Podcasts about les nabis

We meet Mary Ramsden to discuss her new solo exhibition Desire Line, opening this week at Pilar Corrias, London.Captivated by the sheer range of ideas and images that a passage of paint can convey, from a tuft of grass to a soaring patch of sky, Ramsden revels in the boundless versatility of her medium. The artist brings a range of references to this new body of work, including English landscape painting, the subtle palette and chromatic intelligence of Les Nabis painters Pierre Bonnard and Édouard Vuillard, and a keen engagement with poetry and literature. Ramsden's title, Desire Line, refers to a phenomenon whereby a path emerges through spontaneous and habitual use, whether in a park, pasture or wilderness.Based in North Yorkshire, many of Ramsden's recent paintings reflect the textures of the local landscape as well as the qualities of northern light. The artist considers paint earthy, modest and infinitely adaptable, with the capacity to conjure atmospheres, images and metaphors, all within a single set of brushstrokes. Dark oxygen (all works 2024) evokes a moonlit landscape, with patches of cool lilacs and silvery blues and greens. Touches of rust and warm colours mark the edges, while the whole painting seems to be embraced by a quivering penumbra. If Dark oxygen has a wintry chill, a sense of abundant, generative life characterises the surface of My desire is not a thinking. In a haze of peachy orange, as if bathed in the light of a sunrise, sections of paint emerge on the canvas like patches of lichen or moss, sedately moving with their own inner force or rhythm. Both paintings express a distilled and unearthly beauty, reminiscent of a mythical landscape conjured by Gustave Moreau, though fractured and emptied of narrative. At the same time, these are meditations on paint itself; each canvas a multivalent space for Ramsden to revel in the ambiguity and potential of her surfaces.Fascinated by how Bertolt Brecht would have his characters change costumes to foreground the drama's illusory nature, Ramsden likewise conceives of different passages of paint as characters that might, with a simple shift of emphasis or the viewer's perspective, become something new. The same section of a painting might evoke a stony field or a pool of dappled light, a cracked patch of ice or a window at night. Another touchstone for the artist is Robert Motherwell, who, like Ramsden, adapted many of his titles from poetry, and considered abstraction a kind of universal language capable of communicating both powerful emotions and complex thoughts.The exhibition will be accompanied by a booklet with an essay by novelist and essayist Daisy Hildyard and a poem by Danielle Wilde.Desire Line runs until 11th January 2025 and is now open at Pilar Corrias, on Savile Row, London. Free entry.Follow @MaryJRamsdenVisit: https://www.pilarcorrias.com/exhibitions/466-mary-ramsden-desire-line/ Hosted on Acast. See acast.com/privacy for more information.

durée : 01:59:53 - Les Matins d'été - par : Quentin Lafay - .

We meet artist Nathanaëlle Herbelin to discuss her major solo show in Paris. A constant visitor to the Musée d'Orsay's collections since childhood, the Franco-Israeli artist Nathanaëlle Herb Elin has been invited to put her canvases and sources of inspiration into perspective. An heiress to the Nabis, the artist brings their favorite subjects – daily life, domestic interiors and intimacy – up to date in resolutely contemporary compositions.The presentation of her work at the Musée d'Orsay is very much in line with one of the focuses of the museum's cultural project, which consists of extending “Orsay's polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d'Orsay's interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. The Spring 2024 temporary exhibition will show how the artist delicately follows the path of the Nabis. Although the artist's subtle brushstrokes, chromatic palette, and preferred motifs may bring to mind Pierre Bonnard, Édouard Vuillard, or Félix Vallotton, other figurative details bring us back to a more contemporary reality: the elements of modern life (cellphones and electronic power cables) that can be seen in her updated genre scenes, and the way she brings present-day issues into these compositions. Hence, the intimacy of the maternal body at her toilette may present the model in the act of depilating, or the whole genre is called into question by the transposition of a male sitter naked in the bathtub; another canvas even presents an intimate scene centered on female pleasure, or a couple depicted in the bedroom are illuminated by the midnight blue light of a portable computer set on the knees of a figure sitting up in bed.Born in Israel in 1989 to a French father and an Israeli mother, Nathanaëlle Herbelin has always been drawn to make work that reflects her position within and between the two cultures. Her works contain subtle hints—both in subject matter and form—as windows into a world imbued with a quiet melancholy. Herbelin encourages the viewer to slow down, as a way of embracing the intimacy involved in viewing art. She has developed a formal style unique within the contemporary tendency towards figurative painting. Certain patterns and colours appear more defined than others in the softened memories that she so delicately captures. Earth tones give the works a quality evocative of a reverie and her loose brushwork recalls post-impressionist techniques. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique.Follow @NathanaelleHerbelin and @MuseeOrsayThanks to @XavierHufkens and @GalerieJousseEnterprise Hosted on Acast. See acast.com/privacy for more information.

