POPULARITY
16 episodes with design university
2 episodes with design university
3 episodes with design university
2 episodes with design university
2 episodes with design university
We're excited to bring you our exclusive Anniversary Edition of Speak by Design University.When does it start? January 1, 2025.What's included?Weekly group lessons focused on monthly themesWeekly group coaching, addressing topics brought by membersMonthly Signature Training (12 trainings valued at $8340!)Full access to our Vault of video lessons and workbooksNetworking with other driven professionalsOption to include private coachingJump in now and set yourself up for a transformational year ahead! This deal will expire December 31st at midnight. Take a look at www.speakbydesign.com/join. Hosted by Ausha. See ausha.co/privacy-policy for more information.
Did you know the best coach you'll ever have is already with you—every moment of every day? It's you. We'll show you how to master the art of self-coaching, turning that critical inner voice into your greatest cheerleader.Through real-world scenarios and actionable strategies, we dive into what it means to truly coach yourself. Learn how to replace self-doubt with confidence, move past mistakes with resilience, and develop the kind of nurturing inner dialogue that fuels growth. We'll guide you through five transformative steps to quiet self-criticism, focus on progress, and unlock a stronger, more self-assured version of you.This is your moment to take control of your mindset and embrace the powerful leader within. Don't miss this empowering episode—it's time to become your own greatest coach.*****This is the last month to take advantage of the Anniversary Year discounts for Speak by Design University. We've designed an amazing array of lessons and trainings to grow your leadership communication skills.Take a look at www.speakbydesign.com/join. That's our leadership communication program that includes private, group, and self-paced learning for every learning style. Hosted by Ausha. See ausha.co/privacy-policy for more information.
Have you ever stopped to think about your own communication preferences? Do you expect email replies within hours? Do you prefer phone, video, email, or in person meetings? Or maybe you dread the ambiguous "check-in call" on your calendar? Here's the thing: unspoken preferences often lead to unnecessary friction and misunderstandings within teams.Leaders need to discuss communication styles with peers and team members openly—especially when working with new hires or cross-functional teams. You'll learn how small adjustments, like renaming meeting titles or sharing pre-reads in advance, can dramatically improve team dynamics and decision-making.Discover the questions every leader should ask to streamline communication and create a more collaborative, productive, and enjoyable workplace.Take this step to remove friction—your team will thank you.How you speak is how you lead. Want to study this with other leaders? Take a look at our 25th Anniversary Edition of Speak by Design University. Register by December 31st to partake in Your Most Powerful Year: www.speakbydesign.com/join. That's our leadership communication program that includes private, group, and self-paced learning for every learning style. Hosted by Ausha. See ausha.co/privacy-policy for more information.
Registration is now open for Speak by Design University: 25th Anniversary Edition, Your Most Powerful Year Yet.speakbydesignuniversity.com/anniversaryImagine 12 months of vibrant, career-enriching training sessions, each designed to equip you with masterful tools to influence, engage, and inspire. From dynamic communication strategies to powerful frameworks that make preparation easy and fun, this program will give you a whole new perspective on your capabilities.It's your time to go for it. Make 2025 the year you feel brand-new, sharp, and wise. This is more than a course; it's an enlightening experience that will transform you into a more confident, influential leader.Hosted by Ausha. See ausha.co/privacy-policy for more information.
Only two months left of the weekly podcast! Then, we are taking it private in Speak by Design University. If you are enjoying, please leave us a review.Be watching your email for some special offers that start in January 2025.Next year is our 25th Anniversary Year, and we are making it a special year.Email us at team@speakbydesign.com if you wish to be added to the mailing list. ****This December we are offering a special workshop on Delivering and Receiving Truth Bombs. Take a look at www.speakbydesign.com/join. That's our leadership communication program that includes private, group, and self-paced learning for every learning style. Hosted by Ausha. See ausha.co/privacy-policy for more information.
Cheryl Miller's groundbreaking book, "Here: Where the Black Designers Are," serves as a pivotal documentation of Black designers and their contributions to the field, addressing the historical disenfranchisement faced by many within the community. Throughout the podcast, Miller shares her personal journey, highlighting the challenges she witnessed while conducting portfolio reviews and the lack of guidance for aspiring Black designers. She emphasizes the importance of education and mentorship, recounting her experiences in a predominantly white industry and the necessity of creating spaces for underrepresented voices. Miller's passion for design justice and advocacy echoes throughout the conversation, as she discusses her commitment to ensuring that the stories of Black designers are not only preserved but celebrated. As she reflects on her own career, Miller inspires listeners to recognize their own narratives and the power of their contributions to the design landscape.Welcome to Works In Process w/ George Garrastegui, Jr. / Ep 32 ---Takeaways: Cheryl Miller emphasizes the importance of education for aspiring Black graphic designers. She reflects on the historical disenfranchisement experienced by Black designers in America. Miller's journey illustrates the critical need for diversity in the design industry. The podcast discusses how mentorship can transform the careers of young designers. Cheryl shares her personal experiences that shaped her advocacy for design justice. She highlights the significance of preserving the stories of Black designers for future generations. ---Companies mentioned in this episode: MICA Howard University University of Texas Art Center College of Design University of Connecticut AIGA Cooper Hewitt IBM BET Marriott M&M American University Georgetown University Corcoran School of the Arts Princeton Architectural Press Links referenced in this episode:www.aiga.orgwww.mica.eduwww.howard.eduwww.pratt.eduwww.emorydouglas.comwww.cornelwest.comwww.union-edu.comwww.simonandschuster.comwww.wiley.comwww.chroniclebooks.comFollow GUEST NAME via: Personal Website / Instagram————CreditsEditor: RJ BasilioResearch and Transcription Reviewer: Or SyzflingierIntro / Outro Music: The System Has Failed Us - The Passion...
Tackle one of the most powerful skills you can master in your career: managing up. Whether you're aiming to build a stronger relationship with your boss or looking to earn the trust of higher-ups, this lesson is packed with insights you won't want to miss.We are diving into why being assertive is a game-changer and how you can confidently bring solutions, not just questions, to the table. You'll discover the magic of giving positive feedback to your supervisor and how this simple act can strengthen your professional bond. I'm sharing my top tips on reading between the lines and taking initiative, even when tasks aren't explicitly assigned to you. You'll learn how to set realistic timelines, communicate effectively, and keep your boss in the loop with regular check-ins. Plus, we'll discuss the importance of speaking up in meetings and even how to rescue your leader when they need it most.Grab your notepad and tune in. This lesson is all about empowering you with the tools and confidence to manage up like a pro. It's a great way to strengthen your relationship with your leader, too.***If you like this topic and want to study great communication more closely, check out Speak by Design University at www.speakbydesign.com/join. That is where we study great communication as a practice and build these habits. The program includes private and group coaching with self-paced lessons and networking. Hosted by Ausha. See ausha.co/privacy-policy for more information.
Let's address a myth that in person meetings are better than virtual meetings. Virtual meetings offer unparalleled convenience with the ease of scheduling, ease of recording and screen sharing. They are a fraction of the cost considering the time, effort, and expense of travel. However, not all virtual meetings are created equal. Everyone needs to be on camera, well-lit, and properly positioned to make a meeting great.We will walk through do's and don'ts for visual impression, facilitation skills, and special considerations for the hybrid meeting. Ready to elevate your virtual and hybrid meeting game? Tune in to this episode for all the insights and tips you need to make your next meeting a success. Let's dive in and make every virtual encounter as powerful as an in-person one!***Want to see us walk our talk in the way we handle virtual meetings, join Speak by Design University and see us in action: www.speakbydesign.com/joinHosted by Ausha. See ausha.co/privacy-policy for more information.
Have you been told you need to speak up in meetings or that you could be more assertive? Being asked to be more assertive means you're valued, and your team wants to see more of your brilliance. Explore how you can take up more space, lead discussions, and show your leadership skills without feeling offended or defensive.Find the right balance between being confident and not crossing over into aggressive. We'll talk about mindset shifts that can help you naturally become more assertive from the inside out. From shaking off nerves to not worrying about others' opinions, we've got you covered with practical tips.Plus, we'll share strategies for making your voice heard in meetings, whether by kicking off discussions, asking clarifying questions, or summarizing next steps. It's all about showing your presence and adding value. Listen and learn how to boost your assertiveness and make a bigger impact in your meetings.***Would you like a private coach to guide you? Sign up and join Speak by Design University at the first of the month: www.speakbydesign.com/join. Hosted by Ausha. See ausha.co/privacy-policy for more information.
It's game-changing when leaders master the 5 Most Important Stories. If you've ever struggled to make your message stick or felt like your words just weren't making the impact you wanted, then listen in. We're breaking down the five most important stories every leader should have in their back pocket to elevate their interactions and the impact of their words.Stories aren't just fluff. They're powerful tools that prove your expertise and move your audience to action. Think about it: data is forgettable, but wrap that data in a compelling story, and you've got something remarkable - - something that will stick with people. Learn practical steps for you to identify and craft your own powerful stories. Whether you're using these in interviews, sales, or the boardroom, these stories will help you communicate with authenticity and impact. Learn how to turn everyday experiences into compelling narratives that resonate and leave a lasting impression.***Want us to help you build these stories? Join us at the start of next month in Speak by Design University: www.speakbydesign.com/joinHosted by Ausha. See ausha.co/privacy-policy for more information.
