Podcasts about Black Panther Party

Eleven Grammys. Six decades. And a life that has taken in the Black Panther Party, a brief consideration of the convent, and a farm in rural Georgia with her own well water. Chaka Khan has GREAT CHAT!  Chaka takes us back to the beginnings of her iconic journey, opening up about running away from home at 16, singing in Chicago clubs for twenty dollars a night and her time with the Black Panther Party. She reflects on why awards have never been the point for her, why she believes there is no competition in self-expression, and says plainly that if she had not had singing as an outlet, she would not be here today. She talks candidly about her friendship with Prince and the conversations she still has with his painting on her wall. She also shares the piece of life-saving advice Etta James pulled her aside to give her the very first time they met, what she learned about Billie Holiday from her grandmother's record collection, and why sleep is the secret to her still looking great in her 70's. Plus she joins the group chat to answer your questions, including the ideal height for a man, the most extravagant thing she has ever bought herself, and the extraordinary story of how a psychic in Canada told her to buy her farm before she had even stepped inside the house. Chaka Khan's new album 'Chakzilla' is out on18th September. You can pre-save on Spotify here: https://open.spotify.com/album/0dQyfJN05ICpQfK9dvKRRF?si=f75205cdd100494a

The ballot cast by a landless labourer counts the same as the one cast by the landlord whose fields he works. In this way, democracy can give excluded or subordinate groups access to political power.That's not what has happened, at least, not in large parts of the Global South. Amit Ahuja (UC Santa Barbara) calls those at the bottom of the social order "subaltern groups". Three barriers stand between their votes and any lasting gain. Violence that goes unpunished. The erasure of their shared culture and history by those in power. And they have too little money and organisation to campaign for their rights.The evidence shows that since 2014 the gains that these groups made in the previous three decades have started to reverse, he warns. The old hierarchies are reasserting themselves.The research behind this episode:Ahuja, Amit. 2026. "Subaltern Mobilization in the Global South." Annual Review of Political Science 29: 391-411. Open access.To cite this episode:Phillips, Tim, and Amit Ahuja. 2026. "Caste, race, and power: The barriers to political inclusion." VoxDev Talks (podcast).About the guestAmit Ahuja is Associate Professor of Political Science at the University of California, Santa Barbara, with research spanning ethnic parties and movements, military organisation, caste, and the politics of inclusion and exclusion in multiethnic societies. His book Mobilizing the Marginalized: Ethnic Parties Without Ethnic Movements won the 2020 Kamaladevi Chattopadhyay NIF Book Prize. He co-edited Internal Security in India: Violence, Order, and the State with Devesh Kapur.Research cited in this episodeSubaltern. The word means "of inferior rank" and was used by Antonio Gramsci in the Prison Notebooks to describe groups subordinated by a ruling elite. Ahuja gives it three working attributes: a stigmatised identity acquired at birth, disproportionate poverty, and disadvantage that passes from one generation to the next.Ranked and unranked social orders. Donald Horowitz, in Ethnic Groups in Conflict (1985; University of California Press, 2000 edition), separates societies where groups sit in a vertical hierarchy from those where they sit side by side. The Hausa-Fulani, Igbo and Yoruba in Nigeria, and Maronite Christians, Sunnis and Shia in Lebanon, compete without one being formally subordinate to another. Hierarchy is not a universal feature of diverse societies.Greed against grievance. Paul Collier and Anke Hoeffler argued in 2004 that people join insurgencies to capture resources such as diamonds or minerals; Ted Gurr's Why Men Rebel (1970) argued instead that rebellion follows the gap between what people have and what they expect. Ahuja adds a third answer drawn from ethnography.The dignity of insurgency. Elisabeth Wood's study of El Salvador (2003) and Alpa Shah's work on Maoist central India (2013) both find that the poor support armed movements partly because insurgents treat them better than landlords and state officials do. Participation confers dignity in a setting built to deny it.The identity penalty. Devorah Manekin and Tamar Mitts (2022) find that nonviolent campaigns led by marginalised groups attract less popular participation and fewer elite defections than comparable campaigns led by dominant groups. Nonviolence works, but not equally well for everyone.Undocumented rights. Afro-descendant communities on Colombia's Pacific coast, the San in the Central Kalahari, and Adivasis in India's forests all hold customary claims that colonial and postcolonial registries never recorded. Without a written record they are reclassified; Adivasis became "encroachers" under British forest law and the conservation regimes that followed.The Dalit Panthers. Formed in western India in the 1970s, the group combined revolutionary politics with armed self-protection for Dalits facing caste violence, taking its name and some of its style from the Black Panther Party.Military service as a school for organisers. Black South Africans recruited during the Second World War, and Dalits taken into the British Indian Army during the world wars, both emerged with leadership training and a more assertive political style. Dominant groups are usually reluctant to arm subaltern populations; labour shortages force the question.The Indian Election Commission. Amit Ahuja and Susan Ostermann (2018) trace how the commission secured polling stations through the 1990s and 2000s, which made it possible for parties to bring marginalised voters to the poll. Institutional autonomy, backed by the courts, can partly offset a coercive environment.Co-optation in Bolivia. Movimiento al Socialismo absorbed parts of the country's Indigenous movement and blunted its radical edge. Alignment with a party brings resources and patronage positions; it can also cost a movement its original demands.More VoxDev Talks episodesCan contact between groups reduce prejudice? Matt Lowe on why decades of evidence for the contact hypothesis look weaker under preregistration, and why prejudice does not simply fade with development.Caste, identity, and worker productivity in India Daniel Keniston on how caste still sorts Indians into occupations, and what the economy loses because of it.Related reading on VoxDev.orgSomething to complain about: How minority representatives overcome ethnic barriers, on a formal complaints system in Bihar that gave Scheduled Caste ward members leverage over village heads who were holding up their projects.How expanding voting rights shaped politics in India. Franchise expansion in 1935 and 1950 barely moved turnout or competition, and yet it shifted public spending towards the newly enfranchised.No representation without reservation: The long-term limits of gender quotas in India, on what happens to descriptive representation once the quota is withdrawn.

“I think Pac was actually traumatised by the poverty. You know, poverty can be very, very traumatic. Having no lights, having no food from time to time, having no clothes while you're going to school, and bumming clothes. Them stories, it was real. That really happened to Pac. Pac was sensitive, so he felt things deeply.” The BBC's Shaimaa Khalil speaks to Mopreme Shakur, step-brother of iconic rapper Tupac Shakur. Tupac was shot dead in Las Vegas in 1996, and now, almost 30 years later, Duane “Keffe D” Davis is on trial in connection with his murder. He has pleaded not guilty. Through music exploring poverty, racism and injustice, Tupac became one of hip-hop's most loved and influential figures, selling more than 75 million records worldwide. Mopreme recalls growing up with Tupac and explains why he believes poverty and politics shaped his brother and the music he went on to make. He talks about Tupac's mother having been the section leader of the Harlem chapter of the Black Panther Party, and links Tupac's own experience of abandonment to his concern with how neglected children can become hardened adults. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Sundar Pichai and Julia Gillard. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Shaimaa Khalil Producers: Osman Iqbal and Regan Morris Editor: Damon Rose(Image: Mopreme Shakur. Credit: Getty)

    Photo: Sabrina Santiago Early in his career, photographer and current New York Times photo editor Jeffrey Henson Scales documented the Black Panther Party in the late 1960s. These photographs were compiled in his 2022 monograph In a Time of Panthers: Early Photographs. During the 1970s, he worked in the music industry as a tour manager, production director, and equipment manager for acts including Minnie Riperton, Cher and Frank Zappa. He also shot album covers, film posters, and promotional photography for groups such as Michael Jackson, The Bangles, and Arrested Development. Jeffrey's photo work was featured in the National Gallery of Art's 2025 exhibition Photography and the Black Arts Movement, 1955–1985. His photographs are held in the permanent collections of both the Museum of Modern Art and the National Gallery of Art.

Africa Today speaks with Ronald “Elder” Freeman about his decades in the Black Freedom Movement, from serving as Field Marshal of the Southern California chapter of the Black Panther Party to his ongoing work with organizations including Legal Services for Prisoners with Children, the UNIA, and All of Us or None. Freeman reflects on the Panthers, coalition building, political repression, and a lifetime committed to Black liberation.   A weekly news program providing information and analysis about Africa and the African Diaspora, hosted by Walter Turner. The post Ronald “Elder” Freeman's Life in the Black Freedom Struggle [Encore] appeared first on KPFA.

Marquett delivers a bold, unfiltered breakdown of the Black Panther Party for Self-Defense, separating its legendary courage and community impact from the ideological weaknesses that may have contributed to its downfall.From Huey P. Newton and Bobby Seale to the Ten-Point Program, FBI infiltration, Black identity, political organizing, self-defense, leadership, and economic independence—Marquett challenges the popular version of history and asks whether the movement had the right strategy to create lasting power.Was the Black Panther Party destroyed solely by the government—or did internal weaknesses also leave it vulnerable?Watch until the end for a controversial analysis of Black leadership, revolutionary movements, community accountability, and what a modern movement must do differently.Subscribe, like, and share your perspective in the comments.⸻

Join us for an unmissable celebration of Black August with Griot Baba Lumumba, a respected member of the Council of Elders at Umoja House in Washington, DC. This influential council is at the forefront of championing community issues, and Baba Lumumba will powerfully spotlight the legacy and significance of the Black Panther Party for Self-Defense—a movement that continues to inspire the ongoing fight for justice and empowerment in our community. We’re also honored to welcome former New York Lawmaker Charles Barron. He’ll break down the pivotal Democratic primary races in Missouri and Michigan and deliver a crucial update on the Sahel nations’ courageous struggle for autonomy—issues that shape our world today. The Multi-talented researcher Keidi Awaudu will also discuss his book GAME THEORY FOR MASTER'S LEVEL STUDY: Mastering Moves, Outsmarting Opponents, and Winning the Future.See omnystudio.com/listener for privacy information.

