POPULARITY
8 episodes with wong kar
7 episodes with wong kar
7 episodes with wong kar
3 episodes with wong kar
4 episodes with wong kar
4 episodes with wong kar
4 episodes with wong kar
4 episodes with wong kar
3 episodes with wong kar
In 1994, Hong Kongers were counting down to the looming Mainland handover. But some of them were also counting down to the expiry date on a can of pineapples. We discuss Wong Kar-wai's CHUNGKING EXPRESS (1994), a quintessentially Hong Kong movie with universal resonance. PLUS: Checking in on Canada's Mark Carney government, and the unconscionable western media response to Israel's targeting of Palestinian journalists. * Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus Luke's substack - https://www.lukewsavage.com/ Come see Will will at one of the stops on his book tour: LOS ANGELES - August 30, book signing and Q&A with Dana Gould at Artbook - https://www.eventbrite.com/e/ed-wood-made-in-hollywood-usa-la-book-launch-with-will-sloan-dana-gould-tickets-1560019523389 LOS ANGELES - August 30, "Ed Wood on VHS" at WHAMMY - https://www.eventbrite.ca/e/ed-wood-on-vhs-feat-the-sinister-urge-1960-presented-by-will-sloan-tickets-1568174324619 CHICAGO - August 31, "Trust Fall" at Davis Theater - https://davistheater.com/special_events/trust-fall/ TORONTO - September 12, Glen or Glenda screening at the Paradise Theatre - https://paradiseonbloor.com/movies/glen-or-glenda/ * "Mark Carney won on a promise of strong but fair Canada. This is how he is betraying that vision" by Luke Savage - https://www.thestar.com/opinion/contributors/mark-carney-won-on-a-promise-of-strong-but-fair-canada-this-is-how-he/article_4d53c228-bf60-411d-b6e3-be93669eba8e.html "Postmedia masquerading pro-Israel 'advocacy polemics' as news" by Jeremy Appel - https://www.readtheorchard.org/p/postmedia-masquerading-pro-israel "Chungking Express: Electric Youth" by Amy Taubin - https://www.criterion.com/current/posts/766-chungking-express-electric-youth "Poet of Time: Wong Kar-wai on Chungking Express" by Tony Rayns - https://www.bfi.org.uk/sight-and-sound/features/poet-time-wong-kar-wai-chungking-express
Hoje é dia de Livros em Cartaz Degusta! um programa de indicações de livros, séries, filmes e HQs. Veja abaixo a lista dos quatro temas indicados por Andreia D'Oliveira e Gabi Idealli, além de e alguns bônus
Our fifth episode of July 2025 is a very special one: cinematographer and colorist Devan Scott (and host of the podcast How Would Lubitsch Do It?, where Tim was a regular guest) joins Tim to discuss the new Arrow Video UHD releases of A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly, on which Devan served as technical advisor as part of a team working to make sure that those films got their first properly-curated and visually restored home releases since the dawn of home media. And from there, they dive into a larger conversation about the nature of film restoration and preservation, the confounding things that happen to movies when they get transferred to home video, and whether Wong Kar-wai can ever be trusted with his own films again. If you're the sort of person who groans inside when you learn that a new Criterion Collection release was based on a L'Immagine Ritrovata restoration, this one is a must-listen.
From July 4 to July 8, Film Comment Editor Devika Girish presented a series at the Brooklyn Academy of Music called Let Them Cook: Cinema of the Rice Cooker, which spotlit movies where the humble household appliance takes on a poetics and pragmatism uniquely suited to the screen. Some of the films in the series included Payal Kapadia's All We Imagine as Light (2024), Claire Denis's 35 Shots of Rum (2008), Wong Kar-wai's In the Mood for Love (2000), Raymond Yip's Sixty Million Dollar Man (2005), Yasujiro Ozu's Good Morning (1959), and Bong Joon Ho's Incoherence (1994). After a screening of Seijun Suzuki's Branded to Kill (1967)—which follows a yakuza assassin with a fetish for the smell of cooking rice—Devika recorded a panel discussion with film scholar and critic Phoebe Chen, The Philadelphia Inquirer's Bedatri Datta Choudhury, and Bon Appétit's Joseph Hernandez about the cinematic appeal of the rice cooker.
