Podcast appearances and mentions of Irma Vep

Get ready for a behind-the-scenes look at The Mystery of Irma Vep – A Penny Dreadful at Everyman Theatre, where director, choreographer, and arts educator Joseph Ritsch brings gothic farce, drag, and campy spectacle together in a production bursting with sharp humor and political edge.In this episode, Joseph joins Rob Lee to unpack why Charles Ludlam's cult classic still hits hard today — blending outrageous comedy with queer history, lightning-fast costume changes, and a message that feels more urgent than ever.Gothic camp unleashed: why Irma Vep still dazzles with drag, horror, and farceTwo actors, eight roles, 30+ costume changes: the technical choreography behind the comedyQueer theater as protest: honoring Charles Ludlam's legacy and reclaiming space onstageBuilding community: Joseph's 15-year journey at Everyman Theatre and why it feels like homeMentoring young artists: how Everyman University's Observership Program connects students to the real work of professional theaterCheck out the THE MYSTERY OF IRMA VEP: A PENNY DREADFUL: Director Interview Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Ep. 306: Olivier Assayas on his film Suspended Time, personal filmmaking, and recent favorites Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This weekend, Rendez-Vous with French Cinema presents the latest Olivier Assayas film, Suspended Time—a thoughtful and funny chronicle set in the French countryside during pandemic lockdown. Set in Assayas's parents' house, it's about much more, circling his relationship with his rock critic brother—whom he isolated with, along with their partners—and the feelings of reckoning with mortality and the past that are stirred up. I spoke with Assayas when Suspended Time originally premiered in Berlin about fictionalizing his experience, the introspection of the pandemic, the directors that influenced him, his recent viewing, and where his Irma Vep series fit into all of this. Vincent Macaigne (also in the Irma Vep series) and Micha Lescot co-star as the brothers Assayas. Suspended Time screens March 14 and 16 at Film at Lincoln Center as part of Rendez-Vous with French Cinema 2025. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

It's out with the cold and in with the new at the SHUDcast as we bid adieu to a very… odd… category of films and selections in our series, “Ohhhhhh The Weather Outside is Frightful!” with Curtis's selection: THE LAST WINTER. Also in the mix is a bunch of Twilight talk, some David Lynch talk, some theme awards and finally Lucas's selection of our next theme and film!   Come join us on our Patreon where you get access to our Discord, full videos, and bonus episodes! More us! https://www.patreon.com/c/shudcast   00:00 - 8:40ish - Intros: Lots of Twilight talk, and Magic The Gathering talk   8:40ish - 58:00ish - The other stuff we watched this time!   Lucas - Twilight: Eclipse, A Different Man, Jaws 2, and Heart Eyes   Cody - Twilight: Eclipse, Twilight: Breaking Dawn Part 1, Twilight: Breaking Dawn Part 2, and Jaws 2   Austin - Jaws 2, The Hobbit: The Battle of the Five Armies, Conclave, and Anora   Curtis - Jaws 2, Personal Shopper, Irma Vep, Wild at Heart, Hundreds of Beavers, and Heart Eyes   58:00ish - 1:27:00ish - THE LAST WINTER - SHUDdown and discussion!   1:27:00ish - End - “Ohhhhhh The Weather Outside is Frightful!” awards and our new theme and first film in that theme from Lucas!

In this episode, we kick off the month of February with the self-aware indie satire from 1996, "Irma Vep", written and directed by Olivier Assayas and starring Maggie Cheung as herself! Listen now!

Make it CLAP! le podcast des élèves de Terminale option cinéma du Lycée Marc Bloch.     Émission spéciale entièrement enregistrée pendant le Festival Entrevues 2024 :     JOUR 1 -      Irma Vep (2022) la série de Olivier Assayas -      Rencontre avec l'équipe de programmation du festival -      Vingt Dieux (2024) de Louise Courvoisier   Musique : Lucie Antunes « Hoho », musique du teaser du Festival Entrevues 2024   JOUR 2 -      Films des lycéens -      Trans Memoria (2024) de Victoria Verseau -      Vacances Romaines (1953) de William Wyler -      La Comtesse aux pieds-nus (1954) de Joseph L. Mankiewicz -      Dogfight (1991) de Nancy Savoca   Musique: Brenton Wood « Oogum Boogum Song »     JOUR 3 -      Irma Vep (1996) de Olivier Assayas -      Mulholland Drive (2001) de David Lynch -      Les Vampires (1915) de Louis Feuillade -      Les Reines du drame (2024) de Alexis Langlois   Musique : Ambriel/Yelle « Pas touche »     JOUR 4 - Softshell (2024) de Jinho Myung - L'Argent fait le bonheur (1993) de Robert Guédiguian - Naked Acts (1996) de Bridgett M. Davis   Bilan du Festival par les élèves      

Nights' resident screen critic Dan Slevin joins Emile Donovan to chat about Irma Vep a television show from show acclaimed French director Olivier Assayas, A Mistake the first feature film in 16 years from New Zealand director Christine Jeffs and a new streaming service containing all the documentary television made by the late John Pilger from 1970 to 2019.