One of the most important meetings for leaders is the townhall. Leaders use townhall meetings to articulate a new strategy, reset and improve the company culture, and create an accelerated pace of productivity. Maybe your strategy keeps shifting. Maybe it has been too complicated. Maybe people are struggling to believe it's possible. It's the leader's responsibility to make sure the message is clear and conveyed in a way that resonates with the full audience. How do you do this? Listen in to learn about the common pitfalls to avoid and how to structure a message of impact in 5 steps. ********Want to change communication skills and elevate your impact on those around you? Go to www.speakbydesign.com/join to sign up for Speak by Design University. Hosted by Ausha. See ausha.co/privacy-policy for more information.
What kind of voices do you gravitate toward? Why do you like that vocal style?We make a lot of assumptions about a person by the way they sound. We make assumptions about their knowledge, capabilities, competence, leadership potential, and motivation.How can you create a vocal presence that conveys both confidence and credibility?Vocal Presence, as a study, includes 6 elements of voice: pitch, pace, volume, variety, weight, and direction. You have to be heard. A strong vocal presence helps your ideas be heard. It helps you keep people's attention. Design the voice YOU want. If you don't like your voice, change it. Learn how to use your voice to convey confidence, credibility, and connection in this lesson on Vocal Presence.***Would you like to work on your voice with a private coach? Join Speak by Design University to go through our Vocal Presence course while working with a private coach. www.speakbydesignuniversity.com/monthlyvoicecoachingIf you join by March 31, you will also get the new course for April, which is Credential Stories. Stephanie will lead us through 3 lessons on how to build and deliver stories that inspire, educate, and convince your audiences.
People are most interesting... when they are interested.Could you be a degree more fascinated in your own status update?Could you marvel at the team's achievement more?Could you show more interest in other peoples' ideas?What else makes a person interesting? Deep dive into your delivery style and your way of structuring your ideas. Maybe a quote, story, analogy, or humor bit could grab peoples' attention faster.When you share something unexpected, the audience leans in. When you are an interesting person, you also get talked about. It helps you expand your network and increase visibility. Learn how to "Be Interesting" in Lesson 7.If you want to work with a private coach on these skills, join us at the beginning of the month in Speak by Design University: https://www.speakbydesign.com/joinIf you are interested in becoming a coach, sign up for our Coach Certification waitlist, https://www.speakbydesign.com/certification
Are you looking to develop a more senior presence in meetings? Are you spending more time with senior leaders and need to act more peer-like? Research suggests that these 4 behaviors are a sign of maturity. Are you calm under pressure?Are you able to put out a contrary opinion?Can you make a decision and move on?Do people know you care about them?When you can answer yes to all of these, you have gravitas. Explore 4 practical ways to infuse gravitas into your day-to-day communication. Leave a lasting impression of authority and confidence because of the way you behave.Want to bring a half day or full day learning experience to your team? Contact team@speakbydesign.com to schedule an event.Ready to take your leadership to the next level? Join Speak by Design University and master the art of gravitas through personalized coaching sessions. Don't miss out—visit www.speakbydesign.com/join to enroll and join us at the first of the month.
How do some people naturally stand out and command attention? They know how to use contrast and intensity. These are two concepts that create executive presence. When you know how to apply this to your image, body language, and vocal presence - - people stop and listen. This is critical for commanding a room. Listen as I walk through practical ways to weave these strategies into your day-to-day communication. You can start incorporating these immediately into virtual and in person meetings. We have half day trainings available for small and large groups, contact team@speakbydesign.com to bring us to your office in person or virtually. If you are ready to master these concepts through private coaching, you have to join me in Speak by Design University: www.speakbydesign.com/join.
Want to learn the most efficient way to build trust? It's through visual leadership. Visual leadership is the concept of using aesthetics to help you connect and influence. Your visuals are the first things an audience notices about you. You can't be “the obvious choice” if you are blending in or worse, invisible. Listen as I discuss how the elements of body language, dress, and visual graphics combine to leave lasting impressions.If you are ready to become an exceptional communicator, join me in Speak by Design University: http://speakbydesign.com/join. Want to bring Speak by Design training to your office or team, write to us at team@speakbydesign.com.
How do great leaders articulate visions and strategies so easily? They think differently. They have an expansive mindset. Leadership is a point of view. If your point of view is from your job description only, you are missing the mark.Learn the mental skill of thinking bigger so that you have no trouble articulating a vision, a mission, and global strategies. When we hear someone speak with aspirations bigger than ours, we are inspired. This is how you get people to listen and follow.Interested in more? For February 2024 only, Stephanie is leading a 3-part series on "Commanding the Room" in Speak by Design University. This is our program that combines private coaching, group meetings, and self-paced learning. When you register by January 31, you will also be invited to our signature course on "Personal Branding", the perfect course for a fresh start.Interested in group events or coach certification, contact team@speakbydesign.com.
SummaryIn the first episode of our 2024 season, our host Stephanie Fortunato speaks with Tairone Bastien, curator of 'A Feral Commons', a global public art co-commission project that examines the often unrecognized co-dependence and open-ended collaborations between human and non-human beings. The project is led by Alserkal Advisory in collaboration with GCDN and with support from UAP – and features site-specific installations located in three cultural districts worldwide: Alserkal Avenue, Kingston Creative, and Victoria Yards.Guest bioTairone Bastien (he/him) is an independent curator based in Toronto and an Assistant Professor in the Criticism and Curatorial Practice program at Ontario College of Art and Design University. Tairone co-curated the inaugural Toronto Biennial of Art in 2019 and in 2022. From 2011-2016, Tairone established the arts program at Alserkal Avenue and the Alserkal Residency in Dubai, for artists, curators, and researchers in the Middle East, North Africa, and South Asia. From 2005-2010, he was a curator for Performa in New York City, co-organizing the first three editions of the ground-breaking biennial of live performance art. Tairone holds a Master of Art from the Center for Curatorial Studies, Bard College, New York; and a Bachelor's Degree in Art History with a Minor in Critical Studies in Sexuality from the University of British Columbia. External referencesA Feral Commons Website: https://aferalcommons.com/A Feral Commons ArtistsIo Makandal: https://iomakandal.com/Muhannad Shono: https://muhannadshono.com/Camille Chedda: https://www.camillechedda.com/Alserkal article detailing A Feral Commons: https://alserkal.online/words/the-global-co-commissionUrban Art Project (UAP): https://www.uapcompany.com/Alserkal: https://alserkal.online/Kingston Creative:https://kingstoncreative.org/Victoria Yards: https://www.victoriayards.co.za/Toronto Biennial: https://torontobiennial.org/Hassan Sharif: https://en.wikipedia.org/wiki/Hassan_SharifAna Tsing: https://en.wikipedia.org/wiki/Anna_TsingFeral Atlas, 79 field reports from scientists, humanists, and artists that show you how to recognize “feral” ecologies: https://feralatlas.org/Mushroom at the end of the world: https://en.wikipedia.org/wiki/The_Mushroom_at_the_End_of_the_WorldArticle detailing Chedda's Art Exhibition: https://our.today/jamaican-camille-chedda-selected-for-climate-themed-art-exhibition/Juksgei River, Johannesburg South Africa: https://en.wikipedia.org/wiki/Jukskei_RiverWater for the Future, an organization dedicated to reviving the Jukskei river's ecosystem through collaborative, community-based spatial interventions. Collaborating with Makandal on her exhibition: https://www.waterforthefuture.co.za/ LinkedInsTairone Bastien : https://www.linkedin.com/in/tairone-bastien-6310608/?originalSubdomain=caAlserkal LinkedIn:https://www.linkedin.com/company/alserkal/Camille Chedda:https://www.linkedin.com/in/camille-chedda-8233bb33/Io Makandal:https://www.linkedin.com/in/io-makandal-schiess-6b693629/ InstagramsMuhannad Shono: https://www.instagram.com/muhannad.shono/Io Makandal: https://www.instagram.com/iomakandal/Camille Chedda: https://www.instagram.com/camillechedda/Alserkal: https://www.instagram.com/alserkalavenue/
What does it take to lead an organization? Do you want to excel as a leader in any organization?Here are the 50 leadership communication skills summarized. We will dive into each one over the next 50 episodes, to help you transform. Great leaders are great speakers.We will be releasing one lesson per week. If you are ready to create a career of your dreams, it is time to learn the tools. Join me in Speak by Design University: http://speakbydesignuniversity.com/joinWant to become a Leadership Communication Coach, sign up for Certification: https://speakbydesign.com/certification
