Podcast appearances and mentions of Ari Hoenig

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El próximo debut discográfico de Milena Casado nos ha inspirado este programa sobre nuevos talentos en el que vamos a escuchar también a Jean Pierre Jozéfinn, Alden Hellmuth, Alessandro Lanzoni, Sunil López, Ari Hoenig, Sébastien Joulie, Hans Luchs, Matthias Van den Brande, Smack Dab, Jay Davis y Toomas Keski-Säntti.Temas que suenan en el programa:01 2025 Milena Casado - Reflection Of Another Self 11 Resilience (3' 50'')02 2024 Jozéfinn' Austral View - Fandamane 04 Savane 7 - Andry Michael Randriantseva Andy Narell Bongani Ranto Rakotomalala Sotshononda Arjuna Mariapin (3' 21'')03 2023 Alden Hellmuth - Good Intentions 05 Stream Of Lucas - Kadish Guitar Yvonne Rogers Kanoa Mendenhall Timothy Angulo (4' 09'')04 2024 Alessandro Lanzoni - Bouncing with Bud 04 Bouncing with Bud (2' 43'')05 2023 Sunil López - Smoke gets in your eyes 07 A Few More Bars - Joan Codina Genius Wesley (3' 33'')06 2024 Ari Hoenig - Tea for Three 04 Alone - Ben Tiberio Gadi Lehavi (4' 14'')07 2023 Sébastien Joulie - Loaded 05 Confused - Stephan Moutot Benoît Thevenot Michel Molines Charles Clayette (6' 12'')08 2025 Hans Luchs - The Spell is Broken 06 The Spell is Broken - Daniel Berkey Mike King Simón Willson Adam Arruda (3' 06'')09 2024 Matthias Van den Brande - Fields of color 02 Seagram Murals - Jean-Paul Estiévenart Tijs Klaassen Wouter Kühne (4' 16'')10 2023 Smack Dab - Pulse 03 Pulse - Oriol Vallès Lluc Casares David Kikoski Pau sala Joan Casares (5' 15'')11 2024 Jay Davis - Bad Trad 08 Do You Like Apples - Mike Soper James Allsopp Huw V. Williams (3' 21'')12 2023 Toomas Keski-Säntti - Unearth 06 Dusk at the Balton - Joey Curreri Simón Willson Jonas Esser (4' 53'')Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

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All music used with permission by Ari Hoenig. The Fat Tea Me May - Hoenig Conception - Shearing Tea For Two - Youmans Sophisticated Lady - Ellington Golden Schatze - Hoenig Home - Hoenig Song 7 - Hoenig Song 8  - Hoenig Ari Hoenig is a jazz drummer, composer and educator known for his unusual and intense approach to drumming emphasizing complex rhythms in direct harmony with other group members. Ari is widely noted particularly for his drumming not being relegated to just keeping tempo, or being a side issue to the music he plays in, but rather for elevating drumming as an indispensable part of the performance.   Ari's trio joins us for two sold out sets in the midst of a world tour in support of his 2022 release Golden Treasures which features Ari on Drums, Gadi Lehavi on Piano and Ben Tiberio on bass. From July 21st, 2023 here's the second set of a performance from the Ari Hoenig Trio, Live at the Bop Stop   Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media.   The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard.   For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop?  Donate here!   Contact us here

Back in the saddle again, the boys look at three recent releases and one cute little two-year-old.  Two of the recordings are lead by bassists and two by drummers, so you could say all four were led by a member of the rhythm section - if you liked saying things like that.  They are mostly fairly easy-going albums as well, but, spoilers, Mike doesn't like them all equally.  No further clues here - tune in to find out which ones make the grade.  In pop matters, Mike once again offers Adele a sandwich to assuage her suffering while Pat waxes eloquent about the first two days of the Chicago Jazz Fest.  Bruno Raberg – EVOLVER; Jake Leckie - PLANTER OF SEEDS; Ari Hoenig – GOLDEN TREASURES; Ivanna Cuesta – A LETTER TO EARTH.

Steve Maxwell Jr sits down with incredible jazz drummer, composer, and educator Ari Hoenig before his clinic at our shop! (Recorded in April 2024) arihoenig.com patreon.com/arihoenig If you enjoy these product demos, showcases, and insights around our shop be sure to subscribe! And sign up for our newsletter to stay tuned for in-store events and deals: https://www.maxwelldrums.com/maxwell-newsletter-c-70.html   All interviews and footage are property of Steve Maxwell © 2024

Guitarist Akira Ishiguro studied Jazz performance and composition at Berklee College of Music. Since graduating in 2006, he has been entrenched in the New York City jazz scene.     Tour life has taken him to Japan, Chile, Coasta Rica, Canada, and much of Europe. He has six albums as a leader or co-leader and has appears in over 20 records.   He has shared the stage with Myron Walden, Nate Smith, Ari Hoenig, Mark Guiliana, Takuya Kuroda, Maria Schneider, Dayna Stephens, Jason Lindner, Henry Hey, Will Vinson, John Zorn, George Garzone, Christian McBride, Joe Martin, Matt Penman, Seamus Blake and many more.     Ishiguro's accolades include grand prize in the 2013 Wilson Center Guitar Festival and Competition, and first prize “Public's Choice” as well as overall second place in the 2009 Gibson guitar competition as part of the Montreux Jazz Festival.    His latest album “BON” was released in August 2024. 

Episode 10: A conversation with jazz drummer, composer, educator, and entrepreneur, Ari Hoenig►Ari Hoenig website: https://www.arihoenig.com►Ari Hoenig Patreon: https://www.patreon.com/arihoenig#►Ari Hoenig Instagram: https://www.instagram.com/arihoenig/#►Ari Hoenig YouTube: https://www.youtube.com/user/arihoenig#:~:text=Join%20Ari%20as%20he%20shares%20the%20knowledge%20andAri Hoenig is a jazz drummer, composer, and educator known for his unusual and intense approach to drumming emphasizing complex rhythms in direct harmony with other group members. Ari is widely noted particularly for his drumming not being relegated to just keeping tempo, or being a side issue to the music he plays in, but rather for elevating drumming as an indispensable part of the performance.►Key Moments:0:00 - Introductions2:20 – Musical upbringing and influences7:53 – Teaching practices and philosophies12:47 –Why the drums?18:00 – The decision to be a professional musician. Career day! “I wanna be a drummer”…or a “fruit visionary”.23:50 – Going to North Texas…30:28 – Composing36:02 – How playing and composing influence each other40:22 – Where does your dedication derive from? 44:40 – How do you approach new musical situations?48:40 – Where can we find you?49:31 – Ari Hoenig and John Daversa Duo !!►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Editing: Max NierlichVideo and Audio Capture: Dudley MerriamGraphic Design: Marcus SassevilleAdditional Graphic Design: Izzi GuzmanRecorded in Coral Gables, FL, February 19, 2024►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)#arihoenig #jazzdrums #johndaversa #johndaversapodcast #jazzpodcast ►CreditsHost and Producer: John DaversaVideo: Max NierlichAudio: Dudley MerriamMarcus Sasseville: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)Support the Show.►CreditsHost and Producer: John DaversaVideo: Max NierlichAudio: Dudley MerriamMarcus Sasseville: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

