Podcasts about piatigorsky

Interpreten: Harriet Krijgh, Nikita Boriso-Glebsky, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor BühlLabel: CapriccioEAN: 845221055350Der Dirigent Gregor Bühl setzt bei Capriccio seine Reihe mit Konzertmusik von Miklós Rózsa fort. Für Michael Gmasz ein absolut spannendes Projekt, das sich unbedingt mehr Aufmerksamkeit verdient!  Es ist für mich immer wieder faszinierend, Komponisten, die man mit ganz bestimmten Werken oder einem bestimmten Genre verbindet, quasi neu zu entdecken. So wie Miklós Rózsa, der mit seinen Filmmusiken zu Ben Hur und El Cid unsterblich geworden ist, mit seiner Konzertmusik auf unserer CD der Woche. Wie seine „avantgardistischen“ Landsmänner Bartók und Kodály hat sich auch Miklós Rózsa mit traditioneller ungarischer Musik auseinandergesetzt und diese notiert. In vielen seiner, vor allem späteren, Werke findet sich das ungarische Kolorit wieder, das er in seinen Jugendjahren und Studientagen im kleinen schwarzen Notizbüchlein aufgeschrieben hat.Rózsa jedoch auf das ungarische Kolorit zu reduzieren wäre weit gefehlt. Gemäßigt modern, meist der Tonalität verpflichtet – so lässt sich der Kompositionsstil von Miklós Rózsa am besten beschreiben. Und so verhält es sich z.B. mit dem Hauptwerk dieser CD, der Sinfonia Concertante für Violine, Cello und Orchester Op. 29. Kurz nach der Musik zu Ben Hur fertiggestellt, ist dieses Werk von der Filmmusik überraschenderweise ziemlich abgekoppelt. Nikita Boriso-Glebsky an der Geige und Harriet Krijgh am Cello spielen sich virtuos durch die herausfordernden Soloparts, die ursprünglich von keinen Geringeren als Piatigorsky und Heifetz uraufgeführt wurden! Akzentuiert und energiegeladen der erste Satz, einer lyrischen ungarischen Melodie zu Grunde liegend der zweite Variationssatz, noch am ehesten der Filmmusik zuzuordnen, der aufregende Finalsatz. Eine kleine Verschnaufpause mit einem klingenden Ausflug auf die ungarische Puszta gönnen uns Gregor Bühl und die Deutsche Radiophilharmonie Rheinland-Pfalz mit dem Notturno ungharese Op.28. Absolute Entdeckung für mich auf dieser CD ist aber die Cello-Rhapsodie Op.3, in der Harriet Krijgh als Solistin in allen Belangen aus dem Vollen schöpfen kann. (mg)

durée : 01:28:46 - Mischa Maisky, expressif et passionné - par : Aurélie Moreau - Disciple de Rostropovitch et Piatigorsky, Mischa Maisky a quitté l'Union Soviétique en 1971. Soliste invité des plus grands chefs, dont Leonard Bernstein, il se consacre aussi à la musique de chambre et forme un duo d'exception avec Martha Argerich.

durée : 01:28:21 - Relax ! du jeudi 30 janvier 2025 - par : Lionel Esparza - Gregor Piatigorsky est un violoncelliste russe mais naturalisé américain en 1942. Sa vie, pleine de mésaventures, a fait de lui un musicien chambriste d'exception et le premier violoncelliste soliste de son temps.

durée : 01:28:21 - Relax ! du jeudi 30 janvier 2025 - par : Lionel Esparza - Gregor Piatigorsky est un violoncelliste russe mais naturalisé américain en 1942. Sa vie, pleine de mésaventures, a fait de lui un musicien chambriste d'exception et le premier violoncelliste soliste de son temps.

durée : 01:28:14 - Gregor Piatigorsky, le géant du violoncelle - par : Aurélie Moreau - Ayant quitté la Russie en 1921, Gregor Piatigorsky devient violoncelle solo du Philharmonique de Berlin, avant d'entreprendre une exceptionnelle carrière de soliste et de chambriste notamment aux USA. Aujourd'hui : Brahms, Dvořák, Chopin, Strauss...

durée : 00:58:33 - Heifetz, Rubinstein et Piatigorsky, un trio légendaire - par : Aurélie Moreau - Au cours des années 1949 et 1950, les très illustres Arthur Rubinstein, Jascha Heifetz et Gregor Piatigorsky ont formé un trio surnommé par un critique le « Million Dollar Trio ». Voici leurs enregistrements : Ravel, Tchaïkovski et Mendelssohn. - réalisé par : Laurent Lefrançois

Welcome to Jo's Boys, a podcast for little women, little men, and everyone in between! We'll be reading through "Little Women" chapter by chapter, pulling out queer and trans threads as we go. Your host is Peyton Thomas, author of the Kirkus-starred novel "Both Sides Now" and a freelance journalist with bylines in Pitchfork, Billboard, and Vanity Fair. This week, we're joined by special guest Sivan Piatigorsky-Roth, cartoonist for the New Yorker and author-illustrator of the forthcoming graphic novel "Diana: My Graphic Obsession." We dive into the tenth chapter of Little Women, "The Pickwick Club and Post Office," where all the little women drag up as little men to welcome a boy into their ladies' club. You can visit Sivan online at sivanpiatigorskyroth.com and on Instagram at @sivanbasha. Our cover art is by Allison Hoffman. It interpolates the cover art for Bethany C. Morrow's book "So Many Beginnings: A Little Women Remix," with permission from Macmillan Children's Publishing Group. Our theme music is Mozart's Piano Sonata No. 16 in C Major.

durée : 00:16:00 - Disques de légende du mercredi 12 mai 2021 - En août 1950, trois musiciens formidables, le pianiste Arthur Rubinstein, le violoniste Jascha Heifetz et le violoncelliste Gregor Piatigorsky, enregistrent le Trio avec piano n° 1 de Mendelssohn. L'ensemble, qui s'est formé l'année précédente, est surnommé le "Million Dollar Trio" par un critique.

durée : 01:58:06 - Relax ! du mercredi 12 mai 2021 - par : Lionel Esparza - 1968-2019 : retour sur un demi-siècle de collaboration entre le chef d'orchestre indien Zubin Mehta et l'Orchestre philharmonique d'Israël, à travers quelques-uns de leurs plus beaux enregistrements. Et à 16h, on écoute le légendaire "Million Dollar Trio" formé par Heifetz, Rubintein et Piatigorsky. - réalisé par : Antoine Courtin

Emily Braden and Darrian Douglas discuss the importance of soulfulness and growth. BIO  With a new album currently in the works, vocalist Emily Braden electrifies NYC and international audiences with her fresh, soulful sound and striking stage presence.  Winner of New York City's 'Best of the Best' Jazzmobile Vocal Competition, this Idaho-born, Harlem-based vocalist keeps her feet firmly planted in the straight ahead tradition while fearlessly exploring the range and nuance of the human voice. Her original music, co-created with producer and pianist Misha Piatigorsky, blends heavy grooves and carefully-crafted lyrics with soaring vocals and off-the-cuff bilingual improvisations. Before the COVID-19 global pandemic, Braden toured regularly and could be seen every first Friday at NYC's famed 55 Bar. See her live and she'll make you a believer. The official video for “Strength of Love," the first single from the upcoming album, was released on YouTube on June 5, 2020.  Currently mixing a new album. Folks can connect via IG (@songbody) or FB artist page under my name.  Support this podcast

The composer Mario Castelnuovo-Tedesco moved from Italy to the US during the turmoil of the Second World War. That he should have been immediately befriended by such musical giants as violinist Jascha Heifetz and cellist Gregor Piatigorsky speaks reams about the respect the Italian engendered. His Cello Concerto was commissioned by Piatigorsky, who premiered the work in 1935. This recording captures the first ever performance since that occasion. The programme is completed by transcriptions that Castelnuovo-Tedesco made especially for Heifetz and Piatigorsky, including the work that gained the distinction of being the last piece that Heifetz performed in public. Raymond Bisha introduces soloist Brinton Averil Smith in this long overdue affirmation of Castelnuovo-Tedesco’s legacy for the cello.