How can exhibition teams help to decolonize design? What are the pitfalls cultural organizations should watch out for in their DEI (diversity, equity, and inclusion) initiatives? What's a supertoken and why are cluster hires a better strategy? And what does it mean to approach the process indigenous-first? The new book, “Decolonizing Design: A Cultural Justice Guidebook” offers answers to all these questions and more, thanks to author Dr. Dori Tunstall. Now starting her own consulting firm, Dori was previously the dean of the faculty of design at OCAD in Toronto. She was also the first black dean of a faculty of design anywhere. In this episode, Dr. Tunstall joins host Jonathan Alger (Managing Partner, C&G Partners) to talk about her new book, what it means for the field of design, and how listeners can begin their own process of “decolonizing design” — from understanding the deep roots of the issue, all the way to writing smarter job postings.Guest Bio:Elizabeth "Dori" Tunstall is a design anthropologist, researcher, academic leader, writer, and educator. She was dean of the faculty of design at OCAD University (Ontario College of Art and Design University) in Toronto, Canada, and the first black dean of a faculty of design anywhere. Tunstall holds a PhD and an MA in anthropology from Stanford University and a BA in anthropology from Bryn Mawr College.About:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.comShow Links:Author Website for “Decolonizing Design: A Cultural Justice Guidebook”:https://decolonizingdesignbook.wordpress.com/(The site includes a list of IBPOC bookstores to buy from, and locations for Dori's book tour)Publisher (MIT Press) Website for “Decolonizing Design”: https://mitpress.mit.edu/9780262047692/decolonizing-design/Upcoming Website for Dori's New Firm (available later in Fall 2023):https://www.doritunstall.com/ Show Contact: https://www.makingthemuseum.com/contacthttps://www.linkedin.com/in/jonathanalgerNewsletter:Like this episode? Subscribe to the Making the Museum newsletter (the best way to hear about new podcast episodes). It's a one-minute regular read on exhibition planning for museum leaders, exhibition teams and visitor experience professionals. Subscribe at: makingthemuseum.com
Ich freue mich sehr, euch meinen heutigen Gast Max Speicher vorstellen zu können. Ursprünglich kommt Max aus der Informatik, ist aber bei Design und UX hängen geblieben, nachdem ihm zum ersten Mal klar geworden war, wie viel man bei Interfaces eigentlich falsch machen kann. Das ist mittlerweile über 12 Jahre her. Seitdem hat er sich ein wenig rumgetrieben – von Start-up über Uni bis Konzern und von Reiseportalen über Augmented Reality bis Fashion E-Commerce – und dabei versucht, die Welt mit gutem Design ein bisschen besser zu machen. Wenn er nicht als Director of Product Design mit seinem fantastischen Team am Online-Shop von BestSecret arbeitet, spielt er Ringtennis, schreibt Gedichte, oder liest einfach. Ich spreche mit Max darüber, wie wissenschaftlich ich eigentlich meinen User Research durchführen muss, wie ich sicher gehen kann, die richtige Methodik zu wählen und ob zu viel Research auch dafür sorgen kann, wahre Innovation und Kreativität zu verhindern. (01:30) Max Weg zum User Design(08:53) Ein typischer Tag als Director of Product Design bei BestSecret(12:20) Das Gleichgewicht zwischen Innovation und Research finden(20:16) Wie wissenschaftlich muss Research sein?(30:11) Die größten Fehler und besten Methoden beim UX Research(37:51) Mut zum Research Max LinksMax WebsiteMax Medium-ProfilMax Newsletter Max Buchempfehlungen“My ultimate list of books you need to read if you want to truly understand digital design” RessourcenNielsen Norman GroupSpezialisierung User Experience Research and Design - University of Michigan (Coursera) Ich hoffe, ihr fandet diese Folge nützlich. Wenn ihr auch die nächsten nicht verpassen wollt - abonniert UX Heroes doch auf Spotify, Apple oder eurem Lieblingspodcaster - ihr könnt uns dort auch bis zu 5 Sterne als Bewertung dalassen. Wenn Ihr Fragen oder Feedback habt, lasst uns doch eine Sprachnachricht auf ux-heroes.com da und wir beantworten sie mit etwas Glück in einer der nächsten Folgen. Ihr findet ihr mich auf LinkedIn unter Markus Pirker. Bis bald bei UX Heroes. UX Heroes ist ein Podcast von Userbrain.
Design theory helps us understand how and why visual information impacts us the way that it does, and how we communicate and receive that information via the design choices we encounter. It affects how we relate to new art and technology, what we buy, and who we uplift in our society. But how have we arrived at the current norms of modernist design, and which voices have been at the forefront of establishing these practices? In her book Decolonizing Design: A Cultural Justice Guidebook, author Dori Tunstall sets out to challenge the paths through European-based standards and practices that have classically informed the design world. In historically excluding the cultures of Indigenous, Black, and People of Color communities, Tunstall argues that modernist design has oppressed the people whose lands and lives it sought to reshape, thus advancing the global project of colonization. This guidebook is focused on the transformation of design theory and practice by addressing these harms and recentering these communities globally across the realm of design. Tunstall stitches together over 15 years of research and lived experience in the design field, presenting a look at how understanding the decolonization effort offers infinite possibilities within the world of modernist design. Elizabeth (Dori) Tunstall is an educator, advocate, and leader within the intersectional design world. Her work has been featured in Print magazine, Fast Company, AIGA's Eye on Design, and Design Observer, among other venues. She currently serves as Dean of the Faculty of Design at Ontario College of Art and Design University, Toronto, and is the first Black person to hold such a post globally. Decolonizing Design: A Cultural Justice Guidebook Third Place Books
Featured Guest: Samantha Balajadia, Product Design Intern, Dialogue About the Guest: Samantha is a Product Designer completing her Master of Information at the University of Toronto, specializing in User Experience Design. She is currently a Product Design intern at Dialogue, Canada's leading virtual care provider, where she works closely with designing digital experiences for their internal and external stakeholders (clients). Before that, she did her undergraduate in Communication, Culture, Information, Technology, Cinema Studies and Psychology, and held positions in design research at her university. ... Credits: Designed by the Research Labs Platform Produced by SundayPyjamas Hosted by Nishi Panchal Created by PrathameshRR Directed by Bhavin Patel Music: Ukiyo - Calling (EP) Copyright of Sunday Pyjamas Private Limited 2022
Sergio es consultor en transformación humana organizacional y facilitador de cambio cultural sistémico. Después de 10 años viviendo en el extranjero, Sergio ahora vive en su ciudad natal CDMX. A Sergio le importa cuidar profundamente las conversaciones sistémicas transformadoras para crear futuros más sostenibles y armoniosos. Durante los últimos 18 años, Sergio ha trabajado como pensador, filósofo y diseñador en los temas de Transformación, Aprendizaje y Diseño Ontológico en entornos complejos. Sergio ha liderado y establecido equipos en las Americas para firmas internacionales de consultoría organizacional y ha trabajado con cientos de líderes en organizaciones globales. Sergio ha completado su segundo año como estudiante de doctorado en Estudios Transformativos y tiene una maestría en Innovación y Emprendimiento del Instituto Federal Suizo de Tecnología y la Universidad de Texas. Ha sido miembro de la facultad y docente de la Maestría en Design in Strategic Foresight para el Ontario College of Arts and Design University, para la Melbourne Business School y la Universidad del Medio Ambiente en México.
The Nova Scotia Art and Design University is welcoming a new President. Peggy Shannon arrives with 20 years of experience as a professor and administrator, most recently at San Diego State University. Portia speaks with her, about stepping into a role that's been fraught with controversy.
Architect Eric Nay joins us on the podcast to speak about where his interest in architecture began, where his inspiration comes from and the importance of community along with the positive impact that architects can have on their community. He also gives us an insight into the ‘Architecture Connects' initiative where groups of teachers explored the design process with an architect. This initiative was run as a collaboration between Arts in Junior Cycle and The Irish Architecture Foundation. Eric has practiced architecture and design in offices in New York City, Chicago and California and has held faculty appointments in Canada, the US and the UAE. Eric teaches architectural history and theory as well as environmental and industrial design studios at Ontario College of Art & Design University. He was one of 17 architects who participated in Architecture Connects. This initiative is run in collaboration with Irish Architecture Foundation, where a architects facilitate small groups of teachers in exploring the design process. www.artsinjuniorcycle.ie/podcast-design/eric-nay
Anne and Alison interview Jon Claytor about his new book, Take the Long Way Home, a story of words and drawings. "In Take the Long Way Home, Claytor explores alcoholism, love, and family through heart-rending vignettes and expressive linework. This is the story of a man who unpacks a difficult past, only to discover that even at his lowest point, he was never truly alone."Jon Claytor is a Maritime-based artist, painter, and writer. He is a co-founder of SappyFest, an independent music and arts festival and was a bartender and co-owner at Thunder & Lightning Ideas Ltd. in Sackville, New Brunswick. Jon is a father to five children and, for him, being a father is the biggest part of being an artist.Jon Claytor's work ranges from oil painting and watercolour to filmmaking, and he recently became a comic-writer. He worked with Ingram Gallery in Toronto and exhibited his paintings in Los Angeles. Jon holds an MFA from York University (2012), attended Nova Scotia College of Art and Design University (1991), and holds a BFA Mount Allison University (1998).The book is out April 22, 2022: https://www.conundrumpress.com/forthcoming/take-the-long-way-home/Jon's Instagram: https://www.instagram.com/jon_claytor_art/
We're taking a look at some of our favorite moments from the 2021 Fast Company Innovation Festival. Here's a conversation about design as a force for good with Jake Barton, designer as well as founder and principal of Local Projects; Felipe Memoria, designer and founding partner of Work & Co.; and Dori Tunstall, dean of Faculty of Design at the Ontario College of Art & Design University.
