Podcast appearances and mentions of wong kar

Esto se anima. Semana de grandes estrenos en busca del taquillazo del verano. Danny Boyle regresa con '28 años después', la nueva entrega de sus zombies en el Reino Unido del Brexit. Con el director y los actores protagonistas charlamos, y también, atención, con súper Pamela Anderson. Al fin se estrena en España 'The last showgirl', la película de Gia Coppola con la que la actriz ha renacido para Hollywood. Además, tenemos varias propuestas del cine español, y en televisión, una de las series más esperada, la primera ficción de Wong Kar-wai, una fascinante crónica de la llegada del capitalismo en Shanghai.

Analizamos sin spoilers "Blossoms Shanghai", la primera serie dirigida por Wong Kar-wai, una superproducción que mezcla negocio, nostalgia y estilo visual único ambientada en el Shanghai de los 90. Estreno: 17 de Junio en Filmin Sinopsis: La historia de un millonario que se hizo millonario a sí mismo en Shanghái durante la década de 1990, desde un joven oportunista con un pasado turbulento hasta las alturas de la ciudad dorada. Únete a nuestro chat de telegram en el que miles de personas hablamos cada dia de series: Telegram – Grupo de debate: https://telegram.me/fueradeseries Telegram – Canal de noticias: https://t.me/noticiasfds Twitter: https://twitter.com/fueradeseries Facebook: https://twitter.com/fueradeseries Instagram: https://www.instagram.com/fueradeseries/ Youtube: youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Arriba a les sales de cinema "Sirat", la pel

Academy award winning writer and director Lee Isaac Chung joins Kate and Franklin to talk about the trip to Rwanda that changed his filmmaking trajectory, his deep admiration for Charlie Chaplin and Wong Kar-wai, the making of his irresisitable Minari, and so much more.  Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020 To learn more about The Black List, visit ⁠www.blcklst.com.⁠ Mentions: Minari: ⁠https://www.rottentomatoes.com/m/minari⁠ 

durée : 00:59:20 - Année du Brésil (2/3) : Caetano Veloso, cinéphile et compositeur - par : Thierry Jousse - Pour ce deuxième Ciné Tempo brésilien, nous suivons les aventures cinématographiques et musicales d'un grand musicien et chanteur brésilien, Caetano Veloso qu'on retrouvera, notamment, chez Pedro Almodovar, Wong Kar-wai ou Carlos Diegues…

Wong Kar-wai's FALLEN ANGELS is not like any other movie we're covering for Hitmania! Sure, it has romantic longing, the alienation of the urban landscape, cool gunfights, all that. But no movie we've covered can claim to be so much more about loneliness and sadness than it is about how cool it is to do hitman stuff.

Weaving between narrative and documentary features OTTO BY OTTO, SERIOUSLY RED and extensive work directing some of the best television (including DEADLOCH and HEARTBREAK HIGH), Gracie Otto is one of the most skilled and in-demand filmmakers in Australia. With great stories around Wong Kar-wai and David Lynch, Gracie’s visit to the Last Video Store is one of the greats. BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, PERTH and BRISBANE Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here’s Gracie’s list. GUEST PICKS: OTTO BY OTTO (documentary), MULHOLLAND DRIVE (cult), CHUNGKING EXPRESS (cult)STAFF PICKS: HIPPO (cult)See omnystudio.com/listener for privacy information.

2007 brought us not only Cooder's solo effort My Name Is Buddy, but also some very interesting contributions. He composed film music for Wong Kar-wai's My Blueberry Nights. And with Mavis Staples, he made an album that's right up there with his best productions. We'll Never Turn Back is not one hundred percent Cooder, but it's certainly ninety-nine and a half. We also take a look at some more session work.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.

I veckans Stil ska vi titta närmare på relationen mellan mode och film och prata med två modeskapare och en stylist om vilka filmer de inspireras av. Lyssna på alla avsnitt i Sveriges Radio Play. Modeskaparen Roland Hjort älskar Petra von Kants bittra tårar av Rainer Werner Fassbinder och Viskningar och rop av Ingemar Bergman och har designat flera plagg inspirerade av filmerna. Stylisten Ursula Wångander tittar på Wong Kar-wais In the Mood for Love och drömmer om filmens klänningar. Och designern Bea Szenfeldt minns sin ungdoms många filmer som räddade henne från att smittas av 90-talets minimalism.

This is a subscriber-only episode, for the full audio please visit patreon.com/thicklinespod Thank you to Partners and Son for hosting us! Sally interviews Em Frank (Heavenly Days, I Never Found You, Dark Garbage) and Frances Cordelia Beaver (On a Cute One, Spirits Hungover At Work, Give My Best To Your Kind!) live from Partners and Son at PCX. Topics include: why comic books are the easiest art form to get done, taking elementary schoolers to Wong Kar-wai movies, not taking responsibility for torturing your own characters, and much more. This is part 1! Partners and Son: https://partnersandson.com/ Em Frank: https://www.instagram.com/emjonmichaelfrank/ Frances Cordelia Beaver: https://www.francescordeliabeaver.com/