In his debut novel Al-Tounsi, critically acclaimed Canadian-American author and playwright Anton Piatigorsky tells the behind-the-scenes story of U.S. Supreme Court justices as they consider a landmark case involving the rights of detainees held in a Guantanamo Bay-like overseas military base. It explores how the personal lives, career rivalries, and political sympathies of these legal titans blend with their philosophies to create the most important legal decisions of our time. Given the current U.S. political climate, Al-Tounsi could not be more topical or relevant.   In a conversation that touches on everything from the right of habeas corpus to similarities between the fictional justices and their real-life counterparts and differences between the U.S. and Canadian Supreme Courts, Jon Malysiak, Director of Ankerwycke Books, discusses the novel with Piatigorsky. They explore how the author, born and educated in the U.S. and currently living in Toronto, came to write a novel with so many parallels to current political debate, that Erwin Chemerinsky has praised as “…a powerful reminder that justices are human and that, as much as the law, determines how important cases are decided.”  

In his debut novel Al-Tounsi, critically acclaimed Canadian-American author and playwright Anton Piatigorsky tells the behind-the-scenes story of U.S. Supreme Court justices as they consider a landmark case involving the rights of detainees held in a Guantanamo Bay-like overseas military base. It explores how the personal lives, career rivalries, and political sympathies of these legal titans blend with their philosophies to create the most important legal decisions of our time. Given the current U.S. political climate, Al-Tounsi could not be more topical or relevant. In a conversation that touches on everything from the right of habeas corpus to similarities between the fictional justices and their real-life counterparts and differences between the U.S. and Canadian Supreme Courts, Jon Malysiak, Director of Ankerwycke Books, discusses the novel with Piatigorsky. They explore how the author, born and educated in the U.S. and currently living in Toronto, came to write a novel with so many parallels to current political debate, that Erwin Chemerinsky has praised as “…a powerful reminder that justices are human and that, as much as the law, determines how important cases are decided.”

This week, I sat down with Misha Piatigorsky (2004 Thelonius Monk Composition Winner), leader of the Sketchy Orkestra, a wonderful jazz/rock/hiphop fusion of styles for strings/horns/rhythm, and piano. We talk about the origins of the group, the challenges of writing for strings in a jazz context, and putting together great music for unusual instrumentations. Featured on this episode: "Space Oddity", performed by Sketchy Black Dog (the Orkestra's precursor) AND "Everytime", performed by Sketchy Orkestra feat. Emily Braden Check out Sketchy Orchestra at Zinc Bar on April 29 and at Le Poisson Rouge on May 16. For all things Sketchy: sketchyorkestra.com facebook.com/sketchyorkestra

Der Celllist Gregor Piatigorsky war obdachlos und hungrig, bevor er die Gelegenheit bekam bei den Berliner Philharmonikern vorzuspielen. Piatigorsky ergriff sie beim Schopfe. Am 19. Januar 1925 war der Durchbruch geschafft. Autor: Xaver Frühbeis

Violinist Rachel Barton Pine talks with legendary pianist Ralph Berkowitz, age 97.  Mr. Berkowitz shares stories about his life in music including his many years as collaborator to cellist Gregor Piatigorsky, directing the Tanglewood Festival, and the private premiere of the Barber Violin Concerto at which he was present.   This conversation was recorded at Mr. Berkowitz's home in Albuquerque, New Mexico, on November 18, 2007.playing time: 15:23 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Do you have a question you'd like Rachel to answer on her podcast? Just send your question via text or as an MP3 attachment to: rachelbartonpine@aol.com Thanks for listening! visit Rachel online: www.rachelbartonpine.comwww.myspace.com/rachelbartonpinewww.youtube.com/RachelBartonPine Rachel Barton Pine's podcast is produced by Windy Apple Studios www.windyapple.com

Jason Crane interviews pianist Misha Piatigorsky. Misha fled with his family from Russia during the height of the Cold War and ended up in New Jersey. A classically trained pianist, he discovered jazz and fell in love with the music, ending up at Rutgers studying with Kenny Barron. He won the 2004 Thelonious Monk Composers Competition. He's also the pianist and musical director for singing legend Mark Murphy. Misha’s new trio with bassist Hans Glawischnig and drummer Ari Hoenig is a fusion of hip-hop grooves with his non-traditional jazz compositions. Their new record is Uncommon Circumstance (MISHAMUSIC, 2007). Find out more at mishamusic.com.

Jason Crane interviews pianist Misha Piatigorsky. Misha fled with his family from Russia during the...