Podcasts about Savile Row

Patreon Preview from Blamo! It's Die, Workwear! Derek and Peter take a break from their Wardrobe Series to chat with Matthew Gonzalez, a Southern California native who made his way from an alterations room in Irvine to London, Huntsman, and eventually his own bespoke tailoring business on Savile Row. Matthew's work sits at a fascinating crossroads: classic American style, British tailoring tradition, and the realities of making clothing for people today. The conversation gets into his path through the trade, what makes tailoring feel American without becoming costume, the romance and economics of Savile Row, why bespoke still matters, and how the best clothes are shaped not just by rules, but by the person wearing them. https://www.matthewgonzalez.co.uk ** Listen to the FULL episode on the Blamo! Patreon  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lo Strillone Rock (News) P.ta 143 Nuovo episodio de “Lo Strillone Rock (News)” l'appuntamento settimanale (Podcast Rock) con le notizie dal mondo della musica Internazionale e Nazionale. All'interno del Format, oltre a musica di qualità e notizie, presente la Rubrica Demo, curata da MarComix: un viaggio inaspettato alla scoperta di come erano crudi e veri i pezzi che hanno fatto la storia del Rock. Cuffie alle orecchie, Ark Speaker e MarComiX vi aspettano! LA PLAY LIST Anthrax – It's For The Kids The Smashing Pumpkins – Cherub Rock IDLES – Model Village The Pretty Reckless – Dear God Bob Dylan & The Band – Odds and Ends The Beatles – Get Back (2021 Mix) Jeff Beck – Freeway Jam Derek & The Dominos – Layla Neil Young – Heart of Gold The Cranberries – Just My Imagination LE NEWS DA ASCOLTARE Dopo dieci anni un nuovo album degli Anthrax: “Cursum perficio”; Smashing Pumpkins: dopo oltre 30 anni ancora con Butch Vig; Pretty Reckless, un'altra anticipazione dal nuovo album; The Beatles: il civico 3 di Savile Row a Londra, storico quartier generale della band, diventerà un museo; Jeff Beck, in arrivo la biografia “Blow By Blow”; Eric Clapton colpito dalla copertina di un vinile sul palco, concerto concluso senza il bis; Neil Young, il ritorno a sorpresa sul palco. I PROSSIMI EVENTI LIVE IN ITALIA The Offspring: Roma il 9 giugno 2026; Sepoltura: Segrate (Mi) 9 giugno 2026; Sepoltura: Roma 10 giugno 2026; Foo Fighters: luglio 2026 (unica data); Dogstar: luglio 2026 Mumford & Sons: luglio 2026 Skunk Anansie: luglio 2026 Kasabian: luglio 2026 (Unica data in Italia) Morrissey: luglio 2026; My Chemical Romance: Luglio 2026 Evanescence: settembre 2026; Strokes: ottobre 2026; Simple Plan: ottobre 2026; Placebo: novembre 2026; Editors: Febbraio 2027. Ascolta la puntata per saperne di più.

In this opening episode of Style DNA Season 11 I go on a style journey with my old friend the legendary Duran Duran frontman, the wonderfully charismatic Simon Le Bon. From their early days in Birmingham to global stadium tours, Simon has spent decades at the centre of music, fashion and pop culture. We talk about making his own punk clothes as a teenager, auditioning for Duran Duran in pearlescent pink Chelsea boots and leopard print drainpipes, the psychology of performing on stage, Savile Row tailoring, Japanese selvedge denim and why he once didn't wash a pair of jeans for over ten years…This is a conversation about individuality, creativity and the enduring power of personal style. Thank you Simon for such a fascinating conversation xDuran Duran's new single Free To Love is out now. They headline London's BST Hyde Park on July 5th. Tickets for the full summer and autumn tours are at duranduran.com/tour.

Juliet  and Terence on: chucking stuff on stage; Beatles back at Savile Row; cheerio Football Focus; new albums from The Stones, and Paul McCartney; famous in the chippy; more audience madness. {Derek Taylor's Peacock Chair}

Paul McCartney is helping to open up one of the most famous addresses in music history, 3 Savile Row, including access to the rooftop where The Beatles played their final public performance in January 1969. Which raises an interesting question. Why on earth do people still care?In this episode of Mark and Pete, we wander from a cold London rooftop into much deeper territory. The Beatles broke up more than half a century ago. Most of the people now visiting Beatles sites weren't even born when John, Paul, George and Ringo were together. Yet thousands still make the pilgrimage, cross Abbey Road, pose for photographs and now, potentially, stand on the very roof where music history was made.What's going on there?We discuss the extraordinary staying power of The Beatles, the strange human desire to touch history, and why modern culture increasingly sells experiences rather than things. We also ask whether places become special because of what happened there, or because of the stories we tell about them afterwards.Along the way there are reflections on nostalgia, celebrity culture, musical genius, Liverpool tourism, rooftop concerts, and the curious fact that human beings seem unable to stop creating pilgrimages, even after abandoning many traditional forms of religion. If people no longer travel to shrines, they often end up travelling to recording studios, football grounds and famous street crossings instead.As usual, there is a biblical perspective lurking in the background, a few observations that may or may not be entirely fair, and the sort of conversation that starts with Paul McCartney and somehow ends up discussing the nature of meaning itself.Not bad for a roof, really.

This week's news gets a thorough shake-down to see what falls out of its pockets. Which includes … … cupcakes, mobiles, rubber ducks, a dead swan: weird things thown at rock stars … “polka-dotted micro-tonal space-rock from the planet Zog”: Alex gets the Angine de Poitrine live experience! … is Shoegaze the Adrian Mole of pop? … “Hands off my Husker Du!” Joint record collections and who gets what when you split … Sun Studios, the Albert Hall stage, the Savile Row roof: places where we've shivered with excitement … why don't they put an old phonebox back in Heddon Street so Bowie fans can take pictures? … Ocean Blue, Washed Out, Skimming Stones, Pelt: Dreampop band or Farrow & Ball paint colour? … Physical Graffiti, Anticipation, New Boots and Panties: album sleeve tourist locations … plus burning wedding photos, when uncles gave you cash and the house Jackson Browne's grandpa built.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A tribute to Producer Jack Douglas, our first thoughts on the "Home to Us" single, Boys of Dungeon Lane News and our thoughts on "The Beatles at 3 Savile Row", along with some guesses at where the team might be considering for the second exhibition (in the United States?). #madeonzencastr.

This week's news gets a thorough shake-down to see what falls out of its pockets. Which includes … … cupcakes, mobiles, rubber ducks, a dead swan: weird things thown at rock stars … “polka-dotted micro-tonal space-rock from the planet Zog”: Alex gets the Angine de Poitrine live experience! … is Shoegaze the Adrian Mole of pop? … “Hands off my Husker Du!” Joint record collections and who gets what when you split … Sun Studios, the Albert Hall stage, the Savile Row roof: places where we've shivered with excitement … why don't they put an old phonebox back in Heddon Street so Bowie fans can take pictures? … Ocean Blue, Washed Out, Skimming Stones, Pelt: Dreampop band or Farrow & Ball paint colour? … Physical Graffiti, Anticipation, New Boots and Panties: album sleeve tourist locations … plus burning wedding photos, when uncles gave you cash and the house Jackson Browne's grandpa built.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week's news gets a thorough shake-down to see what falls out of its pockets. Which includes … … cupcakes, mobiles, rubber ducks, a dead swan: weird things thown at rock stars … “polka-dotted micro-tonal space-rock from the planet Zog”: Alex gets the Angine de Poitrine live experience! … is Shoegaze the Adrian Mole of pop? … “Hands off my Husker Du!” Joint record collections and who gets what when you split … Sun Studios, the Albert Hall stage, the Savile Row roof: places where we've shivered with excitement … why don't they put an old phonebox back in Heddon Street so Bowie fans can take pictures? … Ocean Blue, Washed Out, Skimming Stones, Pelt: Dreampop band or Farrow & Ball paint colour? … Physical Graffiti, Anticipation, New Boots and Panties: album sleeve tourist locations … plus burning wedding photos, when uncles gave you cash and the house Jackson Browne's grandpa built.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Jay's kicking us off with a Three For Thursday. Chris Potter and some very notable guests drop a new album, Shuggie Otis makes the 1001 albums before you die, and we have a new track from The Cockroaches.Chris Potter - “Osawatomie Brown (feat. Bill Frisell, Burniss Travis, Nate Smith, Rane Moore, Zekkereya El-Magharbel & Sara Caswell)”Shuggie Otis - “Inspiration Information”The Rolling Stones - “Rough and Twisted”Get ready for it! 3 Savile Row is turning into a Beatles/Apple museum, Red Hot Chili Peppers sell their catalog, and Jeff Tweedy wrote a New York Times crossword puzzle [link].Songs:Paul McCartney & Ringo Starr - “Home to Us”My New Band Believe - “In the Blink of an Eye”Friko - “Certainty”

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (14/05/2026) . Con Ángel H. SopenaEntrevistas:- Toni Zenet regresa a sus recuerdos en el marco de su gira más valiente, presentando ''Las Manos y la Voz' - Santi Campillo vuelve a Vistabella con su Power Trío y una pléyade de aliados que quita el aliento. Con su acústica protagoniza una nueva Ss de Contrabando, y nos adelanta un inédito con Pedro Martini.Noticias: Joan Manuel Serrat ha sido galardonado con el Premio de Honor de la Academia de la Música de España . Se anuncia para 2027 la inauguración de un museo de los Beatles en el número 3 de Savile Row de Londres, el edificio donde dieron su último concierto. Cherry Red publicará el 3 de julio The early years Vol. 2, cuatro cedés que recopilan lasgrabaciones de Status Quo de 1970-1972. Deep Purple presentan el vídeo de “Arrogant boy”, single de adelanto de su nuevo disco, Splat!, que, producido por Bob Ezrin, será publicado el 3 de julio.Eric Clapton, Brian May, Billy Gibbons y Ronnie Wood, en el disco póstumo de Steve Cropper. Billy Corgan de The Smashing Pumpkins, presenta A Night of Mellon Collie and Infinite Sadness en Europa, con parada el próximo viernes 11 de septiembre en el Palacio Vistalegre de Madrid. Mike D, miembro de la banda Beastie Boys, no solamente ha lanzado “Switch Up”, su primera canción como artista en solitario, sino que acaba de anunciar una fecha en Barcelona .Red Hot Chili Peppers ha vendido su catálogo de música grabada a Warner Music Group por más de trescientos millones de dólares . Morrissey rinde tributo a Ramones . El concierto de Kanye West en Madrid podría cancelarse. Ian Curtis: Insight” es la nueva exposición que ofrece una mirada íntima a la vida creativa del líder de Joy Division. Netflix ha anunciado el inicio del rodaje de la adaptación de “El acercamiento de la mujer cactus y el hombre globo”, la primera novela de Rayden. El sello Subterfuge prepara su 40 aniversarioNovedades musicales:Father John Misty, Pixies, The Waterboys, Tame Impala, Caroline, The Mountain Goats, Pond, Bloc Party, Yard Act, The Strokes, Rostam, Alcalá Norte, Aiko El Grupo, The Molotovs, Repion, Lykke Li, The Last Dinner Party, Thee Sinners, Helado Negro &:Reyna Tropical, The Head and Heart, Zoh Amba, Triángulo de Amor Bizarro, Serrat, Australia Blonde, Tori Sparks, Madee, Adam Guerrero, Perdón, Alejo Stivel y Silvio Rodríguez, Sandré, Isleña y Javiera Mena, Carlos Sadness, Ave Alcaparra, La La Love You, Antonio Arias, Aldous Harding, Barder, Lambchop, París Paloma, Shinova, Norte Perdido, Adiós Noviembre, (Conga Festival y Demoleer: Verde Columbares, Arde Bogotá.Agenda de conciertos:Santi Campillo, Zenet, Amor Líquido, Non Servium, Guerrero & Muerdo, Carey, Aitana, Agoney, Sidecars...

London’s legendary 3 Savile Row—home of The Beatles’ iconic rooftop concert—is getting its own museum. Step inside the birthplace of Get Back and relive one of rock’s most unforgettable moments. May 11th 2026 --- Please Like, Comment and Follow 'The Ray Appleton Show' on all platforms: --- 'The Ray Appleton Show’ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- 'The Ray Appleton Show’ Weekdays 11 AM -2 PM Pacific on News/Talk 580 AM & 105.9 KMJ | Website | Facebook | Podcast | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

The Beatles at 3 Savile Row is an upcoming museum officially sanctioned by the Beatles, their first one! We're talking about how we first had the idea for it. You'll love it.

Les classiques du jour : - Jimi Hendrix "Foxey Lady" - The Cranberries "Dreams" - Aerosmith "Livin' On The Edge" Les nouveautés du jour : - DE'WAYNE & Lenny Kravitz "highway robbery" - Madison Beer "lovergirl" Le journal de la musique : - Un musée immersif sur sept étages consacré aux Beatles ouvrira l'année prochaine au mythique 3 Savile Row de Londres - Les Red Hot Chili Peppers vendent les droits de leurs enregistrements à Warner Music Group pour plus de 300 millions de dollars - "Live 25", le documentaire événement sur la reformation d'Oasis, sortira en IMAX le 11 septembre avant d'arriver sur Disney+ One Hit Wonder : L'histoire de "Mmm Mmm Mmm Mmm" de Crash Test Dummies Le live du jour : Pearl Jam "Even Flow" (Live MTV Unplugged, 1992) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

- Un musée immersif sur sept étages consacré aux Beatles ouvrira l'année prochaine au mythique 3 Savile Row de Londres - Les Red Hot Chili Peppers vendent les droits de leurs enregistrements à Warner Music Group pour plus de 300 millions de dollars - "Live 25", le documentaire événement sur la reformation d'Oasis, sortira en IMAX le 11 septembre avant d'arriver sur Disney+ Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From a listener's mystery novel set in a perfume shop, refillable candles, a handsome man holding a bouquet by a fireside and where to find vintage fragrance posters - this episode is a veritably bulging postbag of perfume-matching pondering!Kathy (aka Kat LaGue) is a long-time listener and author of two ‘cosy mystery' novels set in a fictional perfume shop of her hometown, Baltimore, Maryland. You can read all about her work here: https://katlague.comWith her first ever signing event happening in May, Kathy ‘thought it might be fun to bring a bit of the shop experience to the table by offering pre-sprayed blotters for people to sniff.' For the first book she wanted a leathery/rose Chypre; for the second, the smell of a ‘kouign-amann, the glorious Breton butter cake. I'd love to find a fragrance, or even a layering combination, that evokes caramelized sugar, rich butter, and just a hint of salt.'We suggested…For the leathery rose Chypre:Angela Flanders Leather Rosa‘Inspired by the soft and sensual quality of leather with its naturally dry aroma, yet warm skin like touch. Leather Rosa is a new dark rose scent, deep and bewitching in nature, cherished rosa damascena, but dressed this time in a coat of the finest vintage leather.Sophisticated and elegant notes of exotic agar wood and smoky oudh add a leathery tobacco accord, while the warmth of amber makes an appearance in the base of this sensuous combination cherishing a heart of rosa damascena and a sweet top note of rose du mai and raspberry.'Hermès Kelly Calèche‘Kelly Caleche is a nod to two iconic Hermès objects: the Kelly bag and the caleche, a horse-drawn carriage and the House's signature. Kelly Caleche was created in 2007 by perfumer Jean-Claude Ellena. This "perfume exuding leather and flowers, as light as an angel's wing" is dedicated to women who exhibit free-spirited elegance and whose unisex equestrian style refuses to take itself too seriously.A floral and leathery fragrance, Kelly Caleche Eau de Parfum combines the opulent notes of rose with powdery mimosa, along with the enveloping character of benzoin.'For the second book:Maison Margiela Afternoon Delight‘Afternoon Delight captures a moment of self-indulgence, transporting you to a Parisian café where the uplifting aroma of warm madeleines fills the air. This sweet yet light, ambery gourmand fragrance evokes moments of joyful escapism.At the heart of the fragrance is a Madeleine accord, evoking Afternoon Delight perfume's sense of comfort and conjuring a moment of “me time,” where the quotidian fades away. This blends with the creamy and woody notes of sandalwood, while the deliciousness of Madagascan vanilla pod lingers in the fragrance. These notes all capture the memory of an enveloping moment for oneself.'Frassäi Blondine‘Once upon a time, in a faraway land, a fair and gentle princess grows up beloved by her father, surrounded by precious jewels, exotic fruits and mouthwatering dainties. When left behind in an enchanted forest by a deceitful coachman, BLONDINE is captivated by the most beautiful flowers she has ever seen. Rejoicing in their profusion and delighting in their perfume, she commences to fill her hat and pockets with them, until she finds herself farther and farther away from home. A fragrant tale of alluring florals, decadent sweets, and enigmatic musks, where courage and hope are the key to living happily ever after; here Blondine's story begins.Green mandarin, pear leaves, salted butter caramel, tiger lily, ashok flower, cocoa, castoreum, blond musks, and tonka beans.'Kylie Cosmetics Caramel Cloud Hair & Body Mist‘Caramel Cloud is a warm, ambery gourmand hair and body mist that envelops the senses with a smooth, buttery fragrance profile. The scent opens with rich notes of almond and pistachio butter, creating a nutty foundation that melts into a heart of caramel and brown sugar accords for a toasted, sweet character. At the base, soft musk and pure vanilla extract leave a delicious, cloud-like finish on both skin and hair.'(Layered with…)Demeter Fragrance Library Pretzel (available in Cologne, Bath & Body Oil, Body Lotion, Perfume Oil)‘Savour the iconic aroma of a New York Style Warm Pretzel. This fragrance captures the essence of freshly baked dough, lightly salted and perfectly warm, creating a scent that is both comforting and nostalgic. This fragrance will transport you to the bustling streets of New York City.'Penhaligon's Changing Constance‘Constance is what one might call A Very Modern Woman. She has no regard for custom, and does exactly as she likes. Cool cardamom, hot pimento, salted caramel - her contrary perfume breaks every rule.Key notes: cardamom, salted butter, caramel, tobacco.'PHLUR Caramel Skin Body Mist‘Decadent, deep and full of warmth. Caramel Skin is a deliciously sweet sensation that sparks desire, with refined sophistication and bold attitude. The dance between spun caramel, brown sugar and vanilla provide an indulgent and tantalizing taste. Bergamot adds brightness, while creamy sandalwood and musk elevate the fragrance into a confident and sensual symphony. Caramel Skin Body Mist is sweet, sexy and simply irresistible.'For B.O'Riodan, who's ‘rying to be a more discerning shopper' and wants to find fragrance candles where you can buy a refill separately, we recommend…Lords Fragrance House Candle Refills‘A new harder vegetable stearin wax formulation that allows us to make refills to slot into your pots! Available in 3 scents, Positano, Yellowstone and Oxfordshire. These fit our classic 1 wick vessel and our ceramic stripe vessel.'TOLD London Candle Refills‘This refill is hand-poured in the UK with 100% natural wax for a clean, long-lasting burn. Designed to refresh your Told London illustrated porcelain vessel, it delivers the same fine scent while reducing waste.'The Constant Candle Company (the one that Nicola promised she'd mention in the notes)"Constant Candle supplies everything you need to create a new candle sustainably - direct to your door. Pre-fragranced luxury eco-friendly candle wax to heat and pour into a candle holder of your choice, cotton wick plus a wooden wick holder together with instructions and videos."Also try: finding a candle-making workshop near you. Many of them ask that you bring your own vessels to be filled!Rachel Cooke loves wearing men's fragrances, but is looking for something pretty specific, scent-wise. Namely, one that smells like ‘a sexy bearded man in a suit that's smells typically masculine but he's holding a beautiful bunch of fragrant flowers but also in front of an open a fire!!'We thought these might night the spot…Floris Leather Oud‘Leather Oud has an opulent, deep sensual note of rich earthy vetiver and warm amber that combines beautifully with rose and sandalwood. Leather Oud has an opulent, deep sensual note of rich earthy vetiver and warm amber that combines beautifully with rose and sandalwood.Top notes: bergamot, leatherHeart notes: carnation, geranium, oudh, patchouliBase notes: oudh, vetiver, woody amber.'Penhaligon's The Cut‘Penhaligon's The Cut Eau de Parfum is a refined blend of spices and woods. Opening with an energetic twist of saffron, nutmeg, and coriander, the fragrance is stitched together with remarkable precision, offering a bold yet refined first impression.The heart unfolds with cistus labdanum, rose, and incense, creating a smoky, resinous warmth softened by a floral undertone. This sophisticated harmony evokes the swagger of Savile Row, where clary sage strides confidently, followed by lavender's dignified applause.In the base, patchouli, cedarwood atlas, and sandalwood deliver a deep, grounding finish. The result is a long-lasting fragrance of elegance and character, perfectly suited to both men and women who appreciate classic craftsmanship with a modern twist.Parfums de Marly Layton‘Layton blends juicy apple with calming lavender, wrapped in the earthy depth of patchouli. Elegant, sensual and flamboyant.Top Notes: apple, bergamot, cardamomHeart Notes: lavender, violet, geraniumBase Notes: patchouli, vanilla, guaic wood,praline.'Horace Oud Rose‘Oud Rose is refined yet extravagant, like wearing a leopard-print tuxedo to the opera. Geranium Rose and Rosemary offer a vibrant aromatic freshness. At the heart, a sensual, freshly cut Rose blends with a deep Patchouli. Finally, Oud, Cypriol and Sandalwood create a mysterious intensity.'Anforh Sorn‘Smoky, leathery, and floral with a deep amber resonance. Sorn is the most ornate and expressive of the three Anforh fragrances: indulgent but refined, modern yet vintage in structure.From the Scots word “sorn” (to linger by charm or persuasion), Sorn is a fragrance of memory and atmosphere. It captures the sense of what remains - the warmth in the air, the trace on the fabric, the echo of an evening.Top notes: pimento berry (allspice), clove bud, bergamotHeart notes:...

Is there a new playbook for great, British brands? Founder Daisy Knatchbull shares the latest from Knatchbull, the first Savile Row shopfront exclusively for women. She discusses the importance of her global trunk shows and the brand’s ready-to-wear collection. Plus: Toby Gauvain on Gaudium, a new private-membership community. See omnystudio.com/listener for privacy information.

In this episode of Style DNA I go on a style journey with the British fashion designer and Creative Director of Max Mara, the thoughtful and incredibly humble Ian Griffiths.Ian has spent more than three decades shaping the aesthetic of one of Italy's most iconic fashion houses. Although proudly British, he has lived in Italy for many years and jokes that he has become an “Italian version of an Englishman” … embracing Savile Row elegance with a touch of Italian flair.We talk about his unexpected route into fashion, the influence of literature and philosophy on his work, and why the coat has become one of the most powerful garments in a woman's wardrobe. Ian believes great clothes should empower the woman wearing them rather than overpower her … pieces that enhance a woman's life rather than compete with it…This is a conversation about culture, creativity and the quiet power of timeless style.Thank you Ian, for such a thoughtful conversation… I loved it x

Talk Art season 27 continues with British painter GEORG WILSON!!! Hosted by Robert Diament.A spirit of place informs #GeorgWilson's practice. Drawing inspiration from ancient English folklore, poetry and painting, the artist depicts bountiful landscapes that exceed the natural; devoid of human presence, they are instead inhabited by wildling creatures that live harmoniously with the land. Wilson's world-building is enriched by her unique approach to texture and mark-making that unifies all surfaces, forms and beings.Painting with the seasons, Wilson's work captures the cyclical rhythm of our existence, where birth meets growth, growth meets death and death awaits resurrection. Vibrant reds and bright greens shift to vivid yellows and deep browns as the seasons turn, and the land that was once overflowing with abundance is ready to lie dormant as the year comes to an end. This new series of paintings explores the folklore and historic uses of uncultivated poisonous plants, species such as henbane, thorn-apple and nightshade that grow abundantly across the UK, that have long but frequently forgotten histories in both folk and modern medicine. Drawing on historic texts about poisonous flora, Wilson highlights the gradual erosion of plant knowledge in Britain, a process that began as early as the fifteenth century, following the enclosure of common land and the subsequent rise of industrialisation. Against Nature, a solo exhibition of new works by Georg Wilson, runs at Pilar Corrias until 7th March on Savile Row, London, and Georg's debut institutional exhibition The Earth Exhales runs until 1st March at Jupiter Artland, Edinburgh.

In this episode, we sit down with Audie Charles, one of the most influential figures in modern menswear and a true custodian of British tailoring. Having spent decades at the helm of Anderson & Sheppard, Audie has played a pivotal role in shaping the identity of one of Savile Row's most revered houses. Renowned for her impeccable eye and deep understanding of style, she is widely regarded as one of the most respected stylists in the world. We talk about her remarkable journey with the firm, the philosophy behind timeless dressing, and what it really means to dress well beyond trends.

War heroes, haute couture, and outrageous parties! This episode of History's Greatest Idiots, featuring The Fit Historian (https://www.youtube.com/@fithistorian), explores the extraordinary life of Neil Munro "Bunny" Roger, the openly gay fashion designer who became a decorated World War II hero, invented Capri pants, and threw London's most legendary parties whilst maintaining a 26-inch waist and wearing makeup to battle.The Fairy Prince:Born in 1911 to Scottish telecommunications tycoon Sir Alexander Roger, young Bunny asked for a doll's house and got it. At age six, his parents gave him a fairy costume with butterfly wings. His stern father sent him to Loretto, a famously dour boarding school that Bunny later said was worse than being shelled at Anzio. At Oxford, he attended parties dressed as Hollywood starlets, wore makeup, dyed his hair, and was expelled in 1930 for "alleged homosexual activities" when homosexuality was completely illegal. Margaret Thatcher was one of only a tiny minority of Conservative MPs who voted to decriminalise homosexuality in 1967, calling prosecutions "a waste of court time." This didn't stop her passing Section 28 in 1988, banning the promotion of homosexuality in schools.The Fashion Designer:After Oxford, Bunny worked at Fortnum & Mason learning tailoring, then opened "Neil Roger" in 1937 with £1,000 from his exasperated father (equivalent to £60,000 today, purchasing power of £400,000). He dressed Vivien Leigh, future star of Gone with the Wind. His designs referenced Marlene Dietrich, Gloria Swanson, and Pola Negri.The War Hero:In 1941, Bunny joined the Rifle Brigade and served in North Africa and Italy. At Monte Cassino in 1944, he charged a machine gun post wearing blush and a silk scarf, carrying Vogue in his pocket. When asked about approaching Germans, he replied "When in doubt, powder heavily." He was decorated for bravery, saved a wounded comrade at Anzio by dragging him from No Man's Land under fire, and entered burning buildings to rescue soldiers. After the war: "Now I've shot so many N*zis, Daddy will have to buy me a sable coat."The Post-War Fashion Legend:Bunny ran Fortnum & Mason's couture department from the late 1940s until 1973. In 1949, he invented fitted Capri pants on holiday. He bought 15 bespoke Savile Row suits yearly at £30,000 each in today's money, ordering four pairs of custom shoes per suit. By his death, he owned over 600 pairs of shoes. He maintained a 26-inch waist through corsetry until later life when it ballooned to 31 inches.The Legendary Parties:Bunny's Mayfair house became London's most notorious party destination. In 1952, he threw a "Quo Vadis?" party with no address, answering the door in slavery attire. In 1956, he held the infamous Fetish Party with guests in leather bondage gear, some dragging companions on dog chains. The Sunday People published scandalised photographs. For his 70th birthday in 1981, he held the Amethyst Ball at Holland Park, wearing a plum catsuit with a feathered headdress glued into his hair. Anyone not in purple was rejected. For his 80th birthday in 1991, he wore a scarlet sequin catsuit with an orange cape and greeted guests from behind a literal wall of fire.The Final Years:Bunny retreated to his Scottish estate Dundonell, spending his inheritance on art, furniture, and parties. When Sotheby's auctioned his belongings in 1998, the catalogue was 339 pages with 1,505 lots. He died in 1997 aged 85, having lived exactly as he pleased, fought Nazis in makeup, invented iconic fashion, and never once pretended to be anything other than who he was.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/HistorysGreatestIdiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/historysgreatestidiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/historysgreatestidiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artist: Sarah Chey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fiverr.com/sarahchey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

War heroes, haute couture, and outrageous parties! This episode of History's Greatest Idiots, featuring The Fit Historian (https://www.youtube.com/@fithistorian), explores the extraordinary life of Neil Munro "Bunny" Roger, the openly gay fashion designer who became a decorated World War II hero, invented Capri pants, and threw London's most legendary parties whilst maintaining a 26-inch waist and wearing makeup to battle.The Fairy Prince:Born in 1911 to Scottish telecommunications tycoon Sir Alexander Roger, young Bunny asked for a doll's house and got it. At age six, his parents gave him a fairy costume with butterfly wings. His stern father sent him to Loretto, a famously dour boarding school that Bunny later said was worse than being shelled at Anzio. At Oxford, he attended parties dressed as Hollywood starlets, wore makeup, dyed his hair, and was expelled in 1930 for "alleged homosexual activities" when homosexuality was completely illegal. Margaret Thatcher was one of only a tiny minority of Conservative MPs who voted to decriminalise homosexuality in 1967, calling prosecutions "a waste of court time." This didn't stop her passing Section 28 in 1988, banning the promotion of homosexuality in schools.The Fashion Designer:After Oxford, Bunny worked at Fortnum & Mason learning tailoring, then opened "Neil Roger" in 1937 with £1,000 from his exasperated father (equivalent to £60,000 today, purchasing power of £400,000). He dressed Vivien Leigh, future star of Gone with the Wind. His designs referenced Marlene Dietrich, Gloria Swanson, and Pola Negri.The War Hero:In 1941, Bunny joined the Rifle Brigade and served in North Africa and Italy. At Monte Cassino in 1944, he charged a machine gun post wearing blush and a silk scarf, carrying Vogue in his pocket. When asked about approaching Germans, he replied "When in doubt, powder heavily." He was decorated for bravery, saved a wounded comrade at Anzio by dragging him from No Man's Land under fire, and entered burning buildings to rescue soldiers. After the war: "Now I've shot so many N*zis, Daddy will have to buy me a sable coat."The Post-War Fashion Legend:Bunny ran Fortnum & Mason's couture department from the late 1940s until 1973. In 1949, he invented fitted Capri pants on holiday. He bought 15 bespoke Savile Row suits yearly at £30,000 each in today's money, ordering four pairs of custom shoes per suit. By his death, he owned over 600 pairs of shoes. He maintained a 26-inch waist through corsetry until later life when it ballooned to 31 inches.The Legendary Parties:Bunny's Mayfair house became London's most notorious party destination. In 1952, he threw a "Quo Vadis?" party with no address, answering the door in slavery attire. In 1956, he held the infamous Fetish Party with guests in leather bondage gear, some dragging companions on dog chains. The Sunday People published scandalised photographs. For his 70th birthday in 1981, he held the Amethyst Ball at Holland Park, wearing a plum catsuit with a feathered headdress glued into his hair. Anyone not in purple was rejected. For his 80th birthday in 1991, he wore a scarlet sequin catsuit with an orange cape and greeted guests from behind a literal wall of fire.The Final Years:Bunny retreated to his Scottish estate Dundonell, spending his inheritance on art, furniture, and parties. When Sotheby's auctioned his belongings in 1998, the catalogue was 339 pages with 1,505 lots. He died in 1997 aged 85, having lived exactly as he pleased, fought Nazis in makeup, invented iconic fashion, and never once pretended to be anything other than who he was.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/HistorysGreatestIdiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/historysgreatestidiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/historysgreatestidiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artist: Sarah Chey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fiverr.com/sarahchey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

London's famed Savile Row comes with a long and prestigious tailoring history and today's guest, Jihae An, undeniably represents its future. In this 2022 episode, Savile Row tailor Jihae An takes us behind the scenes of her work at London's oldest tailoring house, Ede and Ravenscroft. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textTraditional tailoring might seem worlds away from technical gear—but the principles are the same. In this episode, Alasdair Leighton-Crawford of Cimoro shares how skills learned on Savile Row translate directly into better-fitting apparel, smarter pack design, and more intentional making.We talk about:Why tailoring is one of the fastest ways to truly understand fitHow athletic thinking and craft obsession shape better gearWhat most makers overlook when designing packs and apparelBalancing bespoke work, scalability, and running a small businessWhy making by hand still matters in an age of automation and AICimoroFind Us on Social Media

It had a budget of just $1 million, a lead actor wearing a toupee, and the baddie in the first draft of the script was a monkey. But the first James Bond film, ‘Dr. No', which began shooting in Jamaica on 16th January, 1962, kicked off a phenomenally successful franchise that's still a staple of cinema today. Its star, Sean Connery, had been picked out by producers after his appearance in a Disney production, but was marketed as a former lorry driver with little acting experience. Concerned that Connery lacked the sophistication of Bond's background, director Terence Young took him on a tour of swish casinos, posh members clubs and his Savile Row tailors. In this episode, Arion, Rebecca and Olly explain how Connery came to improvise one of the movie's most iconic moments; explain why Ian Fleming was first dismissive, then delighted by his casting; and trace the origins of the 007 formula that endures through all of Cubby Broccoli's subsequent productions… Further Reading: • The Bond bunch: the failed contenders for coveted role (The Independent, 2006): https://www.independent.co.uk/arts-entertainment/films/features/the-bond-bunch-the-failed-contenders-for-coveted-role-423454.html • ‘The Making of DR. NO: A 60th Anniversary Retrospective' (Cinema Scholars, 2022): https://cinemascholars.com/the-making-of-dr-no-a-james-bond-60th-anniversary-retrospective/ • ‘Bond, James Bond' (Eon Productions, 1962): https://www.youtube.com/watch?v=b15-P12gIf0 We'll be back on Monday - unless you join CLUB RETROSPECTORS, where we give you ad-free listening AND a full-length Sunday episode every week! Plus, weekly bonus content, unlock over 70 bonus bits, and support our independent podcast. Join now via Apple Podcasts or Patreon. Thanks! The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart Copyright: Rethink Audio / Olly Mann 2026 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Probablement n'avez-vous jamais entendu ces 45 tours de Noël que les Beatles ont publié chaque année jusqu'à la fin du groupe, gravés dans un disque souple pour être envoyés exclusivement aux membres de leur fan club. Il faut dire que dès le départ, en 1963, ses membres sont si nombreux et actifs qu'il prend des allures de véritable entreprise, le modèle que vont essayer de reproduire beaucoup d'artistes par après, comme le groupe Kiss, aux Etats-Unis.Si ces 7 singles n'ont jamais été vraiment commercialisés, excepté un box à tirage limité il y a quelques années, c'est surtout parce qu'ils sont invendables. Il s'agit principalement de messages délirants des quatre joyeux lurons souhaitant leurs meilleurs vœux à leurs fans, quelques impros et, en 1968, nous sommes en pleine année psychédélique, des collages de sons bizarres. Mais cette année, est-ce un signe, les messages sont enregistrés individuellement. Ah ne me faites pas dire ce que je n'ai pas dit, ils ne sont pas en guerre. La preuve, une fête de Noël est organisée chez Apple, le label qu'ils ont créé, sur Savile Row, à Londres. Oui, la maison sur le toit de laquelle ils vont jouer dans un mois leur dernier et légendaire concert. Mais là, en cette période proche du réveillon où les Anglais ne savent plus se tenir tellement ils ont l'esprit à la fête, c'est le grand soir chez Apple dont la porte d'entrée n'arrête pas de sonner. Derek Taylor, le chef de la communication a en effet battu le rappel du personnel : les Beatles vont offrir des cadeaux à leur famille.Et qui joue le Père Noël ? Ben John Lennon, évidemment. C'est lui le fondateur des Beatles. Et même s'il est aux abonnés absents question d'être le chef, depuis maintenant deux bonnes années, il aime croire être à la barre. Il a d'ailleurs bombardé Yoko Ono, sa nouvelle compagne, mère Noël. Je ne vous dis pas la tête des mômes des employés qui déjà n'avaient jamais vu une mère Noël, encore moins perchée sur des hauts talons. Si Paul McCartney et sa compagne Linda ne sont pas présents, tiens, tiens, Ringo Starr et George Harrison sont bien là, avec leur femme. Et bien sûr, en pleine période hippie, c'est le grand foutoir : tout le monde a invité tout le monde. Alors que John Lennon y va de grands Ho-Ho-Ho en distribuant des cadeaux, Derek l'interrompt en disant, John, y a une bande de Hells Angels à la porte. Quoi ? C'est moi qui les ai invités, dit George, avec son flegme habituel. Soyez sympas avec eux, ce sont de braves gens. Des Hells ! Mais tu les as rencontrés où ? A San Francisco. Quoi ? Je te dis qu'ils sont sympas. Et c'est vrai qu'ils sont cools. Bon à un moment, ils vont s'énerver car la dinde de 21 kilos 500 que Derek a achetée n'en finit pas de rôtir dans le four. Alors tout le monde se rue sur les roulades de saucisses de l'apéro. Derek s'est d'ailleurs réfugié dans les toilettes avec une assiette débordant de ce met typiquement british, par crainte de ne rien manger d'autre ce soir. C'est vrai, des Hells Angels à Londres, à une soirée de Noël ! Pourquoi pas une chanson de Noël en plein mois de juillet, enregistrée par 30°C à l'ombre. S'il savait que ça a été le cas de la plus célèbre de toutes …

Subscribe now to hear the full episode and get access to all of our Sunday bonuses! Danny speaks with writer and menswear critic Derek Guy about the politics of fashion, exploring how style reflects class, power, and ideology. They explore fashion's moral economy, how neoliberalism turned personal style into a marker of moral worth, the influence of Savile Row and Brooks Brothers, the evolution of men's dress from the Glorious Revolution of 1688, the aesthetics of American politics from JFK to Trump (including why Derek contends Reagan was the most stylish modern president), and how taste became a language of power. Read Derek's piece in The Nation, "How Did Republican Fashion Go From Blazers to Belligerence?" Also check out his piece at Die, Workwear!, "The Suit Died, but for Good Reasons."

Construction! Proportion! Craft! What lies behind the enduring power of the suit? Of great tailoring? How is that amplified when it's bespoke? What makes a good suit? Does it still matter? Why? And how much should it cost? All these questions, and many more are on the (cutting) table this week, as Clare sits down with Savile Row tailor Dominic Sebag-Montefiore, creative director of iconic bespoke house, Edward Sexton.Thank you for listening to Wardrobe Crisis Series 11! We'll be back soon with a new series of inspiring interviews from fashion's front lines.Find links and further reading for this episode at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

Kathryn Sargent made history as the first woman to open her own tailoring house on London's legendary Savile Row — a street long regarded as the stronghold of bespoke menswear. In this powerful episode, she shares her journey from art-loving Leeds teenager to master cutter and internationally respected business owner.We dive into the traditions, challenges, and quiet revolutions of bespoke tailoring. Kathryn opens up about the gender barriers she faced, the emotional depth behind each suit, and how she now tailors for everyone from CEOs to creatives — with more women coming through her doors than ever before.It's a conversation about slow mastery, style as identity, and what it really means to break the rules with purpose. Key TakeawaysTailoring isn't about fashion — it's about identity, confidence, and expressionKathryn was the only woman in a class of 60 on Savile Row — and still carved a space through grit and craftShe spent 10 years training, often unpaid, learning by watching and staying lateClients today are 40% women — many of whom had never considered a bespoke suit an optionShe sees suits as emotional containers: worn at weddings, funerals, new jobs — milestones of lifeBeing the "first woman" was never her goal — doing great work always wasHer dream client? James Bond — and she has the sketches readyKathryn co-founded Women in Tailoring to give women support she never hadHer best advice: Dare to say no to what doesn't align with you — and always keep going Timestamps00:00 — Intro: Kathryn's childhood in Leeds and obsession with clothes04:21 — Why menswear? Kathryn's early style icons and influence from her dad08:53 — The Savile Row break — winning an award and standing out with bright Harris Tweed11:37 — Apprenticeship realities: being the only woman in a room of 60 men16:41 — “They said we're a masculine brand” — why she left and started her own house22:10 — Becoming a master cutter and opening on Savile Row under her own name28:45 — The shift: 40% of her clients are now women35:33 — Bespoke as emotional work — Kathryn shares the intimacy behind tailoring41:20 — What happens in a fitting room stays there: suit stories you'd never expect47:12 — Why we still need suits — and how the uniform can still empower52:00 — Dream client: James Bond — and her playful take on redesigning the classic suit56:11 — Growing to Edinburgh and expanding the business with a different pace1:03:10 — Kathryn's dare for women: say no, trust yourself, and stay on your own path Hosted on Acast. See acast.com/privacy for more information.

Among a slew of high-profile luxury e-commerce casualties, Mytheresa has enjoyed remarkable and sustained success — a trajectory that has been masterminded, in no small part, by the company's affable CEO, Michael Kliger. Now, Kliger has spearheaded the formation of LuxExperience — a new group that includes Mytheresa, Net-A-Porter, Mr Porter, Yoox, and The Outnet under one roof. Here, in a special recording at Huntsman on Savile Row, Kliger reveals the secrets of his success — and his predictions for the future of luxury.

Psychologist David Yeager thinks the conventional wisdom for how to motivate young people is all wrong. His model for helping kids cope with stress is required reading at Steve's new high school. SOURCES:David Yeager, professor of psychology at the University of Texas at Austin. RESOURCES:10 to 25: The Science of Motivating Young People: A Groundbreaking Approach to Leading the Next Generation―And Making Your Own Life Easier, by David Yeager (2024)."A synergistic mindsets intervention protects adolescents from stress," by David Yeager, Christopher Bryan, James Gross, Jared Murray, Danielle Krettek Cobb, Pedro Santos, Hannah Gravelding, Meghann Johnson, and Jeremy Jamieson (Nature, 2022)."Harnessing adolescent values to motivate healthier eating," by Christopher Bryan, David Yeager, Cintia Hinojosa, Aimee Chabot, Holly Bergen, Mari Kawamura, and Fred Steubing (Proceedings of the Natural Academy of Sciences, 2016)."Breaking the Cycle of Mistrust: Wise Interventions to Provide Critical Feedback Across the Racial Divide," by David Yeager, Julio Garcia, Patti Brzustoski, William Hessert, Valeria Purdie-Vaughns, Nancy Apfel, Allison Master, and Matthew Williams (Journal of Experimental Psychology, 2014)."The Influence of the National truth Campaign on Smoking Initiation," by Matthew Farrelly, James Nonnemaker, Kevin Davis, Altijani Hussin (American Journal of Preventive Medicine, 2009)."Tobacco is Whacko Commercial," (2002)."Florida Tobacco Pilot Program: Thanking Customers," (2000)."Think, Don't Smoke PSA Commercial," (1999)."The Mentor's Dilemma: Providing Critical Feedback Across the Racial Divide," by Geoffrey Cohen, Claude Steele, and Lee Ross (Personal and Social Psychology Bulletin, 1999). EXTRAS:"The Suit, Savile Row, and Smartly Dressed Men," by The Rest is History (2024).

While doing some gardening at the Dower House Lilian and Justin agree it was a clever plan of Peggy's to get Natasha and Fallon working together for her funeral. They were at Harrison's party last night too, which was a great success, despite his absence. Lilian then gets a message from Christine at the Laurels: they want to talk to her about Peggy. Intrigued, Justin goes with Lilian, joking that they're about to find out what Peggy did with her money. A regular visitor to The Laurels, Arthur, introduces himself as a good friend of Peggy's. He tells Lilian that the charity where he volunteers, a local dementia support network, is very grateful for Peggy's generous donation. Arthur suffers from dementia himself, although it isn't obvious, and impresses Justin with his Savile Row background. Justin and Lilian agree, he's an inspiring example and that Peggy made absolutely the right decision. And of course Arthur should come to Peggy's funeral.Ruth asks Ben to tidy up the Events Barn – Fallon will be setting up there from tomorrow to serve teas on Sunday. Ruth then asks Ben what he knows about catastrophising. She thinks it's what David's doing about Sunday - only she knows David would hate her even mentioning it. Later, David finds Ben and asks him to put everything back that he's just cleared out of the Barn. Ben broaches the subject of how David's feeling, but David shuts down the conversation. Later though he tells Ben he appreciates his support, but actually he's okay now and excited about Sunday. They're both really glad it wasn't cancelled.

Only six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the moon. Yet, hundreds more came within an inch of winning the coveted 007 role-the pinnacle for so many actors.For the very first time, The Search for Bond tells the often-extraordinary story of how cinema's most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time either considered to play Bond, interviewed for the role, or went as far as to be screen tested. Their memories and stories are fascinating and give an 'insiders' glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.With Daniel Craig having vacated the role, the circus surrounding the announcement of his successor has created a tabloid frenzy!Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Among a slew of high-profile luxury e-commerce casualties, Mytheresa has enjoyed remarkable and sustained success — a trajectory that has been masterminded, in no small part, by the company's affable CEO, Michael Kliger. Now, Kliger has spearheaded the formation of LuxExperience — a new group that includes Mytheresa, Net-A-Porter, Mr Porter, Yoox, and The Outnet under one roof. Here, in a special recording at Huntsman on Savile Row, Kliger reveals the secrets of his success — and his predictions for the future of luxury. 

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Only six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the moon. Yet, hundreds more came within an inch of winning the coveted 007 role-the pinnacle for so many actors.For the very first time, The Search for Bond tells the often-extraordinary story of how cinema's most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time either considered to play Bond, interviewed for the role, or went as far as to be screen tested. Their memories and stories are fascinating and give an 'insiders' glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.With Daniel Craig having vacated the role, the circus surrounding the announcement of his successor has created a tabloid frenzy!Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This is a free preview of a paid episode. To hear more, visit cocomocoe.substack.comThe 2025 Met Gala is more than fashion's biggest night—it's a blueprint for branding through exclusivity, mystique, and cultural impact. In this episode of Ahead of the Curve, I unpack what makes the Met Gala such a powerful case study in marketing—and why this year's theme is one of the most important in recent history.TIME STAMPS + TOPICS:* Introduction + the History of the Met Gala - 0:00* Anna Wintour's Takeover - 5:42* Princess Diana's Influence on the Met Gala - 8:05* The Rise of Themes at the Met - 10:04* The Met Gala in the 2000's - 12:14* The Met Gala in the 2010's Digital Age - 16:25* How does one get invited to the Met Gala - 19:31* First time attendees of 2024 — 22:07* Specific Rules of the Met Gala — 25:35PAID PORTION AT COCOMOCOE.SUBSTACK.COM/PODCAST* The Art of Exclusivity in Branding — 28:19** What New Faces Will We See in 2025 — 40:55* A-List Celebs Who Have Not Attended the Met Gala — 53:03

Don't be shy, send me a message!Thomas Felix Creighton talks about the 1981 James Bond movie Octopussy starring Roger Moore as British secret agent 007. His special guests for this episode include:Daniel Gaster, Instagrammer, blogger, and Youtuber, 'The Field Office'.Marc Henandez, author of “On the Train Tracks: Filming Octopussy & GoldenEye at Nene Valley Railway” – presented by ‘On the Tracks of 007', a well-known book series on James Bond locations.Matt Spaiser, co-author of "From Tailors With Love: An Evolution of Menswear through the Bond films”, and sole author of the Bondsuits.com blog site, I check in every Monday for new articles.The inimitable Pete Brooker, co-author of "From Tailors With Love", and "Boy Wanted on Savile Row", and host of the "There Will be Bond" podcast". He finishes up this podcast as only he can.There are also a couple of bonus contributions by… well… you'll see!There. Will. Also. Be. A. *Very* Special Announcement! About a forthcoming episode, right near the end. Don't miss it.The recommended rabbit hole is 'Being James Bond' by Joe Darlington, the book, the podcast, the Youtube channel... and the man himself of course. Message Thomas anytime on Instagram, @FlemingNeverDiesE-mail: AlbionNeverDies@gmail.comCheck out my Red Bubble shopSubscribe to my newsletter for update e-mails, random postcards, and stickers: Support the show

Patrick O'Donnell heads north to the border of the Yorkshire Dales to meet champion of sustainable fashion and BBC Great British Sewing Bee judge Patrick Grant.In his newly painted Farrow & Ball home, the pair discuss their mutual love for Broccoli Brown, childhood memories of muddy adventures and his obsession with nature. They also touch on how fashion has influenced his colour choices, from the Print Room Yellow of ‘80s acid house raves to the blue hues of Savile Row suits.Learn about the colours featured in each episode hereSee the colours of Patrick's life hereFollow Patrick on Instagram hereFollow us on Instagram here Hosted on Acast. See acast.com/privacy for more information.

Savile Row is one of the most prestigious shopping streets in London, and with just £10,000, Sean Dixon transformed his brand, Richard James, into one of the city's most sought-after tailors. From designing Sir Alex Ferguson's iconic coat to hosting Elton John and Oasis in his shop at the same time, Sean shares the journey of relentless hard work and dedication it took to break into such an elite market. He reveals how Richard James became a magnet for A-list celebrities and the pivotal moments that helped shape the company's success in the world of luxury fashion. _______________ Sign up to Wise Business banking: https://wise.com/uk/business/ Join Vanta and receive $1000 off: http://vanta.com/secretleaders Learn more about your ad choices. Visit megaphone.fm/adchoices

Brand extensions? Prequel? Janet Bond?? Rob Long bets meetings at Amazon are underway with those bullet points in a PowerPoint now that the franchise has been wrested away from its legendarily impossible owners, the Broccolis. Corporate-controlled and obligated by fiduciary responsibility, 007 has secured the plot of his next adventure: shaking every last dime out of his Savile Row suit. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

‘There are so many insights – even hardcore Bond fans will be surprised. Indispensable.' – David Lowbridge-Ellis MBEOnly six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the Moon. Yet, hundreds more came within an inch of winning the coveted 007 role – the pinnacle for so many actors.For the first time, The Search for Bond tells the extraordinary story of how cinema's most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time considered to play Bond, interviewed for the role, or went as far as to be screen tested. From Sir Ranulph Fiennes to Sam Neill, their memories and stories give a fascinating insiders' glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happened to my 2020/21 minimalist project, and where am I today? That's the question I am answering today. You can subscribe to this podcast on: Podbean | Apple Podcasts | Stitcher | Spotify | TUNEIN Links: Email Me | Twitter | Facebook | Website | Linkedin Get Your Copy Of Your Time, Your Way: Time Well Managed, Life Well Lived Subscribe to my Substack  Take The NEW COD Course The Working With… Weekly Newsletter Carl Pullein Learning Centre Carl's YouTube Channel Carl Pullein Coaching Programmes The Working With… Podcast Previous episodes page Script | 352 Hello, and welcome to episode 352 of the Your Time, Your Way Podcast. A podcast to answer all your questions about productivity, time management, self-development and goal planning. My name is Carl Pullein, and I am your host of this show. Towards the end of 2019, I decided that in 2020, I would go all in on a minimalist project. I had played around with it for a number of years, but it wasn't until 2020 that I formally turned it into a project and began the process of clearing out a lot of stuff I had collected that was no longer benefiting me.  And yes, four or five years ago, minimalism was a thing. Everyone was talking about it, and there were thousands of videos of people showcasing how bare and minimal their workspaces were.  It was a trend, and while that trend appears to be forgotten, I learned many things that I still practice today.  So, it was a nice surprise to find a question about it in my inbox a few weeks ago. I realised it was a good time to tell you about what I learned and what I am still practising today.  So, without further ado, let me hand you over to the Mystery Podcast Voice for this week's question… Which I realise I've already told you.  This week's question comes from Milos. Milos asks, hi Carl, I remember a few years ago, you mentioned that you were about to start a minimalist project. How did it go, and are you still a minimalist? Hi Milos, thank you for your wonderful question.  Like most projects, or goals, designed to change how you do things, once you complete them, it's easy to forget you ever did them. My minimalist project was such a project.  I changed a lot of things that I do automatically today, so your question caused me to reminisce on how things used to be.  I should point out that I wasn't into extreme consumerism. I would replace my phone, iPads and computers when they stopped functioning in a way I needed them to do.  For example, my old Intel computer became very slow over a year when Apple switched from Intel chips to their M series. So much so that it took up to an hour to render a fifteen-minute YouTube video. When I changed my computer to an M series one, that time came down to around six minutes.  However, I think I am a bit of a hoarder, and I had boxes of old papers from my teaching days I no longer needed. I was always reluctant to throw away old clothes, believing one day I might regain the weight I had lost and would require those bigger sizes again.  My wardrobe, drawers and other cupboards were full of stuff I no longer needed and would never need again.  So that was where the project began. Clearing out old clothes and papers I no longer needed.  As with all endeavours like this, I did go a little extreme. My desk, for instance, was stripped of its soul—well, it felt like it. All I had on there was my computer, keyboard and trackpad. I found it became an uninspiring place to work.  So, gradually, I added some things back. An analogue clock—a tool I use to prevent time blindness when I get into a focused zone and a few little mementoes to bring some character back.  The biggest part of the project was clearing out drawers, cupboards and my wardrobe. That was liberating and I was surprised how much space I had once everything was cleared and either thrown away or taken to the recycling.  I moved house at the end of 2021, and that was an opportunity to complete the project—well, the clearing out of the old part of the project. However, the biggest change was in the way I approached purchasing.  I stopped buying electronic gadgets. I am in the Apple ecosystem and Apple's products, on the whole, last a long time. For example, I have an iPad mini for reading ebooks, magazines and the newspaper. I've had the same iPad mini for the last five years. And I have no intention of replacing it any time soon.  Another change was to apply some rules to my purchasing. This was inspired from how the British gentry in the early 1900s approached buying clothes and personal consumption items.  In the 1920s (and 30s), aristocrats bought clothes and necessities once. For instance, a young aristocrat would purchase a set of luggage that would last a lifetime.  If something broke or the leather tore, they would fix it. A new suitcase was not necessary.  These repairs added character and gave these items a unique look. It was also a much more environmentally friendly way to treat possessions than we do today—throwing away items once they are either out of date or have a minor problem and buying new ones.  It's easy to tell ourselves that life was much simpler in those days. It wasn't. People had just as many problems as we do today. They did not have the conveniences we have: no food delivery services, no Google or ChatGTP to find something out instantly, and no technology to make doing our work better and faster.  The clothing rule I applied was built around the principle of less is better. This translated into buying better quality and less of it. It also allowed me to apply a rule of only buying natural fibres. So that meant mainly cotton and wool.  I do have some un-natural fibre clothing. My exercise gear and a heavy winter coat, for example—it gets very cold in Korea. But apart from that, I stick to natural fibres.  Much of what I do today is inspired by the pre-consumerism days. Only buy what you need and buy the best quality you can afford.  I also learned something from Winston Churchill. Choose your suppliers. What this means is you use the same stores to buy your clothes and anything else you may need.  Winston Churchill, for instance bought all his suits from H W Poole—a London tailor in Savile Row. His shirts were bought at Turnbull and Asser, and his iconic cigars came from James Fox.  If you think about that for a moment, if you use the same suppliers for all your clothing and other things, you know your sizes and precisely what you want, which means you don't need to research or waste a lot of time trying to find what you want. You reduce the paradox of choice and get back to living life.  Now, I cannot afford to buy suits from H W Poole or shirts from Turnbull and Asser, but I do have my own favourite suppliers.  I buy socks from Peper Harow, my sweaters from N Peal and Cordings of Piccadilly and coats from Barbour. Yes, they are expensive, but the clothing last a very long time and are all made from either cotton or wool.  Another lesson I learned from my minimalist project was the importance of rules and routines.  If you've read Around The World In Eighty Days or the books by P G Wodehouse and his characters Jeeves and Wooster, you may have noticed the main characters had strict rules and routines. Wake up times and when they expected their morning cup of tea. Dinner time was a social occasion with pre-dinner drinks and formal clothing.  Perhaps part of the reason for the increase in mental health issues today is because we no longer have these important daily rituals. It's all go go go. No time to stop and appreciate sitting around a table with family and friends or going out for a daily walk, or even doing what in Around The World in Eighty days is called your “toilet”—which means washing and bathing.  These were deliberate activities, not rushed or forced. It was just what you naturally did each day.  There was a time for everything.  Another area of this period that has fascinated me was the way people approached writing and replying to letters. This was considered a joy and most people spent time each day doing it.  And there was a mix of personal and business letters that needed to be done and the volume was comparable to what we receive in emails and messages today.  The biggest difference was rather feeling they had to reply to everything each day, they focused on the amount of time they had available to write. I have adopted this approach myself. I don't look at how many emails I need to reply to, I look at how much time I have and once that time is up, I stop.  If you do that every day, you will remain on top of your communications reasonably consistently.  I often hear about people doing a digital detox. One change I made, was to again take inspiration from the 1920s and 30s. In those days people bought their favourite newspaper and read the whole paper.  Now, many successful people still do this today. Jamie Dimon of JP Morgan Chase Bank and Warren Buffett for instance. They subscribe to their favourite newspapers and allocate time each day to read them.  This stops you from getting caught up in clip bait headlines and being “triggered” by low quality reporting.  So now I read the same newspaper every day and only look through my social media later in the evening when I have finished my day.  So the lessons I learned was to buy less stuff but better quality. That's ensured my wardrobe is clean and not over-stuffed with clothes I won't wear.  I have also structured my days better. There's a time for doing my communications, eating with family and friends, and my favourite of all, going out for what we call our family walk. That's with my wife and little Louis. He loves it, and my wife and I get some quality time most days.  All of this was inspired from reading history books and biographies and realising that minimalism isn't about stripping everything out of your life so all you are left with is a soulless screen. It's about removing things that no longer serve you, and leaving the things that mean something to you and living life by a set of rules you set yourself.  I hope that has answered your question, Milos. Thank you for asking it and thank you for listening. It just remains for me to wish you all very very productive week.   

We meet Mary Ramsden to discuss her new solo exhibition Desire Line, opening this week at Pilar Corrias, London.Captivated by the sheer range of ideas and images that a passage of paint can convey, from a tuft of grass to a soaring patch of sky, Ramsden revels in the boundless versatility of her medium. The artist brings a range of references to this new body of work, including English landscape painting, the subtle palette and chromatic intelligence of Les Nabis painters Pierre Bonnard and Édouard Vuillard, and a keen engagement with poetry and literature. Ramsden's title, Desire Line, refers to a phenomenon whereby a path emerges through spontaneous and habitual use, whether in a park, pasture or wilderness.Based in North Yorkshire, many of Ramsden's recent paintings reflect the textures of the local landscape as well as the qualities of northern light. The artist considers paint earthy, modest and infinitely adaptable, with the capacity to conjure atmospheres, images and metaphors, all within a single set of brushstrokes. Dark oxygen (all works 2024) evokes a moonlit landscape, with patches of cool lilacs and silvery blues and greens. Touches of rust and warm colours mark the edges, while the whole painting seems to be embraced by a quivering penumbra. If Dark oxygen has a wintry chill, a sense of abundant, generative life characterises the surface of My desire is not a thinking. In a haze of peachy orange, as if bathed in the light of a sunrise, sections of paint emerge on the canvas like patches of lichen or moss, sedately moving with their own inner force or rhythm. Both paintings express a distilled and unearthly beauty, reminiscent of a mythical landscape conjured by Gustave Moreau, though fractured and emptied of narrative. At the same time, these are meditations on paint itself; each canvas a multivalent space for Ramsden to revel in the ambiguity and potential of her surfaces.Fascinated by how Bertolt Brecht would have his characters change costumes to foreground the drama's illusory nature, Ramsden likewise conceives of different passages of paint as characters that might, with a simple shift of emphasis or the viewer's perspective, become something new. The same section of a painting might evoke a stony field or a pool of dappled light, a cracked patch of ice or a window at night. Another touchstone for the artist is Robert Motherwell, who, like Ramsden, adapted many of his titles from poetry, and considered abstraction a kind of universal language capable of communicating both powerful emotions and complex thoughts.The exhibition will be accompanied by a booklet with an essay by novelist and essayist Daisy Hildyard and a poem by Danielle Wilde.Desire Line runs until 11th January 2025 and is now open at Pilar Corrias, on Savile Row, London. Free entry.Follow @MaryJRamsdenVisit: https://www.pilarcorrias.com/exhibitions/466-mary-ramsden-desire-line/ Hosted on Acast. See acast.com/privacy for more information.

Mike Batt still wrestles with the emotional legacy of the Wombles, the act that simultaneously made him and cast a shadow over the rest of his career, not least his early days as a songwriter at Liberty Records, discussed here, hired after he'd answered the same ad as Elton John and Bernie Taupin, a time when A&R men wore kipper ties and had Picassos on their wall. He forged a path through psychedelia and into TV and films, taking huge financial risks with musicals, orchestral works and big-selling acts like Katie Melua, his Art Garfunkel hit ‘Bright Eyes' eventually promoting him from the Haves to the Have-Yachts. Life, he says, has been “like running through traffic”. His memoir is just out, ‘The Closest Thing to Crazy: My Life of Musical Adventures'. All sorts discussed here including ...  … his brief satin-jacketed tenure in Hapshash & the Coloured Coat. … parallels between record producers and traffic cops. … Happy Jack and songs about outsiders. … being in Savile Row when the Beatles played the Apple roof. … life as “a square” during psychedelia. … a snatch of abandoned teenage composition ‘The Man With The Purple Hand'. … John D. Laudermilk and the magic of writing credits. … how Bright Eyes “got me into the Officers' Mess of Songwriters”. … his publishers insisting there was a Womble on the book jacket. … “circumcising” the world in a seven-crew yacht. ... and feeling simultaneously smug and guilty when driving a Roller. Order ‘The Closest Thing To Crazy: My Life of Musical Adventures' here:https://www.amazon.co.uk/Closest-Thing-Crazy-Musical-Adventures/dp/1785120840Find out mroe about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Known for his sophisticated take on redefining how to dress the modern gentleman, Todd Snyder has grown his namesake label into a luxury brand. His collections draw from Savile Row tailoring, vintage military apparel, and classic American workwear, making timeless pieces relevant for the well-dressed man.   Originally from Iowa, Snyder's fashion journey began with roles at Ralph Lauren and The Gap, eventually leading the men's design team at J.Crew during its golden era. In 2011, he launched his own brand, quickly earning acclaim. Snyder's ability to blend quality, taste and individuality has made him a sought-after collaborator with heritage brands like L.L. Bean, Footjoy, and Timex.   Interviewed by Kate Doerge.

We interview Patrick Grant, Great British Sewing Bee judge, former director of Savile Row house Norton & Sons, and owner of sustainable brand Community Clothing! Patrick takes us behind the scenes of revered bespoke tailoring houses and discusses what it takes to become a Savile Row Tailor. We also chat with him about his journey to where he is now, buying fewer but better things, and the amazing vibe on the Sewing Bee set! Show Notes

"His clothes seemed to melt into each other with the perfection of their cut and the quiet harmony of their colour. Without a single point of emphasis, everything was distinguished" The suit has long served as the official attire of men in Britain, Europe and the Western World. Traditionally the uniform of the elites and an indicator of class, its purpose and design has evolved over time. Notably, in the great sweep of clothing throughout human history - from the Roman toga to the ancient Egyptian shendyt - the suit is unusual for the way that it hugs the body, rather than hanging off it. What then is the origin of this most venerable of fashions? And why has it conventionally been so much more constrained and less flamboyant than women's clothing? The genesis of the suit dates back to 14th century Latin Christendom, a period of rapid innovation and evolution in clothing, though in England its symbolic resonance emerged during the Civil War, when the style of one's dress became emblematic of ideology. Remarkably, however, the exact moment of its invention is recorded when, in the wake of the Great Fire of London, fears for God's wrath and the economy, saw Charles I announce the introduction of a new design for his nobles. From this moment onwards the suit has been woven into some of the great ideological movements, moments, and characters of history. Join Tom and Dominic as they travel through the glamorous, colourful and often adventurous history of the suit. From Chaucer's England and the Black Death, fashion feuds between Kings, through the Napoleonic Wars, into the Highwaymen and Pirates of the 18th century; Beau Brummell and the rise of the dandy, the macaronis and the fop, right into the illustrious origins of Savile Row, and some of the suit's famous contemporary champions… EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/restishistory Try it risk-free now with a 30-day money-back guarantee! *The Rest Is History LIVE in 2024* Tom and Dominic are back onstage this summer, at Hampton Court Palace in London! Buy your tickets here: therestishistory.com Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices