Podcasts about Art crime

Jessica Fuentes speaks with art educator and author Laura Evans about her recently published book, “The Atlas of Art Crime: Thefts, Vandalism, and Forgeries.” “I remember learning about the 1990 Isabella Stewart Gardner theft… and then going to visit the museum in grad school and confronting those empty frames, where those works of art were stolen from, was really sobering. Seeing these holes, these gaps, where these artworks were disappeared… it gives me goosebumps just thinking about it.” Related Readings: https://glasstire.com/2025/05/18/art-dirt-theft-vandalism-forgeries-talking-with-laura-evans-about-art-crime If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

[Western Art] You've seen them on the news, in the history books and certainly in your favorite movies and TV shows—joining us on the podcast today is the FBI. Sitting down for a lengthy chat about art is Special Agent Christopher Dudley with the FBI's Art Crime. We talk about the role the FBI plays in art-related cases, including theft and fraud, and also about several recent cases that the FBI has had a hand in, including the recent theft of letters related to Charles M. Russell. This is one you won't want to miss. The episode is sponsored by Western Art Collector. Read more about Charlie Russell and other Western artists at westernartcollector.com.

Should Canada have a dedicated art-crime task force? Guest: Robert Wittman, Former Senior Investigator and Founder of the Federal Bureau of Investigation's National Art Crime Team and Founder of Robert Wittman Inc. Consulting Firm Learn more about your ad choices. Visit megaphone.fm/adchoices

Retired agent Geoffrey Kelly reviews the FBI's elite Art Crime Team and his investigation of Robert Mardirosian for possession of stolen art and the recovery, over 30 years after the crime occurred, of a Cezanne painting valued at over $29 million and other artwork stolen during the nation's largest residential art burglary. Geoff was one of the original members of the Art Crime Team, which was founded in 2004. He served in the FBI for 28 years. Check out episode show notes, photos, and related articles: https://jerriwilliams.com/341-geoffrey-kelly-cezanne-theft-and-recovery-fbi-art-crime-team/ Buy me a coffee - https://www.buymeacoffee.com/JerriWilliams   Join my Reader Team to get the FBI Reading Resource - Books about the FBI, written by FBI agents, the 20 clichés about the FBI Reality Checklist, and keep up to date on the FBI in books, TV, and movies via my monthly email. Join here. http://eepurl.com/dzCCmL    Check out my FBI books, non-fiction and crime fiction, available as audiobooks, ebooks and paperbacks wherever books are sold. https://jerriwilliams.com/books/

What drives someone to steal priceless art and cultural treasures? And how do investigators bring these works back to their rightful place?In this episode of Fed Time Stories, hosts Dave Brant and John Gill sit down with Randy Deaton, a former FBI Supervisory Special Agent who spent years unraveling high-stakes art crimes. Randy shares stories of chasing down stolen masterpieces, exposing elaborate forgery schemes, and collaborating with international experts to recover cultural artifacts from across the globe. Tackling these crimes required not just investigative skills but also an insider's grasp of the art world and its many complexities.He also shares insights into the teamwork behind these operations. From coordinating with art historians to collaborating with international law enforcement, Randy explains how these cases depended on the collective expertise and persistence of everyone involved.Randy's career, which started off with a desire to be a Louisiana State Trooper, instead led to working high-profile art crime investigations, and highlights a fascinating and lesser-known side of law enforcement. It's a look at how passion and precision come together to protect the world's cultural heritage.Fed Time Stories is brought to you by Kaseware, an investigative case management solution. Learn more at www.kaseware.com/fedtimestoriespodcast