All music used with permission by Ari Hoenig Trio The Fet in Me May - Hoenig Conception - Shearing Tea forTwo - Standard Sophisticated Lady - Ellington Goldenes Schatze - Hoenig Home - Hoenig Song 7 - Hoenig Song 8 - Hoenig Ari Hoenig is a jazz drummer, composer and educator known for his unusual and intense approach to drumming emphasizing complex rhythms in direct harmony with other group members. Ari is widely noted particularly for his drumming not being relegated to just keeping tempo, or being a side issue to the music he plays in, but rather for elevating drumming as an indispensable part of the performance.   Ari's trio joins us for two sold out sets in the midst of a world tour in support of his 2022 release Golden Treasures which features Ari on Drums, Gadi Lehavi on Piano and Ben Tiberio on bass. From July 21st, 2023 here's the first set of a performance from the Ari Hoenig Trio, Live at the Bop Stop.   Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media.   The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard.   For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop?  Donate here!   Contact us here

STEVE TURRE “SANYAS – LIVE SMOKE JAZZ CLUB” New York, c. 2023Sanyas, These foolish thingsNicholas Payton (tp) Steve Turre (tb) Ron Blake (saxes) Isaiah J. Thompson (p) Buster Williams (b) Lenny White (d) JOHN TAYLOR “ANGEL OF THE PRESENCE” Ludwigsburg, Germany, October 17 & 18, 2004Up too late, Vaguely AsianJohn Taylor (p) Palle Danielsson (b) Martin France (d) GILI LOPES “ALGURES” April, 2023Infant eyes, De longe, BarrinhaJohn Ellis (ts) Helio Alves (p) Vinicus Gomes (g) Gili Lopes (b,comp) Ari Hoenig (d) Rogerio Boccato (perc) Continue reading Puro Jazz 29 de julio, 2024 at PuroJazz.

STEVE TURRE “SANYAS – LIVE SMOKE JAZZ CLUB” New York, c. 2023Sanyas, These foolish thingsNicholas Payton (tp) Steve Turre (tb) Ron Blake (saxes) Isaiah J. Thompson (p) Buster Williams (b) Lenny White (d) JOHN TAYLOR “ANGEL OF THE PRESENCE” Ludwigsburg, Germany, October 17 & 18, 2004Up too late, Vaguely AsianJohn Taylor (p) Palle Danielsson (b) Martin France (d) GILI LOPES “ALGURES” April, 2023Infant eyes, De longe, BarrinhaJohn Ellis (ts) Helio Alves (p) Vinicus Gomes (g) Gili Lopes (b,comp) Ari Hoenig (d) Rogerio Boccato (perc) Continue reading Puro Jazz 29 de julio, 2024 at PuroJazz.

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Dat Dere (original mix) 3:53 Sunship/Ceri Evans Dat Dere 2023Tideland 7:30 Hijaz Tideland 2023Mysterious 4:26 Isao Suzuki feat Masahiko Togashi Approach 2023Freckles 5:02 Frederike Music Freckles 2023Now It's Time To Go (feat Steve Rudolph, Steve Varner & Marko Marchinko) 5:58 JD WALTER Now It's Time To Go 2023Here I Am There I Go (feat Ari Hoenig & Jim Ridl) 5:47 JD Walter & Dave Liebman So Wonderful (Now) 2023The Smoke 3:40 The Smile The Smoke 2022Amurru 2:52 Kirk Degiorgio Modal Forces/Percussive Forces 2023Kiriath-Arba 2:59 Kirk Degiorgio Modal Forces/Percussive Forces 2023Time Faded 3:47 LUPAGANGGANG Time Faded 2023

This is the final episode of 2023 for Chill Rose Radio and it is not a recap episode!? I know, crazy. I love and appreciate you for rockin' wit me this year and I'm grateful that because of you we can win awards and get recognized for being a leader in supporting the local scene. It makes the year as sweet as... TRACKLIST: MAUVEY, Big Kill - BBBBBB Aiza - Kite Planet Giza - On The Radar Freestyle Darko the Super, Homeboy Sandman - Boy Sand Tambien Patrik Kabongo, 808vybz - NORTH FACE Eva Shaw - You Don't Know Me Dead Air - Teeth Grinder Skye Wallace - Everything is Fine Milk & Bone - Movies (softest version) Mayfly - Sad That Ur A Fantasy Lev Snowe - Acrobatics David Blake, Ari Hoenig, Drew Gress - Raincheck Loryn Taggart - The Lost Art of Pulling Through --- Support this podcast: https://podcasters.spotify.com/pod/show/chillroseradio/support

EPISODIO 180.Temporada 5-9.EPISODIO PATROCINADO POR:CBM Clases de batería Madrid. https://clasesdebateriamadrid.com/ .Superdrummer Academy.www.simonefolcarelli.com .COMUNIDAD DEL CBM de Iñigo Iribarne:http://Clasesbateriaonline.com .Email diario de Iñigo Iribarne.https://inigobatera.activehosted.com/f/17 .EL MESTODO. ​​https://t.me/unmetodoalmes/ .Disco recomendado por Simone.Made in Japan -DEEP PURPLE: https://www.youtube.com/watch?v=t59VXXl7Sko LIBRO RECOMENDADO por Iñigo.Systems Book 1: Drumming Technique and Melodic Jazz independence por Ari Hoenig.TOP TRI.Simone:Miles Mcpherson: https://www.youtube.com/watch?v=7HBV1IXd3jE .Austin Marshmallows: https://www.youtube.com/watch?v=lBORAbkdRSc&t=1s .Oliver Baldissera: https://www.youtube.com/watch?v=2sldax65vnc&t=21s .Iñigo:Andre Mallau: https://www.youtube.com/watch?v=WVZ1uLvoeB0 .Nick Bukey:https://www.instagram.com/nickbukeydrums/ .Virgil Donati: https://www.instagram.com/thevirgildonati/ .Síguenos en: FB: https://www.facebook.com/Drumless-el-Podcast-101614758071997 .INSTAGRAM: https://www.instagram.com/drumlesspodcast/ .TELEGRAM: https://t.me/drumlesspodcast .ABEL:https://www.instagram.com/kustomdk/ .SIMONE:https://www.simonefolcarelli.com .http://clasesdebateriaonline.com .IÑIGO:http://inigoiribarne.com .https://Clasesdebateriamadrid.com .https://www.twitch.tv/inigobatera .https://www.ellibrodelascorcheas.com .http://Clasesbateriaonline.com .http://insidethegrooveof.com/ .BUY US A COFFEEPaypal: https://www.paypal.me/inigoiribarne .Bizum: 606424669 .

Lauren Falls, Jean-Michel Pilc, Francois Moutin, Ari Hoenig, Daniel Villarreal, Oscar Peterson Trio, The Peggy Lee Band, Erica Seguine & Shon Baker Orchestra,Marion Ruault, Endea Owens, Marike Van Dijk, Helen Svoboda, Audrey Ochoa, Dee Byrne, and Brad Turner TrioPlaylist: Lauren Falls - I Want To Be HappyKelly Jefferson - Holding CourtPilc Moutin Hoenig - ImpressionsDaniel Villarreal, featuring Jeff Parker & Anna Butterss - Rug MotifOscar Peterson Trio - I Could Write a Book (Live)The Peggy Lee Band - Boat Ride into Go Home BayErica Seguine & Shon Baker Orchestra - ReelMarion Ruault - CalderaEndea Owens - Detroit Fight SongMarike Van Dijk - ChangesHelen Svoboda - Blue (Pt 2)Audrey Ochoa - Every Tragedy Needs A PunchlineDee Byrne - Flow StateBrad Turner - Rosemary