In this week's episode the Powell men way in on policing in America. #ColinKaepernick was blackballed by the #NFL trying to bring attention to the issue of police brutality. America never got the memo. #CoreyRuiz in #MadisonWisconsin is the latest victim of #policebrutality. He was summarily executed in the street by #lawenforcement in the #Dairyland .There are definitely some shenanigans going on with the #NolanWells investigation in #Mississippi . We need more #police who come from the communities that they live in. #CommunityPolicing is needed. The #BlackPantherParty was formed because of this very issue 60 years ago. How are we still here? The guys also touched #LebronJames and the #Philadelphia76ers . #RyanClark was fired from #ESPN. #JacobFreytes #MountEden #TheBronx #TheBoogieDown #WilliamFerrer #NYPD  #Cosmetology

“We hold these truths to be self-evident: that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are Life, Liberty, and the Pursuit of Happiness.” These fundamental truths shape American identity. Ted Widmer explores their origins and impact in The Living Declaration: A Biography of America's Founding Text¸ and joins us to talk about the Declaration as it was written, and how it has impacted Americans and the world  since 1776. Drawing on speeches and writings from the long span of history—John Locke, the Natick Town Meeting, Abraham Lincoln, Frederick Douglass, the Seneca Falls movement, Huey Long, Calvin Coolidge, H.L. Mencken, Emma Goldman, the Black Panther Party, the Tea Party, Ronald Reagan, Barack Obama, and others—wediscuss the enduring importance of the Declaration of Independence.https://www.loa.org/books/the-living-declaration-a-biography-of-americas-founding-text/Tell us what you think! Send us a text message!

On this episode of Rattling the Bars, to commemorate the 60th anniversary of the founding of the Black Panther Party in 1966, host and former political prisoner Mansa Musa speaks with Dr. Joy James and Dr. K. Kim Holder about the history of the Panthers and their unique approach to, and practice of, communal socialism.This is Part 2 of a two-part conversation. Watch Part 1 here.Guests:Dr. Joy James is Ebenezer Fitch Professor of Humanities at Williams College. She is the author of numerous books, including: In Pursuit of Revolutionary Love; Resisting State Violence; and Shadowboxing: Representations of Black Feminist Politics. Creator of the digital Harriet Tubman Literary Circle at UT Austin, James is also editor of The New Abolitionists: (Neo)Slave Narratives and Contemporary Prison Writings; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and co-editor of the Black Feminist Reader.Dr. K. Kim Holder is an assistant professor of educational foundations and Africana studies at Rowan University. Dr. Holder earned his doctorate from the University of Massachusetts Amherst in Multicultural Education and African American Studies, his masters in Early Childhood Education from Bank Street College of Education, and B.A. in History from Hampshire College.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

On this episode of Rattling the Bars, to commemorate the 60th anniversary of the founding of the Black Panther Party in 1966, host and former political prisoner Mansa Musa speaks with Dr. Joy James and Dr. K. Kim Holder about the history of the Panthers and their unique approach to, and practice of, communal socialism.This is Part 2 of a two-part conversation. Watch Part 1 here.Guests:Dr. Joy James is Ebenezer Fitch Professor of Humanities at Williams College. She is the author of numerous books, including: In Pursuit of Revolutionary Love; Resisting State Violence; and Shadowboxing: Representations of Black Feminist Politics. Creator of the digital Harriet Tubman Literary Circle at UT Austin, James is also editor of The New Abolitionists: (Neo)Slave Narratives and Contemporary Prison Writings; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and co-editor of the Black Feminist Reader.Dr. K. Kim Holder is an assistant professor of educational foundations and Africana studies at Rowan University. Dr. Holder earned his doctorate from the University of Massachusetts Amherst in Multicultural Education and African American Studies, his masters in Early Childhood Education from Bank Street College of Education, and B.A. in History from Hampshire College.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/rattling-the-bars--4799829/support.Follow Rattling the Bars on Spotify or Apple Podcasts Sign up for our newsletterFollow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkHelp us continue producing Rattling the Bars by following us and becoming a monthly sustainer

Thursday, July 2 on Urban Forum Northwest:*Earl Key, Senior Director of Transportation Equity, Washington State Department of Transportation (WSDOT) comments on WSDOT's revised Small Business Program that complies with the anti DEI initiatives that allows for participation of women and minority owned firms seeking to do business with WSDOT. He is on the agenda later Thursday afternoon for the Washington State Chapter-National Association of Minority Contractor's (NAMC) monthly meeting.*Bob Armstead, president, Washington State Chapter-National Association of Minority Contractors (NAMC) talks about some of the barriers facing his members and minority and women businesses seeking to do business in the state. He's paying attention to one of the largest contracts that WSDOT will undertake soon, the bridge form Vancouver WA to Portland OR that will cost over five billion dollars. Contractors interested in getting more information can go to NAMCWA.COM at 5:00 pm Thursday afternoon.*Elmer Dixon, Owner, Executive Diversity Services and Co Founder, Seattle Black Panther Party talks about the legacy of the party and the current projects that have been completed and others that are in the works. Completed projects include, the Black Panther Park in Skyway, the mural in front of the old Panther office, the Interpretative Center that will be housed in the Metropole Building on Second and Yesler. And the Carolyn Downs Medical Clinic on East Yesler Way is the last standing Black Panther Party medical clinic in the country..*Jazmyn Scott, Director, ARTE NOIR her organization celebrates and sustains Black art, artists, and culture by cultivating inclusive spaces, fostering opportunities and honoring community alongside the diversity and vitality of Black creativity. This past Sunday she hosted the Seattle King County Branch NAACP Afro Cultural Scientific Olympics (ACTSO) winners that will compete at the NAACP National Convention on July 17 & 18 in Chicago.*Randolph Cross of Seattle's Royal Esquire Club comments on the activities from the past month and invites you to the club's very popular First Friday. The members of the Royal Esquire Club raise money for scholarships are engaged in a number of community organizations that help uplift the community.Urban Forum Northwest streams live at www.1150kkknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on Facebook.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This year marks the 60th anniversary of the Black Panther Party, founded in Oakland, California, in 1966. On this episode of Rattling the Bars, host Mansa Musa speaks with Dr. Joy James and Dr. K. Kim Holder about the legacy of the Panthers today, and about the important differences and intersections between democratic socialism and the Black Panther model of communalism.This is Part 1 of a two-part conversation. Subscribe to TRNN and stay tuned for Part 2 next week…Guests:Dr. Joy James is Ebenezer Fitch Professor of Humanities at Williams College. She is the author of numerous books, including: In Pursuit of Revolutionary Love; Resisting State Violence; and Shadowboxing: Representations of Black Feminist Politics. Creator of the digital Harriet Tubman Literary Circle at UT Austin, James is also editor of The New Abolitionists: (Neo)Slave Narratives and Contemporary Prison Writings; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and co-editor of the Black Feminist Reader.Dr. K. Kim Holder is an assistant professor of educational foundations and Africana studies at Rowan University. Dr. Holder earned his doctorate from the University of Massachusetts Amherst in Multicultural Education and African American Studies, his masters in Early Childhood Education from Bank Street College of Education, and B.A. in History from Hampshire College.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

This year marks the 60th anniversary of the Black Panther Party, founded in Oakland, California, in 1966. On this episode of Rattling the Bars, host Mansa Musa speaks with Dr. Joy James and Dr. K. Kim Holder about the legacy of the Panthers today, and about the important differences and intersections between democratic socialism and the Black Panther model of communalism.This is Part 1 of a two-part conversation. Subscribe to TRNN and stay tuned for Part 2 next week…Guests:Dr. Joy James is Ebenezer Fitch Professor of Humanities at Williams College. She is the author of numerous books, including: In Pursuit of Revolutionary Love; Resisting State Violence; and Shadowboxing: Representations of Black Feminist Politics. Creator of the digital Harriet Tubman Literary Circle at UT Austin, James is also editor of The New Abolitionists: (Neo)Slave Narratives and Contemporary Prison Writings; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and co-editor of the Black Feminist Reader.Dr. K. Kim Holder is an assistant professor of educational foundations and Africana studies at Rowan University. Dr. Holder earned his doctorate from the University of Massachusetts Amherst in Multicultural Education and African American Studies, his masters in Early Childhood Education from Bank Street College of Education, and B.A. in History from Hampshire College.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/rattling-the-bars--4799829/support.Follow Rattling the Bars on Spotify or Apple Podcasts Sign up for our newsletterFollow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkHelp us continue producing Rattling the Bars by following us and becoming a monthly sustainer

ARTE NOIR, in collaboration with chef Jimaine "Def Chef" Miller, has reinstated the Free Community Breakfast Program, an initiative originally spearheaded by the Seattle Black Panther Party. Beginning this summer, children and families can receive complimentary breakfasts every Monday, Wednesday, and Friday at the historic Prince Hall Masonic Lodge in Seattle's Central District. This effort aims to honor a legacy of community care, invest in young people, and demonstrate the enduring relevance of the Black Panther Party's principles. Jazmyn Scott, Executive Director of ARTE NOIR, and Jimaine Miller, aka Def Chef, share more information. Interview by Chris B. Bennett.

Walter Riley first got involved with political organizing when he was a 12-year-old boy protesting against Jim Crow-era segregation laws in North Carolina. Since then, he hosted an event with Malcolm X, managed a campaign for the Black Panther Party, helped lead the struggle for ethnic studies, and participated in countless political actions. His new book, “Civil Rights and Structural Attacks,” co-authored with Jesse Strauss, shares lessons from a lifetime of movement-building. The book, which features a foreword from Walter's son, the revolutionary rapper and director Boots Riley, looks back at the anti-apartheid movement, the Oscar Grant uprising, and many other rebellious moments to analyze the victories and shortcomings of these struggles. In this episode, which was recorded in front of a live audience at Local Economy in Oakland, Walter also discusses strategies for overcoming sectarianism and the legacies of local political figures including Jerry Brown, Ron Dellums, and Jean Quan. Special thanks to Rose Khor for audio engineering. To see photos and links related to this episode, visit: https://https://eastbayyesterday.com/episodes/from-jim-crow-to-oscar-grant/ Don't forget to follow the East Bay Yesterday Substack for updates on events, boat tours, exhibits, and other local history news: https://eastbayyesterday.substack.com/ Donate to keep this show alive: www.patreon.com/c/eastbayyesterday