In this episode, Aubrey Catrone explains the importance of provenance, defining it as the history of ownership of an art object from its creation to the present day. She highlights the necessity of distinguishing between stated and verified provenance, emphasizing the need for supporting documentation. Aubrey discusses challenges such as the rapid pace of art transactions and the importance of trusting sources in the art market. She advises collectors to proactively ask for documentation, conduct risk assessments, and digitize their records. New technologies like blockchain and AI are explored, with Aubrey noting their potential and limitations. She outlines the three-pronged process of verifying authenticity through scientific testing, provenance, and connoisseurship. And the part we love most: Aubrey highlights the emotional and historical connection that provenance provides, enriching the collector's experience and deepening their connection to the artwork. Aubrey Catrone is an international art historian, appraiser, and provenance researcher. Aubrey earned an MA in the History of Art from University College London, specializing in the documented histories of art objects. With an art gallery and academic research background, Catrone founded Proper Provenance, LLC to provide her clients with the tools, not only to historically contextualize art, but also to shed light on attribution and legal title within the international art market. She is an Accredited Member of the Appraisers Association of America with a specialization in Impressionist & Modern Art. Catrone has researched artworks including paintings, artefacts, works on paper, prints, and sculptures spanning the fourth century B.C.E. to the twenty-first century C.E. She has appeared as a guest expert on the History Channel and published her scholarship in a variety of publications including RICS Journals and the Journal of Art Crime. Learn More About Aubrey Catrone: Aubrey's company Proper Provenance LLC: https://www.properprovenance.com   Connect with Aubrey on Instagram @properprovenancellc Articles written by Aubrey: "Risky Business: How Provenance Can Influence Collecting" in Worthwhile Magazine   "The Role of Punctuation in Assessing History:  Provenance Formatting Explained" in Worthwhile Magazine   "Due Diligence in the Digital Era:  A Case Study of Jean-Baptiste-Camille Corot's Les Petits Dénicheurs," in Worthwhile Magazine   "Why Provenance Is Critical for Assigning Opinions of Value," in RICS Journals  

PHD candidate in Criminology at the University of New England Vicki Oliveri has shed light on what art crime is as well as going through some recent cases. Andrew McLaren was quite fascinated!See omnystudio.com/listener for privacy information.

As we tiptoe towards our conclusion, lets take a detour down some investigative side-streetsPrank of the Year is produced by Luke Watkinson and Craig Major. Email: telecomsux1993@gmail.com Join the Prank of the Year Facebook pageFollow Prank of the Year on InstagramWatch coverage of the "Homeland is racist" incident: https://www.youtube.com/watch?v=FJkO2iGXCyQ Find out more about Art Crime at the NZ Art Crime Research Trust website: https://artcrime.nz/ Explore Te Papa's Protest Movement online collection: https://collections.tepapa.govt.nz/category/428398 Check out the "Save our Post Office" posters produced by the Wellington Media Collective: https://collections.tepapa.govt.nz/object/1424212Opening theme song is “Let Go” by Kong Fooey (https://www.facebook.com/kongfooeymusic/)Closing theme song is “Cliche” by Deluxe Boy - courtesy of Failsafe Records (https://www.failsaferecords.com/)Additional music by Carlye Laurent (https://carlylelaurent.bandcamp.com)"Big Drumming:, "Zig-Zag" and "Fearless First" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ Hosted on Acast. See acast.com/privacy for more information.

Amy doesn't believe art detectives are necessary, also claiming art crime is a victimless crime. Plus, Doug Wiens of Wash U gives us some insight into the 6.8 magnitude earthquake in Morocco.

The Dutch are famous for a lot of things: tulips, cheese, fine art, double jump rope. They are also pretty good at both stealing and having a paintings stolen, apparently. What happens when the same painting is stolen three times? Let's just say it's pretty ridiculous.See omnystudio.com/listener for privacy information.

In this episode we're gonna see how immortality of art and desire to possess it interconnects with each other. The Goldfinch - bestseller by Donna Tartt and the original story of the painting will help us with it and will also provide us with pretty words. The pure scale of Art Crime is anything but shocking, you'll learn how dangerous it can be, what can criminals do with stolen art works, a few funny stories from the past and ways to prevent it. It's going to be a wild ride, so buckle up kids!