Benjamin Lacombe est un illustrateur du détail et de la technique au service de l'émotion. Chacun de ses livres est unique car il trouve des idées techniques tellement originales que certaines sont brevetables. Rares sont les artistes aussi inventifs ! Et c'est ce qui fait toute le richesse de cet épisode ! [1ère diffusion le 5 juin 2019] Nous parlons de L'école des Arts Décoratifs L'école préparatoire des Ateliers de Sèvre L'illustratrice Caroline Attia, reçue dans l'épisode n°7 de ce podcast L'école des Gobelins Les écoles Emile Cohl et Penninghen L'illustrateur Paul Echegoyen, reçu dans l'épisode 19 de ce podcast L'auteur Sébastien Pérez L'illustrateur Marco Mazzoni Le scénariste Yann L'ancienne directrice du Seuil Francoise Mateu L'éditrice Clothilde Vu chez Soleil Le peintre Leonard de Vinci Les primitifs Flamands Le tableau de Benjamin avec sa mère dont on parle Le film Big Fish de Tim Burton Le dessinateur Walt Disney Les dessin animés Akira, Dragon Ball Les peintres Mark Ryden, James Jean Le mangaka Tezuka Le dessinateur Moebius Le courant Pop-surréalisme ou Lowbrow Les illustrateurs Rackham, Dulac, Robinson, Gustave Doré La collection des classiques Albin Michel dirigée par Benjamin Les artistes Eyvind Earle, Gustaf Tenggren du studio Disney L'opéra Carmen de Bizet Le styliste Martin Magella et l'artiste Sophie Calle Le studio Prima Linea Les films Ghost In The Shell, L'étrange Noël de Monsieur Jack Le personnage de Jack Skellington dans l'étrange Noël de Mr Jack  Ses objets culturels préférés L'exposition Drôles de Petites Bêtes d'Antoon Krings aux Arts Décoratifs de Paris L'exposition Les Nabis et le Décor au musée du Luxembourg L'exposition d'Isabelle Hunts à La Haye  Les albums de Benjamin dont nous parlons L'esprit du tempsCerise GriotteLéonard et SalaïLes contes macabresL'herbier des féesLe magicien d'OzCarmenAlice au Pays des Merveilles  Les Super-Héros détestent les artichaudsL'ombre du GolemLa funeste nuit d'Ernest  Où suivre Benjamin Sur Facebook et Instagram A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".

