Podcasts about Hammerstein

durée : 00:21:02 - par : Laurent Valière - Comédie musicale en deux actes de Richard Rodgers, livret d'Oscar Hammerstein II et Joshua Logan, d'après Pacifique Sud (Tales of the South Pacific) de James A. Michener, créée à Broadway en 1949. - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

1962's State Fair marked the third screen adapatation of the novel by Phil Stong.  As in 1945, this one was a musical but a big, colorful, expansive musical that Hollywood was so good at in the 1960's.  Starring heartthrobs Pat Boone, Bobby Darin and Ann-Margret, it's the story of the Frake family and their ambitions to win big at the State Fair of Texas in Dallas.  Rodgers and Hammerstein wrote new music for the film, one of the few musicals written expressly for the big screen, and several plot elements were added or changed to make this version more contemporary.  Tom Ewell, Alice Faye (coming out of retirement) and Pamela Tiffin round out the Frake family. Dan and Vicky discuss the film as well as some recently seen movies like Obsession, Apex, Tuner, Is God Is, and Remarkably Bright Creatures.    Our socials:  hotdatepod.com FB:  Hot Date Podcast X: @HotDate726

This is the second part of my conversation with author Barry Kester whose fascinating new book is titled: Round In Circles — The Story of Rodgers & Hammerstein's CAROUSEL. Last week we focused on the three people most responsible for the creation of CAROUSEL — Oscar Hammerstein, Richard Rodgers, and the dynamic producer Theresa Helburn, whose vision and obsession it was to turn Ferenc Molnar's play Liliom into a musical.   This week Barry takes us behind the scenes of CAROUSEL's rehearsal period and it's rocky out-of-town tryout including its very first performance in New Haven where the show ran more than four hours long! Along the way we have the opportunity to focus on the other key members of Carousel's creative team — choreographer Agnes De Mille, director Rouben Mamoulian, dance arranger Trude Rittmann, and orchestrator Don Walker — all of whom were crucial in helping Rodgers & Hammerstein turn what could have been a disaster into one of the landmark musicals of the “Golden Age of Broadway.”  If you missed part one you may want to catch up with that episode before listening to this one. This episode is made possible in part through the generous support of Patron Club Members: Roger Kloresse, Elizabeth Troxler and Chris Moad.  Thank you all! How to become A PATRON of Broadway Nation! If you are a fan of Broadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Choreographer David Bolger discusses the Bord Gáis Energy Theatre's new production of Rodgers & Hammerstein's Oklahoma!.

My guest on Broadway Nation this week is Barry Kester, author of the fascinating new book: Round In Circles — The Story of Rodgers & Hammerstein's CAROUSEL. I thought I knew a lot about Carousel — and in fact Albert Evans and I have previously devoted several previous episodes to that show and its truly groundbreaking innovations. However, we both found this book to be filled with new information, new discoveries, and new insights.    Based on his exemplary research, Barry Kester takes us deep inside Rodgers & Hammerstein's creative process as they endeavor to transform Ferenc Molnar's dark, fantastical play, Liliom, into their second Broadway musical collaboration, which they know will be compared to their first show, Oklahoma!, which had become the most successful Broadway Musical of all time and was still going strong! So, they consciously set out to do something very different.   At the center of this story is a dynamic woman, producer Theresa Helborn, who was the inspiring, driving force behind the show. In fact, without Helborn there would have been no Carousel or Oklahoma! This is the first of three episodes in which Barry will share with us not only these fascinating stories but also his own unlikely and surprising tale of how he came to write this book. Become A PATRON of Broadway Nation! If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff and Phil welcome back acclaimed legendary playwright David Henry Hwang, who talks about his new take on the classic Rodgers and Hammerstein musical Flower Drum Song, now playing at East West Players in Los Angeles. He talks about rewriting and re-contextualizing the book for this beloved show (still only one of the few Broadway musicals to center Asian Americans); refreshing a some of the more outdated and regressive elements of the story -- including a few of the cringe-inducing lines from David's own 2002 revisal -- for contemporary times; and how the this staging of Flower Drum Song represents a full-circle moment for David's life and career.

Few films have done more to reimagine a fairy tale than Ever After: A Cinderella Story, Andy Tennant's 1998 period drama that stripped the magical elements from one of the world's oldest stories and replaced it with real historical characters, and a heroine who rescues herself.Set in Renaissance-era France and shot entirely on location across the Dordogne, the film marked a quiet revolution in the Cinderella canon, arriving at a precise cultural moment between Disney's pastel dominance and the full flowering of girl power that would follow in the late 90s and beyond.The story of Ever After goes from the ancient origins of the Cinderella myth, through the literary transformations of Perrault, the Brothers Grimm, and Rossini's opera, to the cultural watershed of Disney's 1950 animated classic and the Rodgers and Hammerstein television musicals that rewrote what the story could mean for successive generations of young women. Ever After sits in that lineage, and its particular brand of post-feminist revisionism hit hard in the summer of 1998. It broke away from typical fairy tale clichés, offering a fresh take that emphasizes empowerment and self-determination for women in a historical context.Drew Barrymore, working as an unofficial producer, personally cast Anjelica Huston with a phone call invoking their shared Hollywood dynasties, went to bat for a rejected Dougray Scott, and designed the film's emotional core around a character she saw as a manifesto for her own future. For Barrymore, then navigating the transition from dangerous ingénue to bankable leading lady, Danielle de Barbarac was not simply a role, it was who she intended to become.Ever After's place in the broader arc of Cinderella adaptations, its enduring resonance with the generation that grew up with it, leaves it with the everlasting legacy of being one of the best adaptations of the story, loved by viewers, and its cast. Ever After managed to capture the essence of love and resilience, reminding us that true magic lies in our actions and connections with others, not just fairy godmothers and pixie dust.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Comedian and actor Gianmarco Soresi (Thief of Joy comedy special, Netflix, The Downside podcast) and comedian Raanan Hershberg (The Tonight Show, Comedy Central, Your Favorite Movie Sucks podcast) join Jameela for an episode that encompasses the Middle East peace process, the American healthcare system, and fraternity hazing rituals involving marshmallows.Gianmarco's micro humiliation takes us back to college, where four years of anxiety about cracking during a song culminated in exactly that, on the final note of an eight-minute Rodgers and Hammerstein soliloquy, in front of everyone, with absolutely no way to play it off. His Big Wrong Turn begins with a gig booked through his uncle in real estate: a private roast of a 50-year-old stranger at his second bachelor party in a New Jersey steakhouse. He shows up in a suit. They're in shorts. They're sitting in a circle. And it only gets worse from there.Raanan's Big Wrong Turn is less wrong turn, more system failure. His girlfriend has an eye stroke, and what follows is an ambulance with no siren, insurance paperwork filled out in the back of said ambulance, a doctor appearing via video call from her kitchen, and a transfer to a second hospital in a storm immediately after taking blood thinners. America!In this week's Misery Loves Company, a listener named Edward recounts a fraternity initiation involving a marshmallow relay race that is exactly as bad as it sounds, and makes the only sane decision anyone in this episode manages.Follow Raanan at @RaananComedy and watch his podcast Your Favorite Movie Sucks on YouTube. Follow Gianmarco at @GianmarcoSoresi and catch him on tour across the US, UK, and Europe, his special Thief of Joy is out now on YouTube.Jameela's Substack is A Low Desire To Please, you can also find her on Instagram, TikTok and YouTube.Our consulting producer is Colin Anderson.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey. Hosted on Acast. See acast.com/privacy for more information.

