Podcasts about hammerstein's cinderella

The magical cast of the Sydney production of Rodgers & Hammerstein's Cinderella has been unveiled, and two of the leading actresses joined Deborah Knight in the studio. See omnystudio.com/listener for privacy information.

Whitney is a helicopter fairy godparent --- Send in a voice message: https://anchor.fm/not-stalgia-podcast/message

In this twenty-second episode, Charlie and Carrie talk about the 1997 movie Rogers & Hammerstein's Cinderella with guest Rae! Topics include how amazing the cast is, many theories on the fairy godmother, and whether or not the stepmother is a closeted lesbian. Podcast email: fandomsgonewrongpod@gmail.com Podcast Links: https://linktr.ee/fandomsgonewrong Charlie's Links: https://linktr.ee/greenpixie12 Carrie's Instagram: https://www.instagram.com/travelplanningbycarrie/ Rae is lovely. Artwork by Charlie Music is "Ready Aim Fire" by Kevin Macleod (https://incompetech.com/), licensed under Creative Commons: By Attribution 3.0

EPISODE #119: Rodgers & Hammerstein's Cinderella by bttbpodcast

Get ready for some epic singing as in this episode we are going musical for Rodger and Hammerstein's Cinderella, the 1997 version starring Brandy. We'll chat about how this musical still holds up today, from the classic music and the beautiful sets and costumes, to the diverse and all star cast. Hopefully you enjoy all the giggles and our take on this childhood classic.

It's possible!  Join Jen, Royce, and Kris as they talk about 1997's Roger and Hammerstein's Cinderella; now available on Disney+!  In this episode, Filmtasmic starts with an ice breaker, an overview of the movie, their thoughts/favorite scenes/songs, and their rating of the movie.  Don't forget to stick around towards the end to find out who we would recast in our version of the movie.  Join us as we review and discuss Disney movies, shows, shorts, news, and more!!  We talk about anything and everything Disney.  We are so excited to share episodes with you all.  We post new episodes every Thursdays.  So come along with us and we'll see ya real soon! Follow us on Anchor: anchor.fm/filmtasmic Twitter: @Filmtasmic! Instagram: @filmtasmic YouTube: https://www.youtube.com/channel/UCBEMhKuKp1M_C4lHRXKqHeQ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/filmtasmic/message Support this podcast: https://anchor.fm/filmtasmic/support

This week the gang is re-joined by NAFP All-Star Tina Muñoz Pandya to pay penance to the classic 1997 adaptation of Rodgers & Hammerstein’s Cinderella. We get into what happens when you do the innovative move of casting theater actors in your theater adaptation, the unbelievable star power of the cast, and finally break down glass slipper logic in Cinderella. Throughout the episode we reference an AMAZING oral history of this movie that was written in 2017 by Kendra James. As promised here it is: https://www.shondaland.com/inspire/a13138172/brandy-whitney-houston-oral-history-cinderella/ Be sure to check out Eric’s other podcast The Living Force for all of your Star Wars Extended Universe needs! youtini.com Also check out The Vanishing Act, a new narrative podcast, from your humble millennial film critics! The trailer is already in your feed, may as well listen! vanishingpod.com A huge thank you to all essential workers, thank you for keeping us safe. Be sure to leave a review on iTunes, like us/Follow us on Instagram/twitter: @filmanother. Send us your requests to notanotherfilmpodcast@gmail.com. #chicagopodcast #moviepodcast #comedypodcast #newpodcast #newpodcastalert #independentpodcast #netflix #disneyplus #disney+ #primevideo #HBOmax #vanishingpod #NAFP #DCOM #disneyplus #cinderella #disneyprincess #whitneyhouston #brandynorwood #theatre #whoopigoldberg #broadway #broadwaylegends #broadwaydivas #bernadettepeters #musicaltheater #cats SoundCloud: https://soundcloud.com/user-213348613 Apple Podcasts: https://podcasts.apple.com/us/podcast/not-another-film-podcast/id1370152795 Stitcher: https://www.stitcher.com/podcast/not-another-film-podcast

We watch the new-to-Disney+, 1997 Wonderful World of Disney remake of the classic TV musical Cinderella, starring Brandy and Whitney Houston. with a supporting cast full of Broadway legends. Included: some incoherencies (Bill thinks) in the classic Cinderella story, deep-ish dives into the biographies of Whitney, Brandy, and Victor Garber, and how Bernadette Peters is (and is also extremely not) like Helen Mirren! Dig it. 

Shelby and Matt celebrate Brandy's Cinderella when it finally comes to streaming. They talk about the groundbreaking casting, everything it took to get made, and just why we keep remaking Cinderella in the first place.

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Join me and some of my sister-friends as we discuss the themes in Roger and Hammerstein's Cinderella! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kidlikef8th/support

I recently had the great pleasure of interviewing a North Carolina native who also happens to be a legendary costume designer for the Broadway stage, William Ivey Long. On April 13th, he was set to do a talk at the Paul Green Theatre, which is located on the campus of UNC Chapel Hill. Though due to the coronavirus that's been going on all over the world recently, the talk has been cancelled. However, I definitely did not want my interview with him to go to waste, so the show must go on. What you’ll be listening to is an edited version of the interview that removes everything regarding his upcoming visit. But for those who would like to hear the version of the interview where he talks about what he had planned, you can find it on my Patreon page. For $3 minimum a month, you can get some exclusive content from me that you won't be able to find anywhere else. For those who are interested in becoming a patron, the link is included in the episode notes. William’s many Broadway credits include THE TAP DANCE KID, SIX DEGREES OF SEPARATION, GUYS & DOLLS, SMOKEY JOE'S CAFE, BIG, CHICAGO, CABARET, CONTACT, THE MUSIC MAN, SEUSSICAL, CURTAINS, YOUNG FRANKENSTEIN, 9 TO 5, CATCH ME IF YOU CAN, BIG FISH, BULLETS OVER BROADWAY, TOOTSIE, and BEETLEJUICE. He’s also won six Tony Awards for his work on the original Broadway productions of NINE, CRAZY FOR YOU, THE PRODUCERS, HAIRSPRAY, GREY GARDENS, and RODERS & HAMMERSTEIN'S CINDERELLA. Follow Kare Reviews at www.karereviews.net and on Twitter: @KareReviews Also please visit the newly launched Patreon page: https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor: https://anchor.fm/jeffrey-kare Apple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013 Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNz Spotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTG Breaker: www.breaker.audio/kare-reviews-podcast Overcast: overcast.fm/itunes1453846013/kare-reviews-podcast Pocket Casts: pca.st/47Vw RadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://anchor.fm/jeffrey-kare/support

From March 24th-29th*, North Carolina Theatre will be presenting a production of Joe DiPietro & David Bryan's 2010 Tony-winning musical, MEMPHIS, at Raleigh Memorial Auditorium. I recently had the great pleasure of interviewing Robert Hartwell, who will be directing and choreographing the production. Robert has previously appeared on Broadway in MEMPHIS, NICE WORK IF YOU CAN GET IT, RODGERS & HAMMERSTEIN'S CINDERELLA, MOTOWN THE MUSICAL, HELLO, DOLLY!, as well as the national and international tours of DREAMGIRLS. Hartwell is also the founder of The Broadway Collective, Inc., a musical theatre class tour that connects Broadway’s finest performers with students across the country. *Due to ongoing cases of the coronavirus, the production has been postponed. Be sure to catch North Carolina Theatre’s production of MEMPHIS. It will be playing at Raleigh Memorial Auditorium from July 28th-August 2nd. For more information, please visit: www.nctheatre.com/shows/memphis%20 For more information regarding the The Broadway Collective, please visit: www.bwaycollective.com Follow Kare Reviews at www.karereviews.net and on Twitter: @KareReviews Also please visit the newly launched Patreon page: https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor: https://anchor.fm/jeffrey-kare Apple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013 Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNz Spotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTG Breaker: www.breaker.audio/kare-reviews-podcast Overcast: overcast.fm/itunes1453846013/kare-reviews-podcast Pocket Casts: pca.st/47Vw RadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://anchor.fm/jeffrey-kare/support

Georgina is performing in a local production of Roger and Hammerstein's Cinderella, so we decided to be inspired by the best! We also eat a lot.A podcast with two grown up women who love Disney and discussing the good, the bad, and all of the parts Disney might hope we forget about...Join us to see what Disney means to us now that we are all grown up.Subscribe to us on ITUNES, STITCHER, SPOTIFY, RADIOPUBLIC or your podcatcher of choice.Find us on FACEBOOK, TWITTER or INSTAGRAM.Email: disneygrownup@gmail.comWeb: https://thatsnotcanon.com/disneygrownuppodcast

On this week's episode of Kicking & Streaming, Carie and Ross gush about Whitney Houston's gorgeous pipes and magic sass in Disney's production of Roger and Hammerstein's Cinderella. We talk about new spins on a classic fairy tale, the production value that $12 million will buy, and how racially-blind casting leads to the representation the world deserves. Also there's lots of singing. Don't miss out on updates during the spooky season, guys! We have lots of Halloween fun coming up for October. Join us next week for our first Halloween feature! Don't forget to follow us on Twitte! @kicknstream Copyright 2019 Sorry Mom Productions 

Carie had to attend her best friend's wedding last week, so this Bonus Feature is out a little late, but it's still a fun time! Don't forget to follow us on Twitter at @kicknstream and stay tuned for this week's episode, Rogers and Hammerstein's Cinderella (1997). Copyright 2019 Sorry Mom Productions

School is back in session for Conroe and Willis ISD's on August 14th.Spring, Klein, and others start soon too.New schools, expanding schools.Gardening class.Family bingo night.Stage right plays: the wild women of winedale, Rogers and Hammerstein's Cinderella, the best Christmas pageant ever, thoroughly modern Millie, mash (mobile army surgical hospital), Peter pan (Broadway's timeless musical).Kyle Souza - https://thetalkinggeek.comGrasten power technologies - https://grastengenerators.comP&P oil & gas solutions - https://ppogs.com

You don't need us to tell you that the 1990s were a different time. There's enough "only 90s kids" memes to cover that territory. But what is often left out is how gaga everyone went for this Wonderful World of Disney staging of Rogers and Hammerstein's CINDERELLA. And on paper, our hosts can see why. Whitney Houston! Brandi! Whoopi! Victor Garber! A veritable who's who of titans of song and stage. But in execution? Erm. Well, it is Cinderella, that's for sure. But let's just say turns out when you remove the fun talking animals, it's a lot easier to notice that there's a lot of close-ups of feet in this story - and that's kind of a metaphor for the whole production.

Douglas Carter Beane is an American playwright and screenwriter who trained as an actor, graduating from the American Academy of Dramatic Arts' New York campus in 1980. His works include the screenplay of To Wong Foo, Thanks for Everything! Julie Newmar, and several plays including The Country Club,  As Bees in Honey Drown, The Nance, starring Nathan Lane, and The Little Dog Laughed. Beane wrote the book for Xanadu, a stage musical adaptation of the 1980 film of the same name, He worked with Bill and Cheri Steinkellner on the book for Sister Act in 2011. Beane wrote the book for the musical Lysistrata Jones and rewrote the book for a new adaptation of Rodgers and Hammerstein's Cinderella which opened on Broadway in 2013. Douglas and his husband Lewis Flinn are frequent collaborators. Two upcoming shows with lots of excitement attached are their theatre adaptation of Doug’s screenplay To Wong Foo and Hood The Robin Hood Musical Adventure which won outstanding new play or musical from the Dallas-Fort Worth Critics Forum. Douglas Carter Beane has received several nominations and wins from the Drama Desk awards, The Outer Critics Circle, and has received four Tony nominations for best book of a musical and a Tony nomination for his play The Little Dog Laughed.

For our last episode of 2018, Jess & Nicky breakdown the film that birthed the idea for this podcast: "Cinderella", a Wonderful World of Disney presentation starring Brandy in 1997. Dive deep into the underlying themes of one of the most beloved fairy tales today on the couch!

Nia starts us off by welcoming Ada to her world with a rousing discussion of 1997's "Rogers and Hammerstein's Cinderella." This movie has a STACKED cast-- Brandy Norwood as Cinderella, Whitney Houston as the Fairy Godmother, Whoopi Goldberg as the Queen, Bernadette Peters as the Evil Stepmother, and Jason Alexander as the whacky butler!!!! We get into everything, from the hot hot prince to Jason Alexander's weird accent to the cultural resonance of the film. Join us :--)

In this Everything Iconic POP Dive, Danny & guest Nathan Ramos, deep dive into 1997's The Wonderful World of Disney Presents Rodgers and Hammerstein's Cinderella starring Whitney Houston and Brandy Norwood. They go through the film, discuss the legacy, & so much more.New Everything Iconic episodes every Monday & Thursday!*For bonus episodes, join the Patreon at Patreon.com/EverythingIconicWeb: acast.com/EverythingIconicWeb: EverythingIconic.comTwitter: Twitter.com/DannyPellegrinoInstagram: Instagram.com/DannyPellegrino*Sponsored by Samson Technologies (SamsonTech.com) See acast.com/privacy for privacy and opt-out information.

Greg Hildreth is currently starring as Olaf in FROZEN on Broadway. Previous Broadway credits include Rodgers and Hammerstein's Cinderella, Peter and the Starcatcher and Bloody Bloody Andrew Jackson. He also starred in The Robber Bridegroom and received a Lucille Lortel Award nomination for Outstanding Featured Actor in a Musical. Greg has also appeared on The Good Wife and was featured on Laura Osnes’ iconic Broadway.com vlog “The Princess Diary.” Make sure to follow him on social media @Greg_Hildreth.Hosts: Ryan Lee Gilbert, Paul Wontorek, Eric King

In this Episode, we have an amazing guest who goes by the name of Joshua Mason from Inspirations Theatre talking about their up and coming production of Godspell showing from 27th - 31st March 2018 in Chesterfield. Joshua talks about how he has taken over the production company two years ago and how he likes to put on productions that aren’t done in his area often.  We review Anna's choice of Rodger and Hammerstein's Cinderella from last episodes 'Album of the week' We 'Spin that wheel' to see who will be picking this episodes album, take a listen to find out who it was and what they chose.  We have a new community over on Facebook, so please come and join us for a chat. https://www.facebook.com/groups/148894559115729/  So tune in, Join in, have some fun and take a listen. Please rate and review us on itunes or our facebook page Yours From The 'It's all an act' Team (Jaz, Lucie, Tom and Anna) Intro and Outro Credit - Joe Purdue It's all an act Logo - Joe Foskett Godspell ticket link - https://www.ticketsource.co.uk/inspotheatre Inspirations Theatre website - www.inspirationstheatre.co.uk   

Disney fans rejoice! Are you a fan of The Wonderful World of Disney? Do you remember when Whitney Houston and Brandy starred in Rodgers and Hammerstein's Cinderella on ABC? Listen as Jeff DePaoli and Cinderella mega-fan Riley Costello discuss this classic TV special. That and so much more on this weeks episode. ORDER YOUR DCTC NEWSIES HAT: https://www.gofundme.com/dctcnewsiescap THIS EPISODES CO-HOST: https://twitter.com/Imrileycostello Website - http://www.dizneycoasttocoast.com Twitter - http://www.twitter.com/dizneyctc Instagram - http://www.instagram.com/dizneyctc Facebook - http://www.facebook.com/dizneycoasttocoast Patreon - https://www.patreon.com/DCTC  

SpotCo's Senior Creative Director Jimmy McNicholas loves re-writing the lyrics to show tunes in celebration of each new Broadway season, as he did in 2015 and 2016 for Something Rotten’s “Welcome To The Tony Race” and “It’s Tony Time” videos. For this episode, Jimmy's created an ode to the 2017-2018 season, set to a beloved tune from The Sound of Music. Performing it is Broadway's own Jill Abramovitz, who you may have seen onstage in Rodgers and Hammerstein's Cinderella and Fiddler on the Roof. Jill has even written a few musicals herself - you can learn more about her at JillAOnline.com. “Broadway Still Sings” was recorded and mixed by SpotCo's Senior Sound and Motion Designer Derril Sellers.

Discovering their mutual passion for dance, music, and candy, Reid goes backstage with Kim after her performance in Rodgers & Hammerstein's Cinderella. "Talk Time with Reid Moriarty" is a series of 5-7 minute interviews with people Reid finds interesting, and you might too! www.reidmoriarty.com

Discovering Talent and New Work: Robyn Goodman: At its 2013 Emerging Artist Symposium on Musicals, Robyn Goodman, Commercial Producer and Founder of Second Stage Theatre, spoke with SDCF Producing Director Ellen Rusconi about discovering talent and developing new work in today's dynamic theatre climate. Goodman (Rodgers and Hammerstein's Cinderella, Avenue Q, In the Heights, Altar Boyz) infuses her perspective as an actor turned producer with a well-rounded view of a production from page to stage and everything in between. Listen to her as she discusses her transition from the art of theatre to the business of theatre, gives advice for producing within both non-for-profit and for-profit organizations, and how she finds her collaborators. The conversation includes valuable insights on keeping up with trending audience interest and younger sensibilities, procuring a strong design team, giving a memorable meeting, and recognizing commercial viability in specific material. Originally recorded - June 1, 2013. Running Time - 1:10:06 © 2013 SDCF

The Tony nominated star of Rodgers and Hammerstein's "Cinderella" and Frank Wildhorn's "Bonnie and Clyde" (among many others) sits down with us to discuss married life, new projects, and, of course, scrapbooking.

At its 2013 Emerging Artist Symposium on Musicals, Robyn Goodman, Commercial Producer and Founder of Second Stage Theatre, spoke with SDCF Producing Director Ellen Rusconi about discovering talent and developing new work in today's dynamic theatre climate. Goodman ("Rodgers and Hammerstein's Cinderella," "Avenue Q," "In the Heights," "Altar Boyz") infuses her perspective as an actor turned producer with a well-rounded view of a production from page to stage and everything in between. Listen as she offers insight on keeping up with trending audience interest and younger sensibilities, procuring a strong design team, giving a memorable interview, and recognizing commercial viability in unexpected places.

While playing both a farmer and his wife in Red Bull Theatre Company's "The Witch of Edmonton", Everett Quinton talks about appearing in Jacobean drama and getting to watch the rest of the company at work when he's not on stage. He also talks about studying theatre at Hunter College after a stint in Thailand during the Vietnam War; meeting Ridiculous Theatrical Company founder Charles Ludlam without really understanding who Ludlam was; becoming Ludlam's life partner and a member of the Ridiculous Company's "outer circle" of artists; becoming an actor under the tutelage of Ludlam; coming into his own as a performer in such pieces as "Galas" and "The Mystery of Irma Vep", confessing he only really came to understand "Vep" 14 years after its debut, when he directed it in revival, even though he'd performed in it 331 times; how Quinton came to be a leading actor and the costume designer for the Ridiculous; the challenge of sustaining the troupe after Ludlam's death from AIDS in 1987, when he assumed the mantle of artistic director; whether he was able to expand his own theatrical horizons after Ludlam's passing; what it meant to become a working actor when the Ridiculous closed in 1997; having the opportunity to do work in regional theatres such as McCarter and The Shakespeare Theatre; and the experience of auditioning to play the Wicked Stepmother in a tour of Rodgers and Hammerstein's "Cinderella" when all of the other finalists were women. Original air date - February 16, 2011.

While playing both a farmer and his wife in Red Bull Theatre Company's "The Witch of Edmonton", Everett Quinton talks about appearing in Jacobean drama and getting to watch the rest of the company at work when he's not on stage. He also talks about studying theatre at Hunter College after a stint in Thailand during the Vietnam War; meeting Ridiculous Theatrical Company founder Charles Ludlam without really understanding who Ludlam was; becoming Ludlam's life partner and a member of the Ridiculous Company's "outer circle" of artists; becoming an actor under the tutelage of Ludlam; coming into his own as a performer in such pieces as "Galas" and "The Mystery of Irma Vep", confessing he only really came to understand "Vep" 14 years after its debut, when he directed it in revival, even though he'd performed in it 331 times; how Quinton came to be a leading actor and the costume designer for the Ridiculous; the challenge of sustaining the troupe after Ludlam's death from AIDS in 1987, when he assumed the mantle of artistic director; whether he was able to expand his own theatrical horizons after Ludlam's passing; what it meant to become a working actor when the Ridiculous closed in 1997; having the opportunity to do work in regional theatres such as McCarter and The Shakespeare Theatre; and the experience of auditioning to play the Wicked Stepmother in a tour of Rodgers and Hammerstein's "Cinderella" when all of the other finalists were women. Original air date - February 16, 2011.

Shelby and Matt celebrate Brandy's Cinderella when it finally comes to streaming. They talk about the groundbreaking casting, everything it took to get made, and just why we keep remaking Cinderella in the first place.