C. Michelle Lindley discusses with Ivan six things which should be better known. C. Michelle Lindley's writing has been featured in The Georgia Review, Conjunctions, and more. She has received support from the National Endowment for the Arts and has an MFA in Creative Writing from Cornell University and a BA from the University of Berkeley in English and Art History. The Nude is her first novel. Dictee by Theresa Hak Kyung Cha https://asianreviewofbooks.com/content/dictee-by-theresa-hak-kyung-cha/ 2022 Irma Vep remake https://www.hollywoodreporter.com/tv/tv-reviews/irma-vep-tv-review-1235151952/ The Island of Naxos https://www.tripadvisor.co.uk/Tourism-g189431-Naxos_Cyclades_South_Aegean-Vacations.html The Pie Scene from David Lowery's A Ghost Story https://www.thewrap.com/rooney-mara-devoured-pie-9-minute-ghost-story-scene/ Ana Mendieta's Ocean Bird Washup https://www.ft.com/content/a6c4090e-2cda-11e3-8281-00144feab7de Kate Braverman https://www.poetryfoundation.org/harriet-books/2019/10/rip-kate-braverman-1949-2019 This podcast is powered by ZenCast.fm

De son vrai nom Jeanne Roques, Musidora née en 1889, bouleverse les styles en vogue pour devenir la première vamp du cinéma français en incarnant Irma Vep, dans la série de films « Les Vampires » en 1916,. Musidora va faire tourner les têtes, frapper les esprits et marquer l'histoire du septième art. Retour sur un parcours hors du commun, avec Jean-Marc Panis et son invité Arnaud Delalande, scénariste du roman graphique Musidora (éditions Robinson, dessin de Nicolas Puzenat). Sujets traités : Jeanne Roques, Musidora, Les Vampires, Irma Vep, cinéma, septième art Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

En el décimo episodio de Manderley —en el que contamos con la participación de Juan Carlos Lemus y Andrea Morán— hablamos de IRMA VEP de Olivier Assayas, tanto del largometraje de 1996 como de la miniserie de 8 episodios basada en ella que el propio director adaptó para televisión en 2022. Abordamos primero la relación de Assayas con el serial cinematográfico LES VAMPIRES (1915-1916) y Louis Feuillade, y contextualizamos a la actriz y cineasta pionera Musidora. En el primer bloque, dedicado a la película, detallamos los orígenes del proyecto a partir de la inspiración que le provocó al director la estrella del cine chino Maggie Cheung y las resonancias metacinematográficas de un reparto que incluye a Jean-Pierre Léaud, Bulle Ogier y Lou Castel. Luego analizamos cómo presenta el desafío de la reinterpretación posmoderna de un filme clásico y la representación del lesbianismo en el cine a través de personajes clave de ambas versiones. En la parte final del programa nos centramos la versión serializada más reciente y los vínculos intertextuales y biográficos de los personajes y de su reparto, con Alicia Vikander y Vincent Macaigne. Comentamos elementos discursivos alrededor de la mercantilización de la imagen del actor y las relaciones entre el cine de autor y la industria. Finalmente, acabamos con los elementos esotéricos y ocultistas que aporta la invocación del nombre del director experimental underground Kenneth Anger dentro de la serie y la dimensión fantasmagórica del cine tan presente en las imágenes de las dos Irma Vep.

Writer, critic, and Hit Factory Discord all-star Jason Miller returns to the show to discuss Hong Kong director Stanley Kwan's 'Center Stage', an experimental biopic exploring the life and work of Chinese silent film star Ruan Lingyu who achieved an unprecedented celebrity before tragically taking her own life at only 24. Ruan is played magnificently by Maggie Cheung in one of her first "serious" (and arguably one of her very best) performances. The film brilliantly forgoes a traditional biopic structure, intercutting the filmic recreations with real footage of Ruan's handful of enduring film performances. From there, the film offers an additional layer of complexity by frequently inserting black & white interstitials of director Stanley Kwan and Maggie Cheung (as herself) discussing the life of Ruan Lingyu and the production of the film. As the film goes on, these distinct layers begin to fracture and smear, both emphasizing the unreality of the recreations and eliciting a deeper sense of truth to the real Ruan Lingyu that the film understands it can never fully capture. We discuss the way Kwan navigates his experimental form through the lens of classic melodrama (taking influence from the likes of Douglas Sirk) in order to create something that invites even as it antoginizes and provokes. Then, we consider the real Ruan Lingyu and some of her most well-known works (including 'The Goddess' directed by Wu Yonggang) and how the open construction of 'Center Stage' invites us to pursue further understanding rather than attempt to act as the final word on Ruan. Finally, we look at the state of the modern biopic and the furstrating lack on ingenuity and experiementation when approaching the titanic lives that these films consider. Follow Jason Miller on Twitter and everywhere else. Watch Wu Yonggang's 'The Goddess' starring Ruan Lingyu on YouTube.Watch Cai Chusheng's 'New Women' starring Ruan Lingyu on YouTube.Watch Maggie Cheung on her acting style alongside fellow Hong Kong actor Phillip Chan.Read Jonathan Rosenbaum on 'Center Stage'.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Two reasons this podcast exist: Film Junk and Patrick Ripoll. So I'm always grateful when Patrick returns since he's the OG co-host of this show. He's always doing killer work with Reg on 96 Greers that I highly recommend. But I vividly recall two moments of the past decade: his love of Clouds of Sils Maria and my love for Personal Shopper.  Made a mental note to put French filmmaker Olivier Assayas on the list of potential directors and the time has come to cover him. He will have a movie out later this year but there are plenty of past titles and new discoveries for both of us to discuss even if ultimately, he didn't become an all-time favorite for either of us. We cover the majority of his filmography and have plenty of laughs along the way! Thank you to Patrick for being a consistently smart, insightful guest with plenty to say. No new episode in April but you'll get two special ones in May featuring Bill Ackerman early in the month and then Mitchell Beaupre later in the month! Footnote: The opening comes courtesy of Assayas' Cold Water and a time when Patrick broke some glass recording the podcast. 00:00 - 07:36 - Introduction 07:37 - 27:57 - His early work  27:58 - 01:14:20 - Cold Water, Irma Vep 01:14:21 - 01:43:20 - Demonlover, Boarding Gate, Summer Hours 01:43:21 - 02:20:06 - Carlos, Something In The Air, Clouds of Sils Maria 02:20:07 - 02:43:50 - Personal Shopper, Non-Fiction 02:43:51 - 02:50:52 - Top 3 Assayas / Outro 96 Greers! https://ninetysixgreers.podbean.com/  

