Podcast appearances and mentions of Nathan Lane

Happy Pride Month! We're celebrating with a movie that may just have Robin Williams' most handsome appearance - The Birdcage! In this very gay episode, we discuss everything from Nathan Lane's expertly flamboyant performance, to the themes of acceptance and more importantly, actually being yourself, to Hank Azaria's buttcheeks. We're also drinking Tree House Brewing's Double Rainbow double IPA for an extra thematic resonance.Approximate timeline0:00-11:00 Intro11:00-19:00 Beer talk19:00-end The BirdcageWe'll be back in a couple weeks with more episodes!

Pride Month keeps the celebration moving on We Drink & We Watch Things as we transition from the quiet, burning embers of 18th-century France to the bright, neon-soaked drag capital of South Beach. For our "G" selection in the lineup, we are throwing it back to 1996 for Mike Nichols and Elaine May's sublime masterclass in comedic farce: The Birdcage. Mix yourself something wonderfully refreshing - perhaps Lemar's "Straight" Bourbon - and get ready for a family dinner where absolutely nothing goes according to plan.This week, we celebrate the legendary chemistry between Robin Williams and Nathan Lane, looking at how Williams plays the perfect, anchored straight man (pun intended) to Lane's fiercely dramatic, Barbara Bush-redefining Albert. We bask in the glorious, scene-stealing supporting work of Hank Azaria as the perpetually barefoot Agador Spartacus and Gene Hackman as the ultra-conservative Senator Keeley, who unwittingly ends up in the drag escape of a lifetime. We also break down the film's incredible heart, discussing how beneath the chaotic Martha Graham choreography, the "eco-friendly" naked-boy pottery, and the frantic attempts to pass as straight, it is a deeply moving portrait of unconditional love and a radical defense of queer families.If you can instantly recite the difference between a John Wayne walk and a regular walk, or if you just want to hear us gush about the comedic genius of an Elaine May screenplay, this episode is pure joy. We're blending our adoration for this comfort-movie masterpiece with our usual casual banter, proving that when the world gets crazy, sometimes you just have to give 'em a little bit of Fosse, Fosse, Fosse!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

Six Broadway standouts — nominated this year for 'The Lost Boys,' 'Fallen Angels,' 'Ragtime,' 'Giant,' 'Death of a Salesman' and 'Titaníque,' respectively — discuss the challenges and rewards of working on the Great White Way. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Paul Wontorek sits down with 2026 Tony-nominated star, Nathan Lane, and 2026 Tony-nominated Director, Joe Mantello, to talk about their intense Broadway revival of Death of a Salesman. It's a funny and insightful chat that actually takes place ON-STAGE at the Winter Garden Theatre.

"Death of a Salesman" tells the story of Willy Loman, a traveling salesman chasing the American Dream but never quite able to reach it. Now, the classic is back on Broadway in a new production that underscores the play's enduring relevance. Senior arts correspondent Jeffrey Brown sat down with actors Nathan Lane and Laurie Metcalf for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

KPFA Theatre Critic Richard Wolinsky reviews “Pictures from Home” at Marin Theatre through May 31, 2026           TEXT OF REVIEW Acclaimed photographer Larry Sultan based his career on capturing life as lived through his art, and what better notion than collating photos of his own family and home growing up in Sherman Oaks in Southern California during the middle of the twentieth century. This collection of snapshots became a book published in 1992, which was then adapted for the stage as “Pictures from Home”, which plays at Marin Theatre through May 31st. In this memory play, Larry, who died in 2009, tells the story of his visits to his parents while preparing the book, as the three, parents and son, comment on the pictures and bicker with one another. Irving Sultan, a retired salesman, is no Willy Loman. He sold well and retired well-off, always ready to explain exactly what makes a great salesman, often to Larry's chagrin. Jean Sultan, ever acerbic, puts up with her husband's toxic masculinity, refusing to take his bullying and having a life of her own. Always seemingly on the verge of divorce, they will stay together until the end. What makes Pictures from Home work so well in this Marin Theatre production — the show began off broadway with in 2023 with a cast that included Nathan Lane — is the truthfulness, in the dialogue, in all three performances, and in the direction of Jonathan Moscone. There's no heightened speech, no pregnant theatrical pauses. These are real people sounding like a family, dysfunctional maybe, but real. The performances by Victor Talmadge as Irving and Susan Koozin as Jean are so truthful that even if they're not your actual parents or grandparents, they still sound like them in their sparring and quarrelling. Dan Cantor, as the narrator and son, physically a dead ringer for the real Larry, pulls off his double duties without a hitch. Pictures from Home can at times be painful to watch. These people are maybe too real for comfort. Do you really want to spend an evening with relatives like these, didn't you move as far away from them as possible? Our memories create golden ages where such squabbles and power plays don't exist. Which is why Larry Sultan's photos have such resonance. His photos were more credible than the memories he retained, which is why his books and exhibitions work so well. This play mirrors that credibility. With truthfulness in short supply these days in social media and in news reports, finding it in a memory play is all the more special. Pictures from Home by Sharr White, directed by Jonathan Moscone, plays at Marin Theatre through May 31st. For more information you can go to marintheatre.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “Pictures from Home' at Marin Theatre appeared first on KPFA.

Co-host Carson Daly shares some of his favorite things right now, from music to social media. Plus, actors Nathan Lane and Christopher Abbott stop by to discuss their roles in the nine-time Tony-nominated play, "Death of a Salesman". And psychologist Alfiee Breland-Noble shares tips on supporting the mental health of teens and young adults. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Season 4, Episode 4. Five years ago, The Hollywood Reporter published shocking bullying allegations about mega film and Broadway producer Scott Rudin, causing him to be cancelled.  Today Rudin is BACK on Broadway and poised to sweep this year's Tony awards with his productions of Death of A Salesman starring Nathan Lane and Laurie Metcalf and Little Bear Ridge Road, also starring Metcalf.  Sean and clinical psychologist, Dr. Alisa Hurwitz, ask the question: SHOULD Rudin be welcomed back and what does his return say about Broadway?Special thanks to Dr. Alisa Hurwitz, an enthusiastic Broadway fan, who is a clinical psychologist in group private practice in New Hampshire, specializing in the Autism spectrum and gender identity.Support this podcast and listen to bonus content and insider information at STAGE COMBAT AT PATREON patreon.com/StageCombatThePodcast .  Hear more of Sean's conversation with Dr. Alisa Hurwitz about cancel culture and our "Sean Off Script" mini-episode where Sean goes deeper into the episode.Hosted by Sean HaydenEditing by Alex Griffitt. Mixing by Justin Gerrish.  Written and Directed by Sean Hayden for Haywood Productions, LLC.Produced by Haywood Productions, LLC.Grateful acknowledgement for fair use news clips from CBS New York and Inside Edition.Sign up for the Stage Combat newsletter atLanding Page - Stage Combat (stagecombatthepodcast.com)Follow us and contact us with a DM at our instagram: @stagecombatthepodcastig or email us at Stagecombatthepodcast@gmail.comDon't forget to rate and review us on your podcast platform!Sean Hayden is New York City based attorney, actor and advocate for workplaces that are safe, respectful and dignified.  As the CEO of Haywood Productions, LLC, he produces Stage Combat the Podcast which exposes harmful practices in the entertainment industry and fosters conversations of how to make the workplace better for everyone.   

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. This week we're going back for seconds (and some cases fourths), with all the movies covered being remakes. On today's episode, Andy Atherton is reviewing “The Producers” from 2005 starring Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell & Gary Beach.

