Podcasts about Dome

Full show notes: bengreenfieldlife.com/505 In this solosode, you'll get the latest on microplastics, spinal disc health, and what a heart scan sees that a cholesterol panel misses. A new seven-day trial pitted five plastic-avoidance strategies against each other, and the results tell you exactly where to spend your effort if you can't overhaul everything at once. You'll hear which plastic sources matter most and what I now take before bed with BrocElite® (use code BEN for 25% off your first month) to help clear microplastics from tissue. Then I get personal about my back. I'll walk you through my full-body MRI results, which show significant degeneration from L1 to S1, and explain why I still have almost zero back pain, from Dr. Stuart McGill's Big 3 to inversion hanging, the couch stretch, the founder stretch from Foundation Training, and my WALKOLUTION® treadmill desk ($100 off, enter your email for a unique code). You'll also learn why running was the only activity linked to healthier spinal discs in a study of more than 4,000 people, and why none of the sports people assume are hard on your back showed harm. Finally, you'll hear what a coronary CT angiography measures that your cholesterol panel cannot, why a 6,061-person study found plaque volume beats any standard risk calculator, what my own scan revealed, and the surprisingly simple thing that appears highly protective even when your plaque is already elevated. Episode Sponsors: ULTRA: ULTRA is a clean, nicotine-free, caffeine-free pouch that delivers smooth, sustained energy and focus using clinically backed nootropics and adaptogens, with no jitters, crashes, or sleep disruption. Visit takeultra.com and use code BENGREENFIELD for 15% off. Forkful: Forkful delivers chef-cooked, fresh, ready-to-eat meals made with premium ingredients like grass-fed bison and wild-caught salmon, with zero seed oils and no prep or cleanup, ready in under 3 minutes. Visit ForkfulMeals.com and use code BEN50 for 50% off your first order. Quantum Upgrade: Recent research revealed that the Quantum Upgrade was able to increase ATP production by a jaw-dropping 20 to 25% in human cells. Unlock a 15-day free trial with the code BEN15 at quantumupgrade.io. Supzential: More Than a Toothpaste: Created by biological dentist Dr. Dome, it combines highly bioavailable hydroxyapatite, a patented probiotic, xylitol, and lactoferrin to support enamel remineralization and a healthy oral microbiome, with no fluoride, SLS, or titanium dioxide. Visit Supzential.com and use code BEN20 for 20% off your order today. Active Skin Repair: Active Skin Repair uses hypochlorous acid, a molecule your body naturally produces, to support skin repair and defense without harsh chemicals, from post-workout irritation to everyday skin support. Go to ActiveSkinRepair.com and use code BEN for 20% off, or find it on Amazon and at your local CVS.See omnystudio.com/listener for privacy information.

Full show notes: https://bengreenfieldlife.com/holyhealth In this episode with Justin Roethlingshoefer, you'll hear from a former NHL performance coach turned health entrepreneur whose new book, Holy Health, is the one I chose for my father-son book club this month. This is not another eat-honey-and-drink-milk Bible health book. Justin is a genuine biohacker who works with pro athletes worldwide, and he has woven deep spiritual and physiological science into the same framework. You'll learn why the modern obsession with optimization can quietly become idolatry, how the drive to control your metrics keeps your nervous system stuck in fight-or-flight and lowers your HRV, and the five "hearts" that trap high performers in striving. You'll also get the practical side: his full morning and evening rhythms, why he starts his day at 6 p.m. rather than at sunrise, the breathwork he does midday in the grass, his exact zone two and zone five weekly targets, and how he folds three and a half hours of zone two into family walks with a weighted vest. It's a conversation about doing less frantic optimizing and more intentional stewardship, and it may reframe how you think about every biohack you own. Episode Sponsors: Tiny Health: An at-home microbiome test that uses metagenomic sequencing to analyze your full gut ecosystem and give personalized, evidence-based diet, lifestyle, and supplement recommendations. Get $50 off your first kit at TinyHealth.com/BEN. Timeline: Give your cells new life with Mitopure, which unlocks a precise dose of the rare Urolithin A molecule to promote healthy aging. Mitopure now starts at $79 when you go to timeline.com/BEN. JOYMODE: Spice things up in the bedroom and boost your sexual performance naturally, without prescription drugs. Visit tryjoymode.com/BEN or enter BEN at checkout for 20% off your first order. Supzential: More Than a Toothpaste: Created by biological dentist Dr. Dome, it combines bioavailable hydroxyapatite, a patented probiotic, xylitol, and lactoferrin to support enamel remineralization and a healthy oral microbiome, with no fluoride, SLS, or titanium dioxide. Visit Supzential.com and use code BEN20 for 20% off. BIOptimizers Magnesium Breakthrough: Seven essential forms of magnesium in one full-spectrum serving to help you relax, unwind, and sleep deeply so you wake up refreshed. Go to bioptimizers.com/ben and use code ben15 for 15% off any order.See omnystudio.com/listener for privacy information.

Tom Gozney hit rock bottom with addiction at 21 and spent nearly a year in a South African rehab facility. What saved him back home wasn't a business plan - it was a brick oven he dug into his garden, because cooking pizza for his friends was the only way he could socialise without alcohol at the centre of it. He noticed something: after a few weeks, people stopped bringing beer and started bringing toppings. That shift in behaviour became the entire thesis of the brand. Fifteen years later, Gozney is valued at over $100 million, did $8.5 million in the first four hours of its Dome launch, and forged the portable pizza oven category from scratch. In this interview, Tom breaks down why he redesigned a fully tooled product weeks before shipping after watching a Steve Jobs documentary, how a synchronised Instagram launch with 30 influencers generated 27,000 signups, and the imposter syndrome that made him underprice his own ovens for years. What you'll learn in this interview: • Why he says he's selling a shift in human behaviour, not hardware or pizza • How he got his first oven sale by leaflet-dropping a restaurant with genuinely terrible branding • The £5K loan from his mum that funded the first fibreglass mould and website • Why he scrapped a fully tooled steel design weeks before shipping - and retooled it in silicone in a month • The Richard Branson exchange that put an oven on Necker Island and fuelled the Rockbox launch • The synchronised 30-influencer Instagram drop that drove 27,000 signups before a single unit shipped • How the Dome launch did $8.5M in four hours, crashed the site, and triggered death threats over a pizza oven • Why going straight to big factories doesn't work before you've proven volume - and how middlemen killed his early margins • How he rebuilt his entire supply chain by recruiting a board and COO who'd done it in outdoor grilling • Why imposter syndrome made him underprice for years - and what finally gave him conviction to charge premium If you're building a physical product brand, wrestling with manufacturing and margins you don't yet understand, or scared to price for the value you've actually built, this conversation will fundamentally change how you think about brand, product obsession, and building something bigger than yourself. SAVE 50% ON OMNISEND FOR 3 MONTHS Get 50% off your first 3 months of email and SMS marketing with Omnisend with the code FOUNDR50. Just head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://your.omnisend.com/foundr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get started. WANT TO GROW YOUR BRAND WITH META ADS? Join the Foundr Operators Waitlist → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foundr.com/operators⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HOW WE CAN HELP YOU SCALE YOUR BUSINESS FASTER Learn directly from 7, 8 & 9-figure founders inside Foundr+ Start your $1 trial → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.foundr.com/startdollartrial⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PREFER A CUSTOM ROADMAP AND 1-ON-1 COACHING? → Starting from scratch? Apply here → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foundr.com/pages/coaching-start-application⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ → Already have a store? Apply here → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foundr.com/pages/coaching-growth-application⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CONNECT WITH NATHAN CHAN Instagram → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/nathanchan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LinkedIn → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/nathanhchan/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CONNECT WITH TOM GOZNEY Instagram → https://www.instagram.com/tomgozney/ Instagram → ⁠⁠⁠https://www.instagram.com/gozney/ Website → https://www.gozney.com/ FOLLOW FOUNDR FOR MORE BUSINESS GROWTH STRATEGIES YouTube → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/2uyvzdt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.foundr.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/foundr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/foundr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/foundr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LinkedIn → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/foundr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast → ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.foundr.com/podcast⁠

This week we talk about Duane's trip to a couple of Michigan tracks, all the racing from around the area and the news dropping of Cleetus McFarland coming to the Dome in St Louis.

On this Aug. 25, 2026 episode of The News & Observer's Under the Dome politics podcast, host and Capitol bureau chief Dawn Vaughan talks with democracy reporter Kyle Ingram and legislative and lobbying reporter Esther Frances about what early voting decisions were made by the NC Board of Elections' marathon meeting and why the ABC Commission wanted a liquor price floor. Plus our picks for Headliner of the Week. Host: Dawn Vaughan Guests: Kyle Ingram & Esther Frances Producer: Kevin Keister Want even more North Carolina politics news? Our Under the Dome newsletter dives deep into all things #ncpol and legislative happenings. It's sent to your inbox Sunday to Friday. Sign up here. Please consider supporting local journalism with a subscription to The N&O. If you're already a subscriber, thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Northrop Grumman Chair, CEO and President Kathy Warden says the firm expects to have a "decent share" of the Golden Dome, while speaking to Bloomberg Television's 'Balance of Power' Co-Anchor Kailey Leinz during the DC Newsmaker Event covering defense and policy in Washington DC. Warden also says the company committed to providing the US with more than 100 B-21 bombers and that the defense industry needs government support in the rare Earth mineral arena.See omnystudio.com/listener for privacy information.