"We must be nice to each other. Otherwise, life's not worth living." For Episode 346, David and Brandon discuss ALI: FEAR EATS THE SOUL for their romance drama series. Listen as they discuss the career of Rainer Werner Fassbinder, his troupe of actors, how quickly they made the movie, and what filmmaker influenced him the most.  If you're in Los Angeles, don't miss your chance to see Wong Kar-wai's masterpiece IN THE MOOD FOR LOVE on the big screen in honor of the film's 25th anniversary at the Nuart Theatre on Valentine's Day:  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - The Gutter and What's on Criterion Channel (00:00:10) Recap of the Romance Drama Genre (00:07:53) Intro to Ali: Fear Eats the Soul (00:12:27) How Ali: Fear Eats the Soul Got to Production (00:18:53) Favorite Scenes (00:32:57) On Set Life - (00:59:21) Aftermath: Release and Legacy (01:01:02) What Worked and What Didn't (01:06:44) Film Facts (01:12:24) Awards (01:12:48) Final Questions on the Movie (01:18:32) Wrapping Up the Episode (01:22:49) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

l⁠⁠⁠inktr.ee/CatchingUpOnCinema⁠⁠⁠⁠⁠⁠⁠This February at Catching Up On Cinema, is “Ladies' Night”!All month long we'll be reviewing action movies headlined by women!This week, Trevor conducts a solo review Johnnie To and Ching Siu-Tung's, The Heroic Trio (1993) and Executioners (1993)!Starring the trio of prestigious Hong Kong starlets, Anita Mui, Maggie Cheung, and Michelle Yeoh, the pair of films were a box office smash in Asia in the early 90's, and was just recently inducted into the Criterion collection via a fabulous new 4k transfer.Singer/actress Anita Mui sadly passed away in 2003, however her cultural footprint remains vast, and in fact a biopic and documentary were made about her in recent years.Maggie Cheung has been a fixture in Hong Kong cinema since the 80's, earning critical acclaim in her later career collaborations with director Wong Kar-wai.Like her costars Mui and Cheung, Michelle Yeoh has been a fixture of Hong Kong and Chinese cinema for decades now, however in more recent years, beginning in the late 90's, her popularity and prominence in film markets outside of Asia has grown by leaps and bounds, culminating in her recently receiving an Academy Award for Best Actress for her performance in Everything Everywhere All at Once (2022).Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@catchinguponcinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CatchingCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, subscribe, and we'll catch you next time!

In the mood for love från 2000 av Wong Kar-wai är filmen om den oförverkligade kärleken, vars ledmotiv har ätit sig in i det kollektiva omedvetna. Lyssna på alla avsnitt i Sveriges Radio Play. En telefon ringer. Hon svarar för sent. Han trycker aldrig ner dörrhandtaget.Hongkong 1962. Ett kort möte i trappan på väg till nudelstället eller i den smala hallen hos frun som spelar kort hela tiden. Klackarna mot stenläggningen. Så många olika höghalsade ärmlösa sidenklänningar hon har. Det som inte blev kan man viska i en spricka i en sten sedan.Katarina Wikars ser om ”In the mood for love” från 2000. Och hittar dessutom en specialutgåva med de bortklippta sluten.Det sägs att regissören Wong Kar-wai fick skynda sig att klippa klart filmen till Cannesfestivalen och tog bort alla kärleksscenerna, komprimerade och förtätade.

"I didn't think you'd fall in love with me." For Episode 345, Brandon and David return from hiatus to start their Romance Drama series with Wong Kar-wai's IN THE MOOD FOR LOVE. Listen as they discuss the film's lengthy production schedule, working without a script, why they shot most of the movie twice, and how it barely made its premiere date.  If you're in Los Angeles, don't miss your chance to see Wong Kar-wai's masterpiece on the big screen in honor of the film's 25th anniversary at the Nuart Theatre on Valentine's Day:  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Cookbooks and Cooking Movies -  (00:00:10) Intro to the Romance Drama Genre (00:08:20) Intro to In the Mood for Love (00:15:55) How In the Mood for Love Got to Production (00:25:11) Favorite Scenes (00:39:14) On Set Life - (01:04:46) Aftermath: Release and Legacy (01:15:31) What Worked and What Didn't (01:19:33) Film Facts (01:22:50) Awards (01:25:21) Final Questions on the Movie (01:29:28) Wrapping Up the Episode (01:34:27) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Chen Chen talks about genre, creative writing pedagogy, race, and politics as he reflects on his two full-length poetry collections, When I Grow Up I Want To Be A List of Further Possibilities (BOA Editions) and Your Emergency Contact Has Experienced An Emergency (BOA Editions). On the topic of contextual and cultural references, we discussed our displeasure of the general tendency to reference Wong Kar-wai purely for aesthetic reasons without critiquing the politics of nostalgia. 