E101: Answering The Call with Rev. Dr. Norvel Goff, Sr.In this episode of The Institute of Black Imagination, host Dario Calmese sits down with Rev. Dr. Norvel Goff, Sr., pastor, civic leader, and former interim pastor of Mother Emanuel AME Church following the tragic massacre of the Emanuel Nine.From his upbringing in Georgetown, South Carolina, during the Jim Crow era to his leadership within the African Methodist Episcopal Church, Rev. Goff reflects on a life devoted to faith, service, justice, and community building. He shares lessons from his journey through ministry, civil rights advocacy, and public leadership, offering a powerful meditation on what it means to serve others, create meaningful change, and imagine a more just future.Together, Dario and Rev. Goff explores leadership, the role of the Black church, intergenerational wisdom, community organizing, healing after tragedy, and the importance of creating a table where everyone has a seat.Key TakeawaysService Is the Highest Form of LeadershipRev. Goff believes leadership begins with serving others. Throughout the conversation, he returns to the idea that greatness is measured not by status, but by a willingness to meet needs, uplift communities, and pour into others.Community Change Requires ParticipationFrom growing churches to organizing with the NAACP, Rev. Goff emphasizes that transformation happens when people engage directly with their communities, build relationships, and work collectively toward solutions.We Are Stronger TogetherOne of the defining themes of the conversation is unity. Whether discussing Charleston, church leadership, or civic engagement, Rev. Goff reminds us that meaningful progress requires collaboration across generations, backgrounds, and institutions.Leadership Begins with ListeningRev. Goff offers a simple framework for leadership: listen, learn, and then lead. Before we can guide others, we must be willing to hear their stories, understand their realities, and remain open to new ideas.Vision Creates Possibility"Without a vision, the people perish." Rev. Goff reflects on the importance of imagination, strategic thinking, and shared purpose in creating better futures for communities and future generations.What We DiscussedGrowing up in Georgetown, South Carolina, during segregationFamily, faith, and community as foundations for leadershipAnswering the call to ministryBuilding congregations and community institutionsThe role of the Black church in civic lifeLeadership during the aftermath of the Mother Emanuel tragedyFaith, justice, and public serviceIntergenerational wisdom and mentorshipThe importance of listening, learning, and leadingBlack imagination, vision, and the future of communityA Playlist Inspired by the Conversation1. "Take My Hand, Precious Lord" – Mahalia Jackson - A timeless hymn of faith, perseverance, and spiritual guidance that reflects the heart of Rev. Goff's ministry.2. "Optimistic" – Sounds of Blackness - A reminder that hope remains possible even during difficult times.3. "I Need You to Survive" – Hezekiah Walker - An anthem of collective responsibility and community support.4. "A Change Is Gonna Come" – Sam Cooke - A civil rights era classic that echoes the themes of justice, faith, and perseverance woven throughout this conversation.5. "Total Praise" – Richard Smallwood - A song of gratitude and surrender that embodies Rev. Goff's unwavering faith.6. "We Shall Overcome" – The Freedom Singers - A reminder that collective action and hope have always been at the heart of social transformation.Books to Complement This Conversation1. The Strength to Love — Dr. Martin Luther King Jr. - A collection of sermons exploring faith, justice, and moral leadership.2. The Cross and the Lynching Tree — James H. Cone - A profound examination of Christianity, race, suffering, and liberation.3. Walking with the Wind — John Lewis - A powerful memoir of faith, courage, and the Civil Rights Movement.4. Moral Leadership for a Divided Age — David P. Gushee - An exploration of ethical leadership in times of social division.5. My Soul Looks Back — Jessica B. Harris - Reflections on culture, memory, ancestry, and community.Memorable Quotes by Rev. Dr. Goff, Sr."We must create a table where everyone has a seat.""If you want to be great in the kingdom, be a servant.""We are stronger together.""Listen. Learn. Lead."Dispatches from the ArchiveEp. 26 Sister Elaine Brown — A Revolutionary Life - Former Chairwoman of the Black Panther Party, Elaine Brown reflects on power, justice, political organizing, and what it means to lead during periods of profound social change. Like Rev. Dr. Goff, she challenges listeners to consider the responsibilities that come with leadership and community stewardship.Ep. 23 Dr. Heather McGhee — The Hidden Cost of Racism - Economic policy expert and author of The Sum of Us, Dr. McGhee explores the connections between racial justice, collective prosperity, and civic responsibility. Her vision of shared flourishing resonates deeply with Rev. Dr. Goff's belief that we are stronger together.Ep. 29 Jacqueline Woodson — Scripting Your Life - National Book Award-winning author Jacqueline Woodson examines how family, history, and place influence who we become. This conversation complements Rev. Dr. Goff's reflections on upbringing, mentorship, and the power of intergenerational wisdom.Ep. 99 Gina Paige — Blood Memories - Gina Paige's exploration of ancestry, belonging, and identity offers a powerful companion to Rev. Dr. Goff's discussion of roots, heritage, and the importance of understanding where we come from in order to imagine where we're...

Jesse Montgomery joins Michael Stauch to discuss It Is Not Enough to Survive: The Young Patriots Story (UNC Press, 2026). They examine how young white migrants from Appalachia and the South fought police brutality, racism, economic exploitation, and displacement through community organizing, and even joined forces with Fred Hampton's Black Panther Party and the Young Lords to create the original Rainbow Coalition in the streets of Chicago in the 1960s and ‘70s. Highlights include: How the Young Patriots evolved from street gang to political organizers active in Chicago's “Hillbilly Harlem,” the Uptown neighborhood; A reminder that poor white workers made up the large majority of migrants from the South during the Great Migrations of the 20th century; How the Young Patriots attempted to “re-signify” the Confederate flag, paralleling efforts by “race traitors” like Noel Ignatiev to reframe white workers in a context of interracial class solidarity; How the story of the Young Patriots is also a story of urban renewal, and the fight against it, in Chicago; A discussion of Merle Haggard's “Okie from Muskogee” and the role of country music in the culture wars of the 1960s. Guest: Jesse Montgomery is a visiting assistant professor of English at Berea College who works on American literature after 1945, Appalachian outmigration, and radical culture. Jesse holds a Ph.D. in English from Vanderbilt University. His writing has appeared in n+1, Popula, Full Stop, and the Journal of Popular Music Studies. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jesse Montgomery joins Michael Stauch to discuss It Is Not Enough to Survive: The Young Patriots Story (UNC Press, 2026). They examine how young white migrants from Appalachia and the South fought police brutality, racism, economic exploitation, and displacement through community organizing, and even joined forces with Fred Hampton's Black Panther Party and the Young Lords to create the original Rainbow Coalition in the streets of Chicago in the 1960s and ‘70s. Highlights include: How the Young Patriots evolved from street gang to political organizers active in Chicago's “Hillbilly Harlem,” the Uptown neighborhood; A reminder that poor white workers made up the large majority of migrants from the South during the Great Migrations of the 20th century; How the Young Patriots attempted to “re-signify” the Confederate flag, paralleling efforts by “race traitors” like Noel Ignatiev to reframe white workers in a context of interracial class solidarity; How the story of the Young Patriots is also a story of urban renewal, and the fight against it, in Chicago; A discussion of Merle Haggard's “Okie from Muskogee” and the role of country music in the culture wars of the 1960s. Guest: Jesse Montgomery is a visiting assistant professor of English at Berea College who works on American literature after 1945, Appalachian outmigration, and radical culture. Jesse holds a Ph.D. in English from Vanderbilt University. His writing has appeared in n+1, Popula, Full Stop, and the Journal of Popular Music Studies. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Jesse Montgomery joins Michael Stauch to discuss It Is Not Enough to Survive: The Young Patriots Story (UNC Press, 2026). They examine how young white migrants from Appalachia and the South fought police brutality, racism, economic exploitation, and displacement through community organizing, and even joined forces with Fred Hampton's Black Panther Party and the Young Lords to create the original Rainbow Coalition in the streets of Chicago in the 1960s and ‘70s. Highlights include: How the Young Patriots evolved from street gang to political organizers active in Chicago's “Hillbilly Harlem,” the Uptown neighborhood; A reminder that poor white workers made up the large majority of migrants from the South during the Great Migrations of the 20th century; How the Young Patriots attempted to “re-signify” the Confederate flag, paralleling efforts by “race traitors” like Noel Ignatiev to reframe white workers in a context of interracial class solidarity; How the story of the Young Patriots is also a story of urban renewal, and the fight against it, in Chicago; A discussion of Merle Haggard's “Okie from Muskogee” and the role of country music in the culture wars of the 1960s. Guest: Jesse Montgomery is a visiting assistant professor of English at Berea College who works on American literature after 1945, Appalachian outmigration, and radical culture. Jesse holds a Ph.D. in English from Vanderbilt University. His writing has appeared in n+1, Popula, Full Stop, and the Journal of Popular Music Studies. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jesse Montgomery joins Michael Stauch to discuss It Is Not Enough to Survive: The Young Patriots Story (UNC Press, 2026). They examine how young white migrants from Appalachia and the South fought police brutality, racism, economic exploitation, and displacement through community organizing, and even joined forces with Fred Hampton's Black Panther Party and the Young Lords to create the original Rainbow Coalition in the streets of Chicago in the 1960s and ‘70s. Highlights include: How the Young Patriots evolved from street gang to political organizers active in Chicago's “Hillbilly Harlem,” the Uptown neighborhood; A reminder that poor white workers made up the large majority of migrants from the South during the Great Migrations of the 20th century; How the Young Patriots attempted to “re-signify” the Confederate flag, paralleling efforts by “race traitors” like Noel Ignatiev to reframe white workers in a context of interracial class solidarity; How the story of the Young Patriots is also a story of urban renewal, and the fight against it, in Chicago; A discussion of Merle Haggard's “Okie from Muskogee” and the role of country music in the culture wars of the 1960s. Guest: Jesse Montgomery is a visiting assistant professor of English at Berea College who works on American literature after 1945, Appalachian outmigration, and radical culture. Jesse holds a Ph.D. in English from Vanderbilt University. His writing has appeared in n+1, Popula, Full Stop, and the Journal of Popular Music Studies. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

"I just loved it. At that point, all I wanted to be was a criminal defense lawyer."In this episode of Killer Cross Examination, host Neil Rockind sits down with legendary Detroit criminal defense attorney James L. Feinberg. With over 50 years of legal experience in the city, Jim shares incredible stories from the front lines of Detroit's legal history—from the massive 10th Precinct narcotics case to defending members of the Black Panther Party.Jim also opens up about his high-profile representation of legendary Detroit athletes and cultural figures, highlighting the deep, lifelong relationships he builds with his clients and their families.#CriminalDefense #DetroitLaw #TrialLawyer #KillerCrossExamination #LegalLegend #BlackPanthers #CourtroomStories⏱️ Timestamps0:00 – Introduction: Welcoming a Detroit Legend1:02 – Finding the Calling: Reading Clarence Darrow at 152:15 – Early Career: Neighborhood Legal Services & The First Juvenile Defender3:10 – The Defender's Office & The Post-Riot Era4:55 – Defending Detroit Icons: Athletes, Philanthropists, and Unforgettable Courtroom Dynamic Duos7:20 – The 10th Precinct Case: A Six-Month Preliminary Examination9:15 – Bridging Communities: Teaching at Foch Junior High10:45 – Representing the Black Panthers & Standing Up to the System13:10 – Dr. Jack Kevorkian, the Aceval Case, and Staying Calm Under Pressure15:40 – Founding CDAM and Creating the Hispanic Bar Association of MichiganAbout Neil Rockind - Neil Rockind is a trial lawyer. Neil Rockind is often considered a bet the farm/company type of lawyer, taking on cases where the stakes are “all in.” Neil Rockind appears regularly on television and in the news, defends people in serious court cases, is a regular guest on the Law and Crime Network and also discusses popular trials and cases and current events with other top lawyers around the country. Neil Rockind has won just about every award imaginable, has represented athletes, celebrities, musicians, public figures and has obtained acquittals in all varieties of cases. His nickname is "The Rockweiler" and he's known for his cross examination style.Neil Rockind:Https://www.X.com/neilrockindlawHttps://www.instagram.com/rockindlaw https://www.rockindlaw.com/http://www.killercrossexamination.com/*************************************Subscribe to Killer Cross Examination® PodcastAPPLE: https://podcasts.apple.com/us/podcast...SPOTIFY: https://open.spotify.com/show/424RIys...GOOGLE PODCASTS: https://podcasts.google.com/feed/aHR0...AUDIBLE:https://www.audible.com/pd/Podcast/B0...******************************************Fair Use DoctrineThe contents are under fair use. It may contain copyrighted materials whose use has not been specifically authorized by the copyright owner. This, in our view, is fair use pursuant to section 107 of the US Copyright Law. Fair use allows limited use of copyrighted material without requiring permission from the rights holders, such as for commentary, criticism, news reporting, research, teaching or scholarship. We retain no rights to that material. To the extent the videos capture images or likenesses, we do not own the rights to those images, likenesses, etc and only use them pursuant to the fair use doctrine.All other rights are reserved.