Tornen les sèries al podcast. Aquesta vegada per repassar una cuarta temporada de 'The Bear' que comença a donar símptomes de desgast. També analitzem la 'Mobland' de Tom Hardy i Guy Ritchie o 'Smoke, el nou thriller criminal d'Apple TV+. Uns altres drames que ens arriben són la xinesa 'Blossoms Shanghai' de Wong Kar-wai o l'espanyola 'Los sin nombre' creada pel Pau Freixas. I al final del programa us recomanem la sitcom 'The Comeback'.
Welcome to the fourth installment in our Summer '25 suite of episodes devoted to recent Physical Media releases from The Criterion Collection. This will be the last new episode of Watch With Jen before I go on a brief summer hiatus but I'm hoping to return with more wonderful shows & conversations you'll love in mid to late August. SAINT OF THE NARROWS STREET novelist William Boyle returns this week to discuss Claude Berri's lush, tragic masterpieces JEAN DE FLORETTE & MANON OF THE SPRING, my hilarious & brilliant Boston buddy Sean Burns joins me for Bruce Robinson's cult classic WITHNAIL AND I, & Blake Howard & I venture to Hong Kong for some "California Dreaming" & Tony Leung c/o Wong Kar-wai's CHUNGKING EXPRESS. During our pod break, you'll find more updates & film content on our Patreon (patreon.com/FilmIntuition) where you can sign up as a free member or one who donates monthly (for as little or as much as you wish) to help keep this show running, & check out everything from videos on overlooked film recs to essays on some of the movies most obsessing me at the moment, including a recent piece on WITHNAIL AND I. I'm wishing everyone a happy, healthy, & safe summer break.Originally Posted on Patreon (7/7/25) here: https://www.patreon.com/posts/133594248Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
Es una de las series que más ganas teníamos de que llegara España, es todo un evento, un acontecimiento, el estreno en Filmin de 'Blossoms Shangai', la primera ficción para la televisión de Wong Kar-wai, el director hongkonés autor de títulos como 'Deseando amar'. En este episodio analizamos esta fascinante crónica del capitalismo y, además, como somos muy diversos, también le echamos un ojo a 'Olympo', la nueva serie juvenil de Netflix.
Es una de las series que más ganas teníamos de que llegara España, es todo un evento, un acontecimiento, el estreno en Filmin de 'Blossoms Shangai', la primera ficción para la televisión de Wong Kar-wai, el director hongkonés autor de títulos como 'Deseando amar'. En este episodio analizamos esta fascinante crónica del capitalismo y, además, como somos muy diversos, también le echamos un ojo a 'Olympo', la nueva serie juvenil de Netflix.
Esto se anima. Semana de grandes estrenos en busca del taquillazo del verano. Danny Boyle regresa con '28 años después', la nueva entrega de sus zombies en el Reino Unido del Brexit. Con el director y los actores protagonistas charlamos, y también, atención, con súper Pamela Anderson. Al fin se estrena en España 'The last showgirl', la película de Gia Coppola con la que la actriz ha renacido para Hollywood. Además, tenemos varias propuestas del cine español, y en televisión, una de las series más esperada, la primera ficción de Wong Kar-wai, una fascinante crónica de la llegada del capitalismo en Shanghai.
Esto se anima. Semana de grandes estrenos en busca del taquillazo del verano. Danny Boyle regresa con '28 años después', la nueva entrega de sus zombies en el Reino Unido del Brexit. Con el director y los actores protagonistas charlamos, y también, atención, con súper Pamela Anderson. Al fin se estrena en España 'The last showgirl', la película de Gia Coppola con la que la actriz ha renacido para Hollywood. Además, tenemos varias propuestas del cine español, y en televisión, una de las series más esperada, la primera ficción de Wong Kar-wai, una fascinante crónica de la llegada del capitalismo en Shanghai.