Stephanie E. Hanes was born in Alberta, Canada in 1985. In 2009 they received a BFA from The Nova Scotia College of Art and Design University in Halifax, Canada. Hanes is a recent MFA Graduate of Ceramics at the Rhode Island School Of Design in 2017 and received the prestigious Toby Devan Lewis Fellowship for a graduate student with exceptional promise. Stephanie was one of the artists awarded the 2020 NCECA Emerging Artist Prize. In addition, they have exhibited Internationally with a solo show at C.R.E.T.A Rome Gallery in Italy and several group shows at Lefebvre et Fils Gallery in Paris, France. Their ceramic sculptures have been exhibited throughout the USA in New York City, Providence, Seattle, Portland, and Los Angeles. Hanes is a full-time lecturer in 3D4M at the University of Washington in Seattle, where they teach sculpture and ceramics. Topics Discussed In This Episode: The male gaze vs the female gaze The art of turning the internal world into external objects Female bodies always changing to suit the patriarchal norms of the time Using the techniques of “chiaroscuro” and “englaze luster” in their sculptures Their research into queer and feminist theories Identity and gender expression Pansexuality Grappling with pain and suffering “À Priori” and “À Posteriori” Immanuel Kant's writing on metaphysics Semiotics Following false prophets in our patriarchal society Their residency in Rome in 2014 where they started creating ceramic sculptures and where they created their body of work entitled, “Into The Looking Glass” @ C.R.E.T.A. Rome. The Medusa in symbolizm The extinguishing of female powers by the patriarchy Their decision into why they decided to get an MFA Teaching her university students about gender, equality, and diversity Making ideas palatable in art “Find a way to make work no matter what” Authors and Book Recommendations: Bell Hooks Chimamanda Ngozi Adichie “Glitch Feminism: A Manifesto” by Legacy Russell “A Cyborg Manifesto” by Donna J. Haraway Artists Mentioned: Carolee Schneemann Theaster Gates Simone Leigh Katy Schimert Films and Documentaries Mentioned: Promising Young Woman (2020) Feminists: What Were They Thinking (2018) This Changes Everything (2018) artistdecoded.com stephaniehanes.net instagram.com/stephanie.hanes
Christopher Watt is a studio potter and educator specializing in the atmospheric-firing processes of salt-glazing and wood-firing. Currently based in Montana, Christopher's work involves the production of wheel-thrown forms, preparation of local glaze materials and the resulting material evidence of the making and firing processes. Christopher was born and raised in Vancouver, British Columbia, Canada. He completed a Master of Fine Arts degree at Utah State University in Logan, Utah, USA, a Bachelor of Fine Arts degree from Nova Scotia College of Art and Design University in Halifax, Nova, Scotia, Canada and a three-year diploma in Art, Craft and Design from Kootenay School of the Arts at Selkirk College in Nelson, British Columbia, Canada.
Dr. Dori Tunstall joined Ontario College of Art & Design University in 2016, as Dean of Design. As part of the senior management team, she plays a vital role in steering aspects of the academic and administrative agendas within the Faculty of Design, as well as related research, outreach, fundraising and operational activities. As the university has initiated the challenge of decolonizing its institution, Dori advocates and communicates how Respectful Design serves the appropriate design ethos for this process. Dori is a design anthropologist, public intellectual, and design advocate who works at the intersections of critical theory, culture, and design. She leads the Cultures-Based Innovation Initiative focused on using old ways of knowing to drive innovation processes that directly benefit communities. With a global career, Dori served as Associate Professor of Design Anthropology and Associate Dean at Swinburne University in Australia. She wrote the biweekly column Un-Design for The Conversation Australia. In the U.S., she taught at the University of Illinois at Chicago. She organized the U.S. National Design Policy Initiative and served as a director of Design for Democracy. Industry positions included UX strategists for Sapient Corporation and Arc Worldwide. Dori holds a Ph.D. in Anthropology from Stanford University and a BA in Anthropology from Bryn Mawr College. Bon talks with Dori about her journey from anthropology to design, role of design in new technologies and how we can decolonize design.
Inclusion and equity don't just happen because it is part of your mission statement. Creating a space where all members feel a sense of belonging is a process. And today I am in conversation with Dori Tunstall who has been working in the area of diversity, equity, inclusion and decolonization. Dori Tunstall is Dean of Design at Ontario College of Art and Design University in Toronto, Canada. Our conversation stretches from the language of inclusion to the insights that mushrooms and design thinking bring to our understanding of our fundamental interconnectedness.
In this episode, I'm welcoming artist, designer, and podcaster Duane Jones to Bold Company. Duane and I talk about some of the very real struggles of running a creative business, include what it's like when you just can't find the motivation to create, pricing yourself in a way that honours your time, talent, and work, when it's actually okay to work without pay, how difficult it can be to outsource (but how great it can be as well), and more. Get ready for a very real peek behind the curtain of creative business and enjoy my conversation with Duane. About Duane Duane is a Bermuda born multi-disciplinary artist currently based in Kjipuktuk. His work blurs the lines between commercial and fine art – jumping between paintings, drawings and digital tools. Duane holds an Associates Degree in Art and Design from Bermuda College, a Communication Design (Honours) degree from the Nova Scotia College of Art and Design University and a Master's Degree in Information Management from Dalhousie University. Duane's work challenges commonly held beliefs around race, culture, gender and sexual orientation. Recently, Duane's explored his Bermudian roots in the form of paintings and apparel designs that reference Bermuda's landscape and slavery abolitionist, Mary Prince. Duane is most known as the founder of Art Pays Me, a lifestyle brand rooted in the belief that artists can achieve the dream of financial and creative independence. Art Pays Me was nominated for Most Innovative Business of the Year by The Halifax Chamber of Commerce in 2021. Duane was also named one of the most inspiring immigrants in the Maritimes in 2021 by My East Coast Experience and has been nominated for The Coast's Best of Halifax Reader's Choice award twice for fashion design, once for podcasting and has appeared in a number of media outlets. Links Art Pays Me (website): https://artpaysme.com/ Art Pays Me (podcast): https://artpaysme.com/blogs/art-pays-me-podcast My episode on Art Pays Me: https://artpaysme.com/blogs/art-pays-me-podcast/amy-eaton Duane on Instagram: https://www.instagram.com/artpaysme/ Music Credit: Happy Life by FREDJI https://soundcloud.com/fredjimusic https://www.facebook.com/fredjimusic/ Music promoted by Audio Library https://youtu.be/u4PI5p5bI9k
In this episode I talk with Sayjel Vijay Patel. Sayjel is an MIT-trained architect, technologist and the Co-Founder and Chief Technology Officer at Digital Blue Foam. Sayjel's past work bridges across the scales of software, materials, and cities, often mashing-up industrial technologies in new and provocative collaborations; From a Bartending System using Kuka Robots for Google I/O; to developing an award-winning Mars 3D printing concept for NASA, to designing a fleet of emotion-sensing robots for the Shenzhen Biennale in 2019. Sayjel was a Founding Professor at the Dubai Institute of Design and Innovation (the DIDI), the first Design University to open in the UAE, where he pioneered a new format of combinatorial design education - where students are trained in 2 different design disciplines simultaneously. Before joining the DIDI, Sayjel was a Researcher with the SUTD Digital Design and Manufacturing and Design Center in Singapore, where he invented an award winning software for multi-material 3D printing. Since 2013, Sayjel has coordinated “CodeKitchen”, an ongoing series of peer-to-peer learning labs and workshops to bridge emerging technology and design practices. Today, Sayjel is concentrating 100% of his time as the co-founder, and CTO of Digital Blue Foam - an architectural software start-up. Digital Blue Foam's mission is to create the algorithms, interfaces, and operating systems, to accelerate the decarbonization of the building industry. In his free time, Sayjel loves to oil paint, and spend quality time with his wife and daughter. In our podcast Sayjel and I talk about the importance of urban density, how two key metrics are the most important way to drive low carbon cities, and how to scale design strategies at an urban level to reduce the carbon footprint of city dwellers. I hope you enjoy our conversation! -------------------- You can read more about this podcast in the podcast's Show Notes. Please Support this Podcast: The Twenty First Century Imperative podcast relies entirely on user support. If you find it valuable please consider supporting us by becoming a patron at our TFCI Patreon Page. And we now have a new TFCI Online-shop, with all the proceeds going to cover our production costs! And It has some great products for you! We have organic, fair-trade t-shirts and hoodies, as well as non-toxic BPA-free coffee containers, with great graphics! So, if you like the podcast, please think about helping us out by buying a t-shirt, hoodie or mug for you (and one for each of your friends!!!)