In this episode, Breht is joined by writer, intellectual, and poet Too Black to discuss his essay "Nonviolence is Violence, Too (Part 2)—We're All in the Gunk." Together, they critically examine the liberal mythology of "nonviolence" as a pure moral alternative to violence, arguing instead that all movements operate within conditions already structured by state, colonial, racial, and imperial violence. Drawing from the Black freedom struggle, Ghana's independence movement, Kwame Nkrumah, Martin Luther King Jr., Malcolm X, the Black Panther Party, Gandhi, Indian independence, riots, armed resistance, and the "positive radical flank," Too Black shows how so-called nonviolent movements have often depended on the threat, presence, displacement, or redirection of violence in order to win concessions. Rather than offering a simplistic celebration of violence, this conversation asks us to think more honestly about power, confrontation, sacrifice, propaganda, state repression, and the real historical conditions under which oppressed people struggle to breathe beneath the boot. At its core, this is a discussion about what movements actually do, how victories are actually won, and why peace is not the absence of conflict, but something that must be fought for.   Listen to our previous discussion on Part 1 of Too Black's essay here: https://revolutionaryleftradio.libsyn.com/nonviolence-is-violence-too-somebodys-gotta-die   Subscribe to Black Myths Podcast ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily interviews Emory Douglas, the Black Panther Party's Minister of Culture and revolutionary artist. The episode centers on a retrospective of his work, Emory Douglas in Our Lifetime, on view at San Francisco's African American Arts and Culture Complex. About Artist Emory Douglas: The former Minister of Culture and Revolutionary Artist for the Black Panther Party, Douglas helped define the aesthetics of protest at the height of the Civil Rights era, cementing his status among the 20th century's most influential radical political artists. Throughout the 1960s and 1970s, he designed all but one of the Party's newspapers, each issue marked by the artist's bold, figurative illustrations outlined in thick black line and contrasted with bright colors, block text, and photomontage. The clearly rendered imagery, applied to a range of printed media from newspapers to posters, notecards, and pins, became a hallmark of liberation movements around the world, as supporters calling for an end to the oppression and subjugation of Black, Indigenous, and other communities sought to project a spirit of shared struggle through a common artistic vocabulary. Douglas was born in Grand Rapids, Michigan. In 1951, his family relocated to San Francisco, where he continues to live today. Widely known as an epicenter of radical countercultural politics in the post–World War II era, the city was also deeply divided and segregated, and it was the injustices that Douglas observed as a child that informed his political ideology as an adult. Beginning in the early 1960s, as a student of commercial art at City College of San Francisco, Douglas made frequent trips to nearby San Francisco State University to see civil rights leaders like Amiri Baraka, Stokely Carmichael, and H. Rap Brown speak. He soon lent his talents to the nascent Black Arts Movement, creating fliers and other promotional artworks to advertise events held across the city. These formative experiences solidified his intentions to dedicate his work to the broader struggle for Black liberation that was taking shape around him. In January 1967, Douglas met Huey Newton and Bobby Seale, two young activists from nearby Oakland, who, months earlier, had founded the Black Panther Party (BPP). Black self-determination was the Party's primary motivation, seeking to improve the position of underprivileged people of color in America through “whatever means necessary.” The organization initially focused on an individual's right to bear arms for defense against police violence, but its attention eventually turned to social justice issues like free breakfast for school children and fair housing. Seeking to promote their civil rights agenda to a primarily Black American audience, the Panthers developed a newspaper, the first of which Seale created and published in April 1967. That first issue was simple in layout and design, leading Douglas to offer his expertise in print production, understanding the power that strong visuals could lend to political action. Beginning with the second, he designed every issue thereafter—some 537 newspapers, from 1967 until it ceased publication in the early 1980s. Douglas quickly rose through the ranks of the organization: he was officially named its Revolutionary Artist and, eventually, Minister of Culture, overseeing all aspects of the BPP visual identity. Douglas's familiarity with the print production process was a fruitful asset, as he employed simple tools like markers, rub-off type, and prefabricated texture materials to create his visually impactful designs. To keep costs low, each paper was printed in one or two colors—black ink, often with a contrasting bright color. His illustrations shone a spotlight on state-sanctioned brutality, depicting law enforcement officers and politicians as pigs, while also portraying Black people bearing arms and defeating their oppressors. Some issues featured images of Black suffering, lambasting the political establishment for failing to meet the basic needs of people of color across the United States. Douglas strategically employed photomontage as well, integrating photographs alongside text and illustrations to emphasize urgent issues facing the Party. The impact and influence of Douglas's designs underscored the importance of a consistent graphic strategy in conveying complex political messages in very simple terms. This success was underscored by the massive global distribution of the newspaper and the frequent use of Douglas's illustrations in the political campaigns for organizations like the Organización de Solidaridad con los Pueblos de Asia, África y América Latina, Organization of Solidarity with the People of Asia, Africa, and Latin America, known as OSPAAAL. Despite the popularity of the Panthers' programs and their frequent struggle against the established white political order, the Party was disbanded in the early 1980s. Douglas continues to work as a political artist and activist, producing work that seamlessly translates complex political issues into easily understood illustration, a hallmark of the pieces he produced as a member of the Panthers. His striking figural illustrations connect him to generations of American artists like Elizabeth Catlett, Aaron Douglas, and Charles White, while his combining of type and image draw on generations of political art emanating from across the world, including contemporaries working in Cuba during the Communist Revolution. Deeply bound to American history and politics, his imagery evokes a powerful, globally resonant narrative. For more on Emory, CLICK HERE.   To learn about the exhibit honoring Emory's revolutionary work, CLICK HERE. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join the boys weekly on Patreon for 8+ hours of monthly content! https://www.patreon.com/c/TheModernApes?vanity=user https://www.patreon.com/c/TheModernApes?vanity=user https://www.patreon.com/c/TheModernApes?vanity=user Welcome back to another GLORIOUS week of The Modern Apes Podcast! We are absolutely juiced for out guest this week, the one and only Marito Lopez!! Known for his wit and quick Canadian humor, Marito wanted to come and talk the Black Panther Party, so we thought we would do a whole ep on "Militant Groups" in America. Even though Daniel is actively going through it with the coughing and the nose bleed and all that, he still powered through to talk the BPP. We basically go through all of the beginnings of the organization and how Huey Newton got the thing off of the ground. If you liked this make sure to comment some Black Panther facts! Then toward the end, after the great nose bleed of mid episode Tristan goes DEEP into the Westboro Baptist Church. You know the God Hates (bad word) Guys lol!! Honestly while not that big, and with recent numbers dwindling the group still has a presence at most well attended public events. If you liked this ep and want to help support the boys make sure to follow the boys on all socials, and get on that Patreon cause its juicy! Chapters: 0:00 Patreon Promo 1:10 Opening Riffs 2:55 Organized Blacks 4:35 Mesh T-Shirts 9:13 The Start of The Panthers 14:00 Huey Newton Origins 17:25 10 Point Manifesto 22:01 Daniel's Nose Bleed 28:20 Minister of Defense 30:00 Marito's Age 33:01 Daniel's Lawsuit 37:30 Raised By Conservatives 47:03 Huey Wrap Up 57:45 Westboro Baptist Church 1:09:09 PATREON NAMES! #comedy #blackpanther #blackpanthers #standupcomedy #standup #military #history #breakdown #learn Learn more about your ad choices. Visit megaphone.fm/adchoices

The Katherine Massey Book Club @ The C.O.W.S. hosts the 5th session on Michelle Alexander's The New Jim Crow: Mass Incarceration In the Age of Colorblindness. Alexander is a non-white female with one White parent and one non-white parent. Despite 15 years of institutional celebration, Gus T. anticipated this being one of the 5 Worst Books Ever. Racists generally do not promote literature that provides an accurate understanding of the System of White Supremacy. Deception by Omission: A serious exploration of prisons and Racism must account for the systemic forces that built them. This book's failure to center COINTELPRO, the torture legacy of Chicago's Jon Burge, or the raw profitability of caging Black men suggests Alexander is guilty of a whole lot of lying. Last week's review included: 1. The "Basically" Deception & The Audio Patch: Alexander claims the 10th Anniversary edition is "basically" the same book, yet we discovered she began "slipping in" massive, structural data, like the $36B Clinton-era housing-to-prison strike, as early as the 2012 audio book. This is Administrative Concealing of her own original errors. She's been running a "live patch" on her scholarship for 14 years to look more "radical" than she actually is. 2. The COINTELPRO Foundation: Alexander details the prosecutorial work of the drug war involves deceiving black male defendants, the use of paid, unidentified, often coerced informants, wiretapping, and draconian sentences to compel suspects to accept plea bargains and/or plead guilty to lesser sentences. She willfully ignores that most of these tactics were hallmarks of the COINTELPRO campaign against innocent black people who were struggling to counter-racism, not peddle drugs. 3. Black People Have Never Been Free: Michelle with 1 White parent told us: “Once upon a time, it was generally understood that the police could not stop and search someone without a warrant unless there was probable cause to believe that the individual was engaged in criminal activity.” All of the book club members united to point out the insanity of such a claim. White people - including children - with or without a badge have had the authority - if not he mandate - to stop any black person, at any time, for any reason. That's what White means - The Law. Reminded Gus of Trayvon Martin and Ahmad Arbery. #TheRedboneDeception #COINTELPRO #TheCOWS17Years INVEST in The COWS – [http://paypal.me/TheCOWS](http://paypal.me/TheCOWS) Cash App: [https://cash.app/$TheCOWS](https://cash.app/$TheCOWS) CALL IN NUMBER: 720.716.7300 CODE 564943#

