Podcasts about Yiddish

Link to video version of this interview: https://youtu.be/7CBHWJwmAJIMany people know Pessy from her popular Yiddish comedy videos, where she lovingly and hilariously captures the world of Hasidic women. She was one of the first creators to bring that world to social media through a female lens, and her sharp observations and humor have earned her a devoted following.But behind the comedy is a remarkable personal story.Pessy grew up in a Hasidic family in Monsey and spent much of her childhood carrying responsibilities that no child should have to carry. As the oldest sister, she watched her family struggle through the challenges surrounding her younger sister and felt an overwhelming need to hold everything together. She learned early on that being "good" and "perfect" seemed to be the safest way to survive difficult circumstances.In our conversation, Pessy speaks with extraordinary honesty about family, faith, rejection, and the pressure she felt to meet everyone's expectations. She shares how religion became a source of comfort, how she entered marriage determined to be the perfect wife, and how she concealed her own struggles because she didn't want to burden the people she loved.What makes Pessy's story so powerful is not simply what happened to her, but the way she reflects on it. She brings insight, humor, and compassion to experiences that could easily have left her bitter. Her story touches on themes that are deeply personal and yet almost universal: the desire to be accepted, the weight of responsibility, the loneliness of feeling misunderstood, and the long journey toward self-acceptance.Pessy's story is, in many ways, everyone's story. I hope you'll watch this conversation with kindness and an open heart.You can find Pessy on Instagram:https://www.instagram.com/pessyunstressing/You might also enjoy some of my other interviews with women from the Yiddish-speaking Hasidic community:Melissa Weiszhttps://youtube.com/live/j16Dlc5iRGoFradel Neumanhttps://youtu.be/HoTzWaF7dU8Sara Braunhttps://youtu.be/1E54wVSn-wMGita Katzhttps://youtu.be/2saQ0LEwZXQAs always, my interviews are also available in audio-only form wherever you get your podcasts.And thank you especially to my channel members for helping make these conversations possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-frieda-vizel-podcast--5824414/support.

What if one simple word had the power to change the way we see ourselves and each other? What better way to launch a podcast about claiming your voice than with a conversation about using it to celebrate someone else's? In this inaugural episode of Claim Your Voice, I sit down with my dear friend, award-winning athlete, sports psychologist, author, and nonprofit founder Barbara Edelston Peterson to explore the powerful concept behind her newest book, Kvell: A Word You Should Know. Barbara is a pioneer in mountain biking, a multiple-time world champion XTERRA athlete, grandmother, speaker, and lifelong advocate for helping people live with purpose, resilience, and joy. But perhaps her greatest legacy is introducing the world to the Yiddish word kvell, a word that means to beam with pride, joy, and delight in someone else's accomplishments. Barbara believes it's far more than a word...it's a movement. As the audiobook narrator of Kvell, I watched this message transform not only listeners but my own life. Since recording the book, I've found myself intentionally encouraging strangers, celebrating friends more openly, and even remembering to kvell over myself. The response has been incredible, proving that a few heartfelt words can create connection in a world experiencing an epidemic of loneliness. Together, we explore why encouragement is one of the greatest gifts we can give, how shifting from judgment to celebration changes our relationships, and why using your voice to uplift someone else may be one of the most powerful ways to claim your own. If you've ever wondered how a single compliment, a moment of recognition, or a simple "well done" can change someone's day or even their life, this episode is for you. In this episode, we explore: What "kvell" really means and why the world needs this word now more than ever • How encouragement creates confidence, connection, and community • Why celebrating others doesn't diminish your own success, it expands it • Practical ways to make kvelling a daily habit • The connection between claiming your voice and using it to uplift others • How Kvell has grown from a book into a worldwide movement through Kvell Dinners, Kvell Circles, and community gatherings Connect with Barbara Edelston Peterson: Website: https://barbaraedelstonpeterson.com/kvell/ Instagram: https://www.instagram.com/livekvell/ https://www.instagram.com/bedelpete/ LinkedIn: Barbara Edelston Peterson Get Kvell: A word you should know in paperback, eBook, or audiobook beautifully narrated by Justine Reiss and discover how one simple word can transform the way you encourage yourself and everyone around you. Connect with Justine: Website: https://empoweredvoicecoach.com Instagram: @justinereiss Email: justine@empoweredvoicecoach.com If you're ready to find your authentic voice, speak with confidence, tell your story, or explore voiceover, I'd love to work with you through my Claim Your Voice workshops, coaching programs, and speaking events. I hope you enjoy this heartfelt conversation as much as we enjoyed sharing it with you. If this episode inspired you, please subscribe, leave a review, and most importantly...go kvell over someone today. Claim Your Voice. Visualize it. Vocalize it. Monetize it. 00:00 Welcome to Claim Your Voice 00:45 Meet Barbara Edelston Peterson 02:45 The Journey to Liv Kvell 06:24 What Does "Kvell" Mean? 08:02 Why This Word Became a Movement 11:00 Making Kvelling a Daily Habit 12:30 Claiming Your Voice Through Encouragement 14:00 Use Your Voice to Lift Others 15:52 Judgment vs. Celebration 17:53 A Simple Compliment Can Change Someone's Day 19:40 The Liv Kvell Journal, Dinners & Circles 20:37 Start Your Own Kvell Movement 22:45 Final Thoughts & How to Connect 23:50 Closing   Hashtags #VoiceoverCoaching #VOCoaching #VoiceActingTips #VoiceoverLessons #HowToBecomeAVoiceActor #VoiceActingForBeginners #VoiceCoach #SpeakingSkills #FindYourVoice #ClaimYourVoice #SpeakWithConfidence #PublicSpeakingTips #OvercomeStageFright #ConfidenceBuilding #EmpowerYourVoice #MindsetForCreators #VOTraining #VODemoReel #VOMarketing #VOHomeStudio #VoiceWarmups #VocalHealth #ArticulationExercises #JustineReiss #ClaimYourVoiceWithJustineReiss #HowToMakeMyVoiceSoundBetter 