From April 11, 2025: For today's episode, Lawfare Foreign Policy Editor Daniel Byman interviewed Tom Karako, the Director of the Missile Defense Program at CSIS, to discuss the Trump administration's missile defense proposals known as "Golden Dome." Karako explains the purpose of Golden Dome, its feasibility and cost, the likely reactions of China and Russia, and what realistic success would look like.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

Learn more about the podcast hereLearn more about Give Him Fifteen hereSupport the show

Danny Sheehan returns to That UFO Podcast for another wide-ranging conversation on the hidden structures he believes sit behind the UFO secrecy and disclosure process.In this interview, Danny makes some extraordinary and highly specific claims. He says there are at least nine recovered craft, some fully intact, discusses what he describes as an active communication process with an extraterrestrial civilisation, and alleges that technology exists capable of locating UFOs even when they are completely cloaked. He identifies this alleged system as “Golden Dome.”We also get into the increasingly complicated battle over disclosure: the legacy gatekeepers, the National Security Space Association, the role of Congress, Lue Elizondo, Chris Mellon and David Grusch, and Danny's claim that fighter pilots are being trained to track, intercept and engage UFOs.Danny also explains why he believes simply getting the President briefed will not solve the problem, why he argues that “all roads lead to Congress,” and why he believes the intelligence community can appear to disclose information while still protecting the deepest secrets.As always, these are Danny Sheehan's claims and assessments, and throughout the conversation I push for detail on exactly what he believes is happening, who is involved and how he knows.Danny had a LOT to say this time...https://newparadigminstitute.org/

HUGE News For STL!Cleetus McFarland will make his dirt late model debut this December at The Dome for the @GatewayDirt Nationals!Brought to you by Triad Bank, @getawaycarts & STL Lawn Care!It will be very interesting to see how many MORE people attend just to see Cleetus, Charlie Marlow discusses

It's time for actual stock tips. Jake and Anthony draft competing $100,000 space portfolios and lock them in for a year. Topics Off-Nominal - YouTube 253 - Dome is Your Strategy - YouTube Follow Off-Nominal Subscribe to the show! - Off-Nominal Support the show, join the Discord Off-Nominal (@offnom) / Twitter Off-Nominal (@offnom@spacey.space) - Spacey Space Follow Jake WeMartians Podcast - Follow Humanity's Journey to Mars WeMartians Podcast (@We_Martians) | Twitter Jake Robins (@JakeOnOrbit) | Twitter Jake Robins (@JakeOnOrbit@spacey.space) - Spacey Space Follow Anthony Main Engine Cut Off Main Engine Cut Off (@WeHaveMECO) | Twitter Main Engine Cut Off (@meco@spacey.space) - Spacey Space Anthony Colangelo (@acolangelo) | Twitter Anthony Colangelo (@acolangelo@jawns.club) - jawns.club

amfomania" is the greatest freestyle-rap/comedy podcast IN THE WORLD. If the beat drops while you're talking about it... You gotta rap about it. This week we dive deep into creative advertising tactics, also we freestyle! If you would like to support the show, get access to episodes early, bonus episodes, and other content weekly, sign up at https://patreon.com/DOMEwithbamfomania Follow us on Instagram: https://www.instagram.com/bamfomania/ https://www.instagram.com/bubbawhyy/ https://www.instagram.com/sultansatire/ https://www.instagram.com/corbinhbutler/ https://www.instagram.com/_hiterry/ Listen to "DOME with bamfomania" on all podcast platforms: https://podcasts.apple.com/gb/podcast/dome-with-bamfomania/id1601495349 https://open.spotify.com/show/2IMnymbj1RU5U0NVXYLH9T?si=3ffba705f3a24e8f https://soundcloud.com/bamfdome Listen to bamfomania music on Spotify: https://open.spotify.com/artist/1w5Z3rwfh4BOU78BKZgFbk?si=rQB7uhH_SKmYrzYyI_Kvkg Listen to Sultan Satire music on Spotify: https://open.spotify.com/artist/4fvxByDc6w4Q49dcl9AKYS?si=LWa1-oSnQYmVZB1_qTKzTg If you enjoy this content, please like, comment, subscribe, and share

On this Aug. 18, 2026 episode of The News & Observer's Under the Dome politics podcast, host and Capitol bureau chief Dawn Vaughan talks with higher education reporter Jane Winik Sartwell and democracy reporter Kyle Ingram. As major universities begin the fall semester, what UNC faces as enrollment grows. Plus other higher ed news, NC Gov. Josh Stein's vetoes of elections and courts bills, and our picks for Headliner of the Week. Host: Dawn Vaughan Guests:  Jane Winik Sartwell & Kyle Ingram Producer: Kevin Keister Want even more North Carolina politics news? Our Under the Dome newsletter dives deep into all things #ncpol and legislative happenings. It's sent to your inbox Sunday to Friday. Sign up here. Please consider supporting local journalism with a subscription to The N&O. If you're already a subscriber, thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

GENERAL MANAGER PANEL (CAM NEELY BRUINS, CRAIG BRESLOW SOX, CURT ONALFO REVS, DOME GUASCH LEGACY, DANIELLE MARMER FLEET)

Record high temperatures could be challenged as a heat dome sends temperatures soaring across the South. AccuWeather RealFeel® Temperatures will surge toward 115. Also, flash flooding swept homes off their foundations on the Big Island, prompting a search and rescue late Saturday. Two-day rain totals have surpassed 3 feet in some locations. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode of Going In Raw is sponsored by Cash App!  Download Cash App Today: ⁠⁠⁠https://capl.onelink.me/vFut/lapnrsz1⁠⁠⁠ #CashAppPod Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the ⁠⁠⁠Sutton prepaid card⁠⁠⁠, ⁠⁠⁠Sutton debit flex card⁠⁠⁠, and ⁠⁠⁠Bancorp debit flex card⁠⁠⁠. Cash App Green features, Savings, Direct deposit, Round ups, Overdraft coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit cash.app/legal/podcast for full disclosures.

Henry Sokolski examines the "Golden Dome," a proposed $185 billion space-based missile defense project that mirrors the Cold War-era SDI. He warns that the program's lack of transparency is "suicidal" for its funding, as Congress remains in the dark about its primary mission. Sokolski notes that while technology is closer to practicality than 40 years ago, current threats are often low-cost drones rather than intercontinental missiles. In the energy sector, he highlights Elon Musk's $10 billion "Project Crystal Sun" solar factory in Texas, which Musk frames as capturing the "fusion reactor" of the sun. Sokolski observes that even conservative states are voting with their pocketbooks for renewables as battery storage investments double. Finally, he touches on a mutual defense pact between Saudi Arabia, Turkey, and Pakistan, suggesting a "Sunni NATO" is emerging due to a lack of confidence in U.S. security guarantees. (7)

"DOME with bamfomania" is the greatest freestyle-rap/comedy podcast IN THE WORLD. If the beat drops while you're talking about it... You gotta rap about it. This week Alex assaults dave, also we freestyle! If you would like to support the show, get access to episodes early, bonus episodes, and other content weekly, sign up at https://patreon.com/DOMEwithbamfomania Follow us on Instagram: https://www.instagram.com/bamfomania/ https://www.instagram.com/bubbawhyy/ https://www.instagram.com/sultansatire/ Listen to "DOME with bamfomania" on all podcast platforms: https://podcasts.apple.com/gb/podcast/dome-with-bamfomania/id1601495349 https://open.spotify.com/show/2IMnymbj1RU5U0NVXYLH9T?si=3ffba705f3a24e8f https://soundcloud.com/bamfdome Listen to bamfomania music on Spotify: https://open.spotify.com/artist/1w5Z3rwfh4BOU78BKZgFbk?si=rQB7uhH_SKmYrzYyI_Kvkg Listen to Sultan Satire music on Spotify: https://open.spotify.com/artist/4fvxByDc6w4Q49dcl9AKYS?si=LWa1-oSnQYmVZB1_qTKzTg If you enjoy this content, please like, comment, subscribe, and share

Let's talk about Trump, production speed, and why it should end the Golden Dome....