What if the biggest culture war in America wasn't a grassroots revolution at all… but a system designed to keep ordinary people divided while the people at the top quietly consolidated more power than ever before? In this episode of Keeping It Real, Jillian dives into the hidden history behind modern DEI, identity politics, Cold War influence operations, and the institutional networks that shaped today's corporate and academic culture. From declassified CIA programs and Senate investigations to the Ford, Rockefeller, and Carnegie foundations, this is the hidden history of modern DEI. This episode follows the paper trail through the Cold War, the CIA's “Mighty Wurlitzer” propaganda network, McGeorge Bundy, the Ford Foundation, and the rise of the Black Panthers — whose free breakfast programs, health clinics, and cross-racial Rainbow Coalition threatened to unite working people around class and economic power. J Edgar Hoover and the FBI actually went after Fred Hampton because message wasn't Black vs. white. It was poor people vs. concentrated power. And according to Hoover that was more dangerous than riots and civil unrest. From the Congress for Cultural Freedom and foundation-funded activism to the rise of corporate HR culture and modern diversity bureaucracy, this episode explores how class-based populism may have been replaced by institutionalized identity management designed to absorb outrage without ever threatening the underlying power structure. You'll hear about: The CIA's “Mighty Wurlitzer” influence network Declassified Cold War psychological operations The Ford, Rockefeller, and Carnegie foundations connection to intelligence agencies How J Edgar Hoover's FBI went after the Black Panther Party and Fred Hampton's Rainbow Coalition Why cross-racial working-class solidarity terrified elites The Congress for Cultural Freedom and “managed dissent” How DEI became embedded in universities and corporations Why corporate activism exploded while inequality worsened The psychological mechanics of division and outrage politics How media, bureaucracy, and identity conflict distracts from corruption and economic power #DEI #CIA #FordFoundation 00:00 INTRO 00:48 DEI Was Started By The CIA 01:47 Ford Foundation & The CIA 02:51 The Mighty Wurlitzer: Engineering "Organic" Propaganda 03:56 Funding the "Housebroken" Left 06:06 Laundering Ideology Through Foundations (Ford, Rockefeller, Carnegie) 07:28 John J. McCloy and the CIA-Ford Foundation Merger 08:29 How Massive Endowments Provide Cover for Black Budgets 10:11 The "Long Leash": Seducing Intellectuals Over Defeating Them 12:38 Dummy Foundations 14:04 Thomas Braden: Controlling American Radicals 15:55 Case Study: Infiltrating the Labor Movement and Churches 17:02 The Hypocrisy of Institutional Leaders 18:47 McGeorge Bundy and the Strategy of Social Stability 20:06 Black Panters Fred Hampton and the Threat of the Rainbow Coalition 23:28 Unity is the Danger: Replacing Populism with Grants 26:34 Carnegie's Capture of Universities 29:44 Self-Reproducing Ideology in the Corporate Workplace 31:38 Interpersonal Conflict as a Substitute for Accountability 34:01 Divide, Conquer, and the Path to Solidarity Shopify: Launch your dream business with Shopify. Sign up for your $1/month trial at https://Shopify.com/Jillian and start selling today! Superpower: Stop guessing about your health—get $20 off Superpower at https://superpower.com/JILLIAN with code JILLIAN Fox One: Sign up at https://fox.com to watch Keeping It Real and more on-demand with FOX One. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this NBN episode, host Hollay Ghadery speaks with Wesley Brown about how novella, Looking for Frank Wills (McSweenys, 2026). It's 1972. Tricky Dick is in office, James Brown is on the radio, and Wayne Beasley reluctantly presides over the comings and goings of his barbers and patrons at Wayne's Clip and Trim in Augusta, South Carolina. When one of Wayne's former customers, an unassuming small-town son, is designated 4-F, unfit to serve in Vietnam, he seeks refuge in becoming the next best thing—a security guard for a downtown DC hotel. It is there on a hot summer's night, that Wayne's wayward patron interrupts a break-in that will disrupt the course of a nation's history and his own. Wesley Brown, author of Tragic Magic, Darktown Strutters, and Blue in Green: A Novella, once again remaps the tributaries that run into the stream of our American subconscious, by dipping into the headwaters of pivotal memories and histories to tell the tale from the perspective of the real folks whose stories were too long submerged. Without Frank Wills there is no Watergate. And without Watergate the veil of secrecy and corruption that came to define the Nixon years, warping the very fabric of political discourse from that moment on, would have remained firmly in place. Wesley Brown's re-imagining of the life of Frank Wills reconciles the greatest heist of all—our place in the American story. What was stolen from Wills as he was briefly thrust into the spotlight, while excluded from the annals of history, is reclaimed, as Brown gives voice and breath to the people who loved him and the barber who did his best to guide him. Wesley Brown is an acclaimed novelist, playwright, and teacher. He worked with the Mississippi Freedom Democratic Party in 1965 and became a member of the Black Panther Party in 1968. In 1972, he was sentenced to three years in prison for refusing induction into the armed services and spent eighteen months in Lewisburg Federal Penitentiary. For twenty-six years, Brown was a much-revered professor at Rutgers University, where he inspired hundreds of students. He currently teaches literature at Bard College at Simon's Rock and lives in Chatham, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Wesley Brown about how novella, Looking for Frank Wills (McSweenys, 2026). It's 1972. Tricky Dick is in office, James Brown is on the radio, and Wayne Beasley reluctantly presides over the comings and goings of his barbers and patrons at Wayne's Clip and Trim in Augusta, South Carolina. When one of Wayne's former customers, an unassuming small-town son, is designated 4-F, unfit to serve in Vietnam, he seeks refuge in becoming the next best thing—a security guard for a downtown DC hotel. It is there on a hot summer's night, that Wayne's wayward patron interrupts a break-in that will disrupt the course of a nation's history and his own. Wesley Brown, author of Tragic Magic, Darktown Strutters, and Blue in Green: A Novella, once again remaps the tributaries that run into the stream of our American subconscious, by dipping into the headwaters of pivotal memories and histories to tell the tale from the perspective of the real folks whose stories were too long submerged. Without Frank Wills there is no Watergate. And without Watergate the veil of secrecy and corruption that came to define the Nixon years, warping the very fabric of political discourse from that moment on, would have remained firmly in place. Wesley Brown's re-imagining of the life of Frank Wills reconciles the greatest heist of all—our place in the American story. What was stolen from Wills as he was briefly thrust into the spotlight, while excluded from the annals of history, is reclaimed, as Brown gives voice and breath to the people who loved him and the barber who did his best to guide him. Wesley Brown is an acclaimed novelist, playwright, and teacher. He worked with the Mississippi Freedom Democratic Party in 1965 and became a member of the Black Panther Party in 1968. In 1972, he was sentenced to three years in prison for refusing induction into the armed services and spent eighteen months in Lewisburg Federal Penitentiary. For twenty-six years, Brown was a much-revered professor at Rutgers University, where he inspired hundreds of students. He currently teaches literature at Bard College at Simon's Rock and lives in Chatham, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

From the dawn of the digital age to the current era of “artificial intelligence,” the future of literacy, reading, and book publishing is facing an existential threat. But Paul Coates—legendary activist, publisher, former Baltimore Black Panther Party member, and founder of Black Classic Press—has some critical wisdom to share in these perilous times about the revolutionary necessity of books. At a live event organized by Tubman House and Eddie's Front Porch and recorded at the TRNN studio in Baltimore, MD, on March 6, 2026, community organizer and creator of Healing Justices Erica Woodland sits down with Coates for a wide-ranging discussion about propaganda, publishing, Black literary production, and the past and present of revolutionary politics.Guests:W. Paul Coates is the founder of Black Classic Press and BCP Digital Printing. Black Classic Press, established in 1978, specializes in republishing obscure and significant works by and about people of African descent. A former member of the Black Panther Party, Coates led the effort to establish the Black Panther Archives at Howard University.Credits:Producer / Editor: Cameron GranadinoVideographer: Phil GlaserBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From the dawn of the digital age to the current era of “artificial intelligence,” the future of literacy, reading, and book publishing is facing an existential threat. But Paul Coates—legendary activist, publisher, former Baltimore Black Panther Party member, and founder of Black Classic Press—has some critical wisdom to share in these perilous times about the revolutionary necessity of books. At a live event organized by Tubman House and Eddie's Front Porch and recorded at the TRNN studio in Baltimore, MD, on March 6, 2026, community organizer and creator of Healing Justices Erica Woodland sits down with Coates for a wide-ranging discussion about propaganda, publishing, Black literary production, and the past and present of revolutionary politics.Guests:W. Paul Coates is the founder of Black Classic Press and BCP Digital Printing. Black Classic Press, established in 1978, specializes in republishing obscure and significant works by and about people of African descent. A former member of the Black Panther Party, Coates led the effort to establish the Black Panther Archives at Howard University.Credits:Producer / Editor: Cameron GranadinoVideographer: Phil GlaserBecome a supporter of this podcast: https://www.spreaker.com/podcast/rattling-the-bars--4799829/support.Follow Rattling the Bars on Spotify or Apple Podcasts Sign up for our newsletterFollow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkHelp us continue producing Rattling the Bars by following us and becoming a monthly sustainer