Cover art - The Scream, fingerprint ink on police print card done in thumb print, 2" x 1-1/4", 2004 copyright Charles Vincent SabbaThe following are links for Charles Sabba's artwork, blog and articles with La Voce di New York.Show Notes0:00 Sabba's great-grandfather3:45 retired police captain4:15 duCret School of Art in Plainfield, NJ4:50 1986 - Austrialian Cultural Terrorists stole Weeping Woman by Picasso6:20 NYPD Art Theft Investigator 3:40 US Navy 7:30 Naples, Italy8:35 federal corrections' witness protection unit11:20 School of Visual Arts 11:40 Betty Thompkins11:44 Andrew Gensel11:45 Anton van Dalen and his show at the PPOW Gallery 12:25 Fred DePalma13:00 influence of his police work on his art14:30 documentary Defending the Peninsula18:00 the era of power and money over cultural patrimony18:40 Napoleon's looting of Italy 20:30 Monuments Men21:55 1800s Papal Edict governing exportation of works from Italy 22:30 1947 article 9 of Italy's Constitution 23:50 collection of Gardner Museum 24:35 Vermeer's The Concert purchased by Gardner26:00 Getty Trust - fight over Euphronios Krater with the Met27:45 Manhattan DA's office April 2022 seizure28:30 Lysippos di Fano Bronze34:30 agreement to table discussion about return of Lysippos pending Italian court ruling36:45 assertion that the Lysippos is Greek not Italian39:30 status of request for return of Lysippos39:50 History Channel television series Histories Greatest Heists with Pierce Brosnan41:00 paint chips sent to Boston Herald related to Gardner Heist44:00 1997 - William Youngworth negotiated with Gardner Museum for return of stolen works via prosecutors45:45 Chicago-based Expert Walter McCrone determined paint chips were from Rembrandt.48:35 1998 - Vermeer expert 49:10 2003 - Dr. Hubert von Sonnenburg, Chairman of Paintings Conservation at The Met, found chips were consistent with the Vermeer50:00 Dr. Jennifer Mass' opinion about the Sonnenberg's opinion on the paint chips 52:30 Sabba's painting practice reflects his interest in art crime - fingerprint paintings53:50 Sabba's portraits of individuals involved in art crime 55:25 Art critic Jerry Saltz56:30 Y Gallery58:15 artists that speak to social issues, e.g., prison reform1:01:25 Sophie Calle: Last Seen1:02:05 climate activists' attacks on soft targets1:06:40 Justice defined1:09:20 LegacyPlease share your comments and/or questions at stephanie@warfareofartandlaw.comTo hear more episodes, please visit Warfare of Art and Law podcast's website.To view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2022]

To learn more about Chris and his work, you can visit Art Recovery International.------------------Fraud in America is made possible by the generous donation of Getnick & Getnick LLP, a boutique Manhattan law firm dedicated to fighting fraud and promoting business integrity.------------------Fraud in America Social Links

What's Behind The Strange Slowing Of The Earth's Core? Even though some days feel more chaotic than others, the rotation of the surface of the planet proceeds at a pretty constant rate—about one full rotation every 24 hours. But the rotational speed of the inner core is less stable, and has been known to shift over time. Now, researchers are reporting in the journal Nature Geoscience that according to seismic data, the Earth's inner core may have recently paused its rotation, and could even go on to reverse direction relative to the rest of the planet. Tim Revell, deputy United States editor of New Scientist, joins SciFri producer Kathleen Davis to talk about the shift in rotation and other stories from the week in science, including shared language characteristics between humans and wild apes, and a wolf population that has started to enjoy snacking on sea otters. They'll also talk about an ancient Egyptian mummy with a heart of gold, research into why some mushrooms glow in the dark, and a tiny robot with morphing liquid metal capabilities straight out of Hollywood.   Here's What We Know About Long COVID, Three Years Later Just a few months into the pandemic, it became clear that in some people, the SARS-CoV-2 virus caused a cascade of symptoms for months after their initial infections. These lingering effects are now commonly referred to as Long COVID. And as long as the pandemic barrels on, the population of Long COVID patients will continue to grow. Over the past three years, researchers have closely studied these symptoms, seeking to better understand its underlying causes and improve treatment. Guest host Maddie Sofia talks with Hannah Davis, co-founder of the Patient-Led Research Collaborative and co-author of a recently published comprehensive review on the state of Long COVID research, and Dr. Bhupesh Prusty, principal investigator at the Institute for Virology and Immmunobiology at the University of Würzburg in Germany.   Meet The Art Sleuths Using Science To Find Frauds At the end of last year, a big case was decided in the world of art crime. Qatari Sheikh Hamad al Thani won a case against his former art dealer, after nearly $5 million dollars worth of purchased ancient artifacts were all determined to be fake. Among the artifacts was a Hari Hara sandstone statue purported to be from 7th century Vietnam. In reality, the piece was made in 2013. Art experts say forged antiquities are extremely common in museums and private art collections: Former director of the Metropolitan Museum of Art Thomas Hoving estimated 40% of artworks for sale at any given time were fake. The task of determining what art is real and what art is fake falls to scientists, who use tools like X-rays and carbon dating to get accurate readings of time and place of origin for artifacts. Joining guest host Kathleen Davis to talk about this are Erin Thompson, art crime professor at the City University of New York, and Patrick Degryse, professor of archeometry at the Katholieke Universiteit Leuven in Belgium. Transcripts for each segment will be available the week after the show airs on sciencefriday.com.  