Preserving the Dome and the Dip: Secrets to Mastering the Dandie Dinmont Standard This episode of the Dandie Dinmont Terrier Diaries is part of Pure Dog Talk's Clubhouse. The series features members of the Club Partnership Program who are working to preserve the knowledge of their legacy breeders. Host Laura Reeves is joined by the legendary Donna Francis of Elfwish Kennels. With a storied career spanning decades as an AKC-licensed professional handler, skilled groomer and breeder, Donna shares her rich history in the sport. She recounts her evolution from early days with Beagles, Siberian Huskies, and Pembroke Welsh Corgis to her deep-dive into Dandie Dinmonts. Throughout the conversation, Donna provides master-class insights on the critical mechanics of canine structure, the realities of grooming a three-textured terrier coat, and why "type-to-type" line breeding remains the most reliable path to preserving the breed's authentic hallmarks. Whether you are a newcomer looking for mentorship, an aspiring judge or a seasoned breeder, Donna's candid advice offers a rare and valuable masterclass in breed preservation. From a Sold Saddle to Siberian Huskies: Donna's Early Years The $35 Beagle: Donna shares how she sold her horse saddle at age 11 to buy her first purebred Beagle puppy, who went on to become a champion at her very first dog show.Becoming a Professional Handler: After breeding Siberian Huskies in Olmsted Falls, Ohio, Donna worked hard to earn her AKC handling license, committing to perfection and developing an expert "eye for a dog".The Birth of Elfwish: How a chance meeting with Sandy Wolfskill led to co-owning the number-one Pembroke Welsh Corgi bitch in the country and creating the "Elfwish" kennel name, inspired by a Corgi named Wishin and a small elf statue. Falling in Love with the Dandie Dinmont Meeting Elsbeth: Initially finding them "funny looking," Donna was won over by Elsbeth, a Dandie Dinmont breeder Betty-Anne Stenmark selected for them. Elsbeth went on to win the specialty that weekend and even charmed actor Orlando Bloom in first class on the flight home.Crufts Success with Kevin:Donna reflects on her "heart dog," Kevin, who won second at the Terrier Group at Crufts and became a cornerstone stud dog for their breeding program, siring national winners for years. Deep Dive into Structure, Type, and Movement The Danger of Over-Sizing: Donna warns that many modern Dandies are being bred too large, explaining that a head that is too big or a dog with incorrect proportions cannot properly enter and exit a burrow to do its historical job.The Anatomy of a Working Terrier:The Rib Cage: A long rib cage is vital to protect the dog's internal organs from badgers, paired with a slightly shorter loin.The Topline: Dandies have a highly specific, slight topline rise that is easily bred incorrectly, warning against "roached" backs or rear-high structures.Fronts and Feet: A correct front assembly requires a "wrap around" and strong, tight feet and toes so the dog can dig. Movement on the Go: Donna describes the ideal Dandie gate as a smooth, gliding reach and drive with a stable topline, cautioning against short, choppy steps that signal a flawed front assembly. The Art and Challenge of Grooming Three Coat Textures: Grooming a Dandie is notoriously difficult because of their three distinct textures (the harsh outer coat, soft medium coat, and inner coat).Stripping and Scissoring: Donna discusses the necessity of stripping dead hair weekly to prevent the dog's proportions from looking distorted, emphasizing that a bad grooming job can obscure a great dog, while expert grooming can make a poor structure look passable to untrained eyes. Hard-Hitting Advice for Breed Preservation Type-to-Type Breeding: Donna strongly advocates for breeding "type-to-type" and line breeding, choosing pairs with highly similar physical styles rather than chasing superficial "all-breed winner" studs, which often results in a "mishmash" litter.The Value of Mentorship: Her primary advice for newcomers is to find a trusted mentor, stick with them, and ignore political gossip. She urges established breeders to open their arms and support new exhibitors rather than pushing them away.Temperament is Non-Negotiable: Donna explains that showmanship is "90% of it," requiring a bold, tail-wagging dog with a stable, friendly temperament. She urges socialization through puppy classes and cautions against placing unstable temperaments in companion homes.Dandie Reproduction: Insights on the difficulty of breeding Dandies, including Donna's success with side-by-side artificial insemination (AI) on a table, the necessity of pre-whelping x-rays and ultrasounds, and managing selective C-sections. For more information on Dandie Dinmont Terriers.

This summer, relax and learn with Do You Really Know! It's time to learn all about the concepts, words and expressions that surround the summer season! What is a heat dome? The Pacific north-west is typically a mild region when it comes to weather. But in late June, Western Canada experienced record temperatures, with the province of British Columbia hit particularly hard. Temperatures are usually around 21° on the Pacific coast, but reached 49.5°C in Lytton, a village around 100 miles to the North-east of Vancouver. Cities on the other side of the border weren't spared either, with Portland and Seattle both seeing their respective record temperatures smashed. We're used to talk of heatwaves, but observers have labelled the latest situation a heat dome. What's the science behind these extreme temperatures? How dangerous is the heat dome? To what extent are heat domes due to climate change? ⁠In under 3 minutes, we answer your questions !⁠ To listen to the last episodes, you can click here : ⁠Why do we get verrucas?⁠ ⁠What is climate shadow, the newest way to measure your impact on global warming?⁠ ⁠Why do our bodies need magnesium?⁠ A podcast written and realised by Joseph Chance. First Broadcast: 18/8/2022 Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Mark Lindsted as he challenges the long-held belief that the Third Temple must stand where the Dome of the Rock sits today. With geopolitical tensions making such a scenario seem nearly impossible, Lindsted invites readers to reconsider the question on biblical and historical grounds rather than tradition. If you've ever wrestled with how a new Temple could realistically be built, Lindsted offers a perspective that is as intriguing as it is consequential.

On this Aug. 11, 2026 episode of The News & Observer's Under the Dome politics podcast, host and Capitol bureau chief Dawn Vaughan is joined by Congressional impact reporter Danielle Battaglia to talk about the future of the 11th District of the US House after Rep. Chuck Edwards dropped out of the race. Stay tuned to the end for their picks for Headliner of the Week. Host: Dawn Vaughan Guest: Danielle Battaglia Producer: Kevin Keister Want even more North Carolina politics news? Our Under the Dome newsletter dives deep into all things #ncpol and legislative happenings. It's sent to your inbox Sunday to Friday. Sign up here. Please consider supporting local journalism with a subscription to The N&O. If you're already a subscriber, thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's Midday Report with host Terry Haines:Immigration attorneys put out a warning about the Arctic Thunder air show at Joint Base Elmendorf-Richardson in Anchorage this past weekend, where there was a separate check-in line for non-citizens. Independent U.S. House Candidate Bill Hill sat down with KFSK's Taylor Heckart to talk about his policies and priorities. And an inflated sports facility in Anchorage known as The Dome recently launched a campaign to help fund the replacement of its iconic fabric shell.Photo: An average of 1,000 people use the 180,000-square-foot facility daily, according to the Dome. Photo taken outside the Dome facility Aug. 7, 2026. (James Daggett/Alaska Public Media)

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I interviewed Rose Bond about 1968 on Sunday, August 31, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for 1968: "1968 is communal VR theatre that explores the transformative power of protest through allusions to 1968 — a year charged with societal, cultural and political unrest. Animated from still photographs of both the iconic and the mundane, the piece investigates international interstices of history, human bonding and power in times of socio-cultural upheaval. Rose Bond's 360° hand-drawn animation interacts with Massimiliano Borghesi's spatialisation of inti figgis-vizueta's original recorded tracks of Seven Sides of Fire to ignite a dynamic, evocative and shared immersive experience. 1968 is a collaboration of international creatives and stands as the first movement of a longer, anticipated work. 1968 is experienced collectively under a geodesic sound dome." Here are the contextual domains that are explored: Power of people and culture [11] to change government [10], but also the modes of violence that are used against them [7]. The Transformative Power of Protest Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Story, Music - Visual storytelling language of abstract animatsion - Very tightly coupled with the patterns of music2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Spatial Audio via the Dome. There's a lot of void spaces here, and you end up seeing some hand-drawn animations that start to sketch out various scenes of political liberation from the 19683rd Center of Gravity of Air Element / Mental and Social Presence: No words, Poetic Dream Logic to evoke the memories based upon these iconic events from 1968. No explanation or discourse about anything, and so it does require the audience to be somewhat familiar with the specific cultural histories being referenced from both the United States as well as in France. This is shown as a group experience, but you don't see anyone else, and so it also feels like a solo experience that you are parallel playing with others as they watch it4th Center of Gravity of Fire Element / Active Presence: No narrative agency or any embodied Interactions Archetypal Themes and Character Explored: Revolutionary change and upheavel of the socio-political order of the 60s: "investigates international interstices of history, human bonding and power in times of socio-cultural upheaval" - Transformative power of Protest Artist Statement: "'VR, when combined with hand-drawn animation and immersive sound, can articulate complex emotional and lyrical dimensions with rare sensitivity.' Coming from a school of animation that values gesture over spoken word, I regard 3D space as a gift — an expansion from the flatness of film, a place for extended choreography. Sound has long inhabited the space between sense and sensation. This communal VR installation, ensconced in a geodesic dome mounted with fifteen acoustic speakers, seeks a shared experience — one that verges on the haptic, with exquisite spatial precision." https://www.youtube.com/watch?v=SPgr1nul4ro This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Join Mark Lindsted as he challenges the long-held belief that the Third Temple must stand where the Dome of the Rock sits today. With geopolitical tensions making such a scenario seem nearly impossible, Lindsted invites readers to reconsider the question on biblical and historical grounds rather than tradition. If you've ever wrestled with how a new Temple could realistically be built, Lindsted offers a perspective that is as intriguing as it is consequential.

Lorenzo Fiori guides listeners through the Piedmont region, focusing on Vercelli and Vigevano, areas famous for rice production but currently suffering from a severe drought. He reports that a massive "heat dome" sitting over Europe has pushed temperatures to 48°C in Naples, threatening harvests and leading to water shortages in many northern Italianvillages. Despite these challenges, Fiori highlights the historical beauty of Vercelli's cathedral and Vigevano's Renaissance architecture, including the Castello Sforzesco. He concludes with a culinary lesson on preparing Panissa, a traditional rice and red bean dish featuring fresh sausage. To accompany this meal, he recommends Gattinara, a light red wine typical of the Vercelli area. The segment emphasizes the strategic location of these towns near Milan and the importance of supporting tourism away from overcrowded hubs. (4)

Mr. Mariner, Alvin Davis joins the show to talk about how honored he is to be apart of this celebration and how proud he is of the organization, how he loved the King Dome and favorite memories as a Mariners player.See omnystudio.com/listener for privacy information.