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, we're putting The Tonearm's needle on Caroline Davis, a saxophonist and composer based in New York.Her new album, Fallows, just came out on Ropeadope Records. Caroline made it alone during a residency in Ucross, Wyoming - improvising and recording in a cabin, using prepared saxophone techniques and a unique little instrument called an Organelle to process and build sounds she'd never put to tape before. The result is twelve tracks that use the saxophone as raw material rather than a lead voice.We talk about how that music got made, what it means to deliberately avoid the sound of your own instrument, and Caroline's work teaching music inside Sing Sing prison.(The musical excerpts heard in the interview are from Caroline Davis's album Fallows )—Dig DeeperArtist and AlbumVisit Caroline Davis at carolinedavis.orgPurchase Caroline Davis's Fallows from Ropeadope Records, Bandcamp, or Qobuz, and listen on your streaming platform of choiceLabel and ResidencyRopeadope RecordsUcross Foundation — the Wyoming artist residency where Fallows was recordedCivitella Ranieri Foundation — the Italian residency Caroline attended in 2025Tulu Bayar — Turkish artist who made the paper artwork for Fallows (please verify link)Instruments and TechnologyThe Organelle — Critter & Guitari — the hardware synthesizer/processor central to FallowsORAC by Technobear — Patchstorage — the community-built patch framework Caroline used on the recordCollaborators, Influences, and ReferencesSteve Lacy — soprano saxophonist (1934–2004), honored in the track "Lacy Steve"Geri Allen — pianist and mentor; "Barbara Allen (for Geri)" closes the albumThích Nhất Hạnh — Vietnamese Buddhist monk; a sample of his voice appears on "She Know She Is Water"Connie Crothers — pianist from the Lennie Tristano lineage; a sample of her playing appears on "Cloudburst"Lee Konitz — Caroline's teacher; alto saxophonist (1927–2020)Sam Newsome — soprano saxophonist; prepared saxophone pioneer cited by Caroline as a major influenceChristine Abdelnour — French experimental alto saxophonist; a formative reference for prepared saxophone techniqueAnna Webber — saxophonist and composer, cited for her work with venting vocabularyJames Falzone — clarinetist whose solo tour performance is discussed in the episodeKris Davis — pianist and founder of Pyroclastic Records; cited as a touchstone for prepared pianoSylvie Courvoisier — pianist cited for her prepared piano work (please verify link)Qasim Naqvi — New York-based composer and modular synthesist; a frequent collaboratorLabels and Organizations — Current ListeningOut of Your Head Records — Adam Hopkins's artist-run label; praised in the episodePyroclastic Records — Kris Davis's artist-run label; praised in the episodeAdvocacy and JusticeMusicambia — the organization through which Caroline teaches music at Sing Sing Prison and other facilitiesFREER Records — nonprofit label for incarcerated and formerly incarcerated musicians; Caroline is on the boardKeith LaMar — keithlamar.org — death row prisoner in Ohio whose execution is scheduled for January 13, 2027; wrongfully convicted per advocatesJalil Muntaqim — political prisoner (Black Panther Party) with whom Caroline corresponded; released from prison in 2020The New School — Jazz & Gender course — co-taught by Caroline Davis and Sarah Elizabeth Charles—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Caroline Davis, a saxophonist and composer based in New York.Her new album, Fallows, just came out on Ropeadope Records. Caroline made it alone during a residency in Ucross, Wyoming - improvising and recording in a cabin, using prepared saxophone techniques and a unique little instrument called an Organelle to process and build sounds she'd never put to tape before. The result is twelve tracks that use the saxophone as raw material rather than a lead voice.We talk about how that music got made, what it means to deliberately avoid the sound of your own instrument, and Caroline's work teaching music inside Sing Sing prison.(The musical excerpts heard in the interview are from Caroline Davis's album Fallows )—Dig DeeperArtist and AlbumVisit Caroline Davis at carolinedavis.orgPurchase Caroline Davis's Fallows from Ropeadope Records, Bandcamp, or Qobuz, and listen on your streaming platform of choiceLabel and ResidencyRopeadope RecordsUcross Foundation — the Wyoming artist residency where Fallows was recordedCivitella Ranieri Foundation — the Italian residency Caroline attended in 2025Tulu Bayar — Turkish artist who made the paper artwork for Fallows (please verify link)Instruments and TechnologyThe Organelle — Critter & Guitari — the hardware synthesizer/processor central to FallowsORAC by Technobear — Patchstorage — the community-built patch framework Caroline used on the recordCollaborators, Influences, and ReferencesSteve Lacy — soprano saxophonist (1934–2004), honored in the track "Lacy Steve"Geri Allen — pianist and mentor; "Barbara Allen (for Geri)" closes the albumThích Nhất Hạnh — Vietnamese Buddhist monk; a sample of his voice appears on "She Know She Is Water"Connie Crothers — pianist from the Lennie Tristano lineage; a sample of her playing appears on "Cloudburst"Lee Konitz — Caroline's teacher; alto saxophonist (1927–2020)Sam Newsome — soprano saxophonist; prepared saxophone pioneer cited by Caroline as a major influenceChristine Abdelnour — French experimental alto saxophonist; a formative reference for prepared saxophone techniqueAnna Webber — saxophonist and composer, cited for her work with venting vocabularyJames Falzone — clarinetist whose solo tour performance is discussed in the episodeKris Davis — pianist and founder of Pyroclastic Records; cited as a touchstone for prepared pianoSylvie Courvoisier — pianist cited for her prepared piano work (please verify link)Qasim Naqvi — New York-based composer and modular synthesist; a frequent collaboratorLabels and Organizations — Current ListeningOut of Your Head Records — Adam Hopkins's artist-run label; praised in the episodePyroclastic Records — Kris Davis's artist-run label; praised in the episodeAdvocacy and JusticeMusicambia — the organization through which Caroline teaches music at Sing Sing Prison and other facilitiesFREER Records — nonprofit label for incarcerated and formerly incarcerated musicians; Caroline is on the boardKeith LaMar — keithlamar.org — death row prisoner in Ohio whose execution is scheduled for January 13, 2027; wrongfully convicted per advocatesJalil Muntaqim — political prisoner (Black Panther Party) with whom Caroline corresponded; released from prison in 2020The New School — Jazz & Gender course — co-taught by Caroline Davis and Sarah Elizabeth Charles—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On today's show, activist Ericka Huggins talks about women's prominence in the Black Panther Party. Then, we meet Caroline McCaskey, the new music director of the San Francisco Scottish Fiddlers. And "The Compton's Cafeteria Riot" play transports audiences back to the 1966 uprising of transwomen and drag queens in the Tenderloin against police violence.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.  This week, Emily chats with Kara Maria, a painter and printmaker based in San Francisco Episode Highlights: Kara discusses her large-scale wood panel print on display at Chase Center in San Francisco, created at Magnolia Editions in Oakland with master printer Tallulah Terrell How a monarch butterfly painting became the starting point — and then had to be modified — for the Chase Center commission Her colorful aesthetic, rooted in 1970s cartoons, Spirograph, comic books, and Japanese woodblock prints (particularly Hokusai) The influence of her husband, Mexican artist Enrique Chaya, and their travels to Mexico on her color palette Childhood memory of a school librarian who gave her a shelf in the library for her handmade illustrated books Her journey from music school to painting — and why she knew she could never stop making art Her love of Bay Area edges: the Marina, Ocean Beach, and the view from Mount Davidson Why her studio, SF MoMA, the de Young, and the Legion of Honor all hold special meaning About Artist Kara Maria: Kara Maria is a visual artist working in painting, drawing, printmaking, and public art. Her recent work addresses climate change, biodiversity loss, and their significant impact on humanity. She meticulously paints miniature portraits of threatened, endangered, and extinct animals amid fields of flying shapes, twisting lines, and swirling colors. These works celebrate the joy and exuberance of life, emphasizing the incredible variety of existence on our planet. Maria received her BA and MFA from the University of California, Berkeley. She has exhibited work in solo and group shows across the United States at venues such as the de Saisset Museum at Santa Clara University, CA; the Sonoma Valley Museum of Art, Sonoma, CA; the Nevada Museum of Art, Reno, NV; the Contemporary Arts Museum, Houston, TX; and the Katonah Museum of Art in New York. Maria has been selected for awards and honors, including the Masterminds Grant from SF Weekly; a grant from Artadia; and an Eisner Prize in Art from UC Berkeley. Her work has received critical attention in the San Francisco Chronicle, the Los Angeles Times, and Art in America. She has been awarded artist residencies at the Montalvo Arts Center, the Recology Artist in Residence Program, Djerassi Resident Artists Program, and the de Young Museum Artist Studio. Maria's work is part of the permanent collections of the Berkeley Art Museum and Pacific Film Archive; the Cantor Arts Center at Stanford University; the Crocker Art Museum, Sacramento; the Fine Arts Museums of San Francisco; the Frederick R. Weisman Art Foundation, Los Angeles; the Museum of Fine Arts, Houston; and the San Jose Museum of Art, among others. Born in Binghamton, NY (1968), Kara Maria now lives and works in San Francisco, CA. Links & Resources: Visit Kara's Website: KaraMaria.com Follow Kara on Instagram:  @Kara Maria Art Kara Maria's work is on display at Chase Center as part of the Homegrown Series (alongside work by Masako Miki, featured in Episode 60) CLICK HERE FOR MORE INFO -- Coming Up Next: Episode 70 on May 19th — Emery Douglas, graphic artist and former Minister of Culture for the Black Panther Party. His show Emery Douglas: In Our Lifetime is at the African American Art and Culture Complex in San Francisco through October. -- About Podcast Host Emily Wilson: Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco. Follow Emily on Instagram: @PureEWil Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast -- CREDITS: Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.  Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.  For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Movie of the Year: 1971Sweet Sweetback's Baadasssss SongThe Sweet Sweetback's Baadasssss Song PodcastThe Sweet Sweetback's Baadasssss Song podcast brings Ryan, Mike, and Greg to one of 1971's most radical and uncompromising films. Melvin Van Peebles wrote, directed, produced, scored, edited, and starred in this landmark independent work — entirely outside the Hollywood system. The result is a film unlike any other in the bracket. Above all, it challenges every assumption about who gets to make movies, and why.This week, the Taste Buds dig into three major threads: the film as a revolutionary political act, its polarizing form and style, and its complex treatment of sex and gender. Furthermore, they induct a film into the PopFilter Hall of Fame and take on Recast the Podcast. It is a wide-ranging, debate-heavy episode from first minute to last. The Movie of the Year 1971 bracket has produced bold conversations — and this one may be the boldest yet.About the FilmSweet Sweetback's Baadasssss Song follows Sweetback (Van Peebles), a Black sex-show performer raised in a brothel. When police use him as a convenient patsy, he fights back — killing two racist cops and becoming a fugitive. He runs south toward the Mexican border. Along the way, the Black community shelters him. Bikers, revolutionaries, and sex workers cross his path. Consequently, the film becomes less a conventional chase narrative and more an odyssey of Black survival and defiance.Van Peebles privately funded the film after walking away from a studio deal at Columbia Pictures. He served as one-man auteur across every department. The film opened in just two theaters in March 1971 — Detroit and Atlanta. Nevertheless, it broke box office records on opening night and went on to gross over $15 million. The MPAA assigned it an X rating. Van Peebles turned that into the defiant tagline: "Rated X by an all-white jury." The Black Panther Party declared it required viewing for all members.Learn more at the Wikipedia entry for Sweet Sweetback's Baadasssss Song and the IMDb listing. The Criterion Collection has released a definitive edition of the film — explore it at Criterion.com. The American Film Institute has also recognized the film's landmark status — read the AFI Movie Club entry here.A Movie Revolution: Van Peebles and the Politics of IndependenceVan Peebles did not simply make a film — he staged a full act of defiance. Studio backing, the ratings system, and traditional distribution were all refused outright. Moreover, he financed part of the production by borrowing $50,000 from Bill Cosby, keeping total creative control throughout. The result was a film the industry could not co-opt, contain, or dismiss. For listeners of any Melvin Van Peebles podcast or documentary, the story of how this film got made is as remarkable as the film itself.The release strategy was equally radical. Van Peebles released the soundtrack before the film — an unusual move at the time — to build word-of-mouth in Black communities without spending money on traditional advertising. The score featured a very young Earth, Wind & Fire. By contrast, Hollywood in 1971 was still releasing social-problem films that sought respectability over truth. Sweetback rejected that approach entirely. Notably, its commercial success proved that Black-led, Black-financed films could find a massive audience without white institutional gatekeepers.Ryan, Mike, and Greg debate what Van Peebles' revolution actually accomplished. Was it the birth of a genuinely new Black cinema? Or did it also open the door for the blaxploitation genre — a category Hollywood quickly co-opted and stripped of its radical politics? Additionally, the Taste Buds ask whether the DIY model Van Peebles pioneered holds lessons for independent filmmakers working today. As a blaxploitation film podcast discussion, this episode goes deeper than genre classification — it asks what political filmmaking actually costs.Form, Style, and Watchability: A Sweet Sweetback's Baadasssss Song Podcast Deep DiveThe film's style is not subtle. Van Peebles employs jagged jump cuts, kaleidoscopic superimpositions, and psychedelic sound design throughout. These choices feel closer to Jean-Luc Godard than to anything playing at an American theater in 1971. However, they also produce a film that polarizes audiences to this day. The Sweet Sweetback's Baadasssss Song podcast tackles this polarization head-on.Some viewers find the style exhilarating — a sustained howl of rage rendered in pure cinematic form. Others find the loose structure and repetitive sequences frustrating. The Taste Buds confront this tension directly. Furthermore, they ask whether "watchability" is even the right standard for a film that never set out to be comfortable or conventional.The soundtrack adds another dimension entirely. Van Peebles composed and performed the score himself, with Earth, Wind & Fire providing the instrumental backing. The music pulses through the film like a second heartbeat. Consequently, sound and image work together to create a sensory experience unlike any other 1971 film in the bracket. Ryan, Mike, and Greg weigh in on whether Van Peebles' formal choices ultimately serve the film's political goals — or occasionally work against them.Sex, Gender, and ControversySweetback's sexuality is central to the film's identity. His sexual power is his primary weapon and his means of survival. Van Peebles frames this as a form of liberation — a radical Black body asserting itself against a system designed to destroy it. However, the film's treatment of women and of queer characters draws sharp criticism from contemporary audiences.Women in the film exist largely in relation to Sweetback's desires. The film includes graphic sexual content, some of it deeply uncomfortable by any modern standard. Moreover, the film's portrayal of lesbian characters is explicitly homophobic. The Taste Buds wrestle with how to hold these contradictions honestly. A film can be genuinely revolutionary and genuinely problematic at the same time. In fact, Sweet Sweetback's Baadasssss Song may be the most complex example of that tension in the entire 1971 bracket.Additionally, the film's opening sequence — depicting a child's sexual initiation — has unsettled audiences for over fifty years. Van Peebles cast his own son Mario in the role. That decision raises serious ethical questions that Ryan, Mike, and Greg do not avoid. Ultimately, the conversation around sex and gender in this film is not a comfortable one — and that discomfort is precisely what makes it essential. This is one of the most challenging discussions in the 1971 film podcast series to date.PopFilter Hall of FameEach season of Movie of the Year, the Taste Buds set aside the bracket to recognize films that define an era. The PopFilter Hall of Fame is not about winning a head-to-head matchup. It honors the films that changed cinema itself — the ones that opened doors, broke rules, and made everything that came after possible.The Hall of Fame carries special weight in this episode. Sweet Sweetback's Baadasssss Song raises the question of what "greatness" means for films that operate outside mainstream critical frameworks. A film does not need to be comfortable, polished, or widely loved to be important. The Hall of Fame exists precisely to honor that distinction. This week, the hosts make their cases for a 1971 inductee. Tune in to hear which film earns the honor — and whether all three Taste Buds can agree on the pick.Recast the PodcastIn Recast the Podcast, Ryan, Mike, and Greg take on one of cinema's great thought experiments. They choose a film and rebuild the cast from scratch — drawing on actors from any era, any genre, any corner of film history. Each host makes their picks. Then the debate begins.Sweet Sweetback's Baadasssss Song presents a unique challenge for Recast the Podcast. The film was defined by Van Peebles' decision to cast himself. Sweetback's blank-faced, nearly wordless presence was a deliberate choice — not a performance in the conventional sense, but a statement. Who could step into that role today? Who has the gravity, the physicality, and the political weight to carry the film's central conceit? The Taste Buds bring their full range of cinematic knowledge to the question. Listen in to hear their picks, the reasoning behind each choice, and where the three hosts inevitably disagree.Why Sweet Sweetback's Baadasssss Song Still MattersSweet Sweetback's Baadasssss Song was never meant to be easy. Van Peebles built it as a provocation — a film that demanded a response. More than fifty years later, it still gets one. The film's influence runs through Spike Lee, John Singleton, Ava DuVernay, and virtually every Black filmmaker who followed. However, its importance is not only historical. The questions it raises about representation, power, and who controls the means of production are still urgent today.Furthermore, the film's DIY model anticipated the independent film movement by decades. Van Peebles proved that a filmmaker could retain complete creative control, bypass the studio system entirely, and still reach an enormous audience. That lesson has...

