Compendium of beasts
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13 episodes with Bestiary
21 episodes with Bestiary
10 episodes with Bestiary
11 episodes with Bestiary
6 episodes with Bestiary
10 episodes with Bestiary
4 episodes with Bestiary
4 episodes with Bestiary
5 episodes with Bestiary
Een dominee en metal, gaat dat samen? Jazeker, bewijst Renate Japenga. In haar kerk in Gouda organiseerde zij vorig jaar een metal-kerkdienst. In Dood & Verderf laat zij horen hoe dat klonk én vertelt Renate waarom die twee elkaar prachtig kunnen aanvullen en inspireren. Behead the prophet. Blessed are the sick. Glorification of the black god. De Mysteriis Dom Sathanas. Crush the Jewish Propheth. The Arrival of Satan's Empire. Metal en God. Dat is in de regel geen al te gelukkige combinatie. Of juist wel, maar sowieso niet op een vrolijke manier. Toch durft dominee Renata Japenga het aan om in haar kerk in Gouda protestants-christelijke diensten te vieren met een prominente rol voor metal. Sterker nog: Renate ziet veel raakvlakken tussen de thematiek van metal en van het christelijk geloof. Om erachter te komen hoe zij die Gordiaanse knoop weet te ontwarren, begeleidt Renate ons in deze editie van Dood & Verderf door een dienst waarin we horen hoe God en het christendom - ondanks dat vele, vele bands en fans er gruwelijk mee aan de haal gaan - uitstekend passen bij metal. En, ook niet onbelangrijk, dat het christelijk geloof veel meer gezichten kent dan diegene waar de metalscene het liefst op afgeeft. Vind je dit tof? Abonneer je dan op de nieuwsbrief of de podcast. En ben je al fan? Geef dan een vijf-sterren-rating aan de show op je favoriete podcastplatform, zodat zoveel mogelijke andere mensen de show ook kunnen vinden. Playlist Queens of the Stone Age - No One Knows (Songs for the Deaf, 2002) Black Sabbath - God is Dead? (13, 2013) Devin Townsend - Spirits Will Collide (Empath, 2019) Skillet - Hero (Awake, 2009) xDisciplex AD - So Send I You (No Blood, No Altar Now, 1999) Zwaar Aanbevolen Castle Rat - Wizard (The Bestiary, 2025) Maarten O, redacteur bij Zware Metalen, sprong direct op toen ik mijn gast introduceerde. “Ik heb iets dat bij uitstek muziek is voor in de kerk. En het is ook niet te extreem of heftig, dus ik denk dat Renate dit wel kan waarderen.” Want, vertelt Maarten, hij heeft Castle Rat met Wizard voor je uitgekozen, afkomstig van het gloednieuwe album The Bestiary. Recensent TimX schrijft daarover: "Castle Rat maakt niet alleen muziek. De hele band draait om een zelf gecreëerde fantasiewereld waarin ieder bandlid een eigen rol vertolkt. The Bestiary is een top album. Bij liefhebbers van heavy metal met een flinke dosis doom zal dit album zeker in de smaak vallen." Lees de recensie op Zware Metalen
This month's episode of the Three Ravens Bestiary is all about one of our favourite topics - Wargs and Werewolves!We start with J.R.R. Tolkien, exploring how the species of intelligent wolf he invented - the Warg - combined Old English and Old Norse words and ideas, bringing different traditions of werewolf belief crashing into the public consciousness.It is this, brought into monster movies over time, that really created the 'Modern' werewolf.Though where does the werewolf's story begin?We're throwing a broad net on this one, including discussions of Skinwalkers and Wendigos, the Epic of Gilgamesh and the first-ever "man beast" in the form of Enkidu; we touch on the Classical myth of King Lycaon of Arcadia, transformed into a wolf due to his inhuman transgressions, and discuss how the Great European Werewolf Panic, which lasted for over 300 years, changed folk belief about the links between Black Magic and werewolves forever.It's a grand and sweeping story, and goes to explain a few things about why werewolves are pretty much always scary, why Wargs matter so much, and how modern cinema-goers are maybe a bit more like Odin than they probably realise.So, pull up your Wolf Pants, leave the silver bullets at home, and let's get lupine! Aroooo!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.
Ad Free Listening on the RPGBOT Patreon Want more episodes like this, plus early access, live recordings, or ad-free listening? Join our Patreon at patreon.com/rpgbot and help us keep the mics on (and the ghosts at bay). Every little bit helps us roll with advantage! Show Notes In this episode of the RPGBOT.Podcast, the crew dives deep into Ghosts in tabletop RPGs—both as monsters and as masterful storytelling tools. From the mechanics of possession and rejuvenation to the raw narrative potential of ghost encounters, Tyler, Randall, and Ash explore how ghosts have changed across editions of Dungeons & Dragons and Pathfinder 2e, and what makes them so uniquely haunting at the table. The RPGBOT crew kicks things off with a hilariously chaotic session involving the Deck of Many Things—complete with birthday gifts, legendary armor, spontaneous Feywild portals, and even a Strahd ventriloquist doll that summons a sorrow sworn. From there, they dive into what exactly defines a ghost in RPGs, how it differs from related undead like poltergeists and banshees, and how various game systems handle them. The hosts break down 5e's ghost mechanics, including the often-overlooked possession rules, wisdom saves against horrifying visages, and the now-removed aging effect. They also contrast ghosts in Pathfinder 2e, touching on templates, telekinetic assaults, and rejuvenation mechanics that bring them back after destruction. Along the way, they explore how to homebrew ghost encounters, emphasizing NPC potential, unfinished business as story hooks, and the role of safety tools when handling possession and tragic backstories. Key Takeaways Ghosts are more than incorporeal monsters—they're great vehicles for storytelling and emotional stakes. Possession is a powerful narrative and mechanical tool, but requires trust, consent, and player agency. Ghost rejuvenation mechanics in PF2e make them durable story elements rather than one-and-done foes. Using ghosts as NPCs or tragic quest-givers deepens the campaign world and encourages non-combat solutions. Cosmic horror, ghostly bargains, and unfinished business can dramatically raise the stakes of your story. Try dScryb for Ghostly Flavor! Looking to bring your ghost encounters to life—or unlife? Check out dScryb.com for rich, system-neutral descriptive text and soundscapes that make every haunting feel real. Use code RPGBOT at checkout for 5% off your first subscription and unlock the narrative power of evocative boxed text. Perfect for your next possession scene or haunted house crawl! Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati
Ad Free Listening on the RPGBOT Patreon Want more episodes like this, plus early access, live recordings, or ad-free listening? Join our Patreon at patreon.com/rpgbot and help us keep the mics on (and the ghosts at bay). Every little bit helps us roll with advantage! Show Notes In this episode of the RPGBOT.Podcast, the crew dives deep into Ghosts in tabletop RPGs—both as monsters and as masterful storytelling tools. From the mechanics of possession and rejuvenation to the raw narrative potential of ghost encounters, Tyler, Randall, and Ash explore how ghosts have changed across editions of Dungeons & Dragons and Pathfinder 2e, and what makes them so uniquely haunting at the table. The RPGBOT crew kicks things off with a hilariously chaotic session involving the Deck of Many Things—complete with birthday gifts, legendary armor, spontaneous Feywild portals, and even a Strahd ventriloquist doll that summons a sorrow sworn. From there, they dive into what exactly defines a ghost in RPGs, how it differs from related undead like poltergeists and banshees, and how various game systems handle them. The hosts break down 5e's ghost mechanics, including the often-overlooked possession rules, wisdom saves against horrifying visages, and the now-removed aging effect. They also contrast ghosts in Pathfinder 2e, touching on templates, telekinetic assaults, and rejuvenation mechanics that bring them back after destruction. Along the way, they explore how to homebrew ghost encounters, emphasizing NPC potential, unfinished business as story hooks, and the role of safety tools when handling possession and tragic backstories. Key Takeaways Ghosts are more than incorporeal monsters—they're great vehicles for storytelling and emotional stakes. Possession is a powerful narrative and mechanical tool, but requires trust, consent, and player agency. Ghost rejuvenation mechanics in PF2e make them durable story elements rather than one-and-done foes. Using ghosts as NPCs or tragic quest-givers deepens the campaign world and encourages non-combat solutions. Cosmic horror, ghostly bargains, and unfinished business can dramatically raise the stakes of your story. Try dScryb for Ghostly Flavor! Looking to bring your ghost encounters to life—or unlife? Check out dScryb.com for rich, system-neutral descriptive text and soundscapes that make every haunting feel real. Use code RPGBOT at checkout for 5% off your first subscription and unlock the narrative power of evocative boxed text. Perfect for your next possession scene or haunted house crawl! Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati
Metalheads!! Gabe pulls his sword and opens the pages of Castle Rat's second album for his pick for September.
Donika Kelly is the author of the poetry collection The Natural Order of Things, available from Graywolf Press. Kelly is also the author of Bestiary, winner of the Hurston/Wright Legacy Award and the Kate Tufts Discovery Award, and The Renunciations, winner of the Anisfield-Wolf Book Award and a finalist for the National Book Critics Circle Award. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Crease (ITC) is where history, mystery, and the human condition collide. Hosted by J E DOUBLE F, each episode blends storytelling, analysis, and dark humor to explore the strange, the forgotten, and the unsettlingly relevant.
Kamen Rider mag zwar nur eine Serie sein, aber Fans wie Tojima wollen selbst Held Ihrer Geschichte sein. Dengeki Gamer hat sich das ganze angeguckt. Tojima Tanzaburo wa Kamen Rider zeigt, was passiert, wenn Normalos sich die Lehre der Helden und Bösewichte zu Herzen nehmen. Außerdem gibt es noch ein Anime Update mit weiteren Folgen Futari Solocamp und Touring after the Apocalypse. Bayonetta Origins ist in den Modulschacht gewandert und lässt einem in eine Welt vor Bayonetta eintauchen. Sir Pommes hat wieder Musik gehört und berichtet und vom neuen Album von Castle Rat, The Bestiary. a Hat of Media wünscht wie immer viel Spaß Timetable 0:00:00 Begrüßung 0:02:11 Themen 0:02:46 Castle Rat - The Bestiary 0:22:40 Futari Solo Camp Update 0:24:43 Touring after the Apocalypse 0:26:48 Tojima Wants to Be a Kamen Rider 0:34:13 Bayonetta Origins 0:53:35 Verabschiedung Links: Castle Rat - “WIZARD” (Official Music Video) (Trotz sorgfältiger inhaltlicher Kontrolle übernehmen wir keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich.) Die Kontent-Knechte von a Hat of Media, das sind Dengeki Gamer und Sir Pommes. Die Kontent Knechte erscheinen alle zwei Wochen und können Inhaltlichen alles abdecken, auch wenn der Schwerpunkt auf Spiele, Filme und Musik, bzw. Multimedia liegt. Die Hutzentrale: -►Homepage: http://ahatofmedia.de/ Unser Archive auf YouTube: -►Twitch Live Archiv: https://www.youtube.com/@aHatofMediaLive -►YouTube: https://www.youtube.com/channel/UC0qU1jdHeY2zWh97QzVGu4A Oder joined unseren Discord: -►Discord: https://discord.gg/hYhw88PPp2 Support: -►Spenden: https://ko-fi.com/ahatofmedia Hier gibt es mehr Sir Pommes: -►YouTube: https://www.youtube.com/user/sirpommes87 -►Twitch: https://www.twitch.tv/sirpommes87 Hier gibt es mehr Dengeki Gamer: -►YouTube: https://www.youtube.com/user/DengekiGamer -►Twitter: https://twitter.com/dengekigamer? -►Instagram: https://www.instagram.com/dengekigamer/ Hier gibt es mehr Voll Verpixelt: -►Facebook: https://www.facebook.com/Voll-verpixelt-1391650974211749/ -►Twitter: https://twitter.com/voll_verpixelt -►Instagram: https://www.instagram.com/voll.verpixelt/
Culture Friday on what the Hamas war teaches about worldview, Joseph Holmes reviews Truth & Treason, and Word Play on God's great bestiary. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from The Master's University, equipping students for lives of faithfulness to The Master, Jesus Christ. masters.eduFrom His Words Abiding in You, a Podcast where listeners memorize Bible verses in each episode. His Words Abiding in You, on all podcast apps.And from Dordt University, where pre-med students gain knowledge through undergraduate research and hone skills through hands-on simulations. Dordt.edu
For this week's Haunting Season-themed Bonus Episode we're chatting all about the mythology of Zombies and Revenants! To start off with, which is which? Because one dates from Medieval times, and the other comes from a word invented by an English poet in 1819.And if we look further back, to Ancient Egypt, Ancient Mesopotamia, Greece, Rome and Scythia, what root creatures and legends can we find that travel forward through history to become 'The Zombie' and 'The Revenant.'One is rooted in fear surrounding death, too, and society showing due respect to the dearly departed, while the other is rooted in racism, yet both end up in the same place.A world of paranoia, filled with the fear of others, and about the belief the End Times are coming.Mix in a little bit of Samurai and Cowboy mythology and a sprinkling of Science Fiction and it turns out we've ended up exactly where we wanted to be.A place where zombies could be anywhere, or anyone... but don't worry, as zombies can be cute now, so, presumably, less dangerous?Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.
Hoy martes en 'Grito Primal' Programa 31, tenemos el especial "Sangre Nueva Femenina para el Hard Rock" revisando los nuevos discos "The Bestiary" de CASTLE RAT y "Trail Of Gold" de VELVET RUSH. Imperdible!! Martes 10 y 22 Hrs por Rockaxis.Fm Conduce @CrissAxis / #CastleRat #VelvetRush
After a bit of a blip, we're now back with an episode all about the mythology of Djinns and Genies from prehistory through to today! Part of our Three Ravens Bestiary Bonus Series, we begin with our Western conception of 'the genie' - a pantomime creature, memorably played by Robin Williams in the 90's Disney movie, filtered through a century of fairy tales and family-friendly legends. Yet, as you might expect, this slight cozy form of 'Oriental' spirit is very different to the 'Jinni' of early Semitic cultures, as discussed in a range of poetry and art, later addressed by Islamic scholars and critics informed by the entire chapter of the Qur'an dedicated to discussing desert spirits and acceptable forms of magical belief.What emerges, as we explore these distinctions, is a series of parallels, including between the 'human' and 'spirit' worlds, between Muslim and Christian discussions of Otherworldly creatures, between types of Devil, and the ways that folktales and legends enable us to see ourselves through tales of so-called monsters.It's a journey that takes us from abandoned ruins lost in Arabian dunes to the times of Geoffrey Chaucer, from Classical discussions of 'genius loci' to tales of pre-Islamic Soothsayers possessed by demons.If you've been rubbing lamps and hoping to have wishes granted then you may have been barking up the wrong tree - but worry not: we've got advice for you on magic rings, fishing, and transcendental meditations that might well enable you to commune with a Jinn.Just don't go expecting them to make all your dreams come true, as they're much more likely to ask you out on a date or hide in the form of a serpent than they are to turn your fantasies into reality... Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.CLICK HERE TO COMPLETE THE THREE RAVENS ACAST SURVEY - PLEASE DO! IT'LL HELP!!!Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.
On this episode of Rebel Nerd Radio, JD and Steve take a walk on the wild side with a discussion about the beasts, creatures, and critters that inhabit the galaxy far, far away. Show Links:Star Wars Bestiary - https://a.co/d/2wWJRGGFollow us at https://bio.link/rebelnerdradio and don't forget to subscribe and join us for more nerdy deep dives every week!#StarWars #RebelNerdRadio #StarWarsPodcast
Listen to the full audiobook of The Amazing Dr. Ransom's Bestiary of Adorable Fallacies now on Canon+: https://canonplus.com/tabs/search/audiobooks/11704
King Volume Records (US) / Blues Funeral Recordings (UK/Europe) 19 September 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices
Free League Publishing's Dragonbane TTRPG is getting a new miniatures collection through a Kickstarter campaign by Titan Forge. The Northern Beasts miniatures sets will feature heroes and adversaries from the Dragonbane Core Set and Bestiary, with each set including original mini-adventures. The miniatures are noted for their high detail and quality, with the Demons […]
Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Amie Souza Reilly bought an old house in the suburbs. She had just gotten remarried and was looking forward to a new start with her new husband and her six-year-old son. But immediately after moving in, the next-door neighbors began a crusade to push them out. The two brothers followed her, peered in her windows, stood in her yard, trapped her inside her car. As they broke boundary after suburban boundary, she found herself implicated in their violence. Human/Animal merges personal narrative and cultural criticism to unleash the complicated relationship between instinct and action, violence and regret. This bestiary-in-essays wrestles American colonialism, horror films, feminism, and gender studies to confront the intrusive neighbors the author could not. Ultimately, this book asks larger questions about proximity, care, and the line between human and animal. Illustrated with the author's own sketches, Human/Animal: A Bestiary in Essays (Wilfrid Laurier University Press, 2025) grapples not only with Reilly's place in her neighborhood, but with America's past and current political climate. Amie Souza Reilly is an American writer and artist from Milford, Connecticut. She holds an MA in Literature from Fordham University and an MFA in Creative Nonfiction Fairfield University. Her writing has appeared in Catapult, Atticus Review, SmokeLong Quarterly, and elsewhere. She teaches and is the Writer-in-Residence at Sacred Heart University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
For this week's Bonus Episode we're padding through mists on silent paws and peering, with eyes of flame, at the history and folklore of Hellhounds!With so much to talk about, there's no mucking around: we dive straight into prehistory, discussing how humankind's domestication of the dog set the stage for conceptions of the Hellhound. From our earliest rock art through to the very first toys and statues, dogs were with us.But what about their dark double - the 'Demon Dog' or 'Hellhound?' From vengeful Ancient Mesopotamian afterlife creatures like the Shadu and Sharru to the role the Jackal (and Jackal-headed deity Anubis) played in Ancient Egyptian belief, via Classical notions about dogs and Hellhounds like Cerberus, it's startling how consistent beliefs about these 'Not Dog' monsters have remained. And descriptions of Demon Dogs across time have been wild and absurd. But, from Roman notions of the 'Duties of a Dog' through to Medieval and Renaissance attitudes to the fae and 'Other,' we, as a species, kept it nice and weird, trying to define the paranormal pooch as uncanny and terrifying, even though individual Hellhounds are often quite nice to people!From England's most famous example in the shape of Black Shuck to monsters with dog bodies and human heads, canine boggarts that grow to the height of houses to talking Hellhounds that just want to snuggle in your pocket, we're embracing it all. So, join with us beneath the light of the moon, and let our howls float on the breeze, singing of doom and portents.For in this episode, we look into the dark mirrors of our minds, and see what is reflected there.Not 'man's best friend' but something else with fur, four legs, a tail, and its own agenda that we simply cannot understand.Therefore, we howl.The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.
Today, we delve into how Medieval Christians depicted ants and their predator, the sometimes legendary antlion, in Medieval bestiaries. Subscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563I Might Believe in Faeries is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Resources: “The Aberdeen Bestiary | the University of Aberdeen.” Abdn.ac.uk, 2019, www.abdn.ac.uk/bestiary/. Aesop. “Library of Congress Aesop Fables.” Read.gov, read.gov/aesop/052.html. Badke, David. “Medieval Bestiary : Animals in the Middle Ages.” Bestiary.ca, 1 Oct. 2024, bestiary.ca/index.html. Accessed 10 May 2025. Druce, George C. “An Account of the Mυρμηκολέων or Ant-Lion.” The Antiquaries Journal, vol. 3, no. 4, Oct. 1923, pp. 347–364, bestiary.ca/etexts/druce-account-of-the-ant-lion.pdf, https://doi.org/10.1017/s0003581500015031. Accessed 9 May 2025. The Etymologies of Isidore of Seville. Cambridge University Press, 8 June 2006. “Gregory the Great - Moralia in Job (Morals on the Book of Job) - Book v (Book 5) - Online.” Lectionarycentral.com, 2025, www.lectionarycentral.com/GregoryMoralia/Book05.html. Accessed 9 May 2025. Heck, Christian, and Rémy Cordonnier. The Grand Medieval Bestiary : Animals in Illuminated Manuscripts. New York, Ny, Abbeville Press, 2018. von Bingen, Hildegard, and Priscilla Throop. Hildegard von Bingen's Physica : The Complete Translation of Her Classic Work on Health and Healing. Rochester, Vt., Healing Arts Press, C, 1998. Hope, Louise, and Steve Schulze. “The Project Gutenberg EBook of Metamorphoses, by Ovid.” Gutenberg.org, 2021, www.gutenberg.org/files/21765/21765-h/21765-h.htm#bookVII_fableVI. Accessed 9 May 2025. Get full access to I Might Believe in Faeries at aaronirber.substack.com/subscribe
This is a solo episode where I discuss medieval bestiaries and announce a new project I have been working on. I discuss animal symbolism, how Medieval bestiaries depicted animals, and the stories behind them. There are supposed to be pictures with this episode so check out the YouTube video here: https://youtu.be/h06opKxl444 *************************************************************************************************************Follow me on Twitter @AaronIrberSubscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563Subscribe to my Substack - https://aaronirber.substack.com/ for updates on the show, essays, and more!Donate to my Patreon - I Might Believe in Faeries https://www.patreon.com/imightbelieveinfaeriesLike my Facebook page - I Might Believe in FaeriesBattle Of The Creek by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Logo Art by Linnea Kisby************************************************************************************************************* Get full access to I Might Believe in Faeries at aaronirber.substack.com/subscribe
The author Katherine Rundell didn't believe in love at first sight — until she met a pangolin. The encounter with the anteater-like creature made her curious about other endangered animals, and now, she wants us to notice more of these exquisite creatures.
For this week's Bonus Episode we're basking on slippery rocks, swishing our tails, and looking into the magic mirror of Mermaid history and folklore, combing our hair all the while!We start off chatting about the plethora of 19th century Mermaid-themed media, from paintings and plays to poems and songs, all of which paved the way for our modern perception of merfolk. Then though, we swim against the current, back through time, to discover the ways in which Mermaids were first represented in human society. This includes through art, literature, and religious beliefs, on Ancient Babylonian pottery, in Ancient Egyptian mythology, and throughout Ancient Assyrian temples and palaces where mer-people were even worshipped as gods! As time moved on however, through Ancient Greece and the Classical Age, we explore the ways in which divisions formed between increasingly Christianised 'Sea Mother' icons and their dark counterparts, the 'Monstrous Women,' which rose to particular prominence through the Middle Ages and into the Renaissance.In addition to taking a quick Mermaid World Tour to look at representations of 'Fish Men' and 'Fish Women' in cultural traditions from Scandinavia, Russia and China to New Zealand and the Americas, we then dive deep into oysterbeds of legend to examine the pearls of Mermaid lore that fell out of favour during the Enlightenment.From nationalistic anthems to fairy tales, sea shanties to some of the most famous myths in all of human history, the episode covers, in essence, the Mermaid's place in the cultural consciousness from the birth of civilisation right through to today, where ideas of Mermaids are continuing to evolve and change.Which beggars the question, are Mermaids immortal? Considering that they have been part of human life since before we could write, there's no reason to believe they won't outlast us too.Oh, and Martin has some truly noxious Mermaid puns to jolly it all along as well, so consider yourself warned!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Today we meet Neil, he is an Irish TTRPG Content Creator with a nice obsession about Folklore and the Fey. He has spent hours upon hours researching them and creating a TTRPG called FeyEarth where all the stories are real!Today he talks to us about Folklore and the Fey and how they actually were, but also he talks to us about his newest Book "Hidden Folk of the Feywild" a 5e Bestiary with a ton of amazing creatures for you to use and play the real folklore and sagas. The Kickstarter is out now: https://www.kickstarter.com/projects/brambleheartgames/hidden-folk-of-the-feywildYou can find Neil here:https://bsky.app/profile/feyearth.bsky.socialhttps://fey-earth.itch.io/Check here for all further information:You can find us on the Web under these Links: https://www.doubledm.com/ https://bsky.app/profile/doubledm.bsky.socialhttps://www.instagram.com/doubledmpod/?hl=de https://ko-fi.com/doubledmIf you want to reach out to us via E-Mail use: doubledmpod@gmail.comOur Midroll Music is "Midnight Tale" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/Our Outro Music is "Ascending the Vale" Kevin MacLeod (imcompetech.com)Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Hosted on Acast. See acast.com/privacy for more information.
Telephone, Telegraph, Tell a Friend about the Goblins and Growlers Podcast. → Bonus episodes and early access on Patreon (http://patreon.com/goblinsgrowlers) → Subscribe to our monthly gaming newsletter (https://goblinsandgrowlers.beehiiv.com/subscribe) → Join the Goblins and Growlers Discord (http://bit.ly/goblindiscord) This week, I had the chance to FINALLY connect with Lucas Zellers of Mage Hand Press about "Book of Extinction," which he's been working on for more than four years. It's an amazing bestiary that's really more like four books in one. I have so much to say about this book, but you can listen/watch the podcast to hear it all. We also have a couple of Deep Dives with Lucas on Patreon: We discuss the saddest extinction stories in the book and then, next week, we talk about his newest project, "Glatisant," which he wrote while shifting gears after the completion of "Book of Extinction." Lucas Zellers is an author and game designer at the intersection of natural history and game design. A marketing professional by day, educator by later in the day, and birdwatcher by whenever possible, Lucas helps mission-driven organizations of all sizes reach the right audiences through sustainable long-term growth strategies. He's also one half of Graftbound, an independent publisher of incisive, tactile games that explore life's richest relationships. He'll always play a warlock, roll a chunky d20, or add too much garlic. Check us out on Patreon (http://www.patreon.com/goblinsgrowlers) for bonus Deep Dive videos along with early access to the video and audio of the podcast. LISTEN, RATE, AND SUBSCRIBE! If you like the show, please tell a friend about it. And if you want to tell more people, then please leave us a review on Apple Podcasts and/or your podcatcher of choice. You can find and/or support us at all the places below: https://patreon.com/goblinsgrowlers https://facebook.com/GoblinsAndGrowlers https://goblinsandgrowlers.podbean.com (and basically any other podcatcher) https://quidproroll.podbean.com (our sister podcast, the best narrative play)
For this week's Bonus Episode, we're wandering wild places to explore the history and folklore of Trolls, which, though they sound pretty ancient, are a surprisingly modern folkloric creation!We start off chatting about the modern perception of Trolls, including the quite sinister online iteration we all know as the "Internet Troll" and the mass-produced toys, invented in the 1950s, now an animated film franchise more associated with pop music than pagan fiendishness. Then though, we wind back the clock, discussing how Trolls first appear on record, in scant scraps of Old Norse, and start to discover a problem: that Trolls were not 'one thing' but actually a whole class of kinds of things, the word used interchangeable with several others, with associations ranging from incest to kidnapping to the moving of mountains. Thankfully, as we track across time, we explain how and why Trolls came into clearer focus, particularly as a counterpoint to Christian Scandinavians. From the formation of nations such as Denmark, Norway and Sweden through to the Enlightenment era, during which Trolls almost become a kind a ghost, through to the 19th and 20th centuries, it emerges that Trolls have become a symbols capable of representing very different ideas over time.So, is a Troll the same thing as a werewolf? At some points, yes! How about a form of Giant? Absolutely, but not always. With answers to these questions and many others, including the links between Trolls and street walkers, their associations with barrow tombs, and the reasons why they're so scared of church bells, it's a stranger episode of the Three Ravens Bestiary than most.Nonetheless, we hope you really enjoy it, and as the spring sun starts to shine, know that you're safe from Troll-kind so long as you stay well out of dark and savage places...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025). *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.
Oh, the Libyan Gorgon. [Tries to look like he knows what he's talking about] This week on the Vintage RPG Podcast, we crack open an ur-Monster Manual, Ernst and Johanna Lehner's 1969 A Fantastic Bestiary. Essentially a Dover clip art book (and reissued by Dover under a different title) with some light historical context, there are textual clues that seem to indicate it was an important reference work for Gygax and company. And I think it might have partly inspired the idea of a highly illustrated hardcover book of monsters! * * * Instagram? Old news. Join the Vintage RPG Newsletter! That's where all the cool kids are now! Stu's book, Monsters, Aliens, and Holes in the Ground is for sale now! Buy it! Patreon? Discord? Cool RPG things to buy? All the Vintage RPG links you need are right here in one place! Like, Rate, Subscribe and Review the Vintage RPG Podcast! Edited by the one and only R. Alex Murray. Send questions, comments or corrections to info@vintagerpg.com. Available on iTunes, Google Podcasts, iHeartRadio, Spotify, YouTube and your favorite podcast clients. The Vintage RPG illustration is by Shafer Brown. Follow him on Twitter. Tune in next week for the next episode. Until then, may the dice always roll in your favor!
Margaret from the future talks about all of the terrible creatures that fascists have invented to attack internationalist forces.See omnystudio.com/listener for privacy information.
If you can see “a World in a Grain of Sand/And a Heaven in a Wild Flower,” what can you see in the trashcan at the curb? Apparently quite a bit, if you look closely. Today's poem, a paean to the unsung heroes of the holidays, can help with that.Also in today's episode: a look at what's new for The Daily Poem in 2025. Happy reading!Philip Appleman (1926-2020) served in the U.S. Army Air Corps during World War II and in the Merchant Marine after the war. He has degrees from Northwestern University, the University of Michigan, and the University of Lyon, France.His acclaimed books of poetry include Karma, Dharma, Pudding & Pie (W. W. Norton, 2009), New and Selected Poems, 1956-1996 (1996); Let There Be Light (1991); Darwin's Bestiary (1986); Open Doorways (1976); and Summer Love and Surf (1968). He is also the author of three novels, including Apes and Angels (Putnam, 1989); and six volumes of nonfiction, including the Norton Critical Edition, Darwin (1970).Appleman has taught at Columbia University, SUNY Purchase, and is currently Distinguished Professor Emeritus at Indiana University, Bloomington. He has also served on the Governing Board of the Poetry Society of America and the Poets Advisory Board of Poets House. His many awards include a Fellowship in Poetry from the National Endowment for the Arts, a Pushcart Prize, and both the Castagnola Award and the Morley Award from the Poetry Society of America.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
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