Populations of the coppery colored Japanese Beetle are moving north, a plant in Tomahawk is closing with the loss of 76 jobs, the Hodag Dome in Rhinelander is ready to reopen Monday

Heat Dome Out West & Severe Risk Back East — a full weather deep-dive for Chicago and beyond, recorded the evening of Thursday, August 6, 2026, covering through Shabbos.We read through the entire National Weather Service Chicago forecast discussion line by line, defining every technical term along the way, then zoom out to the Midwest synoptic setup, the intense Southwest heat dome with 500mb heights in decameters, the Kansas heat outlook for the week of August 9, the Bermuda High driving conditions in Baltimore, New York and Lakewood, Jerusalem's building sharav, extreme weather around the globe, and family activities around Chicago for the weekend.CHAPTERS00:00 - Cold open00:05 - Opening & Hebrew date01:10 - Chicago Zmanim02:45 - NWS Forecast Discussion (part 1)05:22 - NWS Forecast Discussion (part 2)09:18 - Aviation Forecast & TAF terms12:03 - Midwest Synoptic Setup14:15 - Heat Dome & 500mb Heights16:26 - Kansas Extreme Heat Outlook19:08 - Bermuda High + Baltimore, NYC & Lakewood24:44 - Jerusalem Forecast & Sharav27:29 - Extreme Weather Worldwide32:44 - Chicago Kids Activities34:59 - Closing Recap & Shabbos TimesCHICAGO ZMANIM (ZIP 60645)Sunset Thursday Aug 6: 8:03 PMAlos HaShachar Friday: 4:13 AMMisheyakir: 4:45 AMSunrise: 5:50 AMSof Zman Shma (MGA/GRA): 8:47 AM / 9:23 AMSof Zman Tefila (MGA/GRA): 10:10 AM / 10:34 AMChatzos: 12:56 PMMincha Gedola: 1:32 PMMincha Ketana: 5:05 PMPlag HaMincha: 6:33 PMSunset Friday: 8:02 PMCANDLE LIGHTING (20 min before sunset): 7:42 PMSunset Saturday: 8:01 PMHAVDALAH (50 min after sunset): 8:51 PMHebrew date: 23-24 Av 5786. Parashas Re'eh. Shabbos Mevorchim Chodesh Ellul — Rosh Chodesh Ellul falls Thursday-Friday, August 13-14.SOURCESNWS Chicago Area Forecast Discussion: https://forecast.weather.gov/product.php?site=LOT&issuedby=LOT&product=AFD&format=CI&version=1&glossary=0WPC Extended Forecast Discussion: https://www.wpc.ncep.noaa.gov/discussions/hpcdiscussions.php?disc=pmdepdNWS Wichita AFD: https://forecast.weather.gov/product.php?site=ICT&issuedby=ICT&product=AFD&format=CI&version=1&glossary=0NWS Dodge City AFD: https://forecast.weather.gov/product.php?site=DDC&issuedby=DDC&product=AFD&format=CI&version=1&glossary=0NWS Baltimore/Washington AFD: https://forecast.weather.gov/product.php?site=LWX&issuedby=LWX&product=AFD&format=CI&version=1&glossary=0NWS New York AFD: https://forecast.weather.gov/product.php?site=OKX&issuedby=OKX&product=AFD&format=CI&version=1&glossary=0NWS Philadelphia/Mount Holly AFD: https://forecast.weather.gov/product.php?site=PHI&issuedby=PHI&product=AFD&format=CI&version=1&glossary=0500mb heights (GFS via Open-Meteo): https://api.open-meteo.com/v1/forecastZmanim: https://www.hebcal.com/Phoenix July 24 record: https://www.azcentral.com/story/news/local/arizona-weather/2026/07/25/phoenix-heat-records/Phoenix August 1 record: https://www.fox10phoenix.com/news/phoenix-ties-1972-record-high-116-degrees-extreme-heat-warningIndia monsoon toll: https://www.aljazeera.com/news/2026/8/5/indias-severe-monsoon-season-causes-more-than-100-deathsAssam flooding: https://www.aljazeera.com/news/2026/8/5/death-toll-rises-to-87-in-indias-flood-stricken-assamKenya March flooding: https://www.thestar.com.my/news/world/2026/03/29/death-toll-from-kenyan-floods-rises-to-108-police-sayIvory Coast flooding: https://www.reuters.com/world/africa/floods-ivory-coast-kill-59-people-government-says-2026-07-01/South Korea heat record: https://www.aljazeera.com/news/2026/8/2/south-korea-has-hottest-day-on-record-amid-extreme-weather-globallyTyphoon Dolphin: https://www.foxweather.com/weather-news/typhoon-dolphin-china-damaging-winds-flooding.ampMarine heatwave data: https://www.euronews.com/green/2026/08/06/el-nino-could-unleash-ocean-heat-that-sends-2026-into-record-territoryAll weather data current as of the evening of Thursday, August 6, 2026. Forecasts change — verify against live NWS sources before relying on them for planning.#ChicagoWeather #NWSForecast #HeatDome #KansasHeat #BermudaHigh #NYCWeather #LakewoodNJ #JerusalemWeather #Zmanim #ParshasReeh #WeatherPodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/weather-with-enthusiasm--4911017/support.Weather with Enthusiasm is produced by Kol Simcha Productions.New episodes drop daily (B'N)— a morning forecast at 7 AM and historical deep dives Tuesdays and Thursdays. Contact: kolsimchaproductions@outlook.comHistorical content is thoroughly researched and factually verified. After it has been factually verified it often will say so in the description. Should you find any mistakes, please email kolsimchaproductions@outlook.com so we can look into it and correct it. Not affiliated with any government agency or academic institution. Presented for educational and entertainment purposes — with meaning.Support the show — exclusive bonus episodes available to subscribers for just $2/month at spreaker.com/organization/kol-simcha

This week, Anthony talks about Dungeon Crawler Carl and what happens when you fall out of love with video games, Susan discusses the joys of terraforming an alien planet in The Planet Crafter, and David explains how Android-based handhelds like the Ayn Thor might represent one potential future for video games. If you're not backing us yet, head on over to our Patreon. A contribution of at least $5 a month will get you let you listen to the show a day early, give you access to the exclusive Continue Podcast Discord channel, along with exclusive podcast content. Hosts: Susan Arendt (@susanarendt.bsky.social) Anthony John Agnello (@ajohnagnello.bsky.social) David Roberts (@davidrobots.bsky.social) Produced by Bill Segroves (@tarrydiggs.bsky.social) Intro music by Andy P. Scott: https://soundcloud.com/epic1beatz

"DOME with bamfomania" is the greatest freestyle-rap/comedy podcast IN THE WORLD. If the beat drops while you're talking about it... You gotta rap about it. This week mock the british, also we freestyle! If you would like to support the show, get access to episodes early, bonus episodes, and other content weekly, sign up at https://patreon.com/DOMEwithbamfomania Follow us on Instagram: https://www.instagram.com/bamfomania/ https://www.instagram.com/bubbawhyy/ https://www.instagram.com/sultansatire/ Listen to "DOME with bamfomania" on all podcast platforms: https://podcasts.apple.com/gb/podcast/dome-with-bamfomania/id1601495349 https://open.spotify.com/show/2IMnymbj1RU5U0NVXYLH9T?si=3ffba705f3a24e8f https://soundcloud.com/bamfdome Listen to bamfomania music on Spotify: https://open.spotify.com/artist/1w5Z3rwfh4BOU78BKZgFbk?si=rQB7uhH_SKmYrzYyI_Kvkg Listen to Sultan Satire music on Spotify: https://open.spotify.com/artist/4fvxByDc6w4Q49dcl9AKYS?si=LWa1-oSnQYmVZB1_qTKzTg If you enjoy this content, please like, comment, subscribe, and share

Join us as we give Shane one final send off, but hopefully not the last time he joins us. Chris finds version one of the Skull Man, Charlie Beansacks pieces together an amazing K!ller Croc, John collects more garbage with his latest addition to his Steel line, our guest Coach Crouch finds a steal of a deal with a Magnum PI Ferrari, and in true Shane fashion, Shane has three wins. We love you, Shane!

On this Aug. 4, 2026 episode of The News & Observer's North Carolina politics podcast, Under the Dome, host and Capitol bureau chief Dawn Vaughan talks with legislative/lobbying reporter Esther Frances and politics intern Ronni Butts about the House's return. What the Senate sent them to vote on, including elections, reg reform and budget corrections bills, before the General Assembly wraps for the summer. Stay tuned to the end for their picks for Headliner of the Week. Host: Dawn Vaughan Guest: Esther Frances & Ronni Butts Producer: Kevin Keister Want even more North Carolina politics news? Our Under the Dome newsletter dives deep into all things #ncpol and legislative happenings. It's sent to your inbox Sunday to Friday. Sign up here. Please consider supporting local journalism with a subscription to The N&O. If you're already a subscriber, thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

A powerful heat dome is gripping the Western United States, pushing temperatures into the triple digits from Arizona to Montana and creating dangerous conditions for millions. The intense heat, low humidity, and gusty winds are fueling wildfire risks, with major fires already burning in Washington, Oregon, and other drought-stricken areas. Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | InstagramSee omnystudio.com/listener for privacy information.