SerieSelektor #2011 Voleu saber quin
Analizamos sin spoilers "Blossoms Shanghai", la primera serie dirigida por Wong Kar-wai, una superproducción que mezcla negocio, nostalgia y estilo visual único ambientada en el Shanghai de los 90. Estreno: 17 de Junio en Filmin Sinopsis: La historia de un millonario que se hizo millonario a sí mismo en Shanghái durante la década de 1990, desde un joven oportunista con un pasado turbulento hasta las alturas de la ciudad dorada. Únete a nuestro chat de telegram en el que miles de personas hablamos cada dia de series: Telegram – Grupo de debate: https://telegram.me/fueradeseries Telegram – Canal de noticias: https://t.me/noticiasfds Twitter: https://twitter.com/fueradeseries Facebook: https://twitter.com/fueradeseries Instagram: https://www.instagram.com/fueradeseries/ Youtube: youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
Arriba a les sales de cinema "Sirat", la pel
Academy award winning writer and director Lee Isaac Chung joins Kate and Franklin to talk about the trip to Rwanda that changed his filmmaking trajectory, his deep admiration for Charlie Chaplin and Wong Kar-wai, the making of his irresisitable Minari, and so much more. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020 To learn more about The Black List, visit www.blcklst.com. Mentions: Minari: https://www.rottentomatoes.com/m/minari
durée : 00:59:20 - Année du Brésil (2/3) : Caetano Veloso, cinéphile et compositeur - par : Thierry Jousse - Pour ce deuxième Ciné Tempo brésilien, nous suivons les aventures cinématographiques et musicales d'un grand musicien et chanteur brésilien, Caetano Veloso qu'on retrouvera, notamment, chez Pedro Almodovar, Wong Kar-wai ou Carlos Diegues…
Wong Kar-wai's FALLEN ANGELS is not like any other movie we're covering for Hitmania! Sure, it has romantic longing, the alienation of the urban landscape, cool gunfights, all that. But no movie we've covered can claim to be so much more about loneliness and sadness than it is about how cool it is to do hitman stuff.
Weaving between narrative and documentary features OTTO BY OTTO, SERIOUSLY RED and extensive work directing some of the best television (including DEADLOCH and HEARTBREAK HIGH), Gracie Otto is one of the most skilled and in-demand filmmakers in Australia. With great stories around Wong Kar-wai and David Lynch, Gracie’s visit to the Last Video Store is one of the greats. BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, PERTH and BRISBANE Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here’s Gracie’s list. GUEST PICKS: OTTO BY OTTO (documentary), MULHOLLAND DRIVE (cult), CHUNGKING EXPRESS (cult)STAFF PICKS: HIPPO (cult)See omnystudio.com/listener for privacy information.
2007 brought us not only Cooder's solo effort My Name Is Buddy, but also some very interesting contributions. He composed film music for Wong Kar-wai's My Blueberry Nights. And with Mavis Staples, he made an album that's right up there with his best productions. We'll Never Turn Back is not one hundred percent Cooder, but it's certainly ninety-nine and a half. We also take a look at some more session work.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
I veckans Stil ska vi titta närmare på relationen mellan mode och film och prata med två modeskapare och en stylist om vilka filmer de inspireras av. Lyssna på alla avsnitt i Sveriges Radio Play. Modeskaparen Roland Hjort älskar Petra von Kants bittra tårar av Rainer Werner Fassbinder och Viskningar och rop av Ingemar Bergman och har designat flera plagg inspirerade av filmerna. Stylisten Ursula Wångander tittar på Wong Kar-wais In the Mood for Love och drömmer om filmens klänningar. Och designern Bea Szenfeldt minns sin ungdoms många filmer som räddade henne från att smittas av 90-talets minimalism.