In this episode, Ipshita talks to Professors Walter Little and Lynne Milgram about their long-term research on social entrepreneurship. Walt's work with indigenous peoples in Guatemala and Mexico and Lynne's focus on women workers in Philippines lay the ground for a rich conversation and help rethink the globally standardized ideas on what constitutes social entrepreneurship. We also discuss the links between social entrepreneurship and ‘development' and explore the ways in which ethnographic work and economic anthropology help scholars transcend static frameworks of analysis and gain a deeper sense of the distinctive needs, motivations and values that peoples and communities bring to entrepreneurial labor. Walter E. Little is Professor of Anthropology at the State University of New York at Albany, with a PhD from the University of Illinois at Urbana-Champaign. He studies the social and political economies of Latin American indigenous peoples, particularly in Guatemala, Mexico, and in the Albany, NY region. His multi-sited ethnographic research combines political economy and interpretive perspectives in order to better understand the politics of identity, economic development, cultural heritage and tourism in urban places, and the everyday practices of handicrafts production and marketplace interactions. He is the author of numerous articles, books, and reviews, including Mayas in the Marketplace: Tourism, Globalization, and Cultural Identity (2004), which won Best Book of 2005 from the New England Council for Latin American Studies, and Street Economies in the Urban Global South (2013), coedited with Karen Tranberg Hansen and B. Lynne Milgram, which won the Society for the Anthropology of Work Book Prize. Walt is also the author of Norms and Illegality: Intimate Ethnographies and Politics, co-edited with Cristina Panella (2021). B. Lynne Milgram is Professor of Anthropology at Ontario College of Art and Design University in Toronto. Her research on gender and development in the northern Philippines has analyzed the cultural politics of social change with regard to women's work in microfinance, handicrafts, and in the Philippine-Hong Kong secondhand clothing trade. Milgram's current SSHRC funded Philippine research investigates transformations of urban public space and issues of informality, extralegality, and social entrepreneurship with regard to street vending, public markets, and food provisioning systems. Additionally drawing on transnational trade network scholarship, recent projects also analyze the northern Philippines' emergent specialty Arabica coffee industry and artisans' use of Information and Communication Technology (ICT) to market their crafts. Milgram has published this research in refereed journal articles and book chapters and in five co-edited volumes, including Economics and Morality: Anthropological Approaches (2009, with Katherine E. Browne), and Street Economies in the Urban Global South (2013, with Karen Tranberg Hansen and Walter E. Little).
Dean Michael Horswell engages in conversation with Daniel Bolojan as they discuss innovation in deep learning, through the project Deep Himmelb(l)au, and how it can impact the future of Architecture.Deep learning is an artificial intelligence (AI) function that imitates the workings of the human brain in processing data and creating patterns for use in decision making. Daniel Bolojan is an Assistant Professor, in the School of Architecture, for the Dorothy F. Schmidt College of Arts and Letters, at Florida Atlantic University. He is currently focusing on the application of computational design and deep learning strategies in architecture and architectural design process. Over the years, he has taught several design studios and seminars at the Institute of Structure and Design-University of Innsbruck, Florida International University Miami and conducted numerous international workshops and conference workshops, dealing with the application of complex systems and Neural Networks in architectural design.He is currently a Ph.D. candidate at the University of Applied Arts, Institute of Architecture, Vienna – Austria.
In today's episode, I speak with Dori Tunstall. Dori is the Dean of Design at Ontario College of Art and Design University, and the first black female dean of a faculty of design. She is a design anthropologist, public intellectual, and design advocate who works at the intersections of critical theory, culture, and design. Dori leads the Cultures-Based Innovation Initiative focused on using old ways of knowing to drive innovation processes that directly benefit communities.We dive into the depth of design and its interconnectedness with meaning and purpose, the importance of aligning your values with what you do to create understanding and empathy for cultural differences, as well as tactical ways to practice inclusive leadership by listening deeply and responding with compassion and generosity.
Dean Michael Horswell engages in conversation with Daniel Bolojan as they discuss innovation in deep learning, through the project Deep Himmelb(l)au, and how it can impact the future of Architecture.Deep learning is an artificial intelligence (AI) function that imitates the workings of the human brain in processing data and creating patterns for use in decision making. Daniel Bolojan is an Assistant Professor, in the School of Architecture, for the Dorothy F. Schmidt College of Arts and Letters, at Florida Atlantic University. He is currently focusing on the application of computational design and deep learning strategies in architecture and architectural design process. Over the years, he has taught several design studios and seminars at the Institute of Structure and Design-University of Innsbruck, Florida International University Miami and conducted numerous international workshops and conference workshops, dealing with the application of complex systems and Neural Networks in architectural design.He is currently a Ph.D. candidate at the University of Applied Arts, Institute of Architecture, Vienna – Austria.
“In a way, I've always been working on the edge of both a larger dominant society engagement and a deep engagement with my communities. My focus is really digging deep into blackness.” Andrea Fatona, 2021 Toronto-based curator and scholar Andrea Fatona has been addressing institutionalized racism on her own terms since the 1990s. Our conversations across time reveal the depth of her commitment to making visible the full spectrum of Black culture in Canada. Engaging with Black communities to build an online repository while addressing algorithmic injustice, she and her collaborators are illuminating the work of Black Canadian cultural producers on the global stage. Sound Design: Anamnesis Audio Special Audio: Hogan's Alley (1994), courtesy Vivo Media Arts, Andrea Fatona and Cornelia Wyngaarden and Whitewash (2016), Nadine Valcin, courtesy the artist Related Episodes: The Awakening, New Point of View at the Venice Art Biennale Related Links: The State of Blackness, Andrea Fatona/OCADU, Vivo Media Arts, Okui Enwezor, All the World's Futures/56th Venice Art Biennale, Cornelia Wyngaarden What is The State of Blackness? The State of Blackness website shares digital documentation of a 2014 conference that took place in Toronto, Canada. The State of Blackness: From Production to Presentation was a two-day, interdisciplinary event held at the Ontario College of Art and Design University and Harbourfront Centre for the Arts. Artists, curators, academics, students, and public participants gathered to engage in a dialogue that problematized the histories, current situation, and future state of Black diasporic artistic practice and representation in Canada. The site is now expanding to serve as a repository for information about ongoing research geared toward making visible the creative practice and dissemination of works by Black Canadian cultural producers from 1987 to present. What is Algorithmic Injustice? Algorithms come into play when you do a search on the internet, taking keywords as input, searching related databases and returning results. Bias can enter into algorithmic systems as a result of pre-existing cultural, social, or institutional expectations; because of technical limitations of their design; or by being used in unanticipated contexts or by audiences who are not considered in the software's initial design.
Technology is influencing protein design research in ways that would have been science fiction a decade ago. Find out how engineering and biology are working together today to improve our health and how researchers are designing new biological compounds to fight chronic disease - and prepare us for the next pandemic. Click here for transcript of this episode. Kevin Scott Rosetta@home Foldit
The Open Call Podcast hosted by Anne Stagg and Laura Tanner, features conversations with contemporary artists about their work. In this episode of The Open Call Podcast, we talked with Michelle Forsyth who lives and works in Toronto, Canada. Michelle creates richly detailed artworks that combine a multitude of artistic practices including painting, sculpture, fabric and clothing design, printmaking and photography, as well as others. She designs new patterns as a way to mark her identity: hand drawing films, which are then screen-printed onto fabric, and sewn into the garments that she wears in her “Improvisations” photographs. She thinks of these layered patterns as painterly skins that simultaneously evade and describe her individuality. Michelle has advanced stage Parkinson's and over the course of her artistic career, she has had to contend with the increasing physical limitations of her body. Because her work is often characterized by very labor intensive processes, her hand has effectively marked the progression of her disease. Michelle is an Associate Professor at OCAD, Ontario College of Art & Design University where she teaches painting and graduate studies.New podcast episodes are released bi-weekly on Thursdays. In addition to the podcast, we keep an active Instagram where we share images of the artwork that we talk about. Discover our Instagram @the_open_call_podcast. Special thanks to Susan Cooper for voicing our Outro, Scott Stagg for composing our music, and to our wonderful research assistants: Erin Miller and Alyssia Price who help with web and social media design.
"With the Pluriverse state of mind, you belong everywhere and nowhere" Michael Lee Poy is an Afro-Caribbean artist-activist and architect in Trinidad and Tobago. His practice and interests center on post-colonial Caribbean design and fabrication in the festival arts – especially Carnival. A graduate of Pratt Institute of Technology in architecture and the Yale Graduate School of Architecture, Environmental Design, Michael aims to use an interdisciplinary approach to augment the innovative, creative, and collaborative process of design. Michael is an Assistant Professor of Design at Ontario College of Design University in the Environmental and Industrial Design programs. Connect with Michael: LinkedIn Lee Poy Design SEGD Yale School of Architecture
Martin Groschwald was one of the 5 guest speekers at the panel discussions called "Rethinking Design" to discuss the topic of "The changing role of designers". Listen to the full Audioblog to hear what Martin has to say about this topic!
This podcast explores key concepts of decolonization, settler responsibility, and treaty principles. Join Dr. Julie Hollenbach in conversation with Dr. Carla Taunton in a dynamic dialogue that considers key ideas and concepts of decolonization. Hollenbach and Taunton discuss the potential roles and responsibilities of white-settler scholars in decolonizing and unsettling initiatives within museums, academia, and the classroom to include the movement towards decolonial accomplice focused methodologies. Dr. Carla Taunton, a white-settler scholar, is an Associate Professor in the Division of Art History and Contemporary Culture at the Nova Scotia College of Art and Design University and an Adjunct Associate Professor in the department of Cultural Studies at Queen’s University. She is the Special Advisor to the VP Academic and Research, Social Justice and Decolonization. Her research contributes to arts-based critiques of settler colonialism, Indigenous arts and methodologies, contemporary Canadian art and activism, museum and curatorial studies, as well as theories of decolonization, anti-colonialism and settler responsibility. Her recent publications include, “Unsettling Canadian Heritage: Decolonial Aesthetics in Canadian Video and Performance Art,” with Sarah E.K Smith in Journal Canadian Studies (2018), “Embodying Sovereignty: Indigenous Women’s Performance Art in Canada,” in Narratives Unfolding (2017), and “Performing Sovereignty: Forces to be Reckoned With” in More Caught in the Act: An Anthology of Performance Art by Canadian Women (2016). She co-edited PUBLIC 54: Indigenous Art, the first special issue on global Indigenous new media and digital arts, and RACAR: Continuities Between Eras: Indigenous Arts (2017). She is an independent curator and was a curatorial team member for Abadakone at the National Gallery of Canada (2019). Taunton’s recent collaborative research projects include: The GLAM Collective, The Pilimmaksarniq/Pijariuqsarniq Project: Inuit Futures in Arts Leadership (2017), and The Archive/Counter-Archive: Activating Canada’s Moving Image Heritage (2017). Julie Hollenbach is a queer white-settler scholar also at NSCAD University where she is an Assistant Professor of Craft History and Material Culture. Her work addresses craft practices and craft cultures at the intersections of history and location, tradition and ritual, contact and connection, meaning and use. Julie’s curatorial and academic research is influenced by queer, feminist, anti-racist and decolonial methodologies. If you’d like to learn more about her work, check out an article she published online with Studio magazine entitled, “Moving Beyond a Modern Craft: Thoughts on White Entitlement and Cultural Appropriation in Professional Craft in Canada,” or check out her recent curatorial project Unpacking the Living Room at Mount St. Vincent University Art Gallery. A website chronicling and documenting the exhibition can be found at: www.unpackingthelivingroommsvu.ca.
