Podcast appearances and mentions of wong kar

Chinese star Xin Zhilei won the Best Actress award at the 82nd Venice International Film Festival on Saturday, becoming the second actress from the Chinese mainland to receive the honor, more than three decades after Gong Li's historic win in 1992.当地时间周六，中国演员辛芷蕾在第82 届威尼斯国际电影节上斩获最佳女演员奖，成为继 1992 年巩俐历史性获奖后，第二位摘得该荣誉的中国内地女演员。With her vivid portrayal of a woman trapped in a love triangle in the arthouse flick The Sun Rises on Us All, Xin received the Volpi Cup for Best Actress from Zhao Tao, also a famous Chinese actress who served as one of this year's international jurors.在影片《日掛中天》中，辛芷蕾生动演绎了一位深陷情感纠葛的女性角色。这部艺术电影的颁奖环节，由本届电影节国际评审团成员、中国知名演员赵涛为辛芷蕾颁发了最佳女演员沃尔皮杯。Directed by Cai Shangjun, who is regarded as a leading figure in Chinese neo-noir cinema, the film — shot in multiple cities across South China's Guangdong province — tells the story of two former lovers who reunite after seven years, only to find their encounter ending in tragedy at the hands of an inescapable fate.《日掛中天》由中国新黑色电影代表导演蔡尚君执导，取景于中国南方广东省多个城市。影片讲述了一对昔日恋人时隔七年重逢，却在命运的捉弄下，最终以悲剧收场的故事。Overcome with joy, Xin, the 39-year-old actress, tearfully said in her acceptance speech: "This feels like a dream. Over a decade ago, when I first started in the film industry, I made a bold claim — I wanted to become an international superstar on a world-class stage. Back then, I faced a lot of ridicule."39 岁的辛芷蕾在领奖时难掩激动，含泪发表获奖感言：“这感觉像一场梦。十几年前刚进入电影行业时，我曾大胆立下目标 —— 要在世界级舞台上成为国际巨星。那时，我遭到了不少嘲讽。”Having begun her showbiz career in 2005, the actress overcame many difficulties to stand on the award stage in Venice, one of the three most prestigious film festivals in Europe. She said she felt proud of herself and encouraged all women by saying: "If you have a dream, dare to dream big and dare to go for it. Who knows — one day it might just come true, just like it did for me."辛芷蕾于2005 年开启演艺生涯，历经诸多挑战，最终站上了欧洲三大顶级电影节之一 —— 威尼斯国际电影节的领奖台。她表示，为自己感到骄傲，同时鼓励所有女性：“只要心怀梦想，就大胆去畅想、勇敢去追逐。说不定有一天，梦想就会像我这样，照进现实。”The film's title is inspired by a line from a Cantonese Opera, which is based on a script by Ming Dynasty (1368-1644) playwright Tang Xianzu. The original work depicts a tragic romance between a poet and a young woman during the Tang Dynasty (618-907).该片片名灵感源自一部粤剧的台词，而这部粤剧改编自明代（1368-1644 年）戏曲家汤显祖的剧本。原著讲述了唐代（618-907 年）一位诗人与一名女子之间的悲情爱情故事。Xin revealed she was captivated by her character — an ordinary person striving to overcome a painful past and build a better life. She explained that the character is difficult to define as simply "good" or "bad", and that audiences may find her choices challenging to understand.辛芷蕾透露，自己被所饰演的角色深深吸引—— 这个普通人物努力摆脱痛苦过往、追寻美好生活的经历极具感染力。她解释道，这个角色难以简单用 “好” 或 “坏” 来定义，观众或许会对角色的选择感到费解。Recounted through a delicate and nuanced narrative, the film focuses not on a dramatic plotline, but on the inner emotional journey of a woman grappling with her own tsunami-like feelings, added Xin.辛芷蕾补充说，影片采用细腻入微的叙事手法，并未侧重紧张刺激的剧情，而是聚焦于女性角色的内心情感历程，展现她如何应对汹涌如潮的复杂情绪。According to her agency, filming in Guangdong was challenging due to the humid temperatures, which frequently left Xin's costume and hair drenched. Despite this, she gave her best performance in every scene.据辛芷蕾所属经纪公司介绍，影片在广东拍摄期间，当地潮湿的气候给拍摄带来不小挑战，辛芷蕾的戏服和头发常常被汗水浸湿。即便如此，她在每一场戏中都展现出最佳状态。A native of Northeast China's Heilongjiang province, Xin first earned international recognition for the 2016 Chinese film Crosscurrent, which won the Silver Bear for Outstanding Artistic Contribution for Cinematography at the 66th Berlin International Film Festival. Her most popular roles include an emperor's favored concubine in the hit costume drama Ruyi's Royal Love in the Palace (2018) and a mysterious restaurant operator in Hong Kong auteur Wong Kar-wai's directorial TV debut Blossoms Shanghai (2023).辛芷蕾籍贯为中国东北黑龙江省。2016 年，她凭借中国电影《长江图》首次获得国际关注，该片曾在第 66 届柏林国际电影节上荣获杰出艺术贡献银熊奖（摄影奖）。她的代表作还包括 2018 年热门古装剧《如懿传》中饰演的皇帝宠妃，以及 2023 年香港导演王家卫首部电视剧《繁花》中塑造的神秘餐厅经营者。In an earlier interview, director Cai recalled that because the film is told from a woman's perspective, it placed particularly high demands on casting the female lead. After an initial struggle — having reached out to around 20 actresses and 10 actors for the two leading roles — Cai finally chose Xin, with the recommendation from his wife and co-writer, Han Nianjin, who saw Xin on a variety show and was impressed by her natural, easygoing and decisive temperament.导演蔡尚君在早前采访中回忆，由于影片以女性视角展开叙事，对女主角的选角要求极高。起初，为男女主角两个核心角色，剧组接触了约20 位女演员和 10 位男演员，选角工作一度陷入困境。最终，在妻子兼联合编剧韩念瑾的推荐下，蔡尚君确定由辛芷蕾出演。韩念瑾此前在一档综艺节目中关注到辛芷蕾，被她自然随性、果断干练的气质所打动。Cai said that China's film industry has undergone a significant transformation in recent years, challenged by a shrinking box office, as well as the unprecedented expansion of short videos and micro-dramas. In this climate, an enduring event like the Venice International Film Festival becomes a cherished destination for artists, he added.蔡尚君表示，近年来中国电影行业经历了显著变革，不仅面临票房下滑的压力，还受到短视频和微短剧爆发式发展带来的冲击。他认为，在此背景下，威尼斯国际电影节这样具有持久影响力的国际影展，成为了电影人珍视的展示平台。