This is a subscriber-only episode, for the full audio please visit patreon.com/thicklinespod Thank you to Partners and Son for hosting us! Sally interviews Em Frank (Heavenly Days, I Never Found You, Dark Garbage) and Frances Cordelia Beaver (On a Cute One, Spirits Hungover At Work, Give My Best To Your Kind!) live from Partners and Son at PCX. Topics include: why comic books are the easiest art form to get done, taking elementary schoolers to Wong Kar-wai movies, not taking responsibility for torturing your own characters, and much more. This is part 1! Partners and Son: https://partnersandson.com/ Em Frank: https://www.instagram.com/emjonmichaelfrank/ Frances Cordelia Beaver: https://www.francescordeliabeaver.com/
"We must be nice to each other. Otherwise, life's not worth living." For Episode 346, David and Brandon discuss ALI: FEAR EATS THE SOUL for their romance drama series. Listen as they discuss the career of Rainer Werner Fassbinder, his troupe of actors, how quickly they made the movie, and what filmmaker influenced him the most. If you're in Los Angeles, don't miss your chance to see Wong Kar-wai's masterpiece IN THE MOOD FOR LOVE on the big screen in honor of the film's 25th anniversary at the Nuart Theatre on Valentine's Day: Also, don't forget to join our Patreon for more exclusive content: Opening Banter - The Gutter and What's on Criterion Channel (00:00:10) Recap of the Romance Drama Genre (00:07:53) Intro to Ali: Fear Eats the Soul (00:12:27) How Ali: Fear Eats the Soul Got to Production (00:18:53) Favorite Scenes (00:32:57) On Set Life - (00:59:21) Aftermath: Release and Legacy (01:01:02) What Worked and What Didn't (01:06:44) Film Facts (01:12:24) Awards (01:12:48) Final Questions on the Movie (01:18:32) Wrapping Up the Episode (01:22:49) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
linktr.ee/CatchingUpOnCinemaThis February at Catching Up On Cinema, is “Ladies' Night”!All month long we'll be reviewing action movies headlined by women!This week, Trevor conducts a solo review Johnnie To and Ching Siu-Tung's, The Heroic Trio (1993) and Executioners (1993)!Starring the trio of prestigious Hong Kong starlets, Anita Mui, Maggie Cheung, and Michelle Yeoh, the pair of films were a box office smash in Asia in the early 90's, and was just recently inducted into the Criterion collection via a fabulous new 4k transfer.Singer/actress Anita Mui sadly passed away in 2003, however her cultural footprint remains vast, and in fact a biopic and documentary were made about her in recent years.Maggie Cheung has been a fixture in Hong Kong cinema since the 80's, earning critical acclaim in her later career collaborations with director Wong Kar-wai.Like her costars Mui and Cheung, Michelle Yeoh has been a fixture of Hong Kong and Chinese cinema for decades now, however in more recent years, beginning in the late 90's, her popularity and prominence in film markets outside of Asia has grown by leaps and bounds, culminating in her recently receiving an Academy Award for Best Actress for her performance in Everything Everywhere All at Once (2022).Follow us on Instagram @catchinguponcinemaFollow us on Twitter @CatchingCinemaLike, share, subscribe, and we'll catch you next time!
In the mood for love från 2000 av Wong Kar-wai är filmen om den oförverkligade kärleken, vars ledmotiv har ätit sig in i det kollektiva omedvetna. Lyssna på alla avsnitt i Sveriges Radio Play. En telefon ringer. Hon svarar för sent. Han trycker aldrig ner dörrhandtaget.Hongkong 1962. Ett kort möte i trappan på väg till nudelstället eller i den smala hallen hos frun som spelar kort hela tiden. Klackarna mot stenläggningen. Så många olika höghalsade ärmlösa sidenklänningar hon har. Det som inte blev kan man viska i en spricka i en sten sedan.Katarina Wikars ser om ”In the mood for love” från 2000. Och hittar dessutom en specialutgåva med de bortklippta sluten.Det sägs att regissören Wong Kar-wai fick skynda sig att klippa klart filmen till Cannesfestivalen och tog bort alla kärleksscenerna, komprimerade och förtätade.
"I didn't think you'd fall in love with me." For Episode 345, Brandon and David return from hiatus to start their Romance Drama series with Wong Kar-wai's IN THE MOOD FOR LOVE. Listen as they discuss the film's lengthy production schedule, working without a script, why they shot most of the movie twice, and how it barely made its premiere date. If you're in Los Angeles, don't miss your chance to see Wong Kar-wai's masterpiece on the big screen in honor of the film's 25th anniversary at the Nuart Theatre on Valentine's Day: Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Cookbooks and Cooking Movies - (00:00:10) Intro to the Romance Drama Genre (00:08:20) Intro to In the Mood for Love (00:15:55) How In the Mood for Love Got to Production (00:25:11) Favorite Scenes (00:39:14) On Set Life - (01:04:46) Aftermath: Release and Legacy (01:15:31) What Worked and What Didn't (01:19:33) Film Facts (01:22:50) Awards (01:25:21) Final Questions on the Movie (01:29:28) Wrapping Up the Episode (01:34:27) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
Chen Chen talks about genre, creative writing pedagogy, race, and politics as he reflects on his two full-length poetry collections, When I Grow Up I Want To Be A List of Further Possibilities (BOA Editions) and Your Emergency Contact Has Experienced An Emergency (BOA Editions). On the topic of contextual and cultural references, we discussed our displeasure of the general tendency to reference Wong Kar-wai purely for aesthetic reasons without critiquing the politics of nostalgia.