This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Olivier Assayas, Mati Diop, Bruno Dumont, Hong Sangsoo, and many more. Subscribe to the Film Comment Letter to stay up-to-date. One of the early and most anticipated premieres of this year's festival was Olivier Assayas's new film Suspended Time. It's a kind of companion piece to his 2008 movie Summer Hours, not to mention his recent TV series Irma Vep, although Suspended Time is the filmmaker's most direct foray yet into autofiction. The film is based on the time that Assayas spent during the pandemic lockdowns of 2020 confining with his brother Etienne—and their two partners—in their childhood home in the French countryside. The film stars Vincent Macaigne as a thinly veiled onscreen surrogate for Assayas (as in Irma Vep) and features dramatized scenes of the two brothers bonding, clashing, and reminiscing on the ways in which this house and home shaped them as artists and as men. Assayas also weaves interludes throughout the film, narrated by the director himself, in which he reflects on the objects and the landscapes of his youth, and how they've influenced his cinema. On today's Podcast, FC Co-Editor Devika Girish interviewed Assayas about the making of the film, his thoughts on the genre of autofiction, and his relationship with his leading man, Vincent Macaigne, who he describes as an “agent of chaos.”

Congratulations to SAG-AFTRA for their successful strike! This means we get in a bit of movie talk at the front about Five Nights at Freddy's, Priscilla, Benedetta, Irma Vep, and The Last Duel, and determine whether or not one should watch Rashomon. We then get into the 2013 anime The Flowers of Evil (and its source manga to a lesser extent) and talk about depressive vibes, thinly characterized women, and what stories work better when you haven't experienced a ton.CWs: Discussions of rape, child nudity, and suicide.TwittersLiv - @GhostGirlMusicSeneschal - @SomberAzaleasSend any questions to tbhanimepodcast@outlook.com!Next time: Blue Gender

On this week's Talkhouse Podcast we have the pleasure of reuniting two intensely creative individuals who first worked together decades ago: Emily Haines and Olivier Assayas. Haines is, of course, the singer and primary songwriter for the band Metric, which she's been fronting for the past 20-plus years, and which sprang from the same fertile Canadian scene that gave the world Broken Social Scene and Stars, among many others—in fact, it's Haines' voice that you hear on Broken Social Scene's biggest (and I would argue best) song, “Anthems for a Seventeen-Year-Old Girl.” But her primary focus over the years has of course been Metric, which just released their ninth album of thought-provoking indie-rock anthems, Formentera II. It's a sequel to the excellent album they released exactly a year prior, and another collection of danceable, fantastic songs. Check out “Just the Once,” from Formentera II, which Haines describes as “regret disco.” So what does a catchy Canadian indie band have to do with a fearless French filmmaker like Olivier Assayas? A lot, as it turns out. Back when Assayas was prepping his 2004 film Clean, he needed a band to perform in a scene, and when he saw Metric, everything clicked: You can see the band perform their early hit “Dead Disco” in the movie, and Haines and Assayas hit it off after working together. Like Metric, Assayas has created an incredible body of work over the years, and done it—again like Metric—by following his own muse. His best-known films include Irma Vep, Clouds of Sils Maria, and 2016's Personal Shopper, for which he was proclaimed Best Director at the Cannes Film Festival. In a strange twist, he was asked to re-created Irma Vep as a TV series for HBO, which he did under the condition that he have total artistic freedom. That came out last year, and it's definitely worth checking out. These two get right into a great discussion about how they approach creating their art: Both rely on instinct rather than any desire for commercial success. They talk about the real Formentera—it's an island in Spain—versus the one Haines created for these albums. They touch on Haines' father, a well-known poet, and how that might have figured into her creative growth. Also, you'll learn from this chat that every piano has one great song in it. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Emily Haines and Olivier Assayas for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Episode 315: The Mystery of Irma Vep This week, we're excited to embark on a new collaboration with Bristol Riverside Theater as Victoria Rae Sook, the director of the upcoming play, "The Mystery of Irma Vep," shares her production notes and a sneak peek behind the curtains of this side-splitting show.  The show runs from October 3rd through 22nd at Bristol Riverside Theater.  You can purchase tickets and find out much more here: https://www.brtstage.org/shows/the-mystery-of-Irma-Vep/ or by calling the BRT box office at 215-785-0100.  Built in 1937, the Bristol Riverside Theater is located in historic Bristol, Pennsylvania at 120 Radcliffe Street Bristol, PA 19007.    Have you considered a donation to help us remain ad-free? If you enjoy what we're doing and would like to help us continue doing it without having to talk about MeUndies and SquareSpace, please visit our PayPal donation page or our Patreon page or you can simply scan or click the QR code below to make a one-time donation via PayPal.   Now you can support us with a purchase from our Merchandise Store! Click Here To Visit Our Store   Writers Wanted If you're a writer and would like to read your work on a future episode, please send an email to writers@asreadbyme.com.   As Read By Me Episode 315 Produced by Frank Goldstein, David Stiles and Peter Waitze. Recorded, Edited and Mixed by David Stiles As Read By Me and the ARBM Logo are trademarks of As Read By Me, PA. ©2023 As Read By Me, PA  All Rights Reserved

