Podcasts about Yiddish

Not knowing what MomTok even is anymore , Trust Me: The False Profit, Dinner du Nord, the Best 37 Restaurants Ever, the largest dinner party in America, a real narrow window, the end of humanity, discreet tissue placement, something very secret is happening with AI, magnanimous vs. mercurial vs. capricious, falndike bleter, Today in Yiddish, banned food, cracker vindication and validation, historic sourdough starter news, aggressive marmots, NESCAC news, Hyrox, non-patchouli bungees, Oura farming, your future favorite show, baseball parents, the Secret Lives of Mormon Wives, self-sabotage, the worst men ever in the history of television, This Week in College Facebook Parenting, The Best Quiz Show Ever, a hyper-local controversy, football!, Mustangs vs Bears, the legend and lore of Trygg Wangsness, nepotism manor, and local disillusion drama. 

Yom Kippur is here! For the past few years, Yom Kippur has been the single most popular day — all year — for folks to listen to the Judaism Unbound podcast. So to those of you incorporating our podcast into your observance of this holiday, wishing you a beautiful and unbound Yom Kippur. In this episode, Brad Lander -- a candidate for Congress in New York's 10th district -- joins Lex Rofeberg and Rena Yehuda Newman for a conversation about observing Yom Kippur in 2026. Together they explore topics ranging from Un'taneh Tokef (the 'Who by Fire' prayer), to the book of Isaiah, to Yiddish curses, all in the interest of building a world that "distributes suffering less unequally."Head to JudaismUnbound.com/classes to check out our up upcoming courses in the UnYeshiva! Judaism Inbound (our intro to Judaism course) begins in just a few days, and four other amazing learning opportunities begin in October! Financial aid is available.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!

Mendel Wagschal returns to ShmueliCast — this time, he's traded the stage for the screen. After AKIVA and EZRA, the acclaimed writer and director spent the past year writing, directing, and producing EYE FOR AN EYE, a suspenseful mystery showing this Chol Hamoed Succos. He opens up about what film allows that a stage never could, and how a 450-page screenplay became a four-and-a-half-hour show. A rare look inside the biggest project of his career.ShmueliCast hotline: 718-970-8884.SUBSCRIBE FOR MORE!

Happy New Year! אַ גוט געבענטשט יאָר Highlights: Rabbi Nasan Maimon discusses Rosh Hashona generally and with the Breslever Chassidim in particular. We reached him on Tues., Sept. 8, via WhatsApp in Bucharest, Romania, which he was passing through on his way Uman, Ukraine. Maimon’s website, Breslov Torah, features his and others’ teachings on Breslov Chassidus. Sholem Beinfeld gives his historian’s perspective on Rosh Hashona, marking the 25th anniversary of the Sept. 11 attacks as well as more recent events. Sholem is a regular contributor to the Yiddish Voice, co-Editor in Chief of the Comprehensive Yiddish-English Dictionary and Professor of History, Emeritus, Washington University, St. Louis. Sholem spoke to us by phone from his home in Cambridge on Weds, Sept. 9. Adi Mahalel talks about his new post teaching Yiddish studies at Harvard, and also about his recent books, including Boom and Chains: A Yiddish Novel Set in Israel/Palestine, for which he wrote the introduction and translated from the original written in Yiddish by Hanan Ayalti. STUDENTS: it’s not too late to register! Contact the teacher: amahalel at fas.harvard.edu We spoke to Adi at his home in Cambridge via Zoom on Tues., Sept. 8. Emma Breslow talks about her new post teaching Yiddish at Brandeis, and also about her academic research on Yiddish as a minority language, which you can find on her website www.emmabreslow.com. STUDENTS: it’s not too late to register! Contact the teacher: ebreslow at brandeis.edu We spoke to Emma at her home in the Boston area via Zoom on Weds., Sept. 9. Dovid Braun gives a warm greeting for the new year, while also marking the sad passing of Motl Murstein, a friend of the show and frequent guest, whose funeral was yesterday. Dovid also talks about Yiddish at Yivo, where he teaches Yiddish and serves as Academic Advisor in Yiddish Language, Pedagogy and Linguistics. We spoke to Dovid in person during his visit to the Boston area on Weds., Sept. 9. Rosh Hashona Announcements and well-wishes for the new year from sponsors and friends: Mary Erlich and Tania Lefman, Holocaust survivors, for the American Association of Jewish Holocaust Survivors and Descendants of Greater Boston, announcing the annual Yizkor Memorial Service, Sunday, Sept. 20, 2026, 10:30 AM, at Brandeis University, Statue of Job, near Berlin Chapel. Eli Dovek, late proprietor of Israel Book Shop (from 2009) Gitl Schaechter-Viswanath, chair of the board of the The League for Yiddish/די ייִדיש-ליגע Libe Gritz for Bostoner Arbeter-Ring Music Instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: September 9, 2026

The best state fair ever, only Daisy cottage cheese will do, a very important huckleberry follow up, hey jorty!, the gift of delusion, the tragic opposite of imposter syndrome, people who don't acknowledge traffic kindness, wasted goodwill, being nice, too cool drifters, tinted windows, presuming good intent, "apparently," wheat thins are no longer thin, the most annoying ad in the history of television, fatuous, the word of the week, Today in Yiddish, smile a little, Fat Marmot Week, ungebluzen, marmot moms, the Harvard body part scandal, an Italian art recovery, a brazen heist, sports news, Holland Hair, This Week in College Facebook Parenting, Dyson's latest reinvention,#BTDT, Love Island reunion, a brand new studio, winning pop culture, Kayda disappoints, Pipe-Down-I'm-Titi wins, the return of NeNe Leakes, fair trivia, how to measure pop, and local Pequot Lakes drama

Happy New Year! אַ גוט געבענטשט יאָר Highlights: Prof. Hannah Pollin-Galay is interviewed by Sholem Beinfeld about the impact of the Holocaust on the Yiddish language and her most recent book Occupied Words: What the Holocaust Did to Yiddish (U Penn Press, 2024), which explores how Yiddish changed to express and memorialize the trauma of the Holocaust. Prof. Pollin-Galay also reads several excerpts from the book (in English). We reached Prof. Pollin-Galay via Zoom at her home in the Amherst, Mass., area on July 21, 2026. The interviewer, Sholem Beinfeld, is co-editor-in-chief of the Comprehensive Yiddish-English Dictionary and Professor of History, Emeritus, Washington University, St. Louis. He translated The Rudashevsky Diary, which was published as the November, 2024, issue of The Jewish Quarterly. Music Leibele Waldman: Der Nyer Yohr Instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: August 26, 2026

Before we go back into the Torah, we have to be clear about whose Torah we are learning. This is not just another sefer. This is not just another tzaddik. This is the tzaddik who took responsibility for every single Yid and refuses to judge him — and not only the Yid. V'ra'ah kol am ha'aretz. We look at Chassidus and think fanatics. This Rebbe was the most open-minded person there was, and he had room for everybody. And he did something nobody else did. Not Moshe Rabbeinu, not Rabbi Shimon bar Yochai. He made a promise, and he took two eidim to hold him to it — Rav Aharon the Rav and Reb Naftali. Whoever comes to my kever, gives a pruta l'tzedaka, and says ten Kapitlach Tehillim. And then the condition everybody leaves out: v'kibel alav shelo yashuv od l'ivlato — and he takes it on himself not to go back to his folly. In the Rebbe's own Yiddish: ich vel zich leigen in der leng un in der breit — I will lay myself out, the length and the breadth of it, to do this person a favor. And by the peyos, vel ich im aroisnemen — I will pull him out. From She'ol Tachtis u'mitachtav. We also go into what emuna actually is: not understanding, and believing anyway — and emuna as loyalty. Why we say va'ya'aminu ba'Hashem u'v'Moshe avdo and not "and they believed in Hashem, and they believed in Moshe." One belief, not two. Not that the tzaddik is Hashem — but that belief itself means surrendering to something higher than you. That is the place we are going into before we open the Torah. The place of surrender. #Breslov #RebNachman #Emuna #Teshuva #Uman #TikkunHaKlali #Chassidus #TorahShiur

In the two decades between the First and Second World Wars, Jewish parents in Poland faced a proliferation of choices when it came to educating their children. Each choice offered a vision of what future Polish Jews desired, what they expected, and the gap between the two. State schools taught in Polish (sometimes with a schedule to accommodate traditional religious observance), secularist Yiddish schools with strong ties to Jewish socialism and the labor movement, Hebraist schools promoting political and cultural Zionism, and religious schools that retained--or innovated upon--traditionalist educational models reflected different opinions for what Jewish children in interwar Poland would need in the present to secure their future. In this lecture, Elena Hoffenberg draws upon materials held by YIVO to explore how projections about the future in terms of work, culture, and politics guided parents, educational activists, and young people themselves. Choices as reflections of competing political and religious commitments, as well as material constraints, to better understand what Polish Jews expected for their individual and communal futures. This lecture originally took place on March 2, 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the two decades between the First and Second World Wars, Jewish parents in Poland faced a proliferation of choices when it came to educating their children. Each choice offered a vision of what future Polish Jews desired, what they expected, and the gap between the two. State schools taught in Polish (sometimes with a schedule to accommodate traditional religious observance), secularist Yiddish schools with strong ties to Jewish socialism and the labor movement, Hebraist schools promoting political and cultural Zionism, and religious schools that retained--or innovated upon--traditionalist educational models reflected different opinions for what Jewish children in interwar Poland would need in the present to secure their future. In this lecture, Elena Hoffenberg draws upon materials held by YIVO to explore how projections about the future in terms of work, culture, and politics guided parents, educational activists, and young people themselves. Choices as reflections of competing political and religious commitments, as well as material constraints, to better understand what Polish Jews expected for their individual and communal futures. This lecture originally took place on March 2, 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In the two decades between the First and Second World Wars, Jewish parents in Poland faced a proliferation of choices when it came to educating their children. Each choice offered a vision of what future Polish Jews desired, what they expected, and the gap between the two. State schools taught in Polish (sometimes with a schedule to accommodate traditional religious observance), secularist Yiddish schools with strong ties to Jewish socialism and the labor movement, Hebraist schools promoting political and cultural Zionism, and religious schools that retained--or innovated upon--traditionalist educational models reflected different opinions for what Jewish children in interwar Poland would need in the present to secure their future. In this lecture, Elena Hoffenberg draws upon materials held by YIVO to explore how projections about the future in terms of work, culture, and politics guided parents, educational activists, and young people themselves. Choices as reflections of competing political and religious commitments, as well as material constraints, to better understand what Polish Jews expected for their individual and communal futures. This lecture originally took place on March 2, 2026.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the two decades between the First and Second World Wars, Jewish parents in Poland faced a proliferation of choices when it came to educating their children. Each choice offered a vision of what future Polish Jews desired, what they expected, and the gap between the two. State schools taught in Polish (sometimes with a schedule to accommodate traditional religious observance), secularist Yiddish schools with strong ties to Jewish socialism and the labor movement, Hebraist schools promoting political and cultural Zionism, and religious schools that retained--or innovated upon--traditionalist educational models reflected different opinions for what Jewish children in interwar Poland would need in the present to secure their future. In this lecture, Elena Hoffenberg draws upon materials held by YIVO to explore how projections about the future in terms of work, culture, and politics guided parents, educational activists, and young people themselves. Choices as reflections of competing political and religious commitments, as well as material constraints, to better understand what Polish Jews expected for their individual and communal futures. This lecture originally took place on March 2, 2026.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the two decades between the First and Second World Wars, Jewish parents in Poland faced a proliferation of choices when it came to educating their children. Each choice offered a vision of what future Polish Jews desired, what they expected, and the gap between the two. State schools taught in Polish (sometimes with a schedule to accommodate traditional religious observance), secularist Yiddish schools with strong ties to Jewish socialism and the labor movement, Hebraist schools promoting political and cultural Zionism, and religious schools that retained--or innovated upon--traditionalist educational models reflected different opinions for what Jewish children in interwar Poland would need in the present to secure their future. In this lecture, Elena Hoffenberg draws upon materials held by YIVO to explore how projections about the future in terms of work, culture, and politics guided parents, educational activists, and young people themselves. Choices as reflections of competing political and religious commitments, as well as material constraints, to better understand what Polish Jews expected for their individual and communal futures. This lecture originally took place on March 2, 2026.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To celebrate 50 years of David as his fanboy, Phil and David -- the Private Eyes of podcasting and frequent "Lunch" Maneaters -- are totally X-Static to use their Voices to serve up a new mix of  David's early musical hero and longtime friend Daryl Hall for a long distance Zoom "Naked Lunch." Hear as Daryl Hall discuss his remarkable career in music and his acclaimed show "Live From Daryl's House," uses a surprising amount of Yiddish, shares his thoughts about being a part of "We Are The World" and "Sun City," answers a great guest question from Jimmy Jam, and has a classic response when Phil and David ask for his advice on how to keep their own duo act together. What's better than One On One? How about One On Two? For more on Daryl, go to https://darylhall.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Don't be afraid to Stand out" - Zevy Weber | Shmueli Cast #76 | Yiddish

It's the end of summer, and Yonit and Jonathan are taking a break from the news with a nugget of pure Jewish joy. Andy Nyman — the West End actor, writer, director and magician currently starring as Max Bialystock in The Producers, and previously as an acclaimed Tevye in Fiddler on the Roof — joins the show for an Unholy Conversation. Why does Mel Brooks' nearly-60-year-old joke about Hitler still land? What makes Max Bialystock - who could have been Tevye's grandson - so beloved, even in his desperation? And is the Broadway musical, as a form, secretly a Jewish one? Andy answers the question by giving a rare performance of a musical classic — rendered in Yiddish. You won't want to miss it. In this episode: The Genius of Mel Brooks: How The Producers transforms satire into an act of healing and an uncompromising "fuck you" to history. From Tevye to Bialystock: Exploring the thread connecting the working-class milkman of Anatevka to the scheming, desperate, yet deeply human Broadway hustler. Art in Times of Darkness: A rare behind-the-scenes look at performing comedic Jewish art—and deciding to keep a daring scene in the show—in the wake of global tragedy. Exclusive Live Performances: Andy delivers three bespoke, stripped-back performances directly in the studio: "We Can Do It" (The Producers) "If I Were a Rich Man" (Fiddler on the Roof) A haunting, tender Yiddish translation of "Hushabye Mountain" (originally by the Sherman Brothers).   00:06 Introduction to Unholy Conversations 00:09 Introduction to Andy Nyman 01:57 The Enduring Appeal of The Producers 05:50 Mel Brooks and Jewish Healing through Humor 08:29 Defiance in Comedy: Pulling Down Pants 09:59 Exploring Max Bialystok's Character 17:30 Max Bialystok and Tevye: A Generational Connection 18:23 The Complexity of Tevye 22:58 The Essence of Fiddler on the Roof 30:44 The Current Jewish Climate 35:40 The Jewish Influence in Musical Theatre 42:32 A Yiddish Lullaby: Bridging Cultures 44:24 The Importance of Representation 44:25 Personal Connections and Impact  

Send us Fan MailWe trace how Hebrew goes from a “museum language” to a living vernacular by treating language as a coordination good with huge network effects and real transaction costs. We follow Eliezer Ben-Yehuda's strategy for lowering those costs, then watch the Technion language fight prove Hebrew can carry science, not just prayer. • Hebrew's revival as a rare case of full language reboot at scale • Jewish linguistic diversity and why German, French, Russian, Polish, and Yiddish create coordination barriers • Spoken language as a network effect and why “no one wants to go first” • Inframarginality and Ben-Yehuda providing a public good as a private mission • Hebrew as a neutral focal point that no faction fully “owns” • Building missing vocabulary through roots, grammar, and standardization bodies • Bootstrapping with a native-speaking child as proof of concept • Newspapers as distribution channels that reduce divergence in word choice • Backlash from religious authorities and the real enforcement costs of change • The 1913 Technikum decision and the Technion language war over German vs Hebrew • A listener extension connecting Rawls, insurance, and the veil of ignorance • Book recommendation on American founding ideals and proclaiming libertyIf you have questions or comments, or want to suggest a future topic, email the show at taitc.email@gmail.com !You can follow Mike Munger on Twitter at @mungowitz 

Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 Today's episode includes a conversation with Micah Kesselman about his role in the progress of the Values Aligned Investing Ordinance and his recent letter to Gotta know Medford. His letter follows:I am writing in regard to the response to the letter about Christine Barber from Chadi Salamoun and Joshua Eckart-Lee, published on August 6, 2026. The response's author, Ms. Schwartz, writes that she feels "a responsibility to respond" and proceeds to push a narrative that falsely presents Jewish opinion as a relative monolith minimizing, if not outright denying, the ongoing genocide in Gaza and all of Palestine. She does this by relying entirely on a letter published by an out-of-state collection of cherrypicked institutional actors of the sort which are so often granted a complete monopoly of "the Jewish perspective" by media outlets. Almost always, and without a doubt, this media messaging is to the utter detriment of Jewish discourse and safety.Here in Massachusetts, as in virtually every state, myriad Jewish institutions do, in fact, accurately label Israeli conduct as both genocidal in character as well as apartheid. The Boston Worker's Circle (BWC), among the oldest Jewish institutions in Massachusetts, was forced out of the Boston Jewish Community Relations Council. And there is incredible pride, righteousness, and honor to the memory of our ancestors in the BWC refusing to taint its fundamental values to acquiesse Zionist cooption of our culture. Jewish Voices for Peace (JVP) and If Not Now (INN) are both sprawling Jewish organizations, with strong ties to Massachusetts, that unflinchingly identify Israel's conduct as genocidal. There are shuls, right here in the Greater Boston Area, as well as elsewhere, that publicly and vocally recognize the apartheid and genocide Israel is guilty of, and its distressing roots in political Zionism as a movement completely distinct from Jewish identity and values. Both internationally and right here in New England, the International Jewish Labor Bund is experiencing a revivification not seen over half a century.Indeed, it is fair to say that Zionism has always been a fringe movement within the Jewish community and only within the last six to eight decades has it held any legitimacy--largely granted by the intensive and focused support of non-Jewish elements. The historical reality is that many voices in the Jewish community long  ago understood the political underpinnings of Israel, Zionism, to be nothing more than a fetid sibling to what was at that time called Hitlerism, eloquently highlighted by Jacob "Yankev" Pat in Warsaw of 1933 when he demanded in an open letter in the Yiddish papers, "Ask yourself, is 'Arabs out' [a Zionist slogan of the time] not the very same slogan as 'Juden raus'?"The unblemished and shameful reality is that it is the ongoing denial and revisionism of Jewish institutional actors, granted an unearned and inauthentic monopoly on Jewish perspectives by our mass media, that is actually among the most responsible culprits for rising antisemitism. The true irony is that this breathless advancement of a narrative conflating Jewish identity, and safety, with that of the state of Israel is itself an example of one of the most abhorrent and dangerous forms of antisemitism based on the historical record.And let us be clear that the data is very clear that the majority of American Jews are beginning to understand why the foundational movements for the modern Israeli state were so detested by so many of their forebears--and they responding as you would expect. This phenomenon is only heightened in the Greater Boston Area, and the Northeastern United States in general, which has long been home to Jewish communities with traditional leftist values. So, no, as a Jewish resident in Medford, I would absolutely not say that a bunch of rabbis from a different state offer a more balanced perspective on Gaza (and Israel) than your Jewish neighbors right here in town.

  Huckleberry pretenders, As. If., a vacuum named Beth, Toto tutorials, Today in Yiddish, marvelous cheese, kindly asking vs. asking kindly, mountain munch fraud, a disappointing northern neighbor, revenge quizzing, oyskematert, mountain munch, subpar TP, lead vs led, the ubiquity of Salley Carson, blaming vegans, Real Housewives Ultimate Girls Trip, an historic row, a disco UFO, Banana Ball takes over the world, solar eclipse, curious declassification, Today in College Facebook Parenting, and local drama. 

Video link to this interview: https://youtu.be/vEkKjydfG3gThe Hasidic village of Kiryas Joel is an unusual community in the state of New York. It's all Hasidic, very insular. It is shaped around the Satmar Hasidic code of behavior which includes speaking Yiddish, strict gender roles, and insularity from secular society. The community is so gendered that growing up male versus growing up female are completely different experiences. I, as this channel host, have shared much about the female experience. However, there is little I know about the male experience. Through my network of people from Kiryas Joel, I recently got to know Shia Friedman - who is a rare example of someone from Kiryas Joel who is willing to talk on my channel on the record. We sat down to chat, primarily to understand his life as a male who grew up Hasidic. Obviously, Shia's story reflects only Shia's experience, but it can give us some insights just as my experience gives us some insight as well.We talk about the school day of Hasidic boys, the relationship to teachers, the expectations of learning an extreme amount, the lack of English and secular education, attitudes towards women, marriage rituals, and stepping out of the box. I think there's a lot that's covered in this brief episode, and I so look forward to your thoughts. Shia's instagram is: https://www.instagram.com/shia__friedman/My instagram is: https://www.instagram.com/friedavizel/Check out some of my other videos on Kiryas Joel:What it was like for me to grow up in Kiryas Joelhttps://youtu.be/uHu_17N9GdEMy response to the Tyler Oliviera video on Kiryas Joelhttps://youtu.be/ZlWRN4jo-CAInterview with lawyer Michael Sussman on the early years of kiryas joelhttps://youtu.be/jcz0xmkm10sInterview with Fradel Neuman who comes from Kiryas Joelhttps://youtu.be/HoTzWaF7dU8Become a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

"48 of those fricken' things." Zaslow IS going to the concert tomorrow as a special guest, Jeremy learns a new Yiddish word, Amin explains the embarrassment of the first time he met Michael Schur, the crew takes out Fantasy Football punishments, Dave questions a city's color scheme, Roy dishes Miami Vice facts, and Chris describes disco balls. Today's cast: Zaslow, Your ol' pal Dave Dameshek, Roy, Chris, Jeremy, and Mike. Learn more about your ad choices. Visit podcastchoices.com/adchoices

David French and Sarah Isgur steelman Justice John Paul Stevens and Justice Stephen Breyers's dissents in the Heller case through a one-act play produced by ChatGPT. The two also invite Chris Scalia to play the majority opinion writer (and his late father) Justice Antonin Scalia.  The Agenda: –One act, three justices –What AI got right and wrong –Justice Breyer, fully vindicated –Shul is Yiddish and Friends of the Earth is SCOTUS precedent Show Notes: –Originalism and Stare Decisis Order Sarah's book here. Advisory Opinions is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including access to all of our articles, members-only newsletters, and bonus podcast episodes—click here. If you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member by clicking here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Miriam Kagan Lieber, daughter of Holocaust memoirist and Yiddish scholar Berl Kagan, joins Abigail Pogrebin to discuss the first English translation of her father's Holocaust diary, "A Jew in the Woods," which she helped bring to publication.

At a time when polarization, hatred and violence threaten to divide our communities, some people are choosing a different path—not one of silence or anger, but of courage, friendship and light. Today, I am honored to welcome the extraordinary team behind Pomegranate Fest, an inspiring celebration of the friendship between the Jewish and Iranian communities. My guests are the remarkable Jian Magen, Lynda Kraar and Sarah Fard. Pomegranate Fest grew out of a deeply moving story of solidarity between Toronto's Iranian and Jewish communities. Earlier this year, Jewish Canadians stood alongside Iranian Canadians following the tragic and systematic killing of courageous Iranians who took to the streets in pursuit of freedom and a better future for their country. Later, Iranian Canadians stood alongside the Jewish community at the Walk with Israel. Through these acts of mutual support, the two communities discovered something powerful: an alliance rooted in shared values, mutual respect, human dignity and a determination to stand against hatred and extremism. That spark of friendship grew even brighter when the producers of Fiddler on the Roof in Yiddish invited 40 members of the Iranian community to attend a performance. What began as a beautiful gesture of solidarity soon became something much greater—a movement. That movement is now Pomegranate Fest, taking place on August 23 at Earl Bales Park in Toronto. Together, the Iranian and Jewish communities represent more than 200,000 people across the Greater Toronto Area. Imagine the impact they can have when their voices are united. The festival's goals are both ambitious and urgent: to strengthen relationships between the two communities; promote education, awareness and civic engagement; welcome sponsors and community partners; and affirm the right of Jewish, Iranian and allied communities to live safely and proudly in Toronto. It is also a call for our leaders and authorities to confront antisemitism, anti-Iranian hatred, intimidation and extremism—and to help lower the temperature in an increasingly hostile climate. Today, we will hear the remarkable behind-the-scenes story of how this team came together, how they transformed shared pain into purposeful action, and how they are working to replace fear with friendship and darkness with light. Please welcome the remarkable team bringing Pomegranate Fest to life ——

At a time when polarization, hatred and violence threaten to divide our communities, some people are choosing a different path—not one of silence or anger, but of courage, friendship and light. Today, I am honored to welcome the extraordinary team behind Pomegranate Fest, an inspiring celebration of the friendship between the Jewish and Iranian communities. My guests are the remarkable Jian Magen, Lynda Kraar and Saei Fard. Pomegranate Fest grew out of a deeply moving story of solidarity between Toronto's Iranian and Jewish communities. Earlier this year, Jewish Canadians stood alongside Iranian Canadians following the tragic and systematic killing of courageous Iranians who took to the streets in pursuit of freedom and a better future for their country. Later, Iranian Canadians stood alongside the Jewish community at the Walk with Israel. Through these acts of mutual support, the two communities discovered something powerful: an alliance rooted in shared values, mutual respect, human dignity and a determination to stand against hatred and extremism. That spark of friendship grew even brighter when the producers of Fiddler on the Roof in Yiddish invited 40 members of the Iranian community to attend a performance. What began as a beautiful gesture of solidarity soon became something much greater—a movement. That movement is now Pomegranate Fest, taking place on August 23 at Earl Bales Park in Toronto. Together, the Iranian and Jewish communities represent more than 200,000 people across the Greater Toronto Area. Imagine the impact they can have when their voices are united. The festival's goals are both ambitious and urgent: to strengthen relationships between the two communities; promote education, awareness and civic engagement; welcome sponsors and community partners; and affirm the right of Jewish, Iranian and allied communities to live safely and proudly in Toronto. It is also a call for our leaders and authorities to confront antisemitism, anti-Iranian hatred, intimidation and extremism—and to help lower the temperature in an increasingly hostile climate. Today, we will hear the remarkable behind-the-scenes story of how this team came together, how they transformed shared pain into purposeful action, and how they are working to replace fear with friendship and darkness with light. Please welcome the remarkable team bringing Pomegranate Fest to life ——

It is a curious fact that among the first Yiddish books ever printed was a translation of the New Testament, which appeared in 1540, only 18 years after Luther's famous translation (which it shamelessly cribbed). In the centuries that followed, another dozen or so missionary translations directed to Yiddish-speaking Jews followed. This talk will explore a dramatic change in the character of these translations in the twentieth century, when new conceptions of the Yiddish language, new cosmopolitanism in Yiddish culture, and new understandings of Jewish-Christian conversion converged to create new translation styles that aimed to express Jesus's Jewishness through a rich and haymish Yiddish. Join YIVO for a very Jewish Christmas celebration featuring a talk on Yiddish translations of the New Testament by Naomi Seidman. This lecture originally took place on December 21, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It is a curious fact that among the first Yiddish books ever printed was a translation of the New Testament, which appeared in 1540, only 18 years after Luther's famous translation (which it shamelessly cribbed). In the centuries that followed, another dozen or so missionary translations directed to Yiddish-speaking Jews followed. This talk will explore a dramatic change in the character of these translations in the twentieth century, when new conceptions of the Yiddish language, new cosmopolitanism in Yiddish culture, and new understandings of Jewish-Christian conversion converged to create new translation styles that aimed to express Jesus's Jewishness through a rich and haymish Yiddish. Join YIVO for a very Jewish Christmas celebration featuring a talk on Yiddish translations of the New Testament by Naomi Seidman. This lecture originally took place on December 21, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

It is a curious fact that among the first Yiddish books ever printed was a translation of the New Testament, which appeared in 1540, only 18 years after Luther's famous translation (which it shamelessly cribbed). In the centuries that followed, another dozen or so missionary translations directed to Yiddish-speaking Jews followed. This talk will explore a dramatic change in the character of these translations in the twentieth century, when new conceptions of the Yiddish language, new cosmopolitanism in Yiddish culture, and new understandings of Jewish-Christian conversion converged to create new translation styles that aimed to express Jesus's Jewishness through a rich and haymish Yiddish. Join YIVO for a very Jewish Christmas celebration featuring a talk on Yiddish translations of the New Testament by Naomi Seidman. This lecture originally took place on December 21, 2023.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It is a curious fact that among the first Yiddish books ever printed was a translation of the New Testament, which appeared in 1540, only 18 years after Luther's famous translation (which it shamelessly cribbed). In the centuries that followed, another dozen or so missionary translations directed to Yiddish-speaking Jews followed. This talk will explore a dramatic change in the character of these translations in the twentieth century, when new conceptions of the Yiddish language, new cosmopolitanism in Yiddish culture, and new understandings of Jewish-Christian conversion converged to create new translation styles that aimed to express Jesus's Jewishness through a rich and haymish Yiddish. Join YIVO for a very Jewish Christmas celebration featuring a talk on Yiddish translations of the New Testament by Naomi Seidman. This lecture originally took place on December 21, 2023.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Video link to this episode: https://youtu.be/vUhamjWR_vAIn this video, I provide a translation and analysis of a powerful Yiddish speech by the Grand Rabbi of the Satmar Hasidic sect, Rabbi Aaron Teitelbaum. He addresses what he describes as the "new Satan" threatening today's generation: Artificial Intelligence.I offer a unique context as someone who grew up in the community. I share personal stories, including a poignant encounter at my son's opsherin, to illustrate the complex relationship between Hasidic leadership, tradition, and the relentless march of technology.In this video, we explore:-The Rabbi's Warning: How AI is viewed as a "mutation" of past technological temptations like computers and smartphones.-The "Kosher Phone" Dilemma: Why even filtered devices are now seen as gateways to unsupervised access to the world.-Cultural Preservation: The community's ingenious and sometimes desperate tactics for balancing modern necessity with spiritual isolation.-A Personal Journey: I reflect on how the internet changed my own life and why I find the Rabbi's cautionary stance more logical than many might expect.Timestamps: 00:00 Introduction: My background and the significance of the speech 01:18 Personal story: Meeting Rabbi Aaron Teitelbaum 08:24 The Hasidic community's "dance" with technology 11:52 The Recording Begins: The "Flaming Speech" against the new Satan 17:09 Why AI is seen as a mutating evil inclination 21:05 The history of Hasidic solutions: Filters and bans 25:22 The "woe to us" dilemma: Why the Rabbi chose to speak out 30:25 How AI chatbots are accessed via kosher phone numbers 33:50 My reflections: Is the Rabbi's warning extreme or insightful?Join the conversation: How do you think we should manage the influence of AI on children and vulnerable communities? Does the Hasidic approach offer any lessons for the secular world, or is it too extreme? Share your thoughts in the comments below.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO's own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century? Join YIVO for a conversation about the Yiddish world today. Led by YIVO's Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO's Director of Education Ben Kaplan. This panel discussion originally took place on June 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO's own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century? Join YIVO for a conversation about the Yiddish world today. Led by YIVO's Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO's Director of Education Ben Kaplan. This panel discussion originally took place on June 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO's own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century? Join YIVO for a conversation about the Yiddish world today. Led by YIVO's Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO's Director of Education Ben Kaplan. This panel discussion originally took place on June 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Benjamin Netanyahu has said no to Donald Trump's 15-point Gaza plan, and the refusal is flat rather than fudged. In the West Bank, extremist settlers have besieged two Palestinian families in the village of Qusra, apparently hoping to take their homes. The IDF went in but came away with mission very much unaccomplished. With Yonit away, Jonathan is joined by Hadley Freeman, columnist for London's Sunday Times and author of the acclaimed memoir, House of Glass, for what is an Unholy first: two voices from the Jewish diaspora and no Israeli in the room. They talk through the week's news and reflect on what three years since October 7 has done to Jewish life outside Israel, why Israel-Palestine has become the litmus test of the American left and whether anybody speaks for the diaspora.   Plus: a Chutzpah nominee that reached a Belfast stage via Sweden, and a Mensch that arrives from Australia by way of Yiddish.   The Bashevis Singers - https://www.youtube.com/watch?v=G531cgjplcM

Highlights: Prof. Ruth Wisse discusses her life and work, the subject of her memoir Free as a Jew: A Personal Memoir of National Self-Liberation (Post Hill Press/Wicked Son, 2021). In the discussion, Wisse talks about some of her personal encounters with and memories of Leonard Cohen, Itzik Manger and Isaac Bashevis Singer, and she reads excerpts from her book (in English) touching on early encounters with Avrom Sutzkever and Max Weinreich. Wisse was Peretz Professor of Yiddish Literature and Professor of Comparative Literature at Harvard from 1993 to 2014. She is currently Distinguished Senior Fellow at Tikvah, where she holds lectures and gives courses frequently, which you can find at Tikvah.org’s course website here: https://ideas.tikvah.org/courses From our archive: presentation by our late cohost Iosif Lakhman regarding the infamous date 12 August 1952, known in Yiddish cultural circles as the Night of the Murdered Poets, originally aired in 2008. Music Emil Gorovets: Ikh Bin a Yid (Itzik Feffer) In Vinter Farnakhtn (Dovid Hofshteyn) Di Muze (Peretz Markish) An Alter Nign (Leib Kvitko) Instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: August 12, 2026

Twenty-five years ago, my father — a Breslever chassid — was niftar in his sleep at fifty-five. The night he died, going through his things, I found an envelope from his travel agency marked Tzedakah LaTzadik, with a hundred dollars inside. A few days later my brother found a letter folded into his Likutey Moharan, dated a month before his petirah, written in Yiddish and addressed to Rebbe Nachman himself: when I fall on hard times, I pick myself up and come to you, and I am misvadeh to you… This shiur is about what my father knew.We're in Likutey Moharan, Torah 4, at the heart of the Torah: vidui devarim lifnei talmid chacham — spoken admission before the tzaddik. The Rebbe teaches that every aveirah rearranges the letters of Hashem's own dibbur and engraves them on our very bones — and denial buries them under layer after layer of ego. Vidui, spoken out loud before the tzaddik who has made himself ayin — nothing, "leftover" — lifts the words off the bones, breaks the bad tziruf, and rebuilds the original letters, until kol atzmosai tomarna — your very bones can praise Him.Three gifts stand a person at the crossroads and save him from everything: re'iyas pnei hatzadik, tzedakah latzadik, vidui devarim. Even from death — because a Jew connected to the tzaddik never stops; the mission continues. And the deepest answer to the question we all carry — when am I going to find my purpose? — turns out to be the same answer my father left in that envelope.We should all be zocheh to stand this Rosh Hashanah in Yerushalayim Ir HaKodesh with the heilige Rebbe, Moshiach Tzidkeinu, bimheira b'yameinu — amen.Hashtags:#RebbeNachman #Breslov #LikuteyMoharan #Torah4 #Vidui #Teshuvah #Tzaddik #Chassidus #Emunah #Uman #RoshHashanah #TorahShiur #Yahrtzeit #NeverGiveUp

Drawing from some four hundred Yiddish-language interviews conducted by the Archives of Historical and Ethnographic Yiddish Memories project, Jeffrey Veidlinger will explore how elderly Yiddish speakers in Ukraine described their memories of Jewish life in the Soviet shtetl, their stories of survival during the Holocaust, and their experiences living as Jews under Communism. This exploration will help us understand how despite Stalinist repressions, the Holocaust, and official antisemitism, these interviews infused with memories of family life, religious observance, education, and work testify to the survival of Jewish life, even within the shadow of the shtetl. This lecture originally took place on July 1, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drawing from some four hundred Yiddish-language interviews conducted by the Archives of Historical and Ethnographic Yiddish Memories project, Jeffrey Veidlinger will explore how elderly Yiddish speakers in Ukraine described their memories of Jewish life in the Soviet shtetl, their stories of survival during the Holocaust, and their experiences living as Jews under Communism. This exploration will help us understand how despite Stalinist repressions, the Holocaust, and official antisemitism, these interviews infused with memories of family life, religious observance, education, and work testify to the survival of Jewish life, even within the shadow of the shtetl. This lecture originally took place on July 1, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

This exciting story is a translation and adaptation of an old Chassidic parable, first told by Rebbe Levi Yitzchak of Berditchev some 250 years ago. Last year, the Melitzer Rebbe shlit'a retold in the original Yiddish at his Shabbat table. Hidden within the parable are the secrets of the shofar, Elul, and Rosh Hashanah.

In this episode: dumb pants, modern society, a spot on state report, AI, Amanda and West scandal, NY and London on Bravo, naughty twins, mahjong, iced coffee ASMR in cute pajamas, AI has ruined the em dash, regulate vs. relegate, Today in Yiddish, get well Ian, Love Trapped, a former Bachelor, committed to the lie, Love Island, real time, do we need this many DJs?, nose-holding, a stan stan, the return of pop!, waiting for the OGs, Ryan meet ups, Marmot Only Fans, the World Cup, ranch dressing, free refills, the funnest soccer player ever; whiskey raccoons, This Week in College Facebook Parenting, black diamonds, Chasing Rabbits, smoked goose chowder, The Best Quiz Show Ever, Odyssey inspired trivia, olive trees, Laura Gandrud, and Lake Superior drama.

Video link to this episode: https://youtu.be/mW6PTwWUVAUMelissa Weisz grew up in Hasidic, Yiddish-speaking Boro Park and left the fold well before the OTD phenomenon became famous. I believe she left the fold before me, and I'm of the old timers now! I have been waiting for the opportunity to share her story with my viewers. Here, we finally get Melissa's story live. Please come if you would like to see this live and ask questions. It will also be available for view later.Follow Melissa on her socials!https://www.instagram.com/melissaweisz/https://melissamalkyweisz.com/Here is the full, unedited livestream: https://youtube.com/live/j16Dlc5iRGoHere's a trailer to this interview: https://youtube.com/shorts/oiWlef1AHVk?feature=shareBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. We have two Jangles this week from our movie maven. In the first, we learn about just how Jewish the classic rock band Rush is, and how it was played up at its Madison Square Garden concerts this week. In the second, we learn about Spider-Man's Jewish roots -- and the Member of the Tribe who is third billing in the new blockbuster. The main feature this week is 1979's "The Frisco Kid," an extremely Jewish take on the Wild West starring Gene Wilder and Harrison Ford. We learn how both actors are Jewish according to Jewish law, but only Wilder claimed Judaism as part of his identity. For legions of American Jews, "The Frisco Kid" held pride of place in their VHS libraries. From all-Yiddish scenes to a deadly fight for a Torah scroll, the film was an outlier in mainstream Hollywood. So how did it get made at all? Hoffman fills us in on some of the backstory surrounding the making of the movie, as well as who was originally meant to play the goyische cowboy instead of Ford. Let’s hear who gave this film an “oy,” “meh” or the prized “not bad” this week on The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Returning guest and comedian Eli Leibowicz joins Harry and Daniel to discuss Bob Fosse's Lenny (1974), starring Dustin Hoffman as the groundbreaking—and deeply controversial—comedian Lenny Bruce. Together, they explore why Bruce remains one of the most influential figures in stand-up comedy, even decades after his death.The conversation dives into Bruce's Jewish identity, the role of Yiddish in shaping his voice, and how Jewish humor became a vehicle for challenging authority and exposing hypocrisy. Along the way, Harry, Daniel, and Eli compare Bruce's legacy to modern comedians, debate the changing boundaries of free speech, and ask whether comedy is at its best when it entertains an audience—or unsettles one. They also discuss Dustin Hoffman's acclaimed performance, Bob Fosse's striking filmmaking, and why Lenny remains a fascinating portrait of an artist who refused to stop asking uncomfortable questions.“Lenny” on ImDB - https://m.imdb.com/title/tt0071746/“Lenny” Trailer - https://www.youtube.com/watch?v=TqvNOq8kGB8Eli's LinksFollow Eli Leibowicz on InstagramEli's WebsiteConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions. Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow. Buy the book: here This book talk originally took place on December 2, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From pillar to post, take a trip inside the mind of Maller as Benny bounces from one random thought to the next. This episode covers everything from rip currents and mutts to why avocados aren't actually a fruit—and the surprising connection to an Irishman. Plus, a Fifth Hour exclusive featuring Maller Medical Madness, as Ben shares the bizarre story of how he became a human GoPro, powered by what felt like battery acid. Along the way, he dives into Taco Bell's legendary Seven-Layer Burrito, Yiddish proverbs, instant replay, Bob Barker, and how, like a Twilight Zone episode, MLB announcers predicted the future 30 years ago. It's babble, banter, and bull—the way only the Fifth Hour can deliver. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.