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 321: In the Mood for Love Released 27 August 2025 For this episode, we watched the Wong Kar-wai's modern classic In the Mood for Love, starring Maggie Cheung and Tony Leung which debuted at the Cannes Film Festival in 2000. It sits at a hugely impressive fifth place on the 2022 Sight and Sound list and has a 92% rating on Rotten Tomatoes. It has also run at the Prince Charles Cinema in London for a record-breaking 75 consecutive weeks, so we take a look at the history of that UK institution as well. Tom Cruise breaks his ankle. https://youtu.be/KCm7uhCqo9c https://www.nytimes.com/interactive/2025/movies/best-movies-21st-century.html Next time we will be discussing Beau Travail. If you want to watch it before listening to the next episode, you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.  

In 1994, Hong Kongers were counting down to the looming Mainland handover. But some of them were also counting down to the expiry date on a can of pineapples. We discuss Wong Kar-wai's CHUNGKING EXPRESS (1994), a quintessentially Hong Kong movie with universal resonance. PLUS: Checking in on Canada's Mark Carney government, and the unconscionable western media response to Israel's targeting of Palestinian journalists. * Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus Luke's substack - https://www.lukewsavage.com/ Come see Will will at one of the stops on his book tour: LOS ANGELES - August 30, book signing and Q&A with Dana Gould at Artbook - https://www.eventbrite.com/e/ed-wood-made-in-hollywood-usa-la-book-launch-with-will-sloan-dana-gould-tickets-1560019523389 LOS ANGELES - August 30, "Ed Wood on VHS" at WHAMMY - https://www.eventbrite.ca/e/ed-wood-on-vhs-feat-the-sinister-urge-1960-presented-by-will-sloan-tickets-1568174324619 CHICAGO - August 31, "Trust Fall" at Davis Theater - https://davistheater.com/special_events/trust-fall/ TORONTO - September 12, Glen or Glenda screening at the Paradise Theatre - https://paradiseonbloor.com/movies/glen-or-glenda/ * "Mark Carney won on a promise of strong but fair Canada. This is how he is betraying that vision" by Luke Savage - https://www.thestar.com/opinion/contributors/mark-carney-won-on-a-promise-of-strong-but-fair-canada-this-is-how-he/article_4d53c228-bf60-411d-b6e3-be93669eba8e.html "Postmedia masquerading pro-Israel 'advocacy polemics' as news" by Jeremy Appel - https://www.readtheorchard.org/p/postmedia-masquerading-pro-israel "Chungking Express: Electric Youth" by Amy Taubin - https://www.criterion.com/current/posts/766-chungking-express-electric-youth "Poet of Time: Wong Kar-wai on Chungking Express" by Tony Rayns - https://www.bfi.org.uk/sight-and-sound/features/poet-time-wong-kar-wai-chungking-express