Have you ever heard someone speak and you could feel your brain firing off neurons, making connections and just going wild with excitement? That person is saying something you need to pay attention to. That was my reaction to an artist talk given about 9 years ago by today’s artist. Katerina Lanfranco helped spark my curiosity regarding the connection of nature and art which led me to start this podcast. Gold star for sparking this fire and a reminder that you never know what impact your actions can have on the future! You can check out Katerina’s work currently up at the Nancy Hoffman Gallery and the Sweet Lorraine Gallery in NYC. What is this work all about? Here’s more about her and her work:At the core of my art practice is the act of exploring aspects of nature, science and fantasy. I collect, organize, and recombine images and objects from nature and everyday life. I make art as a way to ask questions about the world that I live in:                      How do I make the invisible visible?          At what point does fantasy become reality?   How is our concept of nature a cultural construct?What can we learn from natural forms, cycles, and rhythms?My work seeks to explore the apparent duality of culture and nature, and the ways in which our understanding of nature informs our own identities. With each of my exhibitions I consider in the aesthetic experience of the viewer, and how the site-specificity of the show will evolve and develop in dialogue to the architectural setting of the space. I reference culture-specific modes of representing nature, such as botanical illustrations, floral fabric patterns, curio cabinets, scientific notes, dioramas, and panoramas. Symbolist and Visionary art traditions along with Romanticism and colorists such as the Fauvists and Les Nabis are great influences on my work. Landscapes, sacred geometry, natural disasters, natural history, biological structures, and genetic engineering are recurring themes. I am also interested in cultural conceptions of progress, systems of knowledge, and the problem of creating meaning in relation to the natural world.My current body of work explores geometry and patterns found in nature combined with portraiture and landscape painting that explores emotions and psychology.Katerina Lanfranco is an NYC-based artist who lives and works in Brooklyn, New York where she makes paintings, drawings, mixed media works, and sculptures. She was born in Hamilton, Ontario, Canada, and spent her early childhood in Berlin, Germany. As a teenager, she lived in Bangalore (Bangaluru), India. Lanfranco earned her BA in Art (Painting) and in Visual Theory and Museum Studies from UC Santa Cruz, and her MFA in Studio Art (Painting) from Hunter College, City University of New York. Her work is in the permanent collections of the Museum of Modern Art, the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin, and the Corning Museum of Glass.She is the recipient of several awards and residencies including Japan-US Creative Exchange Fellowship Artist-in-Residence Award; DNA Artist Residency, Sugar Shack Artist-in-Residence; Vermont Studio Center; Pollock Krasner Fellowship at the Byrdcliffe Artist Residency; Elizabeth Foundation for the Arts Studio Artist in Residence with Flux Factory; Tony Smith Award (Hunter College); Hunter College Exchange Scholarship (UdK Berlin, Germany); William Graft Memorial Fund Travel Grant (to research High Baroque Italian painting). She has been invited as a guest artist and critic to colleges and residency programs in California, New York, Tennessee, and Florida. She writes NYC art reviews for the Art Blog based out of Philadelphia. Her work has been represented by the Nancy Hoffman Gallery since 2006. Lanfranco’s work has been exhibited throughout the United States, and internationally in Toronto, Canada; Berlin, Germany; Milan, Italy; and Kyoto, Japan.  Lanfranco founded Rhombus Space in 2013, and was Chief Curator at Trestle Gallery from 2015 to 2018, where she is on the advisory board for the gallery. Recent shows include solo shows "Mystic Geometry" at the Nancy Hoffman Gallery, "Efflorescence" at the SCPS Gallery at Pratt Manhattan, “Talk to the Moon” at Day & Night Projects in Atlanta, Georgia, and “Shadow Light” at HOUSEGallery in Philadelphia. Her work has been reviewed in ARTnews, ARTinfo, and the New York Times.Links:https://www.instagram.com/katerinalanfranco/https://www.instagram.com/sweetlorrainegallery/https://www.instagram.com/nancyhoffmangallery/https://www.instagram.com/povarts/https://www.katerinalanfranco.com/Thyme in the Studio links:https://www.patreon.com/thymeinthestudiohttps://www.etsy.com/shop/AidaZeaArtshttps://www.instagram.com/thymeinthestudiopodcast/https://www.instagram.com/aida.zea.arts/https://www.facebook.com/groups/403582056803336/www.thymeinthestudio.comhttps://www.aidazea.comContact me: sara@aidazea.comMusic by Aaron Travers!@aa.travers

Professional or 6th Grader? In this podcast: Charles and Amanda Shepard from the Fort Wayne Museum of Art talk about a modern art piece called “Climbing to Calvary” a response to realistic art Maurice Denis, Le Calvaire (Climbing to Calvary) (1889), Musée d'Orsay https://en.wikipedia.org/wiki/Les_Nabis#/media/File:Maurice_Denis,_1889,_Le_Calvaire_(Climbing_to_Calvary),_oil_on_canvas,_41_x_32.5_cm,_Mus%C3%A9e_d'Orsay.jpg https://www.fwmoa.org Previously: https://www.kyleheimann.com/show822 http://kyleheimann.com/art Check this out on YouTube Hear more interviews on Youtube: kyleheimann.com/youtube Subscribe to the (highlights) Podcast: Apple Podcasts | Android Podcast | Other Android Apps | SoundCloud | Stitcher | RSS | Spotify Podcast: www.kyleheimann.com Live: www.redeemerradio.com Email: show@redeemerradio.com follow us on social media: Facebook, Twitter, Instagram, YouTube @KyleHeimannShow Call/Text: Holy Cross College Textline: 260-436-9598 Theme Song: -Custom music written by Shawn Williams (www.musicbyshawnwilliams.com) for The Kyle Heimann Show -Licensed via The Sound Cabin Inc. (www.thesoundcabin.com)

https://www.kyleheimann.com/show860/ ()Professional or 6th Grader? In this podcast: Charles and Amanda Shepard from the Fort Wayne Museum of Art talk about a modern art piece called “Climbing to Calvary” a response to realistic art Maurice Denis, Le Calvaire (Climbing to Calvary) (1889), Musée d’Orsay https://en.wikipedia.org/wiki/Les_Nabis#/media/File:Maurice_Denis,_1889,_Le_Calvaire_(Climbing_to_Calvary),_oil_on_canvas,_41_x_32.5_cm,_Mus%C3%A9e_d'Orsay.jpg (https://en.wikipedia.org/wiki/Les_Nabis#/media/File:Maurice_Denis,_1889,_Le_Calvaire_(Climbing_to_Calvary),_oil_on_canvas,_41_x_32.5_cm,_Mus%C3%A9e_d’Orsay.jpg) https://www.fwmoa.org (https://www.fwmoa.org) Previously: https://www.kyleheimann.com/show822 (https://www.kyleheimann.com/show822) http://kyleheimann.com/art (http://kyleheimann.com/art) Check this out on https://youtu.be/P7D3Vkpen4I (YouTube) Hear more interviews on Youtube: http://www.kyleheimann.com/youtube (kyleheimann.com/youtube) Subscribe to the (highlights) Podcast: http://bit.ly/khsitunes (Apple Podcasts) | http://bit.ly/khsgoogle (Android Podcast) | http://bit.ly/khsandr (Other Android Apps) | http://bit.ly/khssc (SoundCloud) | http://bit.ly/khsstitch (Stitcher) | http://bit.ly/khsrss (RSS) | http://bit.ly/khsspot (Spotify) Podcast: http://www.kyleheimann.com (www.kyleheimann.com) Live: http://www.redeemerradio.com (www.redeemerradio.com) Email: show@redeemerradio.com follow us on social media: https://www.facebook.com/KyleHeimannShow/ (Facebook), https://twitter.com/kyleheimannshow (Twitter), https://www.instagram.com/kyleheimannshow/ (Instagram), http://www.kyleheimann.com/youtube (YouTube) @KyleHeimannShow Call/Text: Holy Cross College Textline: 260-436-9598 Theme Song: -Custom music written by Shawn Williams (http://www.musicbyshawnwilliams.com (www.musicbyshawnwilliams.com)) for The Kyle Heimann Show -Licensed via The Sound Cabin Inc. (http://www.thesoundcabin.com (www.thesoundcabin.com))

Professional or 6th Grader? In this podcast: Charles and Amanda Shepard from the Fort Wayne Museum of Art talk about a modern art piece called “Climbing to Calvary” a response to realistic art Maurice Denis, Le Calvaire (Climbing to Calvary) (1889), Musée d'Orsay https://en.wikipedia.org/wiki/Les_Nabis#/media/File:Maurice_Denis,_1889,_Le_Calvaire_(Climbing_to_Calvary),_oil_on_canvas,_41_x_32.5_cm,_Mus%C3%A9e_d'Orsay.jpg https://www.fwmoa.org Previously: https://www.kyleheimann.com/show822 http://kyleheimann.com/art Check this out on YouTube Hear more interviews on Youtube: kyleheimann.com/youtube Subscribe to the (highlights) Podcast: Apple Podcasts | Android Podcast | Other Android Apps | SoundCloud | Stitcher | RSS | Spotify Podcast: www.kyleheimann.com Live: www.redeemerradio.com Email: show@redeemerradio.com follow us on social media: Facebook, Twitter, Instagram, YouTube @KyleHeimannShow Call/Text: Holy Cross College Textline: 260-436-9598 Theme Song: -Custom music written by Shawn Williams (www.musicbyshawnwilliams.com) for The Kyle Heimann Show -Licensed via The Sound Cabin Inc. (www.thesoundcabin.com)

