Podcast appearances and mentions of Erin L Thompson

Since 2009, Hyperallergic has published tens of thousands of articles about art. But who are the writers behind these posts? And what drives them to write about art of all things?Many of the authors who have passed through our virtual hallways have gone on to do incredible things, including publishing books on topics that they first wrote about or more fully developed through articles in Hyperallergic. In 2022, we held an event called “From Blog to Book” at Brooklyn's pinkFrog cafe, where our Editor-in-Chief Hrag Vartanian asked three of our writers to tell us about the journeys that took them from 140-character tweets to 1,200-word posts to full manuscripts. Erin L. Thompson, who holds the title of America's only art crime professor, is the author of dozens of articles that brought looted artifacts from around the world to light. Her adventures have brought her from the Confederate monument etched into the side of Stone Mountain, Georgia, which she wrote about in Smashing Statues: The Rise and Fall of America's Public Monuments (2022), to a rededication ceremony of a repatriated object in Nepal.AX Mina, who wrote Memes to Movements: How the World's Most Viral Media Is Changing Social Protest and Power (2019), describes how they first explored the topic of memes in Hyperallergic — which they termed “the street art of the social web” before “meme” became the mainstream — and their function as a tool to circumvent internet censorship in China. And Michelle Young, author of Secret Brooklyn: An Unusual Guide (2023), tells us about her trajectory from working in fashion to playing in the band Kittens Ablaze to discovering so many hidden gems while aimlessly wandering the city she calls home that she founded the brilliant website Untapped New York. It was only in her time off reading World War 2 nonfiction that she found a new trail, which led her to uncover the stories of stolen Nazi loot. They'll reflect on finding focus by retreating to a mountaintop in China, unearthing the legacy of forgotten World War II heroes, and even seamlessly forging Picassos — which, as you'll hear in the show, is not nearly as hard as you'd think. The music in this episode is by Famous Cats and Cast Of Characters, courtesy of Soundstripe.—Subscribe to Hyperallergic NewslettersBecome a member

For this episode of Drafting the Past, I interviewed art historian (and lawyer!) Erin L. Thompson. Erin's new book is Smashing Statues: The Rise and Fall of America's Public Monuments (W.W. Norton, 2022). She has written many essays and op-eds for a wide range of publications, in addition to regularly being interviewed for her expertise as "America's only professor of art crime." We had a fantastic conversation about keeping your audience interested, finding the strange details and asking the questions that intrigue you, and the power of humor in history.

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hundreds of public monuments have come down during the social and racial reckoning currently sweeping our country. And while Seattle has not been at the epicenter of the furor over public monuments, there have been heated discussions over the monument to Confederate soldiers in a Capitol Hill cemetery and a statue of Vladimir Lenin in Fremont. In the United States, the issue of what to do with public monuments has been very polarizing. Why do we care so much about these statues? In her book Smashing Statues: The Rise and Fall of America's Public Monuments, professor of art crime Erin L. Thompson looked at the turbulent history of American monuments and its abundant ironies — including the enslaved man who helped make the Statue of Freedom that tops the United States Capitol. Monuments have come to mean many things to different people, and the battles over them are a tangle of aesthetic, legal, political, and social issues. Ultimately, monuments symbolize what we value and keeping them up or removing them sends a message. How do we decide who and what should be represented with new monuments? Which existing statues should stay up, and which should come down? Who should make these decisions — and how should they decide? Erin L. Thompson, holds a Ph.D. and a J.D. and is a professor of art crime at the City University of New York. In addition to Smashing Statues, she is the author of Possession: The Curious History of Private Collectors from Antiquity to the Present, and her writing has appeared in The Washington Post, The New York Times, Smithsonian magazine, and Art in America. She lives in New York. Sarah Mirk is a comics journalist, teacher, and editor. A former reporter for The Stranger and the Portland Mercury, she is now a contributing editor at comics publication The Nib and a digital producer at The Center for Investigative Reporting. She is the author of several books, including Guantanamo Voices: True Stories from the World's Most Infamous Prison, which The New York Times named one of the 10 best graphic novels of 2020. Buy the Book: Smashing Statues: The Rise and Fall of America's Public Monuments (Hardcover) from Third Place Books Presented by Town Hall Seattle. To become a member or make a donation click here. 

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the United States, the national debate over public monuments often frames the removal of statutes as a revision of history. But Dr. Thompson suggests that we need to interrogate both the creation and removal of monuments to understand the essential role they play in creating national narratives and determining who is seen as an American. Using a set of remarkable case studies, Dr. Thompson demonstrates the complex ways in which these statutes were suggested, contested, funded, physically created, and used symbolically by future groups. Smashing Statues: The Rise and Fall of America's Public Monuments (Norton, 2022) aims to create a toolkit to interrogate how Americans represent what they have built and what they need to rebuild in the American public landscape – and the nation as a whole. Erin L. Thompson is an associate professor of art crime at John Jay College, City University of New York. She is an expert in the deliberate destruction of art, analyzing the ways in which this destruction has sometimes harmed and sometimes benefited communities. Her first book, Possession: The Curious History of Private Collectors (Yale University Press, 2016) was named an NPR Best Book of 2016 and her impressive public facing scholarship includes the New York Times, Washington Post, Time, CNN, NPR, BBC, Freakonomics and Smithsonian Magazine. In the podcast, Dr. Thompson mentions her article, “Ghosting the Confederacy” and references the Confederate Sailors and Soldiers Monument in Birmingham, AL. Dr. Liebell highlights Howard University's grant to digitize and archive Black newspapers required for research across disciplines. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph's University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

