Podcasts about Yiddish

To celebrate 50 years of David as his fanboy, Phil and David -- the Private Eyes of podcasting and frequent "Lunch" Maneaters -- are totally X-Static to use their Voices to serve up a new mix of  David's early musical hero and longtime friend Daryl Hall for a long distance Zoom "Naked Lunch." Hear as Daryl Hall discuss his remarkable career in music and his acclaimed show "Live From Daryl's House," uses a surprising amount of Yiddish, shares his thoughts about being a part of "We Are The World" and "Sun City," answers a great guest question from Jimmy Jam, and has a classic response when Phil and David ask for his advice on how to keep their own duo act together. What's better than One On One? How about One On Two? For more on Daryl, go to https://darylhall.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Don't be afraid to Stand out" - Zevy Weber | Shmueli Cast #76 | Yiddish

It's the end of summer, and Yonit and Jonathan are taking a break from the news with a nugget of pure Jewish joy. Andy Nyman — the West End actor, writer, director and magician currently starring as Max Bialystock in The Producers, and previously as an acclaimed Tevye in Fiddler on the Roof — joins the show for an Unholy Conversation. Why does Mel Brooks' nearly-60-year-old joke about Hitler still land? What makes Max Bialystock - who could have been Tevye's grandson - so beloved, even in his desperation? And is the Broadway musical, as a form, secretly a Jewish one? Andy answers the question by giving a rare performance of a musical classic — rendered in Yiddish. You won't want to miss it. In this episode: The Genius of Mel Brooks: How The Producers transforms satire into an act of healing and an uncompromising "fuck you" to history. From Tevye to Bialystock: Exploring the thread connecting the working-class milkman of Anatevka to the scheming, desperate, yet deeply human Broadway hustler. Art in Times of Darkness: A rare behind-the-scenes look at performing comedic Jewish art—and deciding to keep a daring scene in the show—in the wake of global tragedy. Exclusive Live Performances: Andy delivers three bespoke, stripped-back performances directly in the studio: "We Can Do It" (The Producers) "If I Were a Rich Man" (Fiddler on the Roof) A haunting, tender Yiddish translation of "Hushabye Mountain" (originally by the Sherman Brothers).   00:06 Introduction to Unholy Conversations 00:09 Introduction to Andy Nyman 01:57 The Enduring Appeal of The Producers 05:50 Mel Brooks and Jewish Healing through Humor 08:29 Defiance in Comedy: Pulling Down Pants 09:59 Exploring Max Bialystok's Character 17:30 Max Bialystok and Tevye: A Generational Connection 18:23 The Complexity of Tevye 22:58 The Essence of Fiddler on the Roof 30:44 The Current Jewish Climate 35:40 The Jewish Influence in Musical Theatre 42:32 A Yiddish Lullaby: Bridging Cultures 44:24 The Importance of Representation 44:25 Personal Connections and Impact  

Send us Fan MailWe trace how Hebrew goes from a “museum language” to a living vernacular by treating language as a coordination good with huge network effects and real transaction costs. We follow Eliezer Ben-Yehuda's strategy for lowering those costs, then watch the Technion language fight prove Hebrew can carry science, not just prayer. • Hebrew's revival as a rare case of full language reboot at scale • Jewish linguistic diversity and why German, French, Russian, Polish, and Yiddish create coordination barriers • Spoken language as a network effect and why “no one wants to go first” • Inframarginality and Ben-Yehuda providing a public good as a private mission • Hebrew as a neutral focal point that no faction fully “owns” • Building missing vocabulary through roots, grammar, and standardization bodies • Bootstrapping with a native-speaking child as proof of concept • Newspapers as distribution channels that reduce divergence in word choice • Backlash from religious authorities and the real enforcement costs of change • The 1913 Technikum decision and the Technion language war over German vs Hebrew • A listener extension connecting Rawls, insurance, and the veil of ignorance • Book recommendation on American founding ideals and proclaiming libertyIf you have questions or comments, or want to suggest a future topic, email the show at taitc.email@gmail.com !You can follow Mike Munger on Twitter at @mungowitz 

  Huckleberry pretenders, As. If., a vacuum named Beth, Toto tutorials, Today in Yiddish, marvelous cheese, kindly asking vs. asking kindly, mountain munch fraud, a disappointing northern neighbor, revenge quizzing, oyskematert, mountain munch, subpar TP, lead vs led, the ubiquity of Salley Carson, blaming vegans, Real Housewives Ultimate Girls Trip, an historic row, a disco UFO, Banana Ball takes over the world, solar eclipse, curious declassification, Today in College Facebook Parenting, and local drama. 

"48 of those fricken' things." Zaslow IS going to the concert tomorrow as a special guest, Jeremy learns a new Yiddish word, Amin explains the embarrassment of the first time he met Michael Schur, the crew takes out Fantasy Football punishments, Dave questions a city's color scheme, Roy dishes Miami Vice facts, and Chris describes disco balls. Today's cast: Zaslow, Your ol' pal Dave Dameshek, Roy, Chris, Jeremy, and Mike. Learn more about your ad choices. Visit podcastchoices.com/adchoices