Sho Alli and Kaitlyn McGrath break down the Blue Jays' 5-1 loss vs. the Cardinals to wrap up the series in Toronto. They take your calls and texts, and discuss the in-game storylines, including Max Scherzer notching a quality start at the Dome, while Louis Varland looked uncharacteristically shaky in a tough ninth inning. With no more games to go before the trade deadline, is the team firmly a sell with just over a day to go? Could we look to today's Mets/Rays trade as an example of what to expect? Plus, they chat the in-game acquisition of RHP Jameson Taillon and discuss what it could mean for the team in the short-term.   The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A dangerous heat dome will push Southwest temperatures near 120 this weekend as wildfire danger surges in the Northwest and sporadic thunderstorms threaten flash flooding from the Rockies to the Great Basin and deserts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"DOME with bamfomania" is the greatest freestyle-rap/comedy podcast IN THE WORLD. If the beat drops while you're talking about it... You gotta rap about it. This week we spend 17 whole minuts sh*tting on IMAX, also we freestyle! If you would like to support the show, get access to episodes early, bonus episodes, and other content weekly, sign up at https://patreon.com/DOMEwithbamfomania Follow us on Instagram: https://www.instagram.com/bamfomania/ https://www.instagram.com/bubbawhyy/ https://www.instagram.com/sultansatire/ Listen to "DOME with bamfomania" on all podcast platforms: https://podcasts.apple.com/gb/podcast/dome-with-bamfomania/id1601495349 https://open.spotify.com/show/2IMnymbj1RU5U0NVXYLH9T?si=3ffba705f3a24e8f https://soundcloud.com/bamfdome Listen to bamfomania music on Spotify: https://open.spotify.com/artist/1w5Z3rwfh4BOU78BKZgFbk?si=rQB7uhH_SKmYrzYyI_Kvkg Listen to Sultan Satire music on Spotify: https://open.spotify.com/artist/4fvxByDc6w4Q49dcl9AKYS?si=LWa1-oSnQYmVZB1_qTKzTg If you enjoy this content, please like, comment, subscribe, and share

A powerful heat dome is expected to bring some of California's hottest temperatures of the year, with triple-digit heat across much of the Central Valley and interior regions. Forecasters warn that extreme heat, low humidity, dry vegetation, and gusty winds could increase wildfire danger as the state enters a critical fire period. Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | InstagramSee omnystudio.com/listener for privacy information.

Eric Fawcett (Gator Country, Basket Under Review) and Neil W. Blackmon (Saturday Down South, Basket Under Review) break down all things Florida and SEC basketball.On this episode, a deep dive into Florida's schedule. Is this the best Florida home slate in years? With Duke, Vanderbilt, Texas, and Kentucky all visiting the O'Dome, FBH breaks down why this will be a season to remember in Gainesville. Plus:- Non-conference schedule analysis- Aberdeen waiver discussion- Why Florida can be a generationally good defense- SEC Power Rankings and schedule thoughtsTo support FBH, visit the show sponsor at Gametime Sidekicks. Also subscribe for insider content at patreon.com/floridabbhour.

Dean Norris is an acclaimed actor who starred as DEA agent Hank Schrader in the critically acclaimed series Breaking Bad, a role that earned widespread recognition and made Hank one of television's most memorable characters. With a career spanning four decades, Norris has also starred in Under the Dome, Claws, and Law & Order: Organized Crime, while appearing in blockbuster films including Terminator 2: Judgment Day, Total Recall, Little Miss Sunshine, and Death Wish.   Check out Dean's Breaking Bad book here: https://amzn.to/4yQit6U Dean's Restaurant The Swing Inn Cafe & BBQ is right here: https://swinginncafe.com/   ▼ CHECK OUT MY OTHER SOCIALS ▼ Instagram: http://instagram.com/thejoe Facebook: http://facebook.com/ughitsjoe TikTok: https://tiktok.com/@ughitsjoe Snapchat : https://snapchat.com/@thejosephv Twitter: https://x.com/ughitsjoe   Welcome to THE JOE VULPIS PODCAST official YouTube channel! Hosted by Joe Vulpis, also known as "Ugh It's Joe" and "The Joe". My guests range from rockstars and actors, to hit reality show stars and the largest influencers on the planet. Joe achieved internet notoriety with his unique witty Vlog style videos and passion for food. Amassing a total of more than 3,000,000 followers across social platforms, 500,000,000 Youtube views across his channels, and averages more than 100 million monthly views across all socials!   GHOST TAGS: Dean Norris, Dean Norris interview, Dean Norris podcast, Breaking Bad, Hank Schrader, Breaking Bad cast, Better Call Saul, The Rookie, Law & Order Organized Crime, Under the Dome, Claws, Terminator 2, Total Recall, Little Miss Sunshine, actor interview, Hollywood actor, Bryan Cranston, Aaron Paul, Vince Gilligan, television legend, Joe Vulpis Podcast

On this July 28, 2026 episode of The News & Observer's Under the Dome politics podcast, host and Capitol bureau chief Dawn Vaughan is joined by legislative and lobbying reporter Esther Frances and politics intern Ronni Butts. They talk about the potential impact a new ICE detention center reportedly coming to Eastern NC, as well as DEQ regulation changes in the budget and ABC Commission considering liquor pricing. Stay tuned to the end for our Headliner of the Week. Host: Dawn Vaughan Guests: Esther Frances & Ronni Butts Producer: Kevin Keister Want even more North Carolina politics news? Our Under the Dome newsletter dives deep into all things #ncpol and legislative happenings. It's sent to your inbox Sunday to Friday. Sign up here. Please consider supporting local journalism with a subscription to The N&O. If you're already a subscriber, thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Show notes: (0:00) Intro (0:47) Dr. Dome's personal health journey (6:18) What biodentistry means (16:31) Common oral health mistakes (18:56) Fluoride vs. hydroxyapatite toothpaste (24:02) Why Dr. Dome recommends ditching harsh mouthwash (25:14) Oil pulling and oral microbiome support (26:26) Copper tongue scraping for bad breath (30:09) Metals, root canals, and wisdom teeth concerns (37:00) Food, acidity, and tooth health (39:41) Root canal questions and alternatives (48:48) Where to find Dr. Dome and certified biodentists (51:26) Outro Who is Dr. Dominik Nischwitz?   Dr. Dominik Nischwitz, also known as Dr. Dome, is a leading expert in biological dentistry and ceramic implantology. He is the founder of DNA Health & Aesthetics in Tübingen, Germany, and the creator of Biodentistry 3.0, a whole-body approach that connects oral health with overall wellness. After facing his own serious health struggles early in life, Dr. Nischwitz made it his mission to help others understand how the mouth can affect energy, sleep, hormones, inflammation, and long-term health. He is also an international speaker, educator, and author of It's All in Your Mouth. Through his clinic, training programs, and Biodentistry Global Standard, he helps patients and dentists rethink dental care beyond teeth and gums.   Connect with Dr. Dome: Website: https://drdomeofficial.com/ Instagram: https://www.instagram.com/drdome1/   Grab a copy: https://drdomeofficial.com/book/ Links and Resources: Peak Performance Life - https://buypeakperformance.com/ Peak Performance on Facebook - https://www.facebook.com/livepeakperformance/ Peak Performance on Instagram - https://www.instagram.com/livepeakperformance

Brian Noe talks about the trend of teams moving to domed stadiums in the NFL as the debate rages on about the Bears plans for a dome stadium, a ridiculous article about Caitlin Clark and her "responsibilities", Coop's Scoop on Entertainment, and more!See omnystudio.com/listener for privacy information.