"As Tears Go By" is the debut of filmmaker Wong Kar-wai. It's his love letter to the film "Mean Streets". He shares a tragedy where love is lost, both of the romantic and of the brotherly. I was amazed to see a style of filmmaking and it came out in 1988. It's very stylistic and isn't afraid to push narrative boundaries. My favorite scene of the film is honestly, the ending. I wont say why but it's an effective ending that you don't really get to see in cinema nowadays. It's a film that drama, romance, crime, some comedy, and even existentialism. It's a film about a gangster who tries throughout the whole film, to look out for his best friend, and honestly, his only friend, especially in the world they're in. His friend is always messing up and he has to figure out a way to chamge, or else...It's great film in it's style of filmmaking and a story that's engaging and doesn't spoon feed you#astearsgoby
It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends! Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com
“Su independencia, que era su fuerza, implicaba la soledad, que era su debilidad…”. Historias de dos grandes amores imposibles. María Callas y Pier Paolo Pasolini, así como Su Li-zhen y Chow Mo-wan, los dos protagonistas de la película “In the Mood For Love”, de Wong Kar-wai, Un juego de espejos, entre “Medea” y la obra maestra del director de cine cino-hongkonés para contar una historia de amor universal, destinada a vivir para siempre.Escuchar audio
The Bald and the Beautiful with Trixie Mattel and Katya Zamo
Since the debut of The Bald and the Beautiful in October of 2020, Katya Zamolodchikova has tickled your ears with full-throated recommendations of tens of hundreds of films; many of which are great, most of which are not. As we approach the zenith of the Halloween season, be prepared for Joel Kim Booster to be utterly at odds with Katya's positively shining endorsement of Terrifier 3, with Miss Zamolodchikova describing it as what would happen if Ingmar Bergman decapitated Stanley Kubrick while simultaneously stabbing Wong Kar-wai with Jean-Luc Godard's sharpened femur. Want to try the #1 meal kit for eating well? Go to https://GreenChef.com/BALD50 and use code BALD50 for 50% off your first box plus 20% off your next two months! This episode is sponsored by BetterHelp. Give online therapy a try at https://BetterHelp.com/BALD and get on your way to being your best self! If you're 21+, check out VIIA. Head to https://bit.ly/viiathebbpod and use the code BALD to receive 15% off. This fall, enhance your everyday with VIIA! Need a website? Check Out https://SquareSpace.com for a free trial, and when you're ready to launch, go to https://www.SquareSpace.com/BALD to save 10% off your first purchase of a website or domain! Take more control of your finances and stop waiting for payday! Open your account in minutes at https://Chime.com/BALD Chime. Feels like progress. Follow Joel Kim Booster: @IHateJoelKim Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to: https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatyalive.com To order your copy of our book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is a re-release of my discussion with Ross McDonnell. His film, SWIFT JUSTICE, is up for a News & Doc Emmy in Outstanding Cinematography: Documentary. The awards will be revealed live on September 26, 2024.Ross died on November 5, 2023. His co-director, Victor Blue, writes movingly about his work. Later on this year, I'll post an episode remembering Ross and the legacy of independent filmmakers.In this episode, I talk with Ross McDonnell, co-director of the new documentary short, SWIFT JUSTICE, about Sharia justice in Afghanistan.Ross and I discuss:how he got started in filmmaking;whether some people are just built for the visual arts;the gear behind making a film like SWIFT JUSTICE and how they went about filming "without understanding what was happening in realtime"the importance of Christmas movies in Ireland and W.B. Yeats;never-ending praise for editors and the New Yorker's prowess in the documentary realm;what's next for the documentary field.Ross' Indie Film Highlight: Jonathan Glazer; Wong Kar-wai; Spize Jonze; Chris Cunningham; Floria Sigismondi; Chris Doyle; Lance AcordLinks:SWIFT Justice Film Watch The News & Doc Emmys Live On September 26, 2024 Support the Podcast Through MembershipSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content
Listen back to The Saturday Spring! Karyn discusses film with AUT student Liam, specifically cinematography and colours in Wong Kar-wai's film In 'The Mood For Love' on Lecture Me – thanks to Blue Hill Books. Stella joins Karyn for Implausible Deniability to discuss pheremones, and Finn hops on the mic to help answer your queries for Dear Finn.