Mershad Torabi sat down with the one and only Will Arbery.Will Arbery is a playwright, TV/film writer, and filmmaker from Texas + Wyoming + seven sisters.Plays: Corsicana (Playwrights Horizons) // Heroes of the Fourth Turning (Playwrights Horizons) // Plano (Clubbed Thumb) //  Evanston Salt Costs Climbing (The New Group 2022, New Neighborhood 2018) // Wheelchair (3 Hole Press) // You Hateful Things (development at The Public, SPACE on Ryder Farm, and NYTW Dartmouth Residency). He's currently under commission from Audible, MTC, and Playwrights Horizons. TV/Film: Writer and Co-Producer on "Succession" (HBO). Supervising Producer on "Irma Vep" (HBO). Currently developing a TV project with Fifth Season and Boku Films. Previous TV development with A24/HBO, Littlefield Co./Hulu. Film projects with BBC Films/A24, Tango/Animal Kingdom, and Sight Unseen. http://weareactors.comhttp://weareactors.com

Em nossa primeira entrevista internacional, falamos com Will arbery roteirista de Succession, Irma Vep, peças como o sucesso “Heroes of the Fourth Turning” e muito mais nos EUA.

In this episode, it's time for our monthly Roundup segment when we go around the room and discuss the other things we watched  this month. May included "The Incredibles" (2004), "The Super Mario Bros Movie" (2023), "Under The Skin" (2014), "Irma Vep" (1996), "In the Mood for Love" (2000) and more! Listen now!

Today we have a special announcement from friend-of-the-show Omaya Jones-- the launch of a new series of pop-up film screenings in Arkansas, called CINEMA I/O. Films will screen starting this Saturday, June 3, at a variety of locations, beginning at an exhibition space called Good Weather in downtown Little Rock.The initial films will be IRMA VEP and TALE OF CINEMA, running for the first half of June. Listen in for details, and find info at cinemaio.orgLINKSwww.cinemaio.org

“Asa Nisi Masa:” 8 ½ at Sixty It is an intriguing coincidence that perhaps the two greatest films ever made about the creative breakthroughs and heartbreaks involved in making a film are both celebrating major anniversaries in 2023. First, Federico Fellini's raucous, post-modern celebration of his own creative process, "8 ½" turns sixty. It's important to note, though, that while we see no filmmaking in that film, the actual portrayal of the logistical and emotional vicissitudes of film creation are very much at the heart of François Truffaut's much-beloved "Day for Night", which itself turns fifty this year. We will focus most of our time in this episode on Fellini's film, taking our intrepid listeners on a tour that begins with an opening that stands as the most brilliant metaphor for creative blockage ever put on film, all the way through the end with the circus band playing Nino Rota's indelible march as every character we've seen from the director's past and present joins hands and dances in perhaps the most life-affirming moment in all of film. We then use Fellini's work as a springboard to discuss the other films about filmmaking that we love, starting with "Day for Night", and bringing in works ranging in tone from Assayas' "Irma Vep" to Jonze's "Adaptation" to Burton's loving tribute to Ed Wood. Finally, we'll take a quick peek at this year's two great portraits of the filmmaker as a young man, Gray's "Armageddon Time" and Spielberg's "The Fabelmans" (though honestly, I'd take J.J. Abrams' "Super 8" over either of them). But it's important to keep in mind that all of these wonderful films probably never even come close to happening without Fellini blazing the trail. To paraphrase the master himself, he may have had nothing to say, but fortunately for all of us, he found the most brilliant way to say it all the same. Grazie mille, maestro!

This week is a special one-off episode (vepisode) where we're taking a look at both the 1996 film and 2022 HBO series Irma Vep with guest Jack Virnich!  Heads up, its probably a good idea to watch both (especially the show) before listening. The discussion gets a bit heady and might not make a lot of sense if you haven't seen them. But you should see them anyway because they are good! You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y  

Wie schon im Vorjahr will unsere Redaktion auch dieses Jahr wieder die Serien-Highlights zum Jahresabschluss via Podcast aufarbeiten. Dazu haben sich verschiedene Konstellationen zusammengefunden, um ganz persönliche Eindrücke zu teilen. Den Auftakt machen Mario und Bjarne, deren Geschmäcker sich 2022 weitestgehend überschnitten haben. In ihrem halbstündigen Rückblick sprechen sie unter anderem über Interview with the Vampire, Pachinko, Our Flag Means Death und Irma Vep. Und sie schätzen die Qualität des Serienjahres 2022 insgesamt ein.00:00:00 Weihnachtliche Begrüßung02:00:00 Marios Lieblingsserie 202215:00:00 Bjarnes Lieblingsserie 202221:00:00 Unsere Honorable MentionsBjarneTwitter: https://twitter.com/BjarneBockMastodon: https://mastodon.world/@bjarnebockMarioTwitter: https://twitter.com/firewalkwithmeeInstagram: https://www.instagram.com/mariomummenschanz/ Hosted on Acast. See acast.com/privacy for more information.

The San Diego Unified School District has been hit by a cybersecurity threat. Also, city officials face a dilemma on how city towing policies should handle people living in vehicles. Next, Chula Vista representatives claim a new policy bans the sale of data picked up by police surveillance tools. But privacy advocates warn most personal information could still lawfully be sold. And, the authors of a new book talk about running and their book “Born To Run 2: The Ultimate Training Guide.” Finally, Charles Ludlum's 1984 play “The Mystery of Irma Vep” serves up ridiculous fun for the holidays at Diversionary Theatre.

Welcome to Ben's summer film watching audio diary! Over the summer of 2022 each of us recorded little audio snippets reviewing every film that we watched, and these are Ben's! You can listen to our combined discussion of our summer movie watching in our roundup episode. We recommend you start there! Wanna tell us about the films you're watching? Come join our Discord server! Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd. Timestamps: (01:33) Donkey Skin (03:20) What's Up Doc? (06:04) Sanjuro (07:59) The Long Day Closes (10:11) The Northman (13:22) Top Gun, Top Gun: Maverick (18:02) The Virgin Suicides (20:15) Vikram (23:31) We Are Lady Parts (26:44) Band of Outsiders (28:18) Cure (30:54) Last Days of Disco (33:11) The Wonders (36:32) Repulsion (37:49) Jurassic World: Dominion (40:04) Collateral (42:31) The Marquise of O... (45:32) The Beautiful Troublemaker (49:16) Eat Drink Man Woman (50:27) Manhunter (52:30) Heat (54:03) Poetry (56:40) Basic Instinct (58:53) Broker (1:01:42) Pulse (1:02:51) Thor: Love and Thunder (1:04:37) Decision to Leave (1:06:07) RRR (1:06:34) Dual (1:07:28) The Innocents (1:08:30) Picnic at Hanging Rock (1:09:48) Irma Vep (2022 TV series) (1:12:53) Happening (1:16:12) Tokyo Sonata (1:17:55) Red Rocket (1:20:32) Nope (1:22:50) Prey

Solar backers rallied here and across California as utility regulators consider new rules for the solar industry. In other news, December Nights returns to all of Balboa Park Friday, after three years. Plus, Diversionary Theatre debuts Charles Ludlum's 1984 play, “The Mystery of Irma Vep.”

Sometimes video games are just okay. And sometimes those okay games are actually great. This week, Sam and Jake are here to tell you about those secretly great games! The brothers talk about their favorite “7 out of 10” video games, from Assassin's Creed 3 to Spider-Man: Web of Shadows. Timecodes: 00:00:00 - Intro/Housekeeping 00:02:30 - News Story #1: Call of Duty: Modern Warfare II Sets Sales Record 00:13:15 - News Story #2: Sonic Frontiers Review Round-up 00:23:58 - Soccer Game Update 00:25:30 - News Story #3: Nintendo Indie World Showcase November 2022 00:34:08 - Main Topic: Our Favorite “7 out of 10” Games 1:17:48 - Rotating Segment: Rental Roundup (Mushroom Men: The Spore Wars) 1:20:54 - Draft Day Starring Kevin Costner (God of War Ragnarök) 1:21:27 - Game, Watch, Listen (A Plague Tale: Innocence, Smino, Banshees of Inisherin, Irma Vep, Kirby and the Forgotten Land, Natalia Lafourcade) Shoutout to Mizuki Kuroiwa for the incredible podcast artwork and to Thomniverse Remix for the music. Send any questions, comments, or concerns to thesupermosherbrothersshow@gmail.com and follow us @SuperMosherBros on Twitter. Thanks for listening!

the boys get into it this week discussing HBO's 2022 show Irma Vep by Olivier Assayas, based on the 1996 movie Irma Vep by Olivier Assayas, based on the 1916 serial show/movie Les Vampires by  Louis Feuillade. also covered this week: football's big gaunt boy Tom Brady, the new Game of Thrones, and A24's X  and Pearl. follow us on twitter @NFTalkingPodand thank you for listening!follow us on Twitter! @NFTalkingPod

Brady, Josh and Alison come to terms with Force Majeure - Ruben Östlund's 2014 drama and/or dark comedy?Plus!Top of the Heap, Bliss, Coco, Irma Vep (2022), lizards as angels, and oceans of mechanical rage!Leave us a voicemail! We'll play it on the show. Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!

Bill Frost (SLUGMag.com & X96 Radio From Hell) and Tommy Milagro (SlamWrestling.net) talk Listener Mailbag, The Lord of the Rings: The Rings of Power, House of the Dragon, R.I.P. Rutherford Falls, Melissa Villaseñor outta SNL, A Black Lady Sketch Show: Emmy bait, Disney+ Day with Thor: Love & Thunder and Pinocchio, Last Light, Wedding Season, Cobra Kai, American Gigolo, Monarch, Rasslin' News, Out of Office, Golden Arm, Miami Connection, Resident Alien, She-Hulk: Attorney at Law, Irma Vep, Rick & Morty, and The Resort. Drinking: Canned Raspberry Whiskey Sours from OFFICIAL TV Tan sponsor Sugar House Distillery.* Yell at us (or order a TV Tan T-shirt) @TVTanPodcast on Twitter, Facebook, Gmail.* Rate us: Spotify, Stitcher, Apple Podcasts, Google Podcasts, YouTube, Amazon Podcasts, Audible, etc.

Olivier Assayas wrote and directed "Irma Vep" that portrays the state of French cinema at the time by placing the audience in the middle of making a film. A film about a film like how Assayas did is very invasive in an artful way. I briefly explain this method in this episode. I really enjoyed the film, it's nice to see people break down in normal situations, it's nice to see how people coexist despite their upbringings. It's not said but it's displayed and I think it adds progressive tendencies as to why we do the things we do.#irmavep #maggiecheung #morningreel

Quase trinta anos depois do filme e mais de um século após a série original, Irma Vep está de volta e mais cool do que nunca - agora na telinha! Retornando à televisão, Olivier Assayas faz sua primeira aventura pela HBO com um “remake” do filme que o consagrou no pop em formato de minissérie, agora escalando Alicia Vikander para o papel da atriz que interpreta a icônica personagem do cinema francês numa produção às avessas. E com a metalinguagem em alta, é apenas óbvio que a série triplique o volume de comentários incisivos sobre a indústria do cinema, ainda mais numa era onde obras viraram conteúdo e o meio - mais do que nunca - é movido pelo capital. No Cinemático 311, Carlos Merigo, Guilherme Jacobs e Pedro Strazza conversam sobre a minissérie, comparam com o filme de 1996 e analisam o que Assayas busca tirar de novo nessa nova versão. E afinal, seria o personagem de Vincent Macaigne o hipocondríaco do ano?   spoilers: 28m57s notas: 38m38s     ASSINE: catarse.me/cinematico SIGA @CINEMATICOPOD   Apresentação: Carlos MerigoProdução e Pesquisa: Pedro StrazzaEdição e Sonorização: Marcelo MirandaAtendimento e Comercialização: FTPI / Boo-BoxContato: cinematico@b9.com.brSee omnystudio.com/listener for privacy information.

This week's podcast initially began as a sequel to our episode about Irma Vep from a few weeks ago, in which Adam Nayman and Beatrice Loayza joined us to discuss Olivier Assayas's new HBO series. We had only seen four episodes at the time, and we wanted to reconvene our guests, now that the miniseries has finished its run of eight episodes. But as we dug into the film-within-a-film rabbit holes of Irma Vep, its commentaries on auteurism and autofiction, and how it blurs the lines between reality, narrative, and fantasy, we realized that it echoed the themes of another series everyone has been talking about recently: The Rehearsal, by Nathan Fielder. So this episode brings you a double dose of meta: Irma Vep and The Rehearsal, and the ethics of making movies about oneself, other people, and movie-making itself.

Olivier Assayas regresa al personaje de su icónica película y nos demuestra que a veces regresar a obras clásicas puede dar buenos resultados. En esta edición comentamos la miniserie de HBO, Irma Vep. ¿No sabes qué series ver? El podcast “El Stream Mató al Cable” te ayuda a decidir, comentando las series más importantes de la nueva Edad Dorada de la TV (y el Stream). Encuéntranos también en: Facebook: www.facebook.com/streammatoalcable/ Twitter: www.twitter.com/PodcastEsmac

Karen and Wynter have been seduced by Irma Vep, Olivier Assayas' “serialized” HBO Max revisitation of his own 1996 indie film of the same name starring screen goddess Maggie Cheung (his ex-wife). The two get into all the series' meta-narratives,, including Alicia Vikander as a modified K-Stew. Light SPOILERS. Karen is obsessed with #PREATH's (Christen Press and Tobin Heath's) sizzle on the ESPYs red carpet, while Wynter loves up on Nathan Fielder in The Rehearsal. (Where's our HBO Max sponsorship already?!) Are we or are we not “BASED”? Plus two songs of the week from the 80s, and info about KT's new food-related BoCo on our Patreon. 

On this week's show we weigh in on Prime Video's eighties teen time travel drama Paper Girls, watch Neil Patrick Harris enjoy no sex in his city as the star of Netflix's Uncoupled, and join Alicia Vikanda in HBO's meta-Hollywood satire Irma Vep. Plus James, who definitely hasn't been on holiday this week, reveals his true identity as a West Country millennial with a love of workplace comedies.

IRMA VEP SERIES REVIEW In 1996, writer director Olivier Assayas made Irma Vep, a film about the (fictional) feature film remake of the (real) seven hour, 1915 silent serial, Les Vampires. Over 25 years later, Assayas has turned his previous film into a ten part HBO miniseries. In the original, actress Maggie Cheung played herself,… Read More »Screener Squad: Irma Vep

Chris and Andy talk about the allegations that old episodes of ‘Stranger Things' are being reedited and the interesting possibilities it introduces for streaming television (1:00). Then they talk about the sweet animated movie ‘Marcel the Shell With Shoes On' (20:15), before Andy is joined by French filmmaker Olivier Assayas to talk about his decision to remake his 1996 movie ‘Irma Vep' into an eight-part miniseries (27:51). Hosts: Chris Ryan and Andy Greenwald Guest: Olivier Assayas Production: Kaya McMullen and Mike Wargon Learn more about your ad choices. Visit podcastchoices.com/adchoices

We discuss Irma Vep and Persuasion, two adaptations whose necessity some have called into question. 02:23 Irma Vep, streaming on HBO Max, is a strange, fascinating creature, half intertextual wink and half showbiz dramedy. 19:01 Netflix's adaptation of Persuasion may have kept Jane Austen's plot intact, but little of the source material's spirit remains. 37:29 Plus, culture notes breaking down the ultimate theatre kid drama that is the Beanie Feldstein/Lea Michele/Funny Girl mess. ... Follow us on Twitter and Instagram. For extended show notes — including links that we reference, plus more — subscribe to our Substack. Inquiries, complaints, and recs for what to watch can go to criticismisdead@gmail.com. Music: REEKAH Artwork and design: Sara Macias and Andrew Liu