The stage and screen star received a seventh career Tony nomination for his acclaimed performance in Arthur Miller's classic. Learn more about your ad choices. Visit megaphone.fm/adchoices

All's Well That Ends Well: Michael Bradshaw Flynn On Bringing Back the BardFifteen years ago, staging Shakespeare in Scranton sounded improbable to plenty of people, especially to some New York theater types.The original production was intended as a one-time public performance of A Midsummer Night's Dream in Nay Aug Park. Organizers hoped a modest audience would turn out for the celebrated Bard.Instead, more than 1,000 people packed into the park. In this episode of HarmonyTALK, host Lisa Champeau speaks with Scranton Shakespeare Festival co-founder Michael Bradshaw Flynn about the unlikely evolution of the festival from a free outdoor performance into a permanent arts organization producing musicals, Shakespeare, new works, and youth programming in downtown Scranton and Northeast Pennsylvania.Flynn discusses balancing a career between New York and Northeastern Pennsylvania, working on Broadway productions including The Front Page, It's Only a Play, and The Nance, (with Nathan Lane) and why regional theater still matters at a time when arts organizations across the country face shrinking audiences and financial instability.The conversation traces Flynn's early immersion in theater through Arts Alive, the Scranton Cultural Center, and local summer stock programs, as well as the influence of a family steeped in storytelling traditions.Now entering its 15th season under the theme Faith, the Scranton Shakespeare Festival will present Much Ado About Nothing, Carousel, Henry V, Saint Joan, Jesus Christ Superstar, youth ensemble productions, and a 15th anniversary gala.For more information, visit https://www.scrantonshakes.com/@Scranton Shakespeare Festival@Michael Bradshaw Flynn@Lisa Champeau@WVIA

It's time for our 100th Nicolas Cage movie! We've finally reach this massive milestone! For our 100th movie, we're talking the 2009 animated feature, Astro Boy! It stars Freddie Highmore, Kristen Bell, Donald Sutherland, Bill Nighy, Nathan Lane, Elle Fanning, Charlize Theron, Ryan Stiles, Eugene Levy, Alan Tudyk, Dee Bradley Baker, and, of course, Nicolas Cage! Directed by David Bowers. Thanks for joining us. Let's hit it.Then we run our little computer system thingy to find out what movie joins the Wheel-O-Cage next! Don't forget to check out our social media pages to see the next Wheel-O-Cage spin and find out what movie we're reviewing next on the show! Plus, CAGE-O Bingo!Links: ⁠⁠⁠comingofcage.com⁠⁠⁠Merch Store: ⁠⁠⁠https://www.teepublic.com/stores/derricostudios?ref_id=7261⁠⁠⁠Reddit: ⁠⁠⁠https://www.reddit.com/r/comingofcage/⁠⁠⁠Apple Podcasts: ⁠⁠⁠https://podcasts.apple.com/us/podcast/coming-of-cage/id1625687655⁠⁠⁠Spotify: ⁠⁠⁠https://open.spotify.com/show/1mVw6A52QjbMeQicIlj4i7⁠⁠⁠Spreaker: ⁠⁠⁠https://www.spreaker.com/podcast/coming-of-cage–6057154⁠⁠⁠RSS Feed: ⁠⁠⁠https://anchor.fm/s/fbf3c75c/podcast/rss⁠⁠⁠Join our Film Forum for news, memes, spoiler conversations, tournaments, polls, and more: ⁠⁠⁠Facebook.com/groups/ScreenHeroes⁠⁠⁠A Derrico Studios ProductionHosted by Derreck Mayer & Ryan CoutureExecutive Producer & Editor: Derreck Mayer

We are not gonna dance around the subject. We choreographed another great interview to lock step into. From Broadway, to film, to the Super Bowl, Vincent Paterson has directed and worked on choreography with the biggest names in entertainment. We discuss working with legends like Michael Jackson and Madonna, to Robin Williams and Nathan Lane, his work in decades of dance, and creating a union to assist others to get credit for their work. After listening to this great interview, check out Vincent's book, Icons and Instincts.  Have a listen!   We also have a ridiculous conversation about thing found inside people last year and Scott performs at a show set up for straight failure.  Another great week of podcasting.

Tony and Emmy winner Laurie Metcalf reflects on her remarkable Broadway season, Death of a Salesman, co-star Nathan Lane and the enduring legacy of Roseanne's Aunt Jackie. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nathan Lane just received a Tony nomination for his starring role as Willy Loman in ‘Arthur Miller's Death of a Salesman.' He's a veteran of the stage – often in comedic and musical roles. But in the role of Loman, which he does eight times a week, he's noticed something different in the audience. “There's an old joke – my job is just to keep 1600 people from coughing. It's kind of true, but when you hear what we hear during ‘Salesman,' you hear people weeping in the dark.”  At the age of 70, Lane says this production of ‘Salesman' is the thing he's most proud of. He spoke with ‘Fresh Air' guest interviewer Sam Fragoso, host of the podcast ‘Talk Easy.'  Later, Ken Tucker reviews new songs by Ella Langley, Robyn, and Allison Russell. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Nathan Lane just received a Tony nomination for his starring role as Willy Loman in ‘Arthur Miller's Death of a Salesman.' He's a veteran of the stage – often in comedic and musical roles. But in the role of Loman, which he does eight times a week, he's noticed something different in the audience. “There's an old joke – my job is just to keep 1600 people from coughing. It's kind of true, but when you hear what we hear during ‘Salesman,' you hear people weeping in the dark.”  At the age of 70, Lane says this production of ‘Salesman' is the thing he's most proud of. He spoke with ‘Fresh Air' guest interviewer Sam Fragoso, host of the podcast ‘Talk Easy.'  Later, Ken Tucker reviews new songs by Ella Langley, Robyn, and Allison Russell. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Seth takes a closer look at oil and gas prices surging as a new poll shows that Americans are overwhelmingly opposed to the war in Iran.Then, Nathan Lane talks about portraying Willy Loman in "Death of a Salesman" on Broadway, getting a theatrical driver's license and working with Bette Midler, Jonah Hill and Kristen Wigg in the new comedy film "Cut Off."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to an unforgettable episode where we dive deep into the "lottery" of the acting world with the remarkably talented John Magaro. Join us as John reveals how he transitioned from the "analytical bullshit" of conservatory training to a career defined by honesty and discovery, sharing the stage with icons like Nathan Lane and navigating the high-stakes sets of The Big Short and Orange is the New Black. John also shares how he revolutionized his own process by self-taping long before it was the industry standard, teaming up with producer and editor friends to rent professional studio space and use high-end cameras to ensure he was putting his best work forward. Whether you're a fan of his voyeuristic performances in First Cow or his heart-wrenching work in the Oscar-nominated Past Lives and his upcoming film Omaha, this conversation is a masterclass in building a "yellow brick road" of professional relationships while staying ruthlessly focused on the craft. These are the unforgettable stories that landed John Magaro right here. Credits: Materialists The Big Short Past Lives The Bride! Carol First Cow Unbroken Not Fade Away Presumed Innocent Orange is the New Black The Agency The Mastermind Omaha September 5 Guest Links: IMDB: John Magaro, Actor, Producer, Director THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition SELF-TAPE MAY CLASS: Starting May 7th - FREE What's My Frame THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

You can catch Elysa's theater criticism in the New York Sun and New York Stage Review. You can catch Joe's theater criticism all over social media, especially at @overthinkingtheatre on TikTok. You can catch Dan's theater criticism by visiting Slant Magazine and Theatermania.  Follow The Present Stage on Instagram at @thepresentstage The Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews  and in The New Yorker's Briefly Noted column. The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

In this episode of Half Hour, we take a deeper dive into the 2026 Broadway revival of Arthur Miller's Death of a Salesman at the Winter Garden Theatre. We walk through the production's take on the American Dream, the pressure to succeed, and how those themes land in 2026. We break down Joe Mantello's direction, including the spare, symbolic staging, the recurring car motif, and the way the production frames Willy Loman's world as a kind of purgatory. We also look closely at the performances, from Nathan Lane's take on Willy's unraveling to Laurie Metcalf's grounded, quietly devastating Linda, along with the supporting work from Christopher Abbott and Ben Ahlers. We talk about how this revival speaks to modern capitalism, influencer culture, technology's impact on sales, the cycle of debt in America, and why Death of a Salesman keeps returning to the Broadway stage. We also consider critical reception so far and make some early Tony predictions for the production and its stars. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning composer and co-lyricist Marc Shaiman (Hairspray, Sister Act, Smash and many others) joins fellow Tony Award winner Nathan Lane for a look behind the curtain of life on Broadway, in Hollywood and on Television, with a conversation about Shaiman's new memoir, Never Mind the Happy: Showbiz Stories from a Sore Winner. Emerging from community theater in his teens, sparking a decades-long collaboration with Bette Midler in the '70s, surviving the AIDS crisis of the '80s and bursting into Hollywood and Broadway glory, Marc Shaiman has spent 50 years making some of the most beloved musicals and film scores of our era. Hilarious and deeply human, Shaiman's story is a tribute to the power of music and the pull of the spotlight. Join him with his longtime pal Nathan Lane — a decades-long musical friendship — for a candid, uproariously fun evening of backstage stories from a shared life in show business, on and offstage.