On this episode of "The Federalist Radio Hour," Common Sense Society Executive Editor Christopher Bedford and Federalist Culture Editor Emily Jashinsky discuss the new manslaughter charges against actor Alec Baldwin, debate why crimes like the Idaho murders sell, and contemplate why the Martin Luther King Jr. statue falls short of timeless design.

On this episode of “The Federalist Radio Hour,” Common Sense Society Executive Editor Christopher Bedford and Federalist Culture Editor Emily Jashinsky discuss the new manslaughter charges against actor Alec Baldwin, debate why crimes like the Idaho murders sell, and contemplate why the Martin Luther King Jr. statue falls short of timeless design.

Despite the fact that many priceless works are today carefully preserved and placed under heavy security and surveillance, there are numerous examples in history of thieves simply finding a way. Although the methods used to conduct art heists have evolved, sometimes it doesn't take an ingenious Hollywood-esque plan involving rappelling through a skylight to make your mark. Sometimes, thefts are opportunistic – say, someone didn't turn the security alarm on at night, or someone left the bathroom window open. And it wasn't just all about the heists. There were plenty of cocktails and mocktails to go around, too. Listen as Holly and Maria continue their tradition, and talk about their Top 3 favorite shows and favorite drinks of the season. See omnystudio.com/listener for privacy information.

The one thing that might be weirder than an original Salvador Dalí painting being stolen from the walls of the New York City Department of Corrections, is the fact that an original Salvador Dalí painting hung for nearly 40 years in the lobby of the Rikers Island jail complex in the first place.See omnystudio.com/listener for privacy information.

No one knows when Emperor Constantine installed the gilded Triumphal Quadriga sculpture in his new capital city, Constantinople, near the triumphal arch which led to the Hippodrome. How it got to Constantinople has been lost to the ages, and, so is its origin story. What we do know is these four horses have traveled from Chios to Constantinople; to Venice, Paris, and back to Venice again, with some interesting stops along the way. This sculpture is best known as The Horses of St. Mark's, and what we do know about it begins after it was stolen during the Sack of Constantinople, in April of 1204.See omnystudio.com/listener for privacy information.

Napoleon once stole several of its panels. The Nazis; they took the whole thing. The Ghent Altarpiece, also known as Adoration of the Mystic Lamb, has been the victim of more than a dozen crimes, including several thefts. Commissioned in the 15th century, it is, today, considered the most famous Flemish painting from the Renaissance period. Since it's completion, though, the work has been cut in half, nearly damaged in fire, and hidden in salt mines -- and part of it's still missing today. It's kind of a miracle it's made it this far through history.See omnystudio.com/listener for privacy information.

One the world's greatest unsolved art thefts happened in Montréal, Québec, Canada, in 1972. Seventeen paintings remain missing, and the cat burglars behind the incident have never been apprehended. In fact, the story sounds a lot like a Hollywood script. Under the cover of darkness, three men entered the building through the one skylight that was under repair, and rappelled into the museum galleries below. It was, it's agreed, a very cinematic theft.See omnystudio.com/listener for privacy information.

“We have some bad news, sir. The Rembrandt is gone again,” the investigating officer told the gallery director at the Dulwich Picture Gallery. Rembrandt painted during the 17th century, and as part of his completed works you'll find a portrait of a man named Jacob de Gheyn III, an engraver who commissioned the painting. The piece has since been nicknamed, the Takeaway Rembrandt, because it's been stolen so many times – four times, so far, and from the same gallery. And here's its story.See omnystudio.com/listener for privacy information.

Arthur Wellesley, 1st Duke of Wellington, is probably best remembered for his defeat of Napoleon at Waterloo. A military general, he became a leading military and political figure of 19th-century Britain. And, his portrait, painted by Goya, also became a target of theft from the National Gallery in London – though not for reasons any of us might image. The Duke was once quoted as saying, “The only thing I am afraid of is fear.” We wonder, though, how he felt about ... ransom? See omnystudio.com/listener for privacy information.

