Podcasts about gustavoegsuarez

Based on a close reading of Japanese director Yasujiro Ozu's extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics' insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director's subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films' structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu's earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu's films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director's films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Based on a close reading of Japanese director Yasujiro Ozu's extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics' insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director's subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films' structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu's earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu's films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director's films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Based on a close reading of Japanese director Yasujiro Ozu's extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics' insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director's subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films' structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu's earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu's films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director's films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Based on a close reading of Japanese director Yasujiro Ozu's extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics' insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director's subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films' structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu's earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu's films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director's films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Based on a close reading of Japanese director Yasujiro Ozu's extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics' insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director's subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films' structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu's earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu's films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director's films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Based on a close reading of Japanese director Yasujiro Ozu's extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics' insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director's subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films' structure and meaning. Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu's earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu's films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director's films and new challenges in studies on Ozu. Kathe Geist is an art historian and author of The Cinema of Wim Wenders. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Based on fieldwork among state officials, NGOs, politicians, and activists in Costa Rica and Brazil, A Future History of Water (Duke UP, 2019) traces the unspectacular work necessary to make water access a human right and a human right something different from a commodity. Andrea Ballestero shows how these ephemeral distinctions are made through four technolegal devices—formula, index, list and pact. She argues that what is at stake in these devices is not the making of a distinct future but what counts as the future in the first place. A Future History of Water is an ethnographically rich and conceptually charged journey into ant-filled water meters, fantastical water taxonomies, promises captured on slips of paper, and statistical maneuvers that dissolve the human of human rights. Ultimately, Ballestero demonstrates what happens when instead of trying to fix its meaning, we make water's changing form the precondition of our analyses. Andrea Ballestero is Associate Professor of Anthropology at University of Southern California. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

An interdisciplinary collection in the new field of environmental humanities, Chinese Environmental Ethics: Religions, Ontologies, and Practices (Rowman and Littlefield, 2021) brings together Chinese environmental ethics, religious ontology, and religious practice to explore how traditional Chinese religio-environmental ethics are actually put into social practice both in China's past and present. It also examines how Chinese religious teachings offer a wealth of resources to the environmental project of forging new ontologies for humans co-existing with other living beings. Different chapters examine how: Buddhist ontology avoids anthropocentrism, fengshui (Chinese geomancy) can help protect the landscape from economic development, popular religion organizes tree-planting, ancient dream interpretation practices avoided constructing the possessive individual subjectivity of modern consumerism, Buddhist rituals and ethics promoted compassion for animals and modern recycling, Confucian ancestor rituals and tombs have deterred industrial expansion, and also how Daoism's potential role to deter desertification in northern China was stymied by state operations in contemporary China. A significant advance in the field of Chinese environmental anthropology, the outstanding scholars in this volume provide a unique and much needed contribution to the scholarship on China and the environment. Mayfair Yang is professor of religious and East Asian studies at the University of California, Santa Barbara. She has authored two monographs: Gifts, Favors, and Banquets: the Art of Social Relationships in China (American Ethnological Society Prize) and Re-enchanting Modernity in China: Ritual Economy and Religious Civil Society in Wenzhou) and has edited two books: Chinese Religiosities: Afflictions of Modernity and State Formation and Spaces of Their Own: Women's Public Sphere in Transnational China. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nowhere on Earth is there an ecological transformation so swift and so extreme as between the snow line of the high Andes and the tropical rainforest of Amazonia. Because of that, the different disciplines that research the human past in South America have tended to treat these two great subzones of the continent as self-contained enough to be studied independently of each other. Objections to that approach have repeatedly been raised, however, warning against imagining too sharp a divide between the people and societies of the Andes and Amazonia when there are clear indications of significant connections and transitions between them. Rethinking the Andes-Amazonia Divide. A Cross-Disciplinary Exploration (UCL Press, 2020) brings together archaeologists, linguists, geneticists, anthropologists, ethnohistorians, and historians to explore both correlations and contrasts in how the various disciplines see the relationship between the Andes and Amazonia, from deepest prehistory up to the European colonial period. This collaboration has emerged from an innovative program of conferences and symposia conceived to generate discussion and cooperation across the divides between disciplines. Adrian J. PEARCE, Associate Professor of Spanish and Latin American History at the University College London David BERESFORD-JONES, fellow of the Heinz Heinen Centre for Advanced Study, University of Bonn, and affiliated researcher at the McDonald Institute for Archaeological Research at the University of Cambridge Paul HEGGARTY, senior scientist in the Department of Linguistic and Cultural Evolution at the Max Planck Institute for the Science of Human History in Jena, Germany. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Experimenting with Ethnography: A Companion to Analysis (Duke University Press, 2021) collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors —who come from a variety of intellectual and methodological traditions— enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Experimenting with Ethnography: A Companion to Analysis (Duke University Press, 2021) collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors —who come from a variety of intellectual and methodological traditions— enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Experimenting with Ethnography: A Companion to Analysis (Duke University Press, 2021) collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors —who come from a variety of intellectual and methodological traditions— enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Wim Wenders: Making Films That Matter (Bloomsbury, 2020) is the first book in 15 years to take a comprehensive look at Wim Wenders's extensive filmography. In addition to offering new insights into his cult masterpieces, the 10 essays in this volume highlight the thematic and aesthetic continuities between his early films and his latest productions. Wenders's films have much to contribute to current conversations on intermediality, whether it be through his adaptations of important literary works or his filmic reinventions of famous paintings by Edward Hopper or Andrew Wyeth. Wenders has also positioned himself as a decidedly transnational and translingual filmmaker taking on the challenge of representing peripheral spaces without falling into the trap of a neo-colonial gaze. Making Films That Matter argues that Wenders remains a true innovator in both his experiments in 3D filmmaking and his attempts to define a visual poetics of peace. Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema's dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China's Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates. Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema (U Minnesota Press, 2020), contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Richard Grusin is director of the Center for 21st Century Studies and distinguished professor of English at the University of Wisconsin–Milwaukee. He is editor of The Nonhuman Turn, Anthropocene Feminism, and After Extinction, all published by the University of Minnesota Press. Jocelyn Szczepaniak-Gillece is associate professor of English and film studies at the University of Wisconsin–Milwaukee and author of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture. Gustavo E. Gutiérrez Suárez is a MSc. in Anthropology, and BA. in Social Communication. His areas of interest include Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema (U Minnesota Press, 2020), contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Richard Grusin is director of the Center for 21st Century Studies and distinguished professor of English at the University of Wisconsin–Milwaukee. He is editor of The Nonhuman Turn, Anthropocene Feminism, and After Extinction, all published by the University of Minnesota Press. Jocelyn Szczepaniak-Gillece is associate professor of English and film studies at the University of Wisconsin–Milwaukee and author of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture. Gustavo E. Gutiérrez Suárez is a MSc. in Anthropology, and BA. in Social Communication. His areas of interest include Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema (U Minnesota Press, 2020), contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Richard Grusin is director of the Center for 21st Century Studies and distinguished professor of English at the University of Wisconsin–Milwaukee. He is editor of The Nonhuman Turn, Anthropocene Feminism, and After Extinction, all published by the University of Minnesota Press. Jocelyn Szczepaniak-Gillece is associate professor of English and film studies at the University of Wisconsin–Milwaukee and author of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture. Gustavo E. Gutiérrez Suárez is a MSc. in Anthropology, and BA. in Social Communication. His areas of interest include Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network