David French and Sarah Isgur steelman Justice John Paul Stevens and Justice Stephen Breyers's dissents in the Heller case through a one-act play produced by ChatGPT. The two also invite Chris Scalia to play the majority opinion writer (and his late father) Justice Antonin Scalia.  The Agenda: –One act, three justices –What AI got right and wrong –Justice Breyer, fully vindicated –Shul is Yiddish and Friends of the Earth is SCOTUS precedent Show Notes: –Originalism and Stare Decisis Order Sarah's book here. Advisory Opinions is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including access to all of our articles, members-only newsletters, and bonus podcast episodes—click here. If you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member by clicking here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO's own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century? Join YIVO for a conversation about the Yiddish world today. Led by YIVO's Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO's Director of Education Ben Kaplan. This panel discussion originally took place on June 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO's own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century? Join YIVO for a conversation about the Yiddish world today. Led by YIVO's Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO's Director of Education Ben Kaplan. This panel discussion originally took place on June 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO's own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century? Join YIVO for a conversation about the Yiddish world today. Led by YIVO's Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO's Director of Education Ben Kaplan. This panel discussion originally took place on June 1, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Benjamin Netanyahu has said no to Donald Trump's 15-point Gaza plan, and the refusal is flat rather than fudged. In the West Bank, extremist settlers have besieged two Palestinian families in the village of Qusra, apparently hoping to take their homes. The IDF went in but came away with mission very much unaccomplished. With Yonit away, Jonathan is joined by Hadley Freeman, columnist for London's Sunday Times and author of the acclaimed memoir, House of Glass, for what is an Unholy first: two voices from the Jewish diaspora and no Israeli in the room. They talk through the week's news and reflect on what three years since October 7 has done to Jewish life outside Israel, why Israel-Palestine has become the litmus test of the American left and whether anybody speaks for the diaspora.   Plus: a Chutzpah nominee that reached a Belfast stage via Sweden, and a Mensch that arrives from Australia by way of Yiddish.   The Bashevis Singers - https://www.youtube.com/watch?v=G531cgjplcM

Highlights: Prof. Ruth Wisse discusses her life and work, the subject of her memoir Free as a Jew: A Personal Memoir of National Self-Liberation (Post Hill Press/Wicked Son, 2021). In the discussion, Wisse talks about some of her personal encounters with and memories of Leonard Cohen, Itzik Manger and Isaac Bashevis Singer, and she reads excerpts from her book (in English) touching on early encounters with Avrom Sutzkever and Max Weinreich. Wisse was Peretz Professor of Yiddish Literature and Professor of Comparative Literature at Harvard from 1993 to 2014. She is currently Distinguished Senior Fellow at Tikvah, where she holds lectures and gives courses frequently, which you can find at Tikvah.org’s course website here: https://ideas.tikvah.org/courses From our archive: presentation by our late cohost Iosif Lakhman regarding the infamous date 12 August 1952, known in Yiddish cultural circles as the Night of the Murdered Poets, originally aired in 2008. Music Emil Gorovets: Ikh Bin a Yid (Itzik Feffer) In Vinter Farnakhtn (Dovid Hofshteyn) Di Muze (Peretz Markish) An Alter Nign (Leib Kvitko) Instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: August 12, 2026

Twenty-five years ago, my father — a Breslever chassid — was niftar in his sleep at fifty-five. The night he died, going through his things, I found an envelope from his travel agency marked Tzedakah LaTzadik, with a hundred dollars inside. A few days later my brother found a letter folded into his Likutey Moharan, dated a month before his petirah, written in Yiddish and addressed to Rebbe Nachman himself: when I fall on hard times, I pick myself up and come to you, and I am misvadeh to you… This shiur is about what my father knew.We're in Likutey Moharan, Torah 4, at the heart of the Torah: vidui devarim lifnei talmid chacham — spoken admission before the tzaddik. The Rebbe teaches that every aveirah rearranges the letters of Hashem's own dibbur and engraves them on our very bones — and denial buries them under layer after layer of ego. Vidui, spoken out loud before the tzaddik who has made himself ayin — nothing, "leftover" — lifts the words off the bones, breaks the bad tziruf, and rebuilds the original letters, until kol atzmosai tomarna — your very bones can praise Him.Three gifts stand a person at the crossroads and save him from everything: re'iyas pnei hatzadik, tzedakah latzadik, vidui devarim. Even from death — because a Jew connected to the tzaddik never stops; the mission continues. And the deepest answer to the question we all carry — when am I going to find my purpose? — turns out to be the same answer my father left in that envelope.We should all be zocheh to stand this Rosh Hashanah in Yerushalayim Ir HaKodesh with the heilige Rebbe, Moshiach Tzidkeinu, bimheira b'yameinu — amen.Hashtags:#RebbeNachman #Breslov #LikuteyMoharan #Torah4 #Vidui #Teshuvah #Tzaddik #Chassidus #Emunah #Uman #RoshHashanah #TorahShiur #Yahrtzeit #NeverGiveUp

Drawing from some four hundred Yiddish-language interviews conducted by the Archives of Historical and Ethnographic Yiddish Memories project, Jeffrey Veidlinger will explore how elderly Yiddish speakers in Ukraine described their memories of Jewish life in the Soviet shtetl, their stories of survival during the Holocaust, and their experiences living as Jews under Communism. This exploration will help us understand how despite Stalinist repressions, the Holocaust, and official antisemitism, these interviews infused with memories of family life, religious observance, education, and work testify to the survival of Jewish life, even within the shadow of the shtetl. This lecture originally took place on July 1, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drawing from some four hundred Yiddish-language interviews conducted by the Archives of Historical and Ethnographic Yiddish Memories project, Jeffrey Veidlinger will explore how elderly Yiddish speakers in Ukraine described their memories of Jewish life in the Soviet shtetl, their stories of survival during the Holocaust, and their experiences living as Jews under Communism. This exploration will help us understand how despite Stalinist repressions, the Holocaust, and official antisemitism, these interviews infused with memories of family life, religious observance, education, and work testify to the survival of Jewish life, even within the shadow of the shtetl. This lecture originally took place on July 1, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

This exciting story is a translation and adaptation of an old Chassidic parable, first told by Rebbe Levi Yitzchak of Berditchev some 250 years ago. Last year, the Melitzer Rebbe shlit'a retold in the original Yiddish at his Shabbat table. Hidden within the parable are the secrets of the shofar, Elul, and Rosh Hashanah.

Drawing from some four hundred Yiddish-language interviews conducted by the Archives of Historical and Ethnographic Yiddish Memories project, Jeffrey Veidlinger will explore how elderly Yiddish speakers in Ukraine described their memories of Jewish life in the Soviet shtetl, their stories of survival during the Holocaust, and their experiences living as Jews under Communism. This exploration will help us understand how despite Stalinist repressions, the Holocaust, and official antisemitism, these interviews infused with memories of family life, religious observance, education, and work testify to the survival of Jewish life, even within the shadow of the shtetl. This lecture originally took place on July 1, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Joel Dinerstein has spent much of his career exploring the origins of American cool—through books, teaching, a Smithsonian exhibition, and years spinning jazz on New Orleans radio. In The Last of the Ellis Island Jews: A Brooklyn Memoir (SUNY Press, August 1, 2026), he turns that same incisive eye toward the world that shaped him: the working-class, Yiddish-speaking, streetwise Jewish culture of Flatbush—and the loud, loving, broken family at its center. All this and more on News Radio KKOBSee omnystudio.com/listener for privacy information.

In this episode: dumb pants, modern society, a spot on state report, AI, Amanda and West scandal, NY and London on Bravo, naughty twins, mahjong, iced coffee ASMR in cute pajamas, AI has ruined the em dash, regulate vs. relegate, Today in Yiddish, get well Ian, Love Trapped, a former Bachelor, committed to the lie, Love Island, real time, do we need this many DJs?, nose-holding, a stan stan, the return of pop!, waiting for the OGs, Ryan meet ups, Marmot Only Fans, the World Cup, ranch dressing, free refills, the funnest soccer player ever; whiskey raccoons, This Week in College Facebook Parenting, black diamonds, Chasing Rabbits, smoked goose chowder, The Best Quiz Show Ever, Odyssey inspired trivia, olive trees, Laura Gandrud, and Lake Superior drama.

Video link to this episode: https://youtu.be/mW6PTwWUVAUMelissa Weisz grew up in Hasidic, Yiddish-speaking Boro Park and left the fold well before the OTD phenomenon became famous. I believe she left the fold before me, and I'm of the old timers now! I have been waiting for the opportunity to share her story with my viewers. Here, we finally get Melissa's story live. Please come if you would like to see this live and ask questions. It will also be available for view later.Follow Melissa on her socials!https://www.instagram.com/melissaweisz/https://melissamalkyweisz.com/Here is the full, unedited livestream: https://youtube.com/live/j16Dlc5iRGoHere's a trailer to this interview: https://youtube.com/shorts/oiWlef1AHVk?feature=shareBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. We have two Jangles this week from our movie maven. In the first, we learn about just how Jewish the classic rock band Rush is, and how it was played up at its Madison Square Garden concerts this week. In the second, we learn about Spider-Man's Jewish roots -- and the Member of the Tribe who is third billing in the new blockbuster. The main feature this week is 1979's "The Frisco Kid," an extremely Jewish take on the Wild West starring Gene Wilder and Harrison Ford. We learn how both actors are Jewish according to Jewish law, but only Wilder claimed Judaism as part of his identity. For legions of American Jews, "The Frisco Kid" held pride of place in their VHS libraries. From all-Yiddish scenes to a deadly fight for a Torah scroll, the film was an outlier in mainstream Hollywood. So how did it get made at all? Hoffman fills us in on some of the backstory surrounding the making of the movie, as well as who was originally meant to play the goyische cowboy instead of Ford. Let’s hear who gave this film an “oy,” “meh” or the prized “not bad” this week on The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Returning guest and comedian Eli Leibowicz joins Harry and Daniel to discuss Bob Fosse's Lenny (1974), starring Dustin Hoffman as the groundbreaking—and deeply controversial—comedian Lenny Bruce. Together, they explore why Bruce remains one of the most influential figures in stand-up comedy, even decades after his death.The conversation dives into Bruce's Jewish identity, the role of Yiddish in shaping his voice, and how Jewish humor became a vehicle for challenging authority and exposing hypocrisy. Along the way, Harry, Daniel, and Eli compare Bruce's legacy to modern comedians, debate the changing boundaries of free speech, and ask whether comedy is at its best when it entertains an audience—or unsettles one. They also discuss Dustin Hoffman's acclaimed performance, Bob Fosse's striking filmmaking, and why Lenny remains a fascinating portrait of an artist who refused to stop asking uncomfortable questions.“Lenny” on ImDB - https://m.imdb.com/title/tt0071746/“Lenny” Trailer - https://www.youtube.com/watch?v=TqvNOq8kGB8Eli's LinksFollow Eli Leibowicz on InstagramEli's WebsiteConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions. Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow. Buy the book: here This book talk originally took place on December 2, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions. Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow. Buy the book: here This book talk originally took place on December 2, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

On an absolutely gorgeous Sunday afternoon in New York City, Gold Team unites in full! Ian, Chris, Murd and Shane gathered in Union Square Park after a long day of fellowship to discuss their trip to the Center for Jewish History to check out The Jack Kirby Way: How a Boy From the Lower East Side Became the King of Comics, an exhibit displaying a variety of Kirby's works that runs until November 30th, 2026. They also took a look at Psychedelicatessen: A Powerful Dose of Art by Steve Marcus while there, which had some incredibly amazing puns, Yiddish comic strips based off the Fabulous Furry Freak Brothers, and mighty trippy artwork. Then, a trip to Forbidden Planet NYC, The Strand, some non-spoilery thoughts on Marvel's latest record-breaking movie, Spider-Man: Brand New Day. a bit of SDCC news, and more!You can support future releases of Comic Timing and get in on the occasional early releases of the show at http://www.patreon.com/ComicTiming. Video versions of most episodes are at http://youtube.com/@comictimingpodcast, along with Raph's new shorts series, Raph's Comic Catch-Up, so go ahead and subscribe if you haven't already done so.You can also follow Comic Timing on Bluesky at https://bsky.app/profile/comictiming.bsky.social, on Facebook at https://www.facebook.com/ComicTiming/, and on Instagram at http://instagram.com/comictimingpodcast. And please, if you can, please leave us a review on Apple Podcasts; it helps attract new listeners! Finally, you can join in on the conversation at our Comic Timing Fans group on Facebook, which is a great place to hang out and talk comics.Follow Ian on Bluesky, and on Instagram at http://instagram.com/i_am_scifi. Brent posts regularly to YouTube on his channel, BK's Bullets and can be found on Bluesky; Raph is on Twitch at RaphDoesStuff, Instagram, and Bluesky.Thanks for listening, we'll catch you next time, and as always, there's always time for comics!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions. Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow. Buy the book: here This book talk originally took place on December 2, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

durée : 00:32:02 - Talmudiques - par : Marc-Alain Ouaknin - A l'occasion des 10 ans des éditions de l'Antilope, Marc-Alain Ouaknin reçoit ses fondateurs : Anne-Sophie Dreyfus et Gilles Rozier. - équipe : Alexandra Malka Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Tashlich is the Rosh Hashanah custom of tossing bread or other small objects into moving water, to throw away our "sins" or our negativity. But today we're going to learn about something different — reverse tashlich, in which we remove our sins from the water. We'll explore the picture book biography, Diving Deep on Rosh Hashanah: Reverse Tashlich for a Better World by Rachelle Burk, which profiles Rabbi Ed Rosenthal and his Jewish scuba-diving ocean cleanup project, Tikkun HaYam, or Repair the Sea. To celebrate the new year, this episode's Share Your Shelf bonus segment is available to everyone, free and paid subscribers alike! You'll hear it at the end of the episode, so just keep listening. Shana tova! NEWS My "Jewish Joy" series continues on Multicultural Kid Blogs. Here's my interview with past Book of Life guest Adam Gidwitz. READ HERE Interesting article from the Jewish Telegraphic Agency: "Feeling excluded in the literary world, Jews are launching their own publishing houses" READ HERE The Jewish Comics Library of Seattle collects works on Jewish themes and by Jewish comics artists. The collection is available to the public at a regularly scheduled pop-up library on the 2nd and 4th Fridays of the month at the Couth Buzzard Bookstore from 11AM-3PM. You can also subscribe to their Substack newsletter, Graven, HERE. CALLS TO ACTION Public libraries are invited to apply for the 2026-2027 cohort of Between Two Worlds, a national program from the Yiddish Book Center that explores Jewish culture and identity through Yiddish literature in translation. Deadline to apply: August 14, 2026. APPLY HERE The Jewish Book Garden's kidlit discussion series, "How Does Our Garden Grow?" will meet on Sunday, August 16 at 1:30PM ET for a Zoom discussion of the picture book Shabbat Is... by A.J. Sass. REGISTER HERE EPISODE SHOW NOTES Episode TRANSCRIPT Buy Diving Deep on Rosh Hashanah Rachelle Burk's website Rabbi Ed's Repair the Sea website The Undersea World of Jacques Cousteau trailer and playlist Tikkun Olam: Sign up for Reverse Tashlich and avoid single-use plastic Sample Share Your Shelf bonus segment — free for all subscribers this month! This is what the bonus segments always look like, take a peek. SHARE YOUR SHELF SHOW NOTES From Rabbi Ed's Shelf: Why the Moon Only Glows by Dina Rosenfeld Hairy McClary from Donaldson's Dairy by Lynley Dodd (see Sam Neill read-aloud video) The Korban Mincha From Rachelle's Shelf: People of the Book by Geraldine Brooks (hear 2008 Book of Life interview) Toby Belfer Never Had a Christmas Tree by Gloria Teles Pushker And today, one from Heidi's Shelf: The Dispossessed by Ursula Le Guin (not Jewish, but you'll hear why when you listen to the segment)  

From pillar to post, take a trip inside the mind of Maller as Benny bounces from one random thought to the next. This episode covers everything from rip currents and mutts to why avocados aren't actually a fruit—and the surprising connection to an Irishman. Plus, a Fifth Hour exclusive featuring Maller Medical Madness, as Ben shares the bizarre story of how he became a human GoPro, powered by what felt like battery acid. Along the way, he dives into Taco Bell's legendary Seven-Layer Burrito, Yiddish proverbs, instant replay, Bob Barker, and how, like a Twilight Zone episode, MLB announcers predicted the future 30 years ago. It's babble, banter, and bull—the way only the Fifth Hour can deliver. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO's prewar holdings along with thousands of rabbinic works from Vilna's Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz. In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library's founders and builders have left behind. View the bibliography for this talk: here This lecture originally took place on February 19, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO's prewar holdings along with thousands of rabbinic works from Vilna's Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz. In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library's founders and builders have left behind. View the bibliography for this talk: here This lecture originally took place on February 19, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

A Martin Short documentary introduced me to a new word — tummler — and I haven't stopped thinking about it since.It's a Yiddish word commonly used during the Catskills-era for the person whose actual job was turning a hotel of strangers into a temporary community.Not the performer on stage. The one actually out working the room — at breakfast, the pool, the lobby — making sure nobody's left standing alone.This week I'm making the case that a huge number of the women in our lives are doing this work constantly, for free, and calling it “being nice” instead of what it is: a real, underrated skill.We get into what it looks like, whether it's dying out or just migrating into group chats, and why you should text the tummler in your life and tell her you appreciate her.Also this week: a quick check-in on my July whimsy movie project. Darby O'Gill and the Little People is a glorious practical-effects mess (Sean Connery's Irish accent, less glorious). And A Fish Called Wanda — my first time watching, four decades late — reminded me that Jamie Lee Curtis is stunning, and her wardrobe, whew, I'm still envious of those dresses today. Well, maybe not the bright florals. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.radiantbadass.com

In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO's prewar holdings along with thousands of rabbinic works from Vilna's Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz. In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library's founders and builders have left behind. View the bibliography for this talk: here This lecture originally took place on February 19, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes! We can fight City Hall! | Chazky Rosenberg - Yoel Rosenfeld | Shmueli Cast #75 | Yiddish

Yiddish Book Center fellows Noah Bromberg, Joshua (Yoshke) Horowitz, and Tyler Kliem visited with The Shmooze to talk about their fellowship work. In conversation we spoke about the range of their work and their many contributions in the areas of bibliography, exhibitions, and language learning, as well as their work with the Center's Yiddish type collection and printing press. Episode 412 July 30, 2026 Amherst, MA

"We Were Made For These Times" It's been 40 years since the Grammy-Award winning band the Klezmatics formed in the East Villag. In the same way the Pogues fused Irish folk with punk rock, the New York klezmer outfit have grafted centuries-old Yiddish music with iterations of contemporary music including jazz, gospel, punk, classical, Latin, and Balkan styles. With nearly twenty albums under their musical belts, including Rhythm and Jews, Jews With Horns, Letters to Afar and their wonderful new one, We Were Made For These Times, the Klezmatics remain one of the most spellbindingly singular bands on the planet. Over the course of their career they've collaborated with Arlo Guthrie, Allen Ginsberg and Itzhak Perlman, played shows in over twenty different countries, performed on PBS' Great Performances, recorded a live CD at New York City's Town Hall and snared a Critics Award as well as a New York Jewish Music Award. Their music has appeared everywhere from Sex and the City to Late Night With David Letterman and their new album continues to add to their winning legacy. A stirring, inspiring and soulful offering that, in the band's words is, "rooted in protest, hope, and resilience, We Were Made For These Times pairs Black gospel, Latin American, and avant-jazz voices with Yiddish folk and the results are joyful, life-affirming and brimming with optimism. The L.A. born vocalist, accordionist, pianist, guitarist Lorin Sklamberg is a lovely guy and this is a great chat. www.klezmatics.com (http://www.klezmatics.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagzine.com

Earlier this week I brought back the audio of one of my favorite conversations from the vault. Today, the full video version is here.If you missed the audio episode, here's the short version: in 2018, Mariana Ramirez became the first female Mexican percussionist to ever perform on a Broadway show, subbing Once On This Island. A year later she held the percussion chair on that show's national tour. Then came sub work on Head Over Heels (drumset book) and Ain't Too Proud, plus Off-Broadway runs of Merrily We Roll Along and Fiddler on the Roof in Yiddish.Today she holds the percussion chair at the hit Broadway show SIX.But watch this interview and you'll see the chair is just one piece of a much bigger career.Mariana began her studies at the National Conservatory of Music in Mexico City, where she won the percussion position at the Carlos Chávez Youth Orchestra, then earned her Bachelor of Music at the Mason Gross School of the Arts at Rutgers, picking up the Percussive Arts Society Thomas Siwe Scholarship along the way.She founded Percussion Quartet Excelsis — the first multinational all-female percussion quartet in the U.S. — which Jonathan Haas, head of the NYU Percussion Department, called one of the most innovative and exciting ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Zeltsman Marimba Festival, Tippet Rise in Montana, and the Newport Classical Music Festival, and in 2024 the group received Chamber Music America's highest grant.Her recording credits include Platinum Girls and Song of Solomon on Broadway Records, and a concerto for bandoneon and violin with the Orpheus Chamber Orchestra. She has performed with the National Symphony of Mexico, the first all-women orchestra of Mexico, and premiered new works at Alice Tully Hall. She's appeared on The Late Show with Stephen Colbert and in Mozart in the Jungle. She won the FONCA grant for Mexican artists twice in a row, touring an original percussion-and-dance project across five Mexican cities. She teaches. She's endorsed by Sabian, Pearl, and Innovative Percussion.Traditional Mexican music. Symphony halls. Chamber ensembles. Television. Education. And eight shows a week on Broadway.Nobody builds a career like that by waiting for the phone to ring. Watch the conversation and you'll understand exactly how she did it — starting with a Santana concert in Mexico City when she was 11 years old, watching three percussionists light up a stadium and deciding, right there, what her life was going to be.Watch the full interview above.The audio version is available now on Apple Podcasts and Spotify if you'd rather listen on the go.And coming up next on the podcast: Spencer Inch. Stay tuned — that one's going to be worth the wait.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

When Jews plunged into the world of politics en masse at the beginning of the 20th century, a variety of new options were available to them. Two of the leading figures who proffered novel, but opposing political avenues to the Jewish masses were Dr. Chaim Zhitlowsky and Leon Trotsky. Zhitlowsky, a founder of the Russian Socialist Revolutionary party, offered a synthesis of socialism and Yiddish nationalism. Trotsky, a leading Russian Social Democrat, formulated a strict version of internationalism that left no room for Jewish national aspirations. Many Jews, however, did not view their political choices in such stark terms. Instead, they saw both men as leaders and thinkers who pointed the way to Jewish national liberation and working-class revolution, a Jewish homeland, as well as a flourishing life in the diaspora. In this lecture, Tony Michels will explore the political ideas of Trotsky and Zhitlowsky, and how Jews engaged with them during the first half of the 20th century. This program is the first in a series of programs held in conjunction with YIVO's current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world's most comprehensive body of material pertaining to Jewish political activity in Europe and the United States. This lecture originally took place on April 28, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today on Too Opinionated, we're joined by actress and artist Malky Goldman to discuss her starring role as Sarah Leah in The Wedding Entertainer, directed by Gidi Dar, which celebrated its world premiere at the 2026 Tribeca Festival. Originally from Jerusalem and now based in New York City, Malky has built an impressive career across film, television, and theater. Her newest role in The Wedding Entertainer marks another exciting milestone as she continues to bring emotionally rich and deeply authentic characters to the screen. Audiences also know Malky from the acclaimed Netflix limited series Unorthodox, the Blumhouse horror film The Vigil, and HBO's High Maintenance. On stage, she has delivered memorable performances in productions including Strangers, Hedda Gabler, the Yiddish production of Rhinoceros, and the critically acclaimed God of Vengeance. In this episode we discuss:

When Jews plunged into the world of politics en masse at the beginning of the 20th century, a variety of new options were available to them. Two of the leading figures who proffered novel, but opposing political avenues to the Jewish masses were Dr. Chaim Zhitlowsky and Leon Trotsky. Zhitlowsky, a founder of the Russian Socialist Revolutionary party, offered a synthesis of socialism and Yiddish nationalism. Trotsky, a leading Russian Social Democrat, formulated a strict version of internationalism that left no room for Jewish national aspirations. Many Jews, however, did not view their political choices in such stark terms. Instead, they saw both men as leaders and thinkers who pointed the way to Jewish national liberation and working-class revolution, a Jewish homeland, as well as a flourishing life in the diaspora. In this lecture, Tony Michels will explore the political ideas of Trotsky and Zhitlowsky, and how Jews engaged with them during the first half of the 20th century. This program is the first in a series of programs held in conjunction with YIVO's current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world's most comprehensive body of material pertaining to Jewish political activity in Europe and the United States. This lecture originally took place on April 28, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

When Jews plunged into the world of politics en masse at the beginning of the 20th century, a variety of new options were available to them. Two of the leading figures who proffered novel, but opposing political avenues to the Jewish masses were Dr. Chaim Zhitlowsky and Leon Trotsky. Zhitlowsky, a founder of the Russian Socialist Revolutionary party, offered a synthesis of socialism and Yiddish nationalism. Trotsky, a leading Russian Social Democrat, formulated a strict version of internationalism that left no room for Jewish national aspirations. Many Jews, however, did not view their political choices in such stark terms. Instead, they saw both men as leaders and thinkers who pointed the way to Jewish national liberation and working-class revolution, a Jewish homeland, as well as a flourishing life in the diaspora. In this lecture, Tony Michels will explore the political ideas of Trotsky and Zhitlowsky, and how Jews engaged with them during the first half of the 20th century. This program is the first in a series of programs held in conjunction with YIVO's current digitization of the Jewish Labor and Political Archives (JLPA). Consisting of nearly 200 collections encompassing 3.5 million pages of archival documents that were collected by the Bund Archives, the JLPA forms the world's most comprehensive body of material pertaining to Jewish political activity in Europe and the United States. This lecture originally took place on April 28, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

jD convenes the expert panel to dissect "700 Ft Ceiling," the song that lands like a baseball bat to the face right in the middle of Trouble at the Henhouse.The conversation starts warm — everyone's summertime Hip pick, from "Membership" to "Morning Moon" to "Summer's Killing Us" — before turning to the puzzle at the centre of the track: what exactly is a 700-foot ceiling? (Aviation term. Lowest layer of broken or overcast cloud sitting 700 feet above ground.)The panel unpacks Gord's habit of collecting phrases for their sound rather than their meaning, the wintery outdoor-rink imagery, and the Lou Reed-flat melody that barely distinguishes verse from chorus.Things get spicy on placement. Tracy calls it filler and skips it. Mikk and Jamie agree the song detonates a gorgeous opening run — "Gift Shop," "Springtime in Vienna," "Ahead by a Century," "Don't Wake Daddy," "Flamenco" — and kicks off what Jamie dubs the album's weird second half alongside "Butts Wigglin'" and "Coconut Cream." The Kids in the Hall theory gets floated. So does the grunge theory. Everyone concedes it hit much harder live than it ever did on record.Then the episode's real gift: Mick and Jamie tell the story of renting the Bathhouse for a weekend — sleeping in the studio, playing pool while spinning We Are the Same on vinyl, Billy Ray wandering in at 10pm with stories, engineer Niles behind the board, Gord's training bike still parked where he left it. Once-in-a-lifetime stuff, told well.Next week's shuffle: "Gus: The Polar Bear from Central Park" from In Between Evolution.Key Quotes"It's like an alarm clock goes off." — Mik, on where the song lands on the album"It is like a baseball bat in the face." — jD"Think about how many shows they played after 2004 that they did not play this song. That's why it ranks low. Guys, I'm telling it like it is." — Jamie"I think this is kind of Gord's secret talent — he listens better than everybody." — Mik"He says '700-foot ceiling' like four times, but the second or third time it's '700 and sinking,' which is just cool." — Jamie"It kind of felt very lived in. There was nothing you couldn't touch, nothing you couldn't sit on." — Mik, on the Bathhouse"I'll get emotional if I talk about it." — Jamie, on being shown the band's jam space"Well, I know what we forgot to do this week. We forgot to listen to the goddamn song." — jDTale of the Tape — Trouble at the HenhouseReleased May 7, 1996 — the band's first simultaneous Canada/USA releaseWinner, 1997 Juno Award for Album of the YearRecord 5 of 13Self-produced with Mark Vreeken — the only time the band worked without an outside producerRecorded at the Bathhouse"700 Ft Ceiling" live stats (via The Hip Base and setlist.fm)Played live 130 times — 3 times as an opener, 7 times as an encoreFirst played October 21, 1995Last played November 27, 2004 (retired; not performed on the final tour)Ranked #76 in the Tragically Hip Top 169 countdown — did not crack the Top 40This week's poll: 47% / 47% split, with 6% "tolerating" it.Songs & Albums MentionedTragically Hip songs700 Ft Ceiling · Membership · Morning Moon · Coffee Girl · The Depression Suite · Summer's Killing Us · You're Not the Ocean · Ahead by a Century · Gift Shop · Springtime in Vienna · Don't Wake Daddy · Flamenco · Butts Wigglin' · Apartment Song · Coconut Cream · Let's Stay Engaged · Sherpa · Put It Off · New Orleans Is Sinking · Little Bones · Titanic Terrarium · Emergency · FireworksTragically Hip albumsTrouble at the Henhouse · Day for Night · Fully Completely · Road Apples · Phantom Power · We Are the Same · In Between Evolution · Live Between UsOther referencesKids in the Hall: Brain Candy — source of "Butts Wigglin'"Rick Beato's interview with Billy Joel — the "vowel movements" idea Joel credits to Keith RichardsGrunge-era touchstones: Pearl Jam, Soundgarden, CreedLou Reed — Tracy's comparison for Gord's vocal delivery on this trackIt's a Good Life If You Don't Weaken — the stage adaptation, seen in Hamilton, now touringTom Green's interview with Paul Langlois, filmed in the Bathhouse jam spacePeople MentionedGord Downie · Paul LangloisBilly Ray — Bathhouse caretaker and keeper of the storiesNiles Spencer — Bathhouse engineerMark Vreeken — co-producer, Trouble at the HenhousePatrick Downey — filming Billy Ray for the documentaryGreg — JD's co-host on the earlier podcast seriesLinks & PlugsKingston weekend events — Friday mixer at a pub · live record listening party August 21 at 4:30 at a pub · Sunday brunch at Morrison's. Email jd@tthpods.com to get on the list.Mik Perlus — Ragged Islands — Mick's EP, recorded over three days at the Bathhouse. Includes a cover of "It's a Good Life If You Don't Weaken." Available on Spotify, Apple Music, YouTube, and other streaming services. Named for East Ragged Islands, Nova Scotia.Jamie — Fiddler on the Roof in Yiddish — with English and Russian supertitles. Recently ran at the Elgin Theatre in Toronto (roughly 17,000 attendees during Jamie's run). Coming to the Ahmanson Theatre in Los Angeles, February 13 – March 14, 2027.The Hip Handbook — JD's new AI-built discography and stats tool, debuting on this episode for the Tale of the Tape.The Hip Museum / Museum After Dark — referenced for the grunge angle and album background.Next Week"Gus: The Polar Bear from Central Park" from In Between Evolution.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Can Falk turn over a new leaf? Are there any genres of story he hasn't explored that would be worth trying? Why are alligators flat? Listen to find out!Not Funny, episode 154 of This Gun in My Hand, was stripped of all humor by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. What keeps everyone around me from laughing? This Gun in My Hand!Show Notes:1. My mom told me the jokes about elephants jumping out of trees and the original Cherry Pachyderm joke probably 45 years ago.2. Columbia Pictures released 28 Blondie films between 1938 and 1950, based on the newspaper comic strip.https://en.wikipedia.org/wiki/Blondie_(film_series)3. According to etymonline dot com, the word “glitch” is thought to have been in circulation among radio broadcasters since the early 1940s, derived from the Yiddish glitsh, “a slip;” or German glitschen, “to slide or slip,” or gleiten, “to glide.”4. You can find several copies of The Lester Dent Master Fiction Plot (or The Lester Dent Formula) online. First published in Writer's Digest Yearbook 1936. https://bruces.medium.com/the-lester-dent-master-plot-formula-by-lester-dent-6779fd822695Credits:Music in this episode came from these public domain films:The Sun Sets at Dawn (1950), and Too Late for Tears (1949, aka Killer Bait). Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Other music during the commercial comes from the film Screaming Mimi (1958), which is available on archive.org. Some blogs claim it's public domain.The image accompanying this episode is a modified detail of the public domain photo “Detail of storefronts, south facade, east side - Indiana Hotel, 5116 Hohman Avenue, Hammond, Lake County, IN.” Photographer and date unknown.https://commons.wikimedia.org/wiki/File:Detail_of_storefronts,_south_facade,_east_side_-_Indiana_Hotel,_5116_Hohman_Avenue,_Hammond,_Lake_County,_IN_HABS_IND,45-HAMM,2-17.tifImage Alt text: Black and white photo at an angle of first floor store fronts. The letters above windows and awnings show where neon signs have been removed, but the painted backgrounds still read, “PASTEY JEWELRY” and “HAMMOND LOAN CO.” Inside the windows of Pastey Jewelry are closed curtains, no merchandise displayed. The streets are empty. Along the right edge of the photo are notes by the photographer: HABS No. IN-233-17.

This week on ShmueliCast, we had the honor of sitting down with legendary actor Aaron Mintz, one of the true pioneers and veterans of the Jewish entertainment world. Together, we take a trip down memory lane, from his early HASC and Miami experiences to the Yiddish plays and performances that had the Jewish entertainment world talking at the height of their popularity.Along the way, we discuss the difference between acting and performing, what really goes on behind the scenes, how much of it is actually real, and how the world of Jewish entertainment has evolved over the years. We also go back to Aaron's childhood, growing up in Williamsburg in the 1960s, where he shares unforgettable memories of the Satmar Rebbe and what life was like during those years.Whether you grew up watching Aaron's performances or you're discovering his remarkable story for the first time, this episode is filled with nostalgia, laughter, behind-the-scenes stories, and a fascinating look back at an era that left its mark on the Jewish world.ShmueliCast hotline: 718-970-8884.SUBSCRIBE FOR MORE!

Link to video version of this interview: https://youtu.be/7CBHWJwmAJIMany people know Pessy from her popular Yiddish comedy videos, where she lovingly and hilariously captures the world of Hasidic women. She was one of the first creators to bring that world to social media through a female lens, and her sharp observations and humor have earned her a devoted following.But behind the comedy is a remarkable personal story.Pessy grew up in a Hasidic family in Monsey and spent much of her childhood carrying responsibilities that no child should have to carry. As the oldest sister, she watched her family struggle through the challenges surrounding her younger sister and felt an overwhelming need to hold everything together. She learned early on that being "good" and "perfect" seemed to be the safest way to survive difficult circumstances.In our conversation, Pessy speaks with extraordinary honesty about family, faith, rejection, and the pressure she felt to meet everyone's expectations. She shares how religion became a source of comfort, how she entered marriage determined to be the perfect wife, and how she concealed her own struggles because she didn't want to burden the people she loved.What makes Pessy's story so powerful is not simply what happened to her, but the way she reflects on it. She brings insight, humor, and compassion to experiences that could easily have left her bitter. Her story touches on themes that are deeply personal and yet almost universal: the desire to be accepted, the weight of responsibility, the loneliness of feeling misunderstood, and the long journey toward self-acceptance.Pessy's story is, in many ways, everyone's story. I hope you'll watch this conversation with kindness and an open heart.You can find Pessy on Instagram:https://www.instagram.com/pessyunstressing/You might also enjoy some of my other interviews with women from the Yiddish-speaking Hasidic community:Melissa Weiszhttps://youtube.com/live/j16Dlc5iRGoFradel Neumanhttps://youtu.be/HoTzWaF7dU8Sara Braunhttps://youtu.be/1E54wVSn-wMGita Katzhttps://youtu.be/2saQ0LEwZXQAs always, my interviews are also available in audio-only form wherever you get your podcasts.And thank you especially to my channel members for helping make these conversations possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

Ben Maller is back behind the mighty microphones of the Fifth Hour Podcast, broadcasting from beneath the Palace of Pontification in the legendary Audio Dungeon! After a brief radio sabbatical, Benny pulls back the curtain on where he's been and why a few so-called loyal listeners were exposed as nothing more than counterfeit P1s. Then, a random text about old laundry sent Maller down a rabbit hole and into a full-blown radio geek frenzy, celebrating the larger-than-life legacy of Wolfman Jack and the magic of the golden age of radio. Plus, by popular demand, the Word of the Week returns, featuring one of Ben's all-time favorite Yiddish gems that's gone from the old neighborhood to the mainstream. It's nostalgia, snark, radio war stories, and the usual controlled chaos—just the way you like it. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

Film Festival Tickets: https://buytickets.at/thedopeyfoundation/2216905 PAtreon: www.patreon.com/dopeypodcast This Week on Dopey Greatest Hits! My dad is back and we catch up on all things dopey and life including Alan's deeply specific breakfast routine. Dave also reads listener emails and comments about grief, recovery, Motley Crue, Safe Spot, Steve Poltz, Dopey socks, and whether celebrities actually bring the Dopey. Then the episode replays Dave's interview with the legendary Danny Trejo. Danny talks about growing up in Pacoima, smoking weed at eight, using heroin at twelve, idolizing his Uncle Gilbert, surviving violence, robberies, prison, Soledad, heroin withdrawal in the hole, and finally finding recovery through 12-step programs and a higher power. He also talks about his kids, helping addicts get treatment instead of prison, staying clean for decades, why he can't smoke weed, acting as a way to revisit—but not live in—the darkness, and why food, tacos, and pancakes can sometimes reach people better than lectures. All that and much more on this week's Dopey Greatest Hits!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.