Cat Brooks talks to Nana Gyamfi about Birthright Citizenship, the 14th Amendment and the implications of the Trump administration trying to reverse these rights. Nana Gyamfi is the Executive Director of the Black Alliance for Just Immigration or BAJI. Anniversary of Murder of Bobby Hutton with Chairman Fred Hampton Jr.Chairman Fred Hampton Jr. is a Chicago-based community organizer, activist.  He is the president and chairman of the Prisoners of Conscience Committee and Black Panther Cubs.  He is the son of the Black Panther Party leader Fred Hampton.   Dream Beyond Bars Film Festival (CURYJ) w/ George Galvis is the Co-founder and executive director of Communities United for Restorative Youth Justice.   Screenshot Event: Dream Beyond Bars Film Festival (CURYJ) Tuesday, April 7, 2026 at 05:00 – 9:00 PM at The New Parkway Theater• 474 24th St, Oakland 94612    — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Birthright Citizenship and the 14th Amendment. Remembering the Murder of Bobby Hutton. And, DBB Film Fest appeared first on KPFA.

#foryou #podcast -We're All Insane Plus for Bonus Episodes, Ad-Free Listening, Access to New Show, Guided Mediations: https://wereallinsane.com Zacch was raised in an end-times cult where one man controlled everything—families, money, marriages… even the children. Kids were taken from their parents, underage girls were married off, and abuse was part of everyday life. Zacch's Links: https://podcasts.apple.com/us/podcast/boiled-frogs/id1655270404 https://open.spotify.com/show/3UWrUeu5GHx4XMxfGQeuyj?si=PLHNmxaoRtunXxY6hPAe3Q Time Stamps: 00:00:05 – What is it like growing up in a cult from birth? 00:00:17 – How do cult leaders justify their beliefs after criminal behavior? 00:00:44 – How does a cult actually start and gain followers? 00:02:13 – What are early warning signs that a church is turning into a cult? 00:02:57 – Why do cult leaders often blame women for “sin” or “lust”? 00:03:21 – How do cults normalize inappropriate or abusive behavior in public? 00:05:25 – Why do people with traumatic pasts join cults? 00:06:09 – How does childhood trauma make someone vulnerable to manipulation? 00:07:33 – What was the Black Panther Party and what did they actually do? 00:10:33 – How does witnessing violence as a child affect later decisions? 00:11:40 – How do cults slowly isolate members from family and society? 00:12:26 – Do cult leaders control relationships and marriages? 00:13:07 – Why do people agree to arranged marriages in cults? 00:14:27 – Why do cult leaders make false “end of the world” predictions? 00:15:15 – What happens when cult members give up all their money and assets? 00:16:13 – What is daily life like inside a remote cult commune? 00:17:20 – Do cults deny medical care and what are the consequences? 00:18:14 – What happens when deaths occur inside isolated religious groups? 00:19:52 – How can cult leaders manipulate life-or-death decisions? 00:21:14 – Why would a cult defend or support violent criminals? 00:23:01 – What happens when a community turns against a dangerous cult? 00:24:59 – Is physical abuse normalized inside extreme religious groups? 00:26:16 – How are children punished and controlled in cult environments? 00:27:55 – What does “being cut off” or isolated punishment feel like in a cult? 00:29:44 – Do kids in cults receive a real education? 00:31:28 – How does starvation or food control get used as punishment? 00:32:15 – How are children dehumanized or treated as disposable in cults? 00:34:18 – How does growing up in a cult affect emotional development? 00:37:21 – What happens when someone tries to leave a cult? 00:39:56 – Why do former members struggle to reconnect with family after leaving? 00:41:55 – Why do cult leaders take children away from their parents? 00:45:51 – What is it like experiencing the outside world for the first time? 00:49:13 – When do victims start realizing something is seriously wrong? 00:50:30 – How do children find the courage to leave abusive environments? 01:02:00 – What are the long-term psychological effects of growing up in a cult? 01:14:30 – How do survivors rebuild their identity after leaving a cult? 01:27:00 – Why do some members stay loyal even after abuse is exposed? 01:40:15 – What lessons can people learn to avoid manipulation or control? 01:52:30 – How does someone fully heal after escaping a cult upbringing? If you have a unique story you'd like to share on the podcast, please fill out this form: https://forms.gle/ZiHgdoK4PLRAddiB9 or send an email to wereallinsanepodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Simma Lieberman and Elmer Dixon go back over 50 years — she was in the Young Patriots, he was co-founding the first Black Panther Party chapter outside California. In this conversation, they cut through the lies, revisionist history, and current attacks on DEI to talk about what the Black Panther Party actually stood for, why erasing Black history will never work, and what it takes to stay courageous when the political winds turn ugly. Elmer shares what it was like to transition from revolutionary to corporate diversity consultant, corrects the record on the myths about the Panthers, and gives three direct pieces of advice for anyone trying to stay grounded right now. What You'll Hear •      Why Elmer and Simma were part of the original Rainbow Coalition — and who actually coined that phrase (hint: it wasn't Jesse Jackson) •      The two biggest lies still being told about the Black Panther Party — and the truth behind them •      What it felt like to leave the movement and step into "Babylon" with four kids to feed •      A Black student who compared the Panthers to the KKK — and what that tells us about deliberate historical distortion •      How the Netherlands teaches Black Panther history in school while the U.S. tries to erase it •      The Seattle Black Panther Legacy Center opening this June in Pioneer Square •      Why DEI is not affirmative action, and what "DEI hire" really reveals about the people saying it •      Elmer's three things everyone needs right now: self-education, self-love, and courage Timestamps [01:30] Introducing Elmer Dixon — 52 years of knowing each other, Black Panthers and Young Patriots [03:00] Elmer's full bio — Seattle BPP, city cabinet, Executive Diversity Services, global work [06:30] Is it still important to talk about race? Elmer answers directly [08:00] From revolutionary to corporate America — the transition, the trauma, and the four kids [11:00] The early days: co-founding the Seattle chapter, Bobby Hutton's funeral, J. Edgar Hoover's threat designation [15:00] Bobby Seale for Mayor, political prisoner, shifting eras inside the party [18:00] Simma's question: What do you say to people spreading lies about the Black Panther Party? [20:00] Correcting the record — Japanese BPP member Mike Tagawa, mixed-race members, Huey Newton's own words on racism [23:00] The Rainbow Coalition — who really coined the phrase, and which organizations were part of it [25:00] The two lies: "They were racist" and "They were violent" — and what the party actually stood for [29:00] The art school student who compared the Panthers to the KKK — and how deliberate distortion works [32:00] Speaking in France, and why Dutch schoolchildren learn the real Black Panther history [36:00] The attempt to erase Black history — why it won't work, and who's holding the torch [39:00] The Seattle Black Panther Legacy Center — Pioneer Square demo site opening June 2025, permanent site search [43:00] Young people picking up the torch — the Black Panther Park mural, the historic family home as landmark [46:00] DEI is not affirmative action — what "DEI hire" really means, and why companies are wrong to be scared [50:00] Paper tigers — how the Panthers faced Nixon and Hoover, and what that means for today [53:00] Elmer's three pieces of advice: self-educate, love yourself first, be courageous Guest Links •       Elmer Dixon website: elmerdixon.com •       Book: Die Standing: From Black Panther Revolutionary to Global Diversity Consultant (Two Sisters Writing and Publishing, 2023) •       Elmer's TEDx Talk: Stories from the Revolution's Front Lines   Connect with Simma •       Website & episodes: raceconvo.com •       Email: simma@simmalieberman.com •       Donate to support the show: raceconvo.com   Guest Bio Elmer Dixon has spent his life fighting for justice, equality, and belonging—values rooted in who he is and the experiences that shaped him. At 17, inspired by the Black Liberation Movement of the 1960s, he co-founded the Seattle Chapter of the Black Panther Party with his older brother, Aaron. It was the first chapter outside of California, and together they built a movement that provided essential services to Black and Brown communities in their city.   Connect with Simma Lieberman Need a speaker, facilitator, or dialogue leader who helps people talk with each other—not past each other? Contact Simma: simma@simmalieberman.com Learn more and support the show: RaceConvo.com  Instagram Facebook Twitter LinkedIn Tiktok Website Share the Conversation If this episode made you think, please share it with a friend or colleague. Real conversations across differences start when someone decides to listen. Please help these necessary conversations continue- Make a one-time, or monthly tax-deductible donation of $5.00  https://fundraising.fracturedatlas.org/everyday-conversations-on-race-for-everyday-people All donations are tax deductible through Fractured Atlas. Loved this episode?  Leave us a review and rating   Previous Episodes Why We Can't Stop Talking About Race: A Conversation with Carole Copeland Thomas What Happens When a White Neighbor Writes a Black Woman's Story? Do We Still Need to Talk About Race?