Art Crime and Bob Dylan. Broadcast on OAR 105.4FM Dunedin www.oar.org.nz

For some, the Book of Revelation in the New Testament of the Christian bible is an apocalyptic prophecy, involving the second coming of Christ and the judgment of souls. And the imagery for that interpretation is seen in artwork over the centuries, including The Last Judgment triptych. You may wonder, but which one? And you're right -- there are actually several Last Judgments. But only one has been stolen -- by pirates.See omnystudio.com/listener for privacy information.

Leonardo da Vinci's Mona Lisa has been described as, “the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world.” She's been immortalized in everything from Andy Warhol's pop art to Dan Brown's bestselling novel, The Da Vinci Code. But there was a time when the Mona Lisa was not well known, if you can imagine – and it took a man named Vincenzo Peruggia to launch her into stardom. See omnystudio.com/listener for privacy information.

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Art heists can often look and sound like something out of a Hollywood script. One time, two thieves lifted two Van Gogh paintings from the Van Gogh Museum in Amsterdam, and they entered the premises through the roof -- Mission Impossible-style … ish. In this new season of Criminalia, we're telling the stories of, and looking at the motivations for, art heists throughout history. In this episode, we're talking about five men who were brazen enough to buy tickets to a museum and pull off an art heist in broad daylight.See omnystudio.com/listener for privacy information.

Nativity with St. Francis and St. Lawrence considered a 17th century masterpiece, created by Italian painter Caravaggio in 1609. Nativity has been missing since it was nicked by thieves in Palermo in 1969. No one for sure knows who stole it, or why they stole it, but what might have become of it has sparked dozens of tales. One prominent theory is that it was stolen by the mafia – and, quite possibly, eaten by pigs.See omnystudio.com/listener for privacy information.

The most famous art heist happened in 81 minutes, when two men dressed in law enforcement uniforms stole 13 masterpieces from the Isabella Stewart Gardner Museum in Boston in 1990. But the art heist isn't a recent phenomenon; in fact, it's been part of Western culture since the 1400s. Welcome to a brand new season of Criminalia, where we'll be telling the stories of bold art thieves who took priceless paintings, sculptures, and other forms of visual art from galleries, museums, as well as from other public and private locations.See omnystudio.com/listener for privacy information.

Meg reports on the morning when Ana Mendieta fell from Carl Andre's high rise window. Jessica gets a highly coveted table at Mortimer's and dishes about Elaine's.

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Erin L. Thompson talks about monuments, and their role in American public life. Public art intervenes in directly in politics, shaping social behavior in the present. Monuments, in her account, are a bid for immortality that says “this is how things are” but often means “this is how things should be.” In the episode she talks about The Houston Museum of African American Culture. They are engaged in a super exciting project reinterpreting the cultural memory of the US Civil War, as the first Black cultural institution that has re-housed a Confederate monument. If you're keen on the history and politics of monuments, check out her brand new book: Smashing Statues: The Rise and Fall of America's Public Monuments. It's coming out from Norton this Tuesday (Feb 8)! You learn more about the book, and her upcoming talks on her website: artcrimeprof.com Erin L. Thompson is an associate professor of Art Crime at the John Jay College of Criminal Justice of the City University of New York. Her first book Possession (Yale UP, 2016) studied the history of theft at the heart of private art collections from the Ancient World to the present. Image: Statue of a man on a horse, part of the the Ulysses S. Grant Memorial at the US Capital, described in this article from the Architect of the Capital, US government website. Music used in promotional material: ‘Morrisson's jig – Leslie's march' by Aislinn Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this Episode, A/V Art Club returns from a hiatus to discuss art crime. From Anna Delvey to the infamous Knoedler scandal, Lauren and Chris dive into frauds in the art world. Other topics include The Andy Warhol Diaries and a recap of the past three months.Check out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclub

A true story about fake art 

In the second episode of Roo & Simon's series Abducted Art & Cultural Theft, they are joined by police expert Leonie Bouwknegt to discuss her efforts to tackle art organised crime here in Limburg, as well as how these lucrative pieces of art are used as pawns in the illegal drug trade. Leonie discusses her operations to police the illicit trading of stolen cultural artefacts at TEFAF, the international art fair that happens here in Maastricht annually in June. Subscribe to our Youtube Channel for more MD related content Follow us on instagram @thediplomatunsa --- Send in a voice message: https://anchor.fm/maastricht-diplomat/message