Hoje é dia de Livros em Cartaz Degusta! um programa de indicações de livros, séries, filmes e HQs. Veja abaixo a lista dos quatro temas indicados por Andreia D'Oliveira e Gabi Idealli, além de e alguns bônus

Our fifth episode of July 2025 is a very special one: cinematographer and colorist Devan Scott (and host of the podcast How Would Lubitsch Do It?, where Tim was a regular guest) joins Tim to discuss the new Arrow Video UHD releases of A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly, on which Devan served as technical advisor as part of a team working to make sure that those films got their first properly-curated and visually restored home releases since the dawn of home media. And from there, they dive into a larger conversation about the nature of film restoration and preservation, the confounding things that happen to movies when they get transferred to home video, and whether Wong Kar-wai can ever be trusted with his own films again. If you're the sort of person who groans inside when you learn that a new Criterion Collection release was based on a L'Immagine Ritrovata restoration, this one is a must-listen.

From July 4 to July 8, Film Comment Editor Devika Girish presented a series at the Brooklyn Academy of Music called Let Them Cook: Cinema of the Rice Cooker, which spotlit movies where the humble household appliance takes on a poetics and pragmatism uniquely suited to the screen. Some of the films in the series included Payal Kapadia's All We Imagine as Light (2024), Claire Denis's 35 Shots of Rum (2008), Wong Kar-wai's In the Mood for Love (2000), Raymond Yip's Sixty Million Dollar Man (2005), Yasujiro Ozu's Good Morning (1959), and Bong Joon Ho's Incoherence (1994).  After a screening of Seijun Suzuki's Branded to Kill (1967)—which follows a yakuza assassin with a fetish for the smell of cooking rice—Devika recorded a panel discussion with film scholar and critic Phoebe Chen, The Philadelphia Inquirer's Bedatri Datta Choudhury, and Bon Appétit's Joseph Hernandez about the cinematic appeal of the rice cooker.

Leweke, Anke www.deutschlandfunkkultur.de, Vollbild

Tornen les sèries al podcast. Aquesta vegada per repassar una cuarta temporada de 'The Bear' que comença a donar símptomes de desgast. També analitzem la 'Mobland' de Tom Hardy i Guy Ritchie o 'Smoke, el nou thriller criminal d'Apple TV+. Uns altres drames que ens arriben són la xinesa 'Blossoms Shanghai' de Wong Kar-wai o l'espanyola 'Los sin nombre' creada pel Pau Freixas. I al final del programa us recomanem la sitcom 'The Comeback'.

Welcome to the fourth installment in our Summer '25 suite of episodes devoted to recent Physical Media releases from The Criterion Collection. This will be the last new episode of Watch With Jen before I go on a brief summer hiatus but I'm hoping to return with more wonderful shows & conversations you'll love in mid to late August. SAINT OF THE NARROWS STREET novelist William Boyle returns this week to discuss Claude Berri's lush, tragic masterpieces JEAN DE FLORETTE & MANON OF THE SPRING, my hilarious & brilliant Boston buddy Sean Burns joins me for Bruce Robinson's cult classic WITHNAIL AND I, & Blake Howard & I venture to Hong Kong for some "California Dreaming" & Tony Leung c/o Wong Kar-wai's CHUNGKING EXPRESS. During our pod break, you'll find more updates & film content on our Patreon (patreon.com/FilmIntuition) where you can sign up as a free member or one who donates monthly (for as little or as much as you wish) to help keep this show running, & check out everything from videos on overlooked film recs to essays on some of the movies most obsessing me at the moment, including a recent piece on WITHNAIL AND I. I'm wishing everyone a happy, healthy, & safe summer break.Originally Posted on Patreon (7/7/25) here: https://www.patreon.com/posts/133594248Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Es una de las series que más ganas teníamos de que llegara España, es todo un evento, un acontecimiento, el estreno en Filmin de 'Blossoms Shangai', la primera ficción para la televisión de Wong Kar-wai, el director hongkonés autor de títulos como 'Deseando amar'. En este episodio analizamos esta fascinante crónica del capitalismo y, además, como somos muy diversos, también le echamos un ojo a 'Olympo', la nueva serie juvenil de Netflix. 

Es una de las series que más ganas teníamos de que llegara España, es todo un evento, un acontecimiento, el estreno en Filmin de 'Blossoms Shangai', la primera ficción para la televisión de Wong Kar-wai, el director hongkonés autor de títulos como 'Deseando amar'. En este episodio analizamos esta fascinante crónica del capitalismo y, además, como somos muy diversos, también le echamos un ojo a 'Olympo', la nueva serie juvenil de Netflix. 

