⁠7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/bc6146d7-3d30-4b73-ae7f-d77d6046fe6a/paint-the-medical-picture-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Paint The Medical Picture Podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCzNUxmYdIU_U8I5hP91Kk7A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sonal on LinkedIn:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/sonapate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And checkout the website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paintthemedicalpicturepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to be a sponsor of the Paint The Medical Picture Podcast series, please contact Sonal directly for pricing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaintTheMedicalPicturePodcast@gmail.com⁠⁠

Ikebana ist die sehr minimalistische japanische Kunst des Blumenarrangierens, um Harmonie und eine besondere Ästhetik zu erzeugen – und sie ist die Inspiration für die neueste Single von Yaama ("Ikebana Flower"), die zudem ihre aktuellen EPs "Cut" und "Continuity" nach einem japanischen Ästhetik Prinzip benannt hat. "Cut/Continuity" ("Schnitt-Kontinuität") – unter diesem Titel hat Yaama acht Songs auf zwei EPs veröffentlicht, die eine Verbundenheit zwischen Leben und Tod oder Trennung und Verbindung ausdrücken sollen und eine direkte Übersetzung aus dem Japanischen sind: Kire Tsuzuki. Wenn also in der Kunst, Dichtung, Architektur oder auch der Naturdarstellung etwas "abgeschnitten" wird, entsteht gerade durch diesen Einschnitt etwas Neues, das die Phase des Übergangs sichtbar macht. Der Übergang in der Musik von Yaama besteht vor allem aus dem Zusammenbringen unterschiedlichster Anmutungen: Beats und Synthies treffen auf Folk und Jazz wie poetische Lyrics. Sounds, die an gewissen Stellen abbrechen, Verzerrungen und dann in ihren Songs wieder zu einer Einheit zusammenfinden. Inspirieren lässt Yaama, die zuvor auch schon unter ihrem bürgerlichen Namen Mariama Ceesay Musik veröffentlicht hat, allerdings nicht nur von japanischer Ästhetik, sondern auch von dem amerikanischen Poeten schlechthin: Dylan Thomas! Unter anderem ist Yaamas Interpretation seines Gedichtes "Do not go gentle into that good night" auch auf ihrer Doppel-EP "Cut/Continuity" gelandet. Über ihre Faszination japanischer Ästhetik – und natürlich über ihre neue Musik kann Yaama heute Abend im studioeins sprechen.

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

Professional voice actor Talia Genevieve, '11, talks about how her time in Montco's Sound Recording and Music Technology program helped launch a career as a voice actress. You can see her work on the animated series “Universal Basic Guys.” Recorded by Kyle Ziebis & Dylan Thomas, edited by Matt Frankl from the College's Sound Recording and Music Technology Program

Why do people report ghostly knights, phantom horses and spectral visions during the full moon in this Welsh beauty spot? What ancient force still lingers atop Cefn Bryn?  On this episode, Mark journeys to the windswept heights of Gower during the summer solstice to investigate one of Wales's oldest and most mysterious sites — a place steeped in druidic ritual, pagan legend, and haunting lore. Is this neolithic tomb truly connected to King Arthur? Did Merlin himself walk these lands? And what really happens at midnight when the capstone stirs and the spirits rise? From love-seeking rituals involving ghostly cakes, to tales of Dylan Thomas invoking the dead, this is one eerie pilgrimage you won't forget. Explore the lore... if you dare!   ORDER PARANORMAL SWANSEA AND GOWER BY MARK REES: Get Mark's latest "Ghosts of Wales" book "Paranormal Swansea and Gower" now! You can order it online here.   BUY MARK REES A COFFEE: If you'd like to support the GHOSTS AND FOLKLORE OF WALES podcast you can treat Mark to a coffee here: Mark Rees on Ko-Fi - thank you/ diolch!  https://ko-fi.com/markrees    WHAT IS THE GHOSTS AND FOLKLORE OF WALES PODCAST WITH MARK REES? The Ghosts and Folklore of Wales podcast explores the eerie world of Welsh ghosts, ghost stories, lore, myths, and legends. Launched by author and journalist Mark Rees (Ghosts of Wales, Paranormal Wales) in early 2020, this weird and wonderful podcast delves into the country's countless curious subjects, blending decades of research from books and articles with long-lost tales from dusty old tomes. From "real-life" encounters with the uncanny to fantastical adventures from the Mabinogion, new episodes are uploaded monthly and feature everything from pesky poltergeists to fire-breathing dragons, with the odd wicked — and not-so-wicked — witch along the way. Alongside the regular stories, you can expect the occasional special guest, live ghost hunts, and all sorts of quirky surprises from a Welsh storyteller with original ideas. Seasonal specials include dark folklore and Gothic Halloween (Nos Calan Gaeaf) traditions, plus everyone's favourite skull-headed Christmas visitor, the Mari Lwyd. Dare you explore haunted Wales? From the sublime mountains and cascading waterfalls to bustling cities and remote farms, journey through the paranormal and unexplained in all corners of Cymru. Think of it as unlocking the Welsh X-Files with some tenuous Ghostbusters references and terrible sound effects along the way!  Be sure to subscribe so you never miss a spooky episode. For more details and to get in touch with Mark Rees, please visit https://markreesonline.com/: Mark Rees homepage Mark Rees on social media Books by Mark Rees (Ghosts of Wales, Paranormal Wales etc.) Ghosts and Folklore of Wales podcast Until next time, nos da!