  Join me and Erin Thompson, Professor of Art Crime at City University of New York as we discuss her new book, Smashing Statues, The Rise and Fall of America's Public Monuments which lays bare the turbulent and often ironic history of American Public Monuments from Liberty, which stand atop of the Capitol in Washington, DC to Stone Mountain and other Confederate statues that are ever present across the South. Guest Erin L. Thompson Erin L. Thompson, who holds a PhD and a JD, is a professor of art crime at the City University of New York. She is the author of Smashing Statues: The Rise and Fall of America's Public Monuments and Possession: The Curious History of Private Collectors from Antiquity to the Present, and her writing has appeared in the Washington Post, the New York Times, Smithsonian magazine, and Art in America. She lives in New York. dd Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720

  Join me and Erin Thompson, Professor of Art Crime at City University of New York as we discuss her new book, Smashing Statues, The Rise and Fall of America's Public Monuments which lays bare the turbulent and often ironic history of American Public Monuments from Liberty, which stand atop of the Capitol in Washington, DC to Stone Mountain and other Confederate statues that are ever present across the South. Guest Erin L. Thompson Erin L. Thompson, who holds a PhD and a JD, is a professor of art crime at the City University of New York. She is the author of Smashing Statues: The Rise and Fall of America's Public Monuments and Possession: The Curious History of Private Collectors from Antiquity to the Present, and her writing has appeared in the Washington Post, the New York Times, Smithsonian magazine, and Art in America. She lives in New York. dd Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720

TW: Erwähnung von Mord, Tod, Suizid, sexualisierter Gewalt, Queerfeindlichkeit, Victimblaming, Blut, Alkoholmissbrauch. Die Inhalte dieser Folge könnten auf einige Hörer:innen beunruhigend, retraumatisierend oder verstörend wirken. (Anlaufstellen s.u.) . . . Identität, Kunst und ein mysteriöser Todesfall: Wer war Ana Mendieta? . . . PROJEKT FRAMEORIAL: http://frameorial.de/ https://www.instagram.com/frameorial/ . . . Instagram (hier bekommt ihr auch einiges an Zusatzmaterial zu den Folgen): https://www.instagram.com/artefaktenpodcast/ E-Mail: artefakten-podcast@outlook.de Quellen: https://docs.google.com/document/d/1iimqUw1gwHeBONzRFOdmM5TvPhk4YEV6IcJNI_ilSFY/edit?usp=sharing . . . Anlaufstellen: -Hilfetelefon „Gewalt gegen Frauen“: 08000 116 016 -Beratung für lesbische, bisexuelle und queere Frauen sowie für trans und inter Menschen, Migrant*innen und Frauen of Color https://lesmigras.de/angebote.html -Telefonseelsorge bei zwischenmenschlichen oder psychischen Problemen: 0800 111 0 111 -Hilfetelefon Suchtgefährdete: 01805/98 28 55

To learn more, please visit ARCA's website.SHOW NOTES:03:00 Dr. Charney's interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)05:00 Charney's first book 05:30 first conference to bring academics and art police together06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure11:00 ARCA's summer conference on art crime in central Italy14:00 Italy's Carabinieri Art Squad17:50 ARCA's CEO Linda Albertson18:30 Albertson's blog post about return of objects to Cambodia by Doug Latchford's Estate19:00 ARCA's blog21:30 recommendations to those who want to return looted art or cultural heritage objects24:00 Missing Masterpieces exhibition 25:35 thief of Van Gogh's Parsonage arrested though painting is still missing25:50 tip on whereabouts of Jean-Baptiste Oudry's The White Duck26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium27:45 a work is ‘extant' if its location is known28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney's Museum of Lost Art 29:00 The Deposition in the Prado in Madrid is now considered van der Weyden's masterpiece29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece29:45 the Justice cycle destroyed in a fire circa early 17th C.29:55 survivor bias for works that still exist and a negative space history of art is explored in Charney's 2018 book The Museum of Lost Art31:10 Charney's most recent book The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach31:55 Charney's 2017 book The Collector of Lives focuses on the life of Giorgio Vasari 33:00 rivalry of artists as shown in Caravaggio's 1599 The Calling of St. Matthew wherein the artist used a duplicate of Sistine Chapel Ceiling's hand of God by Michelangelo to paint the hand of Jesus 34:15 Charney's online discussion of Caravaggio's 1599 The Calling of St. Matthew 34:50 top missing work that Charney would like to see recovered is the Book of Drawings, twelve folios by Giorgio Vasari36:05 second work is Leonardo da Vinci's Battle of Angiati; Vasari's use of false walls to preserve works he valued like da Vinci's Battle of Angiati37:15 third work would be the Justice Cycle37:30 Charney's preference for work in situ39:00 Vasari's use of false walls to cover paintings 39:50 Vasari's false wall in front of da Vinci's Battle and reasons to keep or remove wall40:50 Charney's recommendations of books published by ARCA41:10 Context Matters: Collating the Past by David W.J. Gill - collection of essays on antiquities, looting and archaeology41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl42:45 Charney's The Art Thief's Handbook - art theft essaysTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]

"The Devil in the Gallery” is a lavishly illustrated book, the latest of more than a dozen books by Noah Charney. It's a guided tour of the history of art through its scandals, rivalries, and shocking acts, each of which resulted in a positive step forward for art in general and, in most cases, for the careers of the artists in question. Charney is an American expat who lives with his family and teaches in Slovenia and who is also a professor in Rome. He is the founder of the Association for Research into Crimes against Art and considered by many the Sherlock Holmes of art crime. Among his other books is the recently released co-authored “Making It: The Artist's Survival Guide.” --- Send in a voice message: https://podcasters.spotify.com/pod/show/booktalk-diana-korte/message

Dublin wax slingers All City are back with a new mysterious imprint entitled P.U.P inaugurated to the Pandemic Unemployment Payment. The record includes 4 unidentified Irish producers on a Garage/Bass/UK Funky/Tech House tip for first volume. All City have put out some of Ireland's finest records of the last few decades including artists such as Krystal Klear, Art Crime, Dâm-Funk, FaltyDL, New Jackson, John Daly, Folamour and more. The label also oversee's and has helped grow sub-labels and other Irish labels such as Pear, First Second Label, Gurriers as well as a host of other imprints. The Dublin based record label now launches a more tongue and cheek label championing Irish producers but in a more incognito fashion. The record offers 4 dance floor ready cuts from 4 Irish producers with a sheer UK influence. We premier the first track from the VA from the surreptitious BWORNER which is entitled CRIPWALK. The 2 step infused A1 is a light hearted vocal pumper with big UKG influences. This caught our eye straight away and we've humming it for the past 24 hours. You can pre-order the record alongside a t-shirt that coincides with the record on the P.U.P Bandcamp here: https://youngpup.bandcamp.com/album/p-u-p-volume-1 BWORNER ----------------- Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

 Many people want to own a piece of the past, but eBay really the answer? Definitely not, and Dr. Erin Thompson, the nation's only full-time professor of art-crime, tells us why! 

On this episode of New Books in History, Jana Byars talks with Tamar Herzig, Professor of History at Tel Aviv University, the Director of Tel Aviv University's Morris E Curiel Institute for European Studies, and as the Vice Chairperson of the Historical Society of Israel about her new book, A Convert's Tale: Art, Crime, and Jewish Apostasy in Renaissance Italy (Harvard University Press). Dr. Herzig took time out from her extraordinarily busy schedule to discuss her exciting new read, detailing the life of a very interesting, possibly tragic, definitely frustrating Italian Jew turned Christian goldsmith who was, on one hand, connected to the wealthiest and most powerful of families in Northern Italy, and, on the other, an inveterate gambler and general lout. Salomone da Sesso, was so good at his job that he was a verifiable celebrity. He had a very complex relationship with, and occasionally ran afoul of, his fellow Jews, so much so that he is charged with sodomy (amongst other things) and coverts to Christianity. As Ercole de Fidelis (Ercole the Faithful) he enjoyed the favor of the likes of Isabella d'Este and Lucrezia Borgia. When he lost their support, however, he fell into poverty. He was forced into exile and died unnoticed. We discuss microhistory, Jewish apostasy, sodomy, and the archival tradition. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week’s edition features a bin full of new releases, including selected beats from Andhim, Kornél Kovács, Karin Park, Matrixxman, Martyn, Bvdub, Conforce, Dubsons, Art Crime, and many many more. Check it out and let the sounds in! Cheers. Playlist Download 07/25/2015

A reminder that music is a better universal language than currency or markets. Inside are tracks from Michna, Röyksopp, Jamie xx, Galcher Lustwerk, Art Crime, The Radio Dept, Lusine, Strategy, Leftfield, and many more. Dance, drive, sit, stand, ignore, protest, sleep, work, walk, and hopefully, dig. Playlist Download 06/27/2015