In this exclusive sit-down interview, NBT Millz sits down with Paul Birdsong, Chairman of the Black Lion Party, formerly known as the Black Panther Party, for a raw, unfiltered conversation about the mission behind one of Philadelphia's most talked-about organizations.Birdsong opens up about:- The evolution from the Black Panther Party to the Black Lion Party and what it means for the movement- Ongoing efforts to collaborate with Philadelphia Mayor Cherelle Parker on a community food initiative-His stance on law enforcement and why he doesn't trust the police-Why he refuses the label of Black Nationalist and what he actually stands for-And the statement that has everyone talking what he says he's willing to do for the causeThis is the interview Philadelphia didn't know it needed. Watch until the end.TIME STAMPSIntro - 0:00Mission of party - 2:25Solidarity Bringing Conflict And Resistance - 4:00Child Hood & Upbringing - 6:15 Rewiring the mind - 8:30Navigating Noteriety and Paranoia - 13:00Working With The Police - 14:00 What it takes to join the party - 22:30Responses from other leaders/Taking The Black Panther Name Back - 27:25Dying Behind The Mission - 36:25Succession Plan - 38:15Working With Mayor Parker - 40:15Impact For the next year - 43:00Should People be Afraid - 44:15Support the show

On December 4, 1969, a pre-dawn police raid at 2337 West Monroe Street in Chicago left 21-year-old Black Panther leader Fred Hampton dead. Authorities called it a shootout. Evidence later suggested something far more deliberate.In this episode of When Killers Get Caught, Brittany Ransom examines the assassination of Fred Hampton, chairman of the Illinois chapter of the Black Panther Party and a rising national leader targeted under the FBI's COINTELPRO program. We break down the role of informant William O'Neal, the alleged drugging of Hampton, the 99 shots fired during the raid, and the 13-year legal battle that exposed federal coordination with local law enforcement.But this story goes beyond one night.We explore Hampton's Rainbow Coalition, his community programs like the Free Breakfast Program, and why multiracial, working-class solidarity was viewed as a threat by powerful institutions. This episode also connects the political climate of the 1960s — including the Civil Rights Movement, Vietnam War protests, and urban uprisings — to ongoing conversations about government surveillance, police violence, and state power today.Was this a tragic raid gone wrong or a calculated political execution?The truth always leaves a trail.If you're interested in true crime, political history, FBI surveillance, civil rights, and the psychology of state violence, this episode is essential listening.

It's the last week of Black History Month, so we're bringing you some of our favorite episodes about Chicago's contributions to Black history. In 2023, the Illinois Chapter of the Black Panther Party was listed in the National Register of Historic Places, the culmination of a yearslong effort to landmark a collection of sites associated with the Black Panthers. About a year before they won that historical recognition, host Jacoby Cochran talked with Leila Wills, executive director of the Historical Preservation Society of the Illinois Chapter of the Black Panther Party. They discuss where the Black Panthers worked in Chicago and about Wills' personal connection to the history as the daughter of party members. Good News: ⁠Rooted & Radical Youth Poetry Festival Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 23 episode:  Steppenwolf Theatre Griffin MSI South By Southwest — Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

Portland author David F. Walker and illustrator Marcus Kwame Anderson have worked together before - on a 2021 graphic novel about the Black Panther Party. This time they’ve teamed up on something a little different: an update of the classic American novel “The Adventures of Huckleberry Finn.” In their version, the escaped slave Jim is more than just Huck’s companion; he’s a fully imagined character. Walker joined us on Dec. 2, 2024 to talk about the work of updating an American classic.  

Van and Rachel discuss the documentary ‘Melania' before reacting to Nicki Minaj's appearance at a Trump event and the congressional fight over DHS. Plus, Ashley Allison, owner of The Root, joins to discuss the importance of Black media. (0:00) Black Panther Party (14:53) The ‘Melania' movie (27:47) Nicki Minaj and Trump (52:26) Congress's fight over DHS (1:18:27) Ashley Allison joins the show (2:10:16) Ray J's health Hosts: Van Lathan and Rachel Lindsay Guest: Ashley Allison Producers: Donnie Beacham Jr. and Jade Whaley Social Producer: Bernard Moore Video Supervision: Chris Thomas Vote here for the NAACP Image Awards: vote.naacpimageawards.net Learn more about your ad choices. Visit podcastchoices.com/adchoices

Van and Rachel react to a weekend of sports before discussing Stephen A. Smith and frat life, the Black Panther Party in 2026, and military aid in Israel. Plus, Gavin Newsom caves to Ben Shapiro, and Candace Owens has a theory … a conspiracy theory. (0:00) Intro (0:58) Sisqo or Ne-Yo (9:01) Feeling for Josh Allen (24:21) Stephen A. Smith misspeaks (44:20) A Divine 9 discussion (57:50) The Black Panther Party in 2026 (1:11:20) AIPAC and congressional funding (1:36:07) Gavin Newsom sits with Ben Shapiro (1:53:33) The Charlie Kirk conspiracy Hosts: Van Lathan and Rachel Lindsay Producers: Donnie Beacham Jr. and Jade Whaley Social Producer: Bernard Moore Video Supervision: Chris Thomas Learn more about your ad choices. Visit podcastchoices.com/adchoices

Breht speaks with veteran organizer, revolutionary strategist, Elder of the movement, and author Eric Mann. Together they discuss Eric's life and work, including his book on George Jackson, the Hard Hat riot against Vietnam protesters, how to organize effectively in the work place, Eric's personal relationship with Howard Zinn, the importance of revolutionary  journalism, combatting chauvinism, and SO much more. Check out Part One of Breht's discussion with Eric HERE Opening clip from Mother Country Radical podcast More Biography of Eric Mann: Eric Mann (born December 4, 1942) is a civil rights, anti-war, labor, and environmental organizer. He has worked with the Congress of Racial Equality, Newark Community Union Project, Students for a Democratic Society (SDS), the Black Panther Party, the United Automobile Workers (including eight years on auto assembly lines) and the New Directions Movement. He was also active as a leader of SDS faction the Weathermen, which later became the militant left-wing organization Weather Underground. He was arrested in September 1969 for participation in a direct action against the Harvard Center for International Affairs and sentenced to two years in prison on charges of conspiracy to commit murder after two bullets were fired through a window of the Cambridge police headquarters on November 8, 1969. He was instrumental in the movement that helped to keep a General Motors assembly plant in Van Nuys, California open for ten years. Mann has been credited for helping to shape the environmental justice movement in the U.S. He founded the Labor/Community Strategy Center in Los Angeles, California and has been its director for 25 years. In addition, Mann is founder and co-chair of the Bus Riders Union, which sued the Los Angeles County Metropolitan Transportation Authority for what it called "transit racism", resulting in a precedent-setting civil rights lawsuit, Labor Community Strategy Center et al. v. MTA. Mann is the author of books published by Beacon Press, Harper & Row and the University of California, which include Taking on General Motors; The Seven Components of Transformative Organizing Theory; and Playbook for Progressives: 16 Qualities of the Successful Organizer. He is known for his theory of transformative organizing and leadership of political movements and is acknowledged by many as an veteran organizer on the communist left. ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/