NAOMI JOHNSON: Naomi Johnson, Kanien'kehá:ka (Mohawk) Bear clan from Six Nations, has worked in the arts for nearly fifteen years as a curator, arts administrator, professional artist, and community arts facilitator. Naomi served as Artistic Director for seven years and then as Co-Executive Director (2018) of the Woodland Cultural Centre, where she curated and programmed annual exhibitions and performance art events. In June 2019 Naomi accepted the position of Associate Director for imagineNATIVE, having the unique and rewarding opportunity to be mentored by then outgoing Executive Director, Jason Ryle. In June 2020 she assumed the role of Executive Director for imagineNATIVE, she very much looks forward to continuing her work supporting Indigenous talent within the film and media arts sector.DORI TUNSTALL: Elizabeth (Dori) Tunstall is a design anthropologist, public intellectual, and design advocate who works at the intersections of critical theory, culture, and design. As Dean of Design at Ontario College of Art and Design University, she is the first black and black female dean of a faculty of design. She leads the Cultures-Based Innovation Initiative focused on using old ways of knowing to drive innovation processes that directly benefit communities. With a global career, Dori served as Associate Professor of Design Anthropology and Associate Dean at Swinburne University in Australia. She wrote the biweekly column Un-Design for The Conversation Australia. In the U.S., she taught at the University of Illinois at Chicago. She organized the U.S. National Design Policy Initiative and served as a director of Design for Democracy. Industry positions included UX strategists for Sapient Corporation and Arc Worldwide. Dori holds a Ph.D. in Anthropology from Stanford University and a BA in Anthropology from Bryn Mawr College.ZAHRA EBRAHIM: Zahra is a public interest designer and strategist, focused on shifting power to people who are typically underrepresented in institutions and systems. Her work has focused on deep, community-led approaches to policy, infrastructure, and service design. She is the Co-Founder and CEO of Monumental, an organization focused on supporting an equitable recovery that builds fair and just cities and institutions. She is an Executive Advisor to Deloitte on Cities and Design, and a senior advisor to political and public interest initiatives across the country. Zahra has taught at OCADU, MoMA, and currently teaches at the University of Toronto Scarborough. She has served on the boards of Jane's Walk, St. Stephen's Community House, Toronto Biennial, Canadian Urban Institute, and is the current Chair of the Board for Park People. She serves as an advisor for a range of organizations including Toronto Public Library, Progress Toronto, and Code for Canada. She was recently named Next City's Vanguard “40 under 40 Civic Leader”, Ascend Canada's Mentor of the Year, one of “Tomorrow's Titans” in Toronto Life, and one of WXN's Top 100 Women in Canadian Business.SY BLAKE: Sy Blake is a 3D Artist with a background in Graphic and Product Design, a Graduate of the Central St Martins School in London, with a BA Honours in Product Design. For many years Sy has worked to bring to life, unique representations of black identity through his skills in 3D character modeling, focusing on black futures and black joy peppered with hints of futurism, sci fi and fantasy. Sy has collaborated with Toronto Based artists and companies like Adidas Canada to help bring his characters to 3D print. And is currently working on his own line of Art Toys. When not working on his own creative projects and collaborations, Sy works as a 3D Modeller for the award-winning Guru Animation Studio in Toronto on the new ‘Sesame Street' show coming to HBO ‘Mecha Builders'.for full bios: harthouse.ca/wellbeing
with Adam Honoré - Lighting Designer out of New York City On this episode, we discuss seven teachers who have influenced Adam’s adventures in the entertainment industry, how the students of 2020 might get a chance to work in the entertainment industry, modern lighting portfolios, modern technology being taught in schools, how prevalent the arts need to be in schools in the modern era, and how we treat modern artists and teachers. Please send your respect to these influencers: Mrs. Raye Ann Cox - Jr. High Theater Teacher (Creek Valley Middle School, Texas) Mrs. Kimberly Mohn Powell - High School Technical Director / Theater Teacher (Hebron High School, Texas) Mr. Dusty Thompson - Head of High School Theater Program / Theater Teacher (Hebron High School, Texas and Executive Producer of Viva Creative) Mr. Cade Butler - High School Technical Director / Theater Teacher (Hebron High School, Texas and Fine Arts Coordinator at Frisco ISD) Steven A. Draheim - Associate Professor of Design (University of Oklahoma) Jon Young - Associate Professor of Design (University of Oklahoma) Driscoll Otto - Lighting & Projection Design for Theatre & Opera. Partner/Creative Director at Chromatic Light Please visit: www.honorelighting.com
Today is January 27, 2021. One week ago, we inaugurated new leaders in the United States. Many hope that President Joseph. Biden and Vice-President Kamala Harris will cultivate an era of unity, democracy, and truth in this country. Multiple flashpoints complicated the year 2020. The relentless coronavirus pandemic, accelerating discrimination against people of color, heightened climate emergencies, and the imploding global economy had a intense polarizing effect on the electorate. Kamala Harris, the first African-American and Asian American to become Vice President, is also the first woman to be given this tremendous opportunity. As she steps into a crucial role of responsibility, Harris inspires this episode. What part can creativity play in such turbulent times? We speak to six women artists and curators responding to the challenges of the past year with renewed resolve. Strengthening their engagement with vital issues and ideas, each one positions herself in service to social justice. Future episodes will reveal more about their individual awakenings. Sound Editor: Anamnesis Audio | Special Audio: When We Gather, courtesy Maria Magdalena Campos-Pons and collaborators; Whitewash, courtesy artist Nadine Valcin; Celaje, courtesy artist Sofía Gallisá Muriente; All water has a perfect memory, courtesy artist Bahar Behbahani; Drip in water tunnel, New York City, courtesy artist Mary Mattingly; "This Earth,” by Susan Griffin, courtesy Andrea Bowers and performance participants Related Episodes: International Curators Champion Creative Resilience, Mapping Caribbean Cultural Ecologies, Where Art Meets Activism, Creative Time Summit Miami 2018, Bahar Behbahani on Politics and Persian Gardens, New Point of View at Venice Art Biennale, Mary Mattingly on the Art of Human Relationships, Andrea Bowers on Art and Activism Related Links: Bahar Behbahani, Andrea Bowers, This Earth, Maria Magdalena Campos-Pons, When We Gather, Mary Mattingly, Public Water, Andrea Fatona, The State of Blackness, Marina Reyes Franco, Museum of Contemporary Art of Puerto Rico, Sofía Gallisá Muriente Featured Voices in Order of Appearance Born in Cuba and based in Nashville, Maria Magdalena Campos-Pons teaches at Vanderbilt University. A dream led her to invite collaborators to celebrate all that Kamala Harris represents. Performance and poetry in the new art film When We Gather embody their collective hope and imagination. Dr. Andrea Fatona is a Toronto-based curator and scholar who teaches in the graduate program at Ontario College of Art and Design University. For decades, she has sought to remedy the absence of Black visual art from critical writing, art archives and other avenues of representation. Whitewash, Nadine Valcin’s performance video about the history of slavery in Canada, is featured on Fatona's website: The State of Blackness. Born and based in San Juan, Marina Reyes Franco is curator at the Museum of Contemporary Art. She talks about the Museum’s powerful new partner and introduces the metaphoric exhibition she will present this spring. In 2020, Reyes Franco took the time to support artist friend Sofía Gallisá Muriente in her creation of a new film. Sited on the southwest coast of Puerto Rico, Celaje is an elegy to the death of the Puerto Rican colonial project and the sedimentation of disasters on the island. Water channels, fountains, roses and pools are elemental to the legendary Persian garden. Iranian-American artist Bahar Behbahani has been investigating the garden’s histories for years. In 2019, she created her first garden-inspired public art project at Wave Hill in the Bronx. In 2021, the artist aims to break ground on a purposeful Persian garden in Manhattan. New York-based artist Mary Mattingly has always been concerned with sustainability, creating lyric environments that meet the basic needs of water, food, and shelter. Her latest project concerns the invisible infrastructure of public water in the city she calls home. Mattingly is diving deep—her urban case study exposes inequities that limit access to clean drinking water everywhere. Early 2020 found Los Angeles based artist Andrea Bowers joining other women to read and record the poem “This Earth,” by Susan Griffin. Studying the spiritual origins of eco-feminism was among her solitary pursuits last year. When the pandemic slowed her activist projects, Bowers turned to re-examine how and why she makes art.