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This is an interview with the incomparable Kenny Werner. He is an improvising pianist and author whose impact on the philosophy and practice of improvisation has been extraordinary. In the realm of music, Kenny Werner's improvisations weave melodies and harmonies that are rooted in but not limited to the jazz tradition. His groundbreaking work as the architect of "Effortless Mastery," a transformative methodology for nurturing musical talent, has facilitated the growth of countless aspiring artists worldwide. What sets Kenny Werner apart is not only his technical fluency as a performing artist, but his understanding of the deeper connections between music, self-discovery, and indeed life itself. Immersed in the teachings of Indian philosophy and their echoes in Western thought, Kenny brings a unique perspective that extends well beyond just music practice. This discussion delves into the very heart of Effortless Mastery as Kenny opens the door to a world of possibilities through guided exercises, allowing you to experience the essence of his approach firsthand. Throughout the discussion, Kenny plays the piano to demonstrate, and you might even witness the creation of a new composition! Whether you're a seasoned musician, an aspiring artist, or simply someone with an ear for beauty, this interview with Kenny Werner promises to be an unforgettable exploration of the philosophy, music, and wisdom that shape his remarkable journey.   The musical interlude towards the beginning of the program features music composed and performed by Bradley Vines on alto and baritone saxophones. The first quote is by Sister Wendy taken from her program The Story of Painting (https://www.youtube.com/watch?v=QBv0HezlOBw). The second quote is from an interview with Swami Sarvapriyananda on the Waking Up app with Sam Harris (https://dynamic.wakingup.com/course/COFFD9B?code=SCE8C67C8&share_id=D9D1B484&source=content%20share).   There are three segments of Kenny Werner's recorded music included. The first is taken from the song Little Blue Man on the album Beat Degeneration (https://music.apple.com/us/album/little-blue-man/80818980?i=80818904, with Johannes Weidenmueller, Ari Hoenig, and Kenny Werner). The second is from the title track of his album Animal Crackers (https://music.apple.com/us/album/animal-crackers-feat-kenny-werner-johannes-weidenmueller/1305816021?i=1305816267). The third is from the title track of his album The Space (https://music.apple.com/us/album/the-space/1441314552?i=1441314553).

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A native of eastern Pennsylvania, JD Walter's past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter's recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy's Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Todd and Ari discuss the many musical hats that Ari wears.

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Podcast: SOMETHING came from Baltimore Guest: Ben Markley Album: Ari's Funhouse Label: OA2 Records Release Date: April 15, 2022 Here are the GOODIES: Website: https://www.benmarkleymusic.com/ Website: https://www.arihoenig.com/ SCFB is found on: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Tom Gouker is also featured on a limited-run podcast about the Beatles called, "The Beatles Come To America", Join Tom and the "Beatle Guru" Brooke Halpin as we chat about the US Album Releases of the Beatles ("65", "Yesterday & Today" and "Hey Jude"...they are all there.) How To Get a Hold of SOMETHING came from Baltimore: Contacts Information: Email: somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) Did You know that SOMETHING came from Baltimore is on "TheBocX.com". TheBocX.com - Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW. Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music Spotify Playlists: Are available under the name DJNormal (that is my DJ name) Spotify Playlist: Here is a list of my favorite shows from 2021....Best Songs of 2021! https://open.spotify.com/playlist/16C... Support SOMETHING came from Baltimore: Patreon: https://www.patreon.com/somethingcame... --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 12th May 2022 Artist - Track - Album - Year The U.S. Air Force Band "Airmen of Note"    Touch and Go (feat. Sean Jones)    The 2022 Jazz Heritage Series    2022 Ben Markley Big Band w/Ari Hoenig    Lyric    Ari's Fun House    2022 San Gabriel 7 feat. Sinne Eeg    Under the Stars    Under the Stars    2022 Diego Rivera    La Raza Cósmica    Mestizo    2022 Diego Figueiredo    Sobra As Águas    Follow the Signs    2022 Phill Fest    Tereko    Seresta    2022 Joey Alexander    Winter Blues    Origin    2022 Tim Lin    Pursuing Resolution    Romance in Formosa    2022 Doug Webb    The Message    The Message    2022 Daniel Glass Trio    Smoke on the Water    BAM!    2022 Alternative Guitar Summit    Line Games (feat. Fareed Haque)    Honoring Pat Martino, Vol. 1    2022 Blue Lab Beats    Gotta Go Fast (feat. Poppy Daniels)    Motherland Journey    2022 Ron Cyger/Brent Butterworth    Noir    Take 2    2021 The Brad Felt NŪ Quartet Plus    The Truth About You    First Call    2009 Matt Slocum    America Revisited    With Love and Sadness    2022 Kit Downes, Peter Eldh, James Maddren    Minus Monks    Vermillion    2022 Yves Léveillé    Couleur Grenade    L'Échelle du Temps    2022 The post The Creative Source (#CreativeSource) – 12th May 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Welcome to a new edition of the Neon Jazz interview series with Barcelona-born, NYC Jazz Bassist, Composer & Educator Manel Fortià .. We caught up with him via Zoom in Barcelona to talk about his new 2022 CD Despertar .. He bridges his Mediterranean and Spanish roots with the sounds of modern New York jazz on his trio .. He lives a very prolific moment. His melodic sense, rhythmic precision and creativity have made him one of the most unique and original musicians of the new generation, and have allowed him to perform with jazz luminaries such as Dave Liebman, Ari Hoenig, Arturo O'Farrill,at some of the most prestigious Jazz festivals and clubs worldwide .. Dig this story ..   Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players in Illinois, Venezuela, Nashville, Kansas City, and spots all over the USA giving fans all that jazz .. and thanks to Solitaire for her time, honesty and story ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the Neon Jazz Youtube Channel, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com and if you feel like it, you can donate to the Neon Jazz cause - https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 Until next time .. enjoy the music my friends