How can organic writing and leaning into the pivot help your stories stand out? And how can you pitch a story as a discovery writer if you genuinely don't know what's going to happen next. Steven James gives his writing tips after more than 20 years as an author. In the intro, Better Than Free in an Age of AI [Kevin Kelly on Tim Ferriss; Kevin Kelly on The Creative Penn]; Future Vision XPrize; A Different Kind of Bucket List. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Steven James is the multi-award-winning and international bestselling author of 21 novels across thrillers, YA, and science fiction, with more than a million copies sold, as well as the author of non-fiction craft books for writers, a writing teacher, and the host of The Story Blender podcast. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How to lean into organic writing, and what to focus on instead of plot How characters unfold on the page, and why an attitude beats a background Producing an outline for an agent or publisher when you genuinely don't know what happens next Don't pitch the plot, pitch the pivot The four choices you have in every scene, and why logic plus surprise is the engine of story Faith, moral clarity and big questions You can find Steven at StevenJames.net. Transcript of the interview with Steven James Jo: Steven James is the multi-award-winning and international bestselling author of 21 novels across thrillers, YA, and science fiction, with more than a million copies sold, as well as the author of non-fiction craft books for writers, a writing teacher, and the host of The Story Blender Podcast. So welcome to the show, Steven. Steven: Thanks for having me, Jo. Good to be here. Jo: Great to have you on the show. First up— Tell us a bit more about you and how you got into writing and publishing. Steven: Oh, gosh. Well, the thing is, when I was a kid, I fell in love with stories. My uncle would always, whenever we got together for the holidays—Christmas, New Year's and so on—he would take my sister, my brother and myself into a corner of the room while the other adults had coffee, and we would just sit there, and he would get this look in his eye and he'd say, “I'm going to tell you a story.” We were transported to another world. We were swashbuckling with pirates, or facing down a grizzly bear in Alaska, or flying over the desert on a flying carpet, or whatever. I fell in love with imagination and stories and everything. So I started reading as much as I could, mostly short stories. They had a programme at our library called the paperback book exchange, where you bring a paperback book and you leave it, and you can take any one of the paperback books that they had. You could keep it as long as you wanted. If you wanted it for your life, that's fine, or you could just bring it back as soon as you finished reading it. Anyway, I went crazy over the summers reading short stories, mainly. As I got older, I was like, “I think I want to be a storyteller.” So I actually got my master's degree in storytelling. Then I started to travel and tell stories, but I had three little daughters at home, and I was like, “I don't want to be gone 300 days a year when they are growing up.” So I ended up starting to write stories instead of travel, and then it just kind of shifted in that direction. That was in '97. Oh my goodness, that's long. '97, '98. So then I started to write books, and then eventually in 2007, I think, my first novel came out. Now, mainly, I've been writing novels ever since. Jo: It's so interesting. Was it a job, storytelling? Is that what you did before you became a book writer? Or did you have a different job? Steven: I mostly would go to events, conferences, schools and so on, and do a family-friendly storytelling show. So I would tell personal stories, some folktales reimagined. I would go to different events around the country. Mostly it was that. Then I started to shift. I wrote for magazines for a while—80 different magazines I wrote for over those years, a couple of hundred different articles, stories. I was like, “I'm just going to try to make a living telling stories.” So the shift has gone back and forth between actually telling stories and writing stories, but these days, I don't know. I'm still speaking. I'm still out there teaching. Jo: That's so interesting, because it's obviously a completely different thing to tell a story in person than it is to write a story. So when you decided to shift that way, what did you have to learn and unlearn? Because your thoughts on the page are so different to when you can make eye contact with an audience. Steven: That's a good point. I kind of started by telling stories back when I was in college, so I sort of moved from telling to writing. And you're right, there's so much that's lost, whether it's eye contact or pauses. On a printed page, there's always the same amount of space between every word—a space. But when you tell stories, obviously you pause for effect in different places, different areas, and so it's quite different. So if I have an idea for a story, I usually have to decide, is this going to be written or told? And then I do it in that medium. Then if I want to, let's say, tell a written story, I almost have to relearn it, or retell it very differently. You have gestures, body language. All of those things are obviously lost in text, so they are very different. I think for me it's been good, because when I tell stories, I hear different characters speaking, so that when I write, usually dialogue comes fast to me. I can hear what people are saying. I don't always know where they are. I don't always know the setting. I don't even know the scene necessarily, but I can hear the dialogue. Then it also helps me to step into the characters, like when I'm writing different points of view, so that I think I can do a good job of getting into that character's mind, as if I were that person. I think some of that comes from just telling stories. Jo: You've taught so many writers over the years, and it's interesting you said that you hear characters' dialogue. I see visual film in my mind. I don't hear any voice at all. It's all silent. I struggle with dialogue, but I do great world building. Do you find that this really is different by the author? I feel like we fall into these different groups. Steven: Yes, I do. I kind of feel like that's very true as far as what comes first, whether it's a description of a place, whether it's the action. I mean, basically a story has dialogue, narration—or we call it sometimes exposition—and description. Those three things. Every story has those three things, and those are the three that we use to tell a story, a novel. So some people tend to drift into one or the other as sort of their default setting: dialogue, description, or action. That's true. I think also something else that's interesting about writers is they tend to fall into either the camp of being a wordsmith or a storyteller. Not everyone, but I feel like some people are wordsmiths, where I read what they're writing, and I'm like, “Man, this is so powerful, evocative,” whatever. Maybe there's no story there. It's just really interesting writing. Other people just are natural storytellers, and they have to really work on the wordsmithing. I think that's me. I'm more naturally just a storyteller, but it takes me a long time to get the descriptions to where I want them, to choose exactly the right word. That takes me more effort. Some people have to build up the storytelling muscles. I have to build up the wordsmithing muscles. Jo: Well, part of the reason I wanted to talk to you is because you talk about this thing called organic writing in your book Story Trumps Structure, which is out now in a second edition. I call it discovery writing, so similar to you. But most people in the writing community seem to obsess about plotting and planning. So talk about your process of organic writing. You say in the book, “Trust the fluidity of the process.” Tell us more about that. Steven: Well, I remember in high school even, when my teacher got up front and he kind of got this very almost wise look on his face, and he goes, “A story is something with a beginning, a middle, and an end.” I'm sitting there in high school like, “Well, so does a bratwurst. What are you talking about here?” A description of a chair has a beginning, a middle, and an end. The sentence, “Preheat the oven to 450 degrees,” has a beginning, a middle, and an end. My view is that saying a story is something that has three acts is like saying that a pizza is something with three toppings. It might have three. It might have one. It might have five. So the idea for me is not to worry about structure, trying to tick off the boxes of a template, a formula you find online, a fill-in-the-blanks kind of a thing. But instead, to actually look at what lies at the heart of the story—the character, the tension, the struggle, the pursuit, the pivots and plot twists, and the payoff at the end. As you develop those aspects of the story, I feel like you need to worry less and less about following a formula. The more you understand what lies at the heart of a story, I feel like the less you need to plot and the less you need to write by the seat of your pants. A lot of people say, “Oh, you write by the seat of…” No, I don't write by the seat of my pants, because I know what a story contains, so I know that in a certain scene a character will make certain choices that are unpredictable but that escalate the tension, and different things like that. I'm a huge proponent of discovery, as you say, or organic writing. I won't get the quote exactly right, but Ray Bradbury said something along the lines of, “Plot is the tracks left in the snow after your characters have run by on their incredible destinations. It cannot precede action. It is the chart that remains when an action is through.” So he's saying plot is not what precedes action. After the action, you have plot. So the whole idea of trying to plot out a story before you write it is going about writing exactly backwards. Plot doesn't precede action. It's the result. So I always tell people, “Don't worry so much about the plot. I want you to look at the pursuit.” A plotter might say, “Well, what should happen?” And they'll just come up with something. But an organic writer—a pursuit-based question would be, what does the character want? Now, when I know what the character wants, I will know what should happen. So literally, it will lead me to the story. Focusing on plot will not necessarily lead you to the story. It might lead you down the wrong track. Jo: Then in terms of your actual writing process— Do you start writing without knowing the ending? Do you write in order? Is the organic side also in the process? Steven: I've never started a book where I know how it will end. So I usually start with either a character that's fascinating or, in some cases, a premise, a question. Then as I write, I explore the possibilities of where it might go. I've tried to outline a scene—like one scene, not a whole book—and it never works. I can't even outline one scene. I've tried, and I'm like, okay, that's… What I end up with is completely different from it, so it's just a waste of time and effort for me to try to outline or plot out a story. I'm much more interested in the pathway the characters will take as they face obstacles and setbacks in their pursuit. As the struggles and the tension develop, what choices will they make? That's how the story will unfold for me. Jo: I'm similar. Then I also wonder— Do you do character sheets and character bios, or do the characters also unfold organically? Steven: Absolutely, I don't do any of the sheets and bios and stuff. The characters really come to me as I write. I begin to get to know them. I always tell people, a character with an attitude is more interesting than a character with a background. So a lot of people will spend a lot of time on, like, where's this character gone to college, and what's their first pet's name, all that stuff. I'm not trying to dump on that idea. I get that that can be helpful. But I'm like, how would I know that until I've spent time with them? Then once I begin to spend time with them, I'm writing and I'm like, “Nah, this doesn't seem like what that character would really say or do,” so I have to go back and rejigger the story to hopefully make it fit with that character. Then I like to give the characters some sort of attitude. I'm not talking about a negative or judgy attitude, but an attitude about something that is unique or different, and that makes them not a template character, not an archetype or whatever, but unique. Sort of this constellation of unique traits, characteristics, maybe wounds, flaws and so on, that create a character where you're like, “This is a character like none I've ever seen before. I want to spend time with this character.” Jo: Then you're spending time with the character by writing what's happening, as opposed to writing loads of stuff beforehand and then starting to write. You're actually finding all of this out during the process of writing. Steven: Yes, and I think it's kind of like getting to know someone. If I were to say, “Okay, I'm going to write down Jo's bio,” or whatever—okay, I'm making stuff up, because I don't know you super well. If we were to spend time together, hang out, whatever, talk, over the course of time I would start to know, oh, she likes this, she doesn't like that. This is important to her. This is what she would weep or pound the table over—whatever, all of the things that come with time. It's like a friendship in real life to me. So I can't sit down and tell you what a character in real life would think and say and do if I don't know them, but the more time I spend with them, then the more I'm able to predict that accurately. I think the mistake a lot of people make is they think, “I'm going to get to know this character with a background,” and then they start writing it, and instead of looking at the context, they look back at the—I don't know what you call it—the background or something like that. I always feel like what you mentioned earlier is, like, hold it loosely in your hand. Trust the fluidity of the process. As you're writing, you have an instinct. “Ah, I think this character would say this or do this.” So trust that. Trust that instinct. Trust that moment in the story, instead of trying to go back to an outline, back to a character description, or whatever it might be. So I'm a big proponent of looking at the context—not just what happened, but what is the result? So looking at the impetus and the implication of the choices and the activities. When something occurs, what would the character naturally say or do or think or respond? Then what would that cause? What's the implication that that would have on the rest of the story, on the rest of the characters? So, really trying to keep your finger on the pulse of the story, and adapt as you move forward through it. Jo: I love all of that, but I also am very aware that you've been in traditional publishing for over 20 years, and one of the things with agents and publishers is that they often ask for an outline. So how do you manage that? Or how did you more earlier in your career, because I imagine they just trust you now. Earlier in your career, or people listening who want to pitch but they write in this organic way, how do we deal with that kind of thing? Steven: Well, okay, so there's two good questions. One is about producing an outline for an agent or editor or publisher and so on. The other is how to pitch a story. So the first: I would write the premise down, and maybe a paragraph or two, and then where I think it might go. Basically, I would focus on the questions that the characters will face, maybe the moral dilemmas, the sacrifices they have to make, the world they live in. I kind of know that stuff, and I can write a couple of paragraphs about that. But beyond that, I just don't know what's going to happen, so I can't really provide more. I'm looking at my shelf at the books that I've done, and mostly that's what I've done is kind of a couple of paragraphs focusing on the premise and the problem, the struggle, and so on like that. As far as pitching a story, I always tell people, “Don't pitch the plot, pitch the pivot.” I think that there's a screenwriter—I think that he talks about this a little bit. I've not read the book Save the Cat, but people have told me, “Oh, he kind of brings this up in that book.” The idea is to pitch the irony instead of what occurs. So sometimes when I tell people to pitch, or I give them ideas, one process that you can use is: when, must, before, or else. So, when this occurs, this character must do something before this, or else. So you have the character, you have the struggle, you have the inciting incident, you have the stakes, and you have the countdown. It works well for thrillers. So for instance, like Jaws. When a man-eating shark starts eating people in a small seaside village, the sheriff must stop him before more people die and the town loses its economy. So there you have when, must, before, or else. Now, no one's going to buy the story based on that, because there's no irony, there's no pivot. It's just a description of the plot, and that's what most people pitch. So I always tell people, pitch the part of the story that you wouldn't expect. So for instance, in there you might pitch: when a shark starts eating people in a small seaside village, the only one who can stop him is afraid of the water. Now you're like, “Oh, well, that's interesting. How does that happen? What happens there?” With my book Broker of Lies, the pitch was something like, when a high-level Pentagon redactor ends up on the run, he must stop a terrorist attack before he's neutralised by the people he trusts the most. So the pivot is that the people he trusts at the Pentagon the most are actually trying to neutralise him because he's on the run, and all that kind of stuff. So why would they be trying to do that? Well, that's interesting. So it's always looking for the irony, the pivot. Why is this character the last one in the world who would ever be equipped to tackle this problem or face this issue? So that's one way to do a pitch. Obviously there's lots of them, but I think your goal with a pitch is to get them to say, “Tell me more.” It's not necessarily to summarise the whole story. Jo: That's great advice. So you teach writers—I first saw you at ThrillerFest, I think it was 2012—and you do events, you run writing retreats. So you work with a lot of authors, and I wondered, what are the challenges that you see from authors with, say, five books? So not the beginner authors, because obviously there's a lot of challenges. But those who, let's say they've got the three to five books, things are going all right, but they're like, “How do I get to the next level?” What are the craft issues, or the business issues as well, that mid-list authors face? Steven: Well, business, I'm not the guy to ask. I could try to answer that, but I mean, basically: meet your deadlines and write something amazing. Try to be easy to work