Puppet Podcast #74 - Ian Langohr, Puppet, Props and Mascots Builder from Montreal, Canada
Hosts Tracy Swain and JaVonne Williams are joined by Stephanie Bickel. Stephanie founded her firm, Speak by Design, over twenty years ago and delivers their services through an extensive network of coaches. In today's episode, Stephanie describes the benefit of their coaching service platform. She also shares her thoughts on what is it like working closely with her husband and how together they created the Speak by Design University. Speak by Design helps leaders and their teams maximize their personal effectiveness through their communication and become the obvious choice. Her team of coaches prepare people for media interviews, TED talks, and keynotes for 1000+ audiences. Their clients are Managing Directors and Partners at global management consulting firms, C-Suite executives at large companies, investment bankers, and emerging leaders on the path to these top positions. With an eye towards developing their clients into market makers and change agents, Stephanie and her team work with clients to build coaching and training programs that are one-of-a-kind and get results. To learn more about Stephanie Bickel and her company's services, visit their website: www.speakbydesign.com, Linkedin page: https://www.linkedin.com/company/speak-by-design/ or Instagram page: https://www.instagram.com/speakbydesign.
The guys are back and with another guest. Rob Harris, owner of Stylistic Science, and Design University joins the show to talk his clothing line, and graphic design company as well as his thoughts on the things going on in the NBA today.
Welcome my friend Goozy (Priyasha Singh), on the third episode of Stories with Rusty. Priyasha Singh, is a friend from childhood, that I've had the pleasure of connecting really deeply over the last few years. She moved to Canada to study design & architecture at OCAD (Ontario College of Art & Design) University. She's been living in Canada for the last 6 years, and has some really great interesting stories to share, about her life, about growing up, taking science in class 11th, moving to a new country, about mental health, how important it is to be happy in life, and all other exciting stuff that you will find in this podcast. --- Send in a voice message: https://anchor.fm/vedant-rusty/message
Urban Lifestyle Report Presenting BlackNificence & Black Excellence
Welcome to the 6th episode of my legacy project, Urban Lifestyle Report Podcast and I'm your host Carolyn Morris-Walker. I am ever so thrilled to have Lisa & Leslie Jones who are twins, who have parlayed their creative streaks into the pursuit of studies in graphic design at the Ontario College of Art and Design University, as my guests on this platform that exemplifies BlackNificence & Black Excellence in our community. After graduating they worked briefly as freelancers and contract designers before establishing X Height Media (XHM) in 2006 with the vision to go beyond in their industry. Urban Lifestyle Report is a place and space to showcase the many talents of Black and African people who are often invisible, not acknowledged and not celebrated in popular media for their talents, achievements and accomplishments that contributes positively to the community and the world at large. So, I am delighted when I meet people in my community who are doing amazing and outstanding work in a plethora of areas as educators, creatives, influencers, game changers, entrepreneurs, innovators, artists, founders, investors change makers, who are igniting, building and transforming our community in a variety of ways and in so many arenas. They are engaging in these activities full-time, part-time, as a side hustle and making their passions and visions come to life. I believe the community needs to hear about YOU! As the co-owners and principal designers, they have intentionally cultivated a diverse range of clients, from spoken word artist to Canada’s largest compact sport car show. This has manifested into a portfolio of abstract to corporate pieces. Over the years, they have worked with such clients as Royal Bank of Canada, award-winning actor Tonya Williams (Reelworld Film Festival), Importfest, the High Commission of Barbados to Canada and Art Xperiential Projects (TD Black Diamond Ball) and other cultural and not-for-profit events such as WCM (Women in Capital Markets) Vinifera Awards Gala and the Ann Arbor Blues Festival (Michigan, U.S.A.). Under the umbrella of X Height Media, the sisters are proud of their passion projects they have developed which eschew the status quo. Dn’A is their line of ‘words-only’ glass statement décor pieces that channel their love for typography and the written word. Valley of the Kings, their unprecedented greeting card line, was created for the unlikely audience of the non-living. Tune-in and enjoy the conversation! Contact/Social Media info: Website: theareax.com Email: xhm@theareax.com IG & Twitter: @theareax IG: @dna_justwords IG: @vok_cards Shout outs to: @blackdiamondballto: 14:52, @reelworld: 15:43, @deandori_ocadu: 30:35, @kathylegacyvoices: 37:06
In this episode of pine|copper|lime Miranda speaks with Ericka Walker, an American born lithographer and muralist currently working as an Associate Professor of Art at Nova Scotia College of Art and Design University in Halifax. Drawing from twentieth-century propaganda and historical documents, she creates a visual mix tape of North America's past glories and its hubris. She is an artist who thinks deeply about the why and how of creating her works and is able to speak eloquently about it, letting us intimately into her process. In this interview we talk about how ideas of class, the value of labor, and our corporeal experience all inform the incredible prints and murals that she creates. Erick Walker's Website https://www.erickawalker.com/ Mesh Art Gallery http://meshartgallery.com/ pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ www.patreon.com/pinecopperlime
In the first episode of Season 4 (!) of the Gatty Lecture Rewind Podcast, Michael sits down with Edson Cabalfin to chat about his recent experience curating the Philippine Pavilion at the 16th Venice Architecture Biennale 2018. To check out Edson's work on the Pavilion, go to citywhohadtwonavels.com.
Today, we take you to Toronto. We’re here to meet a group of graduate students at the Ontario College of Art and Design University, also known as OCAD. For the Intro to Curatorial Practices course, their goal is to research, develop and activate an exhibition in the digital realm. Recorded in the first weeks of the semester, our conversation reveals how the students are defining their roles and designing their strategy for curating an online platform. In the months following our campus visit, the students forged an interdisciplinary curatorial collective. In December 2019, they launched the exhibition titled connection_found. Online now, works by seven artists illustrate the quirks of navigating intimacy on the web. “At the core of the exhibition,” writes the collective on their website, “connection_found simultaneously expands, individuates, and links the collective experience of existing on the internet.” OCAD University—Curating in the Digital Realm is one of our 2020 Student Edition episodes. Sound Editor: Anamnesis Audio | Photography: FreshArtINTL Related Episodes: SAIC—Imagining Tomorrow, Wayne State—Designing for Urban Mobility Related Links: Criticism and Curatorial Practice Program, Ontario College of Art and Design University, connection_found Intro to Curatorial Practices, a graduate seminar in the Criticism and Curatorial Program at OCAD University, introduces students to the major critical texts, theories and debates in the burgeoning international field of contemporary curatorial studies. Simultaneously throughout the seminar, students attend public exhibitions, screenings, lectures, performances and events in Toronto's visual art and design worlds. An ongoing examination of contemporary art and design practices within public culture provides students with an eclectic and critical mapping of the layers and intersections of the visual arts, media and design in relation to their varied publics, audiences, markets, the mass media and the scholarly community. connection_found is an online group exhibition organized by feelSpace featuring works by Ronnie Clarke, Taylor Jolin, Leia Kook-Chun, Madeleine Lychek and Paula Tovar, Noelle Wharton-Ayer, and Becca Wijshijer. Together, these works trace and re-trace digital intimacy, touch, and the body as it moves and navigates towards the virtual realm. More literally, connection_found suggests the curatorial alignment of these works in a digital context which, in and of itself, requires finding connection. Source: feelspace.cargo.site. Andrea Fatona, Associate Professor, Faculty of Art and Graduate Program Director, Criticism and Curatorial Practice, is an active curator. Her areas of focus are culture, cultural policy formation, cultural production, nation making, citizenship and multiculturalisms. In the classroom, she engages students in thinking about issues around equity and diversity in the context of art. The Student Edition began in 2019, with visits to art schools and universities in the United States and Canada, where we began recording voices of the future. In 2020, we present the first episodes in our Student Edition—conversations about creativity with emerging makers and producers. Given opportunities to explore and experiment, students are discovering how they can shape the world they live in. What issues and ideas spark their creative impulse?