"As Tears Go By" is the debut of filmmaker Wong Kar-wai. It's his love letter to the film "Mean Streets". He shares a tragedy where love is lost, both of the romantic and of the brotherly. I was amazed to see a style of filmmaking and it came out in 1988. It's very stylistic and isn't afraid to push narrative boundaries. My favorite scene of the film is honestly, the ending. I wont say why but it's an effective ending that you don't really get to see in cinema nowadays. It's a film that drama, romance, crime, some comedy, and even existentialism. It's a film about a gangster who tries throughout the whole film, to look out for his best friend, and honestly, his only friend, especially in the world they're in. His friend is always messing up and he has to figure out a way to chamge, or else...It's great film in it's style of filmmaking and a story that's engaging and doesn't spoon feed you#astearsgoby

It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends!  Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com

“Su independencia, que era su fuerza, implicaba la soledad, que era su debilidad…”. Historias de dos grandes amores imposibles. María Callas y Pier Paolo Pasolini, así como Su Li-zhen y Chow Mo-wan, los dos protagonistas de la película “In the Mood For Love”, de Wong Kar-wai, Un juego de espejos, entre “Medea” y la obra maestra del director de cine cino-hongkonés para contar una historia de amor universal, destinada a vivir para siempre.Escuchar audio

Since the debut of The Bald and the Beautiful in October of 2020, Katya Zamolodchikova has tickled your ears with full-throated recommendations of tens of hundreds of films; many of which are great, most of which are not. As we approach the zenith of the Halloween season, be prepared for Joel Kim Booster to be utterly at odds with Katya's positively shining endorsement of Terrifier 3, with Miss Zamolodchikova describing it as what would happen if Ingmar Bergman decapitated Stanley Kubrick while simultaneously stabbing Wong Kar-wai with Jean-Luc Godard's sharpened femur. Want to try the #1 meal kit for eating well? Go to https://GreenChef.com/BALD50 and use code BALD50 for 50% off your first box plus 20% off your next two months! This episode is sponsored by BetterHelp. Give online therapy a try at https://BetterHelp.com/BALD and get on your way to being your best self! If you're 21+, check out VIIA. Head to https://bit.ly/viiathebbpod and use the code BALD to receive 15% off. This fall, enhance your everyday with VIIA! Need a website? Check Out https://SquareSpace.com for a free trial, and when you're ready to launch, go to https://www.SquareSpace.com/BALD to save 10% off your first purchase of a website or domain! Take more control of your finances and stop waiting for payday! Open your account in minutes at https://Chime.com/BALD Chime. Feels like progress. Follow Joel Kim Booster: @IHateJoelKim Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to: https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatyalive.com To order your copy of our book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is a re-release of my discussion with Ross McDonnell. His film, SWIFT JUSTICE, is up for a News & Doc Emmy in Outstanding Cinematography: Documentary. The awards will be revealed live on September 26, 2024.Ross died on November 5, 2023. His co-director, Victor Blue, writes movingly about his work. Later on this year, I'll post an episode remembering Ross and the legacy of independent filmmakers.In this episode, I talk with Ross McDonnell, co-director of the new documentary short, SWIFT JUSTICE, about Sharia justice in Afghanistan.Ross and I discuss:how he got started in filmmaking;whether some people are just built for the visual arts;the gear behind making a film like SWIFT JUSTICE and how they went about filming "without understanding what was happening in realtime"the importance of Christmas movies in Ireland and W.B. Yeats;never-ending praise for editors and the New Yorker's prowess in the documentary realm;what's next for the documentary field.Ross' Indie Film Highlight: Jonathan Glazer; Wong Kar-wai; Spize Jonze; Chris Cunningham; Floria Sigismondi; Chris Doyle; Lance AcordLinks:SWIFT Justice Film Watch The News & Doc Emmys Live On September 26, 2024 Support the Podcast Through MembershipSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Listen back to The Saturday Spring! Karyn discusses film with AUT student Liam, specifically cinematography and colours in Wong Kar-wai's film In 'The Mood For Love' on Lecture Me – thanks to Blue Hill Books. Stella joins Karyn for Implausible Deniability to discuss pheremones, and Finn hops on the mic to help answer your queries for Dear Finn.

Because one multi-story film wasn't enough for us, here is another one. Cameron has a lot of thoughts on this one, so grab your Walkman as we listen to California Dreamin' for the 100th time and join us on this quest to decipher this Wong Kar-wai classic.

Ahead of the Los Angeles Premiere of this year's Teddy Award-winning film ALL SHALL BE WELL, we interview director Ray Yeung and producer Teresa Kwong on their take on the story and style of the film, the journey of bringing the film to screen, and the film's unlikely connections to Johnnie To and Wong Kar-wai! 2nd Hong Kong On Screen Film Festival – All Shall Be Well Date: September 7, 2024 (Sat) Time: 7:00 PM Location: Starlight Whittier Village Cinemas Get your tickets here! Movies mentioned: All Shall Be Well《從今以後》 Suk Suk (Twilight's Kiss)《叔·叔》 Five Easy Pieces《輪流傳》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting

This week, writer and director Lee Isaac Chung joins Kate and Franklin to talk about the trip to Rwanda that changed his filmmaking trajectory, his deep admiration for Charlie Chaplin and Wong Kar-wai, the making of his film and 2020 Sundance festival winner, Minari, and so much more. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020. To learn more about The Black List, visit www.blcklst.com.Mentions: Minari: https://www.rottentomatoes.com/m/minari 

This week, Sam, Diana, and Christie delve into Wong Kar-wai's Chungking Express to close out this month's theme of bodies and the media. They discuss the movie's portrayal of longing, pining, and missed connections amidst the bustling backdrop of 1990s Hong Kong. They explore the film's representations of indirect communication, cultural identity, and the loneliness and nostalgia that permeate its narrative.  Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh

This Warner Bros. 1947 Studios Year by Year episode features two gems that put their own particular slant on noir's familiar theme of murderous conflict between women and men: Curtis Bernhardt's Possessed, starring a more-than-usually deranged Joan Crawford, with Van Heflin as the rakish object of her obsession, and Delmer Daves' Dark Passage, starring an unusually passive Humphrey Bogart as a man convicted of killing his wife, with Lauren Bacall as an eccentric socialite who decides to help him. And in our Fear and Moviegoing segment, a real clash of moods: Ridley Scott's terrifying sci-fi/horror classic Alien and Wong Kar-wai's whimsical romantic comedy (of a sort) Chungking Express. Though admittedly it also has its terrifying aspects. (If only Van Heflin had been charmed by Crawford's fixation, how differently it could have gone!)  Time Codes: 0h 00m 35s:      POSSESSED [dir. Curtis Bernhardt] 0h 41m 53s:      DARK PASSAGE [dir. Delmer Daves] 1h 11m 24s:      Fear and Moviegoing in Toronto – Alien (1979) by Ridley Scott at the TIFF Lightbox and Chungking Express (1994) by Wong Kar-wai at the Revue Cinema  Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

This week, Sam, Diana, and Christie, explore the fascinating world of Satoshi Kon's Paprika, aligning with the July theme of exploring bodies and the media. Discover why Paprika is a favorite of Sam's as she shares her own experiences with the movie and offers insight into the significance of Kon's work in Asian cinema. They explore the themes of dreams and Jungian psychology, parts work, multiple realities and subjectivities, as well as how some scenes reminded them of EMDR. Stay tuned for next week's episode when we'll discuss Wong Kar-wai's Chungking Express. Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh

This month's Out Now with Aaron and Abe commentary track is nowhere close to its expiration date. The Brandon Peters Show's Brandon Peters and Movies, Films & Flix's Mark Hofmeyer join Aaron and Abe to discuss Chungking Express from director Wong Kar-wai for the film's 30th anniversary. Listen in to hear the group discuss why this film has been so highly acclaimed since its arrival. There's plenty of conversation revolving around Wong Kar-wai's work as a filmmaker, the various performances, and what it means for a movie to be cool without having to involve the usual crime elements. So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod Faye Wong performs Dreams Watch the Trailer for Chungking Express

On this episode of What a Picture, Bryan and Hannah chow down on expired cans of pineapple while discussing Chungking Express, the 1994 movie directed by Wong Kar-wai that ranks #88 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Summer of Hong Kong continues, and today we're pivoting from the 80's and martial arts into the 90's and emotions! And who else could we be talking about but Wong Kar-wai and his 1994 breakthrough, CHUNGKING EXPRESS!While a touchstone for HK cinema today, Wong Kar-wai's big splash into the arthouse scene was anything but at the time. We're discussing how Wong found his way to his style leading up to CHUNGKING, how it captured the Hong Kong attitudes at such a precise moment, and the different relationship phases we recognized in these characters, in addition to highliighting Tony Leung's sad eyes.We're also connecting CHUNGKING EXPRESS to our previous HK movie, YES MADAM and 36TH CHAMBER OF SHAOLIN to chart just how we've arrived here. Plus, we get some some surprise foreshadowing for our next episode and the finale of our Hong Kong series: 2002's INFERNAL AFFAIRS!

Welcome to the 80's! We all remember the time: lime green overalls, bolo ties, and dynamite doppelgängers. That's right, Kung Fjune continues with the Hong Kong movie that kicked off the Girls with Guns genre: Corey Yuen's YES, MADAM! from 1985!It was the high-five heard around the world: Michelle Yeoh and Cynthia Rothrock's first starring roles. We're running down just how much these two women could kick one's ass, especially Rothrock's Grand Master status and how she was cooking fools even as a teenager, and take some time to shout out our numerous cameo-filled trios of doofuses.Plus, Nick connects the threads from last episode's Shaw talk on our 36th Chamber episode to YES, MADAM!'s contemporary setting. This movie kicked off a lot of careers, many of which guided the action genre through the next few decades and we're here to celebrate that.Next time we're heading to the 90's for a different side of Hong Kong film: Wong Kar-wei's CHUNGKING EXPRESS!

This episode was originally released May 17, 2021 This week we discuss the Wong Kar-Wai classic Chungking Express, the changing face of Hong Kong, stillness and transience, quirkiness and metaphor, and what a romantic comedy should be.   Chungking Express is a 1994 Hong Kong romantic crime comedy-drama film written and directed by Wong Kar-wai. The film consists of two stories told in sequence, each about a lovesick Hong Kong policeman mulling over his relationship with a woman. The first story stars Takeshi Kaneshiro as a cop obsessed with his breakup with a woman named May, and his encounter with a mysterious drug smuggler (Brigitte Lin). The second stars Tony Leung as a police officer roused from his gloom over the loss of his flight attendant girlfriend (Valerie Chow) by the attentions of a quirky snack bar worker (Faye Wong). "Chungking" in the title refers to Chungking Mansions in Tsim Sha Tsui, Hong Kong, where Wong grew up in the 1960s. "Express" refers to the food stand Midnight Express, located in Lan Kwai Fong, an area in Central, Hong Kong.   I Love This You Should Too is hosted by Samantha & Indy Randhawa

We are continuing on the Wong Kar-wai train, next stop 2046! We break down the characters, symbolism, & romance of this avant garde film. Did we love it? Did we get it? Will we even be able to sleep with all of this running around in our heads? Listen and find out! I Love This You Should Too is hosted by Samantha & Indy Randhawa 2046 is a 2004 romantic drama film written, produced and directed by Wong Kar-wai. An international co-production between Hong Kong, France, Italy, China and Germany, it is a loose sequel to Wong's films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan's unconsummated affair with Su Li-zhen in 1960s Hong Kong and includes elements of science fiction.   《2046》是王家卫导演的一部电影，普遍被認為是王家卫的电影前作《花樣年華》及《阿飛正傳》的續集。故事讲述住在東方酒店2047号房间的作家周慕雲（梁朝偉飾）遇到了住在2046号房间的幾個女人，包括白玲（章子怡飾）及王靖雯（王菲飾），而使周慕雲以“《2046》”和“《2047》”为名写下兩个充满幻想的故事。本片入選第57屆坎城影展競賽片。 此電影的部分情節靈感來自劉以鬯的小說《酒徒》

durée : 00:58:52 - En route pour Hong-Kong - par : Thierry Jousse - Cette semaine, Ciné Tempo vous emmène à Hong-Kong, avec une plongée dans un cinéma très musical, en compagnie de stars incontestées, comme Bruce Lee ou Wong Kar-wai… Au programme, du funk, des airs latins et… de la musique chinoise…

We are on a journey through the world of Wong, Kar-wai. Our first stop is his 2000 romantic Masterpiece (at least according to Indy) In the Mood For Love.  We discuss the romance of these forbidden lovers, the politics of Hong Kong, the effect of memory on film, the music, frames Within frames, the beautiful dreamlike look, and more! I Love This You Should Too is hosted by Samantha & Indy Randhawa In the Mood for Love (Chinese: 花樣年華; lit. 'Flowery Years') is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man (Tony Leung) and a woman (Maggie Cheung) in 1962 whose spouses have an affair together and who slowly develop feelings for each other. It forms the second part of an informal trilogy, alongside Days of Being Wild and 2046. （英語：In the Mood for Love）是一部於2000年上映的愛情浪漫電影，為王家衛導演的第七部電影，靈感來自劉以鬯的小說《對倒》。電影由香港與法國合拍，梁朝偉、張曼玉共同主演。

We have reached the finale of one of the best TV shows of the season! We're thrilled to have director Hiromi Kamata ('Let the Right One In', 'Monarch: Legacy of Monsters') join us to talk about 'Shōgun' & her incredible episode 'Ladies of the Willow World'. Ms. Kamata and Christina talk about the power of the women of 'Shōgun', why she showed the actors Bergman's 'Persona' & Wong Kar-wai's 'In the Mood For Love', and how 'Shōgun' was a personal journey for the director who is of Japanese and Mexican heritage. And much more! Listen now! Learn more about your ad choices. Visit megaphone.fm/adchoices

Samantha reviews her favourite biblical western lovestory Redeeming Love, while Indy gets back into the world of Wong KarWai with a review of Days of Being Wild, and we get ready for In The Mood For Love and 2046.     I Love This You Should Too is hosted by Samantha & Indy Randhawa   Redeeming Love is a 2022 American Christian Western romance film directed by D.J. Caruso, who co-wrote the screenplay with Francine Rivers. The film is based on Rivers' 1991 novel of the same name, which was based on the Biblical story of Hosea, and is set in the American Old West during the California Gold Rush. It stars Abigail Cowen, Tom Lewis and Logan Marshall-Green.   Days of Being Wild is a 1990 Hong Kong drama film written and directed by Wong Kar-Wai. Starring some of the best-known actors and actresses in Hong Kong, including Leslie Cheung, Andy Lau, Maggie Cheung, Carina Lau, Jacky Cheung and Tony Leung, the film marks the first collaboration between Wong and cinematographer Christopher Doyle, with whom he has since made six more films.   In the Mood for Love (Chinese: 花樣年華; lit. 'Flowery Years') is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man (Tony Leung) and a woman (Maggie Cheung) in 1962 whose spouses have an affair together and who slowly develop feelings for each other. It forms the second part of an informal trilogy, alongside Days of Being Wild[6] and 2046.   2046 is a 2004 romantic drama film written, produced and directed by Wong Kar-wai. An international co-production between Hong Kong, France, Italy, China and Germany, it is a loose sequel to Wong's films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan's unconsummated affair with Su Li-zhen in 1960s Hong Kong and includes elements of science fiction.

"Blossoms Shanghai" is A 30-part TV series directed by acclaimed Hong Kong filmmaker Wong Kar-wai, set in the 1990's that has become a huge hit in China. Our China correspondent tells us the nostalgia unleashed by the show tells us a lot about how people in China are feeling these days.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Derek talks to Calvin about the buzz of creating, allowing for both good + bad, his short films, how music can make a movie, writing his first feature film, where he wants to shoot his film, balancing creativity + family, and Wong Kar-wai! https://www.buymeacoffee.com/wheatleydeQ

The nerds review Wong Kar-wai's LGBT drama, Happy Together! Thank You ALL for Helping Support Us! Visit Our Website

Happy Valentine's Day! Mike and Nick shoot their Cupid's arrow at each other with two top romance films. Mike aims at Nick with seductive music and vibrant colours in Wong Kar-wai's In the Mood for Love (2000). Nick takes an alternative approach by depressing Mike into loving him with Michael Haneke's Amour (2012). Enjoy the compare and contrast exercise around two of the most romantic, but starkly different, films of all time.