Emma Rawicz is an award-winning young saxophonist and composer, already making waves on the UK music scene. She has been described as a force to be reckoned with' (Jazzwise) and 'a fast-rising star' (London Jazz News). At the age of 20, she has already recorded her eagerly awaited debut album featuring Ant Law, made up entirely of her original compositions, the first single Voodoo was released in February, and the album Incantation is due to be released in May 2022. She has also created a name for herself both as a bandleader and a sideman. New arrival on the scene, she has already made an impact, regularly playing at major London jazz venues with a wide range of established musicians. Emma is a recipient of the 2021 Drake Yolanda Award. Emma's influences range from modern jazz and fusion to folk and soul, key figures in her musical development include Chris Potter, Ari Hoenig, Kenny Jarrett, Joe Henderson, Chick Corea, and more.   Growing up in rural North Devon, Emma didn't discover jazz until the age of 15, and didn't pick up a tenor saxophone until a year later, but had spent her childhood otherwise immersed in largely folk and classical music. Emma is a natural performer. Her music has a unique sound, fusing all her many influences, and her compositions range from lilting Afro Cuban-inspired grooves to hard-hitting modern jazz and funk numbers. In this episode, Emma shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Alto saxophonist Will Vinson hails from England but established a great many of his musical collaborations while living in New York City. These working relationships with musicians like Aaron Parks, Kurt Rosenwinkel and Ari Hoenig, to name a few, have resulted in Will's reputation as a saxophonist with incredible power and dramatic sensitivity, whose playing is characterised by his imposing sound and technique. Will's recording output has also been prolific. In fact, we met over Zoom (Will was in Australia but time-difference be damned!) to discuss TWO of his recent albums. Both released in 2020, there was “Four Forty One”, which features Will with five incredible pianists (Sullivan Fortner, Fred Hersch, Tigran Hamasyan, Gerald Clayton and Gonzalo Rubalcaba, and “Trio Grande”, which features his trio with guitarist Gilad Hekselman and drummer Antonio Sanchez. Since our conversation, he has released a 2021 album,  “Solo”, his third release for the London-based Whirlwind Recordings. While we didn't get to discuss “Solo”, there was ample musical ground to cover. Show Notes: Tracklisting: - Northbound (with Trio Grande) - Boogaloo (feat. Sullivan Fortner) - That Happened (feat. Gonzalo Rubalcaba) - Elli Yeled Tov (with Trio Grande) - Work (feat. Fred Hersch) https://triogrande-whirlwind.bandcamp.com/album/trio-grande https://willvinson-whirlwind.bandcamp.com/album/four-forty-one Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Alto saxophonist Will Vinson hails from England but established a great many of his musical collaborations while living in New York City. These working relationships with musicians like Aaron Parks, Kurt Rosenwinkel and Ari Hoenig, to name a few, have resulted in Will's reputation as a saxophonist with incredible power and dramatic sensitivity, whose playing is characterised by his imposing sound and technique. Will's recording output has also been prolific. In fact, we met over Zoom (Will was in Australia but time-difference be damned!) to discuss TWO of his recent albums. Both released in 2020, there was “Four Forty One”, which features Will with five incredible pianists (Sullivan Fortner, Fred Hersch, Tigran Hamasyan, Gerald Clayton and Gonzalo Rubalcaba, and “Trio Grande”, which features his trio with guitarist Gilad Hekselman and drummer Antonio Sanchez. Since our conversation, he has released a 2021 album,  “Solo”, his third release for the London-based Whirlwind Recordings. While we didn't get to discuss “Solo”, there was ample musical ground to cover. Show Notes: Tracklisting: - Northbound (with Trio Grande) - Boogaloo (feat. Sullivan Fortner) - That Happened (feat. Gonzalo Rubalcaba) - Elli Yeled Tov (with Trio Grande) - Work (feat. Fred Hersch) https://triogrande-whirlwind.bandcamp.com/album/trio-grande https://willvinson-whirlwind.bandcamp.com/album/four-forty-one Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Will Vinson is widely regarded as one of the world's premier saxophonist,  London born, New York based. Will has performed and recorded with the who's who of the contemporary jazz scene."Originally from London, Alto Saxophonist/Composer Will Vinson has made his career in New York City and the world. Since his arrival in NYC, he has appeared and/or recorded with Gonzalo Rubalcaba, Kurt Rosenwinkel, Ari Hoenig, Jonathan Kreisberg, Marcus Gilmore, Chris Potter, Kurt Elling, Lage Lund, Aaron Parks, and many others. Will is a member of a number of leading ensembles, including pianist Gonzalo Rubalcaba's Quartet (he appears on Charlie and the Grammy-nominated Caminos), Ari Hoenig's Punk Bop and Nonet (Will appears on Inversations, Bert's Playground and Live at Smalls), Miguel Zenon's Identities Orchestra (Grammy-nominated for Identities are Changeable), and his own groups featuring, among others, Lage Lund, Jeff Ballard, Aaron Parks, Kurt Rosenwinkel, Shai Maestro and Mike Moreno."https://www.willvinson.com/See and listen to Will playhttps://triogrande-whirlwind.bandcamp.com/Listen to the song Four Forty One which is currently on the Grammy list in 5 categories! https://music.apple.com/us/album/four-forty-one/1492143703“It was such a pleasure to meet and interview Will over zoom for this podcast. Will was so generous with his time and his stories of making a career performing, composing and recording music were really relatable. Taking opportunities when they arise, being present in the music scene and turning up has led Will to have this wonderful career as a musician travelling the world and producing 9 CDs.  Having had the pleasure of seeing Will play live here in Adelaide made me understand his incredible talent and his personable down to earth way he communicates on stage and in person. Thank you Will for being on my podcast and we look forward to following your career and hopefully see you performing again in Adelaide.”Tania Ingerson Podcaster/Founder TEA The Entrepreneurial Artist PodcastAny questions please email  ingersontania@mac.com  I would like to acknowledge that music played on my Podcast is an original tune"One thing led to another" by David Innocente, Jazz Musician/Artisthttps://www.innocente.com.au/

Ari Hoenig, jazz drummer extraordinaire, picked me up from the airport when I first landed in NYC-and then immediately made ME drive us around. The nerve! In this episode, we do a deep dive on the Happy Birthday song, and discuss the art of building tension, having fun on the job, and how our songs make us who are. Learn more about Ari HERE Songs featured in this episode: Lyric B.Left Full episode notes, workshops, and more at www.thesonginside.me Buy me a mocha or leave me a note! www.buymeacoffee.com/thesonginside Please rate and review! Apple Spotify

Normally I get to chat with one amazing musician on the podcast, but this week I was lucky to have a wide-ranging conversation with two of them: Ari Hoenig and Vivienne Aerts. Ari, the world-renowned Jazz drummer, and bandleader is making his second appearance on the podcast alongside his Patreon co-pilot Vivienne, whos a well-respected […] The post 603 – Ari Hoenig & Vivienne Aerts: Patreon, The Psychology of learning, and more appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

The show where we uncover the stories, processes, and worldviews behind NYC’s most artful and creative musicians. TICKETS for their January 31st, 2021 concert (recording available after): https://bravesound.org/shop/joeblock/ Today's Guests:Joe Block is a pianist, composer, arranger, and bandleader. He began playing classical piano at the age of two before switching to jazz in middle school. While growing up in Philadelphia, a city with a rich jazz and musical tradition, he was fortunate to learn and study from older musicians on the scene and in jazz education programs at the Philadelphia Clef Club of Jazz and Performing Arts, the Kimmel Center, and Temple University.Joe currently resides in New York City where he attends both the Juilliard School (MM ‘22) and Columbia University (BA ‘21) as part of their highly selective and vigorous dual-degree exchange program. His has studied with Geoff Keezer, Marc Cary, Ted Rosenthal, Bruce Barth, and Frank Kimbrough. Joe has had the opportunity to work and play with many esteemed musicians including Wynton Marsalis, Kurt Rosenwinkel, Leslie Odom, Jr. Ari Hoenig, Eric Alexander, Seamus Blake, Jaleel Shaw, Hannibal Lokumbe, Justin Faulkner, and The Captain Black Big Band. As a bandleader and sideman in New York and Philadelphia he has performed at numerous venues including Dizzy’s, The Django, Birdland, Smalls Jazz Club, Smoke Jazz Club, Bar Next Door, Symphony Space, Alice Tully Hall, Shapeshifter Lab, Cafe Bohemia, Chris’ Jazz Café, South Jazz Parlor, @exuberance, Kimmel Center, Philadelphia Clef Club, Hilbert Circle Theatre (Indianapolis) and the Black Cat (San Francisco).He has also performed at the Monterey Jazz Festival, Belize Jazz Festival, Montclair Jazz Festival, Mid-Atlantic Jazz Festival, Next Generation Jazz Festival, and Telluride Jazz Festival. He leads his own quintet and trio, and is the co-leader and founder of the Philadelphia Ambassador Big Band.In addition to being an instrumentalist, Joe is an avid and experienced composer and arranger (ASCAP). Hailed by Jazz at Lincoln Center as one of "jazz's most promising young composers", he has been commissioned to write or arrange music for the Jazz at Lincoln Center Orchestra with Wynton Marsalis (2019, 2020), the Philadelphia Ambassador Big Band, the Juilliard Jazz Orchestra, the Wynton Marsalis Septet, and the Jazz Orchestra of Philadelphia, for which he arranged part of Gustav Holst’s “The Planets” in 2018.Find him at https://www.joeblockmusic.com/ Your hosts: Michael Shapira: michaelxshapira.com @michaelxshapiraAustin Zhang: austinzhang.org @austindiscoversLearn more: https://bravesound.org/ Instagram: @bravesoundnyc

