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Robert Frederick, host of The Hidden Life Is Best podcast, chats to James about the evil genius of Francis Bacon. Frederick makes the compelling case that much of what is wrong with the world today - including scientism and the power of freemasonry - can be traced back to this brilliant Jacobean scholar, polymath and occultist. He also endeavours to persuade James that Bacon, not Edward De Vere, was the man behind ‘William Shakespeare'. A highlight of this freewheeling, illuminating, erudite episode is Frederick's deconstruction of Romeo and Juliet, an occult sacrifice ritual masquerading as a love story. https://thehiddenlifeisbest.com https://substack.com/@robertfrederick ↓ If you need silver and gold bullion - and who wouldn't in these dark times? - then the place to go is The Pure Gold Company. Either they can deliver worldwide to your door - or store it for you in vaults in London and Zurich. You even use it for your pension. Cash out of gold whenever you like: liquidate within 24 hours. https://bit.ly/James-Delingpole-Gold ↓ ↓ How environmentalists are killing the planet, destroying the economy and stealing your children's future. In Watermelons, an updated edition of his ground-breaking 2011 book, JD tells the shocking true story of how a handful of political activists, green campaigners, voodoo scientists and psychopathic billionaires teamed up to invent a fake crisis called ‘global warming'. This updated edition includes two new chapters which, like a geo-engineered flood, pour cold water on some of the original's sunny optimism and provide new insights into the diabolical nature of the climate alarmists' sinister master plan. Purchase Watermelons by James Delingpole here: https://jamesdelingpole.co.uk/Shop/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk x
Was Elizabeth I holding England back from establishing itself upon the global stage? Speaking to James Osborne, Professor Anna Whitelock explores how the accession of the new king James VI & I, and the arrival of the Jacobean era, tilted the Britain's gaze toward the future. (Ad) Anna Whitelock is the author of The Sun Rising: James I and the Dawn of a Global Britain (Bloomsbury, 2025). Buy it now from Amazon: https://www.amazon.co.uk/Sun-Rising-Dawn-Stuarts/dp/1408863510/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton's range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger's Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth's witches may be substantially his work.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAnd Michelle O'Callaghan Professor of Early Modern Literature at the University of ReadingProducer: Simon TillotsonReading list:Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton's Tragedies' by John StachniewskiMark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)Michelle O'Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)In Our Time is a BBC Studios Audio Production
ਪੇਰਿਕਲੀਜ਼! (ਨਾਟਕ ਕਹਾਣੀ) (Part-3)Periclesਪੇਰਿਕਲੀਜ਼! (ਨਾਟਕ ਕਹਾਣੀ): Pericles is beautiful work written by William Shakespeare. Listeners and readers explore numerous emotions while listening and reading this Jacobean play though the most beautiful relationship that has been portrayed is that of parents and children. Pericles resonates with every other person on this earth who has love and affection for his family especially for his children. This is the most happening essence that admires of the writer relate with. Link to the complete audiobook- • William Shakespeare (Complete Audiobo... William Shakespeare is regarded as one of the most prominent writers of all time. His works are inspirational for almost all the writers of the world. Born in 1564, he is remembered as greatest English playwright, poet and actor.'ਸ਼ੇਕਸਪੀਅਰ ਦੀਆਂ ਨਾਟਕ ਕਹਾਣੀਆਂ' is a book which has been published by 'Modern Sahit Academy: 6, Ramanad Bagh, Amritsar. ਸ਼ਮਸ਼ੇਰ ਸਿੰਘ is the main architect of the book who has presented the beautiful works of William Shakespeare in Punjabi Language. This playlist consists of 4 major works of Shakespeare namely Tempest, Romeo and Juliet, Pericles: Prince of Tyre and The Taming of the Shrew respectively.The cover art of this audiobook has been made by Artist Gurdish Pannu and Dr. Ruminder has given voice to this punjabi short story. #punjabipodcast #famouspodcast #emotionalstory #moralstory #trendingpodcast #lifemotivation #trendingshortstory #motivational #trendingaudiobooks #punjabishortstories #listenaudiobooks #artistgurdishpannu #lifestyle #viral #videos #trending #trendingonspotify #life #audiolibrary #story #punjabiaudiobooks #punjabi #punjab #shortstories #punjabifolk#popularstories #famous #audiobook #punjabiculture #family #punjabimaaboli #motherhood #punjabistories #writer #punjabibooks #punjabiculture #ਪੰਜਾਬੀ #punjabifolk
On previous episodes of That Shakespeare Life, we have talked about the numerous early modern card games that show up in Shakespeare's plays, and even that Ferdinand and Miranda are playing the game of Chess in the Tempest. What you may be surprised to learn is that another form of early modern game playing—the game of dice—comes up over half a dozen times across Shakespeare's works, with references to playing the game, using them to predict the future, and of course, losing at the game of dice. Dice was a huge sport for Elizabethan, and later Jacobean, England and here today to share with us about this history, what games were played, and some specifics on the history of the playing pieces themselves is Historic Games expert, Charles Knutson. Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.
For our second episode of Magus, we are delving into the deep dark cave of history to the unravel the mysterious life of Mother Shipton, a Tudor era prophetess with links to folkloric sites all over England, from Knaresborough to the Rollright Stones to Somerset and beyond.Our journey starts in the English Renaissance, where we explore how the concept of a witch had been presented and appeared in legal cases and famous stories, up until the reign of Henry VIII - during which it's said Mother Shipton lived and died, seemingly attracting the ire of the crown!Yet, considering the lack of historical detail relating to the woman also known as Ursula Southeil, getting to the bottom of who she may have been soon becomes a moot point, as, despite the work of generations of historians, from the Jacobean era onwards, following the period of 'Witch Hunt fever' in England Mother Shipton quickly became a political tool and means of making money.Appearing as a stock character in 17th century pantomimes, with her visual representations based on woodcut images of Mr Punch, records show how things soon spun out of control, throwing much of what we think we know about her into question.For example, was she really born in a cave? Was her father the Devil, or a necromancer, or perhaps the wizard Merlin? And what about her prophecies, almost all of which kept on coming uncannily true?Prepare yourself for an episode full of surprises, from flying goats and fifteen minute bouts of flatulence to mass hysteria and bucket-loads of bare faced lies. But sitting behind it all is a serious point: if history is written by the victors, what have the English ruling classes had to say about Mother Shipton across the last five centuries? And with this in mind, do all the things people believe about Mother Shipton have anything to do with her actual life and legacy, or everything to do with our own historic fears and prejudice?The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We're not watching the good therapist solve problems show. Join James and Bee as they discuss Jacobean tragedies, Oscar Wilde, and sad, sad clowns.
Surprise pod drop! Yes, we're embedded in a production of Lady Rachel Fane's Household Masque, performing this Saturday (8th March 2025) at Boston Manor House. We're helping archive the rehearsal process and the performance, and hope to do a more detailed BTS episode further down the line. This is a quick pop up episode, recorded during the first day of rehearsals on Wednesday 5th March 2025, featuring Alison Findley, Tamsin Lewis of Passamezzo, and some of the cast. Tickets for the show available here! Find out more about Passamezzo here! To celebrate International Women' Day, Boston Manor House, a Jacobean house built in 1623 by Lady Mary Reade will be home to a staging of Rachel Fane's ‘May Masque' directed by Alison Findlay and Tamsin Lewis of Passamezzo. The performance at 7.30 is preceded by refreshments, music and craft making starting at 6.30 pm. As far as we know, this is the first performance of the entertainment that Rachel Fane (1613-1680) wrote for her family in 1627, featuring them as performers and named members of the audience at the family home Apethorpe Hall. Fane's teenage, hand-bound manuscript is held at the Kent Archive Office (Maidstone). Experts Marion O'Connor and Erin Julian will imitate those family members who watched and mentored Fane's original production. Boston Manor House is an ideal place to stage an entertainment designed to show learning because its owner, Lady Mary Reade took care to display her own learning in the plasterwork of the drawing room. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
VYS0048 | Chinese Sex Balloons - Vayse to Face with Edwina Quatermass-Palmer - Show Notes Making her podcasting debut, Hine and Buckley welcome the weird, wonderful and wonderfully weird Edwina Quatermass-Palmer to Vayse. Worker of a job so secret that Hine and Buckley actually know what she does, possessor of the coolest name available to the English speaking world and wearer of a genuinely gravity defying hairstyle, EQP is an original and brilliant thinker, a valuable and treasured member of the Vayse discord community, a musician and rambler on the path less travelled. The conversation moves from early paranormal experiences in the, frankly incredibly named, Christmas Room of the Jacobean house that she grew up in, to her discovery of Crowley, root work and her dabbling in Chaos Magick. One of the most fascinating and unusual facets of EQP is her life-long relationship with the Great God Pan, and she talks in detail about how he appears to her, how he communicates with her and what this has meant to her over the years. The free ranging discussion also touches on the nature of creativity, retro-causality, the art and influence of the late, great David Lynch, and the question on everyone's lips... is EQP CIA?... (Recorded 3 February 2025) Thanks to EQP for being so candid and open with us on her first podcast and thanks, as always goes to the great Keith, working to make sure that these podcasts make some semblance of sense, one show note at a time. You can follow hom on Blue Sky: @peakflow.bsky.social EQP online Instagram (https://www.instagram.com/elqpalmer/) Twitter (https://x.com/elqpalmer/) Bluesky (https://bsky.app/profile/eqp.bsky.social) Facebook (https://www.facebook.com/edwina.quatermasspalmer.7/) Intro Missy Elliott - Work It (Official Music Video) - YouTube (https://www.youtube.com/watch?v=cjIvu7e6Wq8) Twin Peaks - Man From Another Place - YouTube (https://www.youtube.com/watch?v=b5PIeYcZG0g) VYS0047 | The Weird Review Of The Year 2024 (https://www.vayse.co.uk/vys0047) Lost Season 1 DVD Trailer - YouTube (https://www.youtube.com/watch?v=JdUYjYRnFG4) Mad Max: Fury Road - Official Main Trailer - YouTube (https://www.youtube.com/watch?v=hEJnMQG9ev8&t=25s) Vayse to Face with Edwina Quatermass-Palmer The Fun Police - Urban Dictionary (https://www.urbandictionary.com/define.php?term=fun%20police) The Great “Drone” Flap of 2024 - NUFORC (https://nuforc.org/drone_flap/) Anonymous (hacker group) - Wikipedia (https://en.wikipedia.org/wiki/Anonymous_(hacker_group)) Psychological operations (United States) (https://en.wikipedia.org/wiki/Psychological_operations_(United_States)) “How to cause local panic in your city” - @stuffthatlookslikestuff on Instagram (https://www.instagram.com/p/DEULfnlxX1R/) How UFO Reports Change With the Technology of the Times - Smithsonian Magazine (https://www.smithsonianmag.com/history/how-ufo-reports-change-with-technology-times-180968011/) Trump explanation for N.J. drones raises new questions - MSN (https://www.msn.com/en-us/politics/government/trump-explanation-for-n-j-drones-raises-new-questions-i-m-not-buying-it-lawmaker-says/ar-AA1y4LPq) Egregore - Wikipedia (https://en.wikipedia.org/wiki/Egregore) Trickster - Wikipedia (https://en.wikipedia.org/wiki/Trickster) Psionics - Wikipedia (https://en.wikipedia.org/wiki/Psionics) Neuralink - Wikipedia (https://en.wikipedia.org/wiki/Neuralink) The Unexplained (magazine) - Wikipedia (https://en.wikipedia.org/wiki/The_Unexplained_(magazine)) Winchester Mystery House website (https://winchestermysteryhouse.com/) Spontaneous human combustion - Wikipedia (https://en.wikipedia.org/wiki/Spontaneous_human_combustion) The Green Ladies Enigma - The Witch, The Weird, and The Wonderful (https://winsham.blogspot.com/2015/08/wednesday-weirdness-green-ladies-enigma.html) Entropy and life - Wikipedia (https://en.wikipedia.org/wiki/Entropy_and_life) Are we really all made of stars? - Live Science (https://www.livescience.com/32828-humans-really-made-stars.html) Operation Chastise (the Dambusters Raid) - Wikipedia (https://en.wikipedia.org/wiki/Operation_Chastise) A Beginners Guide To Hoodoo Rootwork - Original Botanica (https://originalbotanica.com/blog/a-beginners-guide-to-hoodoo-rootwork/) Aleister Crowley - Wikipedia (https://en.wikipedia.org/wiki/Aleister_Crowley) Pan (god) - Wikipedia (https://en.wikipedia.org/wiki/Pan_(god)) Jacobean era - Wikipedia (https://en.wikipedia.org/wiki/Jacobean_era) Lego Duplo - Wikipedia (https://en.wikipedia.org/wiki/Lego_Duplo) Meccano - Wikipedia (https://en.wikipedia.org/wiki/Meccano) The Fisher-Price Action Garage - Medium (https://medium.com/@solidi/the-fisher-price-action-garage-15b6a9556e2a) You may have already run into a time-travelling version of yourself from the future - BBC Science Focus (https://www.sciencefocus.com/science/time-travel-meeting-self) Time Loops: Precognition, Retrocausation, and the Unconscious by Eric Wargo - Goodreads (https://www.goodreads.com/book/show/41132463-time-loops) Uncanny podcast (https://podtail.com/podcast/uncanny/) Children and the Paranormal - Paranormal Research Forum (https://paranormalresearchforum.net/children-and-the-paranormal/) The Book of Lies, by Aleister Crowley - Goodreads (https://www.goodreads.com/book/show/123656.The_Book_of_Lies) Numerology - Wikipedia (https://en.wikipedia.org/wiki/Numerology) A guide to Prince's musical inspiration - The Current (https://www.thecurrent.org/feature/2017/04/20/a-guide-to-princes-musical-inspiration) George Michael - A Different Corner (Official Video) - YouTube (https://www.youtube.com/watch?v=IPWHkK-_a_A) Synchronicity - Wikipedia (https://en.wikipedia.org/wiki/Synchronicity) Why Some Scientists Believe the Universe Is Conscious - Mind Matters (https://mindmatters.ai/2019/08/why-some-scientists-believe-the-universe-is-conscious/) Frequency illusion (Baader–Meinhof phenomenon) - Wikipedia (https://en.wikipedia.org/wiki/Frequency_illusion) Manitou - Wikipedia (https://en.wikipedia.org/wiki/Manitou) Autism - Wikipedia (https://en.wikipedia.org/wiki/Autism) Pheromone - Wikipedia (https://en.wikipedia.org/wiki/Pheromone) Richard Dawkins - Wikipedia (https://en.wikipedia.org/wiki/Richard_Dawkins) Richard Dawson - ‘Scientist' - Live at Tor Fest 2022, Todmorden Unitarian Church - YouTube (https://www.youtube.com/watch?v=-fjo9JgI0xY) Working With Pan: Greek God of the Wild - Tea and Rosemary (https://teaandrosemary.com/greek-god-pan/) VYS0007 | Too Much to Dream Last Night (incl. Hine's Pan encounter) (https://www.vayse.co.uk/vys0007) The Great God Pan in Art - John Kruse Blog (https://johnkruseblog.wordpress.com/2021/03/12/the-great-god-pan-in-art/) Arcadia - Wikipedia (https://en.wikipedia.org/wiki/Arcadia_(utopia)) Paganism - Wikipedia (https://en.wikipedia.org/wiki/Paganism) Wicca - Wikipedia (https://en.wikipedia.org/wiki/Wicca) Chaos Magic - Wikipedia (https://en.wikipedia.org/wiki/Chaos_magic) Homeopathy - Wikipedia (https://en.wikipedia.org/wiki/Homeopathy) The Good-Morrow (John Dunne) - Wikipedia (https://en.wikipedia.org/wiki/The_Good-Morrow) VYS0042 | Grinding Out Some Low-End - Vayse to Face with Aidan Wachter (https://www.vayse.co.uk/vys0042) Ley line - Wikipedia (https://en.wikipedia.org/wiki/Ley_line) Hecate: How To Work With The Goddess Of Magic & Necromancy - Tea and Rosemary (https://teaandrosemary.com/hecate-goddess/) Song of the Dark Man: Father of Witches, Lord of the Crossroads by Darragh Mason (https://www.goodreads.com/book/show/199454362-song-of-the-dark-man) VYS0021 | Song of the Dark Man - Vayse to Face with Darragh Mason (https://www.vayse.co.uk/vys0021) VYSXXXX | The Real Vayse: Halloween 2024 (https://www.vayse.co.uk/vysxxxx) Neoliberalism - Wikipedia (https://en.wikipedia.org/wiki/Neoliberalism) VYS0037 | Elvis with a Flaming Sword - Vayse to Face with AP Strange (https://www.vayse.co.uk/vys0037) Maslow's hierarchy of needs - Wikipedia (https://en.wikipedia.org/wiki/Maslow%27s_hierarchy_of_needs) Mandala - Wikipedia (https://en.wikipedia.org/wiki/Mandala) David Lynch - Wikipedia (https://en.wikipedia.org/wiki/David_Lynch) Mulholland Drive (film) - Wikipedia (https://en.wikipedia.org/wiki/Mulholland_Drive_(film)) Mulholland Drive - Official Trailer - YouTube (https://www.youtube.com/watch?v=jbZJ487oJlY) Eraserhead - Wikipedia (https://en.wikipedia.org/wiki/Eraserhead) Eraserhead (1977) Trailer #1 - YouTube (https://www.youtube.com/watch?v=7WAzFWu2tVw) Inland Empire (film) - Wikipedia (https://en.wikipedia.org/wiki/Inland_Empire_(film)) Inland Empire Official Trailer - YouTube (https://www.youtube.com/watch?v=kS2v-icgBj4) Presque Vu - Learning Mind (https://www.learning-mind.com/presque-vu-mental-effect/) Twin Peaks - Wikipedia (https://en.wikipedia.org/wiki/Twin_Peaks) The Secret History of Twin Peaks by Mark Frost - Goodreads (https://www.goodreads.com/book/show/29102955-the-secret-history-of-twin-peaks) Philip K. Dick - Wikipedia (https://en.wikipedia.org/wiki/Philip_K._Dick) A Scanner Darkly - Wikipedia (https://en.wikipedia.org/wiki/A_Scanner_Darkly) Valis (novel) - Wikipedia (https://en.wikipedia.org/wiki/Valis_(novel)) Ubik - Wikipedia (https://en.wikipedia.org/wiki/Ubik) The Three Stigmata of Palmer Eldritch - Wikipedia (https://en.wikipedia.org/wiki/The_Three_Stigmata_of_Palmer_Eldritch) Thinking Impossibly with Jeff Kripal - Daily Grail (https://www.dailygrail.com/2025/02/thinking-impossibly-with-jeff-kripal/) The Dreaming (Dreamtime) - Wikipedia (https://en.wikipedia.org/wiki/The_Dreaming) Pareidolia - Wikipedia (https://en.wikipedia.org/wiki/Pareidolia) Twin Peaks season 3 (The Return) - Wikipedia (https://en.wikipedia.org/wiki/Twin_Peaks_season_3) The Straight Story - Wikipedia (https://en.wikipedia.org/wiki/The_Straight_Story) David Lynch on his lifelong devotion to artmaking - YouTube (https://www.youtube.com/watch?v=EPTQVXwCkbw) Crazy Clown Time - Wikipedia (https://en.wikipedia.org/wiki/Crazy_Clown_Time) Boschbot on Instagram (https://www.instagram.com/boschbot/) Hieronymous Bosch - Wikipedia (https://en.wikipedia.org/wiki/Hieronymus_Bosch) Hidden meanings in The Garden of Earthly Delights - BBC Culture (https://www.bbc.com/culture/article/20160809-hidden-meanings-in-the-garden-of-earthly-delights) How to Achieve the Flow State - Psychology Today (https://www.psychologytoday.com/us/blog/clearer-thinking-today/202411/how-to-achieve-the-flow-state) David Lynch: The Art Life - Official Trailer - YouTube (https://www.youtube.com/watch?v=g_NYNSMxOro) David Lynch on routine and creativity - YouTube (https://www.youtube.com/watch?v=0rqai5OU5ZU) The Creative Act: A Way of Being by Rick Rubin - Goodreads (https://www.goodreads.com/book/show/60965426-the-creative-act) Flaubert's “Be Regular and Ordinary” Quote - Another Panacea (https://www.anotherpanacea.com/2024/09/18/flauberts-be-regular-and-ordinary-quote/) Edwina's recommendations The Electric Kool-Aid Acid Test by Tom Wolfe - Goodreads (https://www.goodreads.com/book/show/2831038-the-electric-kool-aid-acid-test) Grateful Dead - Wikipedia (https://en.wikipedia.org/wiki/Grateful_Dead) Workingman's Dead - Grateful Dead (full album playlist) - YouTube (https://www.youtube.com/playlist?list=OLAK5uy_ko_3E6rJJE0FxW4Yh5wCBdbk_PVENlY7k) Buckley's closing question Fox Mulder So Damn Hot - YouTube (https://www.youtube.com/watch?v=xZij2Q6FD4k) This is why I'm HOT (Dana Scully) - YouTube (https://www.youtube.com/watch?v=J6oiKvEiu3A) Vayse online Website (https://www.vayse.co.uk/) Twitter (https://twitter.com/vayseesyav) Bluesky (https://bsky.app/profile/vayseesyav.bsky.social) Instagram (https://www.instagram.com/vayseesyav/) Bandcamp (Music From Vayse) (https://vayse.bandcamp.com/) Ko-Fi (https://ko-fi.com/vayse) Email: vayseinfo@gmail.com Special Guest: Edwina Quatermass-Palmer.
In the Gaming Hut beloved Patreon backer Tom Abella seeks tips on compiling historical reading lists to players. We don elaborate ruffs in the Tradecraft Hut to profile Jacobean spymaster Robert Cecil. Today we look at them as soulful giants of the sea, but to the medieval mind whales were terrifying, diabolical beasts worthy of […]
Two friends and academics recap classic literature and take it off its pedestal. In our sixty-third episode, we open Season 6 with a look at banned and controversial books with John Webster's hyper-violent Jacobean revenge tragedy, The Duchess of Malfi (1614). This play gives us our first authentic himbo sting in a while, as well as an Oscars-worthy In Memoriam.Cover art © Catherine Wu.Episode Theme: Carlo Gesualdo, Moro lasso al mio duolo (1611), Performed by the MIT Chamber Chorus. Hosted on Acast. See acast.com/privacy for more information.
Tyler and I spoke about view quakes from fiction, Proust, Bleak House, the uses of fiction for economists, the problems with historical fiction, about about drama in interviews, which classics are less read, why Jane Austen is so interesting today, Patrick Collison, Lord of the Rings… but mostly we talked about Shakespeare. We talked about Shakespeare as a thinker, how Romeo doesn't love Juliet, Girard, the development of individualism, the importance and interest of the seventeenth century, Trump and Shakespeare's fools, why Julius Cesar is over rated, the most under rated Shakespeare play, prejudice in The Merchant of Venice, Shakespeare as an economic thinker. We covered a lot of ground and it was interesting for me throughout. Here are some excerpts. Full transcript below.Henry Some of the people around Trump now, they're trying to do DOGE and deregulation and other things. Are there Shakespearean lessons that they should be bearing in mind? Should we send them to see the Henriad before they get started?Tyler Send them to read the Henriad before they get started. The complicated nature of power: that the king never has the power that he needs to claim he does is quite significant. The ways in which power cannot be delegated, Shakespeare is extremely wise on. And yes, the DOGE people absolutely need to learn those lessons.Henry The other thing I'd take from the Henriad is time moves way quicker than anyone thinks it does. Even the people who are trying to move quite quickly in the play, they get taken over very rapidly by just changing-Tyler Yes. Once things start, it's like, oh my goodness, they just keep on running and no one's really in control. And that's a Shakespearean point as well.And.Henry Let's say we read Shakespeare in a modern English version, how much are we getting?Tyler It'll be terrible. It'll be a negative. It will poison your brain. So this, to me, will be highly unfortunate. Better to learn German and read the Schlegel than to read someone turning Shakespeare into current English. The only people who could do it maybe would be like the Trinidadians, who still have a marvelous English, and it would be a completely different work. But at least it might be something you could be proud of.Transcript (prepared by AI)Henry Today, I am talking to Tyler Cowen, the economist, blogger, columnist, and author. Tyler works at George Mason University. He writes Marginal Revolution. He is a columnist at Bloomberg, and he has written books like In Praise of Commercial Culture and The Age of the Infovore. We are going to talk about literature and Shakespeare. Tyler, welcome.Tyler Good to chat with you, Henry.Henry So have you ever had a view quake from reading fiction?Tyler Reading fiction has an impact on you that accumulates over time. It's not the same as reading economics or philosophy, where there's a single, discrete idea that changes how you view the world. So I think reading the great classics in its entirety has been a view quake for me. But it's not that you wake up one morning and say, oh, I turned to page 74 in Thomas Mann's Magic Mountain, and now I realize that, dot, dot, dot. That's a yes and a no for an answer.Henry So you've never read Bleak House and thought, actually, I do see things slightly differently about Victorian London or the history of the –?Tyler Well, that's not a view quake. Certainly, that happens all the time, right? Slightly differently how you see Victorian London. But your overall vision of the world, maybe fiction is one of the three or four most important inputs. And again, I think it's more about the entirety of it and the diversity of perspectives. I think reading Proust maybe had the single biggest impact on me of any single work of fiction if I had to select one. And then when I was younger, science fiction had a quite significant impact on me. But I don't think it was the fictional side of science fiction that mattered, if that makes sense to you. Yeah, yeah, yeah. It was the models embodied in the stories, like, oh, the three laws of robotics. Well, I thought, well, what should those laws be like? I thought about that a good deal. So that would be another part of the qualified answer.Henry And what was it with Proust? The idea that people only care about what other people think or sexuality or consciousness?Tyler The richness of the internal life, the importance of both expectation and memory, the evanescence of actual events, a sense of humor.Henry It showed you just how significant these things are.Tyler And how deeply they can be felt and expressed. That's right. And there were specific pages early on in Swan's Way where it just hit me. So that's what I would say. Bleak House, I don't think, changed my views at all. It's one of my three or four favorite novels. I think it's one of the great, great, greats, as you have written yourself. But the notion that, well, the law is highly complex and reality is murky and there are all these deep mysteries, that all felt very familiar to me. And I had already read some number of newer sort of pseudo-Victorian novels that maybe do those themes in a more superficial way, but they introduce those themes to you. So you read Bleak House and you just say, well, I've imbibed this already, but here's the much better version of it.Henry One of the things I got from Bleak House, which it took me a couple of reads to get to, was how comfortable Dickens was with being quite a rational critic of the legal system and quite a credulous believer in spontaneous combustion and other things.Tyler Did Dickens actually believe in spontaneous combustion or is that a plot device? Like Gene Roddenberry doesn't actually believe in the transporter or didn't, as far as weHenry know. No, I think he believed. Yeah. Yeah. He defends it in the preface. Yeah.Tyler So it's not so confusing that there's not going to be a single behavioral model that captures deviations from rationality. So you end up thinking you ought to travel more, you ought to take in a lot of diverse different sources about our human beings behave, including from sociology, from anthropology. That makes it harder to be an economist, I would say it scatters your attention. You probably end up with a richer understanding of reality, but I'm not sure it's good for your research. It's probably bad for it.Henry It's not a good career move.Tyler It's not good for focus, but focus maybe can be a bit overrated.Henry Why are you more interested in fiction than other sort of people of a broadly rational disposition?Tyler Well, I might challenge the view that I'm of a broadly rational disposition. It's possible that all humans are roughly equally irrational, madmen aside, but if you mean the rationality community as one finds it in San Francisco, I think they're very mono in their approach to reasoning and that tends to limit the interests of many of them, not all, in fiction and travel. People are regional thinkers and in that region, San Francisco, there is incredible talent. It's maybe the most talented place in the world, but there's not the same kind of diversity of talents that you would find in London or New York and that somehow spreads to the broader ethos and it doesn't get people interested in fiction or for that matter, the visual arts very much.Henry But even in London, if I meet someone who's an economist or has an economics degree or whatever, the odds that they've read Bleak House or something are just so small.Tyler Bleak House is not that well read anymore, but I think an economist in London is likely to be much more well read than an economist in the Bay Area. That would be my prediction. You would know better than I would.Henry How important has imaginative literature been to you relative to other significant writers like philosophers or theoretical economists or something?Tyler Well, I'm not sure what you mean by imaginative literature. I think when I was 17, I read Olaf Stapleton, a great British author and Hegelian philosopher, and he was the first and first man and star maker, and that had a significant impact on me. Just how many visions you could put into a single book and have at least most of them cohere and make sense and inspire. That's one of the most imaginative works I've ever read, but people mean different things by that term.Henry How objectively can we talk about art?Tyler I think that becomes a discussion about words rather than about art. I would say I believe in the objective when it comes to aesthetics, but simply because we have no real choice not to. People actually, to some extent, trust their aesthetic judgments, so why not admit that you do and then fight about them? Trying to interject some form of extreme relativism, I think it's just playing a game. It's not really useful. Now, is art truly objective in the final metaphysical sense, in the final theory of the universe? I'm not sure that question has an answer or is even well-formulated, but I would just say let's just be objectivists when it comes to art. Why not?Henry What is wrong with historical fiction?Tyler Most of it bores me. For instance, I don't love Hilary Mantel and many very intelligent people think it's wonderful. I would just rather read the history. It feels like an in-between thing to me. It's not quite history. It's not quite fiction. I don't like biopics either when I go to the cinema. Yeah, I think you can build your own combination of extremes from history and fiction and get something better.Henry You don't have any historical fiction that you like, Penelope Fitzgerald, Tolstoy?Tyler Any is a strong word. I don't consider Tolstoy historical fiction. There's a historical element in it, as there is with say Vassily Grossman's Life and Fate or actually Dickens for that matter, but it's not driven by the history. I think it's driven by the characters and the story. Grossman comes somewhat closer to being historical fiction, but even there, I wouldn't say that it is.Henry It was written so close to the events though, right?Tyler Sure. It's about how people deal with things and what humanity means in extreme circumstances and the situations. I mean, while they're more than just a trapping, I never feel one is plodding through what happened in the Battle of Stalingrad when I read Grossman, say.Henry Yeah. Are there diminishing returns to reading fiction or what are the diminishing returns?Tyler It depends what you're doing in life. There's diminishing returns to most things in the sense that what you imbibe from your teen years through, say, your 30s will have a bigger impact on you than most of what you do later. I think that's very, very hard to avoid, unless you're an extreme late bloomer, to borrow a concept from you. As you get older, rereading gets better, I would say much better. You learn there are more things you want to read and you fill in the nooks and crannies of your understanding. That's highly rewarding in a way where what you read when you were 23 could not have been. I'm okay with that bargain. I wouldn't say it's diminishing returns. I would say it's altering returns. I think also when you're in very strange historical periods, reading fiction is more valuable. During the Obama years, it felt to me that reading fiction was somewhat less interesting. During what you might call the Trump years, and many other strange things are going on with AI, people trying to strive for immortality, reading fiction is much more valuable because it's more limited what nonfiction can tell you or teach you. I think right now we're in a time where the returns to reading more fiction are rapidly rising in a good way. I'm not saying it's good for the world, but it's good for reading fiction.Henry Do you cluster read your fiction?Tyler Sometimes, but not in general. If I'm cluster reading my fiction, it might be because I'm cluster reading my nonfiction and the fiction is an accompaniment to that. Say, Soviet Russia, I did some reading when I was prepping for Stephen Kotkin and for Russ Roberts and Vasili Grossman, but I don't, when it comes to fiction per se, cluster read it. No, I don't think you need to.Henry You're not going to do like, I'm reading Bleak House, so I'll do three other 1852 novels or three other Dickens novels or something like that.Tyler I don't do it, but I suspect it's counterproductive. The other Dickens novels will bore you more and they'll seem worse, is my intuition. I think the question is how you sequence works of very, very high quality. Say you just finished Bleak House, what do you pick up next? It should be a work of nonfiction, but I think you've got to wait a while or maybe something quite different, sort of in a way not different, like a detective story or something that won't challenge what has been cemented into your mind from Bleak House.Henry Has there been a decline of reading the classics?Tyler What I observe is a big superstar effect. I think a few authors, such as Jane Austen and Shakespeare, are more popular. I'm not completely sure they're more read, but they're more focal and more vivid. There are more adaptations of them. Maybe people ask GPT about them more. Really quite a few other works are much less read than would have been the case, say as recently as the 1970s or 1980s. My guess is, on the whole, the great works of fiction are much less read, but a few of them achieve this oversized reputation.Henry Why do you think that is?Tyler Attention is more scarce, perhaps, and social clustering effects are stronger through the internet. That would just be a guess.Henry It's not that we're all much more Jane Austen than we used to be?Tyler No, if anything, the contrary. Maybe because we're less Jane Austen, it's more interesting, because in, say, a Jane Austen novel, there will be sources of romantic tension not available to us through contemporary TV shows. The question, why don't they just sleep together, well, there's a potential answer in a Jane Austen story. In the Israeli TV show, Srugim, which is about modern Orthodox Jews, there's also an answer, but in most Hollywood TV, there's no answer. They're just going to sleep together, and it can become very boring quite rapidly.Henry Here's a reader question. Why is the market for classics so good, but nobody reads them? I think what they're saying is a lot of people aren't actually reading Shakespeare, but they still agree he's the best, so how can that be?Tyler A lot of that is just social conformity bias, but I see more and more people, and I mean intellectuals here, challenging the quality of Shakespeare. On the internet, every possible opinion will be expressed, is one way to put it. I think the market for classics is highly efficient in the following sense, that if you asked, say, GPT or Claude, which are the most important classics to read, that literally everything listed would be a great book. You could have it select 500 works, and every one of them would really be very good and interesting. If you look at Harold Bloom's list at the back of the Western canon, I think really just about every one of those is quite worthwhile, and that we got to that point is, to me, one of the great achievements of the contemporary world, and it's somewhat under-praised, because you go back in earlier points of time, and I think it's much less efficient, the market for criticism, if you would call it that.Henry Someone was WhatsAppping me the other day that GPT's list of 50 best English poets was just awful, and I said, well, you're using GPT4, o1 gives you the right list.Tyler Yeah, and o1 Pro may give you a slightly better list yet, or maybe the prompt has to be better, but it's interesting to me how many people, they love to attack literary criticism as the greatest of all villains, oh, they're all frustrated writers, they're all post-modernists, they're all extreme left-wingers. All those things might even be true to some extent, but the system as a whole, I would say completely has delivered, and especially people on the political and intellectual right, they often don't realize that. Just any work you want to read, if you put in a wee bit of time and go to a shelf of a good academic library, you can read fantastic criticism of it that will make your understanding of the work much better.Henry I used to believe, when I was young, I did sort of believe that the whole thing, oh, the Western canon's dying and everyone's given up on it, and I'm just so amazed now that the opposite has happened. It's very, very strong.Tyler I'm not sure how strong it is. I agree its force in discourse is strong, so something like, well, how often is it mentioned in my group chats? That's strongly rising, and that delights me, but that's a little different from it being strong, and I'm not sure how strong it is.Henry In an interview about your book Talent, you said this, “just get people talking about drama. I feel you learn a lot. It's not something they can prepare for. They can't really fake it. If they don't understand the topic, you can just switch to something else.”Tyler Yeah, that's great advice. You see how they think about how people relate to each other. It doesn't have to be fiction. I ask people a lot about Star Wars, Star Trek, whatever it is they might know that I have some familiarity with. Who makes the best decisions in Star Wars? Who gives the best advice? Yoda, Obi-Wan, Luke, Darth Vader, the Emperor?Henry It's a tough question.Tyler Yeah, yeah.Henry I don't know Star Wars, so I couldn't even answer that.Tyler You understand that you can't fake it. You can't prepare for it. It does show how the person thinks about advice and also drama.Henry Right. Now, you're a Shakespeare fan.Tyler Well, fan is maybe an understatement. He's better. He deserves better than fans.Henry How much of time, how much of your life have you spent reading and watching this work?Tyler I would say most of the plays from, say, like 1598 or 99 and after, I've read four to five times on average, some a bit more, some like maybe only three times. There's quite a few I've only read once and didn't like. Those typically are the earlier ones. When it comes to watching Shakespeare, I have to confess, I don't and can't understand it, so I'm really not able to watch it either on the stage or in a movie and profit from it. I think I partially have an auditory processing disorder that if I hear Shakespeare, you know, say at Folger in DC, I just literally cannot understand the words. It's like listening to Estonian, so I've gone some number of times. I cannot enjoy what you would call classic Shakespeare movies like Kenneth Branagh, Henry V, which gets great reviews, intelligent people love it. It doesn't click for me at all. I can't understand what's going on. The amount of time I've put into listening to it, watching it is very low and it will stay low. The only Shakespeare movies I like are the weird ones like Orson Welles' Chimes at Midnight or Baz Luhrmann's Shakespeare's Romeo and Juliet. I think they're fantastic, but they're not obsessed with reciting the text.Henry So, you're reading with notes and you're piecing it together as you go.Tyler I feel the versions in my head are better than anything I see on the screen also, so that's another reason. I just think they're to be read. I fully understand that's not how Shakespeare seemed to view them, but that's a way in which we readers, in a funny way, can improve on Shakespeare's time.Henry No, I agree with you. The thing I get the most pushback about with Shakespeare is when I say that he was a great thinker.Tyler He's maybe the best thinker.Henry Right. But tell us what you mean by that.Tyler I don't feel I can articulate it. It's a bit like when o3 Pro gives you an answer so good you don't quite appreciate it yourself. Shakespeare is like o7 Pro or something. But the best of the plays seem to communicate the entirety of human existence in a way that I feel I can barely comprehend and I find in very, very little else. Even looking at other very great works such as Bleak House, I don't find it. Not all of the plays. There's very, very good plays that don't do that. Just say Macbeth and Othello. I don't feel do that at all. Not a complaint, but something like Hamlet or King Lear or Tempest or some of the comedies. It's just somehow all laid out there and all inside it at the same time. I don't know any other way of putting it.Henry A lot of people think that Shakespeare is overrated. We only read him because it's a status game. We've internalized these snobbish values. We see this stated a lot. What's your response to these people?Tyler Well, I feel sorry for them. But look, there's plenty of things I can't understand. I just told you if I go to see the plays, I'm completely lost. I know the fault is mine, so to speak. I don't blame Shakespeare or the production, at least not necessarily. Those are people who are in a similar position, but somehow don't have enough metarationality to realize the fault is on them. I think that's sad. But there's other great stuff they can do and probably they're doing it. That's fine.Henry Should everyone read Shakespeare at school?Tyler If you say everyone, I resist. But it certainly should be in the curriculum. But the real question is who can teach it? But yeah, it's better than not doing it. When I was in high school, we did Taming of the Shrew, which I actually don't like very much, and it put me off a bit. We did Macbeth, which is a much better play. But in a way, it's easy to teach. Macbeth, to me, is like a perfect two-minute punk rock song. It does something. It delivers. But it's not the Shakespeare that puts everything on the table, and the plot is easy to follow. You can imagine even a mediocre teacher leading students through it. It's to me still a little underwhelming if that's what we teach them. Then finally, my last year, we did Hamlet, and I'm like, whoa, okay, now I get it. Probably we do it wrong in a lot of cases, would be my guess. What's wrong with the Taming of the Shrew? It's a lot of yelling and screaming and ordinary. To me, it's not that witty. There's different views, like is it offensive to women, offensive to men? That's not my main worry. But those questions, I feel, also don't help the play, and I just don't think Shakespeare was fully mature when he wrote it. What was the year on that? Do you know offhand?Henry It's very early.Tyler It's very early. Very early, yeah. So if you look at the other plays that surround it, they're also not as top works. So why should we expect that one to be?Henry What can arts funding learn from the Elizabethan and Jacobean theatres?Tyler Current arts funding? I don't think that much. I think the situation right now is so different, and what we should do so depends on the country, the state, the province, the region. Elizabethan times do show that market support at art can be truly wonderful. We have plenty of that today. But if you're just, say, appointed to be chair of the NEA and you've got to make decisions, I'm not sure how knowing about Elizabethan theatre would help you in any direct way.Henry What do you think of the idea that the long history of arts funding is a move away from a small group, an individual patronage where taste was very important, towards a kind of institutional patronage, which became much more bureaucratic? And so one reason why we keep arguing about arts funding now is that a lot of it exhibits bad taste because the committee has to sort of agree on various things. And if we could reallocate somewhat towards individual patronage, we'd do better.Tyler I would agree with the latter two-thirds of that. How you describe earlier arts funding I think is more complicated than what you said. A lot of it is just people doing things voluntarily at zero pecuniary cost, like singing songs, songs around the campfire, or hymns in church, rather than it being part of a patronage model. But I think it's way overly bureaucratized. The early National Endowment for the Arts in the 1960s just let smart people make decisions with a minimum of fuss. And of course we should go back to that. Of course we won't. We send half the money to the state's arts agencies, which can be mediocre or just interested in economic development and a new arts center, as opposed to actually stimulating creativity per se. More over time is spent on staff. There are all these pressures from Congress, things you can't fund. It's just become far less effective, even though it spends somewhat more money. So that's a problem in many, many countries.Henry What Shakespeare critics do you like reading?Tyler For all his flaws, I still think Harold Bloom is worthwhile. I know he's gotten worse and worse as a critic and as a Shakespeare critic. Especially if you're younger, you need to put aside the Harold Bloom you might think you know and just go to some earlier Bloom. Those short little books he edited, where for a given Shakespeare play he'll collect maybe a dozen essays and write eight or ten pages at the front, those are wonderful. But Bradley, William Hazlitt, the two Goddard volumes, older works, I think are excellent. But again, if you just go, if you can, to a university library, go to the part on the shelf where there's criticism on a particular play and just pull down five to ten titles and don't even select for them and just bring those home. I think you'll learn a lot.Henry So you don't like The Invention of the Human by Bloom?Tyler Its peaks are very good, but there's a lot in it that's embarrassing. I definitely recommend it, but you need to recommend it with the caveat that a lot of it is over the top or bad. It doesn't bother me. But if someone professional or academic tells me they're totally put off by the book, I don't try to talk them out of that impression. I just figure they're a bit hopelessly stuck on judging works by their worst qualities.Henry In 2018, you wrote this, “Shakespeare, by the way, is Girard's most important precursor. Also throw in the New Testament, Hobbes, Tocqueville, and maybe Montaigne.” Tell us what you mean by that.Tyler That was pretty good for me to have written that. Well, in Shakespeare, you have rivalrous behavior. You have mimetic desire. You have the importance of twinning. There's ritual sacrifice in so many of the plays, including the political ones. Girard's title, Violence and the Sacred, also comes from Shakespeare. As you well know, the best Gerard book, Theater of Envy, is fully about Shakespeare. All of Girard is drenched with Shakespeare.Henry I actually only find Girard persuasive on Shakespeare. The further I get away from that, the more I'm like, this is super overstated. I just don't think this is how humans ... I think this is too mono-explanation of humans. When I read the Shakespeare book, I think, wow, I never understood Midsummer Night's Dream until I read Girard.Tyler I think it's a bit like Harold Bloom. There's plenty in Girard you can point to as over the top. I think also for understanding Christianity, he has something quite unique and special and mostly correct. Then on other topics, it's anthropologically very questionable, but still quite stimulating. I would defend it on that basis, as I would Harold Girard.Henry No, I like Gerard, but I feel like the Shakespeare book gets less attention than the others.Tyler That's right. It's the best one and it's also the soundest one. It's the truly essential one.Henry How important was Shakespeare in the development of individualism?Tyler Probably not at all, is my sense. Others know more about the history than I do, but if I think of 17th century England, where some strands of individualist thought come from, well, part of it is coming from the French Huguenots and not from Shakespeare. A lot of it is coming from the Bible and not from Shakespeare. The levelers, John Locke, some of that is coming from English common law and not from Shakespeare. Then there's the ancient world. I don't quite see a strong connection to Shakespeare, but I'd love it if you could talk me into one.Henry My feeling is that the 1570s are the time when diaries begin to become personal records rather than professional records. What you get is a kind of Puritan self-examination. They'll write down, I said this, I did this, and then in the margin they'll put, come back and look at this and make sure you don't do this again. This new process of overhearing yourself is a central part of what Shakespeare's doing in his drawing. I think this is the thing that Bloom gets right, is that as you go through the plays in order, you see the very strong development of the idea that a stock character or someone who's drawing on a tradition of stock characters will suddenly say, oh, I just heard myself say that I'm a villain. Am I a villain? I'm sort of a villain. Maybe I'm not a villain. He develops this great art of self-referential self-development. I think that's one of the reasons why Shakespeare became so important to being a well-educated English person, is that you couldn't really get that in imaginative literature.Tyler I agree with all that, but I'm not sure the 17th century would have been all that different without Shakespeare, in literary terms, yes, but it seemed to me the currents of individualism were well underway. Other forces sweeping down from Europe, from the further north, competition across nations requiring individualism as a way of getting more wealth, the beginnings of economic thought which became individualistic and gave people a different kind of individualistic way of viewing the world. It seems so over-determined. Causally, I wouldn't ascribe much of a role to Shakespeare, but I agree with every sentence you said and what you said.Henry Sure, but you don't think the role of imaginative literature is somehow a fundamental transmission mechanism for all of this?Tyler Well, the Bible, I think, was quite fundamental as literature, not just as theology. So I would claim that, but keep in mind the publication and folio history of Shakespeare, which you probably know better than I do, it's not always well-known at every point in time by everyone.Henry I think it's always well-known by the English.Tyler I don't know, but I don't think it's dominant in the way that, say, Pilgrim's Progress was dominant for a long time.Henry Sure, sure, sure. And you wouldn't then, what would you say about later on, that modern European liberalism is basically the culture of novel reading and that we live in a society that's shaped by that? Do you have the same thing, like it's not causal?Tyler I don't know. That's a tricky question. The true 19th century novel I think of as somewhat historicist, often nationalist, slightly collectivist, certainly not Marxist, but in some ways illiberal. And so many of the truly great novel writers were not so liberal. And the real liberal novels, like Mancini's The Betrothed, which I quite enjoy, but it's somewhat of a slight work, right? And it might be a slight work because it is happy and liberal and open-minded. There's something about the greatest of creators, they tend to be pessimistic or a bit nasty or there's some John Lennon in them, there's Jonathan Swift, Swift, it's complicated. In some ways he's illiberal, but he's considered a Tory and in many ways he's quite an extreme reactionary. And the great age of the novel I don't think of is so closely tied to liberalism.Henry One of the arguments that gets made is like, you only end up with modern European liberalism through a culture where people are just spending a lot of time reading novels and imagining what it is like to be someone else, seeing from multiple different perspectives. And therefore it's less about what is the quote unquote message of the story and more about the habitual practice of thinking pluralistically.Tyler I think I would be much more inclined to ascribe that to reading newspapers and pamphlets than novels. I think of novels as modestly reactionary in their net impact, at least in the 19th century. I think another case in point, not just Tolstoy, Thomas Mann, one of the great novelists, had bad politics, right, was through Germany in the first world war. So if you look at the very greatest novels, there's something a bit problematic about many of their creators. They're not Nazis, they're not Stalinists, but they're not where I'm at either.Henry Now in 2017, a lot of people were complaining about Donald Trump as Julius Caesar and there was some farce about a production, I think it was put on in New York or DC maybe. And you said, no, no, no, he's not Caesar. He's more like a Shakespearean fool because he's the truth teller. What do you think of that view now?Tyler That was a Bloomberg column I wrote, I think in 2017. And I think that's held up quite well. So there's many criticisms of Trump that he's some kind of fascist. I don't think those have held up very well. He is a remarkable orator, coiner of phrase, coiner of insults, teller of truths, combined with a lot of nonsense and just nonsense talk, like the Covfefe tweet or whatever it was. And there's something tragic about Trump that he may well fail even by his own standards. He has a phenomenal sense of humor. I think people have realized that more and more. The fact that his popularity has persisted has forced a lot of people to reexamine just Trump as an individual and to see what a truly unique talent he is, whether you like him as your president or not. And that, I think, is all Shakespearean.Henry Some of the people around Trump now, they're trying to do DOGE and deregulation and other things. Are there Shakespearean lessons that they should be bearing in mind? Should we send them to see the Henriad before they get started?Tyler Send them to read the Henriad before they get started. The complicated nature of power: that the king never has the power that he needs to claim he does is quite significant. The ways in which power cannot be delegated, Shakespeare is extremely wise on. And yes, the DOGE people absolutely need to learn those lessons.Henry The other thing I'd take from the Henriad is time moves way quicker than anyone thinks it does. Even the people who are trying to move quite quickly in the play, they get taken over very rapidly by just changing-Tyler Yes. Once things start, it's like, oh my goodness, they just keep on running and no one's really in control. And that's a Shakespearean point as well.Henry Yeah. Here's another quote from the Bloomberg column, “given Shakespeare's brilliance in dramatizing the irrational, one of my biggest fears is that Shakespeare is indeed still a thinker for our times.” Has that come more true in recent years?Tyler I think more true. So from my point of view, the world is getting weirder in some very good ways and in some very bad ways. The arbitrary exercise of power has become more thinkable. You see this from Putin. We may see it from China. In the Middle East, it's happened as well. So the notion also that rulers can be their own worst enemies or human beings can be their own worst enemies. I think we see more when the world is volatile than when the world is stable, almost definitionally.Henry You once said Julius Caesar was an overrated play. Tell us why.Tyler You know, I read it again after I wrote that and it went up in my eyes. But I suppose I still think it's a bit overrated by people who love it. It's one of these mono plays like Macbeth or Othello. It does one thing very, very well. I think the mystical elements in it I had underappreciated on earlier readings and the complexity of the characters I had underappreciated. So I feel I was a little harsh on it. But I just wouldn't put it in the underrated category. Julius Caesar is such a well-known historical figure. It's so easy for that play to become focal. And Brutus and, you know, the stabbing, the betrayal, it's a little too easy for it to become famous. And I guess that's why I think within the world of Shakespeare fans, it still might be a little overrated.Henry It's written at a similar time to Hamlet and Twelfth Night, and I think it gets caught up in the idea that this was a great pivotal moment for Shakespeare. But actually I agree, over the years I've come to think it's really just not the equal of the other plays it's surrounded by.Tyler Yeah, that's still my view. Absolutely. Not the equal of those two, certainly.Henry What is the most underrated play?Tyler I'm not sure how they're all rated. So I used to think Winter's Tale, clearly. But I've heard so many people say it's the most underrated, including you, I think. I don't know if I can believe that anymore. So I think I have to go with The Henriad, because to me that's the greatest thing Shakespeare ever did. And I don't think it's commonly recognized as such. I mean, Hamlet or King Lear would typically be nominated. And those are top, top, top, top. But I'll still go with The Henriad.Henry You are saying Henriad above Hamlet, above Lear, above Twelfth Night.Tyler Maybe it's not fair because you have multiple plays, right? What if, you know, there were three Hamlets? Maybe that would be better. But still, if I have to pick, no one of The Henriad comes close to Hamlet. But if you can consider it as a whole in the evolution of the story, for me it's a clear winner. And it's what I've learned the most from. And a problem with Hamlet, not Shakespeare's fault, but Hamlet became so popular you hear lesser versions of themes and ideas from Hamlet your whole life. It's a bit like seeing Mondrian on the shopping bag. That does not happen, really, with The Henriad. So that has hurt Hamlet, but without meaning it's, you know, a lesser play. King Lear, you have less of that. It's so bleak and tragic. It's harder to put on the shopping bag, so to speak. In that sense, King Lear has held up a bit better than Hamlet has.Henry Why do you admire The Winter's Tale so much? What do you like about it?Tyler There's some mysterious sense of beauty in it that even in other Shakespearean plays I don't feel. And a sense of miracle and wonder, also betrayal and how that is mixed in with the miracle and wonder. Somehow he makes it work. It's quite an unlikely play. And the jealousy and the charge of infidelity I take much more seriously than other readers of the play do. I don't think you can say there's a Straussian reading where she clearly fooled around on the king. But he's not just crazy, either. And there are plenty of hints that something might have happened. It's still probably better to infer it didn't happen. But it's a more ambiguous play than it is typically read as.Henry Yes, someone said to me, ask if he thinks Hermione has an affair. And you're saying maybe.Tyler Again, in a prediction market, I'll bet no, but we're supposed to wonder. We're not supposed to just think the king is crazy.Henry I know you don't like to see it, but my view is that because we believe in this sudden jealousy theory, it's often not staged very well. And that's one reason why it's less popular than it ought to be.Tyler I've only seen it once. I suspect that was true. I saw it, in fact, last year. And the second half of the play was just awful. The first half, you could question. But it was a painful experience. It was just offensively stupid. One of the great regrets of my life is I did not drive up to New York City to see Bergman present his version of Winter's Tale in Swedish. And I'm quite sure that would have been magnificent and that he would have understood it very deeply and very well. That was just stupid of me. This was, I think, in the early 90s. I forget exactly when.Henry I think that's right. And there's a theater library where if you want to go and sit in the archive, you can see it.Tyler I will do that at some point. Part of my worry is I don't believe their promise. I know you can read that promise on the internet, but when you actually try to find the person who can track it down for you and give you access, I have my doubts. If I knew I could do it, I would have done it by now.Henry I'll give you the email because I think I actually found that person. Does Romeo actually love Juliet?Tyler Of course not. It's a play about perversion and obsession and family obligation and rebellion. And there's no love between the two at all. And if you read it with that in mind, once you see that, you can't unsee it. So that's an underrated play. People think, oh, star-crossed teen romance, tragic ending, boo-hoo. That's a terrible reading. It's just a superficial work of art if that's what you think it is.Henry I agree with you, but there are eminent Shakespeare professors who take that opinion.Tyler Well maybe we're smarter than they are. Maybe we know more about other things. You shouldn't let yourself be intimidated by critics. They're highly useful. We shouldn't trash them. We shouldn't think they're all crummy left-wing post-modernists. But at the end of the day, I don't think you should defer to them that much either.Henry Sure. So you're saying Juliet doesn't love Romeo?Tyler Neither loves the other.Henry Okay. Because my reading is that Romeo has a very strong death drive or dark side or whatever.Tyler That's the strong motive in the play is the death drive, yeah.Henry And what that means is that it's not his tragedy, it's her tragedy. She actually is an innocent young girl. Okay, maybe she doesn't love him, it's a crush or it's whatever, but she actually is swept up in the idea of this handsome stranger. She can get out of her family. She's super rebellious. There's that wonderful scene where she plays all sweetness and light to her nurse and then she says, I'm just lying to you all and I'm going to get out of here. Whereas he actually is, he doesn't have any romantic feeling for her. He's really quite a sinister guy.Tyler Those are good points. I fully agree. I still would interpret that as she not loving him, but I think those are all good insights.Henry You've never seen it staged in this way? You've never seen any one?Tyler The best staging is that Baz Luhrmann movie I mentioned, which has an intense set of references to Haitian voodoo in Romeo and Juliet when you watch the movie. The death drive is quite clear. That's the best staging I know of, but I've never seen it on the stage ever. I've seen the Zeffirelli movie, I think another film instance of it, but no, it's the Haitian voodoo version that I like.Henry He makes it seem like they love each other, right?Tyler In a teenage way. I don't feel that he gets it right, but I feel he creates a convincing universe through which the play usefully can be viewed.Henry The Mercutio death, I think, is never going to be better than in that film. What do you like about Antonin Cleopatra?Tyler It's been a long time since I've read that. What a strong character she is. The sway people can exercise over each other. The lines are very good. It's not a top Shakespeare favorite of mine, but again, if anyone else had done it, you would just say this is one of the greatest plays ever, and it is.Henry I think it's going to be much more of a play for our times because many people in the Trump administration are going to have that. They're torn between Rome and Egypt, as it were, and the personal conflicts are going to start getting serious for them, if you like.Tyler There's no better writer or thinker on personal conflict than Shakespeare, right?Henry Yes. Now, you do like Measure for Measure, but you're less keen on All's Well That Ends Well. Is that right?Tyler I love Measure for Measure. To me, it's still somewhat underrated. I think it's risen in status. All's Well That Ends Well, I suspect you need to be good at listening to Shakespeare, which as I've already said, I'm not. It's probably much better than I realize it is for that reason. I'm not sure on the printed page it works all that well.Henry Yeah. That's right. I think it's one of the most important plays. Why? Because I think there are two or three basic factors about Shakespeare's drama, which is like the story could often branch off in different directions. You often get the sense that he could swerve into a different genre. The point Samuel Johnson made about whenever someone's running off to the tavern, someone else is being buried, right? And a lot of the time he comes again and again to the same types of situations, the same types of characters, the same types of family set up. And he ends the plays in different ways and he makes it fall out differently. And I think Helena is very representative of a lot of these facets. Everyone thinks she's dead, but she's not dead. Sometimes it looks like it's going badly for her when actually it's going well. No one in the play ever really has an honest insight into her motives. And there comes a point, I think, when just the overall message of Shakespeare's work collectively is things go very wrong very quickly. And if you can get to some sort of happy ending, you should take it. You should be pragmatic and say, OK, this isn't the perfect marriage. This isn't the perfect king. But you know what? We could be in a civil war. Everyone could be dead. All's well that ends well. That's good advice. Let's take it.Tyler I should reread it. Number one in my reread pile right now is Richard II, which I haven't read in a long time. And there's a new biography out about Richard II. And I'm going to read the play and the biography more or less in conjunction. And there's a filming of Richard II that I probably won't enjoy, but I'll try. And I'm just going to do that all together, probably sometime over this break. But I'll have all's well that ends well is next on my reread list. You should always have a Shakespeare to reread list, right?Henry Always. Oh, of course. Is Shakespeare a good economic thinker?Tyler Well, he's a great thinker. I would say he's better than a good economic thinker. He understands the motive of money, but it's never just the motive of money. And Shakespeare lowers the status of economic thinking, I would say, overall, in a good way. He's better than us.Henry What are your thoughts on The Merchant of Venice?Tyler Quite underrated. People have trouble with it because it is very plausibly anti-Semitic. And everyone has to preface any praise they give it with some kind of disavowal or whatever. The way I read the play, which could be wrong, but it's actually more anti-anti-Semitic than it is anti-Semitic. So the real cruel mean people are those who torment the Jew. I'm not saying Shakespeare was not in some ways prejudiced against Jews and maybe other groups, but actually reading it properly should make people more tolerant, not because they're reacting against Shakespeare's anti-Semitism, but because the proper message of the play understood at a deeper level is toleration.Henry You teach a law and literature class, I think.Tyler Well, I did for 20 years, but I don't anymore.Henry Did you teach Merchant of Venice?Tyler I taught it two or three times, yes.Henry How did your students react to it?Tyler Whenever I taught them Shakespeare, which was actually not that much, they always liked it, but they didn't love it. And there's some version of Shakespeare you see on the screen when it's a decent but not great filmed adaptation where there's the mechanics of the plot and you're held in suspense and then there's an ending. And I found many of them read Shakespeare in those terms and they quite enjoyed it, but somehow they didn't get it. And I think that was true for Merchant of Venice as well. I didn't feel people got hung up on the anti-Semitism point. They could put that aside and just treat it as a play, but still I didn't feel that people got it.Henry Should we read Shakespeare in translation?Tyler Well, many people have to. I've read some of the Schlegel translations. I think they're amazing. My wife, Natasha, who grew up in the Soviet Union, tells me there are very good Russian language translations, which I certainly believe her. The Schlegels are different works. They're more German romantic, as you might expect, but that's fine, especially if you know the original. My guess is there are some other very good translations. So in that qualified way, the translations, a few of them can be quite valuable. I worry that at some point we'll all need to read it in some sort of translation, as Chaucer is mostly already true for Chaucer. You probably don't have to read Chaucer in translation, but I do.Henry I feel like I shouldn't read it in translation, I think.Tyler But you do, right? Or you don't?Henry No, I read the original. I make myself do the original.Tyler I just can't understand the original well enough.Henry But I put the time in when I was young, and I think you retain a sense of it. Do you think, though, if we read, let's say we read Shakespeare in a modern English version, how much are we getting?Tyler It'll be terrible. It'll be a negative. It will poison your brain. So this, to me, will be highly unfortunate. Better to learn German and read the Schlegel than to read someone turning Shakespeare into current English. The only people who could do it maybe would be like the Trinidadians, who still have a marvelous English, and it would be a completely different work. But at least it might be something you could be proud of.Henry I'd like to read some of that. That would be quite an exciting project.Tyler Maybe it's been done. I don't know. But just an Americanized Hollywood version, like, no, that's just a negative. It's destructive.Henry Now, you're very interested in the 17th century, which I think is when we first get steady economic growth, East India Company, England is settling in America.Tyler Political parties. Some notion of the rule of law. A certain theory of property rights. Very explicit individualism. Social contract theories. You get Hobbes, Isaac Newton, calculus. We could go on. Some people would say, well, Westphalia, you get the modern nation state. That to me is a vaguer date to pin that on. But again, it's a claim you can make of a phenomenal century. People aren't that interested in it anymore, I think.Henry How does Shakespeare fit into this picture?Tyler Well, if you think of the years, if you think of the best ones, they start, like what, 1598, 1599. And then by 1600, they're almost all just wonderful. He's a herald. I don't think he's that causal. But he's a sign, the first totally clear sign that all the pieces have fallen into place. And we know the 17th century gave us our greatest thinker. And in terms of birth, not composition, it gave us our greatest composer, Bach.Henry So we can't have Shakespeare without all of this economic and philosophic and political activity. He's sort of, those things are necessary conditions for what he's doing.Tyler He needed the 16th century, and there's some very good recent books on how important the 16th century was for the 17th century. So I think more and more, as I read more, I'll come to see the roots of the 17th and the 16th century. And Shakespeare is reflecting that by bridging the two.Henry What are the recent books that you recommend about the 16th century?Tyler Oh, I forget the title, but there's this book about Elizabethan England, came out maybe three or four years ago, written by a woman. And it just talks about markets and commerce and creativity, surging during that time. In a way, obvious points, but she put them together better than anyone else had. And there's this other new German book about the 16th century. It's in my best of the year list that I put up on Marginal Revolution, and I forget the exact title, but I've been reading that slowly. And that's very good. So I expect to make further intellectual moves in that direction.Henry Was Shakespeare anti-woke?Tyler I don't know what that means in his context. He certainly understands the real truths are deeper, but to pin the word anti on him is to make him smaller. And like Harold Bloom, I will refuse to do that.Henry You don't see some sense in which ... A lot of people have compared wokeness to the Reformation, right? I mean, it's a kind of weak comparison.Tyler Yes, but only some strands of it. You wouldn't say Luther was woke, right?Henry But you don't see some way in which Shakespeare is, not in an anti way, in a complicated way, but like a reaction against some of these forces in the way that Swift would be a reaction against certain forces in his time.Tyler Well I'm not even sure what Shakespeare's religion was. Some people claim he was Catholic. To me that's plausible, but I don't know of any clear evidence. He does not strike me as very religious. He might be a lapsed Catholic if I had to say. I think he simply was always concerned with trying to view and present things in a deeper manner and there were so many forces he could have been reacting against with that one. I don't know exactly what it was in the England of his time that specifically he was reacting against. If someone says, oh, it was the strand of Protestant thought, I would say fine, it might have been that. A la Peter Thiel, couldn't you say it's over determined and name 47 other different things as well?Henry Now, if you were talking to rationalists, effective altruists, people from Silicon Valley, all these kinds of groups, would you say to them, you should read Shakespeare, you should read fiction, or would you just say, you're doing great, don't worry that you're missing out on this?Tyler Well, I'm a little reluctant to just tell people you should do X. I think what I've tried to do is to be an example of doing X and hope that example is somewhat contagious. Other people are contagious on me, as for instance, you have been. That's what I like to do. Now, it's a question, if someone needs a particular contagion, does that mean it's high marginal value or does it mean, in some sense, they're immue from the bug and you can't actually get them interested? It can go either way. Am I glad that Peter Singer has specialized in being Peter Singer, even though I disagree with much of it? I would say yes. Peter had his own homecoming. As far as I know, it was not Shakespearean, but when he wrote that book about the history of Vienna and his own family background, that was in a sense Peter doing his version of turning Shakespearean. It was a good book and it deepened his thought, but at the end of the day, I also see he's still Peter Singer, so I don't know. I think the Shakespearean perspective itself militates a bit against telling people they should read Shakespeare.Henry Sure. Patrick Collison today has tweeted about, I think, 10 of the great novels that he read this year. It's a big, long tweet with all of his novels.Tyler Yeah, it's wonderful.Henry Yeah, it's great. At the end, he basically says the reason to read them is just that they're great. Appreciation of excellence is a good thing for its own sake. You're not going to wrench a utilitarian benefit out of this stuff. Is that basically your view?Tyler I fully agree with that, but he might slightly be underrating the utilitarian benefits. If you read a particular thing, whatever it is, it's a good way of matching with other people who will deepen you. If it's Shakespeare, or if it's science fiction, or if it's economics, I think there's this big practical benefit from the better matching. I think, actually, Patrick himself, over time in his life, he will have a different set of friends, somewhat, because he wrote that post, and that will be good.Henry There's a utilitarian benefit that we both love Bleak House, therefore we can talk about it. This just opens up a lot of conversation and things for us that we wouldn't otherwise get.Tyler We're better friends, and we're more inclined to chat with each other, do this podcast, because we share that. That's clearly true in our case. I could name hundreds of similar cases, myself, people I know. That's important. So much of life is a matching problem, which includes matching to books, but also, most importantly, matching to people.Henry You're what? You're going to get better matching with better books, because Bleak House is such a great book. You're going to get better opportunities for matching.Tyler Of course, you'll understand other books better. There's something circular in that. I get it. A lot of value is circular, and the circle is how you cash in, not leaving the circle, so that's fine.Henry You don't think there's a ... I mean, some of the utilitarian benefits that are claimed like it gives you empathy, it improves your EQ or whatever, I think this is all complete rubbish.Tyler I'd love to see the RCTs, but in the prediction markets, I'll bet no. But again, I have an open mind. If someone had evidence, they could sway me, but I doubt it. I don't see it.Henry But I do think literature is underrated as a way of thinking.Tyler Yes, absolutely, especially by people we are likely to know.Henry Right. And that is quite a utilitarian benefit, right? If you can get yourself into that mindset, that is directly useful.Tyler I agree. The kind of career I've had, which is too complicated to describe for those of you who don't know it, but I feel I could not have had it without having read a lot of fiction.Henry Right. And I think that would be true for a lot of people, even if they don't recognize it directly in their own lives, right?Tyler Yes. In Silicon Valley, you see this huge influence of Lord of the Rings. Yes. And that's real, I think. It's not feigned, and that's also a great book.Henry One of the best of the 20th century, no doubt.Tyler Absolutely. And the impact it has had on people still has. It's an example of some classics get extremely elevated, like Shakespeare, Austen, and also Tolkien. It's one of them that just keeps on rising.Henry Ayn Rand is quite influential.Tyler Increasingly so. And that has held up better than I ever would have thought. Depends on the book. It's complicated, but yes, you have to say, held up better than one ever would have thought.Henry Are you going to go and do a reread?Tyler I don't think I can. I feel the newspaper is my reread of Atlas Shrugged, that suffices.Henry Is GPT good at Shakespeare, or LLMs generally?Tyler They're very useful for fiction, I've found. It was fantastic for reading Vassily Grossman's Life and Fate. I have never used them for Shakespeare, not once. That's an interesting challenge, because it's an earlier English. There's a depth in Shakespeare that might exceed current models. I'd love to see a project at some point in time to train AI for Shakespeare the way some people are doing it for Math Olympiads. But finding the human graders would be tough, though not impossible. You should be one of them. I would love that. I hope some philanthropist makes that happen.Henry Agreed. We're here, and we're ready.Tyler Yes, very ready.Henry What do you think about Shakespeare's women?Tyler The best women in all of fiction. They're marvelous, and they're attractive, and they're petulant, and they're romantic, and they're difficult, and they're stubborn, or whatever you want, it's in there. Just phenomenal. It's a way in which Shakespeare, again, I don't want to say anti-woke, but he just gives you a much deeper, better vision than the wokes would give you. Each one is such a distinctive voice. Yeah, fantastic. In a funny way, he embodies a lot of woke insights. The ways in which gender becomes malleable in different parts of stories is very advanced for his time.Henry It's believable also. The thing that puzzles me, so believable. What puzzles me is he's so polyphonic, and he represents that way of thinking so well, but I get the sense that John Stuart Mill, who wrote the Bentham essay and everything, just wasn't that interested in Shakespeare relative to the other things he was reading.Tyler He did write a little bit on Shakespeare, didn't he? But not much. But it wasn't wonderful. It was fine, but not like the Bentham Coleridge.Henry I think I've seen it in letters where he's like, oh, Shakespeare, pretty good. This, to me, is a really weird gap in the history of literature.Tyler But this does get to my point, where I don't think Shakespeare was that important for liberalism or individualism. The people who were obsessed with Shakespeare, as you know, were the German romantics, with variants, but were mostly illiberal or non-liberal. That also, to me, makes sense.Henry That's a good point. That's a good challenge. My last question is, you do a lot of talent spotting and talent assessing. How do you think about Shakespeare's career?Tyler I feel he is someone I would not have spotted very well. I feel bad about that. We don't know that much about him. As you well know, people still question if Shakespeare was Shakespeare. That's not my view. I'm pretty orthodox on the matter. But what the signs would have been in those early plays that he would have, say, by so far have exceeded Marlowe or even equaled Marlowe, I definitely feel I would have had a Zoom call with him and said, well, send me a draft, and read the early work, and concluded he would be like second-tier Marlowe, and maybe given him a grant for networking reasons, totally missed the boat. That's how I assess, how I would have assessed Shakespeare at the time, and that's humbling.Henry Would you have been good at assessing other writers of any period? Do you think there are other times when you would have?Tyler If I had met young Thomas Mann, I think there's a much greater chance I would have been thrilled. If I had met young Johann Sebastian Bach, I think there's a strong chance I would have been thrilled. Now, music is different. It's like chess. You can excel at quite a young age. But there's something about the development of Shakespeare where I think it is hard to see where it's headed early on. And it's the other question, how would I have perceived Shakespeare's work ethic? There's different ways you could interpret the biography here. But the biography of Bach, or like McCartney, clearly just obsessed with work ethic. You could not have missed it if you met young Bach, I strongly suspect. But Shakespeare, it's not clear to me you would see the work ethic early on or even later on.Henry No, no. I agree with that, actually.Tyler Same with Goethe. If I met early Goethe, my guess is I would have felt, well, here's the next Klopstock, which is fine, worthy of a grand. But Goethe was far more than that. And he always had these unfinished works. And you would, oh, come on, you're going to finish this one. Like you'd see Werther. OK, you made a big splash. But is your second novel just going to bomb? I think those would have been my hesitations. But I definitely would have funded Goethe as the next Klopstock, but been totally wrong and off base.Henry Right. And I think the thing I took away from the A.N. Wilson biography, which you also enjoyed recently, was I was amazed just how much time Goethe didn't spend working. Like I knew he wasn't always working, but there was so much wasted time in his life.Tyler Yes, but I do wonder with that or any biography, and I don't mean this as a criticism of Wilson, I think we know much less than we think we do about earlier times in general. So he could have been doing things that don't turn up in any paperwork. Sure, sure, sure. So I'm not sure how lazy he was, but I would just say, unlike Bach or say Paul McCartney, it's not evident that he was the world's hardest worker.Henry And Mozart, would you have? How do you feel about Mozart's early career?Tyler Well, Mozart is so exceptional, so young, it's just very easy to spot. I don't I don't even think there's a puzzle there unless you're blind. Now, I don't love Mozart before, I don't know, like the K-330s maybe, but still as a player, even just as a lower quality composer, I think you would bet the house on Mozart at any age where you could have met him and talked to him.Henry So you think K-100s, you can see the beginnings of the great symphonies, the great concertos?Tyler Well, I would just apply the Cowen test at how young in age was this person trying at all? And that would just dominate and I wouldn't worry too much about how good it was. And if I heard Piano Concerto No. 9, which is before K-330, I'm pretty sure that's phenomenal. But even if I hadn't heard that, it's like this guy's trying. He's going to be on this amazing curve. Bet the house on Mozart. It's a no-brainer. If you don't do that, you just shouldn't be doing talent at all. He's an easy case. He's one of the easiest cases you can think of.Henry Tyler Cowen, this was great. Thank you very much.Tyler Thank you very much, Henry. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe
Over this past year, we quietly went back to where we began this podcast and worked on revising our Intro Series, "Stuff You Should Know." We updated the original episodes quietly in September. When we started thinking about what we wanted to release for the end of 2024, we feel like nothing encapsulates how we've grown as podcasters and scholars over the past four years better than these revised episodes, so we wanted to revisit them and share these episodes again. -- This is Part 2 of our intro series “Stuff You Should Know,” which covers some background and context into the life and times of Shakespeare, because art isn't created in a vacuum. In this episode, we'll be covering some basic information about early modern England during the Elizabethan and Jacobean eras. And when we say basic, we mean basic. This is a quick overview of early modern England, more importantly the England that influenced Shakespeare. In this episode, we'll be covering some basic information about the Elizabethan and Jacobean periods, as well as the public theatres during those respective eras. We'll review how the transition from feudalism to mercantilism changed English society and discuss facets of early modern English society such as fashion, social mobility, religious freedom, and public health. We will give an overview the history of the public theatre in England and discuss some key features of what theatre-making was like for Shakespeare and his contemporaries. Want more about the Elizabethan and Jacobean England & Theatre? Check out these episodes that go more in depth on topics we touch on in this episode: Mini: Commerce and Trade in Shakespeare's Time King Lear: Mental Health and Disability in Shakespeare's Time Mini-Episode: The Gunpowder Plot Mini-Episode: The Four Humours Hamlet: Ophelia, Gertrude, and Female Agency Mini: Plague, Quarantine, & Shakespeare Mini: Shakespearean Vengeance: Exploring Revenge Tragedies in Early Modern England Mini-Episode: Shakespeare's Globe Theatre Mini: Traveling Theatre Companies Mini: Shakespeare's Folios and Quartos Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Episode written and researched by Kourtney Smith with contributions by Elyse Sharp. Revised September 2024. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Brown, John Russell, and Peter Thomson, editor and author. “Chapter 6 English Renaissance and Restoration Theatre.” The Oxford Illustrated History of Theatre, pp. 173 - 200. Oxford University Press, 2001 Sherry, Joyce. “Elizabethan Theatre.” YouTube, 4 Jan. 2014, Accessed 6 Sept. 2020, from www.youtube.com/watch?v=z_cTCdkCAcc
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for his audio described theatre review of the year plus a couple of highlights of shows he is looking forward to seeing in 2025. Audio described theatre highlights of 2024 included - The reimagining for the stage at the RSC of Mark Ravenhill's 2013 radio play' Ben and Imo', which told the true story of the passionate partnership between Benjamin Britten and Imogen Holst. The touring production of the Lawrence Olivier award winning comedy musical retelling of Jane Austen's ‘Pride and Prejudice (Sort Of)' with only a cast of five women on stage playing all the characters of Pride and Prejudice. Welsh National Opera's production of Verdi's Rigoletto at the Wales Millennium Centre in Cardiff which had a bit of a Jacobean feel to the costumes and maybe some influences of Shakespeare coming through too. At the Birmingham Repertory Theatre and a musical that is all about first love and finding your voice with ‘Becoming Nancy' based on the novel of the same name by author songwriter, music producer and singer Terry Ronald. Staying with Musicals at the Birmingham Hippodrome with Lin-Manuel Miranda's multi award-winning cultural phenomenon that is Hamilton. Vidar also mentions a few highlights of shows that he is looking forward to seeing in 2025 too. (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
In today's episode, we are exploring the historical and theatrical context for bastard characters in Shakespeare's plays and other plays of the early modern period. We'll explore the cultural norms that existed for illegitimate children during the Elizabethan and Jacobean and the legal, financial, and social prejudices they and their parents experienced. We will also discuss how the experience of illegitimacy intersects with class in early modern England. Then, we will explore how the early modern theatre mirrored the experience of illegitimate children and how bastard characters were used as a tool by dramatists for the early modern theatre. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Findlay, Alison. Illegitimate Power: Bastards in Renaissance Drama. United Kingdom, Manchester University Press, 2009.
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland.
Exactly 85 years ago today, on 3 September 1939, the Second World War officially began with Britain's declaration of war against Germany. Russians might argue, however, the real war began on 22 June 1941 with Hitler's invasion of the Soviet Union. While, for America, of course, the war began on December 7, 1941, with the Japanese attack on Pearl Harbor. World War Two was then, in a sense, three wars rolled into one featuring the alliance of Britain, the Soviet Union and America against the Axis. But this alliance, for the historian Giles Milton, was a short-term affair rather than a marriage which would inevitably disintegrate after the defeat of Nazi Germany. Indeed, in his interesting new book, The Stalin Affair, Milton describes it as an “impossible alliance” that might have “won” the war but would lose the peace and trigger the Cold War. GILES MILTON is the internationally best-selling author of twelve works of narrative history, including Nathaniel's Nutmeg and Churchill's Ministry of Ungentlemanly Warfare. His books have been translated into more than twenty-five languages and have been serialised on both the BBC and in British newspapers. He is also the writer and narrator of the acclaimed podcast series, Ministry of Secrets. Milton is a Fellow of the Royal Historical Society. The Times described Milton as being able ‘to take an event from history and make it come alive', while The New York Times said that Milton's ‘prodigious research yields an entertaining, richly informative look at the past. Giles Milton's book Nathaniel's Nutmeg is currently under option in America for a major TV series, and Churchill's Ministry of Ungentlemanly Warfare is also under option. All of Milton's books are available in print format and as e-books, in UK and US editions.Giles Milton was born in 1966. He was educated at Latymer Upper School and the University of Bristol, where he read English. His nonfiction books include Nathaniel's Nutmeg, Big Chief Elizabeth, Samurai William, The Riddle and the Knight, White Gold, Paradise Lost, Wolfram, Russian Roulette, Fascinating Footnotes from History. He is also the author of three novels, The Perfect Corpse, According to Arnold and Edward Trencom's Nose. In the preface to the American edition of Fascinating Footnotes he has written: 'Much of my working life is spent in the archives, delving through letters and personal papers. The huge collection housed in Britain's National Archives is incompletely catalogued (the National Archives in Washington DC is somewhat better) and you can never be entirely sure what you will find in any given box of documents. Days can pass without unearthing anything of interest: I liken it to those metal-detecting treasure-hunters of North Carolina who scour the Outer Banks in the hope of turning up a Jacobean shilling or signet ring. Persistence often pays rich dividends and this book - an idiosyncratic collection of unknown historical chapters - is the result of my own metaphorical metal detecting. Amidst the flotsam and jetsam, I've found (I hope) some glittering gems.' Milton's works of narrative history rely on personal testimonies, diaries, journals and letters to make sense of key moments in history, recounted through the eyes of those who were there. A Cornish slave boy held captive in Morocco; a Jacobean adventurer in Japan; a young German artist conscripted into Hitler's war machine - Giles Milton's books focus on the stories of ordinary people who found themselves attempting to survive in extreme situations.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
We're kicking off a series of conversations with this year's Primetime Emmy nominees. Up first is Costume Designer Annie Symons who is nominated for Outstanding Costume Design for her work in Mary & George for STARZ. Ahead of the awards ceremony on Sunday, Sept. 15, I spoke with Annie about what it means to be nominated amongst her peers, and what she's most looking forward to at this year's red carpet. She shares how she started officially designing costumes for local theatre at age 14. We discuss how she brings to life the opulent aesthetics of the Jacobean era, featuring grandiose hats, ruffles, jewels, and the iconic Jacobean Ruffs often worn by Julianne Moore's character, Mary. We also chat about how this Emmy nomination highlights her exceptional attention to detail!
ArtistYou can also watch this episode on Youtube where English, Italian and Spanish subtitles are available or visit the Metralla Rosa website for more details.__________In Episode 54 of Metralla Rosa, Carla is in London, talking to Rosalind Lyons, an artist whose work is inspired primarily by the Elizabethan and Shakespearean period.Rosalind has a successful career as an illustrator of children's stories and academic publications, but it is her devotion to her Renaissance inspired figurative paintings that has, since the 1990s, led to regular exhibitions, winning her accolades from both galleries and the general public from, not only her native United Kingdom but also, around the world. The characters and their universes, created by Rosalind with her meticulous adornment and impeccable attention to detail, are treated with a style that appears to reside halfway between past and present, innovation and tradition, the obvious and the obliquely referential and the disturbingly and culturally unprecedented.Rosalind's portraits offer a fascinatingly unique and perfectly personal encounter, in which the weight of history is made light of and, in which the memories of a literary and historical past are intertwined with the painted gesture, giving rise to not only a revision of traditions but also experimentation. By combining legacy and innovation, imagination and reality and classical visions and futuristic visions, Rosalyn gives the viewer of her paintings the space in which to experience an alternative truth, that is subject to neither time or an expiration date. With a style that is strongly influenced and inspired by the aesthetics of Renaissance Italy, Elizabethan and Jacobean portraiture and 16th century Northern Europe style, her work also reflects the theatrical traditions of William Shakespeare. Together – and individually – it offers a window to a reality full of characters, who, despite their unique individuality, resonate deeply with their universal archetypes.During this interview you will come to understand how a graphic artist, with extensive experience in the world of publishing, found herself being kidnapped by the anachronistic and timeless meticulousness of the fine arts. You will discover how the exquisite ambiguity present within her work allows you to travel to other times, inviting you to be seduced by the mystery of an unknown, which is, at same time, deliciously familiar. Rosalind also tells us, ahead of her solo exhibition, ‘Shadows, Counterfeits & Familiars' – held in October 2022 at the Fosse Gallery – about her working methods during the build up to showing her work, why literature is so closely linked to her creative process, how her fascination with Elizabethan theatrical lavishness led her to be the artist-in-residence at Shakespeare's Globe Theatre in London and how her work has come to be a bridge between the exquisitely anonymous and the inexorably public.And now, enjoy the interview!Support the Show.
Today Bunny is in the garden with the star of BBC's hit series ‘Normal for Norfolk' Desmond MacCarthy. Desmond talks about his beloved home, the Dutch gabled Jacobean, flint faced Wiveton Hall and how he has spent his life putting his energies into his family home with just a 250 acre farm to support it. The series was the precursor to Clarkson's Farm, showing just how difficult it is today to raise enough income from farming. Desmond boosted the profile of the house through the tv series and has a café, shop, cottages to let, garden and house tours plus other ventures. Desmond was an engaging star of the tv series, an aristocratic gentleman with certain idiosyncratic tendencies, and hugely characterful eyebrows, and he has the audience on side throughout. To see Desmond's house and garden see Bunny's YouTube ‘WIVETON HALL - NORMAL FOR NORFOLKS GARDEN.' #bunnyguinnesspodcast #normalfornorfolk
Carl is joined by Cornelia Brooke Gilder, noted Berkshire historian, author and Lenox native, for this special show which delves into the artistic and literary life of the Berkshires of Western Massachusetts as well as its role as a Gilded Age summer enclave. From the early 19th century the lush, green landscape of the Berkshire mountain inspired writers such as Nathaniel Hawthorne and artists such as Daniel Chester French. By the Gilded Age, the vast expanse of land was dotted with the sprawling estates of Vanderbilts, Morgans and Sloans, built by architects well known in Newport circles such as Richard Morris Hunt and Charles McKim. Throughout the 19th century, the Berkshires attracted a British artistic elite as well, from acclaimed actress Fanny Kemble to Henry James. In this episode, Carl and "Nini" (as she is known to all) discuss Berkshire history as well as three particular estates one can still see today - Ventfort Hall, the great Jacobean inspired manor owned by JP Morgan's sister, Edith Wharton's grand estate The Mount and the "cottage" Pine Acre, once owned by the family of Wharton's husband Teddy's. Visit the Gilded Gentleman website for more information and images
In episode 97, Patternier founder and designer Heather Rose Rauscher gives us a tour of the intricate layers of her innovative artwork and business. Working in the industry for over a decade, she's learned the rules of textile design. Now, with her own brand, she breaks them. Her luxury fashion and home pieces juxtapose vintage with new and minimal with maximal to create a deeply creative story. Patternier, the brainchild of Master Textile Designer, Heather Rose Rauscher, is a unique Art, Fashion, and Home company rooted in Textile Design. With a deep passion for vintage fabrics, which showcase design culture, Heather reimagines these pieces through her own lens. Using vintage quilts as the backdrop for her designs, she then hand-paints original patterns over the quilts to create a new textile design- and an original work of art. The new textile is then used to create unique home and fashion stylings. Pushing it one step further- all fashion pieces are created from vintage silhouettes which Heather sources herself. Using motifs that would not normally be put together, such as, a chinoiserie Jacobean on an Americana Patchwork, Heather somehow makes it work in a sophisticated and inventive way. Any item from Patternier is meant to stand alone as a work of art, not just a luxury good. Made 100% in New York- from the design and printing to the cut and sew, and quilting, keeping it local and sustainable is at the forefront of Patternier's mission. Heather's 10+ year's in the textile industry ensures that all fabrics of rich cotton, silk, and linen are of the finest quality to match the craftsmanship of the collections. In this episode, you'll learn: What Heather prioritizes in designing her fabrics, textile prints, and products Why it is important to work for other companies before starting your own brand How Heather knew it was the right time to start her own business The innovative technique Heather uses to create the Patternier prints How each print translates into fashion and home products How Heather found her seamstresses The drop schedule Patternier uses to maximize the newness of each print How Heather gets more eyes on the Patternier brand People and resources mentioned in this episode: Patternier website Patternier Instagram Heather's Instagram Has listening to How Fitting helped you create a better fit in your fashion business? Episode 100 of this podcast is coming up and I'm planning a special episode featuring the most notable moments from the 104 guests I've had on this podcast so far – plus your story! Click here to tell me about your favorite How Fitting episode and how it has impacted you or your business. Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.
On this week's episode we're headed back to Warwickshire, and Martin is telling his take on the legend of Lady Godiva!We start off chatting about St Ethelbert, and the rather severe haircut he received from King Offa of Mercia, after which we wander to Warwickshire!In addition to discussing some parts of Warwickshire that are no longer considered part of the county, including Coventry and Birmingham, along with the likes of Warwick Castle and Stratford Upon Avon, we then debate the merits of a couple of possible County Dishes - Warwickshire Stew and the much more traditional, if possibly dangerous, Pickled Pigeon...After some folkloric chat about topics like the mysterious Mickleton Hooter, the highwayman Bendigo Mitchell, and a one-handed Jacobean poltergeist, plus some excerpts from this week's Local Legends interview with author of Warwickshire Folk Tales Cath Edwards, it's onto the main event: Martin's take on the story of Lady Godiva's life and naked ride, "The Hand of God."Speak to you again on Thursday for our new Magic and Medicines bonus episode all about Amulets!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
King James I was a man whose sexuality was known by people in France, let alone (the newly formed) Britain of the early 17th century.So it may come as no surprise that men, such as the handsome George Villiers, might use their sexuality to their advantage and gain status, money and power whilst romancing the king.Helping Kate explore the sex and scandal of the Jacobean court is Anthony Delaney, historian and co-host of History Hit sister podcast After Dark.As an added treat, Kate's also joined by Robbie Taylor Hunt, who was the intimacy coordinator on the hit TV show based on this story, Mary & George.Robbie can be found on @RTaylorHunt (X/Twitter), @robbietaylorhunt (Instagram).He's the co-creator of Pansexual Pregnant Piracy at Soho Theatre (March 26th - April 13th) which is a raucous comedy based on the true queer seafaring tale of 18th-Century pirate Anne Bonny. Was the King and George's well-known relationship purely sexual and conceited? Or was it a full blown love affair? How were same sex relationships thought of in the 17th century?This episode was edited by Tom Delargy. The producer was Stuart Beckwith. The senior producer was Charlotte Long.Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for £1 per month for 3 months with code BETWIXT sign up at https://historyhit/subscription/You can take part in our listener survey here.***I just realised when Kate asked me about Olympe de Gouges and if she was executed in the French Revolution I said 'she was fine lol' that's not true - she was executed - but I think it's being ill my brain just malfunctioned a sec if you can edit that out!***https://drive.google.com/drive/folders/13smv9lEwNwHd0rcQwQEYBwQTX7E9H5zM
To mark the Easter holiday, we return to George Herbert, Jacobean poet and priest, and his most famous work, the pattern poem "Easter Wings."Here's a link to an image of the poem: https://clinicalpsychreading.blogspot.com/2016/03/easter-wings-george-herbert-15931633.htmlSupport the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.orgMy thanks and appreciation to all the generous providers!
Production is underway on the next full series of Love Scotland, but in the meantime, we're diving into the archives to highlight five of the top episodes of all time. This week, we're returning to two episodes that – when combined – offer a full look at the Massacre of Glencoe. Some 332 years ago this week, around 30 members of Clan MacDonald were killed by Scottish government forces, many while they slept. This tragic and bloodthirsty event was significant in Jacobean history and has had a long-lasting legacy. To find out more, Jackie is joined by Derek Alexander, NTS Head of Archaeology, and Scott McCombie, senior ranger. To find out more about Glencoe, click here. Next week, we revisit another dark chapter in Scottish history: the witch trials. New episodes of Love Scotland will return later in 2024.
Amends for Ladies by Nathan Field audiobook. Amends for Ladies falls within the genre of Jacobean city comedy. Three women debate which has the better lot: a maid, a wife, or a widow. Lady Honour, the maid, is loved by her servant, Ingen, and disguises herself as a boy to become servant to him. Lady Perfect, the wife, is suspected by her husband, Love-all, of infidelity; Love-all tries to trap his wife by having his devious friend, Subtle, seduce her. A young citizen, Bold, disguises himself as an old woman to enter into the service of the widow, Lady Bright, in the hopes of gaining access to her bed. Amends for Ladies also features a duel-gone-wrong, bawdy jokes aplenty, and a guest appearance by the 'Roaring Girl' herself, Moll Cutpurse Learn more about your ad choices. Visit megaphone.fm/adchoices
Is Shakespeare's darkest tragedy a cautionary tale about ambition? a bit of Jacobean mythmaking? Or is it the portrait of a deeply committed marriage gone catastrophically wrong?With apologies for all the appalling accents . . . .Performance Clip: Macbeth with Orson Welles, Fay Bainter, and the Mercury Acting Co. Mercury Text Records. From the Internet Archive (archive.org)Additional Music: "The Rout of Moy" perf. Albannach. 2006. From the Internet Archive (archive.org)mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts Spotify A Queen's Opinion PodcastA Queen's Opinion is a podcast that allows people, especially women, to think aloud.Listen on: Apple Podcasts SpotifySupport the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.orgMy thanks and appreciation to all the generous providers!
Today we discuss Norfolk's Blickling Hall. From Dutch Gables to ghastly ghouls, Jacobean design to a 9-year old owner, fairytale ceilings...there is so much to learn about this magnificent home.
Episode 109:We don't know a lot about individual players of the Elizabethan and Jacobean stage, but there are three stars of the day that we have some information about. Richard Tarlton, the Queen's favourite comic player.Will Kempe's origins and early career.‘A Knack to Know a Knave' and ‘Fools of Gotham'.Did Kempe fall out with Shakespeare?‘Kempe's Jig' and last days.Edward Alleyn's family and early life.Touring with the Earl of Worcester's Men.Return to London and success with the Admiral's Men.Praise of Alleyn from Ben Johnson.Marriage and events in London while on tour.Semi-retirement from acting.Business partnership building the Fortune Playhouse and other entertainments.Alleyn's wealth and founding of Dulwich College.Remarriage and death.Richard Burbage's family and early life.Early career in several troupes.Leading roles with the Lord Chamberlin's Men.Burbage as a character actor.His continuing long career and death.Mourning and praise on the death of Burbage.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
"Done to death by slanderous tongues," wrote William Shakespeare in his play, 'Much Ado About Nothing'. Shakespeare may be a renowned English playwright, poet, and actor, but, he has a bit of a credibility problem among some circles, and he has for quite a long time. It's known as the 'Shakespeare Authorship Question', and we're going to talk about some theories that suggest Shakespeare was a fake -- before we talk about a man who wrote a five-act play pretending to be the Bard. That could not have been easy. So, how now, good friends, and welcome. See omnystudio.com/listener for privacy information.
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's episode, we're peeling back the layers of a genre that not only fascinated audiences of the Early Modern period but also left an enduring mark on the works of the Shakespeare himself: Revenge Tragedies. Join us as we journey through time to an era of dramatic tension, dark desires, and vengeful spirits. Revenge tragedies, a genre that flourished in the late 16th and early 17th centuries, paved the way for some of Shakespeare's most iconic plays. In this episode, Kourtney and Elyse will shed light on the defining features, influential playwrights, and societal factors that contributed to the allure of these gripping tales of retribution. Delve with us into a world of poisoned chalices, secret plots, and enigmatic ghosts as we dissect the very essence of a classic revenge tragedy. We'll explore the groundbreaking works of playwrights like Thomas Kyd, whose play The Spanish Tragedy not only set the stage for the genre's popularity but also influenced Shakespeare's own exploration of vengeance on the stage. Step into the shoes of Elizabethan and Jacobean theatergoers, and discover why themes of political intrigue, power struggles, and personal vendettas struck a chord during those tumultuous times. We'll discuss the psychological complexities of characters seeking revenge, as well as the societal undercurrents that resonated with audiences then and continue to captivate audiences today. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Findlay, Alison. “Re-Marking Revenge in Early Modern Drama.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 58–82. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.7. Accessed 26 Aug. 2023. “The Maid's Revenge.” Wikipedia, Wikimedia Foundation, 20 Aug. 2023, en.wikipedia.org/wiki/The_Maid%27s_Revenge. “The Maid's Tragedy.” Wikipedia, Wikimedia Foundation, 21 Aug. 2023, en.wikipedia.org/wiki/The_Maid%27s_Tragedy. Preedy, Chloe Kathleen. “‘Women's Weapons': Education and Female Revenge on the Early Modern Stage.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 181–200. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.14. Accessed 26 Aug. 2023. “Seneca His Ten Tragedies, 1581.” British Library Collection Items, British Library, 2023, www.bl.uk/collection-items/seneca-his-ten-tragedies-1581. “The Spanish Tragedy.” Wikipedia, Wikimedia Foundation, 24 Mar. 2023, en.wikipedia.org/wiki/The_Spanish_Tragedy. Tassi, Marguerite A. “The Avenging Daughter in King Lear.” Revenge and Gender in Classical, Medieval, and Renaissance Literature, edited by Lesel Dawson and Fiona McHardy, Edinburgh University Press, 2018, pp. 111–21. JSTOR, http://www.jstor.org/stable/10.3366/j.ctv7h0vqp.10. Accessed 26 Aug. 2023. “'tis Pity She's a Whore.” Wikipedia, Wikimedia Foundation, 30 May 2023, en.wikipedia.org/wiki/%27Tis_Pity_She%27s_a_Whore. Willis, Deborah. “‘The Gnawing Vulture': Revenge, Trauma Theory, and ‘Titus Andronicus.'” Shakespeare Quarterly, vol. 53, no. 1, 2002, pp. 21–52. JSTOR, http://www.jstor.org/stable/3844038. Accessed 26 Aug. 2023.
We reckon we haven't seen an unsub at work like this in a while. Learn all about the Irish mob on Long Island, a popular Jacobean play, and this "sexting" all the crazy kids are doing in another Criminal Minds recap. Due to the nature of the show, there will be discussion of violence and sexual assault. Original theme music composed and performed by Nate Youngblood. This podcast was produced by Nate Youngblood.
William Shakespeare is upheld as one of the greatest writers of all time. He is the most quoted person in the English-speaking language, coming only second after those who wrote down the Bible. But is Shakespeare still relevant today? Should we still be teaching Shakespeare in school, or do young people find themselves unable to relate to his work and characters? Is the anti-black racism, anti-semitism and misogyny present in Shakespeare's writing proof that he was holding up a mirror to society, or that he was simply putting forward his own views?In this episode, I spoke with Farah Karim-Cooper, and we talked about all of these things and more. In her latest book, The Great White Bard: Shakespeare, Race and the Future, Farah gives us a detailed look into Shakespeare's work through the lens of race, encouraging us to think more deeply about the great playwright's work. She brings to light many aspects of his work that are often overlooked, and provides an insightful and thoughtful context that helps us get a deeper understanding. We talk about the writers we place on a pedestal, diversifying curriculums, mixed-race couplings in Shakespeare's work, and how so many issues he forced us to confront his work, are still affecting our societies today.Farah Karim-Cooper is Professor of Shakespeare Studies, King's College London and Co -Director of Education & Research at Shakespeare's Globe, where she has worked for the last 17 years. Farah is President of the Shakespeare Association of America after having served three years as Trustee. She leads the architectural enquiries into early modern theatres at Shakespeare's Globe, overseeing the research into the design and construction of the Sam Wanamaker Playhouse, the Globe's indoor Jacobean theatre.She has published over 40 chapters in books, reviews and articles and is a General Editor for Arden's Shakespeare in the Theatre series and their Critical Intersections Series. She has written three books.Buy The Great White Bard here: https://uk.bookshop.org/a/5890/9780861545346If you enjoyed this podcast, connect with me on social media and let me know your thoughts. I'd love to hear from you.www.instagram.com/readwithsamiawww.instagram.com/thediversebookshelfpodPlease do consider rating and leaving a review :)Support the show
Provoked by current events, we've got three political eponyms for turmoiled times. Get ready for explosives, presidential pigs, Supreme Court scrapping, and wronged rhinos. Content note: there is some description of torture about halfway through the episode. Find out more about this episode and get extra information about the topics therein at theallusionist.org/rhino, where there's also a transcript. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. The Allusionist is produced by me, Helen Zaltzman. The music is by Martin Austwick. Hear Martin's own songs via palebirdmusic.com. Our ad partner is Multitude. To sponsor the show, contact them at multitude.productions/ads. This episode is sponsored by: • Dipsea, the app full of short, sexy stories. Dipsea is offering an extended 30 day free trial when you go to DipseaStories.com/allusionist.• Mint Mobile: cut your cellphone bill to a mere $15 a month at mintmobile.com/allusionist.• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.
In 1639, doctor Edward May published a 40-page text about a serpent he found in the heart of a 21-year-old man during a post-mortem examination. We don't know exactly what it was, but there are plenty of theories. Research: Bush, Sargent Jr. “Bosom Serpents before Hawthorne: The Origins of a Symbol.” American Literature , May, 1971, Vol. 43, No. 2 (May, 1971). Via JSTOR. https://www.jstor.org/stable/2924236 Church, William Selby. “The Rise of Physiology in England: The Harveian Oration Delivered Before the Royal College of Physicians, October 18th, 1895.” Adlard. 1896. Denham, D.A. “A most certaine and true relation of a strange monster or serpent found in the left ventricle of the heart of John Pennant, gentleman, of the age of 21 years.” Transactions of The Royal Society of Tropical Medicine and Hygiene, Volume 71, Issue 5, 1977, Page 455, https://doi.org/10.1016/0035-9203(77)90066-9 Eades, Bentley Gerald. “The Jacobean and Caroline Stage Vol-ii.” The Clarendon Press, Oxford, 1941. Healy, Simon. “KYNASTON, Sir Francis (1587-c.1649), of Oteley, Ellesmere, Salop; later of St. Martin-in-the-Fields, Westminster and Covent Garden, Mdx.” he History of Parliament: the House of Commons 1604-1629, ed. Andrew Thrush and John P. Ferris, 2010. https://www.historyofparliamentonline.org/volume/1604-1629/member/kynaston-sir-francis-1587-1649 May, Edward. “A most certaine and true relation of a strange monster or serpent found in the left ventricle of the heart of John Pennant, Gentleman, of the age of 21 yeares.” London : George Miller. 1639. https://archive.org/details/b3033973x Morris, Thomas. “The man with a snake in his heart.” http://www.thomas-morris.uk/man-snake-heart/ Pender, Stephen. “Examples and Experience: On the Uncertainty of Medicine.” The British Journal for the History of Science , Mar., 2006, Vol. 39, No. 1. Via JSTOR. https://www.jstor.org/stable/4028546 Pennant, Thomas. “The History of the Parishes of Whiteford and Holywell.” B. and J. White. 1796. Perella, Chrissie. “Teratology: ‘Monster' as a medical term.” Historical Medical Library of the College of Physicians of Philadelphia. https://histmed.collegeofphysicians.org/for-students/teratology-monster-as-a-medical-term/ Richardson, Ruth. “Pennant's serpent.” The Lancet. Vol. 357, Issue 9260. 3/24/2001. https://www.thelancet.com/journals/lancet/article/PIIS0140-6736(05)71674-3/fulltext Ross, Alexander. “Arcana microcosmi.” London : T. Newcomb. 1652. https://archive.org/details/b30329140/ Slights, William W.E. “The Narrative Heart of the Renaissance.” Renaissance and Reformation / Renaissance et Réforme. Winter/Hiver 2002. https://www.jstor.org/stable/43445471 The Public Domain Review. “A Monster in the Heart: Edward May's A Most Certaine and True Relation (1639).” https://publicdomainreview.org/collection/heart-serpent Woolley, Benjamin. “The herbalist : Nicholas Culpeper and the Fight for Medical Freedom.” HarperCollins, 2004. See omnystudio.com/listener for privacy information.
The Elizabeth and Jacobean age was a time of social mores and the way England was ruled - and the great medieval household withered away. To leave something smaller, more symmetrical - and of extraordinary beauty. And then there's also Little Moreton Hall, a gentry interpretation of the Great Rebuilding. See acast.com/privacy for privacy and opt-out information.
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