Esto se anima. Semana de grandes estrenos en busca del taquillazo del verano. Danny Boyle regresa con '28 años después', la nueva entrega de sus zombies en el Reino Unido del Brexit. Con el director y los actores protagonistas charlamos, y también, atención, con súper Pamela Anderson. Al fin se estrena en España 'The last showgirl', la película de Gia Coppola con la que la actriz ha renacido para Hollywood. Además, tenemos varias propuestas del cine español, y en televisión, una de las series más esperada, la primera ficción de Wong Kar-wai, una fascinante crónica de la llegada del capitalismo en Shanghai.

Esto se anima. Semana de grandes estrenos en busca del taquillazo del verano. Danny Boyle regresa con '28 años después', la nueva entrega de sus zombies en el Reino Unido del Brexit. Con el director y los actores protagonistas charlamos, y también, atención, con súper Pamela Anderson. Al fin se estrena en España 'The last showgirl', la película de Gia Coppola con la que la actriz ha renacido para Hollywood. Además, tenemos varias propuestas del cine español, y en televisión, una de las series más esperada, la primera ficción de Wong Kar-wai, una fascinante crónica de la llegada del capitalismo en Shanghai.

SerieSelektor #2011 Voleu saber quin

Analizamos sin spoilers "Blossoms Shanghai", la primera serie dirigida por Wong Kar-wai, una superproducción que mezcla negocio, nostalgia y estilo visual único ambientada en el Shanghai de los 90. Estreno: 17 de Junio en Filmin Sinopsis: La historia de un millonario que se hizo millonario a sí mismo en Shanghái durante la década de 1990, desde un joven oportunista con un pasado turbulento hasta las alturas de la ciudad dorada. Únete a nuestro chat de telegram en el que miles de personas hablamos cada dia de series: Telegram – Grupo de debate: https://telegram.me/fueradeseries Telegram – Canal de noticias: https://t.me/noticiasfds Twitter: https://twitter.com/fueradeseries Facebook: https://twitter.com/fueradeseries Instagram: https://www.instagram.com/fueradeseries/ Youtube: youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Arriba a les sales de cinema "Sirat", la pel

Academy award winning writer and director Lee Isaac Chung joins Kate and Franklin to talk about the trip to Rwanda that changed his filmmaking trajectory, his deep admiration for Charlie Chaplin and Wong Kar-wai, the making of his irresisitable Minari, and so much more.  Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020 To learn more about The Black List, visit ⁠www.blcklst.com.⁠ Mentions: Minari: ⁠https://www.rottentomatoes.com/m/minari⁠ 

durée : 00:59:20 - Année du Brésil (2/3) : Caetano Veloso, cinéphile et compositeur - par : Thierry Jousse - Pour ce deuxième Ciné Tempo brésilien, nous suivons les aventures cinématographiques et musicales d'un grand musicien et chanteur brésilien, Caetano Veloso qu'on retrouvera, notamment, chez Pedro Almodovar, Wong Kar-wai ou Carlos Diegues…

Wong Kar-wai's FALLEN ANGELS is not like any other movie we're covering for Hitmania! Sure, it has romantic longing, the alienation of the urban landscape, cool gunfights, all that. But no movie we've covered can claim to be so much more about loneliness and sadness than it is about how cool it is to do hitman stuff.

Weaving between narrative and documentary features OTTO BY OTTO, SERIOUSLY RED and extensive work directing some of the best television (including DEADLOCH and HEARTBREAK HIGH), Gracie Otto is one of the most skilled and in-demand filmmakers in Australia. With great stories around Wong Kar-wai and David Lynch, Gracie’s visit to the Last Video Store is one of the greats. BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, PERTH and BRISBANE Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here’s Gracie’s list. GUEST PICKS: OTTO BY OTTO (documentary), MULHOLLAND DRIVE (cult), CHUNGKING EXPRESS (cult)STAFF PICKS: HIPPO (cult)See omnystudio.com/listener for privacy information.

2007 brought us not only Cooder's solo effort My Name Is Buddy, but also some very interesting contributions. He composed film music for Wong Kar-wai's My Blueberry Nights. And with Mavis Staples, he made an album that's right up there with his best productions. We'll Never Turn Back is not one hundred percent Cooder, but it's certainly ninety-nine and a half. We also take a look at some more session work.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.

I veckans Stil ska vi titta närmare på relationen mellan mode och film och prata med två modeskapare och en stylist om vilka filmer de inspireras av. Lyssna på alla avsnitt i Sveriges Radio Play. Modeskaparen Roland Hjort älskar Petra von Kants bittra tårar av Rainer Werner Fassbinder och Viskningar och rop av Ingemar Bergman och har designat flera plagg inspirerade av filmerna. Stylisten Ursula Wångander tittar på Wong Kar-wais In the Mood for Love och drömmer om filmens klänningar. Och designern Bea Szenfeldt minns sin ungdoms många filmer som räddade henne från att smittas av 90-talets minimalism.