EPISODIO 42 Temporada 2-18.EPISODIO PATROCINADO POR:FARO DRUMS. https://www.instagram.com/farodrums/ .https://www.facebook.com/farodrumsportocolom/ . LIBRO RECOMENDADO por Simone. The Drummer System - Cristiano Micalizzi: https://amzn.to/2XsIk4d TOP TRI.Simone: Gene hoglan: https://instagram.com/therealgenehoglan?igshid=488sko9oi6r2Jason Bittner: https://instagram.com/jasonbittner?igshid=n8e6o4qzsc8Matt Scurfield: https://instagram.com/mattscurfield?igshid=1ndt9v966i64kIñigo:Ndugu Chancler: https://www.youtube.com/watch?v=1TnLqZbiVcE .Keith Carlock: https://www.youtube.com/watch?v=AKZWKtJh_yM .Ari Hoenig: https://www.youtube.com/watch?v=bH4e4ehu6RA .Síguenos en: FB: https://www.facebook.com/Drumless-el-Podcast-101614758071997 .INSTAGRAM: https://www.instagram.com/drumlesspodcast/ .TELEGRAM: https://t.me/drumlesspodcast .SIMONE:https://www.simonefolcarelli.com .IÑIGO:https://Clasesdebateriamadrid.com .

On December 28, 2020 we welcomed Mark Feinman back to CJH's Young Lions Jazz Master "Virtual" Sessions. To watch this Full Session visit www.clearwaterjazz.com/education and click on THE STUDIO. You can learn more at www.clearwaterjazz.com about the annual Clearwater Jazz Holiday music festival tradition and Clearwater Jazz Holiday Foundation's year-round Education & Outreach.

In this episode, I speak with world-class pianist and composer Kenny Werner who's prolific output of compositions, recordings and publications continue to impact audiences around the world, and author of the impactful book, Effortless Mastery, Liberating the Master Musician Within.  In our conversation, Kenny expands on: His incredible journey, leading to the exploration of effortless mastery How the need to play well is the thing we should – yet will never – surrender How focus behaves like water How to let “the master” play Fear-based practicing and performing How detachment can help us play better than ever & where lack of flow in performance comes from Effortless Mastery in a nutshell: Go into the space (it's easier than you think, and Kenny shows us how…) and play a note in that state Move around the instrument freely while in that space (think Ouija Board! Or try playing something as fast as possible.) Play something you know really well in that state of effortless mastery Practice in that state (and the state becomes your teacher!)   Kenny is an artist and pedagogue of great depth and I know the things he talks about today could transform your approach to practicing and performing!      Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone and I CAN HELP!  Visit https://www.mindoverfinger.com/workwithme  to learn more and book your call so we can discuss how to get you from where you are to WHERE YOU WANT TO BE!     MORE ABOUT KENNY WERNER: Website: https://kennywerner.com/ YouTube: https://www.youtube.com/channel/UCgHDUXumPbIfYbCcMozdEYg Patreon: https://www.patreon.com/kennywerner Facebook: https://www.facebook.com/kennywernermusic Instagram: https://www.instagram.com/effortlessmastery/ Twitter: https://twitter.com/kennywerner   For Kenny's full discography and credit list, click here.  For Kenny's educational credits, awards, published works and educational videos, click here.  For musician and press quotes about Kenny, click here.   Biography   Kenny Werner is a world-class pianist and composer. His prolific output of compositions, recordings and publications continue to impact audiences around the world. Kenny was recently awarded the 2010 Guggenheim Fellowship Award for his seminal work, No Beginning No End. No Beginning No End is a musical journey exploring tragedy and loss, death and transition, and the path from one lifetime to the next. Utilizing over 70 musicians, Kenny's third album for Half Note Records is an expansive composition featuring Joe Lovano, Judy Silvano, Wind Ensemble, Choir and String Quartet. Born in Brooklyn, NY on November 19, 1951 and then growing up in Oceanside, Long Island, Kenny began playing and performing at a young age, first recording on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major. His natural instinct for improvisation led Kenny to the Berklee School of Music in 1970. There he sought tutelage of the renowned piano teacher Madame Chaloff. Her gracious wisdom and inspiration became a driving force in Kenny's conception: music conscious of its spiritual intent and essence. From Boston, Kenny traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Victor's twin brother, Brazilian pianist Joao Assis Brasil. He studied with Joao, who provided another piece of the puzzle for Kenny's conception that would lead to Effortless Mastery, his landmark opus on how to allow the master musician from within to manifest. Kenny started his own trio in 1981 with drummer Tom Rainey and bassist Ratzo Harris. The Kenny Werner Trio matured for fourteen years, wowing audiences in America and Europe and recording four albums along the way. Kenny had written many original compositions featuring trios and other small group configurations, but in the mid 1980s, he became the pianist for the Mel Lewis Orchestra (currently known as the Village Vanguard Orchestra). Challenged by Mel and Bob Brookmeyer to write for the band, he produced his first compositions and arrangements for jazz orchestra, consequently leading him to write for the major bands in Europe including the Cologne, Danish, and Stockholm Jazz Orchestras, The Umo Jazz Orchestra of Finland and several times as the guest composer and soloist with the Metropole Orchestra of Holland. Since then Werner has had many commissions to write for large ensembles such as jazz orchestras, full orchestras and most recently, wind ensemble, choir and string quartet as featured on his latest CD, No Beginning, No End. Several outstanding musical partnerships began in the 1990s. Kenny continues to play duo with Toots Thielemans, the legendary harmonica player. For twenty years he has played with and arranged for Betty Buckley, a Broadway legend. They made six albums together and she has sung his arrangements for small band and orchestras across the globe.  He also has had a nearly forty-year friendship and musical collaboration with Joe Lovano. They have recorded on a number of each other's projects. In 2000, Kenny formed a new trio with Ari Hoenig on drums and Johannes Weidenmueller on bass.  They played nearly a decade together and released three albums, with Kenny acting as composer, arranger, and pianist.  Their last album, Peace - Live at the Blue Note, released in 2004, began a wonderful relationship with Half Note Records, the recording arm of the Blue Note Jazz Club.  He created three CDs before the release of his masterpiece, No Beginning No End.  In 2007, Kenny Werner released his first album for Blue Note Records. Lawn Chair Society, featuring Chris Potter, Dave Douglas, Scott Colley, and Brian Blade, received critical acclaim for its fusion of electro and acoustic elements. Kenny's groundbreaking work on Improvisation, Effortless Mastery - Liberating the Master Musician Within, was published in 1996. Using his life experiences as a microscope into the artist's mind, Effortless Mastery is a guide to distill the emotional, spiritual, and psychological aspects of an artists' life. Today it is one of the most widely read books on music and improvisation. The book is a required reading at many universities. Werner, without intention, touched off a revolution of inspiring musicians to do inner work on the mind, body, and soul in attempt to upgrade their musical experience from the mundane to the profound. The book is also popular with artists of other mediums and business professionals.  Kenny continues to teach and give clinics in the United States and abroad. He is currently on the Jazz Piano Faculty at New York University.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights!   Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   Join the Mind Over Finger Tribe for additional resources on practice and performing If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

My guest today is Lex Sadler.Lex is a bassist, programmer, designer and musical director. Besides being a great electric bass player he’s also a very skilled synth bass player. Lex moved to NYC 13 years ago from Australia and has played with people like Peter Cincotti, Talib Kweli, Michael Bolton, etc. He also is a big part of the many of the great local music nights in NYC including Producer Mondays at NuBlu (featuring all kinds of all-star guests) and the Jelly.He has a great solo album called “Polytronic”, with geniuses like Cory Henry, Nat Townsley, Ari Hoenig, Alex Han and my drum brother Sydney Driver.There’s also Rhythm & Stealth (which also features Sydney Driver on drums) that’s an eclectic mix of electronica, hip hop, samples, live instrumentation and drum’n’bass beats.We talked back at the end of June and talk about all kinds of stuff ranging from vintage basses, video games, NYC in the late 00’s, etc. It was a great conversation and here’s how it went.

