Podcasts about Bestiary

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

For this week's Bonus Episode we're padding through mists on silent paws and peering, with eyes of flame, at the history and folklore of Hellhounds!With so much to talk about, there's no mucking around: we dive straight into prehistory, discussing how humankind's domestication of the dog set the stage for conceptions of the Hellhound. From our earliest rock art through to the very first toys and statues, dogs were with us.But what about their dark double - the 'Demon Dog' or 'Hellhound?' From vengeful Ancient Mesopotamian afterlife creatures like the Shadu and Sharru to the role the Jackal (and Jackal-headed deity Anubis) played in Ancient Egyptian belief, via Classical notions about dogs and Hellhounds like Cerberus, it's startling how consistent beliefs about these 'Not Dog' monsters have remained. And descriptions of Demon Dogs across time have been wild and absurd. But, from Roman notions of the 'Duties of a Dog' through to Medieval and Renaissance attitudes to the fae and 'Other,' we, as a species, kept it nice and weird, trying to define the paranormal pooch as uncanny and terrifying, even though individual Hellhounds are often quite nice to people!From England's most famous example in the shape of Black Shuck to monsters with dog bodies and human heads, canine boggarts that grow to the height of houses to talking Hellhounds that just want to snuggle in your pocket, we're embracing it all. So, join with us beneath the light of the moon, and let our howls float on the breeze, singing of doom and portents.For in this episode, we look into the dark mirrors of our minds, and see what is reflected there.Not 'man's best friend' but something else with fur, four legs, a tail, and its own agenda that we simply cannot understand.Therefore, we howl.The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.

Today, we delve into how Medieval Christians depicted ants and their predator, the sometimes legendary antlion, in Medieval bestiaries. Subscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563I Might Believe in Faeries is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Resources: “The Aberdeen Bestiary | the University of Aberdeen.” Abdn.ac.uk, 2019, www.abdn.ac.uk/bestiary/. Aesop. “Library of Congress Aesop Fables.” Read.gov, read.gov/aesop/052.html. Badke, David. “Medieval Bestiary : Animals in the Middle Ages.” Bestiary.ca, 1 Oct. 2024, bestiary.ca/index.html. Accessed 10 May 2025. Druce, George C. “An Account of the Mυρμηκολέων or Ant-Lion.” The Antiquaries Journal, vol. 3, no. 4, Oct. 1923, pp. 347–364, bestiary.ca/etexts/druce-account-of-the-ant-lion.pdf, https://doi.org/10.1017/s0003581500015031. Accessed 9 May 2025. The Etymologies of Isidore of Seville. Cambridge University Press, 8 June 2006. “Gregory the Great - Moralia in Job (Morals on the Book of Job) - Book v (Book 5) - Online.” Lectionarycentral.com, 2025, www.lectionarycentral.com/GregoryMoralia/Book05.html. Accessed 9 May 2025. Heck, Christian, and Rémy Cordonnier. The Grand Medieval Bestiary : Animals in Illuminated Manuscripts. New York, Ny, Abbeville Press, 2018. von Bingen, Hildegard, and Priscilla Throop. Hildegard von Bingen's Physica : The Complete Translation of Her Classic Work on Health and Healing. Rochester, Vt., Healing Arts Press, C, 1998. Hope, Louise, and Steve Schulze. “The Project Gutenberg EBook of Metamorphoses, by Ovid.” Gutenberg.org, 2021, www.gutenberg.org/files/21765/21765-h/21765-h.htm#bookVII_fableVI. Accessed 9 May 2025. Get full access to I Might Believe in Faeries at aaronirber.substack.com/subscribe

This is a solo episode where I discuss medieval bestiaries and announce a new project I have been working on. I discuss animal symbolism, how Medieval bestiaries depicted animals, and the stories behind them. There are supposed to be pictures with this episode so check out the YouTube video here: https://youtu.be/h06opKxl444 *************************************************************************************************************Follow me on Twitter @AaronIrberSubscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563Subscribe to my Substack - https://aaronirber.substack.com/ for updates on the show, essays, and more!Donate to my Patreon - I Might Believe in Faeries https://www.patreon.com/imightbelieveinfaeriesLike my Facebook page - I Might Believe in FaeriesBattle Of The Creek by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Logo Art by Linnea Kisby************************************************************************************************************* Get full access to I Might Believe in Faeries at aaronirber.substack.com/subscribe

The author Katherine Rundell didn't believe in love at first sight — until she met a pangolin. The encounter with the anteater-like creature made her curious about other endangered animals, and now, she wants us to notice more of these exquisite creatures.

Season 6: Episode 3 --The UP Notable Book Club presents Raymond Luczak speaking about his book "Animals out-There W-i-l-d: A Bestiary in English and ASL Gloss." The Crystal Falls Community District Library in partnership with the U.P. Publishers & Authors Association (UPPAA) presents author events with winners of the UP Notable Book List. For more information please visit the links below www.UPPAA.org www.UPNotable.com https://www.raymondluczak.com/ RAYMOND LUCZAK (pronounced with a silent "c") is perhaps best known for his books, films, and plays. He was raised in Ironwood, a small mining town in Michigan's Upper Peninsula. Number seven in a family of nine children, he lost much of his hearing due to double pneumonia at the age of eight months. After high school graduation, Luczak went on to Gallaudet University, in Washington, D.C., where he earned a B.A. in English, graduating magna cum laude. He learned American Sign Language (ASL) and became involved with the deaf community, and won numerous scholarships in recognition of his writing, including the Ritz-Paris Hemingway Scholarship. He took various writing courses at other schools in the area, which culminated in winning a place in the Jenny McKean Moore Fiction Workshop at the George Washington University. Recent works include Compassion, Michigan: The Ironwood Stories, Chlorophyll: Poems About Michigan's Upper Peninsula and the anthology Yooper Poetry which has resulted in launching the critically-acclaimed Yooper Poetry Series, edited by Luczak.

For this week's Bonus Episode we're basking on slippery rocks, swishing our tails, and looking into the magic mirror of Mermaid history and folklore, combing our hair all the while!We start off chatting about the plethora of 19th century Mermaid-themed media, from paintings and plays to poems and songs, all of which paved the way for our modern perception of merfolk. Then though, we swim against the current, back through time, to discover the ways in which Mermaids were first represented in human society. This includes through art, literature, and religious beliefs, on Ancient Babylonian pottery, in Ancient Egyptian mythology, and throughout Ancient Assyrian temples and palaces where mer-people were even worshipped as gods! As time moved on however, through Ancient Greece and the Classical Age, we explore the ways in which divisions formed between increasingly Christianised 'Sea Mother' icons and their dark counterparts, the 'Monstrous Women,' which rose to particular prominence through the Middle Ages and into the Renaissance.In addition to taking a quick Mermaid World Tour to look at representations of 'Fish Men' and 'Fish Women' in cultural traditions from Scandinavia, Russia and China to New Zealand and the Americas, we then dive deep into oysterbeds of legend to examine the pearls of Mermaid lore that fell out of favour during the Enlightenment.From nationalistic anthems to fairy tales, sea shanties to some of the most famous myths in all of human history, the episode covers, in essence, the Mermaid's place in the cultural consciousness from the birth of civilisation right through to today, where ideas of Mermaids are continuing to evolve and change.Which beggars the question, are Mermaids immortal? Considering that they have been part of human life since before we could write, there's no reason to believe they won't outlast us too.Oh, and Martin has some truly noxious Mermaid puns to jolly it all along as well, so consider yourself warned!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today we meet Neil, he is an Irish TTRPG Content Creator with a nice obsession about Folklore and the Fey. He has spent hours upon hours researching them and creating a TTRPG called FeyEarth where all the stories are real!Today he talks to us about Folklore and the Fey and how they actually were, but also he talks to us about his newest Book "Hidden Folk of the Feywild" a 5e Bestiary with a ton of amazing creatures for you to use and play the real folklore and sagas. The Kickstarter is out now: https://www.kickstarter.com/projects/brambleheartgames/hidden-folk-of-the-feywildYou can find Neil here:https://bsky.app/profile/feyearth.bsky.socialhttps://fey-earth.itch.io/Check here for all further information:You can find us on the Web under these Links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.doubledm.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/doubledm.bsky.socialhttps://www.instagram.com/doubledmpod/?hl=de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/doubledm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you want to reach out to us via E-Mail use: doubledmpod@gmail.comOur Midroll Music is "Midnight Tale" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://creativecommons.org/licenses/by/4.0/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Outro Music is "Ascending the Vale" Kevin MacLeod (imcompetech.com)Licensed under Creative Commons: By Attribution 4.0 License ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://creativecommons.org/licenses/by/4.0/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted on Acast. See acast.com/privacy for more information.

Telephone, Telegraph, Tell a Friend about the Goblins and Growlers Podcast. → Bonus episodes and early access on Patreon (http://patreon.com/goblinsgrowlers) → Subscribe to our monthly gaming newsletter (https://goblinsandgrowlers.beehiiv.com/subscribe) → Join the Goblins and Growlers Discord (http://bit.ly/goblindiscord) This week, I had the chance to FINALLY connect with Lucas Zellers of Mage Hand Press about "Book of Extinction," which he's been working on for more than four years. It's an amazing bestiary that's really more like four books in one. I have so much to say about this book, but you can listen/watch the podcast to hear it all. We also have a couple of Deep Dives with Lucas on Patreon: We discuss the saddest extinction stories in the book and then, next week, we talk about his newest project, "Glatisant," which he wrote while shifting gears after the completion of "Book of Extinction." Lucas Zellers is an author and game designer at the intersection of natural history and game design. A marketing professional by day, educator by later in the day, and birdwatcher by whenever possible, Lucas helps mission-driven organizations of all sizes reach the right audiences through sustainable long-term growth strategies. He's also one half of Graftbound, an independent publisher of incisive, tactile games that explore life's richest relationships. He'll always play a warlock, roll a chunky d20, or add too much garlic. Check us out on Patreon (http://www.patreon.com/goblinsgrowlers) for bonus Deep Dive videos along with early access to the video and audio of the podcast.  LISTEN, RATE, AND SUBSCRIBE! If you like the show, please tell a friend about it. And if you want to tell more people, then please leave us a review on Apple Podcasts and/or your podcatcher of choice. You can find and/or support us at all the places below: https://patreon.com/goblinsgrowlers https://facebook.com/GoblinsAndGrowlers https://goblinsandgrowlers.podbean.com (and basically any other podcatcher) https://quidproroll.podbean.com (our sister podcast, the best narrative play)

For this week's Bonus Episode, we're wandering wild places to explore the history and folklore of Trolls, which, though they sound pretty ancient, are a surprisingly modern folkloric creation!We start off chatting about the modern perception of Trolls, including the quite sinister online iteration we all know as the "Internet Troll" and the mass-produced toys, invented in the 1950s, now an animated film franchise more associated with pop music than pagan fiendishness. Then though, we wind back the clock, discussing how Trolls first appear on record, in scant scraps of Old Norse, and start to discover a problem: that Trolls were not 'one thing' but actually a whole class of kinds of things, the word used interchangeable with several others, with associations ranging from incest to kidnapping to the moving of mountains. Thankfully, as we track across time, we explain how and why Trolls came into clearer focus, particularly as a counterpoint to Christian Scandinavians. From the formation of nations such as Denmark, Norway and Sweden through to the Enlightenment era, during which Trolls almost become a kind a ghost, through to the 19th and 20th centuries, it emerges that Trolls have become a symbols capable of representing very different ideas over time.So, is a Troll the same thing as a werewolf? At some points, yes! How about a form of Giant? Absolutely, but not always. With answers to these questions and many others, including the links between Trolls and street walkers, their associations with barrow tombs, and the reasons why they're so scared of church bells, it's a stranger episode of the Three Ravens Bestiary than most.Nonetheless, we hope you really enjoy it, and as the spring sun starts to shine, know that you're safe from Troll-kind so long as you stay well out of dark and savage places...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

  Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025).       *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.

Oh, the Libyan Gorgon. [Tries to look like he knows what he's talking about] This week on the Vintage RPG Podcast, we crack open an ur-Monster Manual, Ernst and Johanna Lehner's 1969 A Fantastic Bestiary. Essentially a Dover clip art book (and reissued by Dover under a different title) with some light historical context, there are textual clues that seem to indicate it was an important reference work for Gygax and company. And I think it might have partly inspired the idea of a highly illustrated hardcover book of monsters! * * * Instagram? Old news. Join the Vintage RPG Newsletter! That's where all the cool kids are now! Stu's book, Monsters, Aliens, and Holes in the Ground is for sale now! Buy it! Patreon? Discord? Cool RPG things to buy? All the Vintage RPG links you need are right here in one place! Like, Rate, Subscribe and Review the Vintage RPG Podcast! Edited by the one and only R. Alex Murray. Send questions, comments or corrections to info@vintagerpg.com. Available on iTunes, Google Podcasts, iHeartRadio, Spotify, YouTube and your favorite podcast clients. The Vintage RPG illustration is by Shafer Brown. Follow him on Twitter. Tune in next week for the next episode. Until then, may the dice always roll in your favor!

Continuing our exploration of the monstrous races, we take a look at the Jarthals.

Eiren Caffall is an award-winning writer and musician whose writing on loss and nature, oceans and extinction has appeared in numerous publications. In this episode of Nature Revisited, Caffall talks about her recent first novel The Mourner's Bestiary, a literary memoir on loss and chronic illness, as well as a meditation on grief and survival told through the stories of animals in collapsing marine ecosystems. Caffall carries a family legacy of two hundred years of genetic kidney disease, raising a child who may also. As she describes, the process of writing the book was a way for her to weave environmental research with a memoir of generational healing, and the work it takes to get there for the human and animal lives caught in tides of loss. https://www.eirencaffall.com Listen to Nature Revisited on your favorite podcast apps or at https://noordenproductions.com Subscribe on Spotify: https://tinyurl.com/bdz4s9d7 Subscribe on Apple Podcasts: https://tinyurl.com/5n7yx28t Podlink: https://pod.link/1456657951 Support Nature Revisited https://noordenproductions.com/support Nature Revisited is produced by Stefan van Norden and Charles Geoghegan. We welcome your comments, questions and suggestions - contact us at https://noordenproductions.com/contact

Margaret from the future talks about all of the terrible creatures that fascists have invented to attack internationalist forces.See omnystudio.com/listener for privacy information.

Eiren Caffall's The Mourner's Bestiary, is a memoir about her experiences with polycystic kidney disease (PKD)—a chronic illness that has afflicted her family for 150 years—with the stories of marine life struggling to survive in the world's fastest warming marine ecosystem.

Eiren Caffall joins Let's Talk Memoir for a conversation about her generational experience of loss, coming out of the shadows about having an ill body, how polycystic kidney disease (PKD) has shaped her and her family's life, writing about the collapse of ecosystems in the Atlantic ocean, seamlessly weaving in narrative, historical, lyrical, scientific, and metaphorical threads, allowing our children to weigh in on stories that involve them, feeling all the places we're still wounded, depicting mother-daughter relationships with complexity, the umpteenth draft, form as key, holding two things in mind at once, reframing and understanding family dynamics, and her new memoir The Mourner's Bestiary.   Also in this episode: -remembering wonder and beauty in the face of destruction  -idosyncratic craft structures  -where we are in our stories   Books mentioned in this episode: -Shapes of Native Nonfiction Edited by Elissa Washuta and Theresa Warbuton -Meander Spiral Explode: Design and Pattern in Narrative by Jane Allison -Landmarks by Robert Mcfarlane   Eiren Caffall is a writer and musician. Her award-winning memoir, The Mourner's Bestiary, will be published by Row House Publishing in October 2024. Her novel, All the Water in the World will be published by Saint Martin's Press in 2025. An excerpt of her memoir will appear in Elementals: Volume IV. Fire forthcoming in 2024 from The Center for Humans and Nature. Her work on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and three record albums. She received a Whiting Foundation Creative Nonfiction Grant in 2023 for The Mourner's Bestiary, a Social Justice News Nexus fellowship in environmental journalism at Northwestern University's Medill School of Journalism, and a Frontline: Environmental Reportage residency at the Banff Centre for the Arts. She has been awarded residencies at Millay Colony for the Arts, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. She has guest lectured at UCLA, University of Chicago, and other universities across America, taught creative writing for The Chicago Humanities Festival, taught a memoir body and place week-long masterclass for Story Studio in Chicago, and mentored graduate students at The School of the Art Institute of Chicago. Her work has been adapted into the award-winning short film Becoming Ocean, which screened at film festivals across the United States and in Amsterdam and Morocco.   Connect with Eiren: Website: www.eirencaffall.com Instagram: https://www.instagram.com/eirencaffall/ X: www.x.com/eirencaffall Substack: https://eirencaffall.substack.com Ronit's Upcoming Online 10-week Memoir Course with the University of Washington: https://www.pce.uw.edu/courses/memoir-writing-finding-your-story   Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

If you can see “a World in a Grain of Sand/And a Heaven in a Wild Flower,” what can you see in the trashcan at the curb? Apparently quite a bit, if you look closely. Today's poem, a paean to the unsung heroes of the holidays, can help with that.Also in today's episode: a look at what's new for The Daily Poem in 2025. Happy reading!Philip Appleman (1926-2020) served in the U.S. Army Air Corps during World War II and in the Merchant Marine after the war. He has degrees from Northwestern University, the University of Michigan, and the University of Lyon, France.His acclaimed books of poetry include Karma, Dharma, Pudding & Pie (W. W. Norton, 2009), New and Selected Poems, 1956-1996 (1996); Let There Be Light (1991); Darwin's Bestiary (1986); Open Doorways (1976); and Summer Love and Surf (1968). He is also the author of three novels, including Apes and Angels (Putnam, 1989); and six volumes of nonfiction, including the Norton Critical Edition, Darwin (1970).Appleman has taught at Columbia University, SUNY Purchase, and is currently Distinguished Professor Emeritus at Indiana University, Bloomington. He has also served on the Governing Board of the Poetry Society of America and the Poets Advisory Board of Poets House. His many awards include a Fellowship in Poetry from the National Endowment for the Arts, a Pushcart Prize, and both the Castagnola Award and the Morley Award from the Poetry Society of America.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Christmas might be over, but that doesn't mean they're getting a moment's peace, as, for this week's Bonus Episode, we're peering through the veil and into the history and folklore of Elves, from their earliest recorded mentions through to today!Part of the "Three Ravens Bestiary" series, we start off chatting about the modern perception of Elves, which, in most of the Western world, sees them linked to Santa Claus and Tolkien's Middle Earth mythos. Yet, as we quickly uncover, despite the 'White Ones' being all magical and shimmery and shiny, they actually have a very shady history that is inextricably linked to tales of abduction, sexual violence, and, from the 18th century on, they have a significant role in ethno-nationalism, too.Despite becoming a byword for 'fairy' or even 'demon' by Shakespeare's day, as we dive back to the beginning we find that Elves really were distinct creatures, mentioned in some of the earliest North European literature that has survived across the millennia, as well as in Anglo Saxon medical texts, some of the very first Scottish witch trials, and, of course, the Icelandic Eddas, Beowulf, and tonnes of fascinating Medieval writing. From ancient border ballads to myths of early kings, legends of Wayland and Erik The Red to saucy old Chaucer, we're really running the gamut with this one! Yet, how did the rather terrifying, often God-like Elf become synonymous with household pixies? And what did the Christian church to do transform perceptions of Elves into something to be pitied rather than feared? Plus, how could using the lavatory with extreme prejudice serve as a useful defense against Elf-kind - in addition to silver crosses and pentagrams?As ever, we have at least some of the answers - though, fair warning, there's still plenty to fear when thinking about Elves, so leave some butter outside your door, and be sure to steer clear of wild places at sunrise and sunset...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Host Tayla is joined by Meghan Elizabeth Kallman and Josephine Ferorelli, co-authors of The Conceivable Future. They talk about escapist fiction, shows about people who are good at their jobs, and how the friendship gap affects wedding planning. In the second half of the show they dive into why Meghan and Josephine wrote a book about reproductive rights and climate change. In the Last Chapter they discuss: What is a quote or line from a book that's always stuck with you?   Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast can not be reproduced without express written permission.   Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow.   Books The Conceivable Future by Meghan Elizabeth Kallman & Josephine Ferorelli All Fours by Miranda July The Adventures of Amina al-Sirafi by S. A. Chakroborty The Book of Delights by Ross Gay The Mourner's Bestiary by Eiren Caffall Her Majesty's Royal Coven by Juno Dawson The Merlin Trilogy by Mary Stewart The Book of Dust by Philip Pullman Leviathan Wakes (Expanse #1) by James S. A. Corey To Bless the Space Between Us by John O'Donohue Kid Gloves by Lucy Knisley   Media The Diplomat (2023- ) The Law According to Lidia Poët (2023- ) The Wedding Ringer (2015)  The Breaker Upperers (2018) I Love You, Man (2009)   Other Conceivable Future

Host Tayla is joined by Meghan Elizabeth Kallman and Josephine Ferorelli, co-authors of The Conceivable Future. They talk about escapist fiction, shows about people who are good at their jobs, and how the friendship gap affects wedding planning. In the second half of the show they dive into why Meghan and Josephine wrote a book about reproductive rights and climate change. In the Last Chapter they discuss: What is a quote or line from a book that's always stuck with you?   Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the state. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing it to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing podcast can not be reproduced without express written permission.   Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow.   Books The Conceivable Future by Meghan Elizabeth Kallman & Josephine Ferorelli All Fours by Miranda July The Adventures of Amina al-Sirafi by S. A. Chakroborty The Book of Delights by Ross Gay The Mourner's Bestiary by Eiren Caffall Her Majesty's Royal Coven by Juno Dawson The Merlin Trilogy by Mary Stewart The Book of Dust by Philip Pullman Leviathan Wakes (Expanse #1) by James S. A. Corey To Bless the Space Between Us by John O'Donohue Kid Gloves by Lucy Knisley   Media The Diplomat (2023- ) The Law According to Lidia Poët (2023- ) The Wedding Ringer (2015)  The Breaker Upperers (2018) I Love You, Man (2009)   Other Conceivable Future

On this episode of Talk Nerdy, Cara is joined by bestselling writer and Fellow of St Catherine's College, Katherine Rundell. They discuss her newest book, “Vanishing Treasures: A Bestiary of Extraordinary Endangered Creatures.” Follow Kate: Katherine.rundell

  The Art of Grief – Hope and wonder in the face of environmental collapse… PART 2: Grief Artfully Expressed becomes a Sacrament of Kinship  Caroline re-welcomes last week's guest Eiren Caffall, science writer with the soul of a poet, the author of “The Mourner's Bestiary” “Lyrical reports from the apocalypse” “The Mourner's Bestiary is a meditation on grief and survival told through the stories of animals in two collapsing marine ecosystems—the Gulf of Maine and the Long Island Sound—and the lives of a family facing a life-threatening illness on their shores. The Gulf of Maine is the world's fastest-warming marine ecosystem, and the Long Island Sound has been the site of conservation battles that predict the necessary dedications ahead for the Gulf. Eiren Caffall carries a family legacy of two hundred years of genetic kidney disease, raising a child who may also. The Mourner's Bestiary braids environmental research with a memoir of generational healing, and the work it takes to get there for the human and animal lives caught in tides of loss.”   Eiren Caffall is a writer and musician based in Chicago. Her writing on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV Fire, forthcoming in 2024 from The Center for Humans and Nature. She received a 2023 Whiting Award in Creative Nonfiction, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. Her novel, All the Water in the World, is slated for release by St. Martin's Press in early 2025. ErinCaffall.com Caroline W. Casey · www.CoyoteNetworkNews.com · Patreon The post The Visionary Activist Show – The Art of Grief appeared first on KPFA.

Grief & Mourning artfully expressed becomes a Sacrament of Kinship Caroline welcomes Eiren Caffall, author of “The Mourner's Bestiary” “Lyrical reports from the apocalypse” The Mourner's Bestiary is a meditation on grief and survival told through the stories of animals in two collapsing marine ecosystems—the Gulf of Maine and the Long Island Sound—and the lives of a family facing a life-threatening illness on their shores. The Gulf of Maine is the world's fastest-warming marine ecosystem, and the Long Island Sound has been the site of conservation battles that predict the fights ahead for the Gulf. Eiren Caffall carries a family legacy of two hundred years of genetic kidney disease, raising a child who may also. The Mourner's Bestiary braids environmental research with a memoir of generational healing, and the work it takes to get there for the human and animal lives caught in tides of loss. “Insightful and deeply researched…Caffall looks into the nuances of individual human survival and the survival of our planet as a whole.” Hope and wonder in the face of environmental collapse… The post The Visionary Activist Show – Sacrament of Kinship appeared first on KPFA.

The Ancient Greeks believed they existed before the dawn of time, yet they're a mystery to most, so, for this week's Bonus Episode we're exploring the long and complex history of Nymphs!Part of the "Three Ravens Bestiary" series, we start off discussing the roles Nymphs played in the Greco-Roman pantheon, including how they were classified and eventually used, in Imperial projects, to present local and regional gods of pagan cultures, such as the Celts and Britons, as less powerful than the Olympians. This then sees us look at examples of some ancient genius loci from across England, including those found in shrines at Hadrian's Wall, where some local deities defied the odds and survived well into Christianization, later becoming recognised as Saints. From there we head in two directions - firstly, forward, via Chaucer, Marvell and Shakespeare, into a place where Nymphs and Faeries got a little bit muddled up in the British mindset. After that, we journey back to the start, exploring how writers like Hesiod, Homer, and many others, developed and contributed to the collective idea of 'Nymph Lore' - the roles Nymphs played in city foundation, how they were worshiped, and what 'Nympholepsy' - Nymph Madness - was, and why some people sought it out! Via discussions of the 18th century invention of the idea of 'Nymphomania' - in contrast with other misogynistic (and anti-British) ideas such as Tacitus' characterisation of the Roman Witch Empress Messalina, the vengeful Iceni Queen Boudica, and figures like Britannicus, we wash up in the present day - a time when being called a "nymph" seems to have nothing to do with nature spirits, and much more to do with systems of power and control...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The author Katherine Rundell didn't believe in love at first sight until she met a pangolin. The encounter with the anteater-like creature made her curious about other endangered animals, and now, she wants us to notice more of these exquisite creatures.

Sharpen your stakes and have your garlic handy, as for this week's Haunting Season-themed bonus episode we're opening up some deliciously rich veins of history to explore the history and folklore of Vampires!Part of the "Three Ravens Bestiary" series, we start by discussing how the creation of the vampire as a figure in popular culture has its roots in the 19th century, all before digging back into the past to unearth the origins of vampire legend. This includes the story of how European anatomists and natural philosophers came to learn of the vampire bat, how they tried to fit it into their models of the 'scientific' universe, and how Gothic writers, not least Bram Stoker, exploited these ideas for dramatic effect.Before long though, we're whipping back to the first arrival of the word 'vampire' in English texts during the 1730s, exploring how and why tales of Eastern European vampirism and superstition made their ways to Great Britain, and drowning in the rich and bloody history of vampire-like creatures in ancient mythology.From the Ancient Mesopotamian Ekimmu to Lilith, Adam's Biblical first wife, Classical beliefs in the cannibalistic owl-witch hybrids "The Strix" to India's demonic vetala, we track through how forms of cultural imperialism - whether it be towards the ancient Scythians or Renaissance Catholics, or the entirety of Asia according to some sources - saw ideas of blood drinking and the vampiric exploited to dehumanise perceived enemies. How these ideas transformed into modern concepts of the vampire, via Robert Southey, Samuel Taylor Coleridge, Lord Byron, and a host of other writers and cultural figures, we'll leave you to discover. But, suffice to say, it's a shadowy journey filled with magic, horror, and quite a lot of repressed sexuality...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today we continue our conversation about Dr. Lanta Davis' new book called Becoming by Beholding. We begin with "bestiaries" - what they are and what their purpose was in early Christian art. We also talked about art and architecture. Does the shape and design of a church building indicate how worship is practiced inside? And how can ancient depictions of historic figures in the church reveal who significant leaders were? And what if they were women?You can find Lanta Davis' book HERESee examples of Bestiaries HERERead more about Dr. Davis HERERead Dr. Davis' article "The Witness of Women Written on the Walls" HEREContact Cyndi Parker through Narrative of Place.Join Cyndi Parker's  Patreon Team!

The internet's #1 fake history podcast is back with more lore from the Witcher series and their ties to real-world folklore!If you want to check out our other Witcher episodes, you can find them on our website or on Spotify:Conjunction of the Spheres | SpotifyBestiary 1 | SpotifyVampires | SpotifyTo support the show, head to our Patreon or Kofi for exclusive content, or check out our Merch Store to grab some Lore Boys branded merch.Check out James's stream on Twitch!To join the discussion and suggest a topic, check out our Discord.As always, we super appreciate you listening, and hope that if you enjoy the show you'll tell your friends and leave us a review on iTunes and the rest our social media. We wanna hear from you guys, so shoot us an email at contact@loreboys.com . Get ad-free content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Homeschool Better Together podcast, I'm sharing an overview of our curriculum choices for the 2024-2025 school year. With both a senior and a 9th grader, our homeschool routine is a bit different, and I'm excited to walk you through our approach.We start each day with a focused morning time that sets the tone for learning, followed by individual subjects tailored to each child's needs and interests. I'll also share tips on how we keep our homeschool organized and why staying flexible is key to a successful year.Key TakeawaysOverview of our curriculum choices for a senior and 9th grader.The importance of a focused morning time.Tips for staying organized and flexible in homeschool.Resources and Links:Homeschool Better Together Free CommunityPut Your Homeschool Year on Autopilot courseThe World from A to Z with Carl AzuzHallow appWhatever Happened to Penny Candy (Uncle Eric) by Richard J. MayberryThe Amazing Dr. Ransom's Bestiary of Adorable Fallacies by Douglas WilsonThe Silver Chair by C.S. LewisEnder's Game by Orson Scott CardTo Kill A Mockingbird by Harper LeeThe Odyssey by Homer Student Planner Pages (from Homeschool Better Together)Fix It Grammar from IEWConsumer Math with Mr. D MathThe Lively Art of Writing by Lucille Van PeltWorkbook for The Lively Art of Writing (found on the Well-Trained Mind Forum)The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades by Judith C. Hochman and Natalie WexlerKhan Academy (Biology course)The Illustrated Guide to Home Biology Experiments (book and lab kit from the Home Scientist)Elemental Science's high school biology PDF (labs scheduling)Japanese tutorMr. D Geometry