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Video link to this episode: https://youtu.be/ixZOxV5BuCIEddy Portnoy is back by popular demand, after our wonderful discussion on the history of Yiddish language. Eddy is the exhibit curator at YIVO Institute for Jewish Research and does amazing Yiddish/Jewish curations.Today's subject is juicy but educational, eye-opening, and enlightening.We are diving into the shocking and largely forgotten story of the National Desertion Bureau, a real organization founded in New York in 1911 to track down runaway Jewish husbands who abandoned their wives and children during the great wave of Jewish immigration from Eastern Europe to North America.For more on this below.Here are some links:-My previous interview with Eddy: https://youtu.be/tq8y3KkAWTk?si=-KdfW3UJBkiMdrh_-The Yivo Exhibit: https://www.yivo.org/National-Desertion-Bureau-

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Tenenberg, Miron www.deutschlandfunkkultur.de, Aus der jüdischen Welt

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There is an academic interest in the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous professor from Vienna. Join YIVO for a discussion with Seidman about this newly published book, led by scholar Ken Frieden. Buy the book: here This book talk originally took place on June 6, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

LANCE HARDWICK MYSTERIES: HER KISSES WERE STEAMY BUT... OH, THOSE CTHULHU BOOBS! PART 1  Story Synopsis: Lance Hardwick (Yiddisher Detective) and Dick Reardon (trusty Side-Kick - Literally) and their receptionist, Gay Schlafen (which means "Go to Sleep" in Yiddish) are asked by the mysterious G-Man (and confused human being) Agent Ace Stompers to investigate the death of a young man, Billy Blender (the son of a rich Military Defense Contractor)! Little do they know that a woman of exceptional beauty and irresistible charms is the culprit, and that she is the first wave in an assault on Humanity from Cthulhu and the Dark Gods! (This Radio Serial is sponsored by The Megillah Soap Company and Ver Clempt Cigarettes. How else can you keep your fingertips clean after smoking?!)  Written, directed and produced by Viktor Aurelius and Jeff Niles Sound Design by Viktor Aurelius  Featured in the cast were: David Schütz II as Billy Laura Nicole as Betty Jeff Niles as Lance Hardwick Viktor Aurelius as Dick Reardon Rachel Rumler as Gay Schlafen Jonithan Patrick Russell as Agent Ace Stompers  

Ben Maller is back behind the mighty microphones of the Fifth Hour Podcast, broadcasting from beneath the Palace of Pontification in the legendary Audio Dungeon! After a brief radio sabbatical, Benny pulls back the curtain on where he's been and why a few so-called loyal listeners were exposed as nothing more than counterfeit P1s. Then, a random text about old laundry sent Maller down a rabbit hole and into a full-blown radio geek frenzy, celebrating the larger-than-life legacy of Wolfman Jack and the magic of the golden age of radio. Plus, by popular demand, the Word of the Week returns, featuring one of Ben's all-time favorite Yiddish gems that's gone from the old neighborhood to the mainstream. It's nostalgia, snark, radio war stories, and the usual controlled chaos—just the way you like it. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

Max Weinreich spent the entirety of his adult life building YIVO and the field of Yiddish Studies. A 'convert' to the cause of Yiddishism in his adolescence, he pursued a doctorate in German philology in Weimar Germany with the explicit goal of returning to Eastern Europe to contribute to the project of building a modern, secular Yiddish culture. His study visits to Yale University and Vienna in the early 1930s proved transformational in broadening and revising his understanding of the role of the social sciences in Jewish life as a tool for strengthening Jews' psychological and material resources. The destruction of the traditional Yiddish heartland in Eastern Europe and his experiences leading YIVO in post-WWII New York City added yet another dimension to Weinreich's conception of the importance of both Yiddish and Jewish Studies for the future of American and world Jewry. Would Max Weinreich recognize Yiddish studies today? Moderated by Kalman Weiser and featuring Naomi Seidman, Kenneth Moss, and Jeffrey Shandler, this panel will examine Weinreich's evolving understanding of the meaning of Yidishe visnshaft (Yiddish studies) and the role of Yiddish in Jewish life throughout his career. This panel discussion originally took place on June 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Max Weinreich spent the entirety of his adult life building YIVO and the field of Yiddish Studies. A 'convert' to the cause of Yiddishism in his adolescence, he pursued a doctorate in German philology in Weimar Germany with the explicit goal of returning to Eastern Europe to contribute to the project of building a modern, secular Yiddish culture. His study visits to Yale University and Vienna in the early 1930s proved transformational in broadening and revising his understanding of the role of the social sciences in Jewish life as a tool for strengthening Jews' psychological and material resources. The destruction of the traditional Yiddish heartland in Eastern Europe and his experiences leading YIVO in post-WWII New York City added yet another dimension to Weinreich's conception of the importance of both Yiddish and Jewish Studies for the future of American and world Jewry. Would Max Weinreich recognize Yiddish studies today? Moderated by Kalman Weiser and featuring Naomi Seidman, Kenneth Moss, and Jeffrey Shandler, this panel will examine Weinreich's evolving understanding of the meaning of Yidishe visnshaft (Yiddish studies) and the role of Yiddish in Jewish life throughout his career. This panel discussion originally took place on June 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Max Weinreich spent the entirety of his adult life building YIVO and the field of Yiddish Studies. A 'convert' to the cause of Yiddishism in his adolescence, he pursued a doctorate in German philology in Weimar Germany with the explicit goal of returning to Eastern Europe to contribute to the project of building a modern, secular Yiddish culture. His study visits to Yale University and Vienna in the early 1930s proved transformational in broadening and revising his understanding of the role of the social sciences in Jewish life as a tool for strengthening Jews' psychological and material resources. The destruction of the traditional Yiddish heartland in Eastern Europe and his experiences leading YIVO in post-WWII New York City added yet another dimension to Weinreich's conception of the importance of both Yiddish and Jewish Studies for the future of American and world Jewry. Would Max Weinreich recognize Yiddish studies today? Moderated by Kalman Weiser and featuring Naomi Seidman, Kenneth Moss, and Jeffrey Shandler, this panel will examine Weinreich's evolving understanding of the meaning of Yidishe visnshaft (Yiddish studies) and the role of Yiddish in Jewish life throughout his career. This panel discussion originally took place on June 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Max Weinreich spent the entirety of his adult life building YIVO and the field of Yiddish Studies. A 'convert' to the cause of Yiddishism in his adolescence, he pursued a doctorate in German philology in Weimar Germany with the explicit goal of returning to Eastern Europe to contribute to the project of building a modern, secular Yiddish culture. His study visits to Yale University and Vienna in the early 1930s proved transformational in broadening and revising his understanding of the role of the social sciences in Jewish life as a tool for strengthening Jews' psychological and material resources. The destruction of the traditional Yiddish heartland in Eastern Europe and his experiences leading YIVO in post-WWII New York City added yet another dimension to Weinreich's conception of the importance of both Yiddish and Jewish Studies for the future of American and world Jewry. Would Max Weinreich recognize Yiddish studies today? Moderated by Kalman Weiser and featuring Naomi Seidman, Kenneth Moss, and Jeffrey Shandler, this panel will examine Weinreich's evolving understanding of the meaning of Yidishe visnshaft (Yiddish studies) and the role of Yiddish in Jewish life throughout his career. This panel discussion originally took place on June 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

התוכן אבות פ"ו מ"ח: "הנוי והכח והעושר וכו' נאה לצדיקים ונאה לעולם . . אלו שבע מדות . . כולם נתקיימו ברבי ובניו". וצ"ל: 1) הרי "מאי דהוה הוה"! 2) איך יכול כל א' ללמוד מזה ש"נתקיימו ברבי ובניו" ש"מי ידמה לו"?! אלא זהו הדיוק שנק' כאן לא "רבי יהודה הנשיא" או "רבינו הקדוש" אלא "רבי ובניו", שמזה מובן שכל א' שהולך באורחותיו אשר הורנו והוא "רבי" שלו, הרי הוא מ"בניו" ("בניך אלו התלמידים") ויכול להתקיים בו שבע מדות אלו! וההוראה לכל א' מזה ש"כולם נתקיימו ברבי ובניו": בנוגע להפצת התורה והיהדות צריך כל א' הראוי להוראה – ובפרט עפ"י הוראת נשיא דורנו להפיץ התורה והיהדות גם לאלו שלא מבינים לה"ק ואידיש, ואפי' לקטנים שבקטנים – להיות "רבי" ולעסוק בהפצת היהדות! ואז מובטח שכל השבע מדות אלו ש"נאה לצדיקים ונאה לעולם" יתקיימו בו כ"רבי" (מי שבדרגא זו) או כ"בניו" (מי שבדרגא זו).ב' חלקים משיחת מוצאי ש"פ נצבים ה'תשל"ח ל"הנחה פרטית" או התרגום ללה"ק של השיחה: https://thedailysicha.com/?date=03-07-2026 Synopsis The Mishna states in Pirkei Avos states (6:8): “Beauty, strength, wealth, honor, wisdom, sageness, old age and children are becoming to the righteous and becoming to the world…These seven qualities enumerated by the Sages for the righteous were all fulfilled in Rebbi and his sons.” But seemingly, (1) “What happened, happened”; how is it relevant that these qualities were fulfilled in Rebbi and his sons? Moreover, (2) What is the lesson for an ordinary person from the fact that “they were fulfilled in Rebbi and his sons,” when an ordinary person cannot compare to Rebbi and his sons? The explanation lies in the Mishna's choice of title here – “in Rebbi and his sons” (rather than “in Rabbi Yehudah HaNasi and his sons” or “in Rabbeinu HaKadosh and his sons”) – which teaches us that anyone whose “Rebbi” is a Rabbeinu Hakadosh (by virtue of following in his ways) is included among “his sons” (“‘Your sons' – this refers to students”), and therefore these seven qualities can be fulfilled in him as well. Additionally: anyone who is fit to teach others must be a “Rebbi” and involve himself in spreading Torah and Yiddishkeit (especially in light of the directive of the Nasi of our generation to spread Torah and Yiddishkeit even to those who do not understand Hebrew or Yiddish etc.). Then one is assured that all seven qualities, which are “becoming for the righteous and becoming for the world,” will be fulfilled in him, whether as a “Rebbi” or as “his sons,” depending on one's level.2 excerpts from sichah of Motzaei Shabbos parashas Nitzavim 5738 For a transcript in English of the Sicha: https://thedailysicha.com/?date=03-07-2026 לזכות צבי אבא בן חנה שי' לרמן ליום הולדת שלו י"ט תמוז – לשנת ברכה והצלחה ואריכות ימים ושנים טובות נדבת משפחתו שי'