Pundit was written during the 2016 election as a reflection of political pundits who change their opinions and narratives on a dime. Gabe Terracciano - violin Davie Pietro - alto saxophone Adam Rogers - guitar Matt Pavolka - bass Mark Ferber - drums Originally from Portland, Maine, Gabriel Terracciano is an award winning violinist, composer, and educator.  Classically trained from a young age, Gabe has spent his career focusing on playing the violin in a variety of non-classical genres. He has been a member of the two-time Grammy award winning Turtle Island String Quartet since 2018, and is a member of numerous New York-based groups in addition to leading his own trios and quartets. He has played throughout the United States as well as Internationally, including concerts throughout Ghana as a member of the Ghanaian National Symphony Orchestra, and was the recipient of both third prize at the 2018 Zbigniew Seifert Jazz Violin Competition and first prize at the 2018 Freshgrass Festval Fiddle Contest. He has played, recorded, and/or studied with the likes of John Scofield, Cecil McBee, Tanya Kalmanovitch, Dave Holland, Billy Hart, George Cables, Victor Lewis, Ron McClure, Ari Hoenig, Noah Preminger, Jason Moran, Jerry Bergonzi, and Frank Carlberg. He lives in Brooklyn, New York.

Episode 14 features Rotem Sivan, a world renowned Jazz guitarist and composer from Israel, currently based in New York. Rotem is a world renowned guitarist and composer, having played alongside the likes of Peter Bernstein, Grace Terzian and Ari Hoenig. Rotem has toured the world with his trio and released several albums with Same Way Home, his latest record, debuting in 2019.In this episode, I sat down with Rotem to talk about his approach to composition, chaotic guitars and what the COVID-19 pandemic has meant for performing musicians like himself. You can check out Rotem's albums on all platforms, including his video lessons that are readily available on his YouTube channel.-Rotem’s Website - https://www.rotemsivan.com/-Rotem’s Youtube- https://www.youtube.com/user/RotemSivanTrio-Rotem’s Instagram- https://www.instagram.com/rotemsivanguitar/-Sitting In Merch- https://teespring.com/stores/sitting-in-podcast/

  Mike Jeffers and special guest vocalist Jd Walter talking about his new recording "Dressed in a Song" where he performs with 6 of his favorite piano players and mixture of original compositions and well known songs. JD also discusses how he developed his sound and improvisational style at the UNT College of Music and studying with Deborah Brown. Thanks to the Epiphany Center for the Arts.   About JD Walter A native of eastern Pennsylvania, JD Walter’s past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter’s recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. While recording his most recent album, “Dressed in a Song,” a life-threatening health scare and subsequent heart and vocal cord surgeries kept Walter out of the studio and off the road for several years. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy’s Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow.

Orlando le Fleming is the kind of bass player who possesses that mysterious element, that sound, that groove, that thing that you want to hook up with. Maybe that’s why some of the finest drummers in jazz have chosen Orlando to play in their groups - he logged serious miles playing with Jeff “Tain” Watts, Ari Hoenig, and Antonio Sanchez - three of the most influential drummers alive. And an early recording project with Jimmy Cobb helped to position Orlando as a bass player to know about. He’s also a bass player that singers like to work with. He played with Jane Monheit for years, and spent much of the last few years on the road with Leslie Odom, Jr. (who is known for playing the role of Aaron Burr in Hamilton). Orlando co-leads a drummerless group called Owl Trio with saxophonist Will Vinson and guitarist Lage Lund, and his solo project Romantic Funk features his groovy fusiony funky tunes played by a collection of New York jazzheads. Orlando has taken his years of experience and strategies for getting it together and written a new book called Get It Together: Time and Sound Priorities for the Jazz Bass Player.  Despite his exotic name, Orlando explains that he is really just a “slow Englishman”. However, he does have a rather exciting secret in his past: before becoming a jazz bass player he was a professional cricketer in England.  We had this conversation in early January of this year. In our talk we look at his career in general terms, talk a lot about playing the bass, the role and function of the bass in ensemble playing, ideas about composition and groove. But what we really settle into is a conversation about New York. In retrospect, the conversation is a kind of time capsule. It’s a look at the jazz experience in New York just before disaster struck. From where we’re sitting right now, it’s hard to imagine how and when the city will open up again, what that will mean, and if jazz clubs will ever recover as they were before. Seen through that lens, today’s episode is a window into a world that we can still remember but that we know is lost.  Here Orlando considers how to get a sound on the bass, why he puts “rhythm before notes”, what were the advantages to starting his career in England, when to leave New York, who were his mentors, the “jazz struggle” and why “groove comes from culture.”