Because one multi-story film wasn't enough for us, here is another one. Cameron has a lot of thoughts on this one, so grab your Walkman as we listen to California Dreamin' for the 100th time and join us on this quest to decipher this Wong Kar-wai classic.
Ahead of the Los Angeles Premiere of this year's Teddy Award-winning film ALL SHALL BE WELL, we interview director Ray Yeung and producer Teresa Kwong on their take on the story and style of the film, the journey of bringing the film to screen, and the film's unlikely connections to Johnnie To and Wong Kar-wai! 2nd Hong Kong On Screen Film Festival – All Shall Be Well Date: September 7, 2024 (Sat) Time: 7:00 PM Location: Starlight Whittier Village Cinemas Get your tickets here! Movies mentioned: All Shall Be Well《從今以後》 Suk Suk (Twilight's Kiss)《叔·叔》 Five Easy Pieces《輪流傳》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting
This week, writer and director Lee Isaac Chung joins Kate and Franklin to talk about the trip to Rwanda that changed his filmmaking trajectory, his deep admiration for Charlie Chaplin and Wong Kar-wai, the making of his film and 2020 Sundance festival winner, Minari, and so much more. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place in 2020. To learn more about The Black List, visit www.blcklst.com.Mentions: Minari: https://www.rottentomatoes.com/m/minari
This week, Sam, Diana, and Christie delve into Wong Kar-wai's Chungking Express to close out this month's theme of bodies and the media. They discuss the movie's portrayal of longing, pining, and missed connections amidst the bustling backdrop of 1990s Hong Kong. They explore the film's representations of indirect communication, cultural identity, and the loneliness and nostalgia that permeate its narrative. Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh
This Warner Bros. 1947 Studios Year by Year episode features two gems that put their own particular slant on noir's familiar theme of murderous conflict between women and men: Curtis Bernhardt's Possessed, starring a more-than-usually deranged Joan Crawford, with Van Heflin as the rakish object of her obsession, and Delmer Daves' Dark Passage, starring an unusually passive Humphrey Bogart as a man convicted of killing his wife, with Lauren Bacall as an eccentric socialite who decides to help him. And in our Fear and Moviegoing segment, a real clash of moods: Ridley Scott's terrifying sci-fi/horror classic Alien and Wong Kar-wai's whimsical romantic comedy (of a sort) Chungking Express. Though admittedly it also has its terrifying aspects. (If only Van Heflin had been charmed by Crawford's fixation, how differently it could have gone!) Time Codes: 0h 00m 35s: POSSESSED [dir. Curtis Bernhardt] 0h 41m 53s: DARK PASSAGE [dir. Delmer Daves] 1h 11m 24s: Fear and Moviegoing in Toronto – Alien (1979) by Ridley Scott at the TIFF Lightbox and Chungking Express (1994) by Wong Kar-wai at the Revue Cinema Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
This week, Sam, Diana, and Christie, explore the fascinating world of Satoshi Kon's Paprika, aligning with the July theme of exploring bodies and the media. Discover why Paprika is a favorite of Sam's as she shares her own experiences with the movie and offers insight into the significance of Kon's work in Asian cinema. They explore the themes of dreams and Jungian psychology, parts work, multiple realities and subjectivities, as well as how some scenes reminded them of EMDR. Stay tuned for next week's episode when we'll discuss Wong Kar-wai's Chungking Express. Bridges Mental Health connects Asian, Pacific Islander, South Asian Americans (APISA) with culturally responsive mental health professionals and resources. We hope to make mental health care more accessible and approachable across the Asian diaspora.Find a TherapistJoin our Clinician Community Write to us with comments & questions, we'd love to hear from you.@bridgesmentalhealthbridgesmentalhealthnyc@gmail.combuymeacoffee.com/bridgesmh
This month's Out Now with Aaron and Abe commentary track is nowhere close to its expiration date. The Brandon Peters Show's Brandon Peters and Movies, Films & Flix's Mark Hofmeyer join Aaron and Abe to discuss Chungking Express from director Wong Kar-wai for the film's 30th anniversary. Listen in to hear the group discuss why this film has been so highly acclaimed since its arrival. There's plenty of conversation revolving around Wong Kar-wai's work as a filmmaker, the various performances, and what it means for a movie to be cool without having to involve the usual crime elements. So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @Brandon4KUHD Check out all of our sites and blogs: The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod Faye Wong performs Dreams Watch the Trailer for Chungking Express
On this episode of What a Picture, Bryan and Hannah chow down on expired cans of pineapple while discussing Chungking Express, the 1994 movie directed by Wong Kar-wai that ranks #88 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: https://whatapicturepod.com Bryan's Social Media: Bluesky | Letterboxd | Twitter | Instagram Music is "Phaser" by Static in Verona.
Summer of Hong Kong continues, and today we're pivoting from the 80's and martial arts into the 90's and emotions! And who else could we be talking about but Wong Kar-wai and his 1994 breakthrough, CHUNGKING EXPRESS!While a touchstone for HK cinema today, Wong Kar-wai's big splash into the arthouse scene was anything but at the time. We're discussing how Wong found his way to his style leading up to CHUNGKING, how it captured the Hong Kong attitudes at such a precise moment, and the different relationship phases we recognized in these characters, in addition to highliighting Tony Leung's sad eyes.We're also connecting CHUNGKING EXPRESS to our previous HK movie, YES MADAM and 36TH CHAMBER OF SHAOLIN to chart just how we've arrived here. Plus, we get some some surprise foreshadowing for our next episode and the finale of our Hong Kong series: 2002's INFERNAL AFFAIRS!
durée : 00:58:52 - En route pour Hong-Kong - par : Thierry Jousse - Cette semaine, Ciné Tempo vous emmène à Hong-Kong, avec une plongée dans un cinéma très musical, en compagnie de stars incontestées, comme Bruce Lee ou Wong Kar-wai… Au programme, du funk, des airs latins et… de la musique chinoise…
We have reached the finale of one of the best TV shows of the season! We're thrilled to have director Hiromi Kamata ('Let the Right One In', 'Monarch: Legacy of Monsters') join us to talk about 'Shōgun' & her incredible episode 'Ladies of the Willow World'. Ms. Kamata and Christina talk about the power of the women of 'Shōgun', why she showed the actors Bergman's 'Persona' & Wong Kar-wai's 'In the Mood For Love', and how 'Shōgun' was a personal journey for the director who is of Japanese and Mexican heritage. And much more! Listen now! Learn more about your ad choices. Visit megaphone.fm/adchoices
"Blossoms Shanghai" is A 30-part TV series directed by acclaimed Hong Kong filmmaker Wong Kar-wai, set in the 1990's that has become a huge hit in China. Our China correspondent tells us the nostalgia unleashed by the show tells us a lot about how people in China are feeling these days.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Derek talks to Calvin about the buzz of creating, allowing for both good + bad, his short films, how music can make a movie, writing his first feature film, where he wants to shoot his film, balancing creativity + family, and Wong Kar-wai! https://www.buymeacoffee.com/wheatleydeQ
The nerds review Wong Kar-wai's LGBT drama, Happy Together! Thank You ALL for Helping Support Us! Visit Our Website
Happy Valentine's Day! Mike and Nick shoot their Cupid's arrow at each other with two top romance films. Mike aims at Nick with seductive music and vibrant colours in Wong Kar-wai's In the Mood for Love (2000). Nick takes an alternative approach by depressing Mike into loving him with Michael Haneke's Amour (2012). Enjoy the compare and contrast exercise around two of the most romantic, but starkly different, films of all time.
Picture this: it's the year 2001. Tom Cruise gets braces, The Lord of the Rings has entered the chat, and Russell Crowe is... still here. The omissions are glaring, the discrepancies are stark. Where is Wong Kar-wai? Who is Shrek? And how many Oceans does it take to bring home an Oscar? Two women needed to discuss.*This episode was recorded 4/16/2023 Hosted on Acast. See acast.com/privacy for more information.
Two Hong Kong films in a row (kind of)! Hey, y'all, The Searchers Podcast is back with another one... This week we review Patrick Tam's LOVE MASSACRE (1981). In addition to reviewing the film, the three of us discuss Tam in terms of his mentorship of Wong Kar-wai, Hong Kong and other "New Wave" film movements, colors in film, and more. Tune in! To follow along, find the film on YouTube, HERE, as it's most likely the only cut available for audiences as of 2024. Thank you very much to the uploader "renkls" from LB for the upload. Find out more about it, HERE. Submit your mailbags to us at thesearcherspodcast@gmail.com. Thank you. Please rate us a 5/5, and review us on Apple, Spotify, or wherever you listen to us. Follow us on Letterboxd.com if you'd like to see what we've recently watched. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/
Listen to us as we discuss the 2022 film Everything Everywhere All at Once. If you like what you hear, and/or would like to give us feedback on how we're doing, follow us at: https://beacons.ai/senornerdpodcast / senornerdpodcast @senornerdpod on Twitter Everything Everywhere All at Once is a 2022 American absurdist science-fiction comedy-drama film written and directed by Daniel Kwan and Daniel Scheinert, who produced it with Anthony and Joe Russo and Jonathan Wang; the film incorporates elements from a number of genres and film mediums, including surreal comedy, science fiction, fantasy, martial arts films, immigrant narrative, and animation. Michelle Yeoh stars as Evelyn Quan Wang, a Chinese-American immigrant who, while audited by the IRS, discovers that she must connect with parallel universe versions of herself to prevent a powerful being from destroying the multiverse. The film also stars Stephanie Hsu, Ke Huy Quan, Jamie Lee Curtis, Jenny Slate, Harry Shum Jr., and James Hong in supporting roles. Kwan and Scheinert began work on the project in 2010. Production was announced in 2018, and principal photography ran from January to March 2020. The filmmakers initially sought Jackie Chan for the lead role before the script was revised to feature a female protagonist as part of a wife-husband duo. The works of Hong Kong film director Wong Kar-wai, as well as the children's book Sylvester and the Magic Pebble and the video game Everything, served as inspiration for several scenes. The soundtrack features compositions by Son Lux, including collaborations with Mitski, David Byrne, André 3000, John Hampson, and Randy Newman. The film explores philosophical themes such as existentialism, nihilism, surrealism, and absurdism, as well as themes such as neurodivergence, depr2ession, generational trauma, and Asian American identity. Everything Everywhere All at Once premiered at South by Southwest on March 11, 2022, and began a limited theatrical release in the United States on March 25, 2022, before a wide release by A24 on April 8. The film grossed over $141 million worldwide, becoming A24's highest-grossing film. It garnered widespread critical acclaim, gained a large cult following, and was a success at the 95th Academy Awards, winning a leading seven awards out of eleven nominations: Best Picture, Best Actress for Yeoh, Best Supporting Actor for Quan, Best Supporting Actress for Curtis, Best Director and Best Original Screenplay for Kwan and Scheinert, and Best Film Editing. It also won two Golden Globe Awards, five Critics' Choice Awards (including Best Picture), a BAFTA Award, a record four SAG Awards (including Best Ensemble), a record seven Independent Spirit Awards (including Best Feature), and swept the four major guild awards (DGA, PGA, SAG, and WGA). With 266 awards out of 405 nominations, Everything Everywhere All at Once is currently estimated to be the most awarded film of all time.
On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn't easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you're most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business! Discover Where the Money's Hiding in Today's Music Business: https://www.MusicReboot.com JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He's also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He's had longstanding relationships with composers Hans Zimmer & Cliff Martinez. Subscribe & Website: https://www.MusicLicensingProfits.com/subscribe Jeff's scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others. Movie soundtracks Jeff's scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures Jeff's written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite He's toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award
© 2020-2025 Ivy Podcast Discovery LLC