Au sommaire : L'instantané de la semaine Les chroniqueurs évoquent la photo marquante de la semaine et proposent cinq mots clefs sur le compte Instagram de l'émission. Auteurs étrangers en francophonie Quels sont les auteurs étrangers qui se vendent le mieux et se lisent le plus au sein des différents espaces francophones ? Dans le palmarès, Fred Vargas, Marc Lévy, Joël Dicker ou encore Guillaume Musso se disputent les premières places, mais on trouve également Bret Easton Ellis ou Camilla Läckberg. Les Nabis et le décor « Les Nabis et le décor », la première exposition française consacrée à l'art décoratif et ornemental des Nabis, est visible jusqu'au 30 juin 2019 au Musée du Luxembourg à Paris. Une façon de découvrir ou de redécouvrir ce courant artistique, au sein duquel Bonnard, Vuillard, Sérusier et d'autres ont défendu un art en lien direct avec la vie. Entretien Avec Stéphane Braunschweig, directeur de l'Odéon-Théâtre de l'Europe. L'occasion de faire le point sur la saison passée et la programmation à venir. Les Québécois s'exportent De Céline Dion à Munya, récemment repérée par le magazine branché « Pitchfork », en passant par Charlotte Cardin, les artistes québécois s'exportent bien et leurs disques se vendent dans le monde entier. En raison de leur proximité géographique avec les États-Unis, ont-ils plus de facilités à séduire aussi le monde anglo-saxon ? Invité : Stéphane Braunschweig, metteur en scène français, directeur de l'Odéon-Théâtre de l'Europe. Présentation : Guillaume Durand. Avec la participation de Michel Cerutti (RTS), Sylvestre Defontaine (RTBF), Marie-Christine Trottier (Radio-Canada), Laura Tenoudji (France Télévisions), Denise Époté (TV5MONDE), Estelle Martin (TV5MONDE). Depuis l'Institut du monde arabe.

Par Fabienne Stahl, chargée de la mission valorisation et rayonnement des collections au musée Maurice Denis. Les Nabis ont été profondément imprégnés par la musique. Passionnés par Beethoven, éblouis par l'art de Wagner, ils ont été étroitement liés au monde musical de leur temps, nouant de fécondes amitiés avec des musiciens et compositeurs, tels Ernest Chausson, Claude Debussy ou Claude Terrasse. L'inspiration musicale, sensible de leurs débuts à leur maturité, trouve sa pleine expression dans les décors, dont le plafond de la salle du Théâtre des Champs-Élysées est un des exemples majeurs.

Conférence par Hubert Le Gall, designer, scénographe de l'exposition "Les Nabis et le décor", du 13 mars au 30 juin 2019 A la fin du XIXè siècle, les recherches des Nabis s'inscrivent dans le contexte d'un très grand dynamisme en matière d'art décoratif. Comment Hubert Le Gall, designer contemporain qui a donné le titre d'Éternel printemps à une récente exposition de son travail d'après un célèbre ensemble de Maurice Denis, perçoit-il ces œuvres ?

Découvrez la première exposition consacrée aux décors nabis avec celle qui l'a conçue et apprenez-en plus sur ces œuvres qui abolissent la frontière entre arts décoratifs et Beaux-arts, ainsi que sur la façon dont des ensembles souvent dispersés ont pu être rassemblés le temps de l'exposition.

Expo : «Les Nabis et le décor» au musée du Luxembourg, Paris, du 13 mars au 30 juin 2019.

Les Nabis experimented with bold colouring and abstraction, taking inspiration from Paul Gauguin. They included Paul Sérusier, Maurice Denis, Pierre Bonnard, Aristide Maillol and Edouard Vuillard.