Peter Mazza discusses his harmonic jazz guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Peter: Peter Mazza is an exciting jazz guitarist recognized for his creative and virtuoso interpretations of jazz standards as well as his passionate and thoughtful compositions. Blending clean and fluent lines with colorful chord voicings and driving pulse, he creates imaginative ensemble arrangements as well as lush solo guitar pieces.Born and raised in New York City, he attended La Guardia High School of Music and the Arts, then went on to obtain a Bachelor of Music from the Manhattan School of Music and a Masters from The Juilliard School (his Masters on a full scholarship). He studied under guitarists- Allen Hanlon, Fred Fried, Jack Wilkins, Rodney Jones, Dennis Koster.His performing career began while still in school when he earned the leader’s role at a four-night-a week jam session at Augie's Jazz Bar, now called Smoke. He played there with Brad Mehldau, Roy Hargrove, Joel Frahm, Chris Potter, Donny McCaslin, Uri Cane, Christian McBride, Larry Grenadier, Dwayne Burno, Greg Hutchinson, Jeff Ballard and many others.Peter went on to gain acceptance to the prestigious Thelonius Monk Jazz Competition, where he was ranked semifinalist.He has performed guitar duos in NYC with Jonathan Kreisberg, Mike Moreno, Freddie Bryant, Pete Bernstein, Paul Bollenback, Kurt Rosenwinkel, Jack Wilkins, Gene Bertoncini, Barry Greene and many more.His groups have been featured at jazz venues such as Dizzy’s Club, Birdland, The Knitting Factory and the Cornelia Street Café and as part of special events held at the United Nations, Rainbow Room, Rialto Room, The Allen Room, The River Club, The Yacht Club, Tribeca Grill, Le Bernadin, Brigewater's, Saks Fifth Avenue, Bloomingdale's.12 years ago, Peter began a Sunday night trio residency at The Bar Next Door at La Lanterna that is still vital today. His trio has featured Hendrik Meurkens, Will Vinson, John Ellis, Donny McCaslin, Jon Irabagon, Patrick Cornelius, Jacam Manricks, Etienne Charles, Itai Kriss, Matt Penman, Matt Clohesy, Hans Glawischnig, Marco Panascia, Ben Williams, Haggai Cohen-Milo, Brian Charette, Ari Hoenig, Bruce Cox and many more.Over the course of his steady-Sunday-night, Peter has favored the use of 2 different instrumentations that have complimented intimate size of the BND and the club’s exclusive trio format. Those trios boldly explore texture and rhythm without the presence of drums. They include a guitar with bass and horn group, then a guitar with keys and bass group. His current trio with Misha Tsiganov on piano and Thomson Kneeland on Bass just recorded a debut release called “Circles and Lines" on Peter’s own Urban Flower Records.After successfully launching his residency-gig, early on Peter helped implement a 7-night-a-week schedule of jazz music at the Bar Next Door at La Lanterna that has featured an outstanding and diverse array of guitar and saxophone-led trios, from some of New York’s most seasoned musicians, to some of its most exciting new talent. In an effort to continue to expand the club’s offerings as its Musical Director, 3 years ago he designed and implemented an Emerging Artist Series that has featured the best college-aged musicians playing early sets that occur on 4 nights of every week.Peter has been invited to perform and guest speak at New York University, The Manhattan School of Music and at the Peabody Institute. In his presentations he discusses how he initiated jazz nights at various restaurants and bars throughout the city and how that effort culminated in the conversion of the BND from a restaurant with jazz into a notable full-on listening venue. He advises students on creative and professional ways to assimilate into the New York Jazz Club scene, particularly into the Emerging Artist Series.Peter has taught jazz guitar for over 20 years. He held long affiliations with The American Institute of Guitar/International Studio of Music, The National Guitar Workshop and The New School while retaining his active private studio. He has been featured in the pages of Just Jazz Guitar and Jazz Inside magazines where he has discussed his approach to arranging, writing and practicing.His solo guitar video of “Somewhere Over the Rainbow" on You Tube posses over 120,000 views.His first CD was in 2007, called Through My Eyes on the Japanese label Late Set Records. The disc presented 8 original compositions and 2 original arrangements. While the pieces drew from jazz, classical, rock, funk and ambient music, the evocative and personal nature of the music fused them. The release was supported with 2 tours of Japan.Peter’s most current CD - “Circles and Lines" is scheduled for release in October of 2014. He has a solo guitar recording “Blues for the Ineffable" is scheduled for release in 2015.Though Peter is well seasoned with his own clear and distinctive style, he remains one of the jazz guitar world’s best-kept secrets.

Colin Hinton is an active member of Brooklyn’s creative music community. A drummer, percussionist, and composer, his music draws from the jazz and free music traditions of Henry Threadgill, Anthony Braxton, and Muhal Richard Abrams, as well as 20th century classical composers Messiaen, Scriabin, Feldman, and Grisey. He has performed in the US, Canada, Central and South America, and Asia, and has had his compositions performed in the US, Italy, and Canada. An active educator in the NYC area, Colin has taught at the City College of New York, numerous music academies, and runs a private teaching studio. He has given clinics at the City College of New York and the University of Toronto. Hinton studied drums with Ed Soph, Tyshawn Sorey, Dan Weiss, Ralph Peterson, and Ari Hoenig, and composition with Ingrid Laubrock, Tyshawn Sorey, and Eric Wubbels. He studied at the University of North Texas and City College of New York, completing a BFA in Jazz Performance and an MA in Music Performance with a focus in 20th century theory. Colin has performed with Ingrid Laubrock, Todd Neufeld, Tony Malaby, Brandon Seabrook, Michael Formanek, Lotte Anker, Jon Irabagon, Okkyung Lee, Eivind Opsvik, Tyshawn Sorey, Brandon Lopez, Jacob Sacks, Briggan Krauss, Miles Okazaki, Michaël Attias, Jesse Zubot, and Anna Webber. He performed on Jake Hanlon’s 2012 CD release “Follow” which was nominated for ECMA Jazz Recording of the Year. He has performed at notable NYC venues such as The Jazz Gallery, The Stone, Bar Next Door, Rockwood Music Hall, and Cornelia Street Café. Hinton currently leads contemporary classical/avant-jazz quintet Simulacra (Anna Webber, Yuma Uesaka, Edward Gavitt, Shawn Lovato, Colin Hinton), free-jazz/post-punk hybrid Glassbath (Peyton Pleninger, Edward Gavitt, Eva Lawitts, Colin Hinton), Aphelion (Tony Malaby, Todd Neufeld, Eivind Opsvik, Colin Hinton), and a piano trio featuring Santiago Leibson and Eivind Opsvik. Colin also co-leads Ocelot – a collaborative trio featuring Yuma Uesaka and Cat Toren whose debut recording will be released in fall 2020. Hinton is also the founder and co-curator of Off-Brand Music Series – a monthly music series hosted at Branded Saloon in Brooklyn that celebrates the avant-garde and experimental music scene. Off-Brand Music Series has been running monthly since January of 2018. For more information visit https://www.colinhinton.com/

EPISODIO 17.EPISODIO PATROCINADO POR:CBM CLASES DE BATERÍA MADRID https://clasesdebateriamadrid.com .En este episodio hablamos de:Avances que hacemos en el Zoom, ir como un loco, de quedarse como estamos tan bien confinados, del desastre de Coronavirus, de hacer analíticas por el virus, de ser un lagarto, de tomar café al donar sangre, de desmayarse y sustos en autobuses, de hipnosis, de utilizarlo para las clases, de audios binaurales… la charla de café…De las webs de grabación de la semana pasada, que molan tela, de sacar el podcast cuando nos de la gana, de las clases de LA TURRA por Zoom y lo que va a suponer. De escuchar Podcast, y de que ya no somos el único podcast de baterías. de fregar los platos… de la próxima entrevista…Simone ha contactado con una agencia de promoción online, a ver que nos cuenta, de cumple de Meri, la chica de Simone, del galimatía con los precios… de Juan Expósito y cómo damos las clases… del avance del mundo en 2 meses,Respuesta del Drum Quiz.Año de publicación del Stick Control: 1935.Nuevo Quiz e Iñigo se tira al barro, ojo con la Chía!POR FIN SIMONE SE ENTERA QUE NO SABEMOS QUÉ ES LA SIGLA!!!LIBRO RECOMENDADO por Iñigo.Daily Drumset Workout de Claus Hessler: https://amzn.to/2yGHKal .TOP TRI.Simone: Jonathan Moffet: https://www.youtube.com/watch?v=ctLu7-eid8g .Omar Hakim: https://www.youtube.com/watch?v=3rVpHt9G2GQ .Sean Wright: https://www.youtube.com/watch?v=FRV18ivjjN4 .Iñigo:Ari Hoenig: https://www.youtube.com/watch?v=9wTTsSHRLGM .Mariano Steimberg: https://www.instagram.com/mariano.steimberg/ .Heather Thomas: https://www.instagram.com/heatherondrums/ .y de muchas cosas más!Síguenos en: FB: https://www.facebook.com/Drumless-el-Podcast-101614758071997 .INSTAGRAM: https://www.instagram.com/drumlesspodcast/ .TELEGRAM: https://t.me/drumlesspodcast .SIMONE:https://www.simonefolcarelli.com .

