Podcasts about humanities research institute

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Amid the fanfare around AI and autonomous weapons, decision-makers - both military and political - are imagining an augmented future for warfare that minimises human influence and connection. But in their rush for speed and lethality, leaders have failed to understand the behavioural and technical challenges that accompany these new weapon types, as well as the detail of their operation and the practicalities involved in deploying these assets on tomorrow's battlefields. Indeed, as autonomy starts to flood fighting practices, the classical concepts of combat, tactics and strategy may no longer be fit for task. We are not ready and, as Paddy Walker makes clear in War Without Oversight: Why We Need Humans on the Battlefield (Howgate Publishing Limited, 2025), human oversight over lethal engagement is critical if we are to do more than suffer defeats faster. Formerly commissioned into the Fifth Royal Inniskilling Dragoon Guards, Dr Paddy Walker is Managing Director of the Leon Group. He is a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham, an Associate Fellow at the Royal United Services Institute (RUSI) and an Associate at the Institute for the Public Understanding of War and Conflict at the Imperial War Museum. Previously London chair of NGO Human Rights Watch, Paddy is a Board Member of NGO Article 36 and co-authored War's Changed Landscape, also published by Howgate, with Professor Peter Roberts in 2023. Check out the New Books Network episode on that book here. Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Paddy Walker and Elke Schwarz discuss the operational and ethical implications of autonomous systems in warfare. Paddy and Elke highlight the gap between expectations and reality, arguing that while AI-enabled technologies are often marketed as revolutionary, their real-world effectiveness remains uncertain due to data limitations, technical vulnerabilities and the challenges of human–machine integration. Dr Paddy Walker is an Associate Fellow at RUSI and a Senior Research Fellow at the Humanities Research Institute at the University of Buckingham. His latest book, War Without Oversight, was published in January 2025. Professor Elke Schwarz is Professor of Political Theory at Queen Mary University of London and the author of Death Machines: The Ethics of Violent Technologies.

Today, Michael welcomes Dr. Shai Tubali. Shai blends academic philosophy and mysticism to explore the transformative power of expanded consciousness. Integrating Eastern and Western philosophies, Shai offers comprehensive insights into the nature and potential of consciousness. He holds a PhD in religion from the University of Leeds and is also a research fellow at its Arts and Humanities Research Institute. Since 2000, Shai has guided workshops, retreats, and professional trainings. His passion has led him to the creation of several original methods for psychological transformation, including the medically-researched Expansion Method. Highlights from Michael and Shai's rich conversation include: -How Shai's academic religious studies left him unfulfilled, sparking him to travel to India to take a deeper inner journey which initiated a series of spiritual awakenings and experiences around Universal Love and unity consciousness that ultimately transformed his approach to his academic work -The difference between collective consciousness and thinking -Explaining how technology, particularly social media and AI, can challenge or potentially expand our own understanding of individual and collective consciousness  -The benefits of shifting from ‘Mental Rigidity'–the entrenchment of fixed identities, unchanging narratives, and absolute perspectives–to ‘Mental Fluidity', which allows people to move past the “us vs. them” divisiveness that's rife in social and political discussions, especially online -How consciousness expansion can heal collective trauma on a societal and global scale -Shai's techniques for healing deep trauma through exploring our power to realize that we are bigger than our past pain, memories, and life experiences -The Expansion Method and how it liberates us from limitations and to see life from a place of possibility; why healing trauma requires us to tap into our “heart-power”; Shai's free 7-day challenge, “Your Guide to Expanded Consciousness”; and so much more!  Next, Michael leads a guided meditation to expand and perfect our loving and compassion.  Connect with Shai and access his free 7-day challenge, “Your Guide to Expanded Consciousness” at his website: https://shaitubali.com/ and visit his YouTube channel - https://www.youtube.com/c/shaitubali - featuring over 800 videos including guided and expansion meditations.  Remember to Subscribe or Follow and set an alert to receive notifications each Wednesday when new episodes are available! Connect with Michael at his website – https://michaelbeckwith.com/ – and receive his guided meditation, “Raise Your Vibration and Be Untouchable” when you sign up to receive occasional updates from Michael! You can also connect with him at https://agapelive.com/. Facebook: @Michael.B.Beckwith https://www.facebook.com/Michael.B.Beckwith  IG: @michaelbbeckwith https://www.instagram.com/michaelbbeckwith/  TikTok: @officialmichaelbeckwith   https://www.tiktok.com/@officialmichaelbeckwith  YouTube: https://www.youtube.com/channel/UCqMWuqEKXLY4m60gNDsw61w  And as always, deep gratitude to the sponsors of the Take Back Your Mind with Michael B. Beckwith podcast: -Agape International Spiritual Center: https://agapelive.com/  and -NutriRise, the makers of Michael's AdaptoZen products: -Superfood Greens: https://nutririse.com/products/greens-superfood?_pos=1&_sid=2057ecc52&_ss=r  -Superfood Reds: https://nutririse.com/products/adaptozen-superfood-reds   -ELEVATE+: Organic Fermented Mushrooms: https://nutririse.com/products/elevate-fermented-mushrooms-powder  

Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s. Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire. As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction. Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press. Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.

Recorded November 26th, 2024. The Trinity Long Room Hub is delighted to welcome author and columnist Fintan O'Toole to present the 2024 Edmund Burke Lecture, 'Terror and Self-Pity: The Reactionary Sublime', which is supported by a generous endowment in honour of Padraic Fallon by his family. Fintan O'Toole is an author and columnist. His books include We Don't Know Ourselves: A Personal History of Ireland Since 1958, Heroic Failure: Brexit and the Politics of Pain, and Ship of Fools: How Stupidity and Corruption Sank the Celtic Tiger. A member of the Royal Irish Academy, he is a winner of the European Press Prize and the Orwell Prize for political writing. He is also Professor of Irish Letters at Princeton University. About the Annual Edmund Burke Lectures Edmund Burke (1729-1797) graduated from Trinity College Dublin in 1748. As a student he founded what would later become the College Historical Society, the oldest student society in the world. Burke entered Parliament in 1765 and quickly became a champion for political emancipation. After 1789, he directed his attention to the French Revolution and its immediate ramifications for political stability in England. To mark the university's deep and lasting connection, and to express the inspiration his life and work as a public intellectual offer to us, the Trinity Long Room Hub Arts and Humanities Research Institute has instituted a prestigious annual Edmund Burke lecture, delivered by a leading public intellectual of our time on a topic that engages with the challenges facing us today. One of Burke's central and life-long concerns was what moral codes should underpin the social order, constrain the use of power and inform our behaviour as responsible citizens. This is as important today as it was in Burke's time, and the Edmund Burke lectures will keep his manifold legacies alive by providing a prominent forum for contributing in his spirit to the wider discourse about what society we want to live in and what traditions, perspectives and values we need to draw on in the shaping of our future. Learn more at www/tcd.ie/trinitylongroomhub

Today's guest is the funny and brilliant Matthias Strohn. Matthias is Head of the Historical Analysis Program at the Centre for Historical Analysis and Conflict Research and an Honorary Visiting Professor at the Humanities Research Institute at the University of Buckingham. Matthias has also served as a senior lecturer in War Studies at the UK Ministry of Defence and a Military History Instructor at the German Staff College in Hamburg. He is a Lieutenant-Colonel in the German Bundeswehr and as a member of the German Military Attaché Reserve served in Paris, London, and Madrid. Matthias deployed to Iraq with the British Army and Afghanistan with the British Army and Bundeswehr. In 2022, he was awarded the Golden Cross of Honour, the German Armed Forces' highest non-combat decoration. Matthias was educated at the University of Münster before earning his MSt and DPhil at the University of Oxford. He is the author or editor of more than 20 books, including The German Army and the Defence of the Reich (Cambridge), How Armies Grow: The Expansion of Military Forces in the Age of Total War 1789-1945 (Casemate), Winning Wars: The Enduring Nature and Changing Character of Victory from Antiquity to the 21st Century (Casemate), and World War I Companion (Osprey). His forthcoming book Blade of a Sword: Ernst Jünger and the 73rd Fusilier Regiment on the Western Front, 1914–18, will be published by Osprey in 2025. Outside of his military and academic life, Matthias gives battlefield tours through The Cultural Experience. “So join us for an energetic and wide-ranging discussion of speaking English, studying at Oxford, growing up in Muenster (the “most livable place on Earth”), being a historian while deployed, Stalingrad staff rides, pink Stetsons, and Johnny Cash! Rec. 02/08/2024

Recorded February 9th, 2024. Hosted by the School of English of Trinity College Dublin and the Trinity Long Room Hub Arts & Humanities Research Institute. The way violence is represented always influences its reception and integration within the cultural imaginary. The narration of violence is ingrained in our perception of ourselves and our communities, and those who report traumatic events then carry the responsibility of how they are received and memorialised. Just as the world emerged from the COVID-19 crisis, the Russian invasion of Ukraine turned the general atmosphere of hope for a new beginning into an even darker and more oppressive state of uncertainty, fear, and sorrow. As scholar Judith Lewis Herman has observed, “[t]he conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma.”[1] How do newspapers and media reports choose which pieces of information are to be shared with the public? Why are certain stories considered more important than others? On which premises are specific pieces of news discarded? How geographically, culturally, and socially inclusive are these narratives? And, most importantly, when it comes to trauma, how ethical and accurate can its depiction be when told by someone else?

Recorded September 19th, 2023. *Please note that this discussion contains topics of sexual violence and graphic descriptions of war. Please listen at your own discretion. ‘Women and War' is the theme of the 2023 Wexford Festival Opera (24 Oct-5 Nov). Developed by Wexford's Artistic Director, Rosetta Cucchi, this year's programme uses the medium of opera to explore how war is experienced, endured, and articulated by women. The three main stage operas at Wexford will be: Zoraida di Granata (1822) by Gaetano Donizetti; L'Aube Rouge (1911) by Camille Erlanger; and La Ciociara (Two Women) (2015) by Marco Tutino, based on the novel by Alberto Moravia. In anticipation of this innovative programme, the Trinity Long Room Hub is hosting a special discussion to explore the representation of ‘Women and War' in literature, theatre, music, and visual art. The Festival's acclaimed Artistic Director Rosetta Cucchi will join the celebrated Irish Times foreign correspondent Lara Marlowe and the Trinity Long Room Hub Director, Eve Patten, for a wide-ranging conversation on the themes and vision behind this year's Wexford Festival Opera. This unique collaboration event, which will include both film and music excerpts from the opera programme itself, is open to all and not to be missed. Speakers: Rosetta Cucchi is the Artistic Director of the Wexford Festival Opera and an experienced director in many of the world's greatest opera houses. She is also a pianist, and has a master's degree in Theatre Studies from the University of Bologna. From 2006 to 2018, she was the Artistic Director of Fondazione and Symphonic Orchestra Arturo Toscanini, Parma. Her most recent and future directing projects include Tutino's La Ciociara, Wexford Festival, Figaro and La Bohème, Boston Lyric Opera, Adriana Lecouvreur, Teatro Comunale di Bologna, Rossini's Otello, Rossini Festival Pesaro, Eugene Onegin, Opera Omaha, USA, and L'Amico Fritz, Teatro del Maggio Musical Fiorentino. Lara Marlowe became a foreign correspondent for The Irish Times in 1996. Since her official retirement in April 2023 she has continued to contribute regularly to the Irish Times and radio stations in France, Ireland and the UK. She has worked extensively in France, the Middle East and the US, and reported on the war in Ukraine in 2022. Before the Irish Times, she wrote for Time Magazine, the Financial Times and the International Herald Tribune, covering many major world events and conflicts. Lara has received four press awards for her work for The Irish Times and was also awarded a Chevalier de la Légion d'Honneur for her contribution to Franco-Irish relations. In 2020, she published the best-selling memoir Love in a Time of War, My Years with Robert Fisk. Eve Patten is Director of the Trinity Long Room Hub Arts and Humanities Research Institute and Professor of English at Trinity College, Dublin. She lectures and writes in the area of nineteenth and twentieth-century British and Irish literary history and has a special interest in the literature of war. Her most recent book is Ireland, Revolution, and the English Modernist Imagination (2022), and previous publications include Imperial Refugee: Olivia Manning's Fictions of War (2012), and, as co-editor with Richard Pine, Literatures of War (2008).

Recorded April 20, 2023. A lunchtime discussion featuring Professor Premesh Lalu (University of the Western Cape) in conversation with Professor Eve Patten (Director of the Trinity Long Room Hub). Professor Lalu will discuss his new book ‘Undoing Apartheid', which he worked on while a visiting fellow at the Hub in 2019. Premesh Lalu is the former Director of the DSI-NRF Flagship on Critical Thought in African Humanities of the Centre for Humanities Research. Following an MA from the University of the Western Cape, he was awarded a MacArthur Foundation Doctoral Fellowship to read towards a doctorate in History at the University of Minnesota. In 2003 he successfully defended a doctoral dissertation titled “In the Event of History”. After sixteen years in the Department of History as an Associate Professor, Lalu was awarded an Andrew W. Mellon Foundation grant to convene a fellowship programme on the Study of the Humanities in Africa. He was promoted to full professor upon being appointed as Director of the Centre for Humanities Research in 2008. Eve Patten is Director of the Trinity Long Room Hub Arts and Humanities Research Institute and Professor of English at Trinity College, Dublin. A scholar in nineteenth and twentieth-century Irish and British literature and cultural history, she is editor of the volume of essays, Irish Literature in Transition, 1940-1980 (Cambridge University Press, 2020), and author of a monograph on representations of Ireland's revolutionary decade in English writing, Ireland, Revolution, and the English Modernist Imagination (Oxford University Press, 2022). She is also co-PI on the Ireland's Border Culture project, funded by the HEA Shared Island programme.

Our guest today is the prolific scholar and Arsenal supporter Gary D. Sheffield. Gary is Visiting Professor at the Humanities Research Institute of the University of Buckingham and Professor Emeritus at the University of Wolverhampton, where he set up the First World War Programme. He was previously Chair of War Studies at the University of Birmingham and Professor of Modern History at King's College London. He also served as Land Warfare Historian on the Higher Command and Staff Course at the Joint Services Command and Staff College. Gary earned his undergraduate and MA degrees in History at the University of Leeds and went on to take his PhD at King's College, London. Gary's list of publications is extensive. He is the author or editor of more than 15 books. His book Forgotten Victory: The First World War – Myths and Realities was a bestseller. Gary's contribution to The British General Staff: Innovation and Reform earned him a share of the Templer Medal in 2003. The Chief: Douglas Haig and the British Army was selected as a military book of the year by The Times and shortlisted for the Duke of Westminster's Medal for Military Literature. Among Gary's numerous other books are Leadership in the Trenches: Officer-Man Relations, Morale and Discipline in The British Army in the Era of the First World War, The Somme: A New History, A Short History of the First World War, and The First World War in 100 Objects. He is currently completing a project titled Civilian Armies: British and Dominions Soldiers' Experience in the Two World Wars, which will be published by Yale University Press. Gary is a member of the Royal Historical Society and the Royal Society of Arts, he sits on the Advisory Boards of the Journal of the Royal United Service Institution, the Academic Advisory Panel of the National Army Museum, and the Academic Advisory Board of the Soldiers of Oxfordshire Trust. He also served as the President of the International Guild of Battlefield Guides and the Honorary President of the Western Front Association. Finally, Gary frequently appears on television and documentaries, writes for the press, and speaks to podcasters like us. We can't thank Gary enough for taking the time with us. Join us for a delightful chat about reading military history as a kid, Tony Adams, battlefield tours, curries, and Bob Dylan. You'll enjoy this one. Check out the @MHPTPodcast Swag Store! Rec.: 03/03/2023

Can we be better digital citizens? In the concluding episode, we reflect on a theme that emerges throughout the series: the power of the individual. We return to our conversation with Sophia Smith Galer to discuss accountability and digital footprints. We learn about the confidence mindset with Ian Robertson. And finally, we talk about the importance of engaging critically with media and technology with Jennifer Edmond. Sophia Smith Galer is a multi-award-winning journalist, author and TikTok creator with over 130 million views. She is a Senior News Reporter for VICE World News, a Visiting Fellow at Brown University, and the author of Losing It: Sex Education for the 21st Century (2022). Ian Robertson is Co-Director of the Global Brain Health Institute and Emeritus Professor of Psychology at Trinity College Dublin, where he previously founded the Institute of Neuroscience. He is the author of several best-selling books, including How Confidence Works, which brings science-based strategies to non-specialists.Jennifer Edmond is Associate Professor of Digital Humanities at Trinity College Dublin and a former Director of DARIAH-EU. She is an internationally recognised expert in the application of arts and humanities insight to academic and societal challenges arising at intersection of information and communication technologies and culture.   Clips from the show The Futurists (1967) https://www.youtube.com/watch?v=wPETzKYLkco&t=631sFuture Shock (1972) https://youtu.be/fkUwXenBokU​​Marshall McLuhan speaks to Frank Kermode (1965) https://www.youtube.com/watch?v=0pcoC2l7ToIDavid Bowie speaks to Jeremy Paxman on BBC Newsnight (1999)https://www.youtube.com/watch?v=FiK7s_0tGsgThe History of the Future podcast is co-created and co-hosted by Mark Little and Ellie Payne and produced by Patrick Haughey of AudioBrand. The Schuler Democracy Forum is an initiative of the Trinity Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin. The Forum is generously supported by Dr Beate Schuler. For more information, see: https://www.tcd.ie/trinitylongroomhub/Schuler-Democracy-Forum.php 

How do you future-proof freedom of speech? In this episode, Karlin Lillington helps us to navigate the changing digital environment shaping freedom of expression since the early days of the internet. We find out more about the origins, evolution, and practices of cancel culture with Eve Ng and we discuss the dangers of selective application of the principle of Free Speech with Jacob Mchangama.Karlin Lillington is a columnist with the Irish Times focusing on technology, with a special interest in its political, social, business and cultural aspects. She has also written for The Guardian, New Scientist, Wired.com, and Salon.com, served on the board of RTÉ, and is the chairperson of New Music Dublin. She holds a PhD in Anglo-Irish Literature from Trinity College Dublin.Eve Ng is Associate Professor at Ohio University where she teaches courses on media representations, gender and globalisation, feminist studies, and queer theory. Her research examines questions of media, culture, and power. She is the author of Cancel Culture: A Critical Analysis (2022).Jacob Mchangama is a lawyer and CEO of Justitia, a think tank focusing on human rights, where he directs the Future of Free Speech Project. He is the author of Free Speech: A History From Socrates to Social Media (2022) and the producer and presenter of the Clear and Present Danger: A History of Free Speech podcast.Clips from the show Fahrenheit 451 (1966)https://www.youtube.com/watch?v=ZaLJ10v4xUAJohn Perry Barlow, The Declaration of Independence of Cyberspace (1996)   https://www.youtube.com/watch?v=3WS9DhSIWR0&t=210sApple Mac: 1984 (1984) https://www.youtube.com/watch?v=zIE-5hg7FoAJacob Mchangama, A Global History of Free Speech (2022) https://www.youtube.com/watch?v=kc3tP2yFJ2EJack Dorsey interview with WIRED's Nicholas Thompson (2018) https://www.youtube.com/watch?v=v9z8924QJl0&t=11sThe History of the Future podcast is co-created and co-hosted by Mark Little and Ellie Payne and produced by Patrick Haughey of AudioBrand. The Schuler Democracy Forum is an initiative of the Trinity Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin. The Forum is generously supported by Dr Beate Schuler. For more information, see:https://www.tcd.ie/trinitylongroomhub/Schuler-Democracy-Forum.php

Does the age of identity mean the end of community? In this episode, we find out about how media has shaped identities, created communities, and fractured and polarised societies in the past with Adrian Bingham. We discuss all things TikTok with Sophia Smith Galer and ask how the media can reinvent itself in a world of radical decentralisation. We talk to Leon Diop about their experience of identity and working to build community from the ground up.  Adrian Bingham is Professor of Modern British History at the University of Sheffield and has written extensively on the popular press, gender and sexuality. His works include Gender, Modernity, and the Popular Press in Inter-War Britain (2004); Family Newspapers? Sex, Private Life and the British Popular Press 1918-1978 (2009); and United KIngdom (2022).Sophia Smith Galer is a multi-award-winning journalist, author and TikTok creator with over 130 million views. She is a Senior News Reporter for VICE World News, a Visiting Fellow at Brown University, and the author of Losing It: Sex Education for the 21st Century (2022). Leon Diop is the co-founder of Black and Irish, an organisation that highlights and celebrates the identity of black and mixed-race Irish people. They are working to tackle racism and build representation across education, business, politics, media, entertainment, and community. Black and Irish also have a successful RTÉ podcast.Clips from the show This Is Marshall McLuhan - The Medium Is The Massage (1967)https://youtu.be/cFwVCHkL-JURTÉ The Black & Irish Podcasthttps://www.rte.ie/radio/podcasts/series/33229-black-irish/Sophia Smith Galer TikTok, “the suez sea shanty you all did not ask for” (2021)https://www.tiktok.com/@sophiasmithgaler/video/6944316550128110854The Schuler Democracy Forum podcast is co-created and co-hosted by Mark Little and Ellie Payne and produced by Patrick Haughey of Audiobrand. The Schuler Democracy Forum is an initiative of the Trinity Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin. The Forum is generously supported by Dr Beate Schuler. For more information, see: https://www.tcd.ie/trinitylongroomhub/Schuler-Democracy-Forum.php

How do we find the right kind of fear? In this episode, we talk about horror stories and what we are scared of with Bernice Murphy. We discuss the effect fear has on the brain with Ian Robertson, and we examine the relationship between the media and fear with Bruce Shapiro.Bernice Murphy is Associate Professor in Popular Literature at Trinity College Dublin. She has published extensively on topics related to American Gothic and horror fiction and film, including The California Gothic in Fiction and Film (2022); The Suburban Gothic in American Popular Culture (2009); and The Highway Horror Film (2014). She was also academic consultant to The Letters of Shirley Jackson (edited by Laurence Jackson Hyman, 2021). Ian Robertson is Co-Director of the Global Brain Health Institute and Emeritus Professor of Psychology at Trinity College Dublin, where he previously founded the Institute of Neuroscience. He is the author of several best-selling books, including How Confidence Works, which brings science-based strategies to non-specialists.Bruce Shapiro is Executive Director of the Dart Center for Journalism and Trauma at Columbia University. He is an award-winning reporter on human rights, criminal justice and politics. His books include Shaking the Foundations: 200 Years of Investigative Journalism in America and Legal Lynching: The Death Penalty and America's Future. Clips from the show Franklin D. Roosevelt  Inaugural Address (1933)https://youtu.be/rIKMbma6_dcPeeping Tom (1960) https://youtu.be/B3kGTJDGTnwThis Is Marshall McLuhan - The Medium Is The Massage (1967)https://youtu.be/cFwVCHkL-JUThe History of the Future podcast is co-created and co-hosted by Mark Little and Ellie Payne and produced by Patrick Haughey of AudioBrand. The Schuler Democracy Forum is an initiative of the Trinity Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin. The Forum is generously supported by Dr Beate Schuler. For more information, see:https://www.tcd.ie/trinitylongroomhub/Schuler-Democracy-Forum.php

A seminar by Dr Kata Szita (TCD) as part of the School of Creative Arts Research Forum. Recorded October 3, 2022. Dr Kata Szita is a Marie Skłodowska-Curie research fellow at the Trinity Long Room Hub Arts and Humanities Research Institute and ADAPT Centre of Excellence for AI-Driven Digital Content Technology at Trinity College Dublin, Ireland. Her research involves the cognitive studies of immersive digital media technologies and she has authored a wide range of publications on attention, recollection, narrative engagement, and social behaviour in terms of smartphone spectatorship, augmented reality, cinematic virtual reality, social virtual reality, and the Metaverse. Currently, she leads interdisciplinary and cross-sector research projects on user experiences in social virtual reality and augmented reality and, as a collaborator, is involved in studies of the cognitive processing of fictional information, virtual youth behaviour, and digital personas. Szita is guest editor for PRESENCE: Virtual and Augmented Reality (MIT Press). The School of Creative Arts Research Forum meets weekly on Mondays from 10am-11am in the Neill Lecture Theatre in Trinity Long Room Hub. The aim of the Forum is to provide a space for School researchers, both staff and postgraduate students, to share their ideas in an informal and supportive environment. It is also an opportunity for the School to hear about the research of colleagues both from within TCD and from outside the university who share our research interests. In line with the research agenda of the School, talks encompass traditional research and practice-based research.

Join Robert Child for a conversation with British historian and Sunday Times bestselling author Saul David. Saul is a Fellow of the Royal Historical Society and a Professorial Research Fellow at the University of Buckingham's Humanities Research Institute. From 2009 to 2021, he was Professor of Military History at the University of Buckingham and Programme Director for Buckingham's London-based MPhil in Military History. His book is called, Devil Dogs: King Company, Third Battalion, 5th Marines: From Guadalcanal to the Shores of Japan. Watch a video podcast excerpt from this episode on our Point of the Spear Youtube Channel https://youtu.be/vjvLIJWNLe4 Check out an earlier WWII Episode, Fierce Valor with Jared Frederick. https://open.spotify.com/episode/6xCS2S3DzliIVSZQZLHFtM?si=3d17bada350b4d1b Watch our new military history documentary, Weather and Warfare, FREE on Tubi the streaming service from Fox. LINK https://tubitv.com/movies/680635/weather-and-warfare-millennia-to-modern-time Sign up for our twice monthly email Newsletter SOCIAL: YouTube Twitter Facebook Website --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/robert-child/support

In this essay, Nathaniel Andrews explores both the role of children within anarchist activism, and anarchist understandings of childhood, focusing specifically on the Argentinian city of Rosario, in the late-nineteenth and early-twentieth centuries. Nathaniel Andrews is a Postdoctoral Fellow at the Leeds Arts and Humanities Research Institute. His most recent publication is a co-authored article with Professor Richard Cleminson, titled ‘Introduction: New Directions in Spanish Anarchist Studies', which forms part of a co-edited special issue of the Journal of Iberian and Latin American Studies . He is currently working on his first monograph: a study of prefigurative politics in the Spanish and Argentinian anarchist movements, between 1890 and 1930. Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

Wednesday, 6 April 2022, 12:30 – 1:30pm ‘“They attached no blame to the staff in charge”: The Role of Dublin Workhouse Officials in Preventing and Contributing to Institutional Mortality, 1872-1913' a seminar by Shelby Zimmerman (TCD) as part of the Medical and Health Humanities Lunchtime Seminar Series in association with Trinity Long Room Hub. The Trinity College Dublin Medical and Health Humanities Initiative brings together researchers from a wide range of disciplines including history, philosophy, sociology, drama, health sciences, religion, cultural studies, arts, literature and languages. Medical and health humanities seeks to provide insights into the cultural and social contexts within which diverse but interrelated concerns such as the human condition, the individual experience of illness and suffering, and the way medicine is (or was) practiced, might be understood. The Trinity College Dublin Medical and Health Humanities initiative seeks to cultivate a richer understanding of the interactions and synergies between practices and discourses of wellness, health or medicine and the arts, humanities or culture through interdisciplinary research and education. During the Great Famine from 1845 to 1852, the Irish workhouse was associated in the public consciousness with dying and the mistreatment of the dead. By the end of the nineteenth century, the role of the workhouse shifted from poor relief to medical relief and thus became the largest and most accessible medical institution for the poor. Despite the workhouse's newfound status as a medical institution, it was still plagued by the reputation of its Famine counterpart. Through an analysis of the North and South Dublin Unions, this paper will examine whether that stigma was warranted in post-Famine Dublin. It will look at the treatment of inmates to ascertain whether the Board of Guardians and medical officers were complicit in mortality rates. It will analyse ward management and staffing to determine whether negligence was inherent or a reflection on the medical officers. This paper will also examine how the Guardians responded to infectious disease and whether it revealed different attitudes towards different classes of inmates. Ultimately, this paper will determine if workhouse staff sought to reduce institutional mortality or contributed to the workhouse's stigma. Speaker Biography Shelby Zimmerman is a PhD candidate at Trinity College Dublin studying the medicalisation of death in the Dublin city workhouses from 1872 to 1920 centring on the role the workhouse played in Dublin's medical landscape for the sick and dying poor. She is primarily interested in the history of medicine, institutions, the Irish Poor Law, poverty, and death. She received her BS in History and Museum Studies from Towson University in Maryland and her MPhil with Distinction from Trinity College Dublin in Modern Irish History. Shelby is an Early Career Researcher in the Trinity Long Room Hub Arts & Humanities Research Institute. She is also the co-curator of the Little Museum of Dublin's upcoming exhibition on Victorian medicine.

Christopher Pastore is Associate Professor of History at the University at Albany, State University of New York.Focusing on early American environmental history, his most recent book, titled Between Land and Sea: The Atlantic Coast and the Transformation of New England (Cambridge, MA: Harvard University Press, 2014), examines the Narragansett Bay watershed from first European settlement through the early nineteenth century. As a journalist, he has contributed articles on sailing or related topics to the New York Times, Boat International, Cruising World, Newport Life, Offshore, Restoration Quarterly, Real Simple, and Sailing World, where he worked as Associate Editor. He also served as Editor of American Sailor and Junior Sailor, the official publications of U.S. Sailing, the sport's national governing body. In 2005 (paperback 2013), he published a biography of Nathanael Herreshoff titled Temple to the Wind: The Story of America's Greatest Naval Architect and His Masterpiece, Reliance (Lyons Press, 2005).Christopher Pastore holds an M.A. and Ph.D. in American History and M.S. in college teaching from the University of New Hampshire as well as a B.A. in Biology from Bowdoin College and M.F.A. in nonfiction Creative Writing from the New School for Social Research, where he has taught courses in the Writing Program for fourteen years. During the 2018-2019 academic year he was a Marie Curie COFUND Fellow at the Trinity College Dublin Long Room Hub Arts & Humanities Research Institute.Learn more about Christopher at: www.christopherpastore.comChristopher's faculty page: https://www.albany.edu/history/faculty/christopher-pastoreYou may order his book Between Land and Sea at: https://www.hup.harvard.edu/catalog.php?isbn=9780674281417Original music for podcast composed by Nela Ruiz Music Soundtrack Composer For Films | Nela Ruiz Music Composer (nelaruizcomposer.com) See acast.com/privacy for privacy and opt-out information.

The Russian invasion of Ukraine has caused immense human suffering, a refugee crisis, the renewed spectre of nuclear attack, and now, international outrage at evidence of war crimes. How is an international media reporting on these horrific developments? This panel discussion assesses the role of traditional war correspondents, citizen journalists, and open-source information, to ask how the ‘news' stands witness to the atrocities in Ukraine. Paul Cunningham is the Political Correspondent (and former European Correspondent and Environmental Correspondent) for RTÉ News and Current Affairs. He has been reporting on the war in Ukraine, including live from the Medyka border crossing between Ukraine and Poland. Paul is an award-winning journalist and has covered conflict in a number of countries, including Bosnia, Lebanon, Kosovo, Algeria, Pakistan/Afghanistan, Guatemala, Nepal, Darfur, and Northern Ireland. Orysia Kulick is an Assistant Professor in the Departments of Political Studies and German and Slavic Studies at the University of Manitoba. She previously held postdoctoral fellowships at Trinity College Dublin, where she worked on an EU-funded research project exploring the cultural heritage of dissent in former socialist countries, and the University of Toronto. She was the recipient of a Fulbright fellowship to Ukraine, where she researched civic mobilisation in the 2004 presidential elections. Orysia is currently working on a book provisionally title How Ukraine Ruled Russia: Regionalism and Party Politics after Stalin and a microhistory of the concentration camp Mittelbau-Dora. Tanya (Tetyana) Lokot is Associate Professor in Digital Media and Society at the School of Communications in DCU. She researches threats to digital rights, networked authoritarianism, internet freedom, and internet governance in Eastern Europe. She is the author of Beyond the Protest Square: Digital Media and Augmented Dissent (Rowman & Littlefield, 2021), an in-depth study of protest and digital media in Ukraine and Russia. Ciaran O'Connor is a disinformation and extremism researcher at the Institute for Strategic Dialogue, working in the Research and Policy unit, where he tracks and monitors disinformation, hate and extremism online. He specialises in researching extremist activity and communication across open and closed networks and platforms through the use of open source research methodologies. Mark Little is the Schuler Democracy Forum Media Fellow in the Trinity Long Room Hub and co-founder and CEO of Kinzen. Mark spent 20 years as a reporter and presenter for RTÉ and won the Irish TV Journalist of the Year award for his reporting from Afghanistan in 2001. He was the founder of Storyful, the world's first social news agency, and the former Vice President for Media in Europe and Managing Director of Twitter International Headquarters. In 2017, Mark co-founded Kinzen, which combines editorial skills and artificial intelligence to protect online conversations and communities. The event is hosted by the Schuler Democracy Forum in the Trinity Long Room Hub Arts and Humanities Research Institute. It is part of the 'Behind the Headlines' discussion series supported by the John Pollard Foundation.

Frances Haugen is a data engineer, and formerly a product manager with Facebook. In 2021, she disclosed tens of thousands of Facebook's internal documents to the US Securities and Exchange Commission. In October 2021, she told the US Congress that Meta's "leadership know how to make Facebook and Instagram safer, but won't make the necessary changes because they have put their astronomical profits before people". She has testified to the US Congress, the European Parliament, the UK Parliament, and the Oireachtas, that government regulation of Meta is increasingly necessary. In her conversation with Jess Kelly, she will discuss what changes Meta can make, and what regulations legislators can introduce, to make platforms safer. About Frances Haugen Frances Haugen is a specialist in algorithmic product management, having worked on ranking algorithms at Google, Pinterest, Yelp and Facebook. She was recruited to Facebook to be the lead Product Manager on the Civic Misinformation team, which dealt with issues related to democracy and misinformation, and later also worked on counter-espionage. During her time at Facebook, Ms. Haugen became increasingly alarmed by the choices the company makes prioritizing their own profits over public safety and putting people's lives at risk. As a last resort and at great personal risk, Haugen made the courageous decision to blow the whistle on Facebook. The initial reporting was done by the Wall Street Journal in what became known as ‘The Facebook Files.' Since going public, Haugen has testified in front of the US Congress, UK and EU Parliaments, French Senate and National Assembly and has engaged with lawmakers internationally on how best to address the negative externalities of online platforms. Haugen has filed a series of complaints with the Securities and Exchange Commission (SEC) relating to how Meta, Facebook's parent company, has allegedly misled the public and investors on issues such as climate and COVID-19 disinformation. The complaints also argue that the platform has misled investors about its role in the January 6 Capital attack, hate speech removal, the impact of its services on teens, and the use of the platform for human trafficking. About Jess Kelly Jess Kelly is Newstalk's Technology Correspondent and hosts Tech Talk on Saturday evenings at 5pm. ​Having worked at Newstalk for over ten years, Jess' role has seen her travel across the globe reporting from some of the biggest conferences in the world including; CES in Las Vegas, IFA in Berlin and Mobile World Congress in Barcelona. Jess is an experienced MC and has conducted interviews with high-profile guests such as YouTube mega-star Casey Nesitat and former secretary of Homeland Security, Michael Chertoff. In 2019, Jess Kelly was awarded the Irish Tatler Woman of the Year Media Award. The event is presented by the Technologies, Law and Society Research Group in the School of Law, Trinity College Dublin and the Schuler Democracy Forum in the Trinity Long Room Hub Arts & Humanities Research Institute. Find out more here https://www.tcd.ie/trinitylongroomhub/Schuler-Democracy-Forum.php

Tuesday, 15 February 2022, 7 – 8:15pm A panel discussion organised by Trinity Centre for Resistance Studies in partnership with the Trinity Long Room Hub Arts and Humanities Research Institute to mark the start of a new multiannual discussion series ‘Literature and Resistance.' The discussion will be chaired by Professor Darryl Jones. Literature, says Stephen Dedalus in James Joyce's Ulysses, is “the eternal affirmation of the spirit of man”. For many writers, in many different times, places, and contexts, to affirm has been to resist. In the first event in the Hub's new signature series, Literature and Resistance, four Trinity experts consider the ways that literature – and the act of writing itself – can function or be understood as resistance. Exploring what this means for writers, readers, and critics, they will consider issues including freedom of expression, the circulation, censorship and survival of literary texts, and the aesthetics of protest, dissent, and opposition. Panellist Julie Bates Dr Julie Bates, Assistant Professor in Irish Writing, School of English, Trinity College Dublin. Mary Cosgrove Professor in German, School of Languages, Literatures and Cultural Studies, Trinity College Dublin. Jude dal Fernando Dr Jude Lal Fernando is Assistant Professor inSchool of Religion, Theology and Peace Studies, Trinity College Dublin. Carlo Gébler Carlo Gébler Adjunct Professor in Creative Writing, Oscar Wilde Centre, Trinity College Dublin. About the Trinity's Centre for Resistance Studies The Centre for Resistance Studies fosters interdisciplinary research in Trinity College Dublin in relation to the various types and forms of resistance and its cognate notions, including opposition, dissent, resilience, protest, and non-conformism. https://www.tcd.ie/resistance/about/

A keynote lecture delivered by Edna Longley as part of the 'Derek Mahon: Conference to celebrate poet's life and work'. The life and work of poet Derek Mahon will be celebrated (Friday 19th & Saturday 20th November) in Trinity College Dublin. A conference, which is being held in advance of what would have been the poet's 80th birthday, has been organised by Trinity's School of English in association with Poetry Ireland and will be hosted in Trinity Long Room Hub Arts and Humanities Research Institute. To mark the occasion an online exhibition entitled Derek Mahon: Piecing Together the Poet has been organised jointly by the Library of Trinity College Dublin and the Stewart Rose Library of Emory University (home to the principal Mahon archive). The exhibition features readings by Mahon himself and Stephen Rea along with specially commissioned interviews with friends and fellow poets. The exhibition also features atmospheric photographs by John Minihan.

A keynote lecture delivered by Lucy Collins as part of the 'Derek Mahon: Conference to celebrate poet's life and work'. The life and work of poet Derek Mahon will be celebrated (Friday 19th & Saturday 20th November) in Trinity College Dublin. A conference, which is being held in advance of what would have been the poet's 80th birthday, has been organised by Trinity's School of English in association with Poetry Ireland and will be hosted in Trinity Long Room Hub Arts and Humanities Research Institute. To mark the occasion an online exhibition entitled Derek Mahon: Piecing Together the Poet has been organised jointly by the Library of Trinity College Dublin and the Stewart Rose Library of Emory University (home to the principal Mahon archive). The exhibition features readings by Mahon himself and Stephen Rea along with specially commissioned interviews with friends and fellow poets. The exhibition also features atmospheric photographs by John Minihan.

A keynote lecture delivered by Hugh Haughton as part of the 'Derek Mahon: Conference to celebrate poet's life and work'. The life and work of poet Derek Mahon will be celebrated (Friday 19th & Saturday 20th November) in Trinity College Dublin. A conference, which is being held in advance of what would have been the poet's 80th birthday, has been organised by Trinity's School of English in association with Poetry Ireland and will be hosted in Trinity Long Room Hub Arts and Humanities Research Institute. To mark the occasion an online exhibition entitled Derek Mahon: Piecing Together the Poet has been organised jointly by the Library of Trinity College Dublin and the Stewart Rose Library of Emory University (home to the principal Mahon archive). The exhibition features readings by Mahon himself and Stephen Rea along with specially commissioned interviews with friends and fellow poets. The exhibition also features atmospheric photographs by John Minihan.

Tuesday, 21 September 2021, 4 – 5pm A seminar by Professor Eve Patten, Trinity College Dublin, as part of the School of English Staff Postgrad Seminar Series in association with Trinity Long Room Hub. In 1919 D.H. Lawrence wrote of Ireland as ‘a blank round O on the map – a sort of nowhere', yet Irish references permeate his later novels, often in relation to his fears of an English revolution. This talk traces his Irish connections and considers them in the broader context of English-Irish literary relations after the First World War. Professor Eve Patten lectures in the School of English, TCD, and is Director of the Trinity Long Room Hub Arts and Humanities Research Institute. Her most recent publication is, as editor, Irish Literature in Transition, 1940-1980 (Cambridge UP, 2020), and her talk is from Ireland, Revolution, and the English Modernist Imagination, forthcoming from Oxford UP.

This special centenary joint symposium will address the cultural, political and social legacies of Irish partition in 1921. The symposium consists of two panels: the first, from Trinity College, Dublin, will discuss the cultural and literary legacies of partition; the second, from Queen's University, Belfast, will cover the political and social consequences. Each panel consists of three speakers who will present for 10 minutes each, followed by audience Q and A. The symposium is hosted by the Trinity Long Room Hub. Chair: Ciaran O'Neill Ciaran O'Neill is Associate Professor in Nineteenth Century History at Trinity College Dublin and Deputy Director of Trinity Long Room Hub. He is editor (with Finola O'Kane Crimmins) of the forthcoming MUP collection, Ireland, Slavery and the Caribbean (2022) and is currently completing a second monograph, entitled Life in a Palliative State (OUP, 2022). His current research projects focus on the Eastern Caribbean. Speakers: Stephen O'Neill Stephen O'Neill's monograph, Irish Culture and Partition 1920-1955 is forthcoming with Liverpool University Press. From 2019-2020 he was an National Endowment for the Humanities Fellow at the University of Notre Dame's Keough-Naughton Institute for Irish Studies. A graduate of Queen's University Belfast, he completed his PhD in the School of English at Trinity College in 2018. Stephen will discuss the early literature and culture of partition in Ireland, with a focus on the 1920s. Guy Woodward Guy Woodward is the author of Culture, Northern Ireland, and the Second World War, published by OUP in 2015. He completed his doctorate and IRC-funded postdoctorate in Trinity College, and is currently Post-Doctoral Research Associate on the project ‘The Political Warfare Executive, Covert Propaganda and British Culture' in the Department of English Studies, Durham University. He will talk on ‘Border crossings in Irish wartime writing'. Eve Patten Eve Patten is Professor in Trinity's School of English and is currently Director of the Trinity Long Room Hub Arts and Humanities Research Institute. She is the editor of Irish Literature in Transition, 1940 – 1980 (CUP, 2020) and is completing a monograph, Ireland, Revolution and the English Modernist Imagination, for OUP. She will discuss depictions of the Irish border in English film and literature.

HUMAN+ presents 'The New Cybernetics? Making sense of the 21st century' a lecture by Professor Genevieve Bell, Director of the 3A Institute, Florence Violet McKenzie Chair, and a Distinguished Professor at the Australian National University. Organised by Human+ project in partnership with the Trinity Long Room Hub and ADAPT, the Science Foundation Ireland Centre for Digital Content Innovation at Trinity College Dublin. Professor Bell who is described as an anthropologist, technologist and futurist, is best known for her work at the intersection of cultural practice and technology development. She has spent over 15 years at Intel where she was promoted to Vice President for Strategy and was also elected as a senior fellow, the first female to achieve such a prestigious position in the company. She now heads up a new institute at the Australian National University called the Autonomy, Agency and Assurance (3A) Institute, launched in September 2017 focusing on “building a new applied science around the management of artificial intelligence, data, technology and their impact on humanity''. About HUMAN+ HUMAN+ is an international and interdisciplinary fellowship programme led by the Trinity Long Room Hub Arts and Humanities Research Institute and ADAPT, the Science Foundation Ireland Centre for Digital Content Innovation at Trinity College Dublin, and supported by the prestigious European Commission (EC) Horizon 2020 Marie Skłodowska-Curie COFUND Action. Find out more about Human+ here

Wednesday, 10 March 2021, 7 – 8pm A panel discussion as part of the ‘Sonic Spaces' series. Discourse around gender and sound often reflects biases about who should be allowed to take up sonic space: from historical assumptions that women's voices were unsuitable for the radio, to contemporary biases in institutional policies that work to exclude the work of women in the music industry, as well as continued critiques of female speaking voices for expressing unappealing vocal traits like “uptalk” and “vocal fry”. This event will bring together a diverse panel to discuss these and other ways in which sonic spaces can reflect broader social and cultural issues around gender and representation: Dr. Megan McGurk, host of the popular podcast and film club, “Sass Mouth Dames”, devoted to women who ruled the Hollywood box office from the 1930s-1950s; Dr. Ann Cleare, a multi-award-winning composer and Assistant Professor in Trinity's Music and Media Technologies programme who will introduce “Sounding the Feminists,” an Irish-based collective committed to promoting and publicising the creative work of female musicians; and Dr. Jilly Boyce Kay, Lecturer in Media and Communication at the University of Leicester and author of Gender, Media and Voice (2020), who will discuss the ways that feminist voices on television were construed as “domestic nags” in the 1970s. The panel will be chaired by Dr. Ciara Barrett, a scholar of gender and screen media and lecturer in film studies with the Dingle Hub and Sacred Heart University. ‘Sonic Spaces' is organised by Jennifer O'Meara, Department of Film, as part of the Creative Arts Practice Research theme. The series considers the creative possibilities of audio and sound culture as they relate to issues of society, technology, the environment and the body. It aims to encourage the academic and broader community to reflect on our relationship to listening and its significance. ‘Sonic Spaces' is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

I'm delighted to be joined by the wonderful and highly knowledgeable Dr. Ed Stevens for this episode on teacher's professional identity. Ed is Manager of the Arts & Humanities Research Institute at King's College London having previously been Deputy Head of Public Engagement at the University of Bath. He has recently completed a professional doctorate in Education, where he explored how educators' professional identities may be transformed by, and transform, community engaged research. In this episode Ed helps us to delve further into the language teacher beliefs we explored in Episode 31. For full details a list of these strategies, check out the programme notes with further information and links to research and resources at www.liamprinter.com/podcast. Are you a regular listener and enjoying The Motivated Classroom podcast? Join me on my patreon page here. Follow The Motivated Classroom on Instagram, Twitter and Facebook. Join the conversation with the hashtag #MotivatedClassroom Keep sharing and spreading the word. I'd love to know what you think, please get in touch or leave me a review

Thursday, 18 February 2021, 7 – 8pm A panel discussion as part of the 'Trinity and the Changing City' Series in partnership with Trinity Long Room Hub. This panel discussion will focus on the artistic representation of refugees and direct provision. It will include as speakers Vukasin Nedeljkovic, Dr Bisi Adigun, Bulelani Mfaco, and Dr Roja Fazaeli. Vukasin Nedeljkovic compiled an archive of photographs while in direct provision and afterwards to document the conditions in Direct Provision. Vukasin Nedeljkovic holds a Masters in Visual Arts Practice at Dun Laoghaire Institute of Arts, Design and Technology. He will present images from his archive. Dr Bisi Adigun (adjunct lecturer in drama, TCD and Senior Lecturer in Bowen University, Iwo Nigeria) will speak about his work with Arambe Theatre Company in bringing awareness of African immigrant experiences to Irish audiences through his work as a director and writer. His adaptation, co-written with Roddy Doyle, of a Nigerian Playboy of the Western World, was presented at the Abbey Theatre. Bulelani Mfaco is a South African refugee who has spent several years in Direct Provision in Ireland after receiving a Masters degree from UCD. He has been a representative for MASI, the Movement of Asylum Seekers in Ireland, on the government's expert group tasked with reforming direct provision. Dr Roja Fazaeli (Middle Eastern Studies, TCD) will speak about her work with refugees and the importance of TCD to become a university of sanctuary. Dr Fazaeli has served on the boards of Amnesty International, the Irish Refugee Council, and the Irish Immigrant Council. Steve Wilmer (Professor Emeritus in Drama, TCD) will chair the panel. Trinity and the Changing City is organised by the Identities in Transformation research theme, led by Daniel Faas, Department of Sociology, and is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

Wednesday, 10 February 2021, 7 – 8pm A panel discussion as part of the ‘Sonic Spaces' series. From the soothing sounds of lapping waves and bird song, to the uncomfortable disruption of construction work and traffic, our daily lives are subject to a wide range of natural and man-made environmental sounds. The impact of such sounds on human well-being has led to a range of interventions in recent years. These include an EU directive to examine public noise exposure through the creation of noise maps, and artistic initiatives to introduce professional live music into hospital settings to improve patients' experience. This event will bring together a multi-disciplinary panel to discuss a range of works that emerge from, or aim to benefit, our experience of listening in natural, urban and social environments: Laurence Gill, Professor in Environmental Engineering at Trinity, and composer Norah Walsh who will discuss their collaboration on ‘Inception Horizon,' which used an understanding of the movement of water through limestone as the basis of a choral piece inspired by a karst cave system in County Clare; Antonella Radicchi, an architect and scholar based at TU Berlin, and Simon Jennings, Executive Scientist in the Environment Section of Limerick County Council, who will introduce the ‘Hush City' app which empowers people to identify and assess quiet areas in cities including Limerick; and Gráinne Hope, an Atlantic Fellow for Equity in Brain Health at Trinity's Global Brain Health Institute, who will discuss her work as founder and artistic director of ‘Kids' Classics', Ireland's leading music in healthcare organization. The panel will be chaired by Jimmy Eadie, an artist-engineer based in Trinity's Electronic & Electrical Engineering programme, who works within the field of recording, production and sound design. ‘Sonic Spaces' is organised by Jennifer O'Meara, Department of Film, as part of the Creative Arts Practice Research theme. The series considers the creative possibilities of audio and sound culture as they relate to issues of society, technology, the environment and the body. It aims to encourage the academic and broader community to reflect on our relationship to listening and its significance. ‘Sonic Spaces' is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

An 'in conversation' event featuring Dr Lilith Acadia and hosted by Professor Eve Patten, Director of the Trinity Long Room Hub. Dr Acadia will discuss her career and her latest research, as well as her time with the Trinity Long Room Hub as a Marie Skłodowska-Curie COFUND Fellow for 2019–20, in association with Trinity's Identities in Transformation Research Theme. Dr Lilith Acadia Dr Acadia is an Assistant Professor of Literary Studies at National Taiwan University (A.B. Smith College, PhD UC Berkeley) who recently completed a Marie Skłodowska-Curie Cofund Fellowship at the Trinity College Dublin Long Room Hub Arts & Humanities Research Institute.

Wednesday, 2 December 2020, 7 – 8pm A panel discussion as part of the ‘Sonic Spaces' series. Wind-up music boxes; phonograph cylinders; gramophones; microphones; radio; magnetic tape; compact discs; MP3 players; synthetic voices. These are just a few of the sound technologies that have framed our experience of listening since the 19th century until the present day. And while audio transmission and recording processes have increasingly moved from analogue to digital systems, the cross-disciplinary nature of sound technologies remains. Frequently dependent on the technical expertise of audio engineers, such technologies heavily shape the media industries and, indeed, our daily lives. This event will bring together a diverse panel of experts to discuss their experiences of employing sound technologies in creative ways: Enda Bates, deputy director of Trinity's Music and Media Technologies programme, who will discuss his use of spatialized audio in 360-degree music videos; Zeynep Bulut (Queen's University Belfast) will discuss the collaborative research initiative Map a Voice, which explores sonic and social interactions between voice and environment; Mattia Cobianchi (Goldsmiths University and acoustic engineer at Bowers & Wilkins) on his historical sound project ‘London Street Noises'; and Neasa Ní Chiarain, from Trinity's Phonetics & Speech Laboratory, who will discuss the ABAIR.ie Irish language learning website, and the development of synthesized voices for Irish. The panel will be chaired by Linda Doyle, Professor of Engineering & The Arts at Trinity, and the founder Director of the SFI Research Centre CONNECT, a national research centre focused on telecommunications. ‘Sonic Spaces' is organised by Jennifer O'Meara, Department of Film, as part of the Creative Arts Practice Research theme. The series considers the creative possibilities of audio and sound culture as they relate to issues of society, technology, the environment and the body. It aims to encourage the academic and broader community to reflect on our relationship to listening and its significance. ‘Sonic Spaces' is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

A panel discussion as part of the 'Trinity and the Changing City' Series in association with Trinity Long Room Hub. A follow-up to our social class panel in last year's series: this panel will ask a focused question: how do we fix inequality in education in our city? Most fee-paying schools cluster in the Dublin commuter belt, and some of the most disadvantaged schools in the country can be found here too. Dublin is a microcosm for a wider problem in Ireland, and in education systems elsewhere. Speakers include: Joe Humphreys (Journalist, The Irish Times), Dr Delma Byrne (Maynooth University) and Professor Jan Skopek (Department of Sociology, Trinity), the evening will be chaired by Dr Ciaran O'Neill, Deputy Director of the Trinity Long Room Hub. Trinity and the Changing City is organised by the Identities in Transformation research theme, led by Daniel Faas, Department of Sociology, and is supported by the Trinity Long Room Hub Arts and Humanities Research Institute. Find out more here https://www.tcd.ie/trinitylongroomhub/whats-on/details/2019/trinity-and-the-changing-city.php

A panel discussion as part of the ‘Sonic Spaces' series. A rise in the number of sound-focused cultural productions is one of the key trends to emerge in the performing arts in recent years, including the reworking of various literary works and figures in the direction of sound and music centred experiences. How do artists and practitioners adapt written works into coherent listening experiences? What principles of sound design guide the development of creative soundscapes for the performing arts? A panel of established creative practitioners discuss these and related issues: Evangelia Rigaki, Head of Music at Trinity, who will discuss her installation opera This Hostel Life (Irish National Opera, 2019) based on Melatu Uche Okorie's book of the same name; Kevin Gleeson, a prominent sound designer for theatre and film, who will discuss recent collaborations with Dead Centre (Hamnet, Beckett's Room, To Be A Machine); and Nicholas Johnson, Associate Professor of Drama at Trinity and co-founder of the Samuel Beckett Laboratory, who will discuss his recent dramaturgical work on Beckett's Room, a sound-focused play and co-production of Dead Centre and Gate Theatre. The panel will be chaired by Ruth Barton, Head of School of the Creative Arts at Trinity. ‘Sonic Spaces' is organised by Jennifer O'Meara, Department of Film, as part of the Creative Arts Practice Research theme. It is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

Voices of the past, stories for the future: a Research Showcase from the 1641 Depositions Project How can we best tell our research stories and demonstrate the value of investing in Arts and Humanities projects? How can we be better prepared to capture a project's impact along the way? On the 10th anniversary of its launch, we example the legacy and impact of 1641 Depositions Project, a transdiciplinary digital humanities endeavour which transformed our understanding of how the controversial events of the mid-seventeenth century are recorded and remembered. Join Director Eve Patten in a lunchtime conversation with the Trinity lead PIs of the 1641 Depositions Project, Professor Jane Ohlmeyer and Professor Micheál Ó'Siochrú, Professor John Morrill from the University of Cambridge, and Dr Giovanna Lima, Trinity's Research Impact Officer for the Arts and Humanities, to understand the impact journey of a digital humanities project 10 years on. ‘Voices of the past, stories for the future: a Research Showcase from the 1641 Depositions Project' is supported by the Trinity Long Room Hub Arts and Humanities Research Institute. The 1641 Depositions Project received funding from the Irish Research Council for the Humanities and Social Sciences, the Arts & Humanities Research Council in the UK and the Library of Trinity College, Dublin.

A panel discussion as part of the 'Trinity and the Changing City' Series. Unlike Cork, Waterford and Galway, Dublin is not a ‘healthy city'. Why is this? And what makes a city ‘healthy'? What policies and actions are in place? And how can evidence-based research inform such policies and actions? A panel of distinguished experts discusses these and related issues. Contributors include Anna Davies, Professor of Geography, Environment and Society at Trinity who will speak about findings from her ERC project SHARECITY in relation to physical/mental wellbeing from food sharing; Denise Cahill, Healthy Cities Coordinator Cork City, who will discuss her work in Healthy Cities including work with the Cork Food Policy Council; and Professor Richard Layte, Professor of Sociology at Trinity, who will examine the links between food environment and health. Trinity and the Changing City is organised by the Identities in Transformation research theme, led by Daniel Faas, Department of Sociology, and is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

Unlocking the Archives: A Research Showcase from the Beyond 2022 Project Marking the anniversary of the terrible fire of June 30th, 1922, which destroyed seven centuries of Ireland's historical memory, the Beyond 2022 Project presents "Unlocking the Archives"—a virtual research showcase and panel discussion on the 98th anniversary of the fire (June 30th, 2020). Unlocking the Archives 2: Next Generation Access. The evening will include an introduction of the project by Dr Peter Crooks, Programme Director of Beyond 2022, responding to the project's research is Professor Guy Beiner, Burns Visiting Scholar in Irish Studies at Boston College, and Orlaith McBride, Director of the National Archives of Ireland, will discuss 'recovering the memory' of the Four Courts Blaze, and how archives can respond creatively to the challenge of commemoration within Ireland's Decade of Centenaries. The evening will be chaired by Professor Jane Ohlmeyer, Director of the Trinity Long Room Hub. Join the conversation and come on a journey into the newly-constructed 'virtual search room' within Beyond 2022's Virtual Record Treasury. ​​​​​​​ • Dr Peter Crooks, Programme Director Beyond 2022 • Prof. Guy Beiner is Burns Visiting Scholar in Irish Studies, Boston College; Professor of Historyat Ben-Gurion University of the Negev, Beer Sheva, Israel • Orlaith McBride is Director of the National Archives, having served as Director of the Arts Council for almost a decade Moderator: Professor Jane Ohlmeyer, Director of the Trinity Long Room Hub Arts and Humanities Research Institute. Unlocking the Archives: A Research Showcase from the Beyond 2022 Project is supported by the Trinity Long Room Hub Arts. Beyond 2022 is funded by the Department of Culture, Heritage and the Gaeltacht under Project Ireland 2040.