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

So much of what is happening these days seems utterly nonsensical, from Trump’s war crime and profanity-laced Easter rant, to the whipsaw on Iran. So, is it simply Occam’s razor, or is there more going on here than we’re led to believe? Since I entered politics, I have chiefly had men’s views confided to me privately. Some of the biggest men in the United States, in the field of commerce and manufacture, are afraid of somebody, are afraid of something. They know that there is a power somewhere so organized, so subtle, so watchful, so interlocked, so complete, so pervasive, that they had better not speak above their breath when they speak in condemnation of it. — President Woodrow Wilson, The New Freedom: A Call for the Emancipation of the Generous Energies of a People (1913) The real truth of the matter is, as you and I know, that a financial element in the larger centers has owned the Government ever since the days of Andrew Jackson — and I am not wholly excepting the Administration of W. W. The country is going through a repetition of Jackson’s fight with the Bank of the United States — only on a far bigger and broader basis. — President Franklin D. Roosevelt, letter to Col. Edward Mandell House (21 November 1933); as quoted in F.D.R.: His Personal Letters, 1928-1945, edited by Elliott Roosevelt (New York: Duell, Sloan and Pearce, 1950), pg. 373 I would suggest nothing we’re seeing, including (especially) the seemingly nonsensical, is ‘accidental’ or coincidental. It is PSYOP/PSWAR, a potent toxic mixture of POSIWID and chaos theory designed and intended to rapidly produce maximum chaos resulting in a ‘Clash of Civilizations‘ and The End of History and the Last Man, to ultimately bring about a ‘Novus Ordo Seclorum’1234 a la Genesis 11 → Genesis 6 → culminating in Psalm 2 → Revelation 19. Links Videos / Clips [x] = Played Trump says Americans against war with Iran are ‘foolish’ [x] 2:00–5:15 [x] 8:33–9:12 ‘Apparently I'm an idiot': Three-time Trump voter in Pennsylvania sounds off on Iran war [x] 3:15–3:45 Lucifer Has a NASA Moon Mission named Artemis. Here’s What They’re Hiding. Headlines [x] = Mentioned / Discussed Trump: “A Whole Civilization with Die Tonight” If President Trump carries out his threat to kill the entire civilization of Iran, he will join the ranks of Cato the Elder, Genghis Khan, Cortez, and other villains in history who chose the policy of destroying an entire civilization. Needless to say, this is not what Washington, Madison, Adams, Jefferson, and Franklin had in mind when they founded the US Constitutional Republic. Members of the US government—as well as We the People—should think about the reflections of multiple Roman authors who regarded the total annihilation of Carthage as an outrage and repudiation of Rome's republican values and virtues. In the Aeneid, Virgil frames the Punic Wars as a fateful conflict initiated by the Punic Queen Dido’s curse on Aeneas’s descendants. I interpret this as Virgil's way of condemning the “unspeakable” destruction of Carthage. The American people should be aware of the fact that if our US government does indeed annihilate the Iranian nation forever, it will certainly have a vast array of terrible consequences for us and for all of mankind. Among other disasters, it is likely that millions of Iranians will be forced to flee to other lands, including those of Europe. Many young men who see their mothers, fathers, brothers, sisters suffer will be animated with a burning desire for revenge. I anticipate great horrors ahead for all of us. Trump's F-Bomb on Iran Joins America's Rollicking History of Presidential Profanity White House Easter egg roll Monday: How to watch live White House Easter Egg Roll honors America’s egg farmers, says President Trump | Fox News [x] Pentagon's new plans in Iran give Trump a way out of war crime accusations – POLITICO [x] Trump threatens to jail journalist who reported on crew's rescue in Iran if they don't reveal source – POLITICO [x] Iran Says US Airman Rescue May Have Been Cover to ‘Steal Enriched Uranium' Artemis ‘Launch’ April Fool’s Day / Easter – Amazing ‘Coincidence’ [x] [Published April Fool's Day! Same as Artemis II 'launch'] Did Van Allen Belts Stop the Moon Landings? Myth vs Fact – FreeAstroScience [x] Artemis II live updates: Nasa astronauts returning to Earth after seeing parts of Moon ‘no human has ever seen' | The Independent Artemis – Wikipedia “Isis, Astarte, Diana, Hecate, Demeter, Kali, Innana…” & Asteroids | Fixed Stars Are the goddesses Ashteroth, Remphan, Isis, Ishtar, Belit, Anahita, Artemis, and Diana the same goddess with different names? – Quora Pan: The Complete Guide to the Greek God of Nature (2023) The Rest [x] = Mentioned / Discussed [x] Deutsche Bank – Wikipedia [x] Deutsche Bank [00:27, 17 May 2024 revision] – Wikipedia [x] Trump family faces high-stakes testimony in Manhattan fraud trial [x] At Trump Org fraud trial, ex-banker recalls ‘hunting' for Trump's business | Courthouse News Service [x] Finra Suspends Trump's Former Personal Banker – AdvisorHub [x] Rosemary Vrablic – Wikipedia [x] Jared Kushner – Wikipedia The thinly sourced theories about Trump's loans and Justice Kennedy's son (Jul 12, 2018) by Salvador Rizzo | The Washington Post [x] Why Trump Is Mentally Unfit to Be President: Pathology of Narcissism (Apr 5, 2017) by Alex Morris | Rolling Stone [x] Taibbi on the Madness of Donald Trump (Sep 19, 2017) by Matt Taibbi | Rolling Stone [x] Donald Trump Is About to Be a Loser, His Lawyers Say (Mar 22, 2023) by Asawin Suebsaeng and Adam Rawnsley | Rolling Stone [x] Donald Trump, Trickster God (Mar 4, 2016) by Corey Pein | The Baffler [x] Kushner and Witkoff – by esc [x] IMEC: Trump's War With Iran Is About Global Trade. Period. [x] What The Iran Attack Is Really All About – Road Warrior Radio [x] Road Warrior Radio with Chris Hinkley, March 10, 2026 Hour 1 – Republic Broadcasting Network [x] Road Warrior Radio with Chris Hinkley, March 10, 2026 Hour 2 – Republic Broadcasting Network On This Day Events April 2026 Calendar of Public Holidays | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States OTD On This Day – What Happened on April 7 Today in History: April 7, Rwandan genocide begins | AP News What Happened on April 7 – On This Day What Happened on April 7 | HISTORY April 7 – Wikipedia What Happened On April 7 In History? 07 | April | 2020 | Executed Today Holidays National Beer Day (United States) Historical Events 2022 – The Senate confirmed Ketanji Brown Jackson – “Pizzagate” judge who was unable to define ‘woman' – to the Supreme Court, securing her place as the court's first Black female justice. 2021 – COVID-19 shenanigans: The Centers for Disease Control and Prevention announces that the SARS-CoV-2 Alpha variant has become the dominant strain of COVID-19 in the United States. 2020 – COVID-19 shenanigans: China ends its lockdown in Wuhan. 2020 – COVID-19 shenanigans: Acting Secretary of the Navy Thomas Modly resigns for his handling of the COVID-19 ‘pandemic’ on USS Theodore Roosevelt and the dismissal of Brett Crozier. 1994 – A day after the presidents of Rwanda and Burundi died in a missile attack on their aircraft, the moderate Hutu prime minister of Rwanda, Agathe Uwilingiyimana, and her husband were killed by Rwandan soldiers; in the 100 days that followed, Hutu extremists slaughtered hundreds of thousands of minority Tutsi and Hutu moderates. 1990 – John Poindexter is convicted for his role in the Iran–Contra affair. In 1991 the convictions are reversed on appeal. 1984 – The Census Bureau reported that Los Angeles had overtaken Chicago as the nation's “second city” in terms of population. 1980 – During the Iran hostage crisis, the United States severs relations with Iran. 1970 – John Wayne wins Best Actor Oscar: The legendary actor John Wayne wins his first—and only—acting Academy Award, for his star turn in the director Henry Hathaway's Western True Grit. Known for his tough, rugged, uniquely American screen persona, Wayne appeared in some 150 movies over the course of his long and storied career. 1969 – The internet is born: With the publication of RFC 1, The Advanced Research Projects Agency (ARPA) awarded a contract to build a precursor of today’s world wide web to BBN Technologies. The date is widely considered as the internet’s symbolic birthday. 1968 – Riots continue in over 100 US cities following the Apr 4 assassination of Martin Luther King Jr. 1966 – The U.S. Navy recovered a hydrogen bomb that the U.S. Air Force had lost in the Mediterranean Sea off Spain following a B-52 crash. 1964 – IBM announces the System/360. 1963 – Tito is made president of Yugoslavia for life: A new Yugoslav constitution proclaims Tito the president for life of the newly named Socialist Federal Republic of Yugoslavia. Formerly known as Josip Broz, Tito was born to a large peasant family in Croatia in 1892. 1961 – JFK lobbies Congress to help save historic sites in Egypt: President John F. Kennedy sends a letter to Congress in which he recommends the U.S. participate in an international campaign to preserve ancient temples and historic monuments in the Nile Valley of Egypt. The campaign, initiated by UNESCO, was designed to save sites threatened by the construction of the Aswan High Dam. 1954 – Domino Theory: President Dwight D. Eisenhower coined one of the most famous Cold War phrases, held a news conference in which he outlined the concept of the “domino theory” as he spoke of the importance of containing the spread of communism in Indochina, saying, “You have a row of dominoes set up, you knock over the first one, and what will happen to the last one is the certainty that it will go over very quickly.” 1953 – Sweden's Dag Hammarskjöld elected U.N. head: By a vote of 57 to 1, Dag Hammarskjöld is elected secretary-general of the United Nations. The son of Hjalmar Hammarskjöld, a former prime minister of Sweden, Dag joined Sweden's foreign ministry in 1947, and in 1951 formally entered the cabinet as deputy foreign minister. 1950 – President Truman receives NSC-68 report, calling for “containing” Soviet expansion: President Harry S. Truman receives National Security Council Paper Number 68 (NSC-68). The report was a group effort, created with input from the Defense Department, the State Department, the CIA, and other interested agencies; NSC-68 formed the basis for America's Cold War policy for the next two decades. 1949 – Tony-winning musical South Pacific opens on Broadway: The Rodgers and Hammerstein musical South Pacific opens at the Majestic Theatre on Broadway in New York City. The romantic musical about World War II, which touches on controversial racial themes, goes on to run for almost five years, becoming one of the most popular musicals of the 1950s. 1948 – World Health Organization established: The WHO, a privately funded United Nations agency front organization, ostensibly concerned with fighting disease and epidemics worldwide, building up national health services, and improving health education in its 194 member states. 1945 – World War II: The Imperial Japanese Navy battleship Yamato, one of the two largest ever constructed, is sunk by United States Navy aircraft during Operation Ten-Go, in Japan's first major counteroffensive in the struggle for Okinawa. Weighing 72,800 tons and outfitted with nine 18.1-inch guns, the battleship Yamato was Japan's only hope of destroying the Allied fleet off the coast of Okinawa. 1943 – The National Football League makes helmets mandatory. 1943 – Holocaust in Ukraine: In Terebovlia, Germans order 1,100 Jews to undress and march through the city to the nearby village of Plebanivka, where they are shot and buried in ditches. 1940 – Tuskegee Institute founder Booker T. Washington becomes the first Black American to be honored with a postage stamp. It will take nearly four decades for a Black woman to receive a similar honor: Harriet Tubman in 1978. 1939 – Benito Mussolini invades Albania, declares an Italian protectorate over Albania and forces King Zog I into exile. 1933 – National Beer Day: Prohibition in the United States is repealed for beer of no more than 3.2% alcohol by weight, eight months before the ratification of the Twenty-first Amendment to the United States Constitution. (Now celebrated as National Beer Day in the United States.) 1927 – First long-distance television transmission: an image of Secretary of Commerce Herbert Hoover is sent from Washington, D.C. to NYC by AT&T 1922 – Teapot Dome Scandal: Interior Secretary Albert B. Fall signed a secret deal to lease U.S. Navy petroleum reserves in Wyoming and California to his friends, oilmen Harry F. Sinclair and Edward L. Doheny, in exchange for cash gifts; Fall would eventually be sentenced to prison on bribery and conspiracy charges in what became known as the Teapot Dome Scandal. 1868 – Thomas D’Arcy McGee, one of the Canadian Fathers of Confederation is assassinated by the Irish, in one of the few Canadian political assassinations, and the only one of a federal politician. 1862 – American Civil War: Battle of Shiloh concludes: Two days of heavy fighting conclude near Pittsburgh Landing in western Tennessee. Union forces led by Gen. Ulysses S. Grant and Maj. Gen. Don Carlos Buell are victorious after the Confederate attack stalled on April 6, and fresh Yankee troops drove the Confederates from the field on April 7. 1832 – The Man Who Sold His Wife: Most modern readers believe Thomas Hardy was plunging into deep fiction when he wrote about a man selling his wife. He wasn’t. Nagging wives needed to be careful in 19th Century England, for, as Hardy recounted in The Mayor of Casterbridge, her husband might put her up for sale. That's just what happened on this day to Mary Thompson, according to a local newspaper report. 1829 – Joseph Smith, Jr., founder of the Latter Day Saint cult, commences translation of the Book of Mormon, with Oliver Cowdery as his scribe. 1827 – First friction match sold: English chemist John Walker produced and sold the first operable matches. They were soon banned in France and Germany because burning fragments would sometimes fall to the floor and start fires. 1805 – German composer Ludwig van Beethoven premieres his Third Symphony, at the Theater an der Wien in Vienna 1805 – Lewis and Clark depart Fort Mandan: After a long winter, the Lewis and Clark expedition departs its camp among the Mandan tribe and resumes its journey West. The Corps of Discovery had begun its voyage the previous spring, and it arrived at the large Mandan and Minnetaree villages along the upper Missouri River (north of present-day Bismarck, North Dakota) in late October. 1798 – The Mississippi Territory is organized from disputed territory claimed by both the United States and the Spanish Empire. It is expanded in 1804 and again in 1812. 1788 – American Pioneers to the Northwest Territory arrive at the confluence of the Ohio and Muskingum rivers, establishing Marietta, Ohio, as the first permanent American settlement of the new United States in the Northwest Territory, and opening the westward expansion of the new country. 1776 – Captain John Barry and the USS Lexington captures the Edward. 1739 – Dick Turpin is executed in England for horse stealing 1724 – Johann Sebastian Bach’s St. John Passion premiered: St. John’s Passion premieres on Good Friday at St. Nicholas Church in Leipzig, Electorate of Saxony (now Germany). The sacred oratorio is the oldest extant Passion by the German composer. The highly popular work is a dramatization of the final days of Jesus Christ, according to the Gospel of John. 1521 – Ferdinand Magellan arrives at Cebu. 529 – First draft of Corpus Juris Civilis or the Justinian Code (a fundamental work in jurisprudence) is issued by Eastern Roman Emperor Justinian I 451 – Attila the Hun captures Metz in France, killing most of its inhabitants and burning the town. 30 – Scholars estimate for the crucifixion of Jesus by Roman troops at the behest of Jewish leadership (Caiaphas the high priest, chief priests, scribes, elders) on Golgotha outside Jerusalem [or April 3] Births 1964 – Russell Crowe, New Zealand/Australian actor, singer, producer 1954 – Jackie Chan, Hong Kong-born actor and director noted for acrobatic stunt work in hits like “The Young Master” and the “Rush Hour” series. 1939 – Francis Ford Coppola, American director, producer, screenwriter 1938 – Jerry Brown, American lawyer and politician, 34th and 39th Governor of California 1931 – Daniel Ellsberg, American activist and author (died 2023) 1928 – James Garner, American actor, singer, and producer (died 2014) 1920 – Ravi Shankar, Indian/American sitar player, composer (died 2012) 1915 – Billie Holiday, American Jazz singer-songwriter, actress whose soulful intensity earned her the nickname “Lady Day.” Signature hits like “Strange Fruit” and “God Bless the Child.” (died 1959) 1897 – Walter Winchell, American journalist and radio host (died 1972) 1893 – Allen Dulles, American lawyer and diplomat, 5th Director of Central Intelligence (died 1969) 1890 – Marjory Stoneman Douglas, journalist, conservationist, activist best known for her advocacy for the preservation of Florida’s Everglades region. (died 1998) 1860 – Will Keith Kellogg, American businessman, ardent eugenicist, Seventh-day Adventist cult member, founded the Kellogg Company (died 1951) 1772 – Charles Fourier, French philosopher, communist (died 1837) 1770 – William Wordsworth, English poet (died 1850) Deaths 1947 – Henry Ford, American businessman, founded the Ford Motor Company (born 1863) 1928 – Alexander Bogdanov, Russian physician, philosopher, and author (born 1873) 1891 – P. T. Barnum, American businessman, co-founded Ringling Bros., Barnum & Bailey Circus (born 1810) 1804 – Toussaint Louverture, Haitian general (born 1743) 1733 – Samuel Partridge, very stupid and unconcern'd From the New England Weekly Journal, July 23, 1733 — a three-month-old news item (part of a roundup of dated minor dispatches) that had to cross the Atlantic from the mother country. Ipswich, April 7. Last Saturday Samuel Partridge was executed here, for robbing Mr. Barwell of Brockley in this City, of 31l, 10s., a Horse, and other Things, in Company with another Person not yet taken. He said he was born at Debden in Suffolk, that he was about 22 years of Age, and was brought up in Husbandry; he appeared to be very illiterate, for he could neither read nor write, and was entirely ignorant of the first Principles of Christianity. He denied the Fact for which he suffered, and said he was perswaded to own the Robbery by a Soldier that was in Halsted Bridewell with him, he telling him, that if he confessed the Fact he would come off very well; and that he advised him to say, that he had made use of a Bolt instead of a Pistol, and that he had hid it in a certain Place, where it was found according to his Direction. At the Place of Execution he seemed very stupid and unconcern'd; only, as directed, he called on God for Mercy when he was turned off. Elon Musk Tweets ‘Novus Ordo Seclorum' After Donald Trump Wins Reelection. MAGA Is The Pied Piper – winepressnews.com ↩ Novus Ordo Seclorum – History of Motto on Great Seal’s Unfinished Pyramid ↩ Novus ordo seclorum – Wikipedia ↩ Annuit cœptis – Wikipedia ↩

Front Row Classics is celebrating the 70th anniversary of the film version of Rodgers and Hammerstein's The King and I. Brandon and Peter Martin chat about the legendary performances of Yul Brynner and Deborah Kerr. They also discuss what works and doesn't work about the translation from stage to screen. 

Shall We Dance Front Row Classics is celebrating the 70th anniversary of the film version of Rodgers and Hammerstein’s The King and I. Brandon and Peter Martin chat about the legendary performances of Yul Brynner and Deborah Kerr. They also discuss what works and doesn’t work about the translation from stage to screen. Don't forget … Continue reading Ep. 437- The King and I →

The first full week of April will include a patriotic corn toss tournament, multiple resident lifestyle volunteer groups being showcased, a two-day Patriotic Prom, and the annual Ladies Village Cup elimination rounds. The new SigPro Studio opens up with a world premier production, and for Disney fans, you can enjoy Moana Jr. and SMASH Productions Rodgers & Hammerstein's Cinderella, too. 

Episode 64 features an interview with Steep Canyon Rangers, music from Grammy Award-winning bluegrass band Infamous Stringdusters, indie-folk musician John Muirhead, singer-songwriter Malia Rogers, and film composer Dash Hammerstein.

If you're looking for something uplifting and musical this April, the Kilrush Choral Society is bringing a true classic to the stage. The Sound of Music will be performed at Kilrush Community School from April 7th to the 11th. For more on this, Alan Morrissey was joined by the director, Ger Rushe and member of the society, Geraldine Keating.

As the 1950s moved on, new talents were emerging, taking up the challenge laid down by Rodgers and Hammerstein to create integrated musicals featuring real characters dealing with real issues. Among others, Jerome Robbins, Leonard Bernstein, Arthur Laurents, and Stephen Sondheim heard that challenge and rose to meet it, creating something brand new and incredibly challening for 50s Broadway audiences. West Side Story debuted in 1957 (Erik says 1959 a few times in the episode, ignore him), and its 1961 film adaptation cemented its legacy as a classic. So why has it taken this long to get to it? The reasons are complicated. Join us as we discuss them and the 2021 version of "America," All clips are from 2021's motion picture soundtrack of West Side Story featuring Ariana DeBose and David Alvarez and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: https://sites.google.com/view/analyzing-vocal-music/posts/leonard-bernstein-america https://www.pbs.org/wnet/americanmasters/the-divided-states-of-america-why-rita-moreno-objected-to-west-side-storys-original-lyrics/18671/ Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical

Talking all things Oklahoma this morning with producer Stephen Faloon and director Claire Tighe, ahead of their production of the Rodgers & Hammerstein classic musical at BGETheatre - running 19 June- 05 July

ReferencesCell Death & Disease 2014. volume 5, e1416 J Biomed Sci 2017. 24, 63 Cancer and Metastasis Reviews (2025) 44:16 J Exp Clin Cancer Res2023. 42, 275 (2023)Guerra,DJ.2026.Unpublished LecturesVivaldi, A. 1718. La Primavera in E Major. RV 269. OP 8.https://music.youtube.com/watch?v=3LiztfE1X7E&si=IjC_s5TaQhSMhk4FRogers and Hammerstein. 1945. It might as well be Spring. Frank Sinatra.https://music.youtube.com/watch?v=GzHqGuWFkG8&si=NBYFSV05e3hernpw

With Survivor 50: In the Hands of the Fans only a few days away, we discuss the Kalo tribe after simulating a season via Brantsteele of ALL women! We love women! This Week's Quobst Quiz - https://www.buzzfeed.com/theparacosm111/sage-woman-type-quiz Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: Run Away With Me (Simlish) - Carly Rae Jepsen Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

Join Jacob Fowler (Into The Woods / Heathers) and Andrew Tomlins (West End Frame Editor) for a special Q&A episode of The West End Frame Show!Jacob and Andrew answer your questions, with topics ranging from theatrical idols, the unsung heroes of theatre, favourite regional venues, how you can earn money between jobs, movie to stage adaptations, the logistics of recording West End Frame podcasts... and lots more. A big thank you to everyone who sent in questions! Jacob is the winner of BBC1's Little Mix: The Search and went on to support Little Mix on their Confetti Arena Tour with his band Since September.Jacob played JD in the London and touring productions of Heathers. His other theatre credits include: Lucas in The Addams Family (UK Tour), Prince Topher in Rodgers and Hammerstein's Cinderella (Hope Mill Theatre), Bobby in Dreamboats and Petticoats (UK Tour), Ben in Before After (Southwark Playhouse), Hunter in Title Of Show (Southwark Playhouse), Mohr in Vanara: The Legend (Hackmey Empire), Hunter in In Pieces (Turbine Theatre) and Kings Of Broadway (Palace Theatre). He is currently a standby for Jack, Rapunzel's Prince and the Steward in Jordan Fein's revival of Into The Woods (Bridge Theatre). He's also the production's dance captain and social media captain.Follow Jacob on Instagram: @thejacobfowlerInto The Woods is booking at the Bridge Theatre until 30th May. Visit www.bridgetheatre.co.uk for info and tickets.This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

  Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

(Spoiler Section Length - 6min 4sec)Most animated musicals are original works, rather than adaptations of classic stage shows, but this one's an exception! Taking a classic Rogers and Hammerstein musical, this movie tries to bring it to an audience grown used to Disney Renaissance fare, and it makes a few changes in an attempt to appeal to that audience. Are these changes successful, and regardless, does the original work's quality shine through? Listen to find out!

It's time to kick off a new series of The West End Frame Show - join us for your weekly stagey catchup! Jacob Fowler (standby in Into The Woods) is our first co-host of the season.Jacob joins Andrew (West End Frame's Editor) to discuss American Psycho (Almedia Theatre) and Once On This Island In Concert (Theatre Royal Drury Lane) as well as the latest news about Midnight at the Never Get starring Ben Platt, Sinatra The Musical starring Joel Harper-Jackson, Everybody's Talking About Jamie, The Harder They Come and more. Jacob is the winner of BBC1's Little Mix: The Search and went on to support Little Mix on their Confetti Arena Tour with his band Since September.Jacob played JD in the London and touring productions of Heathers. His other theatre credits include: Lucas in The Addams Family (UK Tour), Prince Topher in Rodgers and Hammerstein's Cinderella (Hope Mill Theatre), Bobby in Dreamboats and Petticoats (UK Tour), Ben in Before After (Southwark Playhouse), Hunter in Title Of Show (Southwark Playhouse), Mohr in Vanara: The Legend (Hackmey Empire), Hunter in In Pieces (Turbine Theatre) and Kings Of Broadway (Palace Theatre). He is currently a standby for Jack, Rapunzel's Prince and the Steward in Jordan Fein's revival of Into The Woods (Bridge Theatre). He's also the production's dance captain and social media captain. Follow Jacob on Instagram: @thejacobfowlerInto The Woods is booking at the Bridge Theatre until 30th May. Visit www.bridgetheatre.co.uk for info and tickets. This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

We're back in The Gold Zone, baby, and also we watched episodes 12 & 13 of Survivor: South Pacific This Week's Quobst Quiz - https://www.buzzfeed.com/lavendar_fairy/which-family-member-are-you-the-reunin11272021-54rc1ks77b Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

Time to take a spin with another Rodgers and Hammerstein classic as we discuss the 1956 musical, ‘Carousel'. The action takes place in Maine as we see the turbulent romance of carousel barker Billy Bigelow and mill worker Julie Jordan. Tune in and you'll never walk alone!

Julie Yammanee is playing Ariel in Unfortunate: The Untold Story of Ursula the Sea Witch.The show has played Edinburgh Fringe and toured, but now it's returning for another London run at The Other Palace in a newly reworked version, which is described as being "shorter, sharper, ruder, with a brand-new design and updated material". Julie is joining the cast for the first time. Unfortunate has book and lyrics by Robyn Grant and Daniel Foxx with music by Tim Gilvin.Julie just finished starring as Inga in Young Frankenstein at The Hope Mill and Liverpool Playhouse. Her theatre credits also include: Tom Watson & Thekla in Nerds (Edinburgh Fringe), Jerry's Girls (Menier Chocolate Factory), Miss Geist in the world premiere of Clueless (Churchill Theatre Bromley), Emma Parker in Bonnie & Clyde (Garrick Theatre), I Wish My Life Were Like A Musical (Wilton's Music Hall & Edinburgh Festival), Marie & Fairy Godmother in Rodgers & Hammerstein's Cinderella (Hope Mill Theatre), Carrie Pipperidge in Carousel (Kilworth House Theatre), Emma Parker in Bonnie and Clyde in Concert (Theatre Royal Drury Lane), Myrtle Wilson in Gatsby (Southwark Playhouse), Spamilton(Menier Chocolate Factory), Ivo van Hove's Lazarus (King's Cross Theatre), Julie Dimitri in And The Winner Is (Vaults), Aladdin (Hackney Empire), Priscilla Queen of the Desert (UK & International Tour), Here Lies Love directed by Alex Timbers (National Theatre) and Christmas Eve in Avenue Q (UK Tour).On screen Julie has appeared in Matilda (Netflix / Working Title) and A Christmas Story Christmas (Legendary / Warner Brothers HBO MAX). In this episode Julie discusses all-things Unfortunate as well as the path of her career, moving from Australia to the UK, learning to say yes and no, how she approached her role in Young Frankenstein and lots more.Unfortunate: The Untold Story of Ursula the Sea Witch runs at The Other Palace until 5th April 2026. Visit www.unfortunatemusical.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Send us a textOur story for this episode is “Grotesque,” by Ian Fortey. A young man moves into an apartment with a gargoyle right outside his window. After some strange incidents, he begins to wonder if the gargoyle is just for show, or some more sinister. Have you ever looked up at a building only to see something staring back? Gargoyles have decorated churches and other buildings for centuries. We'll find out more about their use and history.Music"Fesliyan Studios: "Ghost," "Halloween" "Scary Music,"Audio Jungle: "Halloween Waltzes" Rogers and Hammerstein: "Oklahoma"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                  Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal Podcast

Send us a textOur story for this episode is “Grotesque,” by Ian Fortey. A young man moves into an apartment with a gargoyle right outside his window. After some strange incidents, he begins to wonder if the gargoyle is just for show, or some more sinister. Have you ever looked up at a building only to see something staring back? Gargoyles have decorated churches and other buildings for centuries. We'll find out more about their use and history.Music"Fesliyan Studios: "Ghost," "Halloween" "Scary Music,"Audio Jungle: "Halloween Waltzes" Rogers and Hammerstein: "Oklahoma"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                  Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal Podcast

The historic Hippodrome Theater in Gainesville presents the nostalgic music show “Some Enchanted Evening,” featuring the songs of Rodgers and Hammerstein through the Valentine's month of February

It may be Groundhog Day, but I'm talking about Show Boat, the Hammerstein & Kern Broadway musical that was turned into a big-budget movie. Any film with singing that also has subplots about deadbeat husbands, alcoholism and racism (and a scene with blackface) risks failing to pull off such a tricky balance, but Frankenstein director James Whale DOES make it work. He's got Irene Dunne, Allan Jones and Paul Robeson in key roles in the one where performers on a touring boat in the Deep South…eventually end up in Chicago for about half of the often erroneously-titled movie. So let this ol' man podcaster talk to you about "Ol' Man River" (and so much more) in this 713th dash of Have You Ever Seen podcasting. Well, Actually: around the 39:00 mark, the line SHOULD have been that Hammerstein and RODGERS (not Kern) were especially big in the '50s. Subscribe to the podcast in your app. Rate the show and write a review too. Also, hunt down my link on Letterboxd: RyanHYES. To offer your feedback, email me (haveyoueverseenpodcast@gmail.com), tweet me (@moviefiend51) or try Bluesky (ryan-ellis).

With Survivor 50 only about a month away, we start to get hyped as we discuss episodes 9 & 10 Survivor: South Pacific This Week's Quobst Quiz - https://www.buzzfeed.com/javiermoreno/everyone-has-a-biblical-character-that-matches-their Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

KPFA Theatre Critic Richard Wolinsky reviews the Streetcar Project's production of  “A Streetcar Named Desire” by Tennessee Williams at ACT Toni Rembe Theatre through February 1, 2026.           TEXT OF REVIEW (some changes were made during recording and cuts for timing were made for radio). ​​​​​The greatest of plays often allow for multiple interpretations. We see that all the time in Shakespeare. We see it in Arthur Miller, in the musicals of Rodgers and Hammerstein, even in August Wilson. And of course we see it in Tennessee Williams. Most interpretations of Williams' second play, A Streetcar Named Desire, are inhibited by the famous movie, which catapulted Marlon Brando to fame. It's hard to see Blanche Dubois beyond Vivien Leigh's faded Southern belle, and it's even harder to see the crude Stanley Kowalski past Brando's scream of “Stella!” But those interpretations, however close to Williams' wishes, obscure the play's lyricism and more to the point, his greatest creation, Blanche Dubois. This production by The Streetcar Project, now at ACT's Toni Rembe Theatre through February 1st, which has played in a variety of site-specific spaces, changes the paradigms, first by removing all props and sets, and second by discardmg the characters' accents, particularly that of Blanche Dubois, played by project co-creator, Lucy Owen. In addition, the full text has been restored. In this production, the stage area is fully open, bounded on three sides by two rows of audience members on folding chairs. Characters wander on and off stage, their voices carry but their bodies are sometimes hard to find.. it can feel like a reading, a radio play, but not always, and not in Act Two. What this shows now is that Streetcar is clearly Blanche's play. Whether with her sister, Stella, beautifully embodied by Heather Lind – their sisterhood is palpable, or with Mitch, Stanley's friend who falls for Blanche, played by James Russell as a product of his era, or with the brutal Stanley, performed by Brad Koed, who never quite escapes Brando. Without the accent, without the affectations, Lucy Owen's Blanche is revealed as brilliant, incisive, misunderstood and wronged. Her lies are no longer signs of weakness; they're not delusional; they're necessary for her survival, and the survival of her pride. It's a fascinating interpretation, which Williams' poetic dialogue om;y amplifies. She's caught in the trap of her times, and it's brought her down low. While much is gained here, something is also lost. Concessions to time and place come from the sound system and from costumes, but much of the action becomes incomprehensible without visible cues and with only the four actors. The giant stage, the cavernous theatre weaken the passion between Stella and Stanley. Chemistry vanishes when characters seem a football field apart. Would such a strong Blanche break so thoroughly at the end of the play? But whatever those issues, this is a Streetcar well worth visiting in its short run, through February 1st. For more information, you can go to act-sf.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “A Streetcar Named Desire” at ACT Toni Rembe Theatre appeared first on KPFA.

On this week's recap of episodes 7 & 8 Survivor: South Pacific, we crown our greatest episode title from our last 25 and discuss what a good job Coach is doing this season. (And stick around for our Oscars picks) This Week's Quobst Quiz - https://www.buzzfeed.com/mktg_group_9/adam-sandler-character-quiz Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

El clarinetista y saxofonista Eddie Daniels, que ya dedicó discos enteros a Egberto Gismonti y a Ivan Lins, rinde homenaje a Milton Nascimento en 'To Milton with love' con grabaciones de 'Travessia', 'Outubro', 'Vera Cruz' o 'Morro velho'. La cantante francesa Camille Bertault ha grabado un disco brasileño, 'Voz e vocês', a partir de dúos con el teclista Claudio Dauelsberg ('Samambaia'), el pianista Salomão Soares ('Chovendo na roseira'), el trombonista Bocato ('Inútil paisagem') o la cantante Vanessa Moreno ('Bananeira'). Y la escuchamos también, en un disco anterior titulado 'Bonjour mon amour', con su versión del clásico 'My fav' things' de Rodgers y Hammerstein. Del último disco de Djavan, 'Improviso', las canciones 'Um brinde', 'O vento' y 'Cetim'. Despedida con el pianista Brad Mehldau tocando 'Better be quiet now' de Elliot Smith.Escuchar audio

As we cover episodes 5 & 6 of Survivor: South Pacific, we ask who from this cast would be the best crew to host a podcast and reminisce over copypastas This Week's Quobst Quiz - https://www.buzzfeed.com/oldlegend3931/charcuterie-board-personality-quiz Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

As we cover episode 3 & 4 of Survivor: South Pacific, we ask if Grand Rapids is the new Windy City, and stress out some more over this incredible season. This Week's Quobst Quiz - https://www.buzzfeed.com/brittisnotokay/pick-your-favorite-foods-and-well-tell-you-what-y-c6u7vgv0wz Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

Happy New Year, listeners! We're starting off 2026 with one of the most famous musicals of all time, but while everyone has at least heard of THE SOUND OF MUSIC, most don't know its profound place in musical theatre history. Join guest Tyler Joseph Ellis (SHUCKED) as we discuss nuns, Nazis, and of course, the sound of music. Everyone showed up to this episode wearing Rodgers & Hammerstein swag, so rest assured, this beloved classic was in good hands. If you liked this episode, check out THE KING AND I with Mark Eden Horowitz & Joan Almedilla. Join us at ⁠⁠PATREON!⁠⁠ for contests, essays, and bonus episodes! Be sure to follow and share our content on ⁠⁠Instagram⁠⁠ and ⁠⁠TikTok⁠⁠ and subscribe to the show wherever you listen to podcasts! Looking to give back? We have designs at our ⁠⁠TeePublic Store⁠⁠, and the profits we receive are donated to ⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠. Above all, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our Year of the Dragon Slayer continues, as we discuss the first two episodes of South Pacific. Plus, we relate to numerous boys from this season for reasons that are on brand for each of us. (Jake's mic has a rough buzzing sound. It clears up around the 15 minute mark. So sorry.)  This Week's Quobst Quiz - https://www.buzzfeed.com/hrwilliams/wedding-ready-marriage-quiz Just Podcasts Patreon - http://patreon.com/justpodcasts Intro: What's My Age Again? - Blink-182 Outro: There is Nothing Like a Dame - Rodgers & Hammerstein's ‘South Pacific' Subscribe to "Did You Watch Survivor Last Night?" and tell your friends to too!

You know the drill: It's time to sober up, hit the gym, pick up an actual book, and become your best self. At least until next weekend. Resolution 9: M. Spaff Sumsion: Lyrics Robert Lund: Vocals, instruments, production, what have you "My Favorite Things" is by Rodgers and Hammerstein. To our fan: Yes, this is an updated version of a song from Elves Gone Wild!

I hope you all survived the holidays, and more importantly, I hope you survived the absolute sensory overload that was the last 48 hours of AEW television. The presents are unwrapped, the eggnog is gone, but the road to World's End is burning hot.Tonight, Tim and Tom are LIVE to break down a chaotic Christmas week and look ahead to the PPV this Saturday in Chicago.The Holiday HangoverIf you were scrolling through the Bluesky timeline last night like we were, you saw the collective brain-melt happening in real-time. The theme of the week? Mathematical Chaos and Unadulterated Violence.Between Dynamite on 34th Street and Christmas Collision, Tony Khan gave us the gift of stress. Here is what we are digging into tonight:The C2 Calculus: We went into Christmas Collision with a six-way tie in the Gold League (absolute madness), but the field is finally set. Takeshita vs. Okada? Fletcher vs. Moxley? We're previewing the Semifinals that have the potential to steal the show this Saturday.The Return of the Devil: MJF is back, he's “humble” (sure, Max), and he immediately got stomped out by Hangman and Swerve. The 4-Way Title picture is looking explosive.Steps & Stairs: Gabe Kidd throwing Darby Allin down the Hammerstein stairs? Poetry. Violent, painful poetry.Bandido Strikes Gold: The Dynamite Diamond Ring has a new owner!The Stakes Are High (And So Is The Fashion Risk)It's not just the AEW roster fighting for glory this weekend. Tonight, Tom and I are locking in our official World's End Predictions.And yes, there are consequences.As you'll see on the stream tonight, Tim will be wearing the Jeff Jarrett T-shirt for the duration of the show. He flew too close to the sun on the last predictions, and now has to pay the price.But tonight, the slate is clean. We are predicting the entire World's End card. The loser of this bout has to wear the Double J shirt on next week's episode. Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/aavirall/gravityLicense code: FUEBS0UI2NFZPDE4 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.allelitewrapup.com

Lindsay is joined by author Stephanie Cowell to discuss her book, “The Man in The Stone Cottage.” In 1846, Yorkshire, the Brontë sisters— Charlotte, Anne, and Emily— navigate precarious lives marked by heartbreak and struggle. Charlotte faces rejection from the man she loves, while their blind father and troubled brother add to their burdens. Despite their immense talent, no one will publish their poetry or novels. Amidst this turmoil, Emily encounters a charming shepherd during her solitary walks on the moors, yet he remains unseen by anyone else. After Emily's untimely death, Charlotte— now a successful author with Jane Eyre— stumbles upon hidden letters and a mysterious map. As she stands on the brink of her own marriage, Charlotte is determined to uncover the truth about her sister's secret relationship. The Man in the Stone Cottage is a poignant exploration of sisterly bonds and the complexities of perception, asking whether what feels real to one person can truly be real to another. STEPHANIE COWELL is the author of 7 novels, including Nicholas Cooke, The Physician of London, The Players: a novel of the young Shakespeare, Marrying Mozart, Claude & Camille: a novel of Monet, and The Boy in the Rain. Her work has been translated into several languages, optioned for film, and adapted into an opera. Cowell has been awarded an American Book Award. She has also been an opera singer, balladeer, and founder of the Strawberry Opera and an outdoor performance series in NYC. Fun facts include auditioning before Richard Rodgers, the Rodgers of Rodgers and Hammerstein fame, and performing in places like the famous Harvard Club and even mental institutions and prisons. Become a member on Buy Me A Coffee for as little as $1/month to support the show.  You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Join the conversation over at the Cultiv8 Discord and join the Olde Crimers Cubby to chat with us and other listeners of the show. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify, Podcast Addict, Audible, or Goodpods! Don't forget to follow us on Twitter, Instagram, Threads, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special Christmas week edition of Spotlight, Rev Joe returns and joins me to talk all his thoughts heading into Worlds End week with the Continental Classic, his thoughts on MJF and the AEW title scene as a whole. We also talk John Cena on Cody Rhodes podcast and his thoughts on WWE going into the end of the year, the Wrestle Kingdom card (featuring Chris Brookes) and even some AAA.(Also, Eastenders Christmas special, Brookside, Barrymore, the best items on a Roast Dinner, Coffee, Hammerstein, and many more tangents.)Enjoy!BennoSHOWNOTES0:00 Intro, Cena and Cody, WWE in 2025, CM Punk50:11 AEW Worlds End, Continental Classic, Christmas Roasts1:57:18 NJPW, AAA, Joe's Films and TV of the yearGRAPPL Spotlight is produced with support from our Patrons and YouTube members, with special thanks to Patreon Kings and Queen Of The Mountain - Conor O'Loughlin, Eddie Sideburns, Chris Platt, Carl Gac, Sophia Hitchcock, Simon Mulvaney & Marty Ellis!You can find all of our live shows on YouTube by becoming a Member at ⁠http://www.Youtube.com/@GRAPPL,⁠ or join us on Patreon for both live video and audio replays at ⁠http://www.patreon.com/GRAPPL!⁠You can also join us on the GRAPPL Discord for free at https://discord.gg/KqeVAcwctS⁠ Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of our Gloria Grahame Acteurist Oeuvre-view, we explore the unique casting of unmusical Gloria in Fred Zinnemann's film version of Rodgers and Hammerstein's Oklahoma! (1955) and follow the thread that leads (through Jud Fry) from the supposedly "wholesome" musical to Charlie Kaufman's dark, experimental I'm Thinking of Ending Things. Then we switch over to British espionage curiosity The Man Who Never Was (1956), starring Gloria and Clifton Webb... although they never share a scene. And in Fear and Moviegoing in Toronto, another curious pairing: Cameron Crowe's quintessential 90s romantic comedy Singles (1992) and Luc Moullet's weirdo Western A Girl Is a Gun/Une aventure de Billy le Kidd (1971) offer wildly divergent perspectives on the problem of love. Time Codes: 0h 00m 25s:    OKLAHOMA! (1955) [dir. Fred Zinnemann] 0h 32m 04s:    THE MAN WHO NEVER WAS (1956) [dir. Ronald Neame] 0h 40m 38s:    Fear and Moviegoing in Toronto – Cameron Crowe's Singles (1992) at The Revue Cinema and Luc Moullet's A Girl is a Gun /Une aventure de Billy le Kid (1971) at TIFF Lightbox +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

John Pollock and Wai Ting review WWE Raw from Madison Square Garden with John Cena's final Raw appearance, Becky Lynch vs. Maxxine Dupri, and the continuation of The Last Time is Now tournament.XL: John & Wai discuss the passings of Bob Caudle and George Tahinos, the latest information on ticket sales for Wrestle Kingdom 20, and TNA's wild weekend at Full Sail University. The XL Edition continues at POSTwrestlingCafe.com with News of the Day and Feedback, ad-free and timestamped.Bob Caudle passes awayGeorge Tahinos passes awayRebel diagnosed with pulmonary lymphoma Wrestle Kingdom 20 ticket update TNA's weekend at Full Sail UniversityAEW returning to Hammerstein & Collision residencyNXT Gold Rush & AEW Dynamite lineupsTony Khan on Ariel Helwani Show on TuesdayPOST Wrestling Café Schedule:Wednesday: Rewind-A-Dynamite XLThursday: Rewind-A-Wai - Transformers: The Movie (1986)Friday: Rewind-A-SmackDown XLFREE Shows:Tuesday: upNXT Tuesday: The Wellness PolicyWednesday: Rewind-A-DynamiteWednesday: Pollock & ThurstonFriday: Rewind-A-SmackDownSaturday: AEW Full Gear ReviewPhoto Courtesy: WWE Rewind-A-Raw Theme by Colby John: https://soundcloud.com/colbyjohnBluesky: https://bsky.app/profile/postwrestling.comX: http://www.twitter.com/POSTwrestlingInstagram: http://www.instagram.com/POSTwrestlingFacebook: http://www.facebook.com/POSTwrestlingYouTube: http://www.youtube.com/POSTwrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://postwrestling.com/discordMerch: https://Chopped-Tees.com/POSTwrestlingOur Sponsors:* Check out Progressive: https://www.progressive.com* Check out Uncommon Goods: https://uncommongoods.com/postwrestlingAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

(00:00-20:32) A classic Rogers and Hammerstein piece. It took Harrison's Brother Master 48 minutes to go back on his word about texting in. Movie Boi gives one current film that must be seen. Reads Nancy Drew books, hates documentaries. Shrewsbury Seminary Student on the phone lines. Question about the TMA Reddit. Finally cleared to swim again after his snipping. Does Doug wanna hit the sauna with him? Protein bar talk. Municipality warfare.(20:40-30:10) This doesn't sound like South Pacific to me. There's a fight brewing in the YouTube chat between Cucky and Jake in St. Gen. Roll Tide is on the phone lines with a question about fandom. Do you have to have gone to a school to be a fan? There's that sinister laugh again.(30:20-53:02) This is a Detroit Pistons town. Billikens coach Josh Schertz checks in with us on the phone line. Working his way around the dais. Coach's thoughts on his team's 3-0 start. Trying to play as many big time opponents as possible. Good opportunity against Grand Canyon. Things he wants to see to drive good offense. A dress code for the local media (Martin) covering the team. SLU Coaches vs. Local Media in a pickup game.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

7. Schleicher's Dismissal and Hindenburg's Manipulation. Timothy Ryback discusses how on January 28, 1933, Chancellor Schleicher requested six months of martial law from Hindenburg to allow the politically deteriorating Nazi party to stabilize and restore democracy. Hindenburg, angered by Schleicher trying to dictate terms and preempting the decision in a newspaper, dismissed him. Schleicher immediately attempted a coup by ordering Hammerstein, head of the Reichswehr, to intervene. Hindenburg, who proved to be stubborn and manipulative, blocked the coup and told Hammerstein to return to the garrison. Hindenburg then appointed Blomberg as the new Minister of Defense. Exhausted at age 84, Hindenburg ultimately made the "unpleasant task" of appointing Hitler Chancellor. 1933 VON PAPPEN

Blue Moon is the ninth movie directed by Richard Linklater and starring Ethan Hawke. It is written by Robert Kaplow and “inspired by” the letters of Lorenz Hart and Elizabeth Weiland. Hawke plays Hart on the night that the Rodgers and Hammerstein musical Oklahoma! opens on Broadway. And: Springsteen: Deliver Me from Nowhere is written and directed by Scott Cooper based on the book Deliver Me from Nowhere by Warren Zanes. It stars Jeremy Allen White in the title role, and it mostly tells the story of Springsteen writing and recording his 1982 album, Nebraska, and some of the material that appeared on his 1984 followup, Born in the U.S.A. GUESTS: Rebecca Castellani: Co-founder of Quiet Corner Communications and director of marketing at Washington Montessori School Jim Chapdelaine: An Emmy-winning musician and a patient advocate for people with rare cancers Rich Hollant: Founder and principal of CO:LAB, a hall of fame designer, and a co-partner at CENTER Steve Metcalf: Founder and director of the Garmany concert series at the University of Hartford’s Hartt School Irene Papoulis: Taught writing for a long time at Trinity College MUSIC FEATURED (in order): Everything I’ve Got – Blossom Dearie Mountain Greenery – Shirley Horn Bewitched, Bothered, and Bewildered – Ella Fitzgerald Nebraska – Jeremy Allen White I’m on Fire – Jeremy Allen White I’ll See You on the Radio – Grayson Hugh The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Richard Rodgers and Oscar Hammerstein II are two of the greatest entertainers in New York City history. They have delighted millions of people with their unique and influential take on the Broadway musical — serious, sincere, graceful and poignant. In the process they have helped in elevating New York's Theater District into a critical destination for American culture.In this episode, we tell the story of this remarkable duo — from their early years with other creators (Hammerstein with Jerome Kern, Rodgers with Lorenz Hart) to a run-down of all their shows. And almost all of it — from the plains of Oklahoma to the exotic climates of South Pacific — takes place on just two city blocks in Midtown Manhattan!PLUS: What classic music venue still bears the name of Oscar Hammerstein's grandfather?How did the ritzy Plaza Hotel celebrate the fifth anniversary of Oklahoma's debut?How is Richard Rodgers associated with Hamilton the Musical?And what was the final song written by Rodgers and Hammerstein?In honor of the new Richard Linklater film Blue Moon about Richard Rodgers' first songwriting partner Lorenz Hart AND in honor of a new set of Broadway musicals opening in November, we're reissuing this 2017 show in a newly re-edited, remastered edition.Visit the website for more images of the shows discussed on this showAll music by Rodgers and Hammerstein can be found on releases from Sony Masterworks Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Todd Purdum joins Zach to unpack Desi Arnaz's wild arc: raised like a prince in Cuba, exiled at 16 by revolution, hustling in Miami, inventing the conga craze, then conquering Broadway and Hollywood with Lucille Ball. We dig into trauma that fueled his genius, the invention of the three-camera sitcom, catching "Lightning In A Bottle" with I Love Lucy, womanizing, marriage cracks and goodbyes, and the fingerprints Desi left on modern television. Guest bio: Todd S. Purdum is a veteran journalist and author whose forty-year career has spanned The New York Times, Vanity Fair, Politico, and The Atlantic. He's covered everything from city hall to the White House, served as diplomatic correspondent and Los Angeles bureau chief, and written definitive books on both Rodgers and Hammerstein's Broadway Revolution and the political drama behind the Civil Rights Act of 1964. He is the author of 'Desi Arnaz: The Man Who Invented Television.' This is only the first half of the episode with Todd Purdum. To get the full episode (audio and video), subscribe to The Zach Show 2.0 today: https://thezachshow.supercast.com/ TODD PURDUM LINKS:Desi Arnaz: The Man Who Invented Television: https://bit.ly/4opO7StAuthor Page: http://bit.ly/3L0BoY6New York Times Archive: https://www.nytimes.com/by/todd-s-purdumAll Books: http://bit.ly/3J97tMU THE ZACH SHOW LINKS: The Zach Show 2.0: https://thezachshow.supercast.com/Spotify: https://spoti.fi/3zaS6sPYouTube: https://bit.ly/3lTpJdjWebsite: https://www.auxoro.com/Instagram: https://www.instagram.com/auxoroTikTok: https://www.tiktok.com/@thezachshowpod If you're not ready to subscribe to The Zach Show 2.0, rating the show on Spotify or Apple Podcasts is free and massively helpful. It boosts visibility, helps new listeners discover the show, and keeps this chaos alive. Thank you: Rate The Zach Show on Spotify: https://bit.ly/43ZLrAtRate The Zach Show on Apple Podcasts: https://bit.ly/458nbha