How will you preserve your family history? Maybe through journaling or family movies? What about grabbing an audio recorder? Today, we’ll hear all about oral history projects in Connecticut that are recording stories for posterity. Later on, we’ll also hear how the Yiddish language and its dialects are being preserved. Guests: Katie Heidsiek: Director of Exhibitions for the Connecticut Museum of Culture and History Jamil Ragland: writer for the New Haven Independent, Hartford community member and Hartford bureau chief for "Midbrow" Elizabeth George: Doctoral student at the University of Connecticut and an instructor for “My Story, Our Future.” Christa Whitney: Director of the Yiddish Book Center's Wexler Oral History Project This episode originally aired March 10, 2026.Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Arguably the most popular book in the history of Yiddish literature, the Tsenerene (alternative Romanization: Ze'enah U-Re'enah) has been reprinted, both in Yiddish and in translation, 273 times since its appearance in the early seventeenth century. Arranged according to the weekly Torah portion, the book employs fragments of biblical verses in Hebrew to open sections of Yiddish text that may include direct translations, midrashic stories, commentaries, and – less often – interpretations original to the author, Yankev ben Yitskhok Ashkenazi of Janów. In this talk about the Tsenerene, Dr. Avi Blitz will show how the work's anthological style accommodates curious combinations of commentary and folklore and he will discuss what the book teaches us about the folk beliefs of early modern Ashkenazi society. Using different editions of the work, he will talk about textual variances and diverse paratextual elements that hint at the various ways the book was read throughout its 400-year history. Finally, he will discuss the idea of the book as a “women's Bible.” This lecture originally took place on July 18, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arguably the most popular book in the history of Yiddish literature, the Tsenerene (alternative Romanization: Ze'enah U-Re'enah) has been reprinted, both in Yiddish and in translation, 273 times since its appearance in the early seventeenth century. Arranged according to the weekly Torah portion, the book employs fragments of biblical verses in Hebrew to open sections of Yiddish text that may include direct translations, midrashic stories, commentaries, and – less often – interpretations original to the author, Yankev ben Yitskhok Ashkenazi of Janów. In this talk about the Tsenerene, Dr. Avi Blitz will show how the work's anthological style accommodates curious combinations of commentary and folklore and he will discuss what the book teaches us about the folk beliefs of early modern Ashkenazi society. Using different editions of the work, he will talk about textual variances and diverse paratextual elements that hint at the various ways the book was read throughout its 400-year history. Finally, he will discuss the idea of the book as a “women's Bible.” This lecture originally took place on July 18, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Welcome back to the 288th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 288th episode we bring you a Duet Review of Fiddler on the Roof in Yiddish, directed by Joel Grey, presented in Toronto by the Harold Green Jewish Theatre Company, starring Steven Skybell as Tevye alongside a heavy-hitting Canadian ensemble. Join Mackenzie Horner and returning guest Lori Ossip, as they revisit Anatevka to discuss not-quite-dead-yet languages, the texture of authenticity, and the reclamation of tradition. Fiddler on the Roof in Yiddish played at the Elgin Theatre (189 Yonge St., Toronto, ON) until June 7th, 2026. Tickets can be purchased from the following link: https://hgjewishtheatre.com/2025-2026-Fiddler-on-the-Roof.html This review contains many SPOILERS for Fiddler on the Roof in Yiddish. It will begin with a general non-spoiler review until the [26:44] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Instagram: @girllikestheatre // Blog: https://girllikestheatre.com/ // Her other article on Yiddish Fiddler: https://www.ottawalife.com/article/in-this-production-of-fiddler-on-the-roof-tevye-speaks-in-yiddish-but-the-warning-is-universal/ Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

Film Festival Tickets: https://buytickets.at/thedopeyfoundation/2216905 PAtreon: www.patreon.com/dopeypodcast This Week on Dopey Greatest Hits! My dad is back and we catch up on all things dopey and life including Alan's deeply specific breakfast routine. Dave also reads listener emails and comments about grief, recovery, Motley Crue, Safe Spot, Steve Poltz, Dopey socks, and whether celebrities actually bring the Dopey. Then the episode replays Dave's interview with the legendary Danny Trejo. Danny talks about growing up in Pacoima, smoking weed at eight, using heroin at twelve, idolizing his Uncle Gilbert, surviving violence, robberies, prison, Soledad, heroin withdrawal in the hole, and finally finding recovery through 12-step programs and a higher power. He also talks about his kids, helping addicts get treatment instead of prison, staying clean for decades, why he can't smoke weed, acting as a way to revisit—but not live in—the darkness, and why food, tacos, and pancakes can sometimes reach people better than lectures. All that and much more on this week's Dopey Greatest Hits!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1897 when the Forverts was founded, the need for a Jewish newspaper—a Yiddish newspaper that is—was self-evident: millions of Yiddish speaking Jewish immigrants needed a reliable daily source of news in their own language. In the first few decades of the 20th century the Yiddish press blossomed in New York, peaking at five different daily papers and an estimated daily readership of approximately one million in New York City alone in the early 1920s. The major form of media for immigrant Jews and their offspring, the Yiddish press provided its readers with everything from international, national, and local news, to original and translated literature, both high and low, literary and theater criticism, politics, humor, advice columns, and more. Yiddish newspapers taught immigrants how to vote and even how to play baseball. Today, nearly 125 years after the first issue of the Forverts, the vast majority of American Jews speak and read English and can get their news from the mainstream English language press. And yet, the Jewish press—now mostly in English—remains an important journalistic outlet for topics of particular interest to the Jewish community. From Jewish TV shows, movies, books, music, and restaurants to the happenings of Jewish institutions and communities; from the Jewish angles and stories behind the news, to in-depth focus on topics such as Israel and antisemitism; Jewish publications fill the gaps of the mainstream press for a Jewish readership hungry for today's Jewish stories. Join us for a conversation with editors of today's major American Jewish publications about the role they play in the Jewish world. Moderated by Gal Beckerman (The New York Times Book Review) this panel will feature Alana Newhouse (Tablet Magazine), Jodi Rudoren (The Forward), and Philissa Cramer (Jewish Telegraphic Agency). This panel will explore questions including: Now that American Jews have so clearly assimilated into American society what is the need for a Jewish press? What audience do the editors of these publications target? How do they serve the American Jewish community as it grows diverse and diffuse? This panel was originally held on September 13, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1897 when the Forverts was founded, the need for a Jewish newspaper—a Yiddish newspaper that is—was self-evident: millions of Yiddish speaking Jewish immigrants needed a reliable daily source of news in their own language. In the first few decades of the 20th century the Yiddish press blossomed in New York, peaking at five different daily papers and an estimated daily readership of approximately one million in New York City alone in the early 1920s. The major form of media for immigrant Jews and their offspring, the Yiddish press provided its readers with everything from international, national, and local news, to original and translated literature, both high and low, literary and theater criticism, politics, humor, advice columns, and more. Yiddish newspapers taught immigrants how to vote and even how to play baseball. Today, nearly 125 years after the first issue of the Forverts, the vast majority of American Jews speak and read English and can get their news from the mainstream English language press. And yet, the Jewish press—now mostly in English—remains an important journalistic outlet for topics of particular interest to the Jewish community. From Jewish TV shows, movies, books, music, and restaurants to the happenings of Jewish institutions and communities; from the Jewish angles and stories behind the news, to in-depth focus on topics such as Israel and antisemitism; Jewish publications fill the gaps of the mainstream press for a Jewish readership hungry for today's Jewish stories. Join us for a conversation with editors of today's major American Jewish publications about the role they play in the Jewish world. Moderated by Gal Beckerman (The New York Times Book Review) this panel will feature Alana Newhouse (Tablet Magazine), Jodi Rudoren (The Forward), and Philissa Cramer (Jewish Telegraphic Agency). This panel will explore questions including: Now that American Jews have so clearly assimilated into American society what is the need for a Jewish press? What audience do the editors of these publications target? How do they serve the American Jewish community as it grows diverse and diffuse? This panel was originally held on September 13, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In 1897 when the Forverts was founded, the need for a Jewish newspaper—a Yiddish newspaper that is—was self-evident: millions of Yiddish speaking Jewish immigrants needed a reliable daily source of news in their own language. In the first few decades of the 20th century the Yiddish press blossomed in New York, peaking at five different daily papers and an estimated daily readership of approximately one million in New York City alone in the early 1920s. The major form of media for immigrant Jews and their offspring, the Yiddish press provided its readers with everything from international, national, and local news, to original and translated literature, both high and low, literary and theater criticism, politics, humor, advice columns, and more. Yiddish newspapers taught immigrants how to vote and even how to play baseball. Today, nearly 125 years after the first issue of the Forverts, the vast majority of American Jews speak and read English and can get their news from the mainstream English language press. And yet, the Jewish press—now mostly in English—remains an important journalistic outlet for topics of particular interest to the Jewish community. From Jewish TV shows, movies, books, music, and restaurants to the happenings of Jewish institutions and communities; from the Jewish angles and stories behind the news, to in-depth focus on topics such as Israel and antisemitism; Jewish publications fill the gaps of the mainstream press for a Jewish readership hungry for today's Jewish stories. Join us for a conversation with editors of today's major American Jewish publications about the role they play in the Jewish world. Moderated by Gal Beckerman (The New York Times Book Review) this panel will feature Alana Newhouse (Tablet Magazine), Jodi Rudoren (The Forward), and Philissa Cramer (Jewish Telegraphic Agency). This panel will explore questions including: Now that American Jews have so clearly assimilated into American society what is the need for a Jewish press? What audience do the editors of these publications target? How do they serve the American Jewish community as it grows diverse and diffuse? This panel was originally held on September 13, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In 1897 when the Forverts was founded, the need for a Jewish newspaper—a Yiddish newspaper that is—was self-evident: millions of Yiddish speaking Jewish immigrants needed a reliable daily source of news in their own language. In the first few decades of the 20th century the Yiddish press blossomed in New York, peaking at five different daily papers and an estimated daily readership of approximately one million in New York City alone in the early 1920s. The major form of media for immigrant Jews and their offspring, the Yiddish press provided its readers with everything from international, national, and local news, to original and translated literature, both high and low, literary and theater criticism, politics, humor, advice columns, and more. Yiddish newspapers taught immigrants how to vote and even how to play baseball. Today, nearly 125 years after the first issue of the Forverts, the vast majority of American Jews speak and read English and can get their news from the mainstream English language press. And yet, the Jewish press—now mostly in English—remains an important journalistic outlet for topics of particular interest to the Jewish community. From Jewish TV shows, movies, books, music, and restaurants to the happenings of Jewish institutions and communities; from the Jewish angles and stories behind the news, to in-depth focus on topics such as Israel and antisemitism; Jewish publications fill the gaps of the mainstream press for a Jewish readership hungry for today's Jewish stories. Join us for a conversation with editors of today's major American Jewish publications about the role they play in the Jewish world. Moderated by Gal Beckerman (The New York Times Book Review) this panel will feature Alana Newhouse (Tablet Magazine), Jodi Rudoren (The Forward), and Philissa Cramer (Jewish Telegraphic Agency). This panel will explore questions including: Now that American Jews have so clearly assimilated into American society what is the need for a Jewish press? What audience do the editors of these publications target? How do they serve the American Jewish community as it grows diverse and diffuse? This panel was originally held on September 13, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Send us Fan MailActress and artist Malky Goldman joins The Big Scoop with Coop for an inspiring conversation about her journey through film, television, theater, and visual art.Malky discusses starring as Sarah Leah in the comedy film The Wedding Entertainer, directed by Gidi Dar, which premiered at the 25th anniversary of the Tribeca Film Festival. She shares her experience bringing this unique story to life through a blend of Hebrew, Yiddish, and English, while highlighting the importance of culture, identity, and authentic storytelling.Malky also talks about her powerful role as Sarah in Blumhouse and BoulderLight's Hasidic horror film The Vigil, appearing in Netflix's hit limited series Unorthodox, HBO's High Maintenance, and her transition from fine art into acting.From moving from Jerusalem to New York City, graduating from Hunter College with a Fine Art degree, and performing in acclaimed theater productions including Strangers, Rhinoceros, Hedda Gabler, and God of Vengeance, Malky Goldman opens up about creativity, representation, following your passion, and redefining what it means to be a multi-talented artist.Don't miss this powerful conversation with Malky Goldman on The Big Scoop with Coop!

This season reminded me why I started this show in the first place: no one has motherhood or womanhood figured out. We're all learning from one another in real time. And we learned from some of the greatest in the game! If you've just discovered Mom Curious, fear not - this isn't goodbye. Our library is full of hundreds of conversations about motherhood, identity, ambition, creativity, grief, reinvention, relationships, and more. Find an episode that speaks to where you are right now. So What's Next? While the podcast takes a brief pause between seasons, I'd love to invite you into my next creative chapter: Klezmerette. Klezmerette is a Yiddish music album produced by Grammy Award-winning singer songwriter  Joanie Leeds and is accompanied by a short documentary film directed by BriGuel and produced by Hoff Studios. You can also follow along on Instagram @daniellarabbani. Thank you for being part of this community. See you soon for Season 7! Love, Daniella Learn more about your ad choices. Visit megaphone.fm/adchoices

Bukovina, when it has existed on official maps, has always fit uneasily among its neighbors. The region is now divided between Romania and Ukraine but has long been a testing ground for successive regimes, including the Habsburg Empire, independent and later Nazi-allied Romania, and the Soviet Union, as each sought to reshape the region in its own image. In this beautifully written and wide-ranging book Bukovina: The Life and Death of an East European Borderland (Princeton UP, 2025), Cristina Florea traces the history of Bukovina, showing how this borderland, the onetime buffer between Christendom and Islam, found itself at the forefront of modern state-building and governance projects that eventually extended throughout the rest of Europe. Encounters that play out in borderlands have proved crucial to the development of modern state ambitions and governance practices.Drawing on a wide range of archives and published sources in Russian, Ukrainian, German, Romanian, French, and Yiddish, Florea integrates stories of ethnic and linguistic groups—rural Ukrainians, Romanians, and Germans, and urban German-speaking Jews and Poles—who lived side by side in Bukovina, all of them navigating constant reconfiguration and reinvention. Challenging traditional chronologies in European history, she shows that different transformations in the region occurred at different tempos, creating a historical palimpsest and a sense among locals that they had lived many lives.A two-hundred-year history of a region shaped by the conflicting pulls of imperial legacies and national ambitions, Bukovina reveals the paradoxes of modern history found in a microcosm of Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bukovina, when it has existed on official maps, has always fit uneasily among its neighbors. The region is now divided between Romania and Ukraine but has long been a testing ground for successive regimes, including the Habsburg Empire, independent and later Nazi-allied Romania, and the Soviet Union, as each sought to reshape the region in its own image. In this beautifully written and wide-ranging book Bukovina: The Life and Death of an East European Borderland (Princeton UP, 2025), Cristina Florea traces the history of Bukovina, showing how this borderland, the onetime buffer between Christendom and Islam, found itself at the forefront of modern state-building and governance projects that eventually extended throughout the rest of Europe. Encounters that play out in borderlands have proved crucial to the development of modern state ambitions and governance practices.Drawing on a wide range of archives and published sources in Russian, Ukrainian, German, Romanian, French, and Yiddish, Florea integrates stories of ethnic and linguistic groups—rural Ukrainians, Romanians, and Germans, and urban German-speaking Jews and Poles—who lived side by side in Bukovina, all of them navigating constant reconfiguration and reinvention. Challenging traditional chronologies in European history, she shows that different transformations in the region occurred at different tempos, creating a historical palimpsest and a sense among locals that they had lived many lives.A two-hundred-year history of a region shaped by the conflicting pulls of imperial legacies and national ambitions, Bukovina reveals the paradoxes of modern history found in a microcosm of Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Bukovina, when it has existed on official maps, has always fit uneasily among its neighbors. The region is now divided between Romania and Ukraine but has long been a testing ground for successive regimes, including the Habsburg Empire, independent and later Nazi-allied Romania, and the Soviet Union, as each sought to reshape the region in its own image. In this beautifully written and wide-ranging book Bukovina: The Life and Death of an East European Borderland (Princeton UP, 2025), Cristina Florea traces the history of Bukovina, showing how this borderland, the onetime buffer between Christendom and Islam, found itself at the forefront of modern state-building and governance projects that eventually extended throughout the rest of Europe. Encounters that play out in borderlands have proved crucial to the development of modern state ambitions and governance practices.Drawing on a wide range of archives and published sources in Russian, Ukrainian, German, Romanian, French, and Yiddish, Florea integrates stories of ethnic and linguistic groups—rural Ukrainians, Romanians, and Germans, and urban German-speaking Jews and Poles—who lived side by side in Bukovina, all of them navigating constant reconfiguration and reinvention. Challenging traditional chronologies in European history, she shows that different transformations in the region occurred at different tempos, creating a historical palimpsest and a sense among locals that they had lived many lives.A two-hundred-year history of a region shaped by the conflicting pulls of imperial legacies and national ambitions, Bukovina reveals the paradoxes of modern history found in a microcosm of Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Historians began writing the history of the Holocaust in Yiddish from a distinctly Jewish perspective in the years immediately after World War II. These Yiddish historians studied the Holocaust from the perspective of its Jewish victims, rather than that of the Nazi perpetrators, examining daily life in the ghettos and camps, and stressing the importance of survivor testimonies, eyewitness accounts, and memoirs. Above all, they redefined “resistance” to include the many ways Jews struggled to remain alive under Nazi occupation. Mark Smith chronicles and contextualizes this largely overlooked yet significant set of scholars in his recently published work, The Yiddish Historians and the Struggle for a Jewish History of the Holocaust. This book talk originally took place on October 29, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Historians began writing the history of the Holocaust in Yiddish from a distinctly Jewish perspective in the years immediately after World War II. These Yiddish historians studied the Holocaust from the perspective of its Jewish victims, rather than that of the Nazi perpetrators, examining daily life in the ghettos and camps, and stressing the importance of survivor testimonies, eyewitness accounts, and memoirs. Above all, they redefined “resistance” to include the many ways Jews struggled to remain alive under Nazi occupation. Mark Smith chronicles and contextualizes this largely overlooked yet significant set of scholars in his recently published work, The Yiddish Historians and the Struggle for a Jewish History of the Holocaust. This book talk originally took place on October 29, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Chaim Grade was born in 1910 in Vilna, Poland. In his youth, Grade was a student of the Novaredok Musar Yeshiva and of Avraham Yeshaya Karelitz. He was also a founding member of the Yung-Vilne literary group, known for its leftist politics, secular Jewish thinking, and literary influence. After losing both his mother and wife during the Holocaust, he emerged as one of the most prolific and defining Yiddish voices in post-war literature. Besides publishing several volumes of poetry, he is best known for his two acclaimed novels, The Agunah and The Yeshiva. In early 2023, YIVO and the National Library of Israel (NLI) completed the digitization of the Papers of Chaim Grade and Inna Hecker Grade. The collection helps to illustrate Grade's literary development and impact on Yiddish literature, from his earliest poetic works written in Vilna and the Soviet Union to his prolific and accomplished prose work composed mainly in the United States. Join YIVO and NLI for a panel discussion of Grade's legacy with Ruth Wisse, Ofer Dynes, and Curt Leviant, led by scholar and translator Justin Cammy. This panel discussion originally took place on November 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It's time for everyone's favorite and not at all problematic film topic: Woody Allen! Whatever you might think of the man, we would be remiss as a movie podcast about New Hollywood if we didn't take the time to discuss his seminal breakthrough masterpiece, Annie Hall. Specifically, as a part of our ongoing series on all the 70s movie icons who keep dropping like flies, we wanted to talk about what is kinda inarguably THE Diane Keaton movie. We hope you find yourself capable of enjoying this episode. Topics include: Marshall McLuhan, Godard, and who is or isn't allowed to use Yiddish.

Chaim Grade was born in 1910 in Vilna, Poland. In his youth, Grade was a student of the Novaredok Musar Yeshiva and of Avraham Yeshaya Karelitz. He was also a founding member of the Yung-Vilne literary group, known for its leftist politics, secular Jewish thinking, and literary influence. After losing both his mother and wife during the Holocaust, he emerged as one of the most prolific and defining Yiddish voices in post-war literature. Besides publishing several volumes of poetry, he is best known for his two acclaimed novels, The Agunah and The Yeshiva. In early 2023, YIVO and the National Library of Israel (NLI) completed the digitization of the Papers of Chaim Grade and Inna Hecker Grade. The collection helps to illustrate Grade's literary development and impact on Yiddish literature, from his earliest poetic works written in Vilna and the Soviet Union to his prolific and accomplished prose work composed mainly in the United States. Join YIVO and NLI for a panel discussion of Grade's legacy with Ruth Wisse, Ofer Dynes, and Curt Leviant, led by scholar and translator Justin Cammy. This panel discussion originally took place on November 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Chaim Grade was born in 1910 in Vilna, Poland. In his youth, Grade was a student of the Novaredok Musar Yeshiva and of Avraham Yeshaya Karelitz. He was also a founding member of the Yung-Vilne literary group, known for its leftist politics, secular Jewish thinking, and literary influence. After losing both his mother and wife during the Holocaust, he emerged as one of the most prolific and defining Yiddish voices in post-war literature. Besides publishing several volumes of poetry, he is best known for his two acclaimed novels, The Agunah and The Yeshiva. In early 2023, YIVO and the National Library of Israel (NLI) completed the digitization of the Papers of Chaim Grade and Inna Hecker Grade. The collection helps to illustrate Grade's literary development and impact on Yiddish literature, from his earliest poetic works written in Vilna and the Soviet Union to his prolific and accomplished prose work composed mainly in the United States. Join YIVO and NLI for a panel discussion of Grade's legacy with Ruth Wisse, Ofer Dynes, and Curt Leviant, led by scholar and translator Justin Cammy. This panel discussion originally took place on November 15, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Moshe Lobel, star of "SHTTL," a haunting Yiddish-language drama about life in a Ukrainian shtetl on the eve of the Nazi invasion, joins Eric Goldman to discuss the film.

It has long been assumed that there was no Holocaust memory in the Soviet Union. Official Soviet ideology lumped the 1.5 million Soviet Jews exterminated by the Nazis into the 26 million Soviet war deaths. So, the little Holocaust memory that existed was hidden away in families and communities. Recent scholarship, however, has painted a more complicated picture. Yes, official Holocaust memory was circumscribed. And, true, many privately commemorated its memory. But, as a new collection of Soviet Holocaust fiction, translated by Sasha Senderovich and Harriet Murav, shows that there was published Holocaust literature in the Soviet Union. Especially in the Yiddish language journal, Sovetish Heymland. How did Soviet authors treat the Holocaust? How did it differ from work elsewhere? And what are some of the challenges translating these works into English? To find out more, the Eurasian Knot spoke to Sasha and Harriet about their recent collection, In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, published by Stanford University Press.Guests:Sasha Senderovich is Associate Professor of Slavic Languages & Literatures and of International Studies at the University of Washington. He is the author of How the Soviet Jew Was Made. Harriet Murav is Center for Advanced Study Professor Emerita at the University of Illinois, Urbana-Champaign. Her most recent book is As the Dust of the Earth: The Literature of Abandonment in Revolutionary Russia and Ukraine.They are the translators of In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, published by Stanford University Press. Hosted on Acast. See acast.com/privacy for more information.