  Join me and Erin Thompson, Professor of Art Crime at City University of New York as we discuss her new book, Smashing Statues, The Rise and Fall of America's Public Monuments which lays bare the turbulent and often ironic history of American Public Monuments from Liberty, which stand atop of the Capitol in Washington, DC to Stone Mountain and other Confederate statues that are ever present across the South. Guest Erin L. Thompson Erin L. Thompson, who holds a PhD and a JD, is a professor of art crime at the City University of New York. She is the author of Smashing Statues: The Rise and Fall of America's Public Monuments and Possession: The Curious History of Private Collectors from Antiquity to the Present, and her writing has appeared in the Washington Post, the New York Times, Smithsonian magazine, and Art in America. She lives in New York. dd Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720

  Join me and Erin Thompson, Professor of Art Crime at City University of New York as we discuss her new book, Smashing Statues, The Rise and Fall of America's Public Monuments which lays bare the turbulent and often ironic history of American Public Monuments from Liberty, which stand atop of the Capitol in Washington, DC to Stone Mountain and other Confederate statues that are ever present across the South. Guest Erin L. Thompson Erin L. Thompson, who holds a PhD and a JD, is a professor of art crime at the City University of New York. She is the author of Smashing Statues: The Rise and Fall of America's Public Monuments and Possession: The Curious History of Private Collectors from Antiquity to the Present, and her writing has appeared in the Washington Post, the New York Times, Smithsonian magazine, and Art in America. She lives in New York. dd Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she […]

Professor Erin L. Thompson, author of the new book "Smashing Statues" sits down with Rob Lee for a conversation on public memory and understanding surrounding statues in our public squares. 

Professor Erin L. Thompson, author of the new book "Smashing Statues" sits down with Rob Lee for a conversation on public memory and understanding surrounding statues in our public squares. 

Mara is distracted by Baker and his "butt ball" which is actually just Baker trying to balance on a yoga ball after way too much coffee. BERTHE MORISOT! Learn her name and please use it in equal measure in future references to French impressionists. As you might imagine, she endured all kinds of patriarchal BS. Despite that, she crushed it! She was critically acclaimed and admired by her peers. Mara tells us more about the paint and techniques used in the [to be stolen] Morisot painting, 'Summer's Day' and she pronounces A LOT of French names in this episode too. Baker is baffled by the concept of 'Queen’s consent' which is a super dumb parliamentary thing. And finally, the theft! It's a heist that makes a statement and forces compromise. It also serves as a warning to get your damn affairs in order before you die! Episode References ART 'Summer's Day' (1879), by Berthe Morisot Berthe Morisot Exhibit (Feb 2019 to May 2019)at Dallas Museum of Art Hanging the Laundry out to Dry, 1875, by Berthe Morisot Self-Portrait, 1885, by Berthe Morisot Reading, 1873, by Berthe Morisot The Boating Party, 1893-1894, by Mary Cassatt NEWS Ghent Altarpiece: 'most stolen' artwork has new €30m home in bulletproof glass | The Guardian Revealed: police barred from searching Queen’s estates for looted artefacts | The Guardian University of Aberdeen to repatriate looted Nigerian bronze sculpture | BBC OTHER 'Summer's Day' (1879 by Morisot) Analysis| artnet Berthe Morisot: Impressionist Original |speech by Olga Haridge Art This Week-At the Dallas Museum of Art-Berthe Morisot | Art This Week Erin L. Thompson, art crime professor Closer to Van Eyck: The Ghent Altarpiece Restored Find Us Instagram: @artcrimepod Twitter: @artcrimepod Show Notes and Blog: ARTCRIME .blog Mara on Instagram: @mjvpaints --- Send in a voice message: https://anchor.fm/artcrimepodcast/message

Protesters have targeted statues and other monuments associated with white supremacy and injustice following the killing of George Floyd in Minneapolis. In early June, a statue of Christopher Columbus that stood in front of the Minnesota State Capitol for almost 90 years was toppled by Native Americans, who said they had been working for years to remove the statue peacefully, to little avail. Columbus statues in Boston and Richmond, Va., were likewise vandalized and torn down. Soon, Confederate statues and symbols were on the chopping block. Four statues along Richmond’s historic Monument Avenue have been removed, including one of Confederate President Jefferson Davis that was vividly graffitied before the city agreed to put it in storage. But what now? Thursday on MPR News with Kerri Miller, we talked about what happens next. What does history teach us about how statues are viewed? Should we try to replace them? And if so, with what? Guests: Erin L. Thompson is an art historian and lawyer and a professor in the Department of Art and Music at the John Jay College of Criminal Justice.  Julian Hayter is a historian and professor at the University of Richmond. To listen to the full conversation you can use the audio player above. Subscribe to the MPR News with Kerri Miller podcast on: Apple Podcasts, Google Podcasts , Spotify or RSS.

In this episode, Erin L. Thompson, Associate Professor of Art Crime at John Jay College of Criminal Justice, City University of New York, discusses her important and amusing article "'Official Fakes: The Consequences of Governmental Treatment of Forged Antiquities as Genuine during Seizures, Prosecutions, and Repatriations." Thompson is one of the foremost American experts on art crime. In this article, she discusses the (often inadvertent) trade in "official fakes" or counterfeit antiquities. Among other things, she explains how they make it more difficult to police the illicit trade in real antiquities. You can read Thompson's other work on art and antiquities on her SSRN page. And you can reach her on twitter @artcrimeprof.Keywords: forgery, comparative law, international law, criminal law, art law, cultural heritage See acast.com/privacy for privacy and opt-out information.