with, but also stand up for what you wrote as far as working with editors. It's sort of a fine line you have to walk. The one thing that over the last few years I've really noticed in a lot of writers who are in that space is that they don't have many pivots. They tend to write predictable stories, and that's why they tend to stay where they're at—whether it's because they're following an outline or a plot formula or whatever it is. So when I talk about a pivot, I mean a moment in the story where something happens that's both unexpected and inevitable. For instance, if you're reading a story, you want things to make sense. You want them to be logical. That's one thing. But you don't want them to be too predictable. If it's too predictable, it's boring. It's like, I'm not interested. So we also want surprises. We want these two things. We want logic, and we want surprise. When those two things meet and you have a moment in the story where it's like, “I didn't see that coming, but that totally makes sense,” that's what we want, and we want that in every scene. I feel like a lot of authors don't have that in every scene. Now, you might say, “Well, every scene?” Well, yes, because basically those two factors, logic and surprise, can only meet in four different ways. You could have something that's very logical but has no surprises. That's going to be boring. It's going to be too predictable. We don't want that. You could have something that is very surprising but not logical. It makes no sense. A lot of stuff is surprising, but that's not what we want, because it's unbelievable, and it's like, what is going on here? You could have something that has neither logic nor surprise, which obviously we don't want that. The only other option is to have a moment that is both logical and surprising. So you have a choice in every scene. You have four choices, actually. You can have it be predictable and boring. You can have it be nonsensical. You can have it be unbelievable. Or you can have a pivot. So I find myself trying to really coach people on pivots. They'll say, “Oh, well, do I need it in every scene?” I'm like, “You can choose, but do you want it to be predictable or boring or nonsensical, or do you want it to really drive the story forward?” I think it's because people have been taught structure and plot and three acts and all this kind of stuff, but they haven't been taught this idea—even though it's not something I made up. Aristotle, in Poetics, thousands of years ago, put it a little bit differently, but he said, “The reversal of the situation”—what I call the pivot—”is the moment at which the action veers around to its opposite”—that would be what I call surprise—”subject always to a rule of probability or necessity”—which is the logic. So he's basically saying the same thing in just a little bit different language, but you have these three factors. You have logic, you have surprise, and you have them come together in a specific moment. I don't know why it's not taught more. I have never found anyone who teaches pivots. I have not found any books, so I wrote a book recently about how to use pivots. It's so central, and I think great storytellers naturally do it. You'll read a book, or you'll maybe watch a show, and you're like, “Oh, I didn't see that coming. That totally makes sense.” I don't see anyone else out there really focusing on teaching that. So that's a huge thing for me, really, to help people move up in their writing, elevate it to a different level. Jo: Is that Delve, Pivot, Propel? Steven: Yes. That book came out a couple years ago. We just re-released it. I updated it some, but it talks pretty much in depth about pivots and how to actually use those to propel the stories forward. Jo: Maybe you could just give us one tip on how to do that, because going back to the organic writing—let's say I've been organically writing, and every time a character has a decision to make, I think at that point about what I want to write and I write it. Are you suggesting that we go back in the edit and look at the end of every scene and redo it? Because I can't imagine that I would get this right every time. I would need to do that in an edit, I think. Steven: I think for me, when I'm writing, I'm always asking myself a series of questions. One is, what would the character naturally do? I want to make it believable and natural. Let them do it. I want to escalate the tension, so I'll ask myself, “How can I make things worse?” Then I'll always ask myself, how can I add a pivot to this scene? So as I'm writing a scene—again, I don't know how it will end when I start it—but if I use the first idea that comes to mind, probably a lot of readers would guess that as well, because it's the first idea that comes to mind. It's probably logical and probably predictable. That's why most stories end up being too predictable. It's because we go with the first idea that maybe we had. So I try to discard that. Maybe the second idea, just discard it. Then I start thinking, okay, now if I've discarded the obvious, what is going on? What's below the surface? So to answer your question, I'm looking for what isn't what it appears to be, or who isn't who they appear to be, or a surprising way to bring together plot threads that I didn't see related before. So it's always looking for the unexpected, the surprise, because most of the time that is what we're missing. Now, if you have a great surprise, then you have to lean into making it believable. So you've got to move into that idea of, well, what would the character naturally do? You can't just have him do something ridiculous and then say, “Oh, it's for my twist.” No, you can't do that. You've got to play fair. So it has to be believable, causally related, logical, and surprising. That's what you're shooting for. Those are the questions going through my mind. So as I'm working on a scene, I'm like, “How could I end this?” Or include something that people won't see coming right away. The best ideas always come to me then. It's so interesting. A lot of people will say, “Oh, don't write organically,” or, quote, “by the seat of your pants,” whatever they'll say, “because then you might write yourself into a corner.” I'm like, “Yes, absolutely write yourself into a corner. That's what I'm trying to do in every scene.” And then you write yourself out of a corner in a way that's logical and surprising. The best twists I've ever come up with have been when I'm in a corner. So why would I warn people against going to the place where the best ideas await them? That just seems mean. Why would I do that? No, I want you to have the best possible ideas. So yes, look for corners, write yourself into them, and then write yourself out of them in a way that's both logical and surprising. Jo: I guess also it needs to be genre specific. We write mainly thrillers, and there is this fine line, isn't there? I love Stephen King, but one of the most unbelievable endings is Under the Dome. I still remember feeling betrayed. I don't know if you've read that one, but— Steven: Oh, no. Jo: I was like, “I'm sorry, you've just changed genre in the last chapter of the book. What is going on here?” Steven: That's actually interesting. The fourth question I ask… So I ask, what would the character naturally do? How can I make things worse? How can I add a pivot? But the fourth question is, what promises have I made that I have not yet kept? So genre, to me, is a promise. You build up a promise in your writing at the beginning of the book, and then I feel like as we write, we have to honour that. So if we bring something up that's super interesting, bring it back or whatever. Keep your promises. Keep your narrative promises. It's true of really any genre. Let's say you're writing a romance. You want to respect the conventions, but not fall into the clichés. So there's going to be a moment where the lovers meet, right? They haven't met before. I don't know what they call it, a meet cute or a cute meet. I think they call it a meet cute, I guess. Jo: Yes. They do. Steven: Anyway. So they're going to meet, right? And you're like, “Oh, I'll just have them meet.” Well, try to do it in a way we haven't seen before. Add something else to the scene. Add a third element, as my friend Bob Dugoni likes to say. Add something a little bit that we're like, “Huh, I've never seen that before.” We know they're going to meet, but let them meet in a way that we don't anticipate, that we can't predict right away, that isn't exactly by the numbers, and then you're going to be on the right track. Jo: So then, talking about reader expectations and genre, I wondered if I could also ask you about your Christian faith, because many people listening are people of faith, and some people want to write a Christian book. Other people want to bring their faith into, say, a mainstream type thriller in an authentic way. So how do you balance your faith and your writing? Because I think you have some series that are more sort of Christian than others. Steven: It's interesting. When my first novel came out—The Pawn, like a chess piece, The Pawn—back almost 20 years ago. Gosh, 20 years ago. Nineteen. But anyway, when it came out, someone wrote to me and said, “Is this a Christian book?” I'm like, “What would make a book not Christian?” I'm like, maybe if it has a lot of idolatry, or witchcraft, or maybe sexuality or graphic violence. Then I'm like, oh, wait, that's… No, that's the Old Testament. So it's interesting, because people have asked me similar questions over the years. My books are not sermons in disguise. I'm trying to write great stories that anyone of any background or faith will enjoy. I always ask big questions. I let my characters wrestle with questions that matter, I think. Do my choices matter? Is there hope? Is there a God? Is there no God? Do I have free will? Can I find forgiveness? Can I offer forgiveness? Can I extend it, or whatever? So I always try to base the stories on something deeper. I do believe that there is good and there's evil in the world. That's part of my worldview. So when people talk about moral ambiguity, I don't want to write or read something that's morally ambiguous. I want moral complexity, but I also want moral clarity. So whenever you write, the question is, what are you justifying and what are you condemning? And if you're justifying something that's morally—I would say wrong, actually—then I don't feel like that's the kind of book I would want to write. So I want to write stories that explore good and evil, that explore our world, human nature, in an honest way. I feel like when you write honest stories, people, no matter what their background or whatever faith, then they will connect with it. I think a lot of people, if they start off with an agenda—whatever that agenda might be, let's say it is a Christian agenda, like I want people to trust in Jesus, let's say—so they write a story. Well, what you're doing, you're actually starting your story with an answer, and drama is not built on answers, it's built on questions. So you're actually diminishing the amount of tension. You're also diminishing the possibility of a pivot, because we all get where you're going. It's predictable, but there's probably no surprise. You're diminishing the payoff at the end, because we're like, “I saw that coming. I exactly knew where you were going with this.” So instead, I don't start with an answer. I always start with a question, or in some cases a moral dilemma, like, what's more important, protecting the innocent or telling the truth? That's interesting to me. If I had to choose between the two, would I tell the truth or would I protect the innocent? It's interesting, because people might come down on different sides of it. They might say, “Oh, you should always tell the truth,” or they say, “You always should protect the innocent.” I'm like, okay, well, let's explore it. Let's literally ask the question. So I come from a certain worldview, but I've written characters who have very different worldviews from me. I'm always just trying to be honest with the character, ask big questions, tell a story that examines human nature and sort of the paradoxes of the human condition in a way that will resonate with really whoever the readers might be. Jo: And of course that worldview is part of your author voice and part of what readers come to you for. I also notice that you have some pretty diverse different series. How do you manage that diversity of series under your one brand? Do you find your readers move from one to the other, or do you have different readerships? Steven: You mentioned the B word—brand. That's what publishers are always telling me: “What's your brand?” I'm like, “I don't know. You tell me what my brand is.” I've done fantasy, science fiction, conspiracy. I've done spies and police procedurals and crime and suspense, thrills, whatever. So I would say the one thing that really ties all my stories together is probably just suspense. They are stories with suspense. Some are more high concept thrillers, some are more dark fantasy, but they're built around suspense. So I guess that would be intelligent suspense, maybe, if I was trying to come up with a brand. Something like that. Because I don't want them to be dumbed down. They're not dumbed down stories, so they're a little bit more complex than you might find in other places, but always built around the idea of suspense. Suspense to me is basically—my definition is apprehension born of concern. So we're concerned about a character, and we're apprehensive because there's peril around the bend, or right in front of them. So I want the readers to really care about a character, and then try to build the story and the suspense around that empathy or sympathy that we have for the character. Jo: I think it's really interesting, because again, you mentioned 2007—we're coming up on 20 years since first published. The publishing industry has changed a lot. So what do you think has changed most in publishing for you, and what are your thoughts on routes to market for new authors these days? Or even established authors who are finding that things have changed, which they obviously have. Steven: Well, I'm not a marketer, I'm not a businessman. I'm just a storyteller at heart. So I just keep writing stories that I would be intrigued with reading, stories that I feel like are resonant. Then I look for publishers for those. I've been to a variety of different publishers over the last decade. I've done some different types of stories. I feel like you have to just write the story instead of trying to write for a specific market trend or something like that. So I might not make as much as some of my friends, I might not sell as many books, but I feel like I have to write certain stories if they grab ahold of me. There's a Native American—I think the Pawnee tribe, anyway, in the United States—but they were saying that all the stories that exist are out there already, and when one finds you, it's your job to share it with the world. I think that's kind of interesting. Sometimes—maybe it's just true for you, I don't know, Jo—but it's like a story will grab hold of me, or an idea, and I'm like, “I can't shake it.” That's a story that I want to tell the world. I would say that stories are becoming shorter, dumber. People are trying to write faster. They're trying to write several books a year, and as a result of that, some of the quality has gone down. This is all unfortunate. I'm still sort of a dinosaur. I still tend to write longer, complex stories. But people have shorter attention spans and whatever, and they're not reading as much. The structure of stories, I think, is changing slightly, where people will have to spend more time on a hook to really grab the attention of the readers. Then there might be a longer slow period, or more info dumping, which I'm not a fan of. So they kind of look like, “I want to get readers hooked at the beginning, and then get them to flip pages.” So I tend to set up my stories a little bit differently than that. So I'm not the best guy to ask about marketing and sales and stuff like that. I feel like, write a story that will not let you go. And if you do that, I feel like that's the kind of story that will resonate with readers, because there's a deep honesty to it. You care, you're passionate about it. It's not just something you're trying to spin out just to sell books. That's my view. Jo: I guess I also feel that writers are doing other things. So you have non-fiction, you have your podcast, you do events. I see you sell books direct from your website. It's like the business expands into multiple streams of income, so that the art doesn't have to pay all the bills. Steven: That's interesting. I do love to teach writing at conferences, events, and speak at different things. So I guess if you think about it that way, my brand might be just story, or storytelling, or something like that. Really trying to get out there, and whether it's speaking or writing, just tell a great story. So it's so interesting when I work with publishers and they'll ask, “What's your brand?” Basically it's like, “What's your box?” is really what they're asking. What box can we stick you in that will make it easy for us to package you and sell you? I know myself, and just a lot of authors that I know, we don't think in a box. Every one of my stories is not boxy. It's not the same. They're different. I know a lot of authors like that too. So it's unfortunate. I get it, that it's part of them trying to market and sell the books. I understand that, but I think being honest, genuine with the story, doing the very best you can, writing a worthy book, and then letting them come up with a way to categorise it, is probably the best bet. I don't know. Jo: We're almost out of time, but this is obviously a podcast, and you have a podcast. So tell us about The Story Blender Podcast and what people might find over there. Steven: Yes, I appreciate it. Basically, I interview some of the leading writers and storytellers in the world every week, and the goal is for great storytellers to share the secrets of great storytelling. So I basically pick their brains, kind of like what you were doing with me today, and find out what projects they're working on, and really just try to get insights into storytelling. So it's tons of fun. I've been doing it now for a number of years, and I guess I've interviewed over 250 different authors and writers from around the world, and so I always enjoy it. It's a ton of fun. It's The Story Blender, and people can find it anywhere. Jo: So where can people find you and your books and everything you do online? Steven: Probably the best place is StevenJames.net. I think I'm on different socials @readstevenjames, so you can look me up there—Facebook, Instagram, X, and so on. I think they're all under readstevenjames. Check out the website, drop me a note. I always enjoy hearing from readers. Jo: Well, thanks so much for your time, Steven. That was great. Steven: Thanks, Jo. I appreciate it. Good luck. The post Organic Writing And The Power Of The Pivot In Fiction With Steven James first appeared on The Creative Penn.