With a gazillion-dollar smile, easy, absolutely effortless charm, Tony Award-winning Cady Huffman took this adoring fan and turned me into an even bigger one (who knew that was possible), and dare I say (she said), a friend. *Sigh* A masterful storyteller, without even trying, I was delightfully mesmerized, hanging on her every word. Her remembrances of Bob Fosse, auditioning for him, being cast by him, dancing with him (WHAT!), and drinking beside him, left me breathless. Tommy Tune, another genius, and The Will Rogers Follies, her first Tony nomination, her most vivid remembrance of finding out is about the guy she woke up with. So damn human at every turn. I love this woman! And of course, her Tony turn, also winning the Drama Desk Award and the Outer Critics' Circle Award, for The Producers, where I first witnessed Cady's stunningly sexy, adorable Ulla, the last preview before opening night. The show against which I've measured all others. To date, none have exceeded the laughs, the spectacle, and the non-stop thrills. In a word, it was… perfection! Cady told us about Susan Stroman, Mel Brooks, Nathan Lane. and our mutual friend, Wendy Waring, still in Cady's world today. We talked Kay Cole, Samantha's director and OG of A Chorus Line, who sang, At the Ballet, which could have been Cady's theme song for many of her days, La Cage Aux Folles, her first Broadway play, the wild backstage antics, and auditioning for Cy Coleman, hysterical! Dame Edna! Steel Pier, Sting! We talked about growing up in Santa Barbara, early family struggles, her first play and her first line, ballet, opera, and Cady mastering each. Her brother Linus, childhood friends Anthony Edwards, Eric Stoltz, and the incredible Kathleen Wilhoite, my long-time grown-up pal. Before we signed off, we talked the reals… aging, food, booze, programs, Ozempic, and a little-known side effect that worked for the good. Cady Huffman is living my life. My childhood dream life. Better than I could have ever imagined. Tonight, I got to live it vicariously through her. Thank you, Cady, for that, for everything! Cady Huffman Live on Game Changers With Vicki Abelson Wed, April 15th, 5 pm PT, 8 pm ET https://youtube.com/live/DmE_USj-UkE

Today is Mamdani's 100th day in office... Health care workers rally in the Bronx to call on Albany to tax the rich... Nathan Lane says 'Death of A Salesman' might be the death of him on Broadway full 438 Fri, 10 Apr 2026 09:47:55 +0000 VXBI7Hvj8nK3J7UVNoW0Un5wmbbEIJP2 news 1010 WINS ALL LOCAL news Today is Mamdani's 100th day in office... Health care workers rally in the Bronx to call on Albany to tax the rich... Nathan Lane says 'Death of A Salesman' might be the death of him on Broadway The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc.

President Trump appears willing to walk away from the disaster he created in the Middle East, Pope Leo XIV rejected the idea that Jesus would support America's war, and a judge ruled that Trump must cease work on his White House ballroom. Tony-winner Nathan Lane treats Stephen Colbert and the Ed Sullivan Theater audience to a special performance of “Laughing Matters,” accompanied by composer and lyricist Marc Shaiman. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

(Recorded February 2025) Nathan Lane sits down with Mike and recounts moments from his legendary career — discussing what it was like to work with Mike Nichols, Elaine May, and Robin Williams. He shares what he likes most in a director, who he's jealous of, and what he remembers of twenty-something year old Mike. Plus, an incredible story about working with Joaquin Phoenix on the film Beau is Afraid. Please consider donating to Broadway Cares Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

(Recorded February 2025) Nathan Lane sits down with Mike and recounts moments from his legendary career — discussing what it was like to work with Mike Nichols, Elaine May, and Robin Williams. He shares what he likes most in a director, who he's jealous of, and what he remembers of twenty-something year old Mike. Plus, an incredible story about working with Joaquin Phoenix on the film Beau is Afraid. Please consider donating to Broadway Cares Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

RSS/iTunes/Spotify Check out the Praising Kane archive right here. We like to have fun here on PRAISING KANE, the world’s finest chronological Carol Kane-themed podcast, but occasionally – rarely – even Carol Kane’s charms are not enough to lift up a film, and that’s certainly the case with Joyce Chopra’s misguided misfire THE LEMON SISTERS from 1989 (though held back from release until 1990). Despite a dynamite supporting cast (including Elliott Gould, Aidan Quinn, a young Nathan Lane, and Ruben Blades) and the talented trio of Diane Keaton, Kathryn Grody and Kane herself as the titular Lemon Sister (friends who grew up together on the Atlantic City boardwalk who sing standards in a nightclub.. sorta), it’s just a disaster. Bad music, incomprehensible plot elements, and a lack of chemistry just dooms the whole thing. But is there ANYTHING to recommend it? Listen and find out! The post Episode 318 – Praising Kane – The Lemon Sisters (1989) first appeared on Cinema Smorgasbord.

'The View' co-hosts and guest co-host Sheryl Underwood weigh in as a preliminary inquiry reported by 'The New York Times' finds the United States at fault for the missile strike on a girls' school in Iran that killed 175 people, raising urgent questions nearly two weeks into the ongoing attacks. Nathan Lane returns to Broadway in a bold revival of 'Death of a Salesman' and joins the show to reflect on why Arthur Miller's themes feel more urgent than ever. He also shares his thoughts on Timothée Chalamet's controversial comment that “no one cares” about ballet or opera. Plus, Stephen Lang stops by to discuss honoring a powerful true story in 'The Optimist'. He shares what drew him to portraying Holocaust survivor Herbert Heller and reflects on why these stories must continue to be told. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tracy Smith sits down with composer Marc Shaiman, who has crafted music for some of the biggest film, television and Broadway productions of our time. Smith also speaks with some of Shaiman's longtime friends, including Steve Martin, Matthew Broderick and Nathan Lane. Mo Rocca talks with author and commentator Jack Schlossberg, the grandson of President John F. Kennedy, who is now running for Congress in New York. He opens up about his family and much more. Rocca also talks with his parents, Caroline Kennedy and Edwin Schlossberg. Jo Ling Kent talks with former Goldman Sachs CEO Lloyd Blankfein about his early life, the business world and his new memoir. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this episode of “Half Hour”, we take a closer look at the upcoming Spring 2026 Broadway season, highlighting new productions, high-profile revivals, and the casting announcements shaping the conversation. We discuss Daniel Radcliffe leading Every Brilliant Thing at the Hudson Theatre, Nathan Lane and Laurie Metcalf returning in Death of a Salesman at the Winter Garden, and the Broadway arrival of Beaches, A New Musical at the Majestic with Jessica Vosk and Kelli Barrett. The conversation also touches on titles including Dog Day Afternoon, Giant, Becky Shaw, Cats! The Jellicle Ball, The Fear of 13, The Rocky Horror Show, Titanique, Fallen Angels, The Lost Boys, Joe Turner's Come and Gone, The Balusters, Proof, and Schmigadoon, and how they collectively define this spring's landscape on Broadway. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on these productions in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The people have demanded it and we're here with Gore Verbinski's 1997 MOUSTERPIECE starring Nathan Lane & Lee Evans, on 4K UHD from Kino Lorber. Plus Sam's fleas, recommendations, announcments, wishes, and more! Mousehunt @ 17min 37sec Find us on Instagram!

In this episode of our ongoing Mike Nichols Marathon we are discussing the 1996 The Birdcage. Over the course of our conversation you will hear us talk about this movie being a massive comeback for Mike Nichols and a triumph of Elaine May's screenwriting. We touch on the many talents of the film's diverse cast that included Robin Williams in an out-of-character calm role, Nathan Lane as the flamboyant diva Albert and how they faced off against the conservative characters played by Gene Hackman and Dianne Wiest. We talk about the many subtle quirks and inside jokes in the movie, The Birdcage as a movie that melted conservative hearts in 1996 and how it would have been impossible to remake it today without risking backlash from all corners. Tune in and enjoy!Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Hillary White⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

National carrot cake day. Entertainment from 1986. Plan crash killed Buddy Holly-Big Bopper-Richie Valens, Coldest temperature ever recorded in North America, 15th & 16th Amendments to the US Constitution ratified. Todays birthdays - Blythe Danner, Dennis Edward, Morgan Fairchild, Nathan Lane, Maura Tierney, Warwick Davis, Isla Fisher.Intro - Goe did good - Dianna Corcoran  Dianna on SpotifyOh, carrot cake, so delicous - The Hungry Food bandThat's what friends are for - Dionne Warwick and friendsHurt - Juice Newton American pie - Don McLeanBirthdays - In da club - 50 Cent     http://50cent.com/Just my Imagination - The TemptationsBetrayed - Nathan LanePeggy Sue - Buddy HollyExit - Back of a pick-up truck - Brad Howard  Brad on Spotifycountryundergroundradio.comHistory & Factoids about today webpagecooolmedia.com

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. On today's episode, Andy Atherton is reviewing “The Birdcage” from 1996 starring Robin Williams, Nathan Lane, Gene Hackman, Dianne Wiest & Hank Azaria.

Michael Chad Hoeppner is the Founder and CEO of GK Training, a firm dedicated to giving individuals, companies, and organizations the communication skills to reach their highest goals in work and life.Michael has worked with some of the world's most influential companies and leaders, across a wide range of industries, universities, and professional sectors. His corporate clients include: three of the top eight financial firms in the world, 45 of the AmLaw 100, and multinational tech, pharma, and food and beverage companies. He teaches his unique approach to communication at Columbia Business School, in both the MBA and PhD programs.Michael assists clients in every aspect of their communication: public speaking, business development, executive presence, interpersonal agility, Q&A, speech writing, email skills, and more. His individual coaching clients include varied professionals at the peak of their industries: US Presidential candidates, deans of Ivy League business schools, three of the managing partners of the 25 largest global law firms, founders of asset management firms with $100B+ under management, field officers of international peace keeping organizations, and visionaries in various fields, including the innovator who coined the term cloud computing, the most successful venture capitalist in the US for a consecutive 5-year period, and senior board members of the Special Olympics. Michael advised US democratic presidential candidates in the 2016 and 2020 races, including his role as senior communications strategist and debate coach for the Andrew Yang 2020 Presidential campaign. He also works with political aspirants at the beginning of their careers, including pro bono work for Vote Mama, an org that supports mothers with young children seeking first-time public office.His background in communication, training, and teaching is diverse and rich, having studied linguistics, theatre, speech, rhetoric, philosophy, and communications at the graduate and undergraduate level. His work in professional communications started two decades ago with achieving his Master of Fine Arts degree from NYU's graduate acting program, studying with many of the preeminent vocal and performance teachers in the country. After NYU, Michael enjoyed a prolific first career as a professional actor: playing on Broadway twice, including working with stage legends like Nathan Lane; touring to 30+ US states; performing internationally, including at the 2009 European Capital of Culture; guest starring in prime-time network television; and originating roles in independent film.His passion then evolved, shifting to launching his first and still primary entrepreneurial venture, GK Training. As head of GK, Michael developed his unique, proprietary approach to communications training over a decade plus, an approach that utilizes kinesthetic learning to unlock rapid and lasting behavioral change. In that work he has created a suite of over 40 proprietary kinesthetic drills to address stubborn communication challenges like excessive filler language, lack of eye contact, slouching, talking too fast, and more with innovative tools that activate embodied cognition and circumvent thought suppression. Now entering its second decade, GK Training has clients in 43 industries across five continents.Michael's work in academia at Columbia University spans disciplines. In addition to teaching in the MBA and PhD programs at the Business school, he designed the curriculum for the PhD program's capstone communication course focused on entering the job market, as well as Executive Presence programs for the Law school. One of the GK online courses he designed is integrated into the Advanced Management Program summer curricula. His proprietary kinesthetic learning drills are featured in the curriculum of communication courses in the Management Division. He has coached over 15 members of the business

With her latest movie Code 3 on digital and on demand this Friday, December 19th, actor Aimee Carrero is here to celebrate Mike Nichols' (and Elaine May's) 1996 version of The Birdcage, with Robin Williams and Nathan Lane as a gay couple trying to trick the conservative parents of their son's fiancee into thinking they're a nice, normal couple – which, of course, they are. Your genial host Norm Wilner wishes Gene Hackman had done more comedies.

For Episode 95, Andrene and Joel explore 1996's “The Birdcage”. After his son gets engaged, a gay cabaret owner (Robin Williams) and his drag queen romantic partner (Nathan Lane), act 'straight' to meet the fiancé's right-wing conservative parents.

Hey Broadway Besties! Lindsey brings you two reviews for Two Strangers Carry A Cake Across New York and Gruesome Playground Injuries, starring Nicholas Braun and Kara Young!In Broadway News:

What does it mean to truly use your voice—to tell stories, bring words to life, and inspire others even when life throws challenge's your way? My guest this week, Amber Ba'th, embodies that Unstoppable spirit. Amber is a professional voice actor, a Bible narrator for the Dwell app, and a functional nutritionist who turned a life-changing diagnosis into a deeper calling. Amber opens up about performing on stage, finding her place in the booth, and learning resilience after being diagnosed with transverse myelitis. Her story reminds us that creativity and courage don't fade—they evolve. I think you'll be moved by her honesty, her strength, and her Unstoppable commitment to sharing her voice with the world.   Highlights:   00:10 – Hear how early curiosity in theater grew into a lifelong love for performance. 03:21 – Learn how family roots in the arts shaped a career in acting and voice. 07:21 – Discover why live theater creates a unique audience experience you can't get in film. 14:03 – See how studying Theater Arts Administration opened doors beyond the stage. 17:24 – Find out what moving to LA taught her about auditions, hustle, and opportunity. 25:37 – Get the real entry point into voiceover and why COVID pushed her to record at home. 27:26 – Understand the scope and process of narrating the entire CSB Bible for the Dwell app. 32:07 – Learn how leaning into “villain” characters can expand your VO range. 35:06 – Take why acting classes matter for believable, persuasive voiceover reads. 38:05 – Hear her journey with transverse myelitis and how she reframed ability. 43:47 – See how diet changes and self-advocacy supported healing and daily function. 54:14 – Learn practical nutrition tips VO pros use to protect tone and clarity.   About the Guest:   Hi, I'm Amber Ba'th—pronounced By-ee-th! I'm a Philadelphia native with roots in Los Angeles and Washington, D.C. I earned my BFA in Theatre Arts Administration from the legendary Howard University, and from the very beginning, storytelling and performance have been a huge part of my life. Whether through stage, screen, or sound, I believe creative expression has the ability to inspire, uplift, and connect people. That belief and my faith in Christ, has guided every step of my journey in the entertainment industry.   With over 20 years of experience in theater and film, I've worn many hats—actor, voice actor, producer, company manager, and coach. My early days at Philadelphia's Freedom Theatre gave me the foundation to work on national tours and major productions, such as The Fabric of a Man (national stage and film), and the national tour of If This Hat Could Talk under Tony Award-winning director George Faison. I've also stepped in front of the camera, appearing in Ice Cube's Friday After Next and national print campaigns for McDonald's that landed me in Essence, O Magazine, and Woman's World.   Voice acting has become one of my deepest passions. I've had the privilege of lending my voice to projects for Delorean, Holler Studios, Amazon, Make Originals, and most notably, narrating the greatest story ever told for the Dwell Bible App; just to name a few. I'm known for being versatile—able to bring warmth, humor, authority, and charisma into every read. Whether a character needs to feel animated, compassionate, bold, or simply relatable, I approach every project with creative precision and care.   I've been fortunate to learn from incredible mentors like Nick Omana, Art Evans, Queen Noveen, Linda Bearman, Al Woodley, Joyce Castellanos, JD Lawrence, and Rolonda Watts, and to collaborate with talent across every corner of this industry. I'm always growing, always listening, and always grateful. My goal is not only to entertain but also to reflect God's grace through my work. Faith is my anchor—it's the reason I'm able to keep showing up in this ever-changing field with joy and purpose.   Outside of my career, I'm a mother of two, and I live with a “different ability” that has only strengthened my walk and testimony. I believe that what God has for me is for me, and I want other artists to feel empowered to claim that same truth for themselves. As someone in the faith, You are royalty—act like it, speak like it, know it. I'm here to tell stories, give voice to vision, and ultimately to help others feel seen, heard, and deeply valued in this industry.   Ways to connect with Amber:   LinkedIn- https://www.linkedin.com/in/iamamberbath/   IG- https://www.instagram.com/iamamberbath/   YouTube- YouTube.com/@iamamberbath   Website- www.iamamberbath.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello everyone. Wherever you happen to be, I am Michael Hingson, and this is unstoppable mindset. We are really excited that you're here with us today. And we have a fascinating guest who was referred to us by another fascinating guest who is coming on unstoppable mindset, and we'll get to all that, I am sure. But Amber bath is how she pronounces her last name by eth. I'm saying that right. I assume that is correct. Oh, good. Never want to get it too wrong, you know. Anyway, Amber is a voice actor and does a lot of different things. And we learned about Amber from someone who we were referred to by Walden Hughes, that reps in yesterday USA, and Walden has been on unstoppable mindset a couple of times. Amber, do you know Walden? I know I don't. Well, then we can spread all sorts of rumors and you'll believe everyone, right, absolutely. Anyway. So anyway, what Linda Berryman, you know, so that works. Anyway, I want to welcome you to unstoppable mindset. It's really a joy and a pleasure to have you, and thank you for being here.   Amber Ba'th ** 02:42 Thank you for having me. This is such an exciting moment. Well,   Michael Hingson ** 02:46 I'm anxious to learn all about voice acting and some of those things. But why don't we start by maybe you telling us a little bit about kind of the early Amber growing up and all that sort of stuff. Well, always a good place to start. You know, a   Amber Ba'th ** 03:02 long time ago   Michael Hingson ** 03:03 in a galaxy, far, far away, yes,   Amber Ba'th ** 03:07 oh my gosh. Well, I I'm a suburbian girl here. I'm from the suburbs, actually Philadelphia. I was actually born in DC, raised in Philly, went back to DC, then moved all the way across country to La La Land. Is that where you are now, I'm not. I'm actually back in DC.   Michael Hingson ** 03:33 Go figure. Right now I'm, I'm really curious to hear the history of all these moves. But anyway, so you were raised in Philadelphia. Did you ever meet Rocky Balboa? Just checking,   Amber Ba'th ** 03:45 no, just ran the steps. You did run the steps. I did run the steps. Yeah, actually got a heat stroke. But I did. I was, I was young at the time, and it was super hot. And you know, it's like, yeah, you know, I'm gonna run the steps. Ran the steps, and just shouldn't have   Michael Hingson ** 04:04 done that, not in the middle of the day. No, when did he run them? It was in the morning, wasn't it?   Amber Ba'th ** 04:11 Yeah, he always ran in the morning. So no, I was this was in the heat of the day.   Michael Hingson ** 04:16 So huh, we all have our growth issues that we have to deal with so so you but you were raised in Philadelphia, and you went to school there and so on, and what kind of were your interests and so on, growing up   Amber Ba'th ** 04:32 theater, I was really, I mean, I come from A family who has always been in the spotlight. I had two aunts who actually had a touring show titled The sisters, the Stuart sisters. And, you know, I've always been wanting either to dance, to sing, to act. That was just. Just my thing.   Michael Hingson ** 05:02 So they you came by, it pretty honestly. Then exactly anything else. They were actors in the show.   Amber Ba'th ** 05:10 They were, yeah, one was a singer and one was an actress.   Michael Hingson ** 05:12 Yes, oh, cool, yeah. Well, and what was the show about?   Amber Ba'th ** 05:18 Actually, it was about Harriet Tubman, Sojourner, Sojourner, truth. And it was it they actually toured different toward the country and talked about the Underground Railroad and and and how they were able to escape and free other, other slaves.   Michael Hingson ** 05:42 Now that show isn't whether it's your parents or not, but that show is not on now. It's not running.   Amber Ba'th ** 05:50 This was a stage play. This was many, many years   Michael Hingson ** 05:52 ago, right, right, yeah, but they but no one has continued. I would think it would be a very valuable thing to keep around you.   Amber Ba'th ** 05:59 Would think it would be that, you know, the traditional way, but we kind of moved in different directions, you know. So   Michael Hingson ** 06:06 everything closes eventually. The fantastics eventually closed, and that was on for the longest time, yeah? Well, even cats was on for a long time. Oh, yeah. I, I think, although I don't know, but the producers, I think, has closed,   Amber Ba'th ** 06:22 yeah. And I really wanted to see that. I saw the film, but I wanted to see the stage play.   Michael Hingson ** 06:28 Oh, the stage play was much better than the film, I'm sure. You know, I don't know what it is about Matthew Broderick, but he just doesn't sound natural in films. But we went to see it. It was in August of 2001 and we were living in New Jersey, and I was in New York, because that's where we had our offices, on the 78th floor of Tower One of the World Trade Center. And on a Tuesday in 2001 in August, I went over to the theater where the producers was, and I figured, I'll see if I can get tickets. Because my wife, Karen, who was now she's my late wife. She and I were married for 40 years, and then she passed away. But anyway, we I decided that we would try to see it, and I went over to the theater, and I said, so I want to see if I can get two tickets to the producers. And I knew that the media had said all the news media said, you can't get a ticket before March of 2002 and I said, well, but the deal is that my wife is in a wheelchair. Can we by any chance get a matinee to to go see it? And the guy said, I'm sorry, there's just nothing until at least no December. And I said, Well, okay, is there any chance of any other time other than the weekend, or anything that we could get? And he said, Well, just wait a minute. And he goes away, and he comes back and he goes, What are you doing Saturday night? I went, I guess I'll go see the producers, right? And we did. We got to see the original cast, of course, Matthew Broderick, Nathan Lane and Katie Huffman, who played Ulla. And was so wonderful to see that show. We had seen Matthew Broderick and Sarah Jessica Parker in How to Succeed in Business Without Really Trying. And then we saw Nathan Lane, and A Funny Thing Happened on the Way to the Forum. So we had seen them all perform before, but that was so fun to see.   Amber Ba'th ** 08:27 That's awesome, yeah, yeah.   Michael Hingson ** 08:29 And I think that the film wasn't nearly as good as the play, but   Amber Ba'th ** 08:34 I'm sure it wasn't. So my theater is so dear to me. I I don't know, it's something about the willingness, suspension of disbelief, of breaking out of reality and just, you know, getting away from it all, and just sitting and enjoying yourself, laughing at just sometimes it can be nonsensical. Sometimes it can be sort of reality, you know, whatever, whatever genre you like, and it's nothing like being in the audience when you're when you're having when you're in there as live theater. So it's always a great opportunity to go and see a show, if you are able.   Michael Hingson ** 09:18 Why is it so much more fun, and so many people feel as you do about that, as opposed to going to a movie,   Amber Ba'th ** 09:29 it's, it's a it's a cultural thing for me, and it's immersing yourself in the culture of theater, seeing the different nuances. There's sometimes there's interaction, like, they'll break the fourth wall. Sometimes in that, in every show, is not the same. That's the great thing about theater, because you could go to a show on a Monday and then you go back to see it on a Friday, and it's like, totally different. Yeah, you.   Michael Hingson ** 10:00 It was 93 or 94 whenever they had the big baseball strike. And I went to see Damn Yankees, which has always been one of my favorite movies, because I've always been a ray Walston fan anyway, but went to see it, and during the the and I don't remember who was, who was in it, but at one point, Mr. Applegate, the devil, said, we've got to do something to to disrupt this whole baseball thing and get Joe Hardy back in line with what we want. He said, I got it. Let's organize a baseball strike right there in the middle of the theater. I mean, you know that that had to be ad libbed and just done, but it was so funny to see.   Amber Ba'th ** 10:44 Yeah, you never know what you're gonna get. You know, it's always exciting to see. And   Michael Hingson ** 10:49 I think that the reason that I like theater over over movies is, in part, you're hearing a lot more. Even though there's still audio and electronics, you're still hearing the PA system. You're not hearing the PA system as much. You're really hearing voices exactly you're hearing and seeing so many things. We did go to see Damn Yankees again a few years later, we had moved to New Jersey by that time, and Jerry Lewis was playing Mr. Applegate. Wow. It was the only time he ever did anything on Broadway and and did such a wonderful job. It was incredible, really.   Amber Ba'th ** 11:26 You know, it's the last show that I actually saw. Was Daniel at the sight and sound Oh and oh my goodness, I'm gonna go back. I'm gonna go see Noah. But I was literally sitting on the floor at the end aisle, and when the animals came out, I could actually reach out and touch them if I wanted to. But it was just so beautifully done. It was so amazing. It I can't, I can't even there are words that can't describe the the acting, the set, set design, the sound, everything about that show was amazing.   Michael Hingson ** 12:12 We went to see the Lion King. Karen's brother got us tickets. He was a certified ski guide in France, and he was coming back for the summer with his family, and got all of us tickets. So we went to see Lion King. It was a matinee on a Wednesday, and we got into the theater and the show started. And I knew kind of how it started, with the music and so on, but there's still nothing like hearing it live. But we it live. But we, we, we were listening. And then at one point, of course, the hyenas come in, and they meet with scar but in the play, in the in the musical, they come in from the back of the theater, down the stairs, and Karen, of course, being in a wheelchair, sitting in her chair on the aisle, and the hyenas are growling and they're coming by, and one of them gets right up next to her and goes, you've never seen a lady in a wheelchair jump out of her chair. Oh, it was so funny, but we were talking about it later, and she said, It wasn't long before you got completely used to all these animals, these puppets, and you didn't think of them as anything but the actual animals, wow, which, you know, you you you get in a theater, which you don't get the same in the movies at all. But it was, it was a lot of fun. We actually did get to go backstage afterward and meet some of the actors, and I actually got a chance to look at one of the animals, which was kind of fun.   Amber Ba'th ** 13:47 That's awesome, you know, I'm sorry. The other thing is that when you are in live theater, there's an intermission, and you get to actually mix and mingle with other people, other theater goers. So that's always another thing. I mean, you know, going to the movies. Yeah, you see other people walking back and forth, but they're, you know, rushing for their seat, going to the restroom, getting, you know, and going to the concessions. But there are moments where they're either taking pictures. Sometimes the cast members may come out during intermission, take pictures, and it's more of an interaction with everybody.   Michael Hingson ** 14:24 We went to see God spell once in San Diego, and what we didn't know was there was a guy out there who was coming up to people and wanting to clean their windshields and so on. And what we didn't know until later was that was the actor who played John. He was in character. He was being a servant. It was, it was great. That was so clever. That's awesome. So what did you do for college? Well, I went, as if we don't know,   Amber Ba'th ** 14:55 and I know, right? I went to Howard University. Yeah, and I majored in theater arts administration, uh huh, yeah. So it's the funny thing about that was I always, you know, was in the theater, and my mother told me, I am not paying for you to be an actor. I'm like, Well, I don't know anything else. And this particular year, when I came in, they had just started the theater arts administration program, and I said, Well, I can't do acting. I don't know anything else. This is it. And I really didn't know what that entailed until I got in and I said, Hmm, let's see I get to know the behind the scenes aspects. I can also be a producer to director. I could, you know, basically tell people what to do. That is for me,   Michael Hingson ** 15:50 there you go. So you so you got your degree in that. How come your mother wouldn't pay for you to be an actor?   Amber Ba'th ** 15:59 Because, I mean, back then it was just like, you know, that's something that that's not a real job, no. And even though she did it, they think like that, you know, that's not a real job. You know, it'll never amount to anything. You won't you get, you won't get where you want to be, you know. So I said, you know, I don't know anything else but, but this so, you know, so thank God that that was something that was there when I did come in there.   Michael Hingson ** 16:27 Well, so you, you got your degree in theater arts, production, administration, administration, and so you, you learned how to tell everybody what to do, which sounds a good thing to do, right? And so then what happened after college?   Amber Ba'th ** 16:47 Well, after college, I was I had always been one of those types that said, Oh no, I just got out of college, and maybe two days later I don't have a job, and I'm always worried about that, but I had someone, a classmate, say, You know what, I think you'd be a good fit for this. And what is she talking about? And I don't know if you recall HBO taxicab confessions, uh huh. Okay, so they actually came to DC, and, you know, they chose me. I was chosen to be their production assistant, and I was in the follow vehicle with the cab, you know, all that kind of stuff. And it was like, Okay, this is a lot. This is a lot. They never aired it because a little too risque. But, I mean, they could air it now, but, you know, and they asked me to come to LA, you know, as, and that was a funny thing, because when, before then, I said, oh gosh, I'll never go to LA. It's like Sodom and Gomorrah. And so I wound up going to LA they said, you know, I'll give you, you know, get you a round trip ticket, you know, you can either stay, you can go back, you know, giving me that option. And I took it. I took it, and it was the best thing that I've   Michael Hingson ** 18:14 ever done. What did you do when you got out here?   Amber Ba'th ** 18:17 When I got out there? I, of course, I was working with them for a little bit, and then I decided, You know what, I want to be an actress. This is what this is. I'm here. I am in Hollywood.   Michael Hingson ** 18:29 Mom, not withstanding.   Amber Ba'th ** 18:33 I said, Oh my gosh. And of course, what did I do? I got whatever most actors got was a waitress, a way a serving job, you know, just something enough that I could act flexible enough that I could actually go on auditions and things like that. And I did. I went on auditions. I met a lot of different celebrities. I was in McDonald's had their quote, unquote, adult happy meal that I actually was the poster girl for. I was like, Oh my goodness. And I was in magazines, you know, things like that. And then one day, a friend of mine who graduated with me in theater arts administration, she was actually doing a production, a touring play as the company manager, which is like a tour manager. And she she got another invite to be the company manager on TD Jason's TD Jakes show, and she really wanted to take that so the producer said, Well, you're gonna have to find a replacement. So she called me up and I started working on a show with David Talbert called the fabric of a man who had starred Shamar Moore, and we toured for. Oh, wow. This is interesting, because I didn't really think about this until I started talking. We toured until let's see 910 and I remember because something happened in Houston, Texas, and we had to refund money to all of the audience members, and we're leaving. And what I would do after each show is make sure that the hotel was was taken care of, everything was taken care of. And we went home. Everyone went to their destinations, and we went home. And that morning, I called the hotel, and he told me that different people were still there, and I'm and I just didn't understand why, you know, at the time, because it was really early in the morning in LA and so I'm calling, and I'm like, Well, what's happening? He said, You don't know what's going on. And I said, No. He said, planes are going down everywhere. And I'm like, What are you talking about? I turned on the TV, and that's when I saw the second plane going into the tower. And I just Oh my gosh, this is kind of bringing back some stuff, because I am a woman of faith, and I actually prior to us leaving for seven days, prior to us going to to to Houston. I kept having these dreams about a plane going down in a field, you know, but it would be continuous things. And then the next night, there were planes. There were planes. Looks like two planes colliding. Then there was, I saw people falling out of the sky, and I was like that, this is not making any sense. I didn't know anything. I mean, I was, I didn't know what was going on. And I just kept dreaming these dreams. This is what's happening. Then when we when we were leaving Houston, I had a dream prior to us leaving of the exact shape, color of this plane that went down in the field. And we were, I was at the airport, and I'm looking, and I'm like, okay, that's not the plane that I saw. And so I get on the I get on the plane, and as I'm about to settle in, about to, you know, leave Houston, go to LA, there's a man dressed in Arab garb with, you know, something on his head. And I don't know why I said this, but I just said, I hope he doesn't want to jack the plane. And I went to sleep, and i The dream that I had was that I really saw who was falling out of the sky, but they had on business suits. So when I called the hotel and he told me this, it, it just took over me. You know, I was in shambles. I was like, What? What did I just dream? What happened? Something is not right. I didn't know what was wrong with me at the time. I thought there was something actually wrong with me. Like, why am I dreaming this? What is happening? So that was just something that you happened to ask me the question, and that brought it back. And then I'm thinking about you, you know, so,   Michael Hingson ** 23:44 ah, you know, so many people, many people that I've talked to who didn't at first know what was happening, and they they either turn on their TV, or they were at an airport or something, and they saw the second plane hit the towers and they thought it was a movie. And I've heard so many people say that then, of course, they realized that it wasn't a movie. But you know, a lot of people just thought it was a movie at first, because nobody could imagine it. And you know, that is true. How who would have thought that somebody would deliberately crash airplanes like that into the towers and into the Pentagon? And, of course, now the the one falling out of the sky was that flight 93 in Pennsylvania, Yes, uh huh. And eventually, when you saw the plane, or whatever that was, the plane that you dreamed about, exactly, yeah, uh huh, and that's not surprising. Yeah, there are so many stories of of different things that people experienced that day. We didn't know anything about what was going on until actually we got out of the. Towers, and both towers had collapsed, and my wife was the first one who told us that aircraft had been hijacked and so on. And of course, people say to me all the time, well, of course, you didn't know because you couldn't see it. Excuse me, the last time I checked as I tell people Superman and X ray vision are fiction, and the reality is the airplane hit about 18 floors above us on the other side of the building, no one knew all the way down the stairs, the hundreds of people that I interacted with going down the stairs didn't know what happened. We figured, we figured an airplane hit the building because we were smelling burning jet fuel fumes as we were going down the stairs. So we figured an airplane hit the building. But we had no details. We had no information. Blindness. Didn't have anything to do with it at all. But yeah, it's, it's just one of those things. Well, so you were in, you were still in the business of telling people what to do, which was really good. And how did you eventually, then get into voice acting?   Amber Ba'th ** 26:04 Well, I had always first, it's funny because you people who get into voice acting, oh, I really want to get into voice acting, and they think it's just this one thing that was me. I i always like to do voices. I like to play around with different things. My favorite is the villain. I don't know what it is, but I like to play the villain. But what happened was,   Michael Hingson ** 26:30 you and Cruella de Vil, okay,   Amber Ba'th ** 26:34 it was actually covid. You know, it was. The thing was that I literally was a preschool teacher at the time. And, you know, because after I left, I left LA, I got married and I had kids, and, you know, that kind of thing. So I was back in DC, and so, you know, after that, I covid happened, and I don't want to say it forced me, but it forced me. Nudged me, you know? And I said, you know, this would be great, because different things were happening. Where I was meeting people on on an on an app called clubhouse, and I said, Oh, this is cool. And I've always loved audio dramas too. So I actually about a $40 mic. I bought an eye rig, and I just hooked it up, and I just started talking. And I was in some acting workshops, some improv workshops. I was cast in an audio drama on clubhouse, you know? So it was, I was like, Oh, this is fun, you know, I like talking to myself anyway, so why not? So I created space in my walk in closet, and there you have it.   Michael Hingson ** 28:00 And the rest, as they say, is history. That's right. So what kind of roles have you had, and what kinds of voices and so on, have you created and done?   Amber Ba'th ** 28:11 Well, I I actually, I did the Bible, you know. And whenever I tell the person I narrated the Bible, they're like, the whole Bible, yeah, the whole Bible, technically, that would be 66 books that I narrate, yeah, you know. But yeah, I did the whole Bible for a Bible app, the CSB version for the dwell app, and it was just amazing, because just a little story behind that, I was someone wanted me to narrate their book, and they said that, you know, we want you to narrate it, but we don't want to use your name. We want you to. We want to, we want to use your voice, but we want the narrow, the author to be the narrator. Is this like a ghost Narrator or something, really, that's a   Michael Hingson ** 29:10 little strange, you know? And, oh, we'll give you this   Amber Ba'th ** 29:13 amount of money. Like, okay? And then I actually was praying about it. And, you know, the Lord spoke to me, and he said, I gave you that voice. So I had to decline. And then someone else came to me to narrate a book, and they were taking forever. Oh, it's not ready yet. It's ready. It's not ready yet. And I said, look, okay, I can't do this. I had auditioned for the Bible. And normally it takes, it's like a 2448 hour turnaround time to really know if you if this is for you. Yeah, and I didn't hear anything for about maybe three weeks. And I was like, I guess they found their person. And. I get an email saying that we got good news. You just booked the CSV version. I think I dropped whatever I had in my hand and fell before and, you know, it was just, it was just amazing. So, you know, because what I what happened was I read the Bible every day, and this particular and I read it in a year. So this particular year, I decided to listen to it, and, you know? And I said, You know what, Lord, it would be cool if I could narrate this. And then I had this audition, and I was blessed to read the Bible, and I did it in less than a year.   Michael Hingson ** 30:41 Wow, yeah, it's clearly, you know, it's a long thing. Do you know who Carl Omari is? No. Carl Omari, well, he's probably most known for having recreated the Twilight Zone radio broadcasts. So he, years ago, he took all the Twilight Zone episodes. He got permission from Rod Serling estate, and he created radio broadcasts of them, but he also did the Living Bible, and he got people like Michael York to to be involved in other actors and so on. So I know having, and I own a copy, and I didn't even know about Carl doing it at the time, but it's 98 hours long. It's a long it's a big one.   Amber Ba'th ** 31:22 It's a long one. It is long. But, yeah, that was exciting. Also, I recently just narrated a book called heaven, not by Patricia Robinson, and it's very Orwellian. I should say, you know, I, as I was renarrating it, I'm like, this stuff is happening now. And she wrote it years ago. And I'm talking about, as my children would say, in the 1900s you know. So it was, it was amazing. It was amazing to do that and and I love it, but I do love animated characters. So one of the characters that I never actually thought that I was someone to do impersonations. You know, it's like I got my own voice. You don't need to do anybody else voice. But I was in a workshop for with a good friend, Chris Woodsworth, and he's over in the UK. And he said, Well, what do you like to do? And I said, I like villains. So he thought of a villain, and I never would have thought about Isma from the Emperor's New Groove, and when I was researching, when I was going over the lines, I had to stop myself, because it scared me, because I said, Wait a minute, I really sound like her.   Michael Hingson ** 32:56 All right, really creepy. We need to hear you sound like a villain.   Amber Ba'th ** 33:00 Oh, my goodness, Isma. Okay, so Isma is Cronk. Why did I think that you got this one simple thing? It's like you're a dude, a really, really big stupid monkey named Cronk. And do you want to know something else? I never licked your spinach puffs, never Oh, oh, gosh, oh, goodness. And then, you know, I love, it's the last the laugh that a villain does. I did that, you know, I, I did one. It's called a micro animation called house in the Outlands, and I played a character named sathagawa. And it was one of those, you know, one of those. It was so cool. You know,   Michael Hingson ** 33:49 I've, I've always been impressed with listening to voices and so on, and voice acting, to a large degree, one of the things that I that really made me appreciate a lot of it was, of course, James Earl Jones playing Darth Vader on Star Wars. And then I had the opportunity, while I was in New York once, to go see James Earl Jones and Christopher Plummer in Othello. What an amazing performance, because at the end, when Othello falls on his sword, you know, you know what's going to happen. People have read the play. It's not like Othello is a secret, right, right? The whole crowd just went when he did that. I mean, they were so drawn in by the power of both of their voices and the acting, which is, I've just always loved the fact that people can do that.   Amber Ba'th ** 34:48 Yeah, it's it's amazing. Sometimes I listen to myself and I'm like, That's me.   Michael Hingson ** 34:56 Well, your prejudice. So I. But still, it's just amazing how people can can do so much with with voice collecting old radio shows, as I do, it's really fascinating to to hear all the old shows and the different things that that people do, and the way they can sound so natural doing so many different kinds of voices and so on. And I think we've lost that art, to a degree, at least for a lot of people who try to go off and recreate radio shows, it sounds forced. And we've we've not been able to really train people, although I think one of the things that the radio enthusiast of Puget Sound wants to do is to actually start providing some acting classes to teach people how to use their voices in really doing radio shows, right.   Amber Ba'th ** 35:54 Yeah, yeah, you're so right. I mean, when I was I was actually a a moderator and assistant to a improv workshop coach. I always told students it is so imperative to take acting classes. I mean, I know with voiceovers, it's a lot of it's commercial and things like that, but you have to understand that when you are conveying a message, you know, I don't care how great your voice sounds, if the listener cannot feel, you cannot really get into what you're saying. Or even, let's just say it's a commercial for food. If they can't say, Okay, I gotta go and get some food. Now, you know, then you didn't do your job, right? You know? And I tried to let I said, Listen, it's not just people, you know. They will say, Oh, I'm selling burgers. No, you're not. You're not selling burgers. You know, it's people are hungry. You know, you're telling people this is what they should do because you're hungry, it's mouth watering, yeah, you know, describe what you're eating, and you have to do it in such a way, in such in such a short amount of time, that it just leaves people salivating, you know? And that's, that's what they want, that's what sells the food, the product, or or whatever, whatever it is that you are sharing. So I really tell students, please take acting classes. Yeah, you have to see it, envision it. Sometimes you got to get up and, you know, move around. Sometimes when you're doing auditions, or when you're actually doing a session or performances, you know, and nobody can see you.   Michael Hingson ** 37:50 And it's about the voice. I know that the again, reps the radio enthusiast at Puget Sound does a number of radio recreations. I participated in a couple, but one of the things that I do, and a few of the actors who have been around for a long time, Margaret O'Brien and Beverly Washburn and other people like that, before they will undertake one of the parts that they're they're asked to do in recreating a radio show, they go back and listen to the original show because they want to get into the character.   You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Send us a textWe open with the headline everyone's talking about: Saturday Night Live host Sabrina Carpenter dropping not one but two F-bombs during her performance. Was it an accident—or marketing genius? The crew recalls when saying that word on air could end your career (see: Charles Rocket, 1980) and marvels at how little anyone seems to care now. That morphs into a look back at TV's most shocking live moments, including the Bud Dwyer tragedy, and a reminder that some things on television really can't be unseen.From there the discussion shifts to streaming supremacy. The consensus? Apple TV+ might quietly be the new number one. Between prestige hits like The Lost Bus, Shrinking, and Lessons in Chemistry—and now Brad Pitt's F1 racing movie—Apple keeps outclassing competitors while HBO Max raises prices. Still, the question lingers: will F1 actually make Americans care about Formula One racing? Angelo's doubtful, Rhea's open-minded, and Glenn just wants to avoid another algorithm-driven flop.Naturally, that launches a Philly-centric tangent: the upcoming TV series about the making of Rocky that's currently filming around the city. The gang debates whether Sylvester Stallone's absence from the project is a bold move or a missed opportunity. Either way, they agree the story—and the city—deserve another moment in the spotlight.Jay's standing question of the week then takes over: If you could make a “making-of” series about any movie, what would it be? Glenn picks Caddyshack, calling it the most chaotic comedy production ever. Rhea goes with The Birdcage, imagining the behind-the-scenes magic between Robin Williams, Gene Hackman, and Nathan Lane. The group riffs on how both films were equal parts brilliance and madness, the kind of creative chaos that just doesn't exist anymore.Before signing off, everyone shares their weekly watchlist. Rhea recommends Maigret on PBS Masterpiece—a stylish French detective show that's surprisingly addictive. Glenn throws in And Then There Were None on Prime Video, an elegant Agatha Christie mystery, and The Lowdown on Hulu, a gritty noir starring Ethan Hawke. Angelo ends with The Perfect Neighbor on Netflix, a body-cam-style thriller that hits hard and stays with you long after the credits roll.LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

Welp, I guess now sitting members of Congress are coming on the pod. We're joined by the trailblazing, first ever trans representative, Congresswoman Sarah McBride. She talks about the shutdown and how we build a coalition to fight back against this hostile administration. Then we tackle the blockbuster film that changed the conversation around what was allowed for gay characters in popular culture, Robin Williams and Nathan Lane's The Birdcage!Chapters Introduction (00:00:00) Hatch News (00:07:48) Interview with Congresswoman Sarah McBride (00:11:308) The Birdcage Roundtable (00:35:09) Your Letters (01:23:38) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Cindy Pearlman, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to talk about Lionel Richie’s Las Vegas residency and Sarah Snook’s new Peacock series. She also shares reviews of Martin Scorsese’s documentary, Nathan Lane’s project with Bette Midler, and the 35th anniversary of “Beverly Hills, […]

This week on Myopia Movies, we celebrate Atlanta Pride with The Birdcage! Welcome back to the show to the hairiest man that Hollywood could contain, with an added mustache! Who was the better man in drag, Nathan Lane or Robin Williams?  How does The Birdcage hold up? Host: Nic Hoffmann Panel: Charlie, Nur, Alex

Nathan Lane is a three-time Tony and Emmy Award-winning actor beloved for his roles on stage and screen, from The Producers and The Birdcage to voicing Timon in Disney's The Lion King. In this conversation from March 2023, Lane opens up to Willie Geist about his return to Broadway in Pictures from Home, his journey from theater to Hollywood, and the performances that have defined his decades-long career. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, our summer break continues with visits from our coolest guests, including Sterling K. Brown, Nathan Lane, Brian Tyree Henry, and Vanessa Bayer!Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Some called him the Gilded Age's biggest snob. Others thought he was a genius of social protocol and maneuvering through aristocratic circles.  Most famously, he acted as Mrs. Astor's right hand in sorting, selecting and assembling a group of New York's elite he was credited (erroneously) as naming "the 400".  Nonetheless his influence on who got in and who stayed out was significant - but just exactly who was HE?  Join Carl for this in-depth look at just who Ward McAllister (played by Nathan Lane in HBO's "The Gilded Age") was and how he climbed the social ladder - and most of all, how he committed one of Gilded Age society's greatest sins - he wrote a book and told all. Listen to other Gilded Gentleman shows tied to the HBO series including Black Newport, Playing Mamie Fish, Consuelo Vanderbilt and the Gilded Age's Million Dollar Princesses and The Real Mrs. Astor. And listen to the Bowery Boys Podcast's Tom Meyers on the Official Gilded Age Podcast

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This week, special guest Nathan Lane joins panelists Shantira Jackson, Luke Burbank, and Roy Blount, Jr.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Actor Nathan Lane feels it's about f***king time he was asked to be Conan O'Brien's friend. Nathan sits down with Conan to discuss his storied career from Broadway to iconic film roles in The Birdcage and The Lion King, honoring actress Linda Lavin in his new series Mid-Century Modern, and being tested for vertigo at the Dizzy Institute. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Ira and Louis discuss Ira's tenure on The Floor, the drama surrounding Snow White, the chilling new series Adolescence and ticket prices for Othello on Broadway. Jeffery Self joins them to discuss the best portrayals of sex workers in film, his own history as a sex worker, and his new memoir Self-Sabotage: And Other Ways I've Spent My Time. Nathan Lane joins to discuss his new series Mid-Century Modern, favorite Guys & Dolls memories, and why he also enjoys dastardly roles.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast