Podcasts about museum studies

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode covers some innovative theater happening in Maine, including presenting and teaching Financial Literacy through the circus; Gilbert and Sullivan Operettas, updated; and a new youth theater program Downeast at the Milbridge Theatre and Community Arts Center. Guest/s: Lisa Leaverton, Chief Collaborator, Circus of Finance – inquirewithinproductions@gmail.com Deirdre McArdle and Deiran Manning – winterharbormusicfestival.org gilbertsullivanmaine.org Kimberly Laine, Executive Director, Milbridge Theatre and Community Arts Center – milbridgetheatre.org kimberly@milbridgetheatre.org About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 2/19/26: Maine Theater Initiatives first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. The episode covers Maine photographers past and present. Listeners will learn about wildlife photography, train photography, and historic pictures. Guest/s: Chris L’Abbe, Wildlife photographer @wildlife_by_chris Joey Kelley, Train photographer www.joeykelleyphoto.com/ Kevin Johnson, Photo Archivist, Penobscot Marine Museum penobscotmarinemuseum.org/ About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 1/15/26: Maine Photographers first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. Listeners will learn about Mainers who use their crafting skills to do good in their communities. Guest/s: Rosa Moore, Executive Director and Jackie Perkins, Arts and Activities Director, HOME Inc. homeemmaususa.org Heidi O’Donnell, Art Teacher at Belfast Area High School, rsu71 hodonnell@rsu71.org Sara Brand-New sbrandnew@gmail.com Jillian Liversidge jillianliver@gmail.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 12/18/25: Crafting for Good first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

A new youth subculture emerged in the Soviet Union in the late 1940s and early 1950s–the Stiliagi. Roughly translated as “the stylish,” these youths, the majority of whom were men, wore flashy hairstyles and bright colored clothes, danced to jazz, and were obsessed with Western aesthetics. And of course, this style broke Soviet conventions, challenged social norms, and expanded gender performance. Though the exact origin of the Stiliagi is murky, it arose alongside other Western youth subcultures–the beatniks, the mods, the rockers–of the immediate post-WWII libertinism. The Stiliagi put the Soviet Union squarely within the history of a more globalized youth culture. But, what did it mean to be a “stiliagi”? Who were they? How did the style offer alternative forms of Soviet masculinity? How did the Soviet authorities react to these youths? And how did this subculture differ from its Western counterparts? The Eurasian Knot spoke to Alla Myzelev about her new book on the subculture, Stiliagi and Soviet Masculinities, 1945–2010: Fashion as Dissent, to get some answers.Guest:Alla Myzelev is a Professor and Chair of the Department of Art History and Museum Studies at SUNY Geneseo. She is currently editing a book titled Challenging Imperial Narratives Through Visual Art and Material Culture in Eastern Europe and Central Asia. Her new book, Stiliagi and Soviet Masculinities, 1945–2010: Fashion as Dissent, is published by Manchester University Press. Hosted on Acast. See acast.com/privacy for more information.

The Author Events Series presents Russell Shorto and Molly Beer  | Angelica & Taking Manhattan In Conversation with Michelle Craig McDonald In this enthralling and revealing woman's-eye view of a revolutionary era, Molly Beer breathes vibrant new life into a period usually dominated by masculine themes and often dulled by familiarity. In telling Angelica's story, she illuminates how American women have always plied influence and networks for political ends, including the making of a new nation. Taking Manhattan tells the riveting story of the birth of New York City as a center of capitalism and pluralism, a foundation from which America would rise. It also shows how the paradox of New York's origins--boundless opportunity coupled with subjugation and displacement--reflects America's promise and failure to this day. Russell Shorto, whose work has been described as "astonishing" (New York Times) and "literary alchemy" (Chicago Tribune), has once again mined archival sources to offer a vibrant tale and a fresh and trenchant argument about American beginnings. Raised in Angelica Schuyler Church's namesake town of Angelica, New York, Molly Beer is an award-winning author of essays, longform journalism, and oral history. She teaches nonfiction writing at the University of Michigan in Ann Arbor. Russell Shorto, author of the bestsellers Smalltime, Revolution Song, Amsterdam, and The Island at the Center of the World, is the director of the New Amsterdam Project at the New York Historical. He lives in Maryland. Michelle Craig McDonald is the Director of the Library & Museum at the American Philosophical Society, and has worked for nearly three decades as an educator and administrator. She earned her Ph.D. in History from the University of Michigan where she focused on business relationships and consumer behavior between North America and the Caribbean during the 18th and 19th centuries. She also holds an M.A. in Liberal Arts from St. John's College, Annapolis, an M.A. in Museum Studies from George Washington University, and a B.A. in History from the University of California, Los Angeles, and was the Harvard-Newcomen Postdoctoral Fellow in Business History at the Harvard Business School. McDonald is the author of Coffee Nation: How One Commodity Transformed the Early United States (UPenn Press, 2025), and co-author of Public Drinking in the Early Modern World: Voices from the Tavern (Pickering & Chatto/Routledge Press, 2011), and her research has been supported by the Fulbright Foundation, the National Endowment for the Humanities, the McNeil Center for Early American Studies, the Library Company of Philadelphia, and the Winterthur Library and Museum. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! After the program, attendees will be invited to continue the countdown to the 250th anniversary of the American Declaration of Independence in 2026 and meet Philadelphia's Revolutionary City Project partners, including colleagues from the American Philosophical Society and the Museum of the American Revolution. All tickets are non-refundable. (recorded 9/4/2025)

Paola Dubini, Christian Greco"La cultura è di tutti"Editore Egeawww.editoreegea.itAffermare che «la cultura è di tutti» può suonare demagogico o ambiguo. Significa forse che la cultura deve farsi prodotto da consumare in un eterno presente, dimenticando la dimensione di racconto che ci riconnette al passato? E poi qual è il confine fra «di tutti» e «di nessuno»? Se sulla carta, a partire dall'art. 9 della Costituzione, la cultura è di tutti, le statistiche dimostrano che nei fatti resta invece nella testa, nel cuore e nel portafoglio di pochi. Nelle pagine di questo dialogo, gli autori – diversi per formazione, età, genere e percorso professionale, ma uniti da una comune sensibilità – provano a dare significato alla provocazione che dà titolo al libro, intrecciando riflessioni che toccano, tra l'altro, la rilevanza della cultura materiale in un'epoca sempre più digitale, il rapporto tra discipline in apparenza lontane ma che proprio insieme sviluppano conoscenza, l'importanza di coinvolgere la comunità in un'ottica di inclusione e accessibilità – fisica, intellettuale ed economica – di un patrimonio che deve essere vissuto come di tutti noi.Christian Greco, egittologo, co-direttore della missione archeologica italo-olandese a Saqqara, dal 2014 è Direttore del Museo Egizio di Torino. È docente di Museum Studies in diversi atenei italiani e stranieri.Paola Dubini, professoressa di Management all'Università Bocconi di Milano, è presidente della Fondazione Alessandro Volta di Como, vicepresidente del Museo della Scienza e della Tecnologia Leonardo da Vinci di Milano, consigliera della Fondazione Arnoldo e Alberto Mondadori, di Fondazione ISEC (Istituto per la Storia dell'Età Contemporanea), di Fondazione Culturale San Fedele e di Palazzo Ducale di Mantova, e coordinatrice del gruppo trasversale ASviS «Cultura per lo sviluppo sostenibile».Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

This week, scholar Thomas A. Tweed discusses his new book Religion in the Lands that Became America. A sweeping retelling of American religious history, Tweed shows how religion has enhanced and hindered human flourishing from the Ice Age to the Information Age. Tweed is joined by fellow Indigenous Studies professor John N. Low. This conversation originally took place November 10, 2025 and was recorded live at the American Writers Museum. AWM PODCAST NETWORK HUB This episode is presented in conjunction with the American Writers Museum's new special exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets is now open. More about Religion in the Lands that Became America: Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, he highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. About the speakers: THOMAS A. TWEED is the Harold and Martha Welch Professor of American Studies and professor of history at the University of Notre Dame. A past president of the American Academy of Religion, he is editor of Retelling U.S. Religious History and author of Crossing and Dwelling: A Theory of Religion and Religion: A Very Short Introduction. JOHN N. LOW received his Ph.D. in American Culture at the University of Michigan, and is an enrolled citizen of the Pokagon Band of Potawatomi Indians. He is also the recipient of a graduate certificate in Museum Studies and a Juris Doctorate from the University of Michigan. He earned a BA from Michigan State University, a second BA in American Indian Studies from the University of Minnesota, and an MA in Social Sciences from the University of Chicago. Professor Low previously served as Executive Director of the Mitchell Museum of the American Indian in Evanston, Illinois, and served as a member of the Advisory Committee for the Indians of the Midwest Project at the D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library, and the State of Ohio Cemetery Law Task Force. He has presented frequently at conferences including the Native American and Indigenous Studies Association (NAISA)), American Society for Ethnohistory (ASE) and the Organization of American Historians (OAH). He continues to serve as a member of his tribes' Traditions & Repatriation Committee.

Naomi J. Kendall is an artist based in Somerset in the UK. She completed a Foundation Course at Cheltenham School of Art, pursued a degree in Art History at Leicester University and received a postgraduate diploma at Manchester University in Gallery and Museum Studies. After a career working in galleries and running community arts projects, she returned to making her own work. In 2022 she was the Evolver Magazine Prize winner, she's a member of the Paper Artist Collective and is featured as a master artisan in the Michelangelo Foundation's Homo Faber Guide. In 2024, she was accepted as a member of the Royal West of England Artist Network.

In this episode, host Susannah Lyon-Whaley interviews Lorinda Cramer on her research on Queen Charlotte. In this episode they discuss Queen Charlotte's relationship with Britain's global empire, and the queen's deep interest in the flora and fauna of the colonies. For more on Queen Charlotte, see our earlier interview with Natalee Garrett on her biography of this queen in our series.Bio:Dr Lorinda Cramer is a lecturer in Cultural Heritage and Museum Studies at Deakin University, Australia. She first explored specimen collections taken by Joseph Banks from Australia in her museum work more than a decade ago. She returned to these specimens as a research fellow in the Gender and Women's History Research Centre at the Australian Catholic University while working on the Australian Research Council Discovery Project ‘A History of Early Modern Natural Resource Management', led by Professor Susan Broomhall.Featured Publication: Cramer, Lorinda. ‘Queen Charlotte and the Colonies: Queenly Agency in Collecting Australia's Flora and Fauna.' In Queens, Queenship, and Natural Resource Management in Premodern Europe, 1400-1800, edited by Susan Broomhall and Clare Davidson, 313-334. London: Routledge, 2025.

Giuseppe Castellano talks to Amanda Burdan, Senior Curator at The Brandywine Museum of Art, about N.C. Wyeth's early life; what led to the restoration and permanent exhibition of Wyeth's The Apotheosis of the Family; what today's illustrators can do for tomorrow's curators; and more.To learn more about the Brandywine, visit brandywine.org. For tours and the mural experience, visit brandywine.org/mural.Artists mentioned in this episode include: Howard Pyle, Jamie Wyeth, Norman Rockwell, J.C. Leyendecker, Stanley Arthurs, Harvey Dunn, Clifford Ashley, Violet Oakley, Thomas Hart Benton, George Bellows, Marsden HartleyPhotograph credit: N.C. Wyeth in Chadds Ford studio with central panel of Apotheosis mural, undated. Photograph by Earl C. Roper, Philadelphia, PA. E. Coe Kerr Collection, Walter & Leonore Annenberg Research Center, Brandywine Museum of Art. Gift of Betsy Wyeth, 2004.  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Have you ever noticed how conversations about the American Revolution often center on great battles, founding documents, and famous statesmen? What if, instead, we explored that world through the eyes—and the hands—of everyday people who shaped it through art? Zara Anishanslin, Associate Professor of History and Art History at the University of Delaware and Director of its Museum Studies and Public Engagement Program, joins us to uncover the hidden world of artists, artisans, and makers who painted, stitched, and crafted the Revolution into being. Drawing from her book The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution, Zara helps us see how creativity and craftsmanship tell a fuller—and more human—story of America's founding.Zara's Website | Book |Show Notes: https://www.benfranklinsworld.com/423  EPISODE OUTLINE 00:00:00  Introduction 00:41.79  Welcome & Episode Overview 00:02:59  Meet Our Guest 00:07:11  The Transatlantic Network of Revolutionary Artists 00:11:28  Why Revolutionary Artwork Didn't Survive 00:14:13  Prince Demah & His Mother Daphny 00:21:21  How Art Patronage Worked in the 18th Century 00:24:01  Finding Prince Demah a Teacher in London 00:27:40  Life as a Black Artist in London 00:41:22  Prince Demah's Life in Revolutionary Boston 00:49:24  Robert Edge Pine: The English Artist Who Supported America 00:59:24  How Revolutionary Art Differs from Later Commemorative Art 01:04:55  What Artists Reveal About the Revolution 01:07:29  Closing Thoughts & Resources RECOMMENDED NEXT EPISODES

Have you ever noticed how conversations about the American Revolution often center on great battles, founding documents, and famous statesmen? What if, instead, we explored that world through the eyes—and the hands—of everyday people who shaped it through art? Zara Anishanslin, Associate Professor of History and Art History at the University of Delaware and Director of its Museum Studies and Public Engagement Program, joins us to uncover the hidden world of artists, artisans, and makers who painted, stitched, and crafted the Revolution into being. Drawing from her book The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution, Zara helps us see how creativity and craftsmanship tell a fuller—and more human—story of America's founding. Zara's Website | Book | Show Notes: https://www.benfranklinsworld.com/423 EPISODE OUTLINE 00:00:00 Introduction 00:41.79 Welcome & Episode Overview 00:02:59 Meet Our Guest 00:07:11 The Transatlantic Network of Revolutionary Artists 00:11:28 Why Revolutionary Artwork Didn't Survive 00:14:13 Prince Demah & His Mother Daphny 00:21:21 How Art Patronage Worked in the 18th Century 00:24:01 Finding Prince Demah a Teacher in London 00:27:40 Life as a Black Artist in London 00:41:22 Prince Demah's Life in Revolutionary Boston 00:49:24 Robert Edge Pine: The English Artist Who Supported America 00:59:24 How Revolutionary Art Differs from Later Commemorative Art 01:04:55 What Artists Reveal About the Revolution 01:07:29 Closing Thoughts & Resources RECOMMENDED NEXT EPISODES

After being part of two panel episodes (Heritage Voices Episode 79: The Intensive NAGPRA Summer Training and Education Program (INSTEP) and Episode 92: The 2024 Updated NAGPRA Regulations, Jessica finally got to sit down with Chance Ward (NAGPRA Collections Specialist at History Colorado; enrolled citizen and tribal member of the Cheyenne River Sioux Tribe) for a one on one episode. During this episode we talk about how Chance first heard about anthropology during his time at Fort Lewis College, his time doing CRM work, and why he chose to switch to Museum Studies. We talked about a couple of projects that are near to his heart, including a workbook for Indigenous young people on CRM, how it affects Tribes, and why it is important to be involved and a couple of papers on the ethical treatment of animal remains. Lastly we talked about his approach in his current position and his advice for how other museum professionals can better work with Tribal Nations.LinksHeritage Voices on the APNToward Legal, Ethical, and Culturally Informed Care of Animal Remains in American Museum Collections | Advances in Archaeological Practice | Cambridge CoreHorse nations: After the Spanish conquest, horses transformed Native American tribes much earlier than historians thoughtEarly dispersal of domestic horses into the Great Plains and northern RockiesWhat is a Rebuilder? - Native Governance CenterHistory Colorado WebsiteLost HighwaysChance Ward's LinkedIn PageContactJessicaJessica@livingheritageanthropology.org@livingheritageAArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public StoreAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After being part of two panel episodes (Heritage Voices Episode 79: The Intensive NAGPRA Summer Training and Education Program (INSTEP) and Episode 92: The 2024 Updated NAGPRA Regulations, Jessica finally got to sit down with Chance Ward (NAGPRA Collections Specialist at History Colorado; enrolled citizen and tribal member of the Cheyenne River Sioux Tribe) for a one on one episode. During this episode we talk about how Chance first heard about anthropology during his time at Fort Lewis College, his time doing CRM work, and why he chose to switch to Museum Studies. We talked about a couple of projects that are near to his heart, including a workbook for Indigenous young people on CRM, how it affects Tribes, and why it is important to be involved and a couple of papers on the ethical treatment of animal remains. Lastly we talked about his approach in his current position and his advice for how other museum professionals can better work with Tribal Nations.LinksHeritage Voices on the APNToward Legal, Ethical, and Culturally Informed Care of Animal Remains in American Museum Collections | Advances in Archaeological Practice | Cambridge CoreHorse nations: After the Spanish conquest, horses transformed Native American tribes much earlier than historians thoughtEarly dispersal of domestic horses into the Great Plains and northern RockiesWhat is a Rebuilder? - Native Governance CenterHistory Colorado WebsiteLost HighwaysChance Ward's LinkedIn PageContactJessicaJessica@livingheritageanthropology.org@livingheritageAArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public StoreAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Noelle MKY Kahanu is a bridge builder across art, policy and social justice through her work as a museum curator, legal scholar, Hawaiian rights activist, and teacher. She is a University of Hawaiʻi Specialist and Interim Director for Museum Studies Graduate Certificate Program, having worked for fifteen years previously as a curator and program lead for the Bishop Museum. Noelle tells us of traversing the many worlds of art and activism, beginning in her youth with close family and friends who were involved in class struggles. In his interview, Noelle speaks to a lifetime of "heart work" that combines deep empathy, fortitude and analytical skills–from repatriating Hawaiian human remains to ethnographic and contemporary art exhibitions around radical renewal and healing among often overlooked communities.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode introduces us to ways to find a creative community in Maine. Guest/s: Kelley Barrett, Owner of Verona Wine and Bistro, Bucksport Maine veronawinebistro@gmail.com Amber Mazza, Owner of Gealach Fola Acres and Midcoast Fiber Artists in Searsport. Theresa Johnston, Owner of The Crafty Grimalkin in Bangor www.craftygrimalkin.com Anna Fleming, Teen Librarian of The Bangor Public Library www.bangorpubliclibrary.org About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 9/18/25: Finding your Creative Community first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Gaynell Brady, CIG, is the Owner/Educator at Our Mammy's. In her role, she develops and implements programs that teach participants about Louisiana African American genealogy and history, using her own family tree. Gaynell holds a Bachelor of Arts in History and a Master of Arts in Museum Studies from Southern University at New Orleans. She joins NAI's Song Stott and Paul Caputo to discuss her personal connection to Hurricane Katrina.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode considers great places to hear music in Maine-that you may not know existed! Guest/s: Paula Kee, Director of Wednesdays on Maine in Bucksport, bucksportwom@gmail.com Alan Wittenberg, Director of the Surry Barn info@surryartsandevents.com Joerg-Henner Lotse, Director of Eagle Hill Institute joerg@eaglehill.us Lisa Tapley, Town Clerk of Orland Maine lisatapley199516@gmail.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 8/21/25: Hidden Gems of Performance Venues first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

We're thrilled to introduce Ren Lee (they/she) as the new Executive Director of The Sanctuary for Independent Media! They are a Troy community member, a community organizer, and a self-proclaimed nerd. Ren comes to us with nearly a decade of nonprofit management experience and with a Master's degree in Museum Studies. Ren spoke with Sina Basila Hickey for Hudson Mohawk Magazine

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode highlights three musical instrument makers and restorers in Maine-what they do and how they do it. Guest/s: Nathan Slobodkin, Slobodkin Violins, Bangor. www.slobodkinviolins.com Leslie Ross, Leslie Ross Bassoons, leslieross.net David and Nick Wallace, Wallace Organ Company, wallacepipeorgans.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 7/17/25: Musical Instrument Makers in Maine first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Funom Samson Kas is a Principle archaeologist at the Institute of Archaeology and Museum Studies, Jos, Nigeria. In this episode we discuss archaeology in Nigeria and the way in which the past relates to the present and what meaning people gain from the past.TranscriptsFor rough transcripts of this episode go to https://www.archpodnet.com/anarchaeologist/24ContactTwitter: @AnarchaeologistDiscord: ArchaeoWavePit and Pod Blogtristan@archaeologypodcastnetwork.comArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliatesMotion

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily features an in-depth conversation with mixed media artist Demetri Broxton whose work is showcased in several prestigious museums and exhibitions in San Francisco. The discussion delves into Demetri's artistic themes, including his use of beads, the influence of his family history, and specific works like 'Save Me, Joe Lewis' and textiles depicting Black whalers for the 'Black Gold: Stories Untold' exhibit. Demetri also shares his background, how he became involved with Root Division, and answers questions about his artistic journey and influences.About Artist Demetri Broxton:Demetri Broxton is a Bay Area artist, independent curator, and the Executive Director of Root Division in San Francisco. Born and raised in Oakland, CA, he earned a BFA at UC Berkeley with an emphasis in painting and an MA in Museum Studies from San Francisco State University. His artwork has been exhibited internationally and most recently at the Chinese Historical Society of America, Art Gallery of Alberta, de Young Museum, Crocker Art Museum, Kala Art Institute, and the Norton Museum of Art. Broxton's artwork is held in several private and public collections including the Monterey Art Museum, de Young Museum, and Crocker Art Museum. He is represented by Patricia Sweetow Gallery in Los Angeles, CA.  Visit Demetri's Website:  DemetriBroxton.comFollow Demetri on Instagram:  @DBroxtonStudioFor more about the exhibit Black Gold - Stories Untold, CLICK HERE. For more about Demetri Broxton at The Guardhouse, CLICK HERE.--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. We learn about the Maine Fibershed, a soil to soil initiative for fiber farming and crafting. Guest/s: Pat Harpell, co-founder of Maine Fibershed. mainefibershed@gmail.com Sofina Paz, owner of Ebb and Flow ebbandflowmaine@gmail.com Stephanie Grant, Board member, Maine Fibershed mainefibershed@gmail.com Janet Beardsley, Owner Catawampus Farm and Board member, Maine Fibershed catawampusfarm.com/contact-us/ Amber Mazza, co-owner Gealach Fola Acres 207-323-2240 Sarah Ann Smith, Quilter sarah@sarahannsmith.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 6/19/25: Maine Fibershed first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Giuseppe Castellano talks to Terry Brown, former director of The Society of Illustrators, about his time at the Society; what's behind the Society's disparity between men and women award-winners; how life is made up of many different but connected chapters; and more.Learn more about The Society of Illustrators by visiting societyillustrators.org.Artists mentioned in this episode include: Bob Peak, Norman Rockwell, Charles Dana Gibson, Steve Brodner, Anita Kunz, Yuko Shimizu, Bernie Fuchs, Al Hirschfeld, Robert Weaver, Murray Tinkelman, Joe Ciardiello, Mark English, Roger Kastel, Diane Dillon, Violet Oakley, Jessie Willcox Smith, Elizabeth Shippen Green, Florence Scovel Shinn, May Wilson Preston, E. Simms Campbell, Reynold Ruffins, and Rube Goldberg If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. In this episode we explore “Maine Made” book publishing and marketing. Guest/s: Michelle Shores, www.mshoreswriter.com Suzanne DeFillips, bucksporttradingpost.com, 407-462-5618 Kate Corwin, Bookstacks Book Store, 207-469-8992 bucksportbookseller@gmail.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 5/15/25: Maine Made Books first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

In a new exhibit, York College students are breathing life back into one of York’s long-silent landmarks: Zion Lutheran Church. The church, which has been vacant for more than 30 years, is the centerpiece of a student-led public history project that uncovers not only its architectural grandeur but its deep-rooted legacy of community outreach, social justice, and cultural connection. The project is the product of a collaboration between York College's Museum Studies course and the York County Economic Alliance (YCEA). For Associate Professor Dr. Jacqueline Beatty, who teaches the course, the exhibit represents the kind of hands-on, community-engaged work that transforms student learning.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Welcome back to City Road. In this episode, we reflect on 2024's Festival of 'Public' Urbanism and its panel discussion on how the public life of great cities takes place in our cultural buildings and civic spaces – from libraries to museums, town halls, streets, parks and playgrounds. This special Denis Winston memorial lecture, delivered by Dr Caroline Butler-Bowdon, State Librarian and award-winning author and curator, celebrates our crucial public infrastructure as the cornerstone of public and democratic life. The keynote address is followed by an eminent panel conversation between Dr Rob Stokes, former Minister for Planning and Public Spaces, and Professor Jennifer Barrett, Professor in Museum Studies and Pro-Vice Chancellor Indigenous at the University of Sydney. The annual Festival of Urbanism is brought to you by the Henry Halloran Research Trust with the assistance of the University of Sydney School of Architecture Design and Planning. Thanks for listening. See you next time on City Road. Host: Bill Code Editor: Mikayla McGuirk-Scolaro

In this special episode, historian Corinne Fowler joins EMPIRE LINES live with visual artist and researcher Ingrid Pollard, linking rural British landscapes, buildings, and houses, to global histories of transatlantic slavery, through their book, Our Island Stories: Country Walks Through Colonial Britain (2024).Though integral to national identity in Britain, the countryside is rarely seen as having anything to do with British colonialism. In Our Island Stories, historian Corinne Fowler brings together rural life and colonial rule, through ten country walks with various companions. These journeys combine local and global history, connecting the Cotswolds to Calcutta, Dolgellau to Virginia, and Grasmere to Canton. They also highlight how the British Empire transformed rural lives, whether in Welsh sheep farms or Cornish copper mines, presenting both opportunity and exploitation.Corinne explains how the booming profits of overseas colonial activities directly contributed to enclosure, land clearances, and dispossession in England. They highlight how these histories, usually considered separately, persist in the lives of their descendants and our landscapes today. We explore the two-way flows of colonial plant cultures, as evident in WIlliam Wordsworth's 19th century poems about daffodils, as contemporary works of literature by Chinua Achebe and Grace Nichols.Contemporary artist - and walking companion - Ingrid Pollard shares their research into ferns, seeds, and magic, across Northumberland, the Lake District, and South West England, Ingrid details histories of lacemaking in Devon and Cornwall, and we explore representations of ‘African' and Caribbean flowers in art. Bringing together Ingrid and Corinne's works, installed at the exhibition, Invasion Ecology, at Southcombe Barn on Dartmoor, we also explore their previous collaborations including the project, Colonial Countryside: National Trust Houses Reimagined. Plus, Corinne questions ‘cancel culture' in the British media and academia, drawing on their experiences as Professor of Colonialism and Heritage in Museum Studies at the University of Leicester.Our Island Stories: Country Walks Through Colonial Britain by Corinne Fowler is published by Penguin, and available in all good bookshops and online. You can pre-order the paperback, released on 1 May 2025. This episode was recorded live as part of the programme for Invasion Ecology, co-curated by Jelena Sofronijevic for Radical Ecology, and Vashti Cassinelli at Southcombe Barn, an arts space and gardens on Dartmoor. The central group exhibition, featuring Ingrid Pollard, Iman Datoo, Hanna Tuulikki, Ashish Ghadiali, Fern Leigh Albert, and Ashanti Hare, ran from 1 June to 10 August 2024.The wider programme featured anti-colonial talks and workshops with exhibiting artists, writers, researchers, and gardeners, reimagining more empathic connections between humans, plants, animals, and landscapes. For more information, follow ⁠⁠⁠⁠⁠Radical Ecology⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Southcombe Barn⁠⁠⁠⁠⁠ on social media, and visit: ⁠⁠⁠⁠radicalecology.earth/events/invasion-ecology-exhibition⁠⁠⁠⁠.Watch the full video conversation online, via Radical Ecology: https://vimeo.com/995929731And find all the links in the first Instagram post: https://www.instagram.com/p/C8cyHX2I28You can also listen to the ⁠⁠⁠⁠⁠EMPIRE LINES x Invasion Ecology Spotify playlist⁠⁠⁠⁠⁠, for episodes with Paul Gilroy, Lubaina Himid, Johny Pitts, and Imani Jacqueline Brown, plus partners from the University of Exeter, KARST, CAST, and the Eden Project in Cornwall.PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This months show is about Maple sugaring-how it’s done, rules and regulations, and some backyard sugaring tips and tricks. You will also learn about what it means to be the Poet Laureate of Maine. Guest/s: Jason Lilley, Maple Industry Educator of the University of Maine Extension Division, jason.lilley@maine.edu Ron Russell, Retired Maine Representative Julia Bouwsma, Poet Laureate of the State of Maine, julia.r.bouwsma@gmail.com. www.juliabouwsma.com FMI: Home About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 4/17/25: Maple Sugaring in Maine first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram:  @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Growing up in the Washington, D.C area with two parents working for the Federal government, it's not surprising that Katie was raised to love history and eventually work in the Federal Government and the rich museum culture her city is famous for.  How does her love of music and theater lead her down this path?  Listen to hear about how Katie has woven together her multiple interests and experiences to form her career path, and like many of us, it's still a Path in Progress!  

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman.   A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy.   Guest/s: From Bangor Maker Space: Eric Lovejoy, Director Justin Hughes, President Brandon Lieberthal, Director From Waterfall Arts: Katherine Devereux, Marketing ManagerFrom IMRC Center: Drew Hooke, Operations Manager FMI: Bangormakerspace.org Waterfallarts.org imrccenter.umaine.edu About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 3/20/25 first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Giuseppe Castellano talks to Arabelle Liepold, Executive Director of The Society of Illustrators, about the past, present, and future of the Society; why illustrators should consider becoming members; what the Society can be for… society; and more.To learn more about the Society, visit societyillustrators.org.Artists mentioned in this episode include: Norman Rockwell, Dean Cornwell, Charles Dana Gibson, Liza Donnelly, Edel Rodriguez, and Steve Brodner If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

Episode Topic: New Light on the Victor Emmanuel II Monument (https://go.nd.edu/c924ee)The Vittoriano Monument, honoring Victor Emmanuel II, stands as a pivotal piece in the evolution of Roman architecture during the late 19th and early 20th centuries. Please join the School of Architecture as Paolo Coen provides a deeper understanding of its role in shaping modern Rome and their urban landscape.Featured Speaker:Paolo Coen, Ph.D., Professor of Art History and Museum Studies at the University of TeramoRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/e879f6This podcast is a part of the ThinkND Series titled Restoring Reason, Beauty, and Trust in Architecture. (https://go.nd.edu/0133ae)Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Giuseppe Castellano talks to the folks behind The Edward Gorey House (as well as other Gorey fanatics and aficionados) about the life, work, and house of Edward Gorey.The first half of this episode was recorded at Gorey's 100th birthday gala, which was held at The Mansion at Ocean Edge in Brewster, Massachusetts. Special thanks go to The Edward Gorey House's director and curator, and assistant director and curator, Gregory Hischak and Coco Raymond.To learn more about The Edward Gorey House, visit edwardgoreyhouse.org.Photograph by Richard Avedon / © The Richard Avedon Foundation  If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

Join guest host Samantha Marinko of The Boulos Company on the Boulos Beat as she interviews Melissa Martens Yaverbaum, Executive Director of Portland Ballet. Melissa shares ways the arts have shaped her life in unexpected ways, given her experiences with different museums, libraries, and cultural organizations. In this episode, Melissa also underscores Portland Ballet's work to engage new communities, build partnerships, and to make ballet approachable to all in Maine. Additionally, Sam and Melissa discuss Portland Ballet's upcoming performances, including "New Works" and "Sleeping Beauty." 

Tad Stoermer is a public history lecturer in the Cultural Heritage and Museum Studies program at Johns Hopkins University. He is also the Film and Digital Media Editor of The Public Historian. He caught my eye on Instagram with a 9-plus minute diatribe insisting we're not "approaching" a Constitutional crisis; we're already in one and have been for awhile. Can it be fixed? Is there hope in midterms or even in an upcoming special House race? Who's the demagogue to rally behind for the left - or do we need one at all? Lots to cover., and we did; take a listen.

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

China's Heritage through History employs a longue durée approach to examine China's heritage through history. From Imperial to contemporary China, it explores the role of practices and material forms of the past in shaping social transformation through knowledge production and transmission. The art of collecting, reproducing, and reinterpreting the past has been an enduring force shaping cultural identity and political legitimacy in China. Offering a unique, non-Western perspective on the history of heritage in China, Zhu considers who the key players have been in these ongoing processes of reconfigured pasts, what methods they have employed, and how these practices have shaped society at large. The book tackles these questions by delving into the transformation of practices related to heritage through examples such as the book collection at Tianyi Private Library, the reproduction of the Orchid Pavilion Preface calligraphy and its associated sites, and the dynamics of exchange within the Liulichang antique market. Zhu reveals how these practices, once reserved for elites, have become accessible to the broader public. These processes of transformation, embodied in various forms of reconfigured pasts, have given rise to modern approaches to preservation, digitisation, museums, and the burgeoning heritage tourism industry. China's Heritage through History will be an invaluable resource for academics, students, and practitioners working in the fields of heritage, museum studies, and art history. Yujie Zhu is an associate professor at the Centre for Heritage and Museum Studies at the Australian National University in Australia. He obtained his PhD in anthropology from Heidelberg University, Germany. His research focuses on the cultural politics of the past within diverse heritage and memory spaces. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

China's Heritage through History employs a longue durée approach to examine China's heritage through history. From Imperial to contemporary China, it explores the role of practices and material forms of the past in shaping social transformation through knowledge production and transmission. The art of collecting, reproducing, and reinterpreting the past has been an enduring force shaping cultural identity and political legitimacy in China. Offering a unique, non-Western perspective on the history of heritage in China, Zhu considers who the key players have been in these ongoing processes of reconfigured pasts, what methods they have employed, and how these practices have shaped society at large. The book tackles these questions by delving into the transformation of practices related to heritage through examples such as the book collection at Tianyi Private Library, the reproduction of the Orchid Pavilion Preface calligraphy and its associated sites, and the dynamics of exchange within the Liulichang antique market. Zhu reveals how these practices, once reserved for elites, have become accessible to the broader public. These processes of transformation, embodied in various forms of reconfigured pasts, have given rise to modern approaches to preservation, digitisation, museums, and the burgeoning heritage tourism industry. China's Heritage through History will be an invaluable resource for academics, students, and practitioners working in the fields of heritage, museum studies, and art history. Yujie Zhu is an associate professor at the Centre for Heritage and Museum Studies at the Australian National University in Australia. He obtained his PhD in anthropology from Heidelberg University, Germany. His research focuses on the cultural politics of the past within diverse heritage and memory spaces. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Lawyer Stories Podcast Episode 214 features Cynthia Runge, founder and owner of Peridot Family Law LLC in Boston, Massachusetts (also admitted in New York.) We discuss Cynthia's interest in pursuing a law degree, completing her undergrad in Boston and law school in California.  About ten years after receiving her JD, Cynthia's interest in the arts led her to receiving a certificate in Museum Studies.  Now, Cynthia has a focus on family law, collaborative law, divorce mediation and care and protection matters. Cynthia's background also includes experience in landlord/tenant and real estate law in addition to intellectual property matters for artists and non-profits. For more information, you can check out Cynthia's website at www.peridotfamilylaw.com.

Did you know that Missouri is tied for 1st place (alongside Tennessee) as the state that borders the most states in the United States? For the second half of Season 7, Our Missouri heads out to the state line to talk with our neighbors about their history, culture, and historical organizations.  To open the State History series, Sarah Bell, Director of the Kansas Museum of History, joins host Sean Rost to discuss the Sunflower State. Episode Image: Friends of Ned Draper stop for a meal in Kansas on their way to Wyoming, date unknown [Draper-McClurg Family Papers (C3069), SHSMO] About the Guest: Sarah Bell is the director of the Kansas Museum of History. She attended the University of Kansas where she earned a Masters in Museum Studies and her PhD in History. Her dissertation analyzed the intersection of women's political activities with the Chautauqua Movement at the turn of the 20th century. In 2018 Sarah joined the Humanities Kansas Speakers Bureau and has enjoyed presenting to audiences across Kansas. She published an article in Kansas History in Spring 2019 that focused on the Ottawa Chautauqua.