This is a subscriber-only episode, for the full audio please visit patreon.com/thicklinespod Thank you to Partners and Son for hosting us! Sally interviews Em Frank (Heavenly Days, I Never Found You, Dark Garbage) and Frances Cordelia Beaver (On a Cute One, Spirits Hungover At Work, Give My Best To Your Kind!) live from Partners and Son at PCX. Topics include: why comic books are the easiest art form to get done, taking elementary schoolers to Wong Kar-wai movies, not taking responsibility for torturing your own characters, and much more. This is part 1! Partners and Son: https://partnersandson.com/ Em Frank: https://www.instagram.com/emjonmichaelfrank/ Frances Cordelia Beaver: https://www.francescordeliabeaver.com/

"We must be nice to each other. Otherwise, life's not worth living." For Episode 346, David and Brandon discuss ALI: FEAR EATS THE SOUL for their romance drama series. Listen as they discuss the career of Rainer Werner Fassbinder, his troupe of actors, how quickly they made the movie, and what filmmaker influenced him the most.  If you're in Los Angeles, don't miss your chance to see Wong Kar-wai's masterpiece IN THE MOOD FOR LOVE on the big screen in honor of the film's 25th anniversary at the Nuart Theatre on Valentine's Day:  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - The Gutter and What's on Criterion Channel (00:00:10) Recap of the Romance Drama Genre (00:07:53) Intro to Ali: Fear Eats the Soul (00:12:27) How Ali: Fear Eats the Soul Got to Production (00:18:53) Favorite Scenes (00:32:57) On Set Life - (00:59:21) Aftermath: Release and Legacy (01:01:02) What Worked and What Didn't (01:06:44) Film Facts (01:12:24) Awards (01:12:48) Final Questions on the Movie (01:18:32) Wrapping Up the Episode (01:22:49) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

l⁠⁠⁠inktr.ee/CatchingUpOnCinema⁠⁠⁠⁠⁠⁠⁠This February at Catching Up On Cinema, is “Ladies' Night”!All month long we'll be reviewing action movies headlined by women!This week, Trevor conducts a solo review Johnnie To and Ching Siu-Tung's, The Heroic Trio (1993) and Executioners (1993)!Starring the trio of prestigious Hong Kong starlets, Anita Mui, Maggie Cheung, and Michelle Yeoh, the pair of films were a box office smash in Asia in the early 90's, and was just recently inducted into the Criterion collection via a fabulous new 4k transfer.Singer/actress Anita Mui sadly passed away in 2003, however her cultural footprint remains vast, and in fact a biopic and documentary were made about her in recent years.Maggie Cheung has been a fixture in Hong Kong cinema since the 80's, earning critical acclaim in her later career collaborations with director Wong Kar-wai.Like her costars Mui and Cheung, Michelle Yeoh has been a fixture of Hong Kong and Chinese cinema for decades now, however in more recent years, beginning in the late 90's, her popularity and prominence in film markets outside of Asia has grown by leaps and bounds, culminating in her recently receiving an Academy Award for Best Actress for her performance in Everything Everywhere All at Once (2022).Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@catchinguponcinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CatchingCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, subscribe, and we'll catch you next time!

"I didn't think you'd fall in love with me." For Episode 345, Brandon and David return from hiatus to start their Romance Drama series with Wong Kar-wai's IN THE MOOD FOR LOVE. Listen as they discuss the film's lengthy production schedule, working without a script, why they shot most of the movie twice, and how it barely made its premiere date.  If you're in Los Angeles, don't miss your chance to see Wong Kar-wai's masterpiece on the big screen in honor of the film's 25th anniversary at the Nuart Theatre on Valentine's Day:  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Cookbooks and Cooking Movies -  (00:00:10) Intro to the Romance Drama Genre (00:08:20) Intro to In the Mood for Love (00:15:55) How In the Mood for Love Got to Production (00:25:11) Favorite Scenes (00:39:14) On Set Life - (01:04:46) Aftermath: Release and Legacy (01:15:31) What Worked and What Didn't (01:19:33) Film Facts (01:22:50) Awards (01:25:21) Final Questions on the Movie (01:29:28) Wrapping Up the Episode (01:34:27) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Chen Chen talks about genre, creative writing pedagogy, race, and politics as he reflects on his two full-length poetry collections, When I Grow Up I Want To Be A List of Further Possibilities (BOA Editions) and Your Emergency Contact Has Experienced An Emergency (BOA Editions). On the topic of contextual and cultural references, we discussed our displeasure of the general tendency to reference Wong Kar-wai purely for aesthetic reasons without critiquing the politics of nostalgia. 

"As Tears Go By" is the debut of filmmaker Wong Kar-wai. It's his love letter to the film "Mean Streets". He shares a tragedy where love is lost, both of the romantic and of the brotherly. I was amazed to see a style of filmmaking and it came out in 1988. It's very stylistic and isn't afraid to push narrative boundaries. My favorite scene of the film is honestly, the ending. I wont say why but it's an effective ending that you don't really get to see in cinema nowadays. It's a film that drama, romance, crime, some comedy, and even existentialism. It's a film about a gangster who tries throughout the whole film, to look out for his best friend, and honestly, his only friend, especially in the world they're in. His friend is always messing up and he has to figure out a way to chamge, or else...It's great film in it's style of filmmaking and a story that's engaging and doesn't spoon feed you#astearsgoby

It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends!  Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com

“Su independencia, que era su fuerza, implicaba la soledad, que era su debilidad…”. Historias de dos grandes amores imposibles. María Callas y Pier Paolo Pasolini, así como Su Li-zhen y Chow Mo-wan, los dos protagonistas de la película “In the Mood For Love”, de Wong Kar-wai, Un juego de espejos, entre “Medea” y la obra maestra del director de cine cino-hongkonés para contar una historia de amor universal, destinada a vivir para siempre.Escuchar audio

Since the debut of The Bald and the Beautiful in October of 2020, Katya Zamolodchikova has tickled your ears with full-throated recommendations of tens of hundreds of films; many of which are great, most of which are not. As we approach the zenith of the Halloween season, be prepared for Joel Kim Booster to be utterly at odds with Katya's positively shining endorsement of Terrifier 3, with Miss Zamolodchikova describing it as what would happen if Ingmar Bergman decapitated Stanley Kubrick while simultaneously stabbing Wong Kar-wai with Jean-Luc Godard's sharpened femur. Want to try the #1 meal kit for eating well? Go to https://GreenChef.com/BALD50 and use code BALD50 for 50% off your first box plus 20% off your next two months! This episode is sponsored by BetterHelp. Give online therapy a try at https://BetterHelp.com/BALD and get on your way to being your best self! If you're 21+, check out VIIA. Head to https://bit.ly/viiathebbpod and use the code BALD to receive 15% off. This fall, enhance your everyday with VIIA! Need a website? Check Out https://SquareSpace.com for a free trial, and when you're ready to launch, go to https://www.SquareSpace.com/BALD to save 10% off your first purchase of a website or domain! Take more control of your finances and stop waiting for payday! Open your account in minutes at https://Chime.com/BALD Chime. Feels like progress. Follow Joel Kim Booster: @IHateJoelKim Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to: https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatyalive.com To order your copy of our book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is a re-release of my discussion with Ross McDonnell. His film, SWIFT JUSTICE, is up for a News & Doc Emmy in Outstanding Cinematography: Documentary. The awards will be revealed live on September 26, 2024.Ross died on November 5, 2023. His co-director, Victor Blue, writes movingly about his work. Later on this year, I'll post an episode remembering Ross and the legacy of independent filmmakers.In this episode, I talk with Ross McDonnell, co-director of the new documentary short, SWIFT JUSTICE, about Sharia justice in Afghanistan.Ross and I discuss:how he got started in filmmaking;whether some people are just built for the visual arts;the gear behind making a film like SWIFT JUSTICE and how they went about filming "without understanding what was happening in realtime"the importance of Christmas movies in Ireland and W.B. Yeats;never-ending praise for editors and the New Yorker's prowess in the documentary realm;what's next for the documentary field.Ross' Indie Film Highlight: Jonathan Glazer; Wong Kar-wai; Spize Jonze; Chris Cunningham; Floria Sigismondi; Chris Doyle; Lance AcordLinks:SWIFT Justice Film Watch The News & Doc Emmys Live On September 26, 2024 Support the Podcast Through MembershipSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Listen back to The Saturday Spring! Karyn discusses film with AUT student Liam, specifically cinematography and colours in Wong Kar-wai's film In 'The Mood For Love' on Lecture Me – thanks to Blue Hill Books. Stella joins Karyn for Implausible Deniability to discuss pheremones, and Finn hops on the mic to help answer your queries for Dear Finn.

Because one multi-story film wasn't enough for us, here is another one. Cameron has a lot of thoughts on this one, so grab your Walkman as we listen to California Dreamin' for the 100th time and join us on this quest to decipher this Wong Kar-wai classic.

Ahead of the Los Angeles Premiere of this year's Teddy Award-winning film ALL SHALL BE WELL, we interview director Ray Yeung and producer Teresa Kwong on their take on the story and style of the film, the journey of bringing the film to screen, and the film's unlikely connections to Johnnie To and Wong Kar-wai! 2nd Hong Kong On Screen Film Festival – All Shall Be Well Date: September 7, 2024 (Sat) Time: 7:00 PM Location: Starlight Whittier Village Cinemas Get your tickets here! Movies mentioned: All Shall Be Well《從今以後》 Suk Suk (Twilight's Kiss)《叔·叔》 Five Easy Pieces《輪流傳》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting

This week, writer and director Lee Isaac Chung joins Kate and Franklin to talk about the trip to Rwanda that changed his filmmaking trajectory, his deep admiration for Charlie Chaplin and Wong Kar-wai, the making of his film and 2020 Sundance festival winner, Minari, and so much more. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020. To learn more about The Black List, visit www.blcklst.com.Mentions: Minari: https://www.rottentomatoes.com/m/minari 

This week, Sam, Diana, and Christie delve into Wong Kar-wai's Chungking Express to close out this month's theme of bodies and the media. They discuss the movie's portrayal of longing, pining, and missed connections amidst the bustling backdrop of 1990s Hong Kong. They explore the film's representations of indirect communication, cultural identity, and the loneliness and nostalgia that permeate its narrative.  Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh

This Warner Bros. 1947 Studios Year by Year episode features two gems that put their own particular slant on noir's familiar theme of murderous conflict between women and men: Curtis Bernhardt's Possessed, starring a more-than-usually deranged Joan Crawford, with Van Heflin as the rakish object of her obsession, and Delmer Daves' Dark Passage, starring an unusually passive Humphrey Bogart as a man convicted of killing his wife, with Lauren Bacall as an eccentric socialite who decides to help him. And in our Fear and Moviegoing segment, a real clash of moods: Ridley Scott's terrifying sci-fi/horror classic Alien and Wong Kar-wai's whimsical romantic comedy (of a sort) Chungking Express. Though admittedly it also has its terrifying aspects. (If only Van Heflin had been charmed by Crawford's fixation, how differently it could have gone!)  Time Codes: 0h 00m 35s:      POSSESSED [dir. Curtis Bernhardt] 0h 41m 53s:      DARK PASSAGE [dir. Delmer Daves] 1h 11m 24s:      Fear and Moviegoing in Toronto – Alien (1979) by Ridley Scott at the TIFF Lightbox and Chungking Express (1994) by Wong Kar-wai at the Revue Cinema  Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

This week, Sam, Diana, and Christie, explore the fascinating world of Satoshi Kon's Paprika, aligning with the July theme of exploring bodies and the media. Discover why Paprika is a favorite of Sam's as she shares her own experiences with the movie and offers insight into the significance of Kon's work in Asian cinema. They explore the themes of dreams and Jungian psychology, parts work, multiple realities and subjectivities, as well as how some scenes reminded them of EMDR. Stay tuned for next week's episode when we'll discuss Wong Kar-wai's Chungking Express. Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh

This month's Out Now with Aaron and Abe commentary track is nowhere close to its expiration date. The Brandon Peters Show's Brandon Peters and Movies, Films & Flix's Mark Hofmeyer join Aaron and Abe to discuss Chungking Express from director Wong Kar-wai for the film's 30th anniversary. Listen in to hear the group discuss why this film has been so highly acclaimed since its arrival. There's plenty of conversation revolving around Wong Kar-wai's work as a filmmaker, the various performances, and what it means for a movie to be cool without having to involve the usual crime elements. So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod Faye Wong performs Dreams Watch the Trailer for Chungking Express

On this episode of What a Picture, Bryan and Hannah chow down on expired cans of pineapple while discussing Chungking Express, the 1994 movie directed by Wong Kar-wai that ranks #88 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

durée : 00:58:52 - En route pour Hong-Kong - par : Thierry Jousse - Cette semaine, Ciné Tempo vous emmène à Hong-Kong, avec une plongée dans un cinéma très musical, en compagnie de stars incontestées, comme Bruce Lee ou Wong Kar-wai… Au programme, du funk, des airs latins et… de la musique chinoise…

We have reached the finale of one of the best TV shows of the season! We're thrilled to have director Hiromi Kamata ('Let the Right One In', 'Monarch: Legacy of Monsters') join us to talk about 'Shōgun' & her incredible episode 'Ladies of the Willow World'. Ms. Kamata and Christina talk about the power of the women of 'Shōgun', why she showed the actors Bergman's 'Persona' & Wong Kar-wai's 'In the Mood For Love', and how 'Shōgun' was a personal journey for the director who is of Japanese and Mexican heritage. And much more! Listen now! Learn more about your ad choices. Visit megaphone.fm/adchoices

"Blossoms Shanghai" is A 30-part TV series directed by acclaimed Hong Kong filmmaker Wong Kar-wai, set in the 1990's that has become a huge hit in China. Our China correspondent tells us the nostalgia unleashed by the show tells us a lot about how people in China are feeling these days.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Derek talks to Calvin about the buzz of creating, allowing for both good + bad, his short films, how music can make a movie, writing his first feature film, where he wants to shoot his film, balancing creativity + family, and Wong Kar-wai! https://www.buymeacoffee.com/wheatleydeQ

The nerds review Wong Kar-wai's LGBT drama, Happy Together! Thank You ALL for Helping Support Us! Visit Our Website

Happy Valentine's Day! Mike and Nick shoot their Cupid's arrow at each other with two top romance films. Mike aims at Nick with seductive music and vibrant colours in Wong Kar-wai's In the Mood for Love (2000). Nick takes an alternative approach by depressing Mike into loving him with Michael Haneke's Amour (2012). Enjoy the compare and contrast exercise around two of the most romantic, but starkly different, films of all time.

Picture this: it's the year 2001. Tom Cruise gets braces, The Lord of the Rings has entered the chat, and Russell Crowe is... still here. The omissions are glaring, the discrepancies are stark. Where is Wong Kar-wai? Who is Shrek? And how many Oceans does it take to bring home an Oscar? Two women needed to discuss.*This episode was recorded 4/16/2023 Hosted on Acast. See acast.com/privacy for more information.

Listen to us as we discuss the 2022 film Everything Everywhere All at Once. If you like what you hear, and/or would like to give us feedback on how we're doing, follow us at:⁠ https://beacons.ai/senornerdpodcast ⁠⁠   / senornerdpodcast   ⁠@senornerdpod on Twitter Everything Everywhere All at Once is a 2022 American absurdist science-fiction comedy-drama film written and directed by Daniel Kwan and Daniel Scheinert, who produced it with Anthony and Joe Russo and Jonathan Wang; the film incorporates elements from a number of genres and film mediums, including surreal comedy, science fiction, fantasy, martial arts films, immigrant narrative, and animation. Michelle Yeoh stars as Evelyn Quan Wang, a Chinese-American immigrant who, while audited by the IRS, discovers that she must connect with parallel universe versions of herself to prevent a powerful being from destroying the multiverse. The film also stars Stephanie Hsu, Ke Huy Quan, Jamie Lee Curtis, Jenny Slate, Harry Shum Jr., and James Hong in supporting roles. Kwan and Scheinert began work on the project in 2010. Production was announced in 2018, and principal photography ran from January to March 2020. The filmmakers initially sought Jackie Chan for the lead role before the script was revised to feature a female protagonist as part of a wife-husband duo. The works of Hong Kong film director Wong Kar-wai, as well as the children's book Sylvester and the Magic Pebble and the video game Everything, served as inspiration for several scenes. The soundtrack features compositions by Son Lux, including collaborations with Mitski, David Byrne, André 3000, John Hampson, and Randy Newman. The film explores philosophical themes such as existentialism, nihilism, surrealism, and absurdism, as well as themes such as neurodivergence, depr2ession, generational trauma, and Asian American identity. Everything Everywhere All at Once premiered at South by Southwest on March 11, 2022, and began a limited theatrical release in the United States on March 25, 2022, before a wide release by A24 on April 8. The film grossed over $141 million worldwide, becoming A24's highest-grossing film. It garnered widespread critical acclaim, gained a large cult following, and was a success at the 95th Academy Awards, winning a leading seven awards out of eleven nominations: Best Picture, Best Actress for Yeoh, Best Supporting Actor for Quan, Best Supporting Actress for Curtis, Best Director and Best Original Screenplay for Kwan and Scheinert, and Best Film Editing. It also won two Golden Globe Awards, five Critics' Choice Awards (including Best Picture), a BAFTA Award, a record four SAG Awards (including Best Ensemble), a record seven Independent Spirit Awards (including Best Feature), and swept the four major guild awards (DGA, PGA, SAG, and WGA). With 266 awards out of 405 nominations, Everything Everywhere All at Once is currently estimated to be the most awarded film of all time.

On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn't easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you're most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business! Discover Where the Money's Hiding in Today's Music Business: https://www.MusicReboot.com JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He's also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He's had longstanding relationships with composers Hans Zimmer & Cliff Martinez. Subscribe & Website:  https://www.MusicLicensingProfits.com/subscribe Jeff's scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others. Movie soundtracks Jeff's scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures Jeff's written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite He's toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award