Picture this: it's the year 2001. Tom Cruise gets braces, The Lord of the Rings has entered the chat, and Russell Crowe is... still here. The omissions are glaring, the discrepancies are stark. Where is Wong Kar-wai? Who is Shrek? And how many Oceans does it take to bring home an Oscar? Two women needed to discuss.*This episode was recorded 4/16/2023 Hosted on Acast. See acast.com/privacy for more information.

This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas are back with the first edition of THE POD CHARLES CINECAST CLASSIC! Going forward, we'll be doing this as a monthly look at the programme, and potentially from time-to-time the staff, of The Prince Charles Cinema like we used to do when we started this podcast. In this episode we tackle the exciting month of February, where we've got loads of Valentine's films, a Wong Kar-wai Marathon, 2001: A SPACE ODYSSEY, DETROIT ROCK CITY, BUT I'M A CHEERLEADER, PRISCILLA in 35mm and so much more! Also, we look back at the year of 2023, and dish out on our favourite and least favourite films of the year. Tune in for chat about KILLERS OF THE FLOWER MOON, PAST LIVES, POOR THINGS, BARBIE, OPPENHEIMER, REBEL MOON, THE IRON CLAW and loads more!Plus, we dish out our plans for 2024, in terms of some changes in how we are going to be presenting the podcast going forward. It's a New Year, and it was time for a change. We hope you all are happy to go along for the ride.If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

Two Hong Kong films in a row (kind of)! Hey, y'all, The Searchers Podcast is back with another one... This week we review Patrick Tam's LOVE MASSACRE (1981). In addition to reviewing the film, the three of us discuss Tam in terms of his mentorship of Wong Kar-wai, Hong Kong and other "New Wave" film movements, colors in film, and more. Tune in! To follow along, find the film on YouTube, HERE, as it's most likely the only cut available for audiences as of 2024. Thank you very much to the uploader "renkls" from LB for the upload. Find out more about it, HERE. Submit your mailbags to us at thesearcherspodcast@gmail.com. Thank you. Please rate us a 5/5, and review us on Apple, Spotify, or wherever you listen to us. Follow us on Letterboxd.com if you'd like to see what we've recently watched. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/  

主播：翩翩（中国）+ Selah（美国） 歌曲：Catch My Breath（开场）偷心（结尾）《繁花》爆火，被外媒热议王家卫首部电视剧作品《繁花》，目前在中国爆火。外媒报道称：Blossoms Shanghai is Wong Kar-wai's first dive into dramatic TV series production.• It's viral:爆火 • Blossoms Shanghai：《繁花》 • Wong Kar-wai：王家卫• first dive：第一次潜水（首度尝试）王家卫出生于上海：Shanghai is his birthplace.外媒称《繁花》是王家卫对上海的致敬：It's an homage to his birthplace Shanghai.• birthplace： 出生地 • homage：致敬（h不发音）上映以来，《繁花》获评褒贬不一： It has received mixed reviews.但是，王家卫的镜头充满了visual poetry（视觉上的诗意表达），把电视剧行业提升到全新的高度，被称作中国娱乐业的game changer.• mixed：混合的 • review：评价《繁花》改编自茅盾文学奖作品，很多台词很有鉴赏价值，今天，我们就一边鉴赏台词一边学英文吧！1. 心可以热，但是头要冷。Keep your heart warm but your head cool.这句台词，是汪小姐创业前，她的师父金科长对她说，不要轻易相信别人的verbal promises（口头承诺），Analyze the pros and cons before making decisions（做决定前，要自己分析利弊），要够激情，但也要够理性。2. “27号的汪小姐”跟“汪小姐”，是两桩事情。”The Miss Wang on the 27th" and "Miss Wang" are two different matters.27号，是汪小姐之前所在的外贸公司，是个大平台。因此，27号的汪小姐被很多人追捧。后来汪小姐从27号辞职，要自己创业招商，结果没人来，没人买她的帐（No one is buying what she's selling），尝尽世态炎凉。剧中的大佬爷叔用说：排骨是排骨，年糕是年糕。排骨年糕有个好价格，不代表年糕就值这个价。排骨年糕的套餐（the combo） 有个好价格， the combo comes with a good price,但并不代表the rice cake is worth the same。要分清楚平台和自身，不要因为平台资源一叶障目而忘记自己是谁。3. 一个男人应该有多少钱包？三只。第一只，就是你实际上有多少钱第二只，是你的信用。人家钱包里的钞票，你可以调动多少；第三只，人家认为你有多少钱。A man should have 3 wallets, the first one is how much cash you actually have;the second one is your credit; how much you can leverage from what's in others' wallets;the third one is how much others think you have.”所以做人要有信用，还要有腔调。4. 哪里有这么多真的假的，眼前能看得见的都是真的，走掉的都是假的。Who's got time for all this real or fake drama? What's in front of your eyes is real; what's walked away is fake.夜东京的老板娘玲子在受到情伤之后的领悟：Who's got time for all this real or fake drama?英文中，drama是指“戏”，Who's got time for all this drama 哪来这么多戏？美国主播Selah的翻译很准确地传递了玲子的角色神韵。5. 目标从来就不遥远，一步步，一天天。只管全力以赴，剩下的交给时间。The goal has never been too far away, step by step, day by day. Just give it your all, and leave the rest to time.就像是英文中常说的： trust the process.相信过程，但行好事。路虽远,行则将至。 step by step一步步, day by day一天天， 全力以赴。6. 一支队伍，有人看脚底下，有人看前面。In a team, some focus on their own steps, while others keep an eye on the road ahead.这句台词虽然短，但是却讲明白了人类“合群”的意义（the point of fitting in）：人类是要有合群的部分，也要有离群的部分。合群是为了大家一起做成事情，就像野生动物需要合群，才能生存。人类也是，合群是为了做事，每个人有不同的职责。所以， while in a team, you need to fit-in。合群做事时，要多动脑、多动手，少动心。万众一心，才是一支好队伍。7. 男男女女这点事，讲起来都是老法师，真到自己身上全是小学生，年年留级，永远拿不到毕业证书。When it comes to relationships, everyone talks like they're experts. But in reality, we're all just rookies. Repeating the same mistakes, never graduating from the school of love.男女关系，在英语中统一称作 relationship。 • experts：专家，老法师 • rookie：新手，菜鸟《二十四章经》中讲：爱欲之人，犹如执炬，逆风而行，必有烧手之患。It's like holding a torch, walking against the wind.但是，所谓“智者不坠入爱河”，是因为爱欲本身是欲望，索取本身就是逆风执炬。理论来讲，换个方向，把索取变成给予，爱欲变成爱，“逆风执炬”也许就会变成“顺风执火炬”了。8. 做生意先要学会两个字：不响。In business, you gotta learn two words: hush-hush.有人说：真正想做的事，连神明都不要说（for real goals, don't even mention them to the gods.）上海话说“不响”，安静地做 Just go do your thing quietly,，成功了再说and when you've nailed it, then you can talk about it.其实对立志爬坡的人来说，“分享”，本来就是奢侈品，大门要守好，心神才安宁。才能聚焦做事。9. 能说服一个人的，从来不是道理而是南墙。The convincing stuff is never the logic, it's always the hard reality.• logic： 逻辑，道理 • convincing：有说服力的 • the hard reality： 残酷的现实（南墙）所以，放下劝人情结，尊重他人命运。10. 人人心里都有杆秤，什么时候可以同富贵，什么时候可以共患难，心里多少都是有数的。Everyone's got a scale in their heart–knowing when to share the good times, when to weather the storms. It's all pretty clear to them.这就是所谓的“冷暖自知”吧！以上呢，就是电视剧《繁花》中的10句台词，哪一句最入你心呢？ 欢迎留言讨论！

Για άλλη μια φορά, το νέο έτος ξεκινάει με το POP για τις Δύσκολες Ώρες να κοιτάζει στο μέλλον και να ξεδιαλέγει αυτά για τα οποία ανυπομονεί περισσότερο τους επόμενους 12 μήνες. Η Ιωσηφίνα κι ο Θοδωρής βάζουν κάτω προγράμματα και φήμες και ξεχωρίζουν από 5 ταινίες κι από 5 σειρές που δε βλέπουν την ώρα να δουν το 2024. Φυσικά πολλά πράγματα αλλάζουν (ταινίες που μπορεί να μη βγουν καν φέτος) ή πολλά μπορεί να προκύψουν (τίτλοι που δεν είχαμε ιδέα πως ετοιμάζονται), όμως με τα τωρινά μας δεδομένα, αυτά είναι που μας ενθουσιάζουν πιο πολύ στο μέλλον. Γιατί ανυπομονούμε για νέο Λάνθιμο ενώ καλά-καλά δεν βγήκε ακόμα το Poor Things στις αίθουσες; Πώς θα είναι η Angelina Jolie ως Maria Callas; Πόσο καλύτερη μπορεί να είναι η δεύτερη σεζόν του House of the Dragon από την πρώτη; Τι θα μας φέρει το νέο True Detective; Τι rom-com σκαρώνει η δημιουργός του Past Lives; Τι δουλειά έχει ο Josh O'Connor του The Crown να ψαχουλεύει τάφους στην ιταλική επαρχία; Τι θα είναι η επανένωση Rooney Mara και Joaquin “Γιοακίν” Phoenix στη μεγάλη οθόνη; Πώς να πούμε όχι σε μια σειρά με πρωταγωνιστή τον Colin Farrell ως Πιγκουίνο, και πώς να πούμε όχι σε μια σειρά με πρωταγωνιστή τον Peter “Doctor Who” Capaldi ως κατσούφη ερευνητή; Τι μαγειρεύει ο Park Chan-wook για την επιστροφή του στη μικρή οθόνη με πρωταγωνιστή τον Robert Downey Junior; Και πότε θα πιστέψουμε ότι είναι όντως αληθινή η επιστροφή στη σκηνοθεσία του θρύλου Wong Kar-wai; Αυτά και άλλα πολλά (πολλά!) στο POP για τις Δύσκολες Ώρες της εβδομάδας!

Listen to us as we discuss the 2022 film Everything Everywhere All at Once. If you like what you hear, and/or would like to give us feedback on how we're doing, follow us at:⁠ https://beacons.ai/senornerdpodcast ⁠⁠   / senornerdpodcast   ⁠@senornerdpod on Twitter Everything Everywhere All at Once is a 2022 American absurdist science-fiction comedy-drama film written and directed by Daniel Kwan and Daniel Scheinert, who produced it with Anthony and Joe Russo and Jonathan Wang; the film incorporates elements from a number of genres and film mediums, including surreal comedy, science fiction, fantasy, martial arts films, immigrant narrative, and animation. Michelle Yeoh stars as Evelyn Quan Wang, a Chinese-American immigrant who, while audited by the IRS, discovers that she must connect with parallel universe versions of herself to prevent a powerful being from destroying the multiverse. The film also stars Stephanie Hsu, Ke Huy Quan, Jamie Lee Curtis, Jenny Slate, Harry Shum Jr., and James Hong in supporting roles. Kwan and Scheinert began work on the project in 2010. Production was announced in 2018, and principal photography ran from January to March 2020. The filmmakers initially sought Jackie Chan for the lead role before the script was revised to feature a female protagonist as part of a wife-husband duo. The works of Hong Kong film director Wong Kar-wai, as well as the children's book Sylvester and the Magic Pebble and the video game Everything, served as inspiration for several scenes. The soundtrack features compositions by Son Lux, including collaborations with Mitski, David Byrne, André 3000, John Hampson, and Randy Newman. The film explores philosophical themes such as existentialism, nihilism, surrealism, and absurdism, as well as themes such as neurodivergence, depr2ession, generational trauma, and Asian American identity. Everything Everywhere All at Once premiered at South by Southwest on March 11, 2022, and began a limited theatrical release in the United States on March 25, 2022, before a wide release by A24 on April 8. The film grossed over $141 million worldwide, becoming A24's highest-grossing film. It garnered widespread critical acclaim, gained a large cult following, and was a success at the 95th Academy Awards, winning a leading seven awards out of eleven nominations: Best Picture, Best Actress for Yeoh, Best Supporting Actor for Quan, Best Supporting Actress for Curtis, Best Director and Best Original Screenplay for Kwan and Scheinert, and Best Film Editing. It also won two Golden Globe Awards, five Critics' Choice Awards (including Best Picture), a BAFTA Award, a record four SAG Awards (including Best Ensemble), a record seven Independent Spirit Awards (including Best Feature), and swept the four major guild awards (DGA, PGA, SAG, and WGA). With 266 awards out of 405 nominations, Everything Everywhere All at Once is currently estimated to be the most awarded film of all time.

On the fiftieth (!) official episode of the Cinematic Odyssey, Tristen and Max revisit Wong Kar-wai for the second time on the podcast, for In the Mood for Love, what many consider to be his masterpiece. Tristen rationalizes his lack of understanding of the piece and Max gets real for a moment while referencing musicals and more. Tristen makes a brilliant observation about cameras and there's more than one discussion about the soundtrack taking place! Plus, a fun game for the loyal listener with the opportunity to choose how the podcast plays out!

On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn't easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you're most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business! Discover Where the Money's Hiding in Today's Music Business: https://www.MusicReboot.com JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He's also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He's had longstanding relationships with composers Hans Zimmer & Cliff Martinez. Subscribe & Website:  https://www.MusicLicensingProfits.com/subscribe Jeff's scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others. Movie soundtracks Jeff's scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures Jeff's written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite He's toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award  

We are Boonsong and Flynn Slicker is our Monkey Ghost. Letterboxd's elusive social media manager joins hosts Gemma and Slim from the seaside for a deep chat about her four favorite films: Wong Kar-wai's Fallen Angels, Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, John Carney's Sing Street and René Liu's Us And Them. We celebrate siblings and hot people, commiserate about how hard it is to be alive, calculate how long Raphina and Cosmo would have taken to get to Wales in that tiny boat, normalize hanging out with ghosts and marvel at the genius of running other people's businesses at night. Plus! Read Flynn's Q&A with John Carney on Journal. Sponsor: mubi.com/letterboxd Credits: Recorded in Nantucket MA, Philadelphia PA and Auckland NZ. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production. Chapters: Sponsored by MUBI (00:00:00) Opening credits (00:01:10) Fallen Angels (00:10:12) Uncle Boonmee (00:23:29) Sing Street (00:40:15) Us and Them (00:54:45) Closing credits (01:12:19) Links: List of movies mentioned Flynn's Letterboxd profile Letterboxd Visits the Criterion Closet Gemma's interview with Kamila Andini on Journal Apichatpong Weerasethakul profile in The New Yorker Lists mentioned: When You're Young, Vibrant, and Lost in This World by hungcat Letterboxd 100: Chinese Cinema by Rahat Ahmad Reviews mentioned: Flynn & Josh Lewis's Fallen Angels reviews Carol Grant's Uncle Boonmee Who Can Recall His Past Lives review Jae's Us and Them review