Podcasts about Yiddish

durée : 00:32:02 - Talmudiques - par : Marc-Alain Ouaknin - A l'occasion des 10 ans des éditions de l'Antilope, Marc-Alain Ouaknin reçoit ses fondateurs : Anne-Sophie Dreyfus et Gilles Rozier. - équipe : Alexandra Malka Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Tashlich is the Rosh Hashanah custom of tossing bread or other small objects into moving water, to throw away our "sins" or our negativity. But today we're going to learn about something different — reverse tashlich, in which we remove our sins from the water. We'll explore the picture book biography, Diving Deep on Rosh Hashanah: Reverse Tashlich for a Better World by Rachelle Burk, which profiles Rabbi Ed Rosenthal and his Jewish scuba-diving ocean cleanup project, Tikkun HaYam, or Repair the Sea. To celebrate the new year, this episode's Share Your Shelf bonus segment is available to everyone, free and paid subscribers alike! You'll hear it at the end of the episode, so just keep listening. Shana tova! NEWS My "Jewish Joy" series continues on Multicultural Kid Blogs. Here's my interview with past Book of Life guest Adam Gidwitz. READ HERE Interesting article from the Jewish Telegraphic Agency: "Feeling excluded in the literary world, Jews are launching their own publishing houses" READ HERE The Jewish Comics Library of Seattle collects works on Jewish themes and by Jewish comics artists. The collection is available to the public at a regularly scheduled pop-up library on the 2nd and 4th Fridays of the month at the Couth Buzzard Bookstore from 11AM-3PM. You can also subscribe to their Substack newsletter, Graven, HERE. CALLS TO ACTION Public libraries are invited to apply for the 2026-2027 cohort of Between Two Worlds, a national program from the Yiddish Book Center that explores Jewish culture and identity through Yiddish literature in translation. Deadline to apply: August 14, 2026. APPLY HERE The Jewish Book Garden's kidlit discussion series, "How Does Our Garden Grow?" will meet on Sunday, August 16 at 1:30PM ET for a Zoom discussion of the picture book Shabbat Is... by A.J. Sass. REGISTER HERE EPISODE SHOW NOTES Episode TRANSCRIPT Buy Diving Deep on Rosh Hashanah Rachelle Burk's website Rabbi Ed's Repair the Sea website The Undersea World of Jacques Cousteau trailer and playlist Tikkun Olam: Sign up for Reverse Tashlich and avoid single-use plastic Sample Share Your Shelf bonus segment — free for all subscribers this month! This is what the bonus segments always look like, take a peek. SHARE YOUR SHELF SHOW NOTES From Rabbi Ed's Shelf: Why the Moon Only Glows by Dina Rosenfeld Hairy McClary from Donaldson's Dairy by Lynley Dodd (see Sam Neill read-aloud video) The Korban Mincha From Rachelle's Shelf: People of the Book by Geraldine Brooks (hear 2008 Book of Life interview) Toby Belfer Never Had a Christmas Tree by Gloria Teles Pushker And today, one from Heidi's Shelf: The Dispossessed by Ursula Le Guin (not Jewish, but you'll hear why when you listen to the segment)  

Welcome to podcast 424. On this program, we're going to feature a new track sent to us by Email by Steve at Jangle Wave. Then, I go and give you new material by Kitka. We'll have other stuff too.Set 1:Steve Skabrat I Lost My Walkman 02:56Kitka Awakening 06:11Kitka Transformation 04:11Kitka To The Lake 04:17Set 2:Kitka Women's Vocal Ensemble Collage of Koleda Carols (Bulgarian) 03:02Kitka Women's Vocal Ensemble Mze shina da mze gareta (Georgian) 02:36Kitka Women's Vocal Ensemble Kur bijāti ziemassvētki (Latvian) 03:06Kitka Women's Vocal Ensemble V hospodaron'ka (Ukrainian) 02:35Kitka Women's Vocal Ensemble Bel veter due (Bulgarian) 01:33Kitka Women's Vocal Ensemble A gute vokh (Yiddish) 05:15Kitka Women's Vocal Ensemble Loomine (Estonia) 04:53Kitka Women's Vocal Ensemble Ruotā, ruotā (Latvia) 05:27Kitka Women's Vocal Ensemble Veni Sancte Spiritus (Corsica) 04:09Kitka Women's Vocal Ensemble Bat'onebis Nanina (Georgia) 03:23Kitka Women's Vocal Ensemble Oj, jak že bulo, izpreždy vika (Ukraine) 04:48Kitka Women's Vocal Ensemble Cradle Song (Russian Jewish) 03:35Kitka Women's Vocal Ensemble Haidi Nani (Romanian) 02:32Kitka Women's Vocal Ensemble Three Armenian Lullabies (Armenian) 05:01Kitka Women's Vocal Ensemble Kakhuri Nana (Georgian) 04:09Kitka Women's Vocal Ensemble Slow to the Dawn (American) 06:50Kitka Women's Vocal Ensemble Kenge Djepi (Albanian) 02:53Kitka Women's Vocal Ensemble Lale Li Si, Zjumbjul Li Si, Gjul Li Si (Bulgarian) 05:52Kitka Women's Vocal Ensemble Nani, Nani, Kitka Mou (International) 02:19Set 3"Ensemble Libro Primo Sonata Prima (Giovanni Buonaventura Viviani) 06:48Ensemble Libro Primo Sonata Quarta 'Per sonar con due corde' (Biagio Marini) 07:54Ensemble Libro Primo Toccata 7 (Johannes Hieronymus Kapsberger) 02:05Ensemble Libro Primo Prelude 1 (Johannes Hieronymus Kapsberger) 00:44Ensemble Libro Primo Sonata IV 'Darstellung im Tempel' (Heinrich Ignaz Franz Biber von Bibern) 07:05Ensemble Al Asdeka La Roza Linda-Ensemble Al 04:13Ensemble Al Asdeka Deceived-Ensemble Al 03:26Ensemble Al Asdeka Twilight on the Nile-Ensemble Al 03:22Ensemble Al Asdeka Dance of the Tamir Agha-Ensemble Al 04:40Ensemble Al Asdeka Flute Taqsim remix-Ensemble Al 02:29Set 4:Allen Cote Burning Man 02:56Allen Cote Chapel Hill Waltz 06:18Allen Cote Monday Morning 02:23Allen Coté Monday Morning 02:20Allen Coté Conservative Lament 05:18Allen Coté Gonzo 03:01Allen Coté La Muerta de las Cucarachas 06:54Set 5:Steve Roach Underground Clouds 05:05Steve Roach Walking Upright 06:50Steve Roach The Holy Dirt 07:30Steve Roach The Return 08:22This will complete today's program. Thanks so much for listening!

From pillar to post, take a trip inside the mind of Maller as Benny bounces from one random thought to the next. This episode covers everything from rip currents and mutts to why avocados aren't actually a fruit—and the surprising connection to an Irishman. Plus, a Fifth Hour exclusive featuring Maller Medical Madness, as Ben shares the bizarre story of how he became a human GoPro, powered by what felt like battery acid. Along the way, he dives into Taco Bell's legendary Seven-Layer Burrito, Yiddish proverbs, instant replay, Bob Barker, and how, like a Twilight Zone episode, MLB announcers predicted the future 30 years ago. It's babble, banter, and bull—the way only the Fifth Hour can deliver. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO's prewar holdings along with thousands of rabbinic works from Vilna's Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz. In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library's founders and builders have left behind. View the bibliography for this talk: here This lecture originally took place on February 19, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO's prewar holdings along with thousands of rabbinic works from Vilna's Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz. In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library's founders and builders have left behind. View the bibliography for this talk: here This lecture originally took place on February 19, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

A Martin Short documentary introduced me to a new word — tummler — and I haven't stopped thinking about it since.It's a Yiddish word commonly used during the Catskills-era for the person whose actual job was turning a hotel of strangers into a temporary community.Not the performer on stage. The one actually out working the room — at breakfast, the pool, the lobby — making sure nobody's left standing alone.This week I'm making the case that a huge number of the women in our lives are doing this work constantly, for free, and calling it “being nice” instead of what it is: a real, underrated skill.We get into what it looks like, whether it's dying out or just migrating into group chats, and why you should text the tummler in your life and tell her you appreciate her.Also this week: a quick check-in on my July whimsy movie project. Darby O'Gill and the Little People is a glorious practical-effects mess (Sean Connery's Irish accent, less glorious). And A Fish Called Wanda — my first time watching, four decades late — reminded me that Jamie Lee Curtis is stunning, and her wardrobe, whew, I'm still envious of those dresses today. Well, maybe not the bright florals. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.radiantbadass.com

In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO's prewar holdings along with thousands of rabbinic works from Vilna's Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz. In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library's founders and builders have left behind. View the bibliography for this talk: here This lecture originally took place on February 19, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes! We can fight City Hall! | Chazky Rosenberg - Yoel Rosenfeld | Shmueli Cast #75 | Yiddish

Yiddish Book Center fellows Noah Bromberg, Joshua (Yoshke) Horowitz, and Tyler Kliem visited with The Shmooze to talk about their fellowship work. In conversation we spoke about the range of their work and their many contributions in the areas of bibliography, exhibitions, and language learning, as well as their work with the Center's Yiddish type collection and printing press. Episode 412 July 30, 2026 Amherst, MA

"We Were Made For These Times" It's been 40 years since the Grammy-Award winning band the Klezmatics formed in the East Villag. In the same way the Pogues fused Irish folk with punk rock, the New York klezmer outfit have grafted centuries-old Yiddish music with iterations of contemporary music including jazz, gospel, punk, classical, Latin, and Balkan styles. With nearly twenty albums under their musical belts, including Rhythm and Jews, Jews With Horns, Letters to Afar and their wonderful new one, We Were Made For These Times, the Klezmatics remain one of the most spellbindingly singular bands on the planet. Over the course of their career they've collaborated with Arlo Guthrie, Allen Ginsberg and Itzhak Perlman, played shows in over twenty different countries, performed on PBS' Great Performances, recorded a live CD at New York City's Town Hall and snared a Critics Award as well as a New York Jewish Music Award. Their music has appeared everywhere from Sex and the City to Late Night With David Letterman and their new album continues to add to their winning legacy. A stirring, inspiring and soulful offering that, in the band's words is, "rooted in protest, hope, and resilience, We Were Made For These Times pairs Black gospel, Latin American, and avant-jazz voices with Yiddish folk and the results are joyful, life-affirming and brimming with optimism. The L.A. born vocalist, accordionist, pianist, guitarist Lorin Sklamberg is a lovely guy and this is a great chat. www.klezmatics.com (http://www.klezmatics.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagzine.com

Earlier this week I brought back the audio of one of my favorite conversations from the vault. Today, the full video version is here.If you missed the audio episode, here's the short version: in 2018, Mariana Ramirez became the first female Mexican percussionist to ever perform on a Broadway show, subbing Once On This Island. A year later she held the percussion chair on that show's national tour. Then came sub work on Head Over Heels (drumset book) and Ain't Too Proud, plus Off-Broadway runs of Merrily We Roll Along and Fiddler on the Roof in Yiddish.Today she holds the percussion chair at the hit Broadway show SIX.But watch this interview and you'll see the chair is just one piece of a much bigger career.Mariana began her studies at the National Conservatory of Music in Mexico City, where she won the percussion position at the Carlos Chávez Youth Orchestra, then earned her Bachelor of Music at the Mason Gross School of the Arts at Rutgers, picking up the Percussive Arts Society Thomas Siwe Scholarship along the way.She founded Percussion Quartet Excelsis — the first multinational all-female percussion quartet in the U.S. — which Jonathan Haas, head of the NYU Percussion Department, called one of the most innovative and exciting ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Zeltsman Marimba Festival, Tippet Rise in Montana, and the Newport Classical Music Festival, and in 2024 the group received Chamber Music America's highest grant.Her recording credits include Platinum Girls and Song of Solomon on Broadway Records, and a concerto for bandoneon and violin with the Orpheus Chamber Orchestra. She has performed with the National Symphony of Mexico, the first all-women orchestra of Mexico, and premiered new works at Alice Tully Hall. She's appeared on The Late Show with Stephen Colbert and in Mozart in the Jungle. She won the FONCA grant for Mexican artists twice in a row, touring an original percussion-and-dance project across five Mexican cities. She teaches. She's endorsed by Sabian, Pearl, and Innovative Percussion.Traditional Mexican music. Symphony halls. Chamber ensembles. Television. Education. And eight shows a week on Broadway.Nobody builds a career like that by waiting for the phone to ring. Watch the conversation and you'll understand exactly how she did it — starting with a Santana concert in Mexico City when she was 11 years old, watching three percussionists light up a stadium and deciding, right there, what her life was going to be.Watch the full interview above.The audio version is available now on Apple Podcasts and Spotify if you'd rather listen on the go.And coming up next on the podcast: Spencer Inch. Stay tuned — that one's going to be worth the wait.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

When Jews plunged into the world of politics en masse at the beginning of the 20th century, a variety of new options were available to them. Two of the leading figures who proffered novel, but opposing political avenues to the Jewish masses were Dr. Chaim Zhitlowsky and Leon Trotsky. Zhitlowsky, a founder of the Russian Socialist Revolutionary party, offered a synthesis of socialism and Yiddish nationalism. Trotsky, a leading Russian Social Democrat, formulated a strict version of internationalism that left no room for Jewish national aspirations. Many Jews, however, did not view their political choices in such stark terms. Instead, they saw both men as leaders and thinkers who pointed the way to Jewish national liberation and working-class revolution, a Jewish homeland, as well as a flourishing life in the diaspora. In this lecture, Tony Michels will explore the political ideas of Trotsky and Zhitlowsky, and how Jews engaged with them during the first half of the 20th century. This program is the first in a series of programs held in conjunction with YIVO's current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world's most comprehensive body of material pertaining to Jewish political activity in Europe and the United States. This lecture originally took place on April 28, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today on Too Opinionated, we're joined by actress and artist Malky Goldman to discuss her starring role as Sarah Leah in The Wedding Entertainer, directed by Gidi Dar, which celebrated its world premiere at the 2026 Tribeca Festival. Originally from Jerusalem and now based in New York City, Malky has built an impressive career across film, television, and theater. Her newest role in The Wedding Entertainer marks another exciting milestone as she continues to bring emotionally rich and deeply authentic characters to the screen. Audiences also know Malky from the acclaimed Netflix limited series Unorthodox, the Blumhouse horror film The Vigil, and HBO's High Maintenance. On stage, she has delivered memorable performances in productions including Strangers, Hedda Gabler, the Yiddish production of Rhinoceros, and the critically acclaimed God of Vengeance. In this episode we discuss:

When Jews plunged into the world of politics en masse at the beginning of the 20th century, a variety of new options were available to them. Two of the leading figures who proffered novel, but opposing political avenues to the Jewish masses were Dr. Chaim Zhitlowsky and Leon Trotsky. Zhitlowsky, a founder of the Russian Socialist Revolutionary party, offered a synthesis of socialism and Yiddish nationalism. Trotsky, a leading Russian Social Democrat, formulated a strict version of internationalism that left no room for Jewish national aspirations. Many Jews, however, did not view their political choices in such stark terms. Instead, they saw both men as leaders and thinkers who pointed the way to Jewish national liberation and working-class revolution, a Jewish homeland, as well as a flourishing life in the diaspora. In this lecture, Tony Michels will explore the political ideas of Trotsky and Zhitlowsky, and how Jews engaged with them during the first half of the 20th century. This program is the first in a series of programs held in conjunction with YIVO's current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world's most comprehensive body of material pertaining to Jewish political activity in Europe and the United States. This lecture originally took place on April 28, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

When Jews plunged into the world of politics en masse at the beginning of the 20th century, a variety of new options were available to them. Two of the leading figures who proffered novel, but opposing political avenues to the Jewish masses were Dr. Chaim Zhitlowsky and Leon Trotsky. Zhitlowsky, a founder of the Russian Socialist Revolutionary party, offered a synthesis of socialism and Yiddish nationalism. Trotsky, a leading Russian Social Democrat, formulated a strict version of internationalism that left no room for Jewish national aspirations. Many Jews, however, did not view their political choices in such stark terms. Instead, they saw both men as leaders and thinkers who pointed the way to Jewish national liberation and working-class revolution, a Jewish homeland, as well as a flourishing life in the diaspora. In this lecture, Tony Michels will explore the political ideas of Trotsky and Zhitlowsky, and how Jews engaged with them during the first half of the 20th century. This program is the first in a series of programs held in conjunction with YIVO's current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world's most comprehensive body of material pertaining to Jewish political activity in Europe and the United States. This lecture originally took place on April 28, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

jD convenes the expert panel to dissect "700 Ft Ceiling," the song that lands like a baseball bat to the face right in the middle of Trouble at the Henhouse.The conversation starts warm — everyone's summertime Hip pick, from "Membership" to "Morning Moon" to "Summer's Killing Us" — before turning to the puzzle at the centre of the track: what exactly is a 700-foot ceiling? (Aviation term. Lowest layer of broken or overcast cloud sitting 700 feet above ground.)The panel unpacks Gord's habit of collecting phrases for their sound rather than their meaning, the wintery outdoor-rink imagery, and the Lou Reed-flat melody that barely distinguishes verse from chorus.Things get spicy on placement. Tracy calls it filler and skips it. Mikk and Jamie agree the song detonates a gorgeous opening run — "Gift Shop," "Springtime in Vienna," "Ahead by a Century," "Don't Wake Daddy," "Flamenco" — and kicks off what Jamie dubs the album's weird second half alongside "Butts Wigglin'" and "Coconut Cream." The Kids in the Hall theory gets floated. So does the grunge theory. Everyone concedes it hit much harder live than it ever did on record.Then the episode's real gift: Mick and Jamie tell the story of renting the Bathhouse for a weekend — sleeping in the studio, playing pool while spinning We Are the Same on vinyl, Billy Ray wandering in at 10pm with stories, engineer Niles behind the board, Gord's training bike still parked where he left it. Once-in-a-lifetime stuff, told well.Next week's shuffle: "Gus: The Polar Bear from Central Park" from In Between Evolution.Key Quotes"It's like an alarm clock goes off." — Mik, on where the song lands on the album"It is like a baseball bat in the face." — jD"Think about how many shows they played after 2004 that they did not play this song. That's why it ranks low. Guys, I'm telling it like it is." — Jamie"I think this is kind of Gord's secret talent — he listens better than everybody." — Mik"He says '700-foot ceiling' like four times, but the second or third time it's '700 and sinking,' which is just cool." — Jamie"It kind of felt very lived in. There was nothing you couldn't touch, nothing you couldn't sit on." — Mik, on the Bathhouse"I'll get emotional if I talk about it." — Jamie, on being shown the band's jam space"Well, I know what we forgot to do this week. We forgot to listen to the goddamn song." — jDTale of the Tape — Trouble at the HenhouseReleased May 7, 1996 — the band's first simultaneous Canada/USA releaseWinner, 1997 Juno Award for Album of the YearRecord 5 of 13Self-produced with Mark Vreeken — the only time the band worked without an outside producerRecorded at the Bathhouse"700 Ft Ceiling" live stats (via The Hip Base and setlist.fm)Played live 130 times — 3 times as an opener, 7 times as an encoreFirst played October 21, 1995Last played November 27, 2004 (retired; not performed on the final tour)Ranked #76 in the Tragically Hip Top 169 countdown — did not crack the Top 40This week's poll: 47% / 47% split, with 6% "tolerating" it.Songs & Albums MentionedTragically Hip songs700 Ft Ceiling · Membership · Morning Moon · Coffee Girl · The Depression Suite · Summer's Killing Us · You're Not the Ocean · Ahead by a Century · Gift Shop · Springtime in Vienna · Don't Wake Daddy · Flamenco · Butts Wigglin' · Apartment Song · Coconut Cream · Let's Stay Engaged · Sherpa · Put It Off · New Orleans Is Sinking · Little Bones · Titanic Terrarium · Emergency · FireworksTragically Hip albumsTrouble at the Henhouse · Day for Night · Fully Completely · Road Apples · Phantom Power · We Are the Same · In Between Evolution · Live Between UsOther referencesKids in the Hall: Brain Candy — source of "Butts Wigglin'"Rick Beato's interview with Billy Joel — the "vowel movements" idea Joel credits to Keith RichardsGrunge-era touchstones: Pearl Jam, Soundgarden, CreedLou Reed — Tracy's comparison for Gord's vocal delivery on this trackIt's a Good Life If You Don't Weaken — the stage adaptation, seen in Hamilton, now touringTom Green's interview with Paul Langlois, filmed in the Bathhouse jam spacePeople MentionedGord Downie · Paul LangloisBilly Ray — Bathhouse caretaker and keeper of the storiesNiles Spencer — Bathhouse engineerMark Vreeken — co-producer, Trouble at the HenhousePatrick Downey — filming Billy Ray for the documentaryGreg — JD's co-host on the earlier podcast seriesLinks & PlugsKingston weekend events — Friday mixer at a pub · live record listening party August 21 at 4:30 at a pub · Sunday brunch at Morrison's. Email jd@tthpods.com to get on the list.Mik Perlus — Ragged Islands — Mick's EP, recorded over three days at the Bathhouse. Includes a cover of "It's a Good Life If You Don't Weaken." Available on Spotify, Apple Music, YouTube, and other streaming services. Named for East Ragged Islands, Nova Scotia.Jamie — Fiddler on the Roof in Yiddish — with English and Russian supertitles. Recently ran at the Elgin Theatre in Toronto (roughly 17,000 attendees during Jamie's run). Coming to the Ahmanson Theatre in Los Angeles, February 13 – March 14, 2027.The Hip Handbook — JD's new AI-built discography and stats tool, debuting on this episode for the Tale of the Tape.The Hip Museum / Museum After Dark — referenced for the grunge angle and album background.Next Week"Gus: The Polar Bear from Central Park" from In Between Evolution.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Can Falk turn over a new leaf? Are there any genres of story he hasn't explored that would be worth trying? Why are alligators flat? Listen to find out!Not Funny, episode 154 of This Gun in My Hand, was stripped of all humor by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. What keeps everyone around me from laughing? This Gun in My Hand!Show Notes:1. My mom told me the jokes about elephants jumping out of trees and the original Cherry Pachyderm joke probably 45 years ago.2. Columbia Pictures released 28 Blondie films between 1938 and 1950, based on the newspaper comic strip.https://en.wikipedia.org/wiki/Blondie_(film_series)3. According to etymonline dot com, the word “glitch” is thought to have been in circulation among radio broadcasters since the early 1940s, derived from the Yiddish glitsh, “a slip;” or German glitschen, “to slide or slip,” or gleiten, “to glide.”4. You can find several copies of The Lester Dent Master Fiction Plot (or The Lester Dent Formula) online. First published in Writer's Digest Yearbook 1936. https://bruces.medium.com/the-lester-dent-master-plot-formula-by-lester-dent-6779fd822695Credits:Music in this episode came from these public domain films:The Sun Sets at Dawn (1950), and Too Late for Tears (1949, aka Killer Bait). Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Other music during the commercial comes from the film Screaming Mimi (1958), which is available on archive.org. Some blogs claim it's public domain.The image accompanying this episode is a modified detail of the public domain photo “Detail of storefronts, south facade, east side - Indiana Hotel, 5116 Hohman Avenue, Hammond, Lake County, IN.” Photographer and date unknown.https://commons.wikimedia.org/wiki/File:Detail_of_storefronts,_south_facade,_east_side_-_Indiana_Hotel,_5116_Hohman_Avenue,_Hammond,_Lake_County,_IN_HABS_IND,45-HAMM,2-17.tifImage Alt text: Black and white photo at an angle of first floor store fronts. The letters above windows and awnings show where neon signs have been removed, but the painted backgrounds still read, “PASTEY JEWELRY” and “HAMMOND LOAN CO.” Inside the windows of Pastey Jewelry are closed curtains, no merchandise displayed. The streets are empty. Along the right edge of the photo are notes by the photographer: HABS No. IN-233-17.

This week on ShmueliCast, we had the honor of sitting down with legendary actor Aaron Mintz, one of the true pioneers and veterans of the Jewish entertainment world. Together, we take a trip down memory lane, from his early HASC and Miami experiences to the Yiddish plays and performances that had the Jewish entertainment world talking at the height of their popularity.Along the way, we discuss the difference between acting and performing, what really goes on behind the scenes, how much of it is actually real, and how the world of Jewish entertainment has evolved over the years. We also go back to Aaron's childhood, growing up in Williamsburg in the 1960s, where he shares unforgettable memories of the Satmar Rebbe and what life was like during those years.Whether you grew up watching Aaron's performances or you're discovering his remarkable story for the first time, this episode is filled with nostalgia, laughter, behind-the-scenes stories, and a fascinating look back at an era that left its mark on the Jewish world.ShmueliCast hotline: 718-970-8884.SUBSCRIBE FOR MORE!

Ruta's Closet tells the compelling Holocaust story of a Jewish family, imprisoned in the tiny Shavl ghetto in Lithuania, during World War II, written by journalist Keith Morgan. We are familiar with many of the great Jewish communities of the pre-war years and of their fate when they were turned into ghettos and became the scenes of mass murder and deportation. One such place that is less familiar is the Lithuanian town of Siauliai, known in Yiddish as Shavl. The few survivors of that once vibrant Jewish community have often expressed to me their sadness that it does not figure as prominently as it ought in most accounts of the Holocaust. This book redresses that balance.“The origins of Ruta's Closet trace back to 1997 when I wrote a newspaper column in Vancouver's Province about Holocaust survivor Ruth Kron Sigal, now deceased,” says Morgan.  “In my long newspaper career, I'd covered many chilling true-life crimes but her story was the most remarkable I had heard.”It is the true story of how Ruth's family sought to escape the deadly clutches of Hitler's Final Solution in Lithuania. Her parents' determination to survive grew stronger as members of their Jewish family and good friends died at the hands of the Nazis and marauding armed collaborators.This important book records chilling accounts of mass murders, a cruel Nazi ban on births, forced attendance by young and old at a public hanging, the saving of a ruthless SS officer by a Jewish doctor and the transport of hundreds of ghetto children to their deaths in the gas chambers at the Auschwitz Death Camp. Such events will horrify readers but the bravery shown by the family and their neighbors make it a compelling read -- as intriguing as it is inspirational. While the narrative is fact-based, it reads like fiction, making it accessible to all generations of readers. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Link to video version of this interview: https://youtu.be/7CBHWJwmAJIMany people know Pessy from her popular Yiddish comedy videos, where she lovingly and hilariously captures the world of Hasidic women. She was one of the first creators to bring that world to social media through a female lens, and her sharp observations and humor have earned her a devoted following.But behind the comedy is a remarkable personal story.Pessy grew up in a Hasidic family in Monsey and spent much of her childhood carrying responsibilities that no child should have to carry. As the oldest sister, she watched her family struggle through the challenges surrounding her younger sister and felt an overwhelming need to hold everything together. She learned early on that being "good" and "perfect" seemed to be the safest way to survive difficult circumstances.In our conversation, Pessy speaks with extraordinary honesty about family, faith, rejection, and the pressure she felt to meet everyone's expectations. She shares how religion became a source of comfort, how she entered marriage determined to be the perfect wife, and how she concealed her own struggles because she didn't want to burden the people she loved.What makes Pessy's story so powerful is not simply what happened to her, but the way she reflects on it. She brings insight, humor, and compassion to experiences that could easily have left her bitter. Her story touches on themes that are deeply personal and yet almost universal: the desire to be accepted, the weight of responsibility, the loneliness of feeling misunderstood, and the long journey toward self-acceptance.Pessy's story is, in many ways, everyone's story. I hope you'll watch this conversation with kindness and an open heart.You can find Pessy on Instagram:https://www.instagram.com/pessyunstressing/You might also enjoy some of my other interviews with women from the Yiddish-speaking Hasidic community:Melissa Weiszhttps://youtube.com/live/j16Dlc5iRGoFradel Neumanhttps://youtu.be/HoTzWaF7dU8Sara Braunhttps://youtu.be/1E54wVSn-wMGita Katzhttps://youtu.be/2saQ0LEwZXQAs always, my interviews are also available in audio-only form wherever you get your podcasts.And thank you especially to my channel members for helping make these conversations possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

What if one simple word had the power to change the way we see ourselves and each other? What better way to launch a podcast about claiming your voice than with a conversation about using it to celebrate someone else's? In this inaugural episode of Claim Your Voice, I sit down with my dear friend, award-winning athlete, sports psychologist, author, and nonprofit founder Barbara Edelston Peterson to explore the powerful concept behind her newest book, Kvell: A Word You Should Know. Barbara is a pioneer in mountain biking, a multiple-time world champion XTERRA athlete, grandmother, speaker, and lifelong advocate for helping people live with purpose, resilience, and joy. But perhaps her greatest legacy is introducing the world to the Yiddish word kvell, a word that means to beam with pride, joy, and delight in someone else's accomplishments. Barbara believes it's far more than a word...it's a movement. As the audiobook narrator of Kvell, I watched this message transform not only listeners but my own life. Since recording the book, I've found myself intentionally encouraging strangers, celebrating friends more openly, and even remembering to kvell over myself. The response has been incredible, proving that a few heartfelt words can create connection in a world experiencing an epidemic of loneliness. Together, we explore why encouragement is one of the greatest gifts we can give, how shifting from judgment to celebration changes our relationships, and why using your voice to uplift someone else may be one of the most powerful ways to claim your own. If you've ever wondered how a single compliment, a moment of recognition, or a simple "well done" can change someone's day or even their life, this episode is for you. In this episode, we explore: What "kvell" really means and why the world needs this word now more than ever • How encouragement creates confidence, connection, and community • Why celebrating others doesn't diminish your own success, it expands it • Practical ways to make kvelling a daily habit • The connection between claiming your voice and using it to uplift others • How Kvell has grown from a book into a worldwide movement through Kvell Dinners, Kvell Circles, and community gatherings Connect with Barbara Edelston Peterson: Website: https://barbaraedelstonpeterson.com/kvell/ Instagram: https://www.instagram.com/livekvell/ https://www.instagram.com/bedelpete/ LinkedIn: Barbara Edelston Peterson Get Kvell: A word you should know in paperback, eBook, or audiobook beautifully narrated by Justine Reiss and discover how one simple word can transform the way you encourage yourself and everyone around you. Connect with Justine: Website: https://empoweredvoicecoach.com Instagram: @justinereiss Email: justine@empoweredvoicecoach.com If you're ready to find your authentic voice, speak with confidence, tell your story, or explore voiceover, I'd love to work with you through my Claim Your Voice workshops, coaching programs, and speaking events. I hope you enjoy this heartfelt conversation as much as we enjoyed sharing it with you. If this episode inspired you, please subscribe, leave a review, and most importantly...go kvell over someone today. Claim Your Voice. Visualize it. Vocalize it. Monetize it. 00:00 Welcome to Claim Your Voice 00:45 Meet Barbara Edelston Peterson 02:45 The Journey to Liv Kvell 06:24 What Does "Kvell" Mean? 08:02 Why This Word Became a Movement 11:00 Making Kvelling a Daily Habit 12:30 Claiming Your Voice Through Encouragement 14:00 Use Your Voice to Lift Others 15:52 Judgment vs. Celebration 17:53 A Simple Compliment Can Change Someone's Day 19:40 The Liv Kvell Journal, Dinners & Circles 20:37 Start Your Own Kvell Movement 22:45 Final Thoughts & How to Connect 23:50 Closing   Hashtags #VoiceoverCoaching #VOCoaching #VoiceActingTips #VoiceoverLessons #HowToBecomeAVoiceActor #VoiceActingForBeginners #VoiceCoach #SpeakingSkills #FindYourVoice #ClaimYourVoice #SpeakWithConfidence #PublicSpeakingTips #OvercomeStageFright #ConfidenceBuilding #EmpowerYourVoice #MindsetForCreators #VOTraining #VODemoReel #VOMarketing #VOHomeStudio #VoiceWarmups #VocalHealth #ArticulationExercises #JustineReiss #ClaimYourVoiceWithJustineReiss #HowToMakeMyVoiceSoundBetter 

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Video link to this episode: https://youtu.be/ixZOxV5BuCIEddy Portnoy is back by popular demand, after our wonderful discussion on the history of Yiddish language. Eddy is the exhibit curator at YIVO Institute for Jewish Research and does amazing Yiddish/Jewish curations.Today's subject is juicy but educational, eye-opening, and enlightening.We are diving into the shocking and largely forgotten story of the National Desertion Bureau, a real organization founded in New York in 1911 to track down runaway Jewish husbands who abandoned their wives and children during the great wave of Jewish immigration from Eastern Europe to North America.For more on this below.Here are some links:-My previous interview with Eddy: https://youtu.be/tq8y3KkAWTk?si=-KdfW3UJBkiMdrh_-The Yivo Exhibit: https://www.yivo.org/National-Desertion-Bureau-

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Tenenberg, Miron www.deutschlandfunkkultur.de, Aus der jüdischen Welt

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

LANCE HARDWICK MYSTERIES: HER KISSES WERE STEAMY BUT... OH, THOSE CTHULHU BOOBS! PART 1  Story Synopsis: Lance Hardwick (Yiddisher Detective) and Dick Reardon (trusty Side-Kick - Literally) and their receptionist, Gay Schlafen (which means "Go to Sleep" in Yiddish) are asked by the mysterious G-Man (and confused human being) Agent Ace Stompers to investigate the death of a young man, Billy Blender (the son of a rich Military Defense Contractor)! Little do they know that a woman of exceptional beauty and irresistible charms is the culprit, and that she is the first wave in an assault on Humanity from Cthulhu and the Dark Gods! (This Radio Serial is sponsored by The Megillah Soap Company and Ver Clempt Cigarettes. How else can you keep your fingertips clean after smoking?!)  Written, directed and produced by Viktor Aurelius and Jeff Niles Sound Design by Viktor Aurelius  Featured in the cast were: David Schütz II as Billy Laura Nicole as Betty Jeff Niles as Lance Hardwick Viktor Aurelius as Dick Reardon Rachel Rumler as Gay Schlafen Jonithan Patrick Russell as Agent Ace Stompers  

In this episode of the Hagley History Hangout, Roger Horowitz interviews Rebecca Kobrin about her new book, Credit to the Nation: Eastern European Jewish Immigrant Bankers and American Finance 1873-1930. From the publisher: "What are immigrants to do when business opportunities abound in their new home, but banks refuse essential financial support? How could they make the journey in the first place without helping hands? In this lively history, Rebecca Kobrin chronicles the turn-of-the-twentieth-century Jewish immigrants who stepped up by doing the lending themselves. Arriving from the Russian Empire and settling primarily in New York, they made livelihoods by assisting fellow Jews so they could purchase passage to the United States and, after arriving, obtain credit that other lenders would not dare provide. "Credit to the Nation traces the novel practices of bankers who not only enabled the flourishing of American Jewry but also revolutionized the US financial industry. Drawing on previously unexamined archival materials in Russian, Yiddish, German, and English, Kobrin tells a story that is also crucial to the history of New York, as immigrant bankers' financing of real estate transformed wide swathes of the city. Lenders drove a boom in the prices of tenement buildings, but heavy speculation eventually precipitated the downfall of immigrant banking. Kobrin notes in particular the case of the Bank of United States—a private lender catering primarily to Jewish businessmen—which the Federal Reserve refused to bail out from bankruptcy in 1930. "Immigrants' grasping for credit, and the rise and fall of immigrant banks, gave way to a contemporary banking industry that, ironically, refuses credit to today's immigrants. Kobrin reminds us that now, as before, the denial of credit pushes entrepreneurial Americans into unregulated money-lending and the trap of endless debt." For more Hagley History Hangouts, and information on the Center for the History of Business, Technology, and Society at the Hagley Museum and Library, visit us online at hagley.org. To make a donation underwriting this program and others like it please visit our donations page: https://host.nxt.blackbaud.com/donor-form/?svcid=tcs&formId=c2f4e3f6-2d8a-4251-9a8b-cfdea1fe0e4a&envid=p-wYaPX570-EiMzBCsCu8rSg&zone=usa

Ben Maller is back behind the mighty microphones of the Fifth Hour Podcast, broadcasting from beneath the Palace of Pontification in the legendary Audio Dungeon! After a brief radio sabbatical, Benny pulls back the curtain on where he's been and why a few so-called loyal listeners were exposed as nothing more than counterfeit P1s. Then, a random text about old laundry sent Maller down a rabbit hole and into a full-blown radio geek frenzy, celebrating the larger-than-life legacy of Wolfman Jack and the magic of the golden age of radio. Plus, by popular demand, the Word of the Week returns, featuring one of Ben's all-time favorite Yiddish gems that's gone from the old neighborhood to the mainstream. It's nostalgia, snark, radio war stories, and the usual controlled chaos—just the way you like it. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

Highlights: Our co-host Sholem Beinfeld, who is Professor of History, Emeritus, Washington University, St. Louis, gives a historic, and Jewish, perspective on the United States of America in observance of the upcoming 4th of July, 2026, holiday. Later in the program, we play a series of songs in honor of America written and performed by a variety of performers and songwriters. Our featured guest is Anna Halberstam Rubin, talking about her life, including her youth before and during the Holocaust, which she wrote about in her memoir Just a Little Girl: Despair and Deliverance (1993, 1994, 2018 AHR Books, Palo Alto). Anna was born in Poland but grew up in Slovakia, the daughter of Rav Yechezkel Shraga Halberstam, and the granddaughter of two rabbis, Rav Naftali Rubin of of Nowy Wiśnicz, Poland, and Rabbi Menachem Mendele Halberstam of Stropkov, Slovakia, The Stropkover Rebbe. During the war, Anna comes of age and narrowly escapes death on multiple occasions. Eventually, she makes it out of danger by joining one of the remarkable rescue convoys organized by Rudolf Kastner, escaping from Hungary to Switzerland. Her convoy was separate from the better-known Kastner train, which also brought Jewish refugees to safety, including the Satmarer Rebbe, Rabbi Yoel Teitelbaum. After the war, she eventually moved to the United States and married Israel Rubin, a sociologist, a foremost expert on Hungarian Jewry and author of the book Satmar: An Island in the City. We spoke to Anna at the home of her daughter Haya Rubin in the Lakewood, NJ area in August, 2024. Music Ben Gailing: Star Spangled Banner Mandy Patinkin: Nem Mikh Mit Tsu Dem Balgeym / Got, Bentsh Amerike Steven Skybell, Joel Gray and the cast of Fiddler on the Roof in Yiddish: Got, Bentsh Amerike Daniel Kahn, Sarah Gordon, Lorin Sklamberg, Patrick Farrell, Sveta Kundish, Michael Alpert, Linda Gritz: Dos Land Iz Dayn Land Cantor Leibele Waldman: Ikh Dank Dir Got Far Amerike Mandy Patinkin: American Tune in Yiddish (Words and Music by Paul Simon) The Yiddish Philharmonic Chorus: Neil Diamond’s “America” in Yiddish, in 4-part harmony instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: July 1, 2026

Max Weinreich spent the entirety of his adult life building YIVO and the field of Yiddish Studies. A 'convert' to the cause of Yiddishism in his adolescence, he pursued a doctorate in German philology in Weimar Germany with the explicit goal of returning to Eastern Europe to contribute to the project of building a modern, secular Yiddish culture. His study visits to Yale University and Vienna in the early 1930s proved transformational in broadening and revising his understanding of the role of the social sciences in Jewish life as a tool for strengthening Jews' psychological and material resources. The destruction of the traditional Yiddish heartland in Eastern Europe and his experiences leading YIVO in post-WWII New York City added yet another dimension to Weinreich's conception of the importance of both Yiddish and Jewish Studies for the future of American and world Jewry. Would Max Weinreich recognize Yiddish studies today? Moderated by Kalman Weiser and featuring Naomi Seidman, Kenneth Moss, and Jeffrey Shandler, this panel will examine Weinreich's evolving understanding of the meaning of Yidishe visnshaft (Yiddish studies) and the role of Yiddish in Jewish life throughout his career. This panel discussion originally took place on June 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Max Weinreich spent the entirety of his adult life building YIVO and the field of Yiddish Studies. A 'convert' to the cause of Yiddishism in his adolescence, he pursued a doctorate in German philology in Weimar Germany with the explicit goal of returning to Eastern Europe to contribute to the project of building a modern, secular Yiddish culture. His study visits to Yale University and Vienna in the early 1930s proved transformational in broadening and revising his understanding of the role of the social sciences in Jewish life as a tool for strengthening Jews' psychological and material resources. The destruction of the traditional Yiddish heartland in Eastern Europe and his experiences leading YIVO in post-WWII New York City added yet another dimension to Weinreich's conception of the importance of both Yiddish and Jewish Studies for the future of American and world Jewry. Would Max Weinreich recognize Yiddish studies today? Moderated by Kalman Weiser and featuring Naomi Seidman, Kenneth Moss, and Jeffrey Shandler, this panel will examine Weinreich's evolving understanding of the meaning of Yidishe visnshaft (Yiddish studies) and the role of Yiddish in Jewish life throughout his career. This panel discussion originally took place on June 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

How will you preserve your family history? Maybe through journaling or family movies? What about grabbing an audio recorder? Today, we’ll hear all about oral history projects in Connecticut that are recording stories for posterity. Later on, we’ll also hear how the Yiddish language and its dialects are being preserved. Guests: Katie Heidsiek: Director of Exhibitions for the Connecticut Museum of Culture and History Jamil Ragland: writer for the New Haven Independent, Hartford community member and Hartford bureau chief for "Midbrow" Elizabeth George: Doctoral student at the University of Connecticut and an instructor for “My Story, Our Future.” Christa Whitney: Director of the Yiddish Book Center's Wexler Oral History Project This episode originally aired March 10, 2026.Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Arguably the most popular book in the history of Yiddish literature, the Tsenerene (alternative Romanization: Ze'enah U-Re'enah) has been reprinted, both in Yiddish and in translation, 273 times since its appearance in the early seventeenth century. Arranged according to the weekly Torah portion, the book employs fragments of biblical verses in Hebrew to open sections of Yiddish text that may include direct translations, midrashic stories, commentaries, and – less often – interpretations original to the author, Yankev ben Yitskhok Ashkenazi of Janów. In this talk about the Tsenerene, Dr. Avi Blitz will show how the work's anthological style accommodates curious combinations of commentary and folklore and he will discuss what the book teaches us about the folk beliefs of early modern Ashkenazi society. Using different editions of the work, he will talk about textual variances and diverse paratextual elements that hint at the various ways the book was read throughout its 400-year history. Finally, he will discuss the idea of the book as a “women's Bible.” This lecture originally took place on July 18, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Film Festival Tickets: https://buytickets.at/thedopeyfoundation/2216905 PAtreon: www.patreon.com/dopeypodcast This Week on Dopey Greatest Hits! My dad is back and we catch up on all things dopey and life including Alan's deeply specific breakfast routine. Dave also reads listener emails and comments about grief, recovery, Motley Crue, Safe Spot, Steve Poltz, Dopey socks, and whether celebrities actually bring the Dopey. Then the episode replays Dave's interview with the legendary Danny Trejo. Danny talks about growing up in Pacoima, smoking weed at eight, using heroin at twelve, idolizing his Uncle Gilbert, surviving violence, robberies, prison, Soledad, heroin withdrawal in the hole, and finally finding recovery through 12-step programs and a higher power. He also talks about his kids, helping addicts get treatment instead of prison, staying clean for decades, why he can't smoke weed, acting as a way to revisit—but not live in—the darkness, and why food, tacos, and pancakes can sometimes reach people better than lectures. All that and much more on this week's Dopey Greatest Hits!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.