Podcasts about Revising

Most writers start revision by re-reading their manuscript from page one — but that's the least effective way to improve a book. In this episode, Jenny explains a clearer, more strategic way to revise using the Blueprint and the 3D Revision Process. You'll learn how to step back, see your book with fresh eyes, and create a plan that actually moves your manuscript from good to great. We also invite you to join the upcoming Blueprint Sprint.In this episode you'll learn:* Why a full-manuscript read is often the wrong first step in revision* The mindset shift every writer needs before diving into revisions* How to use the Blueprint to create a clear, confident revision plan before touching your pagesJoin the Blueprint SprintStarting January 12 and rolling though February, KJ Dell'Antonia and Jennie Nash will lead you through the 14 foundational questions that every writer should ask of themselves and their book, whether you're just getting started, are mid-draft or starting on on the whatever-number revision with weekly assignments, live events, workbooks and updated access to all the Blueprint resources. All you need to do is be a paid subscriber and stay tuned—we'll let you know how to get signed up.I NEED a January Blueprint!What if you want even MORE? Then you could be one of a very few #AmWriting subscribers who join our first ever Blueprint Sprint cohort. 6 weeks of working together and write-alongs, 5 group-only live sessions, which will be recorded for anyone who can't attend and a members-only community dedicated to helping you create a Blueprint that leads you to the book you want to write, ending with direct feedback from me and from Jennie on your flap copy and 3 page Inside-Outline.We're keeping this small on purpose—we max out at 10 and we might drop that down—so applications to join this group open today and will be evaluated on a first-come, first serve basis. Once we have 10 people, we will close down the application, so get yours in early! Early-bird pricing is $1000 until December 22, after that the price goes up to $1200 (if there are spaces left by then).What are we looking for? 10 writers who are prepared to commit to the process and to the cohort, who do what they set out to do when they set out to do it, who welcome constructive feedback and are willing to do what it takes to build a blueprint for the book they want to create. Writers who know that sometimes you must look a hard truth in the face and cut your losses, that what goes in the scrap heap is rarely resurrected but that the scrap heap is a necessary part of the work. Writers who won't take no for an answer, but can hear “not this” and feel both disappointment and a burning determination that the next effort will be the one that gets there.Also: no a******s.What will you need to apply? We want to hear about your professional and publishing backgrounds, but no publishing experience is necessary. We want to know where you are with this current project, but “still noodling” is a fine answer. The primary requirements are first, a readiness to do the work and second and more ephemerally, our sense of what makes a cohesive cohort.If that sounds like you, here you go—the time to apply is now.Links & Resources* Learn more about the Blueprint tools* Substack about how each genre has a different primary goal in the Blueprint * #amwriting Episode about the Blueprint origin story and why it's such a powerful tool: Transcript Below!#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.“Revision means stepping back, thinking big picture, and being brave enough to rebuild.”SPONSORSHIP MESSAGEHi writers, the Winter Blueprint Challenge 2026 is on, and I can't wait to do it, and I can't wait to tell you about it. Okay, so this time around, we're going to have two ways to play. First, we'll run the Blueprint for supporters, 10 weeks of Blueprint assignments, live events, and encouragement starting January 12, 2026—or, and this is the big news, apply to join our very first Blueprint cohort—10 of you will become a small group that receives direct feedback from me and from Jennie on flap copy and the three page Inside-Outline, and joins five group only live sessions and becomes a part of a members-only community dedicated to helping you create a blueprint that leads you to the book you want to start and finish. Applications to join this group open December 15, 2025 and will be evaluated on a first come, first-serve basis. Once we have 10 people, we're going to close down the application. So get yours in early. Early-bird pricing for the small cohort is $1,000 until December 22 after that, the price goes up to $1200 (if there are even spaces left by then). I am so excited about this. So get your application in early. The regular Blueprint will run for supporters at the usual supporter pricing, but this other cohort is going to be really special details on how and where to apply are in the show notes, or they're going to be pretty prominently displayed at AmWriting podcast.comEPISODE TRANSCRIPTMultiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.Jennie NashHey everyone, it's Jennie Nash, and this is the Hashtag AmWriting Podcast the place where we help you play big in your writing life, love the process, and finish what matters. Today, I want to talk about why most writers approach revision the wrong way, and how to use the Blueprint to do it right. Most people think revision starts with reading the whole manuscript, but the truth is I think that's the last thing you should do. Before we dive into why I think that, and what I think you should do instead, I want to talk a little bit about what I call the “revision mindset.”When you finish a manuscript, it's really tempting to think, okay, I've got it, I did it, I'll just polish it up a little and be done. But real revision requires openness—being open to seeing the strengths and the weaknesses and the changes that you need to make in the manuscript to take it from good to great. This can feel really vulnerable. I know for me, at this point, I worry that changing one thing is going to break everything else. You feel so close to the finish line that you don't want to touch anything. But holding that tightly—that kind of clenching—is exactly what stops the revision process from working. It's important to remember that revising is big-picture work. It's not line editing. Revising is stepping back, seeing what's really on the page, and being willing to reshape it. So a “revision mindset” is that openness and that willingness to look at it, to be real about what's there and what you want it to be, and to be willing to do what it takes to get it there. So a good revision is going to start with that mindset. And if we start there, you can begin to see why doing a full manuscript read-through from page one, marching straight through all the way to the end, is going to lead to trouble. There are two particular things that happen if you approach revision in that way.The first problem is when you go to read the book from page one chronologically all the way through—maybe you wrote it that way, maybe you didn't—but in any case, if that's how you approach revision, what tends to happen is that you fall into line editing instead of big-picture thinking. You begin to think, oh, this line is really great, or maybe I should fix that line, or maybe the flow here is a little off from this line to the other. You stay in the weeds, and you lose sight of structure and purpose and the big arc of your story or argument. The second problem with starting revision with a full manuscript read is when you ask somebody else to do that reading for you. Basically, what you're doing is handing over your power to somebody else. You're saying you look at this, tell me what you think, tell me how to fix it, tell me what's wrong. And the problem with that is the tendency to get feedback and then just do everything they ask without thinking strategically through what you want to do or what you want your revision to accomplish. And a corollary of that problem is that usually when people are doing that full manuscript read for you, they're just dumping all this stuff on you. They're giving you this long litany of things that they see in the manuscript, or things that they think you should fix, and that list might include small things and big things and important things and not important things. It's so easy to just get overwhelmed with the process.As a book coach, that's what I see all the time. People get into revision, they get overwhelmed, they freeze up, they don't know what to do first. It's so easy to feel defeated. And that's the moment when so many writers stall out and shelve the project. They put it in a folder on their desktop—the proverbial drawer—and it's just away, and they're done, and they can't face it. And then the idea of going back to that huge amount of work and trying to figure it out becomes too daunting, and they just don't. So I don't recommend starting your revision with the full manuscript read.I have a different approach that I teach book coaches at Author Accelerator, and it's called the “3D revision process.” It has three parts. The first is a process of inquiry. We use the Blueprint to ask key questions about the project. The second step is mapping everything out using the outline at the end of the Blueprint in a specific way. And the third step is strategizing. We look at that outline and we prioritize what changes need to be made using the stoplight strategy. I'm going to explain all these things in a minute, but the point is that this process gives you clarity, confidence, and a specific, actionable plan for approaching your revision—which is the dream.Okay, so let's walk through it. Step one is this process of inquiry, and using the Blueprint to walk us through that. In an earlier episode, which I'll link to in the show notes, I talked about why I created the Blueprint and why I refer to it as a process of inquiry, rather than a story structure method. The process of inquiry allows the writer to look at the foundational aspects of what they're writing and to look at the work from this big-picture angle that usually they skip. There are 14 questions no matter which genre you're working on, but they all start with these really basic questions, like, why are you writing this book? What's your point? Who's your reader, and what do they want? And are you giving it to them?Using the Blueprint to start a project, and answering these questions before you begin, is a really powerful way to think about what you want to do in the book, and a powerful way to get your vision clear. But when you have a finished manuscript and you go back to these questions, it's a whole different ball game. It's almost like a test. Can you answer these questions clearly and confidently based on what you know is there? Have you, in other words, put on the page the vision that you had in your head? So you go through the 14 questions honestly, answering them based on what you actually have, and it becomes this kind of assessment or challenge or test, like, did I do what I wanted to accomplish? And it's really easy in those 14 questions to see if you didn't. If you can't confidently answer one of the questions, you know that that's pointing toward a potential weakness in the book.If I give the 14 Blueprint questions to somebody who has written a manuscript that they love and that is close to the vision that they had for it, they're able to knock those questions out and answer them with such authority and power, and it's just an amazing thing to see. And when they can't, and they're coming to the questions with that openness I talked about before, then it's like, okay, look, we still don't have this piece nailed down. We still have to figure out this part of the story or the argument that you're making, so it becomes a first pass at what is really there and what strengths and weaknesses are on the page.The second step in the “3D revision process” is to map out what you have, and we do this with the outline that is at the end of each of the Blueprints. If you've gone through the previous questions in the Blueprint, you're looking at those foundational aspects, the structural elements of the story, all the things that hold up what you've written, and then the outline is, okay, here's what I've actually written. If you're at the start of a project, you want that outline to be no more than three pages. I'm very strict about this, and there's a reason for that. It's because we need to contain or constrain the creative process so that we can see what it is you're wanting to make or to build. If someone goes on and on at that stage of the writing process, they're not making good decisions and they're not thinking about the big picture. But when you keep it to three pages, you're forced to do that, and it's a really awesome process.With revision, I loosen those rules, and the reason is that for revision, I want this outline to be what I call an “as-is outline.” So this is not what you intend to write, or what you hope to write, or what you plan to write, which is what it is at the beginning of a project. Now it's what is actually there. So the as-is outline is capturing what you actually wrote, not what you intended to write. So you use the manuscript, obviously, to get this information and to pin down an outline of what is actually there. And there's still a constraint. I suggest that you keep this as-is outline to about 10 pages, and you absolutely need to follow the rules of the genre that I outline in the Blueprint. Each of the genres has a specific outline and a specific thing that we're looking for in that outline, and I designed that to solve for the things that people most often get wrong in that genre.I wrote a Substack post, which I'll link to in the show notes, which explains what each of those things are, and I'll link to that in the show notes. But you want to follow the rules of the outline, so that you make sure you're not making the foundational problems of that genre. But then you have these 10 pages to capture what you've actually done on the page, and this as-is outline is where the big insights happen. When you step back and you look at this as-is outline, you can see where the momentum drops, where scenes or chapters repeat themselves, where your structure might be broken, where a subplot might take over, or, in nonfiction, where you veer off in some other direction. You can see where two memoir scenes are doing the same emotional work, or where a nonfiction chapter doesn't drive towards the outcome that you're leading your reader to. You can see so much in this outline, and that's why this process is so powerful. The outline becomes a kind of X-ray of what you've actually written on the page.And that leads us to step three of the “3D revision process” which is you're going to analyze that outline. You're going to bring some strategic thinking to what you have there. Each of the Blueprints has a checklist for their particular outline, and you want to go through those checklists and really ask yourself, have I done this? Have I done that? Have I done the other? The kinds of questions that checklist asks are things like, am I giving the reader what they want and expect? Does my outline include the essential elements of my genre or category? What's missing, what's out of order, what's unclear, what's unnecessary? So it's strategic thinking about the material that you have created.One of my favorite books about the creative process is Creativity, Inc., by Ed Catmull. It's the story of the creation of Pixar, the company, and in that book, he talks about the Brain Trust, which is a very small group of writers who help each other to create the best possible stories. And they have this process in the Brain Trust that's called giving good notes. And good notes are clear, they're factual, they're strategic, and that's what you're doing here for yourself. You're giving yourself good notes. And if at this point you want to bring in a trusted partner to help you brainstorm and to help you look at your material and look at your notes and help you brainstorm solutions, this is a great time to bring in somebody to help you brainstorm and to look at your as-is outline and look at the notes that you've made for yourself, because instead of just handing the job over to somebody else, you're saying, I have done this work of looking at my work in a strategic way. I know what I've done well, I know what my weaknesses are, and now I'm ready to solve those problems.So a great critique partner or a trusted beta reader or a book coach…obviously, are great people to bring in at this stage of the process. And what's awesome is you're not asking them to sit down and spend 15 or 20 hours reading a whole manuscript and trying to figure out what you want or what you were trying to do, or how it all lands for them, and giving you this info dump of information. You're asking them to look at your Blueprint, to look at your answers to the 14 questions, and your as-is outline, and your analysis of that outline. And what you'll be doing, either on your own or in partnership, is prioritizing what needs to happen in the revision.The tool that I teach coaches to do this is called the “stoplight strategy.” And what we're doing is we're trying to categorize the problems that we see in a manuscript by their severity. So red light problems are major structural issues, yellow light problems are medium-level issues, and green light problems are line-level edits. I designed the stoplight strategy because so many writers think that revision is about green light issues. So many of them start with line-level edits. And as I spoke about before, the tendency if you're doing a full manuscript read is to fall into that rhythm of just seeing the green light things, or maybe a few yellow light things. But it's very hard to see the red light things, which are the things that are going to bring your book down. They're the fatal flaws, and most writers never find the time to actually look at those things.So they might be things like, I've got to start this novel in a totally different place, or I have to chop off five chapters of my memoir, or I have to restructure my entire nonfiction argument in a different way to make it land. But if you've approached the process that I'm explaining with that openness, that revision mindset, and that curiosity about how can I make this better, and if you've gone through it in this systematic way, and you found some red light issues, they tend not to sting quite so much. They tend to feel manageable. Okay, I can fix this one big thing. And if I fix this one big thing, the next thing that I need to fix is probably going to be obvious, and then the next one is going to be obvious. So you're leading yourself to a prioritization of what needs to happen in the revision, rather than looking at everything in the same way, meaning every little green light issue has the same weight as the yellow light issues and the same weight as the red light issues.When we step out of doing the work chronologically, and we approach it in this more strategic way, we tend to focus on the red light issues. And again, they just tend not to feel quite so awful.So the next step in the process is you take that as-is outline, and you turn it into a “what's-next outline,” a map of what the book is going to become in revision. On that outline, you mark what gets cut, what gets moved, what needs to be added, what shifts are you going to make because of the big changes, and you actually make them in the outline, so that the outline reflects where you're going with your revision.And that's how we close the gap between what you've written and what you want to write. That's where you get closer to your vision of what you want this book to be. And that's why this process is so powerful, because now you have a clear map of what you need to do in revision. You have a clear plan for how you're going to go execute those things, so you're not guessing and you're not lost in overwhelm. You have this what's-next outline that you're going to go in and follow. And if you want to start at the beginning and make all the revisions in chronological order, you can. Or if you want to go in and fix the big red light issues first, you can. And you can use this what's-next outline as a kind of external hard drive to hold all the changes that you want to make in your revision, so that you're not holding them all in your head.Doing the revision in this way might actually mean going in and working on, let's say, chapter 10, 11, and 12, and not touching anything else. It might mean going in and working on chapters 13 and 27 and not touching anything else. It's not necessarily a chronological process. You're going to follow the what's-next outline and do what needs to be done in the manuscript.And once you do that, now is the time when a full manuscript read can make a lot of sense. Now you can go through from beginning to end knowing that you don't have any big structural issues. There are no red light issues in this manuscript anymore. There are no yellow light issues. You don't have to think about those or worry about those. You can go through and do the thing that most people do at the beginning of their revision process, which is polishing the prose and making everything sing and working on the line-by-line writing. You've already done the heavy lifting.If you're excited about using the Blueprint in your revision and you want to work through it with a community of other writers who are doing it too, we'd love to have you join our upcoming Blueprint Challenge. You're going to go through the Blueprint step by step along with people who are revising their books or people who are starting from scratch. It's the same 14 questions, and people will be working on fiction, they'll be working on memoir, and they'll be working on nonfiction. KJ is going to be leading the charge of this Blueprint, and she's going to be doing some write-alongs and AMAs and different things to support people while you work through those Blueprint questions. And I'm going to be in there a few times as well.This is the fourth time we've done the Blueprint Challenge at the Hashtag AmWriting Podcast, and it gets better and better every time as more and more people do it. And you can find critique partners in there to help you with your Blueprint questions, maybe to look at your as-is outline, because they understand the process. They understand what's going on. They understand what this is all about. And it's just a really fun and powerful way to approach either a new book or the revision of a book that you want to work on.You can check the show notes for details on how to sign up for the Blueprint Challenge. This challenge works if you have a new idea that you want to work through, or a new-ish idea. You can be a little bit into it, and the Blueprint process is still really effective. And it also, of course, works really well if you're revising something, or maybe you're stuck revising something, or overwhelmed by the revision process that you're in.You can start at the beginning of the Blueprint process and go through what I've just described here, and at the end of the challenge, be in a really great place to move forward with your project. We'd love to have you join us. So again, check the show notes for details.We give everyone who joins the Blueprint Challenge a downloadable copy of the Blueprint book and a workbook to work through. But if you're not able to do the challenge at this time and you want to go through this process yourself, you can just grab a copy of my Blueprint book at any bookstore and work through those 14 questions and your outline at the end. However you do it, we're excited to support you on your way.So until next time, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Send us a textI'm overjoyed to be bringing you episode 97 Finding Our Way with Tom Bober, Michelle Cusolito, Valerie Bolling, and Cindy Jenson-Elliott. Before I release an episode, I always listen to it. Today, I listened while wrapping Christmas gifts, which truly filled my afternoon with cheer.If you're wondering what this episode will bring you, you can count on hearing about mentor texts, bullet journals and leaning into what you love. Thank you for taking time out of your day to listen to this podcast–whether you listen on your commute, on a walk or a run, or while you're doing your dishes, I'm so grateful to you. I look forward to talking with you again three more times in 2026. I'm not sure when exactly the next episode will release or what it will be about, but I am sure it will be jam packed with inspiration that will keep you twirling along on your writing and teaching journey. Until next year, happy teaching and happy writing.Support the show

Send us a textI'm overjoyed to be bringing you episode 97 Finding Our Way with Tom Bober, Michelle Cusolito, Valerie Bolling, and Cindy Jenson-Elliott. Before I release an episode, I always listen to it. Today, I listened while wrapping Christmas gifts, which truly filled my afternoon with cheer.If you're wondering what this episode will bring you, you can count on hearing about mentor texts, bullet journals and leaning into what you love. Thank you for taking time out of your day to listen to this podcast–whether you listen on your commute, on a walk or a run, or while you're doing your dishes, I'm so grateful to you. I look forward to talking with you again three more times in 2026. I'm not sure when exactly the next episode will release or what it will be about, but I am sure it will be jam packed with inspiration that will keep you twirling along on your writing and teaching journey. Until next year, happy teaching and happy writing.Support the show

Book review: British Book Awards winner's inside take on Brexit, democracy and the Conservative Party. Politics On the Edge by Rory Stewart is a No. 1 bestseller about his rise as an unknown Member of Parliament to reportedly being the people's choice as the next UK Prime Minister.However, it is also a scorching look at the inadequacies of some MPs and elements of democracy. ⇨ YOU WILL LEARN: * What this Penguin Random House publication is all about* How the United Kingdom government really works behind closed doors* What inspired this Conservative Cabinet minister to write a life story* How it takes guts to make a stand⇨ FULL ARTICLEClick to read: https://foreveryoungautobiographies.com/politics-on-the-edge/ ⇨ VIDEO PODCASTClick to watch: https://youtu.be/KAXD5VdZWG4⇨ FREE GIFTYour Family Stories System: Easily capture your loved ones' memories for future generations. FREE sections, click to sign up: https://foreveryoungautobiographies.com/free/ ⇨ YOUR SAYHave you had more than one career like Stewart? Leave me a comment below or here https://www.foreveryoungautobiographies.com/contact/⇨ RELATED LINKSBest life stories of 2024: Settle in with an award-winning bookhttps://foreveryoungautobiographies.com/best-life-stories-of-2024/  Nuked: The true story of a sunken submarine dealhttps://foreveryoungautobiographies.com/nuked/  How does memory work? Your questions answered about what is memory and types of memoryhttps://www.foreveryoungautobiographies.com/how-does-memory-work/ Revising and editing: How to take the headache out of editing a life storyhttps://www.foreveryoungautobiographies.com/revising-and-editing/ Visual writing: Become a visual storyteller with visual writing techniqueshttps://www.foreveryoungautobiographies.com/visual-writing/ ♡ Thanks for listening! Please subscribe if you are new and share or review the show if you found it helpful!Happy writing!⇨ ABOUT MEG'day! I'm Nicola, the founder of Forever Young Autobiographies. I've been a daily print journalist for decades and know how to create life stories! Now I help others do the same to share with family and friends so that unique memories live on.⇨ WEBSITEhttps://www.foreveryoungautobiographies.com⇨ YOUTUBEhttps://www.youtube.com/c/ForeverYoungAutobiographies⇨ FACEBOOKhttps://www.facebook.com/foreveryoungautobiographies⇨ INSTAGRAMhttps://www.instagram.com/foreveryoungautobiographies/

On episode #95 of the Infectious Disease Puscast, Daniel and Sara review the infectious disease literature for the weeks of 11/20/25 – 12/3/25. Host: Daniel Griffin and Sara Dong Subscribe (free): Apple Podcasts, RSS, email Become a patron of Puscast! Links for this episode Viral Early low-dose dexamethasone is associated with shorter acute symptom duration in Chikungunya virus infection: a retrospective cohort study (BMC Infectious Diseases) Noninferiority of One HPV Vaccine Dose to Two Doses (NEJM) Evidence to Action — Single-Dose HPV Vaccination and Cervical HPV Infection (NEJM) Daily Mosnodenvir as Dengue Prophylaxis in a Controlled Human InfectionModel (NEJM) Universal Hepatitis B Vaccination at Birth—Risks of Revising the recommendation (JAMA) Correlates of HIV-1 control after combination immunotherapy (Nature) Human-to-Human Rabies Transmission via Solid Organ Transplantation from a Donor with Undiagnosed Rabies — United States, October 2024–February 2025 (CDC: MMWR) Cytomegalovirus-specific cell-mediated immunity for prediction of post-prophylaxis CMV disease in a phase 3 trial of letermovir vs valganciclovir prophylaxis in donor CMV-seropositive recipient CMV-seronegative kidney transplant recipients (CID) An Analysis of Cytomegalovirus-Specific Cell-Mediated Immunity in a Phase 3, Randomized, Placebo-Controlled Trial of Letermovir Prophylaxis in Cytomegalovirus-Seropositive Recipients of an Allogeneic Hematopoietic Cell Transplant (CID) Bacterial Infectious Diseases Society of America (IDSA) Position Statement: Why IDSA Did Not Endorse the Community-Acquired Pneumonia Guidelines 2025 Update (CID) Lyme DiseaseIncidence in Massachusetts, 2012-2024 (JAMA: Open Network) Fungal The Last of US Season 2 (YouTube) Aspergillosis-Attributable Mortality in the United States: Analysis of Death CertificateData (CID) Oral itraconazole versus oral voriconazole for treatment-naive patients with chronic pulmonary aspergillosis in India (VICTOR-CPA trial): a single-centre, open-label, randomised, controlled, superiority trial (LANCET: Infectious Diseases) Parasitic Loa loa encephalopathy following treatment with benzimidazole derivatives: A systematic review (OFID) Music is by Ronald Jenkees Information on this podcast should not be considered as medical advice.

#58 Revising the Training Curriculum by Irish College of General Practitioneres

In this Australian Retirement Podcast episode, your host Owen Rask speaks with Tony Crescenzi, Executive Vice President and Market Strategist at PIMCO, to discuss: – Why defensiveness is PIMCO's current strategy – The lessons from over four decades in markets – The concept of a new global monetary order – Where bonds fit for modern Australian investors If you love learning about macro investing, fixed income or market strategy, subscribe to the Australian Retirement Podcast on ⁠Apple⁠, ⁠Spotify⁠, or ⁠YouTube⁠! Follow us on ⁠Instagram⁠ and ⁠TikTok⁠ for more investing insights. Topics Covered – Tony's best non-financial investment & personal reflections – What he looks at each morning to gauge markets – Where this moment ranks in terms of global dislocation – Insights from his books and what his next one might be – Tariffs as a historic experiment & biggest market risks – How he thinks central banks will respond next – The “new global monetary order” and how it's unfolding – Revising the 10-year yield: what's changed? – How PIMCO expresses a defensive framework in portfolios – Advice for Aussie investors with equity-heavy portfolios – The future of the 60/40 portfolio model – Why Crescenzi maintains optimism amid macro uncertainty – AI's potential impact on bond investors & PIMCO – What gives Tony hope and perspective as a long-term investor – What Tony would tell his younger self about markets and life Resources for This Episode ⁠Learn more about PIMCO's outlook and strategies⁠ ⁠Tony Crescenzi at PIMCO⁠ ⁠Ask a question (select the Retirement podcast)⁠ ⁠Visit TermPlus to learn more⁠ Rask Resources ⁠All services⁠ ⁠Financial Planning⁠ ⁠Invest with us⁠ ⁠Access Show Notes⁠ ⁠Ask a question⁠ ⁠We love feedback!⁠ Follow us on social media: Instagram: ⁠@rask.invest⁠ TikTok: ⁠@rask.invest⁠ DISCLAIMER: This podcast contains general financial information only. That means the information does not take into account your objectives, financial situation, or needs. Because of that, you should consider if the information is appropriate to you and your needs, before acting on it. If you're confused about what that means or what your needs are, you should always consult a licensed and trusted financial planner. Unfortunately, we cannot guarantee the accuracy of the information in this podcast, including any financial, taxation, and/or legal information. Remember, past performance is not a reliable indicator of future performance. The Rask Group is NOT a qualified tax accountant, financial (tax) adviser, or financial adviser. Access The Rask Group's Financial Services Guide (FSG): ⁠https://www.rask.com.au/fsg Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to Andrew Duckworth, Emma Vodden, Shiraz Sabah, David Limb and Fares Haddad discuss preparing for your orthopaedic qualifying exams with BJJ LIFE, the essential orthopaedic MCQ resource from The Bone & Joint Journal.Start your preparation today here.

The Left is again revising history in praising former Vice President Dick Cheney upon his passing. Listener call-in commentary on elected conservatives who actually conserve. We're joined by Johnny Estes, Vice President of Operations, and Shannon Estes, President of CMI Gold & Silver. Democratic Texas Congresswoman Jasmine Crockett refuses to correct her remarks on the House floor accusing certain Republicans by name of accepting donations from the late Jeffrey Epstein after discovering the donor was in fact a similarly-named unrelated individual.See omnystudio.com/listener for privacy information.

In this episode, host Shawn Terrell discusses the inspiration behind the podcast's new direction, drawing parallels to the movie "Almost Famous" and introducing the fictional character Dr. Bill. Shawn outlines the podcast's focus on deep dives into retirement planning topics for dentists, starting with the "One Big Beautiful Bill Act" of 2025.--------------------------------Chapters00:00:00 Introduction and Podcast Direction00:00:00 Introducing Dr. Bill00:00:00 The One Big Beautiful Bill Act00:00:00 Tax Implications and Financial Decisions00:00:00 Conclusion and Resources---------------------------------Episode Resource:https://tr.ee/zIM4M4 ----------------------------------Meet with Dentist Exit Planning Advisor:Schedule Discovery Meeting-----------------------------------About Dentist Exit Planning:Website: dentistexit.comFacebook Group for DentistsYouTubeInstagramLinkedInSign-Up for Dentist Exit Email NewsletterEmail Shawn at: shawn@dentistexit.com

In this episode, Jodi shares a final behind-the-scenes look at the third edition of Write.Publish.Market. She talks about on the production process, launch preparations, and the strategic updates that shaped this revised edition. Jodi also discusses why book marketing is a long game and how smart planning, the right book team, and intentional updates can set a book launch up for long-term success for business owners writing books.   Time Stamps: 00:00 – Introduction and launch day excitement 01:15 – Why book marketing is a long game 03:10 – Production phase: from Word doc to real book 06:20 – Assembling the book team and cover design decisions 09:45 – Launch planning: email sequences, tech prep, and strategy 12:00 – Updating the book content and structure for a new edition 16:30 – Using the book as a business asset and funnel 19:00 – Final reflections, key takeaways, and launch invitation   Keywords: book launch, book marketing, behind the scenes, book production, copy editing, typesetting, cover design, book team, publishing strategy, self-publishing, hybrid publishing, author platform, book funnel, book promotion, book update, marketing strategy   Resources Mentioned: Write.Publish.Market., 3rd Edition: www.jodibrandoneditorial.com/book Coffee + Commas signup: https://bit.ly/coffeeandcommassignup Ready Set Write Challenge: www.jodibrandoneditorial.com/readysetwrite LINK TO FULL EPISODE (RAW) TRANSCRIPT: https://docs.google.com/document/d/1xd0QusQZh1Nrox6i0-NBhRyfITKwFmMwtNjPv2GkYt0/edit?usp=sharing  

Send us a textToday's episode focuses on the joy of collaborating, accountability and finding the golden thread. You'll hear from the following fabulous creators: Carole Boston Weatherford, Jeffery Boston Weatherford, Rob Sanders, Ruth Behar, Andrew Hacket and Chris Baron. Our next chat will be Sunday, November 16th at 12 EST. If you want to join me, Tom Bober, Michelle Cusolito, Valerie Bolling, Cindy Jenson-Elliott, and  René Colato Laínez, please fill out this form.Support the show

Send us a textToday's episode focuses on the joy of collaborating, accountability and finding the golden thread. You'll hear from the following fabulous creators: Carole Boston Weatherford, Jeffery Boston Weatherford, Rob Sanders, Ruth Behar, Andrew Hacket and Chris Baron. Our next chat will be Sunday, November 16th at 12 EST. If you want to join me, Tom Bober, Michelle Cusolito, Valerie Bolling, Cindy Jenson-Elliott, and  René Colato Laínez, please fill out this form.Support the show

Case study: Cold War pilgrimage leads to Washington's toxic Hanford site.Atomic Pilgrim: How Walking Thousands of Miles for Peace Led to Uncovering Some of America's Darkest Nuclear Secrets by James Patrick Thomas is brimming with faith, action and persistence.Importantly it shows how individuals can impact powerful players and reminds us to stay hopeful.⇨ YOU WILL LEARN: * What this nuclear-disarmament book is all about* The exact steps Thomas took to complete this Latah Books memoir*His best tips for fellow life-story creators* Know when we choose hope, we inspire others to wage peace⇨ FULL ARTICLEClick to read: https://foreveryoungautobiographies.com/atomic-pilgrim/ ⇨ VIDEO PODCASTClick to watch: https://youtu.be/goLYEm380JY ⇨ FREE GIFTStructure Success video training: Four steps to plan a life-story outline. FREE training, click to sign up: https://foreveryoungautobiographies.com/free/ ⇨ YOUR SAYWhat social causes have you ever backed? Leave me a comment below or here https://www.foreveryoungautobiographies.com/contact/⇨ RELATED LINKSPublishing: The ultimate guide to publishing a life storyhttps://www.foreveryoungautobiographies.com/publishing/ Small-Town Chaos: A country-life memoir by teacher Lenore Fochthttps://foreveryoungautobiographies.com/small-town-chaos/  Penmanship: What you should know about handwriting and how to improve handwritinghttps://www.foreveryoungautobiographies.com/penmanship/Writing time: How to schedule time for writinghttps://www.foreveryoungautobiographies.com/writing-schedule/Revising and editing: How to take the headache out of editing a life storyhttps://www.foreveryoungautobiographies.com/revising-and-editing/♡ Thanks for listening! Please subscribe if you are new and share or review the show if you found it helpful!Happy writing!⇨ ABOUT MEG'day! I'm Nicola, the founder of Forever Young Autobiographies. I've been a daily print journalist for decades and know how to create life stories! Now I help others do the same to share with family and friends so that unique memories live on.⇨ WEBSITEhttps://www.foreveryoungautobiographies.com⇨ YOUTUBEhttps://www.youtube.com/c/ForeverYoungAutobiographies⇨ FACEBOOKhttps://www.facebook.com/foreveryoungautobiographies⇨ INSTAGRAMhttps://www.instagram.com/foreveryoungautobiographies/

Dr Emily Sandford, University of California, Berkeley on new research showing chimpanzees can rationally revise decisions when given new evidence.

Starting an IBC policy when everything feels worst? That's exactly how Nelson Nash discovered Infinite Banking, when bank rates hit 23% and leverage turned on him. Here's what he did, why it worked, and how to avoid the same traps.

Southeast farmers could see major changes to labor costs under a new proposal from the Trump Administration aimed at revising the H-2A visa program, and the National Cattlemen's Beef Association expressed significant concerns about President Trump's plan to buy beef from Argentina.

Pete, Matt Kandela, and Jacob Hawley return for a fiery therapy session — unpacking Arsenal's international break chaos, Viktor Gyökeres' crisis of confidence, and the looming barometer game away at Fulham. The crew debates whether the Swede's slump is just a blip or the start of a bigger rethink — and how long Mikel Arteta will persist before Kai Havertz reclaims the nine. There's deep chat on Bukayo Saka's fitness whispers, Mikel Merino's wild evolution from “bit of a clogger” to Spain's Cristiano Ronaldo, and how Arsenal's new load-management philosophy could define the season. Expect tangents, accountability, and the full Arsenal Opinion flavor — with upmarket Fellaini takes, Fulham anxiety, and more truth bombs than Gyökeres shots on target If you want these podcasts when they happen, sign up to be a member below! Audio Membership: https://www.patreon.com/c/TheArsenalOpinion Audio + writing: https://www.le-grove.co.uk/8c0cfff5 Learn more about your ad choices. Visit podcastchoices.com/adchoices

What if the limits you see in your life aren't real — but learned?In Part 2 of Clearing Limiting Beliefs & Reprogramming the Subconscious Mind, Dr. David Snyder takes you deeper into the science and psychology behind how your subconscious shapes your emotions, relationships, and reality. He reveals how childhood experiences, emotional imprints, and stored memories silently influence your daily decisions — and how to finally break free.Through practical demonstrations and guided insights, Dr. Snyder shows you how to retrain your subconscious mind to respond differently to triggers, transform negative self-talk, and replace outdated beliefs with empowering truths.If you've ever felt like your conscious mind says one thing but your body feels another, this episode will help you realign both so real transformation can begin.Quotes:“If you can point to where you feel it, you can access it, and you can begin the process of change in a measurable way.”“Irrational problems require irrational solutions.”“The memories you're running around with aren't even accurate. They're not even true representations of what actually happened, and every time you recall them, they change again.”Actionable TakeawaysObserve your internal dialogue. Notice how often your thoughts reinforce limitation. Replace “I can't” with “What would it look like if I could?”Locate the emotional charge. When an issue arises, pay attention to where it shows up in your body — that's where subconscious data is stored.Reprogram through repetition. Consistency is key; speak new affirmations and visualizations daily until they feel natural.Release through movement. Use physical gestures or breathing to symbolically release negative energy tied to past experiences.Anchor new beliefs. Create a physical cue (like touching your chest or taking a deep breath) to anchor feelings of confidence and calm whenever self-doubt appears.Episode Timeline:0:00:26 — Unpacking Emotional Triggers: The Somatic Search Engine 0:02:10 — Recognizing Shutdown Responses & Physical Sensations 0:03:09 — Assigning New Meaning: Reframing "Away From" Emotions 0:06:21 — Resolving Trauma Without Conscious Awareness 0:10:17 — Scope of Practice: Using Techniques with Mental Illness 0:13:36 — Kinesthetic and Somatic Approaches to Emotional Release 0:20:10 — Visualization Exercise: Using Color, Spin, and Senses 0:27:25 — The Question Is the Solution: Probing with the Somatic Search Engine 0:31:33 — Addressing Deeper Issues and Secondary Gains 0:35:21 — Dialoguing with the Unconscious Mind 0:43:18 — Revising the Past: The Nature and Power of Memory 0:46:09 — The Magic Frame Technique: Guided Emotional Reprocessing 0:51:30 — Processing Change and Debrief 0:54:15 — The Emotional Component of Physical Pain 0:55:23 — Clinical Applications & Exploring Old Patterns 0:56:21 — The Unconscious Mind and Lasting Change 0:59:56 — Preserving Lessons, Letting Go, and Ending the SessionLinks:To learn more about Dr. David Snyder and everything about NLP, visit:Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.nlppower.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@DavidSnyderNLP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/davidsnydernlp

Sean is joined by Author and Historian Roger Moorhouse to discuss his new book 'Wolfpack: Hitler's U-Boat War'.Sniff up that fabled 'U-Boat Stink' and keep your hands off anyone else's Tauchretter, and immerse yourself in the U-Boat War of 1939-1945, from the optimistic beginnings and the happy years, until the turkey shoot of the final years as Nazi Germany is beaten back on all fronts.The book is out in the UK Now! Our Guest:Roger's Website: https://www.rogermoorhouse.com/Roger Moorhouse on X: @Roger_MoorhouseChapters:0:08 Welcome to Review It Yourself1:10 Introducing Roger Moorhouse2:23 Opening the Book with the vivid surrender of the German U-Boats in 19184:52 Roger explains book-ending the Story7:57 Close Quarters Combat9:38 German Perspective on U-Boat War11:45 Tauchretter Training Insights13:57 A Psychological 'Comfort Blanket'17:00 The Solidarity of the Sea22:42 The Myth of the U-Boat Threat & Churchill24:11 Revising the Narrative27:05 The Brutal Reality of U-Boat Warfare28:43 The Laconia Incident30:42 The Impact of the Second World War on German Society31:45 The Axis Powers' Lack of Cooperation42:02 The U-Boat Command Structure and Enigma46:34 What if Dönitz was listened to by the Kreigsmarine High Command51:41 Cinematic Representations of U-Boats1:02:53 Accessibility of the Book1:08:36 Closing Thoughts and AcknowledgmentsMost Importantly: Thank you to you for Listening!X:@YourselfReviewInstagram: reviewityourselfpodcast2021Review It Yourself. 'The podcast with the sigh. Film Reviews (mostly) without the Faff'. Hosted on Acast. See acast.com/privacy for more information.

To donate to my PayPal (thank you): https://paypal.me/danieru22?country.x=US&locale.x=en_US Mark Solms is a South African neuropsychologist and psychoanalyst best known as a founder of the field of neuropsychoanalysis. His work focuses on integrating Freudian psychoanalytic theory with modern neuroscience to understand consciousness and the brain mechanisms of dreaming. LINKS More on neuropsychoanalysis here: https://npsa-association.org/ Note: Information contained in this video is for educational purposes only and is not intended as a substitute for treatment or consultation with a mental health professional or business consultant.

RapidRevisionSecrets.com - Click Here!Why I Hated Revision (At First)Now…Every time I teach Revision, I light up.Because I love teaching it.But I'll be honest…I used to hate Revision.And I hated it because I was making the first Revision mistake.Mistake #1: Turning Bad Into GoodThe first Revision mistake is soo common.  Because soo many “Neville Goddard” only teach that. They teach you to every day…Try to turn bad into good.Most people do it.And here's the trap:You've gotta scan for something bad.You've gotta remember it.You've gotta relive some part of it.Which means your focus is still stuck on the bad.

A rally through the streets of Jackson calls for unity and solidarity among Black men---to address critical issues facing the Black community. Then, Mississippi Public Safety Commissioner Sean Tindell speaks on the tragic loss of Delta State University student Trey Reed, and how law enforcement balances transparency with privacy.Plus, a Jackson State University professor discusses his role in updating a school textbook about Mississippi's history of conflict and change. Hosted on Acast. See acast.com/privacy for more information.

Chadwick Collins, SPRI's Technical Director, joined us recently to chat about what SPRI has been working on lately and some standards that are being revised. Listen in to hear what the association has been doing behind the scenes. Sponsored by

Change is the only constant, and if you're not evolving, you're stuck. That's what we're talking about this week on Hustling Sideways; evolving your personal brand as you grow as a person. For both Jim and Allen, that means adapting your lifestyle in the present and working that into the brand that you've built for yourself. How does your personal brand evolve over time?Follow us:Allen Halas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AllenHalas.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BreakingAndEntering.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads/Bluesky: @AllenHalas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @AllenHalas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jim Love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GoAuthenticYou.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jim_m_love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jimm.love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hustling Sideways is a business podcast hosted by Milwaukee-based music writer Allen Halas and keynote and motivational speaker Jim Love. The two both attended Marquette University, and now host the show to discuss the side hustles and passion projects of people that they meet, all while continuing to run their own side businesses. Every Monday, they're either interviewing a guest, or talking about the different aspects of business that side hustlers go through when balancing their 9-to-5 and their entrepreneurship endeavors. You can get the podcast wherever you download podcasts, as well as on our YouTube channel.

We're talking with Dr. Claire Sufrin, editor of Sources: A Journal of Jewish Ideas and Senior Editor at the Shalom Hartman Institute of North America about writing choices and how they affect our academic lives. We talk about choosing to leave a traditional academic position and how that affects our writing; writing about personal matters; deciding not to turn the dissertation into a book; and about the schedule of an editor. Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contact us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact

a look into what's going on with Blue

Why finding where the story starts is *always* one of the most difficult challenges in writing, why I firmly believe you shouldn't get critiques from people who love you, and new developments on AMONG THE THORNS.You can get signed bookplates from me here! https://www.jeffekennedy.com/store (scroll to the bottom)You can preorder MAGIC REBORN at https://www.jeffekennedy.com/magic-rebornBuy LoveLitCon tickets here https://lovelit.com/ Be sure to use my author-specific code for a $10 discount! LOVE8368 STRANGE FAMILIAR is live! https://www.jeffekennedy.com/strange-familiar  The posture-correcting sports bra I love almost more than life itself is here https://forme.therave.co/37FY6Z5MTJAUKQGAJoin my Patreon and Discord for mentoring, coaching, and conversation with me! Find it at https://www.patreon.com/JeffesClosetYou can always buy print copies of my books from my local indie, Beastly Books! https://www.beastlybooks.com/If you want to support me and the podcast, click on the little heart or follow this link (https://www.paypal.com/paypalme/jeffekennedy).Sign up for my newsletter here! (https://landing.mailerlite.com/webforms/landing/r2y4b9)You can watch this podcast on video via YouTube https://youtu.be/X1iAoi8pb74Support the showContact Jeffe!Find me on Threads Visit my website https://jeffekennedy.comFollow me on Amazon or BookBubSign up for my Newsletter!Find me on Instagram and TikTok!Thanks for listening!

This week, Craig and Roland welcome Joseph Darlington to the Fully Booked podcast. One of the best-known figures in the James Bond fandom, Joseph is the author of a successful 2015 non-fiction book called Being James Bond, which was written to help make the skills and experiences of the world's most famous superspy accessible to everybody. But after ten years in print, it was time for an update—and in this episode, Joseph explains the thinking and process behind updating and expanding his 2015 book into a dynamic new second edition; incorporating additional segments, making important revisions, and leveraging his now-larger social media footprint to reach an even larger global audience of James Bond fans. If you're a veteran of the self-publishing industry and want to breath new life into some of your older titles, you'll find this episode a really useful perspective on how to improve, expand, and recapture the excitement that inspired you to write those books in the first place.  Joseph Darlington https://www.beingjamesbond.com/   Hidden Gems Need our help publishing or marketing your book?  https://www.hiddengemsbooks.com/author-services/   All episode details and links:  https://www.hiddengemsbooks.com/podcast

From November 8, 2020 (Episode 279): Billy Easley sits down with former host Ashkhen Kazaryan. They remind us of the value of the free and open Internet.Links:Revising the Law That Lets Platforms Moderate Content Will Silence Marginalized VoicesFree Speech and Tech Policy at the US Supreme Court, 2025 (AEI Event)

This week is the annual Elvis Week, marking 48 years since the passing of the King of Rock ‘n' Roll, with many events taking place at Graceland, his iconic home in Memphis. While his manager, Colonel Tom Parker, has traditionally been portrayed as a Machiavellian character, a new book portrays him in a different light.Joining Seán to discuss is Peter Guralnick, author of the new book ‘The Colonel and the King: Tom Parker, Elvis Presley, and the Partnership That Rocked the World'...

In this episode, Jodi shares a progress update on the relaunch process for the third edition of Write.Publish.Market. She discusses self-editing, beta reader feedback, working with her copy editor, and how she's using strategic pockets of time to prepare sales pages and other launch materials/plans. Jodi emphasizes the importance of ongoing book marketing rather than focusing solely on launch day and invites listeners to join her email list for exclusive updates as the release approaches. Time Stamps: 00:00 Manuscript progress and beta feedback 04:06 Publishing process and book marketing prep   Keywords: business book marketing, book publishing, self editing, manuscript revision, beta readers, beta feedback, Google form feedback, book production process, copy editor, sales page, pre order setup, email list, book wait list, book updates, editorial content strategy, book launch, bonus resources, workbook exercises, edit letter, edit memo, copy edit style sheet, typesetting, shopping cart, upsells, downsells, order bumps, tripwires, sales multipliers, Amazon bestseller status, long term book marketing, book visibility   Resources Mentioned: Coffee + Commas signup: https://bit.ly/coffeeandcommassignup Ready Set Write Challenge: www.jodibrandoneditorial.com/readysetwrite   LINK TO FULL EPISODE (RAW) TRANSCRIPT: https://docs.google.com/document/d/1DqHEQQAfRXsnWgK1b0lAgt1Jp6moS27o5FkFbmFWHSo/edit?usp=sharing  

In this compelling episode of the Bendy Bodies Podcast, Dr. Linda Bluestein is joined by her longtime mentor and internationally respected EDS expert, Dr. Pradeep Chopra. Together, they tackle some of the most frustrating—and frequently misunderstood—questions surrounding hypermobile Ehlers-Danlos Syndrome (hEDS). From major flaws in the 2017 diagnostic criteria to the hidden surgical risks that could lead to serious complications like CCI (craniocervical instability), this conversation dives deep into clinical insights and lived experience. Listeners will also hear the surprising story of how Dr. Chopra helped inspire Dr. Bluestein to open her own practice. Whether you're a patient, parent, or provider, this episode just might change how you see joint hypermobility and connective tissue disorders forever. Takeaways Why men and boys may be getting overlooked by the current EDS diagnostic model The difference between dislocations and subluxations—and why that matters A surprising source of CCI: what your dentist, surgeon, and anesthesiologist may not know The 2017 criteria: well-meaning, but are they dangerously outdated? What every hypermobile patient should bring to their next surgery (yes, it's a hack) Want to follow along? Find the episode transcript here. References: Episode 70: https://youtu.be/BoRyQh12X2c Episode 71: https://youtu.be/yDT3JTzfiJk Episode 72: https://youtu.be/CYhnKkVjIxM Episode 73: https://youtu.be/2OxtZGNswfo Episode 77: https://youtu.be/d9A1aJB5GRo Episode 151: https://youtu.be/ho0rRcjUobI Perioperative Care in Patients with EDS by Linda Bluestein & Pradeep Chopra: https://www.scirp.org/journal/paperinformation?paperid=97524 Diagnostic Criteria: https://www.bendybodiespodcast.com/p/diagnostic-criteria-checklist/ The Incidence of Misdiagnosis in Patients with EDS: https://www.mdpi.com/2227-9067/12/6/698 Living Well with Orthostatic Intolerance by Peter C. Rowe: https://www.amazon.com/shop/hypermobilitymd/list/2LQLPARJY3CDS?linkCode=sl2&tag=onamzlindablu-20&ref_=aip_sf_list_spv_ofs_mixed_d 2023 Diagnostic Framework: https://www.ehlers-danlos.com/diagnosis/new-diagnostic-framework-for-pediatric-joint-hypermobility-v2/ Want more Dr. Pradeep Chopra?  Website: https://www.painri.com/ Contact Dr. Chopra's Office: snapa102@gmail.com Want more Dr. Linda Bluestein, MD? Website:  ⁠⁠https://www.hypermobilitymd.com/⁠⁠. YouTube: ⁠⁠⁠youtube.com/@bendybodiespodcast⁠⁠⁠  Instagram: ⁠⁠⁠https://www.instagram.com/hypermobilitymd/⁠⁠⁠  Facebook: ⁠⁠⁠https://www.facebook.com/BendyBodiesPodcast⁠⁠⁠  X: ⁠⁠⁠https://twitter.com/BluesteinLinda⁠⁠⁠  LinkedIn: ⁠⁠⁠https://www.linkedin.com/in/hypermobilitymd/⁠⁠⁠  Newsletter: ⁠⁠⁠https://hypermobilitymd.substack.com/⁠⁠⁠ Shop my Amazon store ⁠⁠⁠https://www.amazon.com/shop/hypermobilitymd⁠⁠⁠ Thank YOU so much for tuning in. We hope you found this episode informative, inspiring, useful, validating, and enjoyable. Join us on the next episode for YOUR time to level up your knowledge about hypermobility disorders and the people who have them. Join YOUR Bendy Bodies community at ⁠⁠https://www.bendybodiespodcast.com/⁠⁠. YOUR bendy body is our highest priority! Use this affiliate link for Algonot to get an extra 5% off your entire order: ⁠⁠https://algonot.com/coupon/bendbod/⁠⁠ Learn more about Human Content at ⁠⁠⁠http://www.human-content.com⁠⁠⁠ Podcast Advertising/Business Inquiries: ⁠⁠⁠sales@human-content.com⁠⁠⁠ Part of the Human Content Podcast Network FTC: This video is not sponsored. Links are commissionable, meaning I may earn commission from purchases made through links Learn more about your ad choices. Visit megaphone.fm/adchoices

In this compelling episode of the Bendy Bodies Podcast, Dr. Linda Bluestein is joined by her longtime mentor and internationally respected EDS expert, Dr. Pradeep Chopra. Together, they tackle some of the most frustrating—and frequently misunderstood—questions surrounding hypermobile Ehlers-Danlos Syndrome (hEDS). From major flaws in the 2017 diagnostic criteria to the hidden surgical risks that could lead to serious complications like CCI (craniocervical instability), this conversation dives deep into clinical insights and lived experience. Listeners will also hear the surprising story of how Dr. Chopra helped inspire Dr. Bluestein to open her own practice. Whether you're a patient, parent, or provider, this episode just might change how you see joint hypermobility and connective tissue disorders forever. Takeaways Why men and boys may be getting overlooked by the current EDS diagnostic model The difference between dislocations and subluxations—and why that matters A surprising source of CCI: what your dentist, surgeon, and anesthesiologist may not know The 2017 criteria: well-meaning, but are they dangerously outdated? What every hypermobile patient should bring to their next surgery (yes, it's a hack) Want to follow along? Find the episode transcript here. References: Episode 70: https://youtu.be/BoRyQh12X2c Episode 71: https://youtu.be/yDT3JTzfiJk Episode 72: https://youtu.be/CYhnKkVjIxM Episode 73: https://youtu.be/2OxtZGNswfo Episode 77: https://youtu.be/d9A1aJB5GRo Episode 151: https://youtu.be/ho0rRcjUobI Perioperative Care in Patients with EDS by Linda Bluestein & Pradeep Chopra: https://www.scirp.org/journal/paperinformation?paperid=97524 Diagnostic Criteria: https://www.bendybodiespodcast.com/p/diagnostic-criteria-checklist/ The Incidence of Misdiagnosis in Patients with EDS: https://www.mdpi.com/2227-9067/12/6/698 Living Well with Orthostatic Intolerance by Peter C. Rowe: https://www.amazon.com/shop/hypermobilitymd/list/2LQLPARJY3CDS?linkCode=sl2&tag=onamzlindablu-20&ref_=aip_sf_list_spv_ofs_mixed_d 2023 Diagnostic Framework: https://www.ehlers-danlos.com/diagnosis/new-diagnostic-framework-for-pediatric-joint-hypermobility-v2/ Want more Dr. Pradeep Chopra?  Website: https://www.painri.com/ Contact Dr. Chopra's Office: snapa102@gmail.com Want more Dr. Linda Bluestein, MD? Website:  ⁠⁠https://www.hypermobilitymd.com/⁠⁠. YouTube: ⁠⁠⁠youtube.com/@bendybodiespodcast⁠⁠⁠  Instagram: ⁠⁠⁠https://www.instagram.com/hypermobilitymd/⁠⁠⁠  Facebook: ⁠⁠⁠https://www.facebook.com/BendyBodiesPodcast⁠⁠⁠  X: ⁠⁠⁠https://twitter.com/BluesteinLinda⁠⁠⁠  LinkedIn: ⁠⁠⁠https://www.linkedin.com/in/hypermobilitymd/⁠⁠⁠  Newsletter: ⁠⁠⁠https://hypermobilitymd.substack.com/⁠⁠⁠ Shop my Amazon store ⁠⁠⁠https://www.amazon.com/shop/hypermobilitymd⁠⁠⁠ Thank YOU so much for tuning in. We hope you found this episode informative, inspiring, useful, validating, and enjoyable. Join us on the next episode for YOUR time to level up your knowledge about hypermobility disorders and the people who have them. Join YOUR Bendy Bodies community at ⁠⁠https://www.bendybodiespodcast.com/⁠⁠. YOUR bendy body is our highest priority! Use this affiliate link for Algonot to get an extra 5% off your entire order: ⁠⁠https://algonot.com/coupon/bendbod/⁠⁠ Learn more about Human Content at ⁠⁠⁠http://www.human-content.com⁠⁠⁠ Podcast Advertising/Business Inquiries: ⁠⁠⁠sales@human-content.com⁠⁠⁠ Part of the Human Content Podcast Network FTC: This video is not sponsored. Links are commissionable, meaning I may earn commission from purchases made through links Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWrapping up our fifth season with this summer's top ten tips:10. Conduct Interesting Interviews9. Love Lists8. Discover Structure7. Setting Is a Super Tool6. Side Write5. Value Vulnerability4. Tell a Story3. Devise Dynamic Dialogue2. Cut 10%1. Have Fun and Be KindThis year my cousin, my friend, my writing partner, and this podcast's biggest benefactor, Steven Kent, passed away unexpectedly during the crafting of this episode. Before I head off to start my summer writing, I have a favor to ask you. If this podcast has ever brought you joy, made you feel less alone on your writing and/or teaching journey, made you feel seen, given you a tip that's improved your writing and/or teaching, or given you a chance to talk about your work, please consider donating to the 4KentGirlsFund on Go Fund Me.Support the show

Eric Kronberg — Principal at Kronberg Urbanists + Architects — is in good traffic this week to talk about the mechanics of building better neighborhoods. Are family units have gotten smaller, while our home sizes have gotten larger. This means less supply, and less opportunity to build more. We get into what makes zoning reform such a powerful tool in evolving this housing dynamic, why parking minimums are the silent killer of affordability, and how small-scale development is the most durable path forward. Eric translates urbanism into practical action better than anyone — not just through design, but through policy advocacy and development. His perspective is vital to American urbanism.We discuss:00:00 Eric Kronberg is in good traffic.01:34 From Ohio roots to southern urbanism.04:25 What zoning actually does (and doesn't do).06:25 Parking minimums, explained.11:27 Visual storytelling in policy change.21:04 Household size, square footage, and the housing crisis.28:22 Why Atlanta's growth patterns matter nationally.31:05 Optimistically tackling NIMBY politics.34:35 How local advocates shape real change.43:22 On the Incremental Development Alliance.46:15 Revising ordinances and quick development math.49:26 What new developers need to learn.52:18 The promise of an e-bike commute.Further context:The household size slide we reference.Kronberg Urbanists + Architects.Incremental Development Alliance.Inc Codes.Follow Eric on LinkedIn.

Is your financial life really private? In this eye-opening episode, Cato Institute's Norbert Michel and Nicholas Anthony take us deep into the world of financial surveillance, starting with the 1970 Bank Secrecy Act. What was originally sold as a tool to catch tax cheats has quietly evolved into a sprawling system of government oversight—with banks and financial institutions acting as unwitting watchdogs. From suspicious activity reports to the third-party doctrine, Norbert and Nicholas explain how the erosion of Fourth Amendment protections has happened largely out of public view. They break down the law's legacy, how it expanded post-9/11, and why $10,000 isn't the large sum it once was. But there's reason for optimism. With growing public awareness, privacy-focused tech, and new reform legislation finally on the table, change might be within reach. If you thought your bank account was your business, think again—this episode will make you see it in a whole new light.Show Notes:Norbert Michel and Jennifer J. Schulp, "Revising the Bank Secrecy Act to Protect Privacy and Deter Criminals" Policy Analysis No. 932, July 26, 2022Nicholas Anthony, "The Right to Financial Privacy" Policy Analysis No. 945, May 2, 2023Norbert Michel, "The Bank Secrecy Act Is a Bigger Threat than FISA" Forbes, April 17, 2024Nicholas Anthony and Naomi Brockwell, "The Illusion of Financial Privacy" Reason.com, May 30, 2024 Hosted on Acast. See acast.com/privacy for more information.

Welcome to Hot Topics! Join us for a collaborative presentation featuring fellow tutorpreneur and repeat guest, Sheryl Uehling. Together, we're excited to share essential essay writing tips to help you succeed!In this episode, we'll cover:Understanding Purpose: Discover how to identify the purpose of your writing and your audience, allowing you to create a solid plan of action. We'll discuss analyzing prompts, brainstorming ideas, and crafting a clear thesis statement.Research and Credible Sources: Learn the importance of gathering credible information from reliable sources such as academic journals, books, and .edu and .org websites. We'll emphasize the significance of taking notes and proper citation.Developing Strong Arguments: Understand how to construct a logical flow in your writing by creating a clear introduction with a thesis, using topic sentences in each paragraph, and incorporating transitions for smooth readability.Clarity and Conciseness: Master the art of writing clearly and concisely. We'll explore the appropriate use of voice—first person for personal narratives and third person for research—and the importance of varying sentence structure while avoiding unnecessary information.Revising, Editing, and Proofreading: We'll guide you through the essential steps of revising, editing, and proofreading your work. Learn the benefits of taking breaks between drafts, seeking peer reviews, and checking your work in both paper and digital formats.Personal Experiences and Feedback: We'll encourage you to draw from your personal experiences to enrich your writing and discuss the importance of feedback for continuous improvement.Tune in for an informative and engaging session filled with practical tips to enhance your essay writing skills!Who is Sheryl Uehling?Sheryl Uehling, a seasoned educator and reading specialist, empowers struggling readers from Kindergarten to Sixth Grade through evidence-based methods rooted in the Science of Reading. Her personalized instruction, blending phonics, decoding, spelling, writing, and comprehension, fosters significant reading achievement. Beyond her direct work with students, Sheryl also equips fellow tutors in the Tech Hub for Tutors with essential digital literacy and marketing skills, maximizing their impact.You can find Sheryl:On the web # 1: https://tutoringwithsheryl.tutorbird.comOn the web # 2: https://tutoringwithsheryl.tutorbird.com/tech-coach-for-tutorsOn Facebook: https://www.facebook.com/tutoringwithsheryl On Instagram: https://www.instagram.com/tutoringwithsheryl/On TikTok: https://www.tiktok.com/@techtutorinnovateOn LinkedIn: https://www.linkedin.com/in/sheryl-uehling-tech-coach-for-tutors/On YouTube: https://www.youtube.com/@tutoringwithsherylJoin the Tech Hub for Tutors at https://techhubfortutors.my.canva.siteSheryl has a podcast called "Tutoring with Sheryl"! Listen and subscribe here: https://open.spotify.com/show/5bjS1j50059IHPtw8z6anK?si=0bafd720bc204246Watch this episode on YouTube: https://youtube.com/live/p8ht04q1zzoRate this episode on IMDB: https://m.imdb.com/title/tt37539184/?ref_=ext_shr_lnk********************************************Follow Gabrielle Crichlow:On Facebook: https://www.facebook.com/gabrielle.crichlow On Instagram: https://www.instagram.com/gabrielle.crichlowOn LinkedIn: https://www.linkedin.com/in/gabrielle-crichlow-92587a360Follow A Step Ahead Tutoring Services:On Facebook: https://www.facebook.com/astepaheadtutoringservicesOn Instagram: https://www.instagram.com/astepaheadtutoringservicesOn X: https://www.x.com/ASATS2013On LinkedIn: https://www.linkedin.com/company/a-step-ahead-tutoring-services/On YouTube: https://www.youtube.com/@astepaheadtutoringservicesOn TikTok: https://www.tiktok.com/@asats2013On Eventbrite: https://astepaheadtutoringservices.eventbrite.comVisit us on the web: https://www.astepaheadtutoringservices.comSign up for our email list: https://squareup.com/outreach/a41DaE/subscribeSign up for our text list: https://eztxt.s3.amazonaws.com/534571/widgets/61fc686d8d6665.90336120.htmlCheck out our entire "Hot Topics!" podcast: https://www.astepaheadtutoringservices.com/hottopicspodcastSupport us:Cash App: https://cash.app/$ASATS2013PayPal: https://paypal.me/ASATS2013Venmo: https://venmo.com/u/ASATS2013Become a supporter of this podcast: https://www.spreaker.com/podcast/hot-topics--5600971/support Original date of episode: April 7, 2025

As summer shines bright, it’s a perfect time to pause, reflect, and realign. Midyear often lands us in the messy middle—but what if we brought a little Christmas joy to the Summer season? In this refreshed replay, we’re unwrapping a “Christmas in July” perspective to help you revisit your financial goals with renewed clarity and purpose. Whether the year has flown by or felt heavy with unexpected turns, this conversation offers a thoughtful, Christ-centered reset to help you finish strong! In this episode, John discusses: Why midyear is a powerful checkpoint for financial reflection The importance of revising plans in light of real life How to keep your goals aligned with faith and purpose Three practical steps to reflect, revise, and refocus Key Takeaways: Taking time to reflect midyear gives you space to acknowledge progress, recognize what still needs attention, and reconnect with the heart behind your goals. Revising your financial plans allows you to adapt to life’s inevitable changes while staying grounded in a purpose that reflects your current season and needs. Realigning your goals with your faith and God's greater story helps ensure your financial journey is not just productive, but also deeply meaningful and spiritually aligned. Simplifying and refocusing your financial priorities can clear the clutter, ease the pressure, and help you move forward with clarity, confidence, and peace. “We want to leave room for God to move. We want to plan. God asks us to plan, but not so much that we box him out.”     CLICK ON THE LINKS BELOW MORE MONEY MADE FAITHFUL!   VISIT MONEY MADE FAITHFUL: https://moneymadefaithful.com/   GET FREE RESOURCES when you join THE HUB: https://moneymadefaithful.com/resource-library-access/Landing-page   BOOK A WORKSHOP & DETAILS: https://moneymadefaithful.com/money-made-faithful-workshop-2/Landing-page   INVITE JOHN TO SPEAK at your conference, church, or event:  https://moneymadefaithful.com/services   SPECIAL SAVINGS ON JOHN'S BOOK, 'He Spends She Spends' and the small group guide: https://moneymadefaithful.com/shop   FOLLOW US ON FACEBOOK: @MoneyMadeFaithful   FOLLOW US ON INSTAGRAM: @MoneyMadeFaithful   If this blessed you today, please Subscribe, Leave a Review, and Share with someone who you believe will benefit from this message!

Balancing working on a revision while heading into full-blown celebratory release week, having good friends coming to join in, and dealing with related fire drills. Also, a peek at the audiobook of NEVER THE ROSES!Book Tour for NEVER THE ROSES information here! https://us.macmillan.com/tours/jennifer-k-lambert-never-the-roses/Buy LoveLitCon tickets here https://lovelit.com/ Be sure to use my author-specific code for a $10 discount! LOVE8368STRANGE FAMILIAR is live! https://www.jeffekennedy.com/strange-familiar You can preorder MAGIC REBORN at https://www.jeffekennedy.com/magic-rebornRELUCTANT WIZARD is out now and the audiobook is live!! https://www.jeffekennedy.com/reluctant-wizardThe posture-correcting sports bra I love almost more than life itself is here https://forme.therave.co/37FY6Z5MTJAUKQGAJoin my Patreon and Discord for mentoring, coaching, and conversation with me! Find it at https://www.patreon.com/JeffesClosetYou can always buy print copies of my books from my local indie, Beastly Books! https://www.beastlybooks.com/If you want to support me and the podcast, click on the little heart or follow this link (https://www.paypal.com/paypalme/jeffekennedy).Sign up for my newsletter here! (https://landing.mailerlite.com/webforms/landing/r2y4b9)You can watch this podcast on video via YouTube https://youtu.be/m-HnyFEZhSkSupport the showContact Jeffe!Find me on Threads Visit my website https://jeffekennedy.comFollow me on Amazon or BookBubSign up for my Newsletter!Find me on Instagram and TikTok!Thanks for listening!

I'm going on book tour! Lots of burbling about that and this Cinderella ticket. Also a deep dive into how we decided on book titles (Spoiler: don't get attached!) and fun insights into yesterday's editorial meeting. Book Tour for NEVER THE ROSES information here! https://us.macmillan.com/tours/jennifer-k-lambert-never-the-roses/Buy LoveLitCon tickets here https://lovelit.com/ Be sure to use my author-specific code for a $10 discount! LOVE8368STRANGE FAMILIAR is live! https://www.jeffekennedy.com/strange-familiar You can preorder MAGIC REBORN at https://www.jeffekennedy.com/magic-rebornRELUCTANT WIZARD is out now and the audiobook is live!! https://www.jeffekennedy.com/reluctant-wizardThe posture-correcting sports bra I love almost more than life itself is here https://forme.therave.co/37FY6Z5MTJAUKQGAJoin my Patreon and Discord for mentoring, coaching, and conversation with me! Find it at https://www.patreon.com/JeffesClosetYou can always buy print copies of my books from my local indie, Beastly Books! https://www.beastlybooks.com/If you want to support me and the podcast, click on the little heart or follow this link (https://www.paypal.com/paypalme/jeffekennedy).Sign up for my newsletter here! (https://landing.mailerlite.com/webforms/landing/r2y4b9)You can watch this podcast on video via YouTube https://youtu.be/WHXowAAZvR4Support the showContact Jeffe!Find me on Threads Visit my website https://jeffekennedy.comFollow me on Amazon or BookBubSign up for my Newsletter!Find me on Instagram and TikTok!Thanks for listening!

First, we talk to The Indian Express' Udit Mishra about the GDP or the Gross Domestic Product calculation for India. He shares that the base year for the calculation of the GDP is being revised, how the base year is chosen and how important it is for the GDP calculation process.Next, we talk to The Indian Express' Amitabh Sinha about the Israel Iran conflict. Since Israel attacked the nuclear facilities in Iran, there has been a speculation regarding the nuclear materials and weapons going off or of a radiation leak happening. But is that a possibility? Amitabh explains. (14:35)Lastly, we discuss the latest yearbook released by the Stockholm International Peace Research Institute regarding the nuclear warheads owned by different countries and where does India stand. (24:32)Hosted by Niharika NandaProduced and written by Shashank Bhargava and Niharika NandaEdited and mixed by Suresh Pawar

Send us a textIn this episode, Jarrett Lerner talks about how publishing a book is like participating in the NBA finals, how kids are our bosses, and sloppy first drafts. Let's get started.Thanks so much for listening and for being part of the Chalk + Ink community. Our final episode will be a compilation of writing tips from the fifth season to kickstart your summer writing or give it a boost if your school year ended in May. My goal is to have it out before the end of June. If you're still teaching, I wish you the best in these final weeks. If you're already on vacay, soak up some sunshine, you deserve it. Until next time, happy teaching and happy writing. Support the show

Today, Emily & Rachel talk about revising large parts of your manuscript!What you'll learn from this episode:Rewriting words is so normalHow to know you have to do itTips and tricks for rewriting Ready to make readers so in love with your characters they can't stop biting their nails in anticipation?  Grab The Magic of Character Arcs free email course: https://www.goldenmayediting.com/arcsmagicJoin Tenacious Writing! With the perfect combo of craft, mindset, and community resources, you will build a writing life that feels sustainable, fulfilling, and fun—without any prescriptions or rules. Learn more: https://www.tenaciouswriting.com/If you enjoyed Story Magic, please rate, review and follow on Apple Podcasts or wherever you listen to this podcast!Follow us on social media!Rachel: https://www.instagram.com/bookcoachrachel/Emily: https://www.instagram.com/ebgoldenbooks/

The Guys are back – and It's time to talk revising canon vs retcons vs reveals. Marvel and DC have survived for a century each by always knowing how and when to adjust what-just-happened. Sometimes, this works (Jean Grey was never Phoenix and is back) and sometimes it doesn't (Jean Grey was never Phoenix and is back). More and more, these changes become events themselves with the act, the new history being the POINT, not a vehicle. Check out how Ms. Marvel is rewriting X-Men history in Giant-Size Dark Phoenix Saga, the second of five event issues, and how Jason Todd's time as Robin continues to evolve to allow for his modern Red Hood era in Robin & Batman: Jason Todd! It's all this and more so check out our Talking Revising Canon: Giant-Size Dark Phoenix Saga (Marvel) & Robin & Batman: Jason Todd 1 (DC)!  X IS FOR SHOW is a talk show for your favorite media, the same way THE OFFICE was a documentary about a paper company. Every week, THE ACTION PACK gathers to discuss a wide range of entertainment media and news, from film & TV to comics to gaming, music, and beyond. Led by NICO (@NicoAction) and TK (@TKAccidental) with producer KEVO (@KevoReally), as well as a variety of friends and special guests, these LIVE discussions are not to be missed - so be sure to tune in and join us for all the fun!

Welcome to Season 2 of the Orthobullets Podcast.Today's show is Podiums, where we feature expert speakers from live medical events. Today's episode will feature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dr. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sumant Krishnan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and is titled⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Revising the Failed Glenoid Bone Grafting Techniques⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"⁠⁠⁠⁠Follow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Orthobullets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Social Media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not. #AmReadingMeg: Audio: Great Big Beautiful Life, Emily Henry—Julia WhelanAlso mentioned: Julia Whelan's Thank You for ListeningPrint: The Road to Dalton, Shannon Bowringfrom The Book Shop of Beverly FarmsKJ: Mansion BeachWelcome to Glorious Tuga, Francesca SegalFind Meg at @megmitchellmoore on IG, or visit her website at www.megmitchellmoore.comHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcripts below!EPISODE 450 - TRANSCRIPTKJ Dell'AntoniaKJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting. It's Writing the Book, a conversation between Jenny, who's just finished a blueprint for her next nonfiction book, and me because I've just finished the blueprint for what I hope will be my next novel. Jenny and I are both trying to quote-unquote "play big" with these next go-rounds, which is a meta effort for Jenny as that's exactly what her book is about, and we're basically coaching each other through, trading pages, thoughts and encouragement, as well as some sometimes hard-to-hear honesty about whether we're really going in the right direction. So come all in on team Hashtag AmWriting, and you'll get those Writing the Book episodes right in your pod player along with access to monthly AMAs, the book labs, first pages episodes, and come summer, we shall blueprint once again. So sign yourself up at amwritingpodcast.com.All SpeakingIs it recording? Now it's recording. Yay. Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. Alright. Let's start over. Awkward pause. I'm gonna rustle some papers. Okay. Now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things. Short things, long things, pitches, proposals, fiction, nonfiction, memoir, other things I'm probably not thinking of. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia, the author of three novels, The Chicken Sisters, In Her Boots and Playing the Witch Card, as well as a nonfiction book, How to Be a Happier Parent, former editor of The New York Times Motherlode. You've heard all this. With me today, more importantly, is Meg Mitchell Moore, who has written a book that I think you're gonna find is your summer go to. It is called Mansion Beach, and I loved it. And we'll talk about it in a second. She is also the author of Summer Stage, Vacationland, can attest to both of those great reads. The Islanders, Two Truths and a Lie, The Admissions, loved that one too. They're all great. So, anyway, lots of lots of novels in the family saga, sometimes touch of romance, beach, summer, deep, but also page turnery read genre, which is not a genre because that was too long. But, anyway, Meg, thanks for coming to chat.Meg Mitchell MooreThank you for having me. I'm so happy to be here. This is gonna be really fun.KJ Dell'AntoniaSo I've read some of your other books, obviously, and I felt like this one Mansion Beach was you sort of moving to a different this. It's a little how to describe it. You've got a lot of points of view, which you always, you often do, and a little bit of of a mystery, which actually, I've seen you do before, and then you've got a podcast going on so that you can have different people show show off what's happening. I guess I was hoping you would talk about the evolution of style, um, actually, over your whole career, sort of from, like, I'm writing a kind of a basic book with a couple of points of view and third person close, or maybe first person to these bigger, bigger stories with so much more to so much more to offer the reader. That's a really big question. Start wherever you want.Meg Mitchell MooreThat's a great question. I I don't know if it has been such an evolution. I have always written multiple points of view to the point where it makes me crazy. And I wish I could. I wish I could do one or two. I really wish I could. I've tried it. I can't do it. I just can't. My brain doesn't work that way. It's I can't do it. So even my very first novel, which I published in 2011 it was called The Arrivals, that was a much smaller story. So yes, I for sure, I've evolved plot wise, but I remember, and this was when I was brand new and did not know what I was doing, and I was just trying to figure out how to write a novel. I had so many points of view. And I remember my now agent. Maybe she was not my agent then and was becoming my agent, or maybe she was already my agent, but I remember her saying, we have to take out at least like five of these points of view. And it's still, it still has a lot. I just that's how I think those are the kind of books I like to read, usually, not always, for one thing, but it just. Must be how I think I'm always in everybody's head, and it's really hard for me to restrain that. So this book, I don't think, has any more points of view than any other. Might have fewer than some. It does have a mystery.KJ Dell'AntoniaYeah it might, then some that I've read, I guess I I, I saw it as different, maybe in part because of the the use of the podcast to frame things.Meg Mitchell MooreYeah that's new. And then it's a bigger, you know, it's a bigger idea. It's a, it's not a retelling of The Great Gatsby, because I don't like to use that word, but it is inspired by The Great Gatsby. So it has definitely some bigger I was looking at bigger themes, maybe from the start. A lot of times I back my way into the themes based on what my characters are doing. I don't always start with the themes, but this time i i was looking at some of those big whether, what's the American dream and what does success mean, and how does money equate with happiness, and some of those bigger questions. And I don't always do that. I might do it in reverse, but I don't always do that first. So I do think it has bigger theme wise, it's bigger maybe plot wise, yeah. And some of the elements, some of the elements that move it along, are a little different. I was working with a new editor for the first time for this. This is my first full book with my new editor. So I think that had something to do with it too, because I think she was probably pushing me for some of those elements that don't come naturally to me, which I think ended up being good for the book.KJ Dell'AntoniaYeah, it's a little more thriller. Isn't exactly the right word, but there's definitely a page turning mystery in there. I know here's, this is like a so there's a page turning mystery in Mansion Beach, and the question all along for the reader, like, you know somebody is going to die. But I at least did not know who, but I had an advance, and it came as a as a digital book, so I didn't have the cover and I didn't have the blurb on the back, if a reader has those things, are they gonna know?Meg Mitchell MooreInteresting.KJ Dell'AntoniaAre they gonna know? Who it is that that dies?Meg Mitchell MooreI don't think so. I don't think so. The people I know who have read it both ways, I think have not known.KJ Dell'AntoniaThat's good.Meg Mitchell MooreIt's sort of that white lotus effect, you know, for White Lotus fans out there, where there is a mystery, and you care about the mystery, but you also it matters, but it doesn't matter as much as what's going on with everybody else. So I really like that as a framing device. I like watching it and reading it. And I tried it myself this time. I did it a little bit in two truths and a lie as well. I guess that's my only other one that has a dead body, and a lot of people are mad at me for who the person was who died, which I want. And two truths...KJ Dell'AntoniaDon't give it up.Meg Mitchell MooreNo, I won't. So that was interesting, so I hadn't tried it again, and this time I went in a little nervous, because people had been upset with me, particularly my husband. But I I still, I mean, I had the chance not to do what I did in two truths and a lie, and I still chose to. So I still, for me, it was the right thing, but it was an interesting experience. And I didn't try it again for a couple books. And this time I did also because I was playing with some of the Gatsby themes. I mean, Gatsby has three bodies, so I thought, I mean, I should have at least one, so I won't, yeah, I won't give anything away about…KJ Dell'AntoniaNo, don't.Meg Mitchell MooreWho or what or how, but I did enjoy having that as a device to propel it now that also, I don't think that was in the first draft. I don't think there was a body in the first draft. I mean, there were huge changes in this book, and I think that was one of them. I think we decided we needed the body after one draft.KJ Dell'AntoniaWow. Okay, now I'm deeply fascinated, and of course, I'm trying. So I'm trying to make this interesting and useful for those of you who haven't read the book, although you could also stop, go get the book, and read it, and then listen to this, and then it would be even better.Meg Mitchell MooreThat is true.KJ Dell'AntoniaYeah. Okay, so let me just start by saying I am actually not a person who typically likes a book where your whole like, like, the question is, you know, either who died or who did it. So Lucy Foley, I've enjoyed some of those, but it's not necessarily my favorite go to genre, but the thing that made this book work great for me was exactly what you just said, that there's so much more to it. You I could see that this story would exist before you added that and that. I mean, that's so cool. And then I also, I'm not a Gatsby person, so neither of those would like, neither of those hooks is going to grab me. But what grabbed me, I think, was the different women, different versions of the American dream.Meg Mitchell MooreMm-hmm.KJ Dell'AntoniaIs that where you started?Meg Mitchell MooreI started… Yeah, I think so I would. Really, yes, I wanted to really look at notions of success, particularly for women today. You know, it's contemporary. It takes place that, you know, in the summer that is coming out, or that, if you actually match up the dates, and I think I messed up the tides and the moon in some places, but it's the summer. So yes, I was very interested in those questions. I was I wanted to have a love triangle, because I think that's interesting, and that's part of Gatsby too. So it's funny that you say you're not a Gatsby person. I think my first, another change from my first draft, was very Gatsby heavy. I think I tried to, I think it just was, I was trying too hard to to do the same thing. And…KJ Dell'AntoniaIt's kind of a reverse-gendered Gatsby.Meg Mitchell MooreIt is, yes, it's reverse gendered. But what I was doing was just, I was just trying to, I don't know what I was doing, but it was a mess. I mean, I always knew I wanted to play with Gatsby, but I tried to do it too closely. And I tried a little first person with the narrator, which that's how Gatsby is told, but I can't write him. Can't write successfully in first person. So that was a mess. And I remember that my editor probably looked at this thing and said, This is what are we doing? But what she said to me nicely was, you need to, like, don't worry so much about Gatsby at all, like you need to free yourself from those constraints, and you need to write the story. And that was the best advice, because that's when it started to come together. So it's more that Gatsby was a jumping off point, and some of those themes, I was so interested in how those themes are so relevant 100 years later, and they are, so I think I needed that as a jumping off point, but I didn't need to, you know, retell it scene by scene, or try to have the narrator feel the same, or do anything like that. And I had some missteps along the way before I figured that out.KJ Dell'AntoniaIt interests me that this doesn't seem to have taken any longer than your other books, did it?Meg Mitchell MooreUh, I felt like it took forever. My books have come out either with note with, you know, a year and then the next summer, or with two summers in between. This one has, this one has an empty summer in between. So I did need that extra writing time for this. And I remember, I always start out thinking I could do this in a year. I'll absolutely and I always hit. I'm a deadline hitter. You know, I always hit the deadlineKJ Dell'AntoniaYeah, you give them something.Meg Mitchell MooreYeah, I was a journalist for a long time. I just, I'm not late on things. I just always, I'm just, I always hit my deadlines, but it might be awful. And so this was nobody actually. I mean, it was pretty awful when I think back to that first draft, and I think that my editor and Agent thought, okay, we can do this. And I looked at it, and I looked at my schedule and my life and my brain, and I thought, I don't think I can do it very well. So we put it off for a year, which gave me not a year's writing time, but maybe six months that I hadn't had. And that made a big difference. So this one took a little longer. Same thing with vacation land. I had the exact same thing happen where I thought it was going to come out one summer, it came out the next summer, but Summer Stage and then the book coming out, if I finish it next summer, will have no extra time in between. So it kind of, I've gone both ways with it.KJ Dell'AntoniaDo you see any like consistency in why? Or it just sort of either happens that way or it doesn't?Meg Mitchell MooreI think I when I try bigger, when I try bigger books, I need more time, as it should be, but I always think I can do it. You know, I'm patience is not, is not my best quality. Impatience is my worst quality. So I find that I'm usually impatient to get something done or to hit the deadline or to put the book out, and I have to slow myself down when necessary, and vacation land. It was a different editor, same publisher, but different editor. I remember her saying, having that talk with me and saying, it will be a much better book. If we put it out the following year, it will be so much better. And she was right. So we needed that time.KJ Dell'AntoniaI so totally relate to this.Meg Mitchell MooreDo you?KJ Dell'AntoniaYeah, absolutely. I mean, I'm in the middle of it. Now, if anybody who's listening is also listening to our what the books are writing the books, what the books also like? It's a little mini series where one of my co-hosts is writing nonfiction and I'm writing fiction, and we're trading pages, and we're doing a weekly series of conversations. And this week's realization was, I have always known that I'm writing a story with multiple points of view, but I couldn't start it that way. I had. I had to start it with just this one protagonist. And then I thought, Oh, well, then it'll just be that, and it'll probably be really easy. Look, I've got this all planned out. I'm just gonna write. I'm just gonna, oh, I'll bet I can get, what if I got my agent a draft this summer? Hahaha, it's, you know, it's not good, but I'm so impatient. I want ...Meg Mitchell MooreRight, right. Well, I was listening to one of your to your podcast the other yesterday, and it was the one where you were talking about your story idea starting. How do you, how do you ideate the book?KJ Dell'AntoniaOh, gosh.Meg Mitchell MooreAnd you so you write a book, and then you present it to your agent, and then you sell it, right? So…KJ Dell'AntoniaYeah.Meg Mitchell MooreThat's your process. So I'm the opposite, where I write, I get the contract first, and then I have to write the book. And I don't know which is harder, because you don't have a built in deadline. You have your own deadlines that you said, but you're writing something that you said. Maybe this will sell, maybe it won't, I don't know, whereas I know it will eventually be published, but I also have that pressure of I have to get things in on time. So what do you think is, what's better? What's worse?KJ Dell'AntoniaI don't know. I envy your... I envy that way. I feel like that would make me feel more secure, more professional. My, my agent, doesn't… she's very against selling a book of mine, at least before I've written it, because she says, I'll, she says I might change it, and then, and then, it won't be what we sold or I won't be happy. So so I don't know if she's I think she's just against it as a general rule, but I know lots of agents that that do it, and I know a lot of of writers that do it. Sometimes I look at this and I'm like, you know, I could do a proposal. Maybe we could sell it. I could get some money. That would be lovely, right? Yeah. But...Meg Mitchell MooreI see, I see your point, and I know a lot of people think that way. I remember a long time ago when I'd either published, I think I'd published no novels. Maybe my book was about to be published, my first novel, and I heard Ann Patchett speak at a conference, and she said, she said that she would never take money for a book she hadn't written.KJ Dell'AntoniaWow.Meg Mitchell MooreAnd I remember thinking, Oh, well, if that's what Ann Patchett says, I guess that's what like, that's how the world is. But I disagree, like I disagree, because for me, first of all, she has a different life situation, but for me to keep income coming in steadily, because this is my only job, I feel like that's the way to do it. And I also feel like other industries, like my husband doesn't only get paid when he goes to the board meeting. He's getting paid every other week for his job that he does for the company that he works for. And so to try to approximate a little bit of a normal salary, I feel like that's the way to do it. But then I also see the other side, and I see why Ann Patchett wouldn't do it, because she's Ann Patchett, you know, so she can take whatever time she needs...KJ Dell'AntoniaSee that's so funny. Because I think, well, you can do this because you're Meg Mitchell Moore, and Meg Mitchell Moore is going to sell and a KJ Dell'Antonia, one of them will, and the others somewhat less, so at least that's my my record at the moment. So I guess we just all see each other differently. My co-host Sarina sells on proposal.Meg Mitchell MooreOkay, so fiction, that's fiction?KJ Dell'AntoniaYeah, yeah. She sold thrillers and romances that way. Okay, so she has a bigger track record. But also, I've known people, you know, I guess there's just different ways of of of doing it. And I would not say that I chose this. It chose me.Meg Mitchell MooreInteresting, but there was always that chance. I mean, my agent... If I said to my agent, I don't want to sell till I write, she would say, Great, that might be better for both of us. We'll probably sell it for more, because you might write something really good, but I just don't want to take that. I'm too impatient, you know, I'm just Yes, maybe, if, you know, maybe if I had, you know, had some big blockbuster, and then I thought, Okay, now for two years, it doesn't matter what's coming in, because I'm getting money from that book, that would be different. But, um, that's not how it works for most people.KJ Dell'AntoniaYeah, and maybe I would feel less impatient with getting this done if I weren't like, I want to get to the point where I know if we're going to sell like, I wrote a whole thing last summer, and it never got to the point that we felt like we could sell it, and I I'm sick of it. I can't write it anymore. I'm done with it. I mean, maybe I'll come back to it, but, yeah, right. And like, I've had, you know, a freelance editor at it who's really good. My agent's been at it. I finished it like three times, and apparently it still sucks. So I'm done.Meg Mitchell MooreSo that's interesting, because I always think that I would not be writing good books if I didn't know if my editor gets a very messy draft, and all of my editors have gotten bad dress and really helped me. And without that step, I don't think I would ever write a book that could even be sold. So I feel like I need to know, okay, somebody else who is better at this is going to be helping me really soon. I just need to get through it.KJ Dell'AntoniaThat's that would be amazing. I don't think my editor cares enough about me to do that. So...Meg Mitchell MooreOh, my editor would absolutely prefer a cleaner draft. Like, no question. I mean, she would be delighted if I showed it to five people and got feedback, but I'm always in a rush. So I'm like, here you're the first reader. Here you go. She's like, thank you.KJ Dell'AntoniaYeah, that's my agent. I'll be like, Look, I'm done it's great! and She's no... it is great, but you know what would be really great? Poor agent. Yeah, okay. So, so we're we're both impatient, but we're doing this in in very different ways. Well, now I want to hear more about that. How do you go from a first draft with no body, to a final draft where the body, it's definitely one of the things that's pushing people to turn the page. It's not the only thing. So maybe that's the good news of not having started with a body. Also, did you know whose body it was?Meg Mitchell MooreUm, we discussed because, yeah, I mean, we discussed a little bit about it. I remember thinking, Could it be this person? And here's why we wouldn't want that person. Could it be this person? So we had some discussion. I didn't write it. I once I knew who it was. I didn't write multiple versions of it. I always had that person. But, and I guess I just think of it as more of a framing device than anything, and a framing device, you can add the frame later.KJ Dell'AntoniaYeah.Meg Mitchell MooreSo the middle was mostly what was happening, was happening, and then there was this framing device and and then there are certain things at the end that kind of came together. And I was like, Oh my gosh, this makes it all come together. But I didn't know that in the beginning. And that was so you may be late.KJ Dell'AntoniaDid you not know how the body became a body?Meg Mitchell MooreAh, that changed. There was...KJ Dell'AntoniaYeah, I could see that.Meg Mitchell MooreAnd then I thought, oh my gosh, this is kind of what I needed to pull together all those themes. It was those exciting moments that really don't happen very often.KJ Dell'AntoniaOh, I bet and I mean, I can see it from the outside as a reader. It really did. It made it like your ending is one of those endings that changes the whole, your whole reading experience for the better, right? Not that it wasn't a great reading experience the whole time. You know, sometimes somebody doesn't stick the landing, and then you're like, yeah, no, I don't really want to recommend this. I mean, it was fine, right? But, and sometimes it's just great. It's like, solid. You're happy, yay. Okay, that's a good, it's a good. Yours colors the entire like, if I were somebody who would go back and reread it, would color the entire experience differently.Meg Mitchell MooreOh, Thank you!KJ Dell'AntoniaYeah, which is cool, yeah, very cool.Meg Mitchell MooreNow, when I wrote Vacationland, I started with a body, and the body came out. So I had the opposite experience, where I thought I was writing a thriller. The whole time. I was like, this is going to be my thriller. There's a body. And I had it all. And to me, it made sense. It all tied up, and my different editor, but my then editor said, I like everything but the body.KJ Dell'AntoniaWow.Meg Mitchell MooreWe had to keep it was first it was a an important body, and then it was a less important body, and then it became the body of a seal, because I had to have just a scene of children looking at something they found in the water in the very beginning. And so it was a body, and then it was a seals body. This time. I got to keep my body at least.KJ Dell'AntoniaSo I love this also, because you haven't been, um, pigeonholed into a genre that involves bodies or doesn't involve bodies. Has that been a thing as you've as you've gone from book to book where people are like, well, I don't know… Meg, people don't really want you to kill people or the, you know, the opposite. Well, I don't know, people are kind of looking for some more thrills from you.Meg Mitchell MooreWell, Vacationland. I remember that editor said they don't, we don't want this from you. We want, we don't want. We want a summer book. We don't want. We're not looking for a thriller. You know, they had other thrillers. You know what? They're doing their own end of the business, too. So they definitely said that this time. I mean, I feel like I'm not pigeonholed, but categorized as beach as a beach book. But I think within beach books you can do all of those things. Yeah. So if I were to write a giant thriller that I said, I think this should come out in the fall, and it's a big book, I that's when they would probably say, I don't know if your audience, if you have the audience, right, pull that off unless the book is amazing, you know? I do feel like I need to come out in the summer to keep my readers.KJ Dell'AntoniaYeah, I actually love that. That beach book is a You're right. It's a pretty big genre. It encompasses a lot. It encompasses a lot of of things, the only requirement being that it's, you know, entertaining, which, as far as I'm concerned, is a book requirement anyway. But...Meg Mitchell MooreRight, right. It is interesting because my books also happen to usually take place on beaches, but not all beach books do. So it is, it has become a very big category and competitive like you also want to stand out in that category, because there are so many books with the word summer in the title or the word beach in the title, or this. Actually, this cover is a departure for me, which I love, because I feel like I have done the just the oceanscape or the main or the woman looking at the water. I've had those kinds of covers.KJ Dell'AntoniaIt's your first... It's, it's, it's a cartoony cover. I don't, I don't mean that it, you know that sounds Yeah, it's almost a romancy cover. But there's only one person. First. I'm just so you guys should, it'll, it'll be in the show notes. You should, you should take a look, because you're right. It is a departure. I see, yeah, I see what you're saying there. But this one's, it's a hardback, right?Meg Mitchell MooreYes.KJ Dell'AntoniaYeah. Have all your books come out first in hardback?Meg Mitchell MooreThey have, yep.KJ Dell'AntoniaNice, cool.Meg Mitchell MooreHave yours?KJ Dell'AntoniaNo, none.Meg Mitchell MooreNone? Okay, now, what do you now…? Do you think that… that, I sometimes I feel like that's a great thing too.KJ Dell'AntoniaI go back and forth on that. My agent is bummed about it. But for me, it's frankly, much easier to, like, go out to everyone and be like, spend $18 versus be like spend $38.Meg Mitchell MooreI agree.KJ Dell'AntoniaSo I haven't minded. Oh, and I was at the Newburyport Book Festival a few years ago, and they accidentally got my second book only in hard book, because it was, it came out in hardback and paperback at the same time, which there was a moment of about six months when publishers were doing that, and then they stopped and they only had the hardback. And I was like, Oh, I don't even want anyone to buy that. Like that, isn't I would be mad if I bought a hardback...Meg Mitchell MooreRight, right.KJ Dell'AntoniaAnd then the next day, I was at the store and was like, hey!?Meg Mitchell MooreRight, yeah, it's interesting, because I do actually love… because I bought your book The Chicken Sisters this weekend, in paperback, and I love, I love paperback, yeah, I love it.KJ Dell'AntoniaFor travel…?Meg Mitchell MooreLighter, yeah, and I think it is appealing. It's so interesting. I mean, I remember Emily Henry's first couple, at least, came out paperback, and then now that she can sell so well, they now they come in hardcover, but I still feel like...KJ Dell'AntoniaI look at them and I'm like, I don't want that that way. Now, I'll just buy a digital version, because I don't that's not…Meg Mitchell MooreRight? Right. It's really interesting. And I know I don't understand the sales end of it, the way that the people who are doing the job do, and the profits and the margin and all that. But I kind of feel like, why isn't everything in paperback right away? You know?KJ Dell'AntoniaYeah, no, I feel the same way. And and also people's, especially now we're thinking, we're talking about beach books. Some people's beach I mean, if my beach vacation is an airplane beach vacation, I might bring one hardback, maybe...Meg Mitchell MooreRight.KJ Dell'AntoniaAnd maybe, probably not, because I'm a fast reader, I could easily eat that on the plane, and then there I would be. So...Meg Mitchell MooreRight.KJ Dell'AntoniaI don't know.Meg Mitchell MooreRight, yeah.KJ Dell'AntoniaI guess that's what e-readers are for.Meg Mitchell MooreThat's true.KJ Dell'AntoniaWell, I mean, gosh, I could probably talk to you about in depth, about the writing of this for about 12 hours. Because, okay, one one last thought. So listeners, Meg writes like we said, in multiple points of view. Talk to me about how you know when to change the point. You know what point of view a scene should be told from?Meg Mitchell MooreYeah, I don't. I'm it's so much. I do so much rewriting, a lot of that. I mean, I'm just thinking, I just turned in a draft yesterday of, hopefully next summer's novel, and I that is also multiple points of view. It's, I think it's mostly three, it's three adult sisters and they each have a point of view. There might be a couple little scattered things, but when I look back, I think I need to probably adjust, even in the draft I just turned in, I think I'm a little heavily weighted toward one over the other, so I don't always know. I just go on gut and instinct, and then I fix it later, which is how I do almost everything. I just go by instinct, and it's usually wrong And I change it later.KJ Dell'AntoniaSo, you'll, you'll be like, you've written a scene, and the point of view of one person, you realize, oh, either it's the other person's turn to have some more time, or I need their inner thoughts, not this person's inner thought...Meg Mitchell MooreRight. Yeah, its not very organized.KJ Dell'AntoniaAnd sometimes you drop in like, you know, a kid on a beach or something, is that when you need something to happen that you that your protagonists don't know? Or just, you just feel like?Meg Mitchell MooreI think, I think it's fun. I just think it's fun sometimes to have this person you haven't heard from and you won't hear from again. But a lot I probably did. I probably do that. It probably gets taken out 80% of the time when I do that, because usually it doesn't make sense. But I just wanted to do it. I did it in my book. I just turned in and the first this scene between the a realtor and her husband, the realtor who's selling this house that these people are in. She doesn't matter to the book, but I just really wanted to write the scene of her and her husband, and I even wrote in the draft. I know this doesn't make sense, and my editor said, Yeah, this doesn't make sense. Like, you either need more of them, or they need to go. I don't know what they're...KJ Dell'AntoniaDo you ever give them away for? Like, you know, here's your pre order bonus. Read this extra scene…Meg Mitchell MooreI should do that. Maybe I'll do that. They'll do that. I have never done that, but maybe I will. But I feel like, I think it might be Anne Tyler. I remember reading an interview. Is she the one who does the strings like she has strings with different?KJ Dell'AntoniaMaybe, i don't know.Meg Mitchell MooreEvery character has a different colored string, and then she pulls down the red one because it's the red, you know, that's how she knows who she's writing. And I thought that was really cool, but I've never done it.KJ Dell'AntoniaThat sounds like a lot of work.Meg Mitchell MooreI guess.KJ Dell'AntoniaAnd, like, I would need a different…I need a bulletin board. Okay.Meg Mitchell MooreYeah, I don't know where you, where I would hang it from, but it's just seems kind of nice to think, then maybe...KJ Dell'AntoniaYeah it does.Meg Mitchell MooreShe knows if she's done the right amount for everybody.KJ Dell'AntoniaYeah, The Chicken Sisters is alternating points of view. And I just, I just alternated. And then sometimes that was a problem, and I had to figure out, like, how to get somebody's feelings? Yeah? So....Meg Mitchell MooreYeah, it's confusing. I don't know why I do it to myself, because sometimes I'll just read a perfectly, a book that's just perfectly written in first person. I'm trying to think of an example right now, because I don't even always read that much in first person, but like, Yellowface? … Yellowface. Okay, that book was so, like, simple in a way, but I love I loved it. I thought it was brilliant, and it was all just this point of view, and...KJ Dell'AntoniaAnd didn't you occasionally get, like a newspaper article? I think...Meg Mitchell MooreMaybe, maybe.KJ Dell'AntoniaThat must have been what she did when she had something her person couldn't know.Meg Mitchell MooreYeah. I guess, yeah. I guess, technically, it would be harder to do it all from one because you how do they know everything? But I feel like I get lost, like I have trouble. I literally lose the plot, because I'm just this person's off doing something in their day that might have nothing to do with what's going on. I get really caught up in that kind of stuff, and that's what I have to edit out.KJ Dell'AntoniaYeah, I'm always trying not to do that. I'll sit there while I'm writing, like, No, do not let them move their coffee cup. They can move the coffee cup in a later draft, if the coffee cup is still here, if they're even still in this coffee shop, if this coffee shop even exists. But I can't seem to stop it. My my like, default mode is, you know, he said while taking a sip and burning his lip or whatever, right? Just, I can't seem to not do it.Meg Mitchell MooreYeah, but sometimes that's where you get the gold too, because you wrote all that, and maybe that one sentence is the thing that you needed. So it's just the process.KJ Dell'AntoniaYeah, it is. It's just the process, and it's longer than we hope and slower than we hope...Meg Mitchell MooreAlways...Always. Yes.KJ Dell'AntoniaAnd more, and more revising. Well, do you have any, like, genius words about revision for people? Because it sounds like you do a lot of it.Meg Mitchell MooreI do a lot of it. I think just is so important. It's just so for me, it's so important. I just think nobody gets it right. I hope nobody gets it right the first time. Because if they do, I'm really jealous, but I think for the most part, nobody gets it right the first time. So revision is, I mean, I'd say I spent almost as much time on the revision I probably do as I do on the first draft.KJ Dell'AntoniaDo you still lie to yourself in the first draft and let yourself pretend it's going to be right?Meg Mitchell MooreOh yeah. I always think, Oh, this is the time I did it, I nailed it, and then I get my editorial letter, and it's like, great start. Here's the 700 things that you need to do now.KJ Dell'AntoniaWell, thank you. I feel better. I hope everyone else does too.Meg Mitchell MooreYeah, it's a long process.KJ Dell'AntoniaIt really is, all right. Well, this was fantastic. I really enjoyed it.Meg Mitchell MooreYeah, me too.KJ Dell'AntoniaAs we hit the end of any episode, we always like to ask people what they've been reading. So I hope I'm not springing that on you.Meg Mitchell MooreNo, I just I always have an audio book going and a regular book going on audio I just started the Emily Henry, the new Emily Henry, which I've never listened to her books. I've always read them, and I know that Julia, the famous Julia Whelan, is always her narrator, so and she's phenomenal. So I'm loving the audio version, which is just funny that I've never done it with Emily Henry before.KJ Dell'AntoniaDid you listen to Julia Whelan's book that she wrote herself?Meg Mitchell MooreMhmm.KJ Dell'AntoniaThat was so fascinating, because it really was different, like I actually read it, but I could feel the… yeah. Anyway, okay.Meg Mitchell MooreOh, you should go back and also listen. It's so it's such a good audio book.KJ Dell'AntoniaI bet.Meg Mitchell MooreYeah, it was fantastic. And then I'm reading a novel called The Road to Dalton that my friend Hannah, who owns the Book Shop of Beverly Farms in Beverly Farms, Massachusetts, phenomenal store recommended to me. So I bought it last time I was there, and it is about a bunch of people in a small town in Maine, which is my vibe immediately I was in. But it's very good. So I'm reading that. I can't, I can't remember the author, which is unusual for me, but Shannon something I think [Shannon Bowring].. But it's The Road to DaltonKJ Dell'AntoniaThat's okay. I will find it well. As everyone is gathered, I just finished Mansion Beach. I I really loved it. It was a rare book that I loved even more when I got to the end of it. And, yeah, it was amazing. And also in that, that vibe, that sort of small town Maine and yet, but this is like small island, middle of the Atlantic. Welcome to Glorious Tuga. Have you heard of this one?Meg Mitchell MooreNo. I've never heard of it.KJ Dell'AntoniaOkay, so it's a tiny island settled 300 years ago by a miscellanea of Dutch and British and and African people didn't have any locals. So that's kind of and they have formed the society. It's only open for half the year, because you can't, like, get a boat into it, because storms and currents and whatnot. So this woman has gone thinking that she's going to study the native tortoise population all Darwin, but she gets there and they're like, great. You're a vet. That's what we need. So it's kind of like all creatures great and small meets...I don't even know what it meets yet, I got to come up with that. But it's really a lot of fun. And it's very multi it's multi POV in a really interesting way, because you're with her, and then sort of whenever you kind of get a little interested in someone else, you're like, Oh, why are they doing that? Then maybe you'll switch to their POV. it's really, I really enjoyed it so, so that was fun. So those are my ranks, all right. Well, thank you so much, listeners for joining us, and thank you, Meg for joining me today. Where can people follow you? Where's the best?Meg Mitchell MooreMostly on Instagram @Meg Mitchell Moore, I'm on Facebook, but I don't use it very often and I kinda want to leave it. So…I also just read the Facebook, the Facebook memoir.KJ Dell'AntoniaOh yeah?Meg Mitchell MooreNo, I really want to leave Facebook, but also I know that they own Instagram. So anyway, Instagram is the best place to find me, and I was so happy to be here. Thank you. It was really fun.KJ Dell'AntoniaThis was super. Okay. Thanks everyone for listening, and until next week, keep your butt in the chair and your head in the game.Sarina BowenThe hashtag am writing podcast is produced by Andrew Perella. Our intro music, aptly titled unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Welcome to Season 2 of the Orthobullets Podcast.Today's show is Podiums, where we feature expert speakers from live medical events. Today's episode will feature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dr. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Eric Wagner⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and is titled⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Revising the Failed Humerus The Case for Allograft Prosthetic Composites."⁠⁠⁠⁠⁠Follow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Orthobullets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Social Media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Ebay revising and comparing listings (prices, subscriptions, niche stores, HTML and editing text)

Join Victor Davis Hanson and cohost Jack Fowler to examine Trump's revision of student loan policy, security clearances revoked, aid stopped to South Africa, Hunter's prospects, our enemies purchasing ag lands, Trump diplomacy should be reciprocity, John Kerry and the Iranians, who signed executive orders for Biden, and NGO, DOGE and fraud.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.