This week on The Nerdpocalypse Podcast, the guys return and discuss Irma Vep, The Boys, Ms. Marvel, Daredevil and Kingpin's reunion on upcoming Disney+ show "Echo," Duffer Brothers expanding their brand, James Cameron seems delusional about a lot of people's feelings on "Avatar," trailer for The Woman King, and much more! SHOW NOTES CHECKED OUT Thor: Love and Thunder Irma Vep Thief The Boys - Episode 7 Ms. Marvel - Episode 5 TOPICS - Section 1 Daredevil and Kingpin to meet again in “Echo” series for Disney+ Taron Egerton has met Kevin Feige on a Marvel role, hopes for Wolverine The Duffer Brothers to talk on Stephen King's “The Talisman” TOPICS - Section 2 James Cameron seems very upset at “trolls” when it comes to Avatar James Cameron may pass Avatar to another director(s) to finish series The Duffer Brothers announce “Upside Down Pictures” WTF? by JayTeeDee Mark: https://bit.ly/3P3ST6s Terrence: https://bit.ly/3nQwyO9 Jay: https://bit.ly/3ygHvNO TRAILERS Honk for Jesus Clerks III Amsterdam The Woman King

Liz is back after a bad COVID week with some surprising findings! Plus menstruation and the Wimbledon dress codes, worst night of the year for dogs - July 4th, fast food news. Sign up for our new weekly newsletter PEP TALK here. Go the the Satellite Sisters website here Go to the Satellite Sisters You Tube Channel here. Bend bans personal fireworks. New dog drug for Steffi's noise aversion on July 4th: Sileo Liz tries Covid anti-viral Paxlovid Giant Cheez-It coming soon from Taco Bell Menstruation + Wimbledon dress code. Six ways to level up your walk. Thank you to today's sponsors and to listeners for using these special urls and promo codes. Everlywell https://everylywell.com/sisters OSEA https://oseamalibu.com Use promo code satsisters Entertaining Sisters: Satellite Sisters Best Beach Bag Book List Julie's got 2 new spy shows: The Ipcress File Condor Liz recommends Irma Vep on HBO Max - quirky series set in Paris about remaking a classic French movie. Alicia Vikander stars. For Lost and Found in Paris and all books by Lian Dolan, go to her website here. For all of our booklists at Bookshop.org, go to www.bookshop.org/shop/liandolan Buy The Sweeney Sisters here on bookshop.org or here on amazon. Join our community: Facebook Page, Facebook Group and on Instagram and Twitter @satsisters. Email Satellite Sisters at hello@satellitesisters.com. Follow Lian Dolan on @instagram @liandolan Follow Liz Dolan on @instagram @satellitesisterliz Follow Julie Dolan on @instagram @julieoldestsister Learn more about your ad choices. Visit megaphone.fm/adchoices

Lavinia Wright and Alejandro Morales join host Dave Holmes for some Norse mythology, Minions trivia, and defend some of pop cultures greatest villains.Lavinia Wright would like to plug  Love All Alices and recommends Irma Vep on HBOAlejandro Morales would like to plug the RISE Comedy Festival and recommends Lace LarrabeeAnd Finally, Dave Holmes is on Twitter @DaveHolmes.Find us on Twitter! We are @TroubledPodWritten by Riley Silverman and John-Luke Roberts, recorded remotely over Zoom and produced by Christian Dueñas and Laura Swisher.Join the MaxFun fam:maximumfun.org/join

David breaks down the star signs of the great women rappers, including Queen Latifah, Lil Kim, Missy Elliot, M.I.A., Salt-n-Pepa, Nicki Minaj, Megan Thee Stallion, Cardi B and many other legends. He also talks Dirty Dancing, Irma Vep, The Curious Case of Benjamin Button, On Freedom, Couples Therapy, Eurotrip and much more. For new episodes and astrology columns, subscribe to David's free newsletter at davidodyssey.substack.com. And you can book a reading (with new summer rates) at davidodyssey.com. And be sure to subscribe/share/rate and share your love of The Luminaries. See you next time! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dans ce nouvel épisode de Quoi de Meuf, on vous parle d'Irma Vep, la dernière série d'Olivier Assayas pour HBO et A24, disponible sur OCS. Les spectateurices suivent ici Mira (jouée par Alicia Vikander) qui arrive en France pour interpréter Irma Vep dans “Les Vampires”, un remake de ce classique du film muet français. Nos journalistes retracent ici pour vous l'histoire d'Irma Vep et de la célèbre actrice Musidora et des différentes adaptations qu'a connues le film. Qu'en ont-elles pensé ? Olivier Assayas a-t-il réussi à dépoussiérer ce classique du cinéma français ? Clémentine Gallot et Pauline Verduzier décortiquent ces points et vous en parlent dans ce nouvel épisode de Quoi de Meuf.Références entendues dans l'épisode : Irma Vep d'Olivier Assayas. (2022)Les Vampires de Louis Feuillade. (1915)Sol y sombra de Musidora, Jacques Lasseyne et Jaime De Lausen. (1922)Qui est Musidora, la toute première vamp du cinéma ? par Pierre Groppo pour Vanity Fair. (2022)Irma Vep d'Olivier Assayas. (1996)Fin août, début septembre d'Olivier Assayas. (1999)Les destinées sentimentales d'Olivier Assayas. (2000)Carlos d'Olivier Assayas. (2010)Sils Maria d'Olivier Assayas. (2014)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Pauline Verduzier. Mixage et montage : Laurie Galligani. Prise de son Adrien Beccaria à l'Arrière boutique. Générique réalisé par Aurore Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin. Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

Andy talks about ‘The Old Man' getting renewed for a second season, and why you should give the new HBO show ‘Irma Vep' a chance (1:00). Then, he's joined by actress Colby Minifie to talk about her work as a stage actress (16:47) and how it prepared her for ‘The Boys' (36:51). Host: Andy Greenwald Guest: Colby Minifie Producer: Kaya McMullen Check out the ‘Baranksi BBQ '22' Playlist here. Donate to the National Network of Abortion Funds here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dave, Jeff, and Devindra discuss Spiderhead's disastrous last act, have fun with the new Irma Vep miniseries, then dive into the latest Derrickson/Cargill collaboration, The Black Phone. Thanks to our sponsor this week: Grab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/filmcast to get a Huge Discount off your NordVPN Plan + Free Threat Protection + 1 additional month for free. Weekly Plugs David - Culturally Relevant interview with Elizabeth Williamson Devindra - Engadget Podcast on Apple's MacBook Pro w/ M2 Jeff - DLC with Chris Bergman Shownotes (All timestamps are approximate only) What we've been watching  (~17:42) David - Spiderhead, Good Luck To You, Leo Grande, Westworld S4 Devindra - The Bear, Irma Vep (show and movie), Obi-Wan (finished) Jeff - The Bear, Spiderhead, Loot Feature  (~1:08:00)  The Black Phone Spoilers (~1:20:00) Support David's artistic endeavors at his Patreon. Listen and subscribe to David's interview podcast Culturally Relevant and subscribe to his YouTube channel. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech.  You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter @thefilmcastpod. Credits: Our theme song is by Varsity Blue, the newest project by Tim McEwan from The Midnight. Our Slashfilmcourt music comes from SMHMUSIC.com. Our weekly plugs music comes from Noah Ross. Our spoiler bumper comes from filmmaker Kyle Corwith. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

Bonus episode!!!! Drew rambles today. Topics include Irma Vep, the Miles Teller of France, inspiration, and Ottessa Moshfegh being apolitical fish. All this and more on the sixty-fifth episode of Crisis Twink: the only podcast intelligent and sexy enough to fix a culture in crisis. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/crisis-twink/message Support this podcast: https://anchor.fm/crisis-twink/support

These last two weeks, HBO Max has been serving up catnip for cinephiles with Olivier Assayas's new, mind-bendingly metatextual show, Irma Vep. In 1996, Assayas made a film with the same title, about the attempts of an aging French filmmaker to remake Louis Feuillade's classic silent serial, Les vampires, with Maggie Cheung as the original vamp, Irma Vep. The new series expands on and reimagines that premise with a mise-en-abyme structure: here, a neurotic filmmaker seemingly modeled on Assayas remakes Feuillade's serial for a contemporary, binge-TV audience. Alicia Vikander plays Mira Harberg, an American pop heroine who is cast as Irma Vep among a glossy, transnational crew of actors. In the four episodes available to critics so far, Irma Vep engages with its multiple sources, its medium, and the lives of its creators in increasingly surprising and thought-provoking ways. On this week's podcast, FC editors Devika Girish and Clinton Krute invited critics Adam Nayman and Beatrice Loayza to dig into the series' endless rabbit holes and riffs on the history of serials, cinema, and, well, content.

Dawn Staley has won Olympic gold medals as a player and as a head coach. She played in the WNBA, and is now head coach of the South Carolina Gamecocks women's basketball team. In April, she led her team to its second NCAA championship. We'll talk about how she's seen women's basketball change and grow, and about how she got her start playing basketball with the boys in the projects of North Philly.Later, we'll hear from journalist Neda Toloui-Samnani, author of They Said They Wanted a Revolution: A Memoir of My Parents.And TV critic David Bianculli will review the new HBO series Irma Vep.

We've got three foreign language movies for you, but stick with us, don't leave! They're all fascinating. The first is Gaspar Noe's "Vortex," which we're both really, really into, and then there's Finnish "elevated horror" film "Hatching." Then we have a Reboot, the Olivier Assayas 1996 film "Irma Vep." Good stuff! Timestamps: 11:13 "Vortex" 37:24 "Hatching" 59:34 "Irma Vep" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brad Oscar has been seen on Broadway in Mrs. Doubtfire, Something Rotten! (Tony nomination), Big Fish, Nice Work..., The Addams Family, Spamalot, The Producers (Tony nomination), Jekyll & Hyde and Aspects of Love. National Tours: The Phantom of the Opera, Young Frankenstein, Jekyll & Hyde. West End: The Producers. Off Broadway: Broadway Bounty Hunter, Nassim, Sweeney Todd (Barrow Street Theatre), Forbidden Broadway (Theater East). Regional credits: The Gods of Comedy (McCarter/Old Globe), Hairspray (KC Starlight), The Squirrels (La Jolla Playhouse), Fiddler on the Roof (Barrington Stage), Barnum (Asolo Rep, Maltz Jupiter Theatre; Carbonell Award for Best Actor, Musical), The Mystery of Irma Vep, Cabaret, Damn Yankees (Arena Stage). Film: Ghost Town, The Producers. TV: Madam Secretary, Smash, The Good Wife, three Law & Order. Learn more about your ad choices. Visit podcastchoices.com/adchoices