There would not be TTPD without its tongue-in-cheek title track! In today's episode, Laura and Sara unpack the lyrics of “The Tortured Poets Department” and analyze how the song lays the groundwork for listeners to understand the gravity of Taylor's “cyclone” relationship with her fellow tortured poet. Taylor's self-awareness and sense of humor shines in this one! Who else is gonna TROLL you like Taylor?! P.S…. Stay tuned at the end of this episode, because the ladies are sharing a snippet of their newest Patreon episode unpacking the lyrics of “Maroon”! Chapters(00:00) Intro & What's On Our Plates(09:07) Taylor Updates(16:53) TTPD Introduction(22:00) Our Initial Impressions(25:02) The Folklore Of TTPD (34:10) Verse 1: Matty's Old Interviews On Typewriters, Taylor's Sense Of Humor, Familiarity(41:36) Chorus 1: Dylan Thomas & Patti Smith, "Just Kids" References To Youth & Nostalgia(46:48) Verse 2: "Chocolate" & Charlie Puth, Tattooed Golden Retriever, Similar Dread, Cyclone As Chaos, Were Taylor & Matty Coding Each Other Into Their Songs(58:45) Chorus 2: Trolling, Tongue in Cheek Playfulness(01:02:03) The Diabolical Bridge: Unpacking The Role Of Mutual Friends, "Mutual Manic Phase," Wedding Rings & How This Song Lays The Groundwork For The Rest of TTPD(01:13:21) Chorus 3 & Outro, Production Notes & Noting The Lack Of Poetic Lyricism (01:19:21) This Song As A Recipe & Our Ratings(01:23:38) Signing Off & Patreon SnippetSUPPORT US ON PATREON! Show us some love and get monthly bonus episodes and first dibs on upcoming episode ideas. We'd be enchanted to have you join our Swiftie community!Links ReferencedTaylor Swift's Ex Matty Healy Talks His Love of Typewriters in Resurfaced Clip After 'Tortured Poets' ReleaseTaylor Swift's Ex Matty Healy Praised Charlie Puth in Resurfaced Tweet From 2018Lucy Dacus Confirms Taylor Swift's ‘Tortured Poets Department' Lyric Is About Her: ‘She Texted Me and Asked for My Approval'Twix Bar RecipePlease make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:email blankplatepod@gmail.comleave a voicemail at (717) 382-831Patreon (get bonus episodes and first dibs on episode ideas)YouTubeInstagramTikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: InstagramListen to our previous podcast: Passports & Pizza

John Wilson onSir Godfrey “Geoff” Palmer, the scientist whose discovery of a new brewing method revolutionized the industry and saved them millions of poundsBarbara Holdridge, the entrepreneur who co-founded a new record label that paved the way for the audiobook industry Kim Woodburn, the reality TV Star who made gained popular recognition through the TV show How Clean Is Your House?Sly Stone the American genre-bending musician who fronted the band Sly and the Family Stone. Interviewee: Catherine Bisset Catrina Rose Matthew Rubery Arlene HirschkowitzProducer: Ribika MoktanDetails of help and support with pregnancy related issues are available at BBC Action Line. https://www.bbc.co.uk/programmes/articles/1KhLYgXHRxyw67mkGRRXQ3R/information-and-support-pregnancy-related-issuesArchive used: Scientific, BBC Radio 4, 04/08/2015; Sunday Morning with Cathy Macdonald; Writers and Company, CBC, 24/11/2002; Child's Christmas in Wales, read by Dylan Thomas, Caedmon Audio, 02/1952 https://soundcloud.com/harperaudiopresents/childschristmasinwales ; The Connor Phillips Show, BBC Radio Ulster, 26/04/2024; How Clean is Your House?, S1 E1, Channel Four Television Corporation, dir Simon Bisset, series producer Steph Harris, A Talkbalk production, 2003; I'm a Celebrity Get me out of here 2009, YouTube Upload, 12/02/2015; An excerpt from Sly on the air at KSOL, courtesy of Arlene Hirschkowitz

Join Dave and Wayne for genre television show news, a glimpse into what the hosts are watching, listener feedback, and analysis of the Apple TV+ series Dark Matter. This week on the SciFi TV Rewatch podcast we discuss the differing dilemmas facing Jason Prime and Amanda as he searches for his world, and she searches for a world to call her new home.   In our What We're Watching segment, Dave returns to film and enjoys the Dylan Thomas centered The Edge of Love. Wayne, once again, seems a bit disappointed with the latest episode of Doctor Who, another Doctor-lite tale. In Listener Feedback, Fred from the Netherlands, Alan in England, and Alan in Missouri provide their weekly audio feedback, and Cincinnati Joe checks in via email.  Remember to join the genre television and film discussion on the SciFi TV Rewatch Facebook group for the latest genre television show news and podcast releases. Episode Grade: A  

We're briefly leaving our luxury villas to talk about season three of The White Lotus! Join us as we chat about the cast, the season's setting, the characters we loved and hated, and what we can learn about the characters based on their book choices. Then we have a long overdue conversation with Todd Osborne about his debut poetry collection, Gatherer. You'll even be treated to a few readings of his poems in this section of the episode!Look for our next Bookpisode on May 13th where we'll be discussing When the Wolf Comes Home, the new novel by Nat Cassidy. Then join us and special guest Mary Kay McBrayer (author of Madame Queen: The Life and Crimes of Harlem's Underground Racketeer, Stephanie St. Clair) to talk about Good American Family (Hulu) on May 27.P.S. Our lil podcast just turned 8 years old! If you'd like to get us a birthday gift, please leave us a rating and review on Apple Podcasts and consider supporting us on Patreon for just $3/month! TOC::30– Welcome, Todd!10:24–What is White Lotus?13:09–Cast talk15:00–Setting30:00– Characters54:14– What's up with the storyline with Rick?1:05:38– What characters are reading1:12:46–Interviewing Todd about Gatherer!1:57:30– What's up next?Links - “One Art” by Elizabeth Bishop- https://www.poetryfoundation.org/poems/47536/one-art “Do Not Go Gently Into That Good Night” by Dylan Thomas- https://poets.org/poem/do-not-go-gentle-good-night “Morning Rituals” by Todd Osborne- https://www.hobartpulp.com/web_features/morning-rituals Gatherer, available at Belle Point Press- https://bellepointpress.com/products/gatherer

Professor Carl Jones is a conservation biologist who is best known for saving the Mauritius kestrel from extinction. He is the scientific director of Mauritian Wildlife Foundation, chief scientist at Durrell Wildlife Conservation Trust and an honorary professor in ecology and conservation biology at the University of East Anglia.He was born in Carmarthen in Wales and was fascinated with animals from an early age, rearing rescued common kestrels, owls and hawks in his back garden. He studied biology at North-East London Polytechnic and, after learning about the plight of the Mauritius kestrel, he was determined to go out to the country to try to save the bird.He arrived in Mauritius in 1979 when there were only two known breeding pairs left in the wild. By the time he left in 1999 he'd established a captive breeding programme and today hundreds of Mauritius kestrels fly over the islands where he spent decades pioneering his, sometimes controversial, methods. Today the Mauritius kestrel is the national bird. He is also responsible for saving from extinction three species of reptiles, a fruit bat and several plants.He was appointed an MBE for his work in 2004 and in 2016 he won the prestigious Indianapolis Prize – the world's leading award for animal conservation.Carl lives in Carmarthen with his wife and two children and assorted animals including two Andean condors called Carlos and Baby. DISC ONE: Prokofiev: Peter and the Wolf Opus 67 - The London Symphony Orchestra, conducted by Sir Adrian Boult DISC TWO: Under Milk Wood by Dylan Thomas. Narrated by Richard Burton and performed by Meredith Edwards, Gwenllian Owen and Gwenyth Petty DISC THREE: Sex & Drugs & Rock & Roll - Ian Dury DISC FOUR: La Rivière Noire - John Kenneth Nelson DISC FIVE: Asimbonanga - Johnny Clegg & Savuka DISC SIX: Sega lakordeon – Rene oule bwar mwa - La Troupe de l'Union DISC SEVEN: Londonderry Air - Beatrice Harrison DISC EIGHT: Clear Sky - Catrin FinchBOOK CHOICE: The Collected Works of Dylan Thomas LUXURY ITEM: Binoculars CASTAWAY'S FAVOURITE: Asimbonanga - Johnny Clegg & Savuka Presenter Lauren Laverne Producer Paula McGinley

It's an extra-long BREAKING MAYBERRY ALL-STARS featuring three of our favorite returning guests to talk about the three-no-wait-four-part Andy Griffith Epic - "The Hollywood Arc".Yes, for the first (only?) time in the show's run, the Taylors are leaving North Carolina, and this causes everyone to lose their damn minds. We brought in backup for this one, and our returning guests are bewildered and mystified and one case, deeply upset by Goober's hat.It's Season 6, Episodes 7, 8, and 9 "Off to Hollywood", "Taylors in Hollywood", and "The Hollywood Party".

Dylan Thomas, watching on YouTube, asked, 'I'm curious about the early life of Marcus Furius Camillus. He seems to pop up during the siege of Veii in Livy's work, with few mentions beforehand, and is then an important figure going forward. Are there any primary sources that recount his early life and career? The man's a legend, easily one of the top ten Romans of all time, but there seem to be scant records of him.'   Join us on Patron patreon.com/ancientwarfarepodcast    

Dylan Thomas: brilliant poet or self-indulgent blowhard? In this episode, Jacke talks to John Goodby, co-author of the biography Dylan Thomas: A Critical Life, about the misconceptions swirling around the famous Welsh poet, and the approach that he and fellow author Chris Wigginton took in presenting a revealing and fresh introduction to Thomas's life and work. PLUS Jacke reads an essay by Emily Brontë in which she wades through deep currents of darkness and gloom to catch a glimpse of hope. Additional listening: 408 Dylan Thomas (with Scott Carter) 647 The Brontës The Brontës' Secret Scandal (with Finola Austin) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

On this episode, Tony Brueski digs into the enigmatic history of the White Horse Tavern, a Greenwich Village landmark established in 1880. Renowned as a literary haven for figures like Dylan Thomas, this tavern is steeped in tales of spectral encounters and unexplained phenomena. Join us as we explore the tavern's transformation from a longshoremen's refuge to a cultural hotspot, delve into the eerie reports of apparitions and mysterious events, and examine the psychological and environmental factors that might explain these enduring ghost stories. 

The infamous Hotel Chelsea in New York City has long been associated with creativity, tragedy, and the supernatural. In this episode, we explore the haunted history of this legendary hotel, where artists, writers, and musicians once lived—and some say, still linger. From the ghost of poet Dylan Thomas to mysterious sounds and ghostly apparitions, the hotel's guests continue to report strange encounters. Could the artistic energy of the past still echo through the halls, or are the ghosts of Chelsea's most famous residents refusing to leave? We take a deep dive into the paranormal activity that has cemented this hotel's haunted reputation.

The infamous Hotel Chelsea in New York City has long been associated with creativity, tragedy, and the supernatural. In this episode, we explore the haunted history of this legendary hotel, where artists, writers, and musicians once lived—and some say, still linger. From the ghost of poet Dylan Thomas to mysterious sounds and ghostly apparitions, the hotel's guests continue to report strange encounters. Could the artistic energy of the past still echo through the halls, or are the ghosts of Chelsea's most famous residents refusing to leave? We take a deep dive into the paranormal activity that has cemented this hotel's haunted reputation.