Urban Lifestyle Report Presenting BlackNificence & Black Excellence
Welcome to the 4th episode of my legacy project, Urban Lifestyle Report Podcast and I'm your host Carolyn Morris-Walker. Can I tell you how absolutely delighted I am to have Elizabeth (Dori) Tunstall, the first Black female dean of a faculty of design anywhere in the WORLD as my guest on this platform that exemplifies BlackNificence & Black Excellence in our community. It's a place and space to showcase the many talents of Black and African people who are often invisible, not acknowledged and not celebrated in popular media for their talents, achievements and accomplishments that contributes positively to the community. So, I am delighted to bring you amazing individuals who are doing outstanding work in a plethora of areas as educators, creatives, influencers, game changers, entrepreneurs, innovators, artists and in so many other arenas. Listen in and enjoy the conversation! Elizabeth (Dori) Tunstall is a design anthropologist, public intellectual, and design advocate who works at the intersections of critical theory, culture, and design. As Dean of Design at Ontario College of Art and Design University, she leads the Cultures-Based Innovation Initiative focused on using old ways of knowing to drive innovation processes that directly benefit communities. Photo: Nika Thompson (OCAD U 2019) Instagram: @deandori_ocadu Twitter: @Dori_Danthro Email: dtunstall@ocadu.ca
Hello Everyone!!!! Welcome to Ep19. This week I will be highlighting my trip to the Cameron Highlands for one of my classes and I will share how much I enjoyed the experience,. For today's topic, we have a special guest. Mphanzio Singogo will be sharing about his experience in Graphic Design. He drops some gems on his journey as an artist and we discover more about him and his creative ventures. Quote of The Week: “I learned very early the difference between knowing the name of something and knowing something.” -Richard Feynman Enjoy. Personal Socials: Instagram & Twitter: @_doreen_mt_ Email: doreen.mtonga@icloud.com Website: https://doreenmtc.wixsite.com/website Mphanzio's Socials: Instagram : @mphanzio Twitter: @mphanzio_ Email: mphanzio@gmail.com Dribbble and Behance: Mphanzio Singogo Soundcloud: Mphanzio --- Send in a voice message: https://anchor.fm/the-misadventures/message
Elizabeth (Dori) Tunstall is a design anthropologist, public intellectual and design advocate who works at the intersections of critical theory, culture and design. As dean of design at Ontario College of Art and Design University in Canada, she is the first black female dean of a faculty of design. She leads the Cultures-Based Innovation Initiative, focused on using old ways of knowing to drive innovation processes that directly benefit communities.Tunstall's talk, given on Jan. 25, 2019, is part of the Jacobs Institute for Design Innovation's design conversations.Each semester, the institute invites a distinguished group of designers and thinkers to speak as part of Jacobs Design Conversations, Design Field Notes and its other public programs. This semester, these programs engage questions of inclusion, accessibility and justice under the title, For Whom? By Whom?: Designs for Belonging.Read a Q&A with Tunstall and the Jacobs Institute for Design Innovation's Robert Kett.To learn more about upcoming events in the series, visit programs.jacobshall.org. See acast.com/privacy for privacy and opt-out information.
Bronwyn Arundel studied and graduated with a major in Ceramics and Art History at the Nova Scotia College of Art and Design University. Bronwyn now sells her work in over 20 Galleries and Gift Stores. In 2014 and 2015 ACTS awarded Bronyn's work with Best New Product. Bronwyn also exhibited at the ACTS Fine Art Juried show. In July 2015 Bronwyn moved from Halifax to Nanaimo, BC where she is continuing her production studio practice with wholesale and local juried craft shows. In March of 2018 Bronwyn expanded her business to include Nanaimo Ceramic Arts Studio and Gallery (NCEA. This location has an 800 square foot class room, tech rooms allowing her to teach pottery and to host other professional ceramic artist workshops. NCA has a 300 square foot gallery space to where Bronwyn features ceramic artists from Vancouver Island and across Canada. Over the last year she has developed an Artist in Residency program that focuses on the business development of visiting artists. Bronwyn is creating a community for the education of the ceramic arts in Nanaimo BC.
Erin Callahan St. John is a full time professional artist working in clay. She initially learned her craft from Isabella St. John of Blue Moon Pottery – her aunt, and potter of 45 years. Later, Erin attended the Textiles Studies program at The College of the North Atlantic as well as the Nova Scotia College of Art and Design University, where she majored in Ceramics with a minor in Art History. During the 15 years she has been working with clay, Erin has apprenticed, graduated and received funding to create one of a kind pieces and developed production lines. Today she is an active member in the local art and craft community, and from her studio in the Quidi Vidi Village Plantation, makes work based on the wildlife and folklore of Newfoundland. Erin talks with Wyatt Shibley about how she came to be a potter, the history of studio pottery in Newfoundland, and the process of setting Newfoundland language in stone.
Sam Ladner holds a PhD in sociology and has studied work, technology, and organizations in both academic and applied settings. She worked as a Senior UX Researcher at Microsoft and a Principal UX Researcher at Amazon, and has wrote extensively about applying ethnographic research methods in the business sector and she is currently an Adjunct Professor at Ontario College of Art and Design University. In this episode she will be talking to us about the type of functional and emotional relationships people build with software and devices from Excel to Apple to storage solutions like the Cloud. We will also talk to the changing relationship of the technological product to both the user and the product team as the life cycle moves from launch to growth. Lastly we will be talking about emotional expression at work, grieving and how/when to kill products and what it is like to work in the technology sector alongside business specialists as a social scientist. Mentioned in Podcast: Ladner, S. (2014). Practical Ethnography: A Guide to Doing Ethnography in The Private Sector. Leftcoast Press: Thousand Oaks, California. ttp://www.practicalethnography.com/ Sam's work: You can visit her profile on https://www.mendeley.com/ which has links to publications. This site also includes many blog posts on productivity, mobile technology, and the design implications of today's workplace. Ladner, S. (2015). “Managing The Private Sector Research Project.” in Dingwall, R. (ed.). Sage Handbook of Research Management. Sage: London. Follow her work at: Website – https://www.samladner.com https://twitter.com/sladner
"If you have a great idea, shout it from the rooftops and convince everyone it does work." - Fraser Patterson About: Fraser Patterson- Founder and CEO of Bolster Bio: He’s been a carpenter and award-winning general contractor in the U.K.; a guest lecturer in entrepreneurship and business incubator executive at Centro, an architecture and design university in Mexico; a mentor to various startups for Endeavor, a global non-profit that supports high-impact entrepreneurs in emerging markets and the founder and C.E.O. of OnisVida, a company that helps homeowners manage their remodeling projects with finance from Infonavit, Latin America's largest mortgage lender. Overview: Fraser is an innovative carpenter who is transforming the home remodeling space. With a background in math and physics, Fraser is changing the lives of homeowners and contractors for good. Highlights: Background: Fraser began working as a carpenter in Scotland, while also studying math and physics. During this time in his life, he continually thought there had to be a better way to remodel. Eventually, Fraser became a general contractor, grew very quickly, won Ikea as a strategic partner, won numerous awards, and then the economy crashed in 2008. From there, Fraser moved to Mexico and was offered a position teaching entrepreneurship at the Architecture and Design University in Centro, Mexico. While there, Fraser suggested starting a business venture for these students and met with the head of endeavor at Mexico who then got involved in helping Fraser start this business venture. Then, one day, Fraser got a call from the Mexican government asking if he could help solve the remodeling process. With the help of Infonavit (Latin America´s largest mortgage lender) Fraser was able to implement Mexico’s first home remodeling insurance platform in partnership with Infonavit , HSBC Mexico and Aserta. After proving to be successful, Fraser decided to take this idea to the U.S. and started Bolster with his co-founder Ana. What is Bolster: Bolster is a start up company in the home remodeling space. They've invented the first affordable performance bond for small construction projects. They provide the consumer with the contractor who has been vetted by them, and backed by an insurance company that literally guarantees they will finish the project according to the terms of the contract. And if, for any reason, that contractor fails the insurance company will find another contractor and make up the financial difference of bringing on another contractor. The process to vet a new contractor only takes about 24 hours. Bolster is completely in charge of handling all the paperwork/contract for the consumer's project. Challenges: It has been tough for Fraser's company to acquire the market here in the U.S. He's had to heavily educate the market (contractors and homeowners) because Bolster is such a new idea. Consumers tend to think that the idea of their contractor being backed is almost too good to be true. Acquiring the Market: Initially, what the company did was partner with the American Institute of Architects, but it didn't produce the results that Fraser was looking for. Then, they tried going through real estate agencies, which was mildly successful. Bolster did receive a lot of press but there were complications with the overflow of people reaching out and they struggled with capturing and nurturing their audience. They soon came to realize that by helping the contractor sell the product themselves, it gave Bolster and the contractors a great advantage in competition. Team Size: There are about 5 people who work closely with the company, but Fraser does not want to grow the company size until he is confident in scaling it successfully. He's been there before: believing in a solution to the problem, but then finding out that the market/sales approach was wrong which caused them to back-pedal. Fraser is more focused on helping the market first and winning contracts before he increases the company size. End Game: Fraser really sees Bolster as the remodeling solution for the contractor from end-to-end. He wants to help contractors market themselves, give them back-end tools, measure their performance, and essentially turn them into super contractors. He also wants to be able to set up individual sites for contractors with a back office to help manage their customers. Fraser wants to become the brand for the contractor more than a brand for the consumer. Advice for Entrepreneurs: Assume your idea is wrong. Go out, analyze your market, and gather the data for your product. If you can test your assumptions in a light way (more than just surveys, and talking to people) you will have a much better idea of the potential of your company. It's important to go out and help your potential customers, figure out what their pain points are, learn how you can help them, and then help them create a service from it. Subscribe to the Outlier Newsletter: Click Here Connect With Fraser: Website | @GetBolster | @FraserPatterson | LinkedIn | About.me If you enjoy Outlier On Air, please Subscribe & Review on iTunes or Stitcher Sponsors: sourceBOLD NEED A DEVELOPER?
Most design critics…want to talk about the big issues in relation to the design…the sooner you can get to the big issues in your talk, the better. This week I chat with Dr Peter Raisbeck, well-respected and experienced lecturer at the Melbourne School of Design (University of Melbourne). He currently co-ordinates the university’s Master of […] The post Episode 11: How To Get Inside The Mind Of Your Tutor – Interview With Dr. Peter Raisbeck appeared first on Design Draw Speak.
© 2020-2025 Ivy Podcast Discovery LLC