Henry Sokolski analyzes the "Golden Dome" project, suggesting its true value lies in achieving space superiority rather than just missile defense. He emphasizes the need for passive defenses, like redundant transformers and public preparedness, to counter the rising threat of autonomous drone swarms and precision attacks. (14)19494

This week on Skytalkers, we're diving into one of the strangest and most delightful corners of Star Wars history: R2-D2: Beneath the Dome. Released in 2001 as an official Lucasfilm mockumentary, the three-part special chronicled the "life and career" of R2-D2 as if he were a real Hollywood actor, complete with career highs, personal struggles, celebrity feuds, and a disastrous bungee-jumping stunt. On this episode: The history of the project The incredible cast and crew featured Our favorite moments + some of the funniest bits What legacy this mockumentary leaves for Star Wars marketing and humor (also, the Skywalker Ranch pool). … and so much more. Watch R2D2: Beneath the Dome: https://www.youtube.com/watch?v=K2i9u-gn9FI Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Skytalkers, we're diving into one of the strangest and most delightful corners of Star Wars history: R2-D2: Beneath the Dome. Released in 2001 as an official Lucasfilm mockumentary, the three-part special chronicled the "life and career" of R2-D2 as if he were a real Hollywood actor, complete with career highs, personal struggles, celebrity feuds, and a disastrous bungee-jumping stunt. On this episode: The history of the project The incredible cast and crew featured Our favorite moments + some of the funniest bits What legacy this mockumentary leaves for Star Wars marketing and humor (also, the Skywalker Ranch pool). … and so much more. Watch R2D2: Beneath the Dome: https://www.youtube.com/watch?v=K2i9u-gn9FI Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pour Over is a Christ-first, politically neutral news podcast. Every Monday, Wednesday, and Friday, we cover the day's biggest stories in ~10 minutes, and pair the biggest headlines with brief biblical reminders. Every Saturday, TPO Explains does a shallow dive into your most-asked questions. On today's episode: What is a heat dome? Available to watch on Spotify and YouTube here. Want more guided prayers to help you bring current events before the Lord? To check out TPO's new audio devotional, text PRAY to 71989. Looking to support us? You can choose to pay ⁠here⁠. Thanks to our sponsors: Wild Alaskan: $35 off your first box | code: TPO Quince: Free shipping | quince.com/tpo HelloFresh: 10 Free meals + a Free breakfast for Life | HelloFresh.com/tpo10fm AdelFi: Apply for the Harvest Bundle |https://adelfibanking.com/pourover Upside: extra 25 cents back for every gallon on your first tank of gas | code: TPO LMNT: free 8-pack with purchase | https://links.thepourover.org/LMNT_Podcast Compelled Podcast: Listen now | CompelledPodcast.com Mosh: 25% off first variety pack + 20% off subscription | code: TPO25 Serving Orphans Worldwide: Give a gift to feed a child for a month | https://servingorphans.org/thepourover MORE FROM TPO: ⁠Free newsletter⁠ ⁠Watch TPO on YouTube⁠ ⁠Download the TPO App⁠ Unless otherwise noted, all scripture references are from the Christian Standard Bible (CSB) translation.