The Drum Brigade Podcast is sponsored by Revolution Drum. Visit www.revodrum.com and type in code “drumbrigade15” at check out for 15% off.“Forward thinking drum products with uncompromised quality and innovation”For exclusive content and bonus episodes please support our Patreon at: https://www.patreon.com/drumbrigadeFor more info about Korey visit: www.koreykingston.comFor more info about Funky Phil visit: www.philpardell.comwww.drumbrigade.com

About Rick:Originally from Montreal, Rick Rosato moved to New York City in 2007 to study at The New School for Jazz and Contemporary Music. He quickly became one of the most in-demand jazz bassists and has been maintaining an international performance schedule since. In 2010, he led a three-month-long artist series at the Upstairs Jazz Club in Montreal, where he formed several different groups featuring some of today’s most influential voices in jazz, including the co-led trio “Stranahan/Zaleski/Rosato”.In the summer of 2014, Rick competed for the TD Jazz Awards at the Montreal International Jazz Festival with his own trio and won the Galaxie Jazz Award for best composition.He is regularly touring internationally and recording with groups such as Gilad Hekselman, Joel Ross, Melissa Aldana, Stranahan/Zaleski/Rosato, Ben Van Gelder, David Kikoski, and Will Vinson. Rick has also performed with Billy Hart, Peter Bernstein, Mark Turner, Dayna Stephens, Chris Potter, Aaron Parks, Bill Stewart, Marcus Gilmore, Jeff Ballard, Ari Hoenig, Mike Moreno, Lage Lund, Charles Altura, and many more.In addition to private teaching, Rick has led workshops all over the world and was a featured artist and educator at the Thai International Jazz Conference in 2014. (Bio courtesy of SmallsLive.com)Connect with Bernie's Bootlegs:Website: http://berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1Email: berniesbootlegs@gmail.comSupport the show (http://berniesbootlegs.com/support)

In today’s episode we are speaking with saxophonist and composer Alex LoRe. We discuss his appearance in the YouTube series “The Working Musician,” his upbringing in Florida and mentorship under Bunky Green, his move to New York, practical tips for improving your technique, his advice for someone wanting to follow in his footsteps, and more.Support the Podcast: https://berniesbootlegs.com/supportConnect with Alex:Website: https://alexlore.com/Instagram: http://instagram.com/alexmloreFacebook: https://www.facebook.com/alexmloremusic/Connect with Bernie's Bootlegs:Website: http://berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1Email: berniesbootlegs@gmail.comAbout Alex, courtesy of AlexLore.com:"Noted by the New York Times as a saxophonist who is “…making the connections among about 70 years’ worth of contemplative, articulate and light-toned players”, Manhattan-based saxophonist and composer Alex LoRe is one of the most in demand alto saxophonists on the current New York City jazz scene. Originally from Tarpon Springs, Florida, LoRe has been mentored by a “who’s who” of saxophonists, including Lee Konitz, George Garzone, Jerry Bergonzi, James Moody, and Steve Wilson to name a few. Internationally acclaimed saxophonist and educator Bunky Green says LoRe “…will emerge to become one of the leading voices on the international jazz scene.” Saxophonist George Garzone describes his playing as “bold and unforgiving”, with “…a beautiful sound; he understands the concept of melody.” With a strong upbringing in classical music, LoRe’s playing and compositions are influenced by many genres, ranging from European classical music through today’s most influential artists on both the jazz and popular music scenes.LoRe has been featured at venues such as New York City’s Museum of Modern Art (MoMa), the Jazz at Ravinia Festival held at the Stean’s Institute for Young Artists in Chicago, the Monterey Jazz Festival in California, and the Jacksonville and Clearwater Jazz Festivals in Florida, among others. In New York, he frequents prominent venues such as Smalls Jazz Club, Dizzy’s Club Coca Cola, The Jazz Gallery, and Smoke Jazz Club both as a leader of his own groups and as a sideman. He is a member of saxophonist Lucas Pino’s “No Net” Nonet, which currently holds a residency at Smalls Jazz Club. LoRe has had the opportunity to perform and work with artists George Garzone, Ingrid Jensen, David Liebman, Tony Malaby, Ron Blake, Steve Wilson, Aaron Parks, Dan Tepfer, Ralph Alessi, and Ari Hoenig, among others. Internationally, he has performed throughout the Netherlands, Australia, Israel, and Canada.LoRe holds a bachelor of music degree from Boston’s New England Conservatory of Music, and a master of music degree from New York’s Manhattan School of Music. Most recently, he plans to release his third album for Challenge Records International this coming September 6th, 2019. Entitled Karol, the record will feature compositions inspired by LoRe’s study of classical composers and features pianist Glenn Zaleski, bassist Desmond White, and drummer Allan Mednard."Support the show (http://berniesbootlegs.com/support)

Enjoy the podcast? Support the show with a one-time or monthly donation via PayPal (thank you!)How’s it going everybody, today I’m bringing you my conversation with pianist and composer Glenn Zaleski. We discuss his early musical history, his introduction to jazz, moving to NYC, his process for assimilating new information, how he composes, his advice for younger musicians, and much more.For more episodes please visit berniesbootlegs.comFind Glenn:https://www.glennzaleski.com/https://www.youtube.com/user/zmanglenn24https://www.instagram.com/glennzaleski824/Find Bernie:youtube.com/berniesbootlegs1Instagram.com/berniesbootlegsTwitter.com/berniesbootlegsbernie@berniesbootlegs.comAbout Glenn, courtesy of glennzaleski.com:"Glenn Zaleski is one of the most in-demand pianists on the New York City jazz scene. Originally from Boylston, MA, Glenn has made a name for himself playing with the likes of Ravi Coltrane, Lage Lund, and Ari Hoenig. His most recent album, "Solo Vol. 1", was released in early 2018 - his first solo piano album, as well as the first release from his own label Stark Terrace Music. In 2017 he released his second album for Sunnyside Records, "Fellowship", prompting All About Jazz to note, "Glenn Zaleski has quickly become one of the most important pianists of his generation and it's easy to see why." His debut album, "My Ideal", was released in March of 2015, also on Sunnyside, and received critical acclaim: Downbeat Magazine named it "sublime", Jazz Times called it, "an engaging set by a talent worth watching," and the New York Times named the record a "strong statement," praising its "fluent but unhurried sense of phrase".Glenn has also released two popular albums with the collective Stranahan/Zaleski/Rosato: "Limitless" (Capri, 2013), and "Anticipation" (Capri, 2011), as well as a duo record with his brother, saxophonist Mark Zaleski. ("Duet Suite", 2010)In 2011, Glenn was a semi-finalist in the Thelonious Monk International Jazz Piano Competition, as well as a finalist for the 2011 APA Cole Porter Fellowship in Jazz. He attended the Brubeck Institute Fellowship program in Stockton, CA from 2005-2007, and then finished his undergraduate studies at The New School in 2009. From 2009-2011, while working towards his graduate degree at NYU, Glenn was also on NYU faculty, teaching a variety of classes and private students."Support the show (http://berniesbootlegs.com/support)

“The artistic thing needs to happen. Along with being great parents we just can’t live any other way. I can’t live any other way.” Dan Weiss is a musician from Brooklyn, NYC who is a drummer, tabla player, and composer. He leads his projects Starebaby, his jazz trio, Fourth Floor, and collaborations with Ari Hoenig and Miles Okazaki. As well as being a sideman in very high demand, he is also a bandleader and composer. He composes through piano, electric bass, and drum set to create these incredibly moody, complex, rich and compelling works that have a distinct presence to them. Dan also studies tabla with Samir Chatterjee. This study with Samir has been going on for over twenty years.  In this interview, you will hear Dan’s complete and total honesty. Dan provided an analysis based on his answers in this interview. The results were, Honesty = 98.9% Answers on the whole = 87.3% You Will Hear About…. Dan’s creative process with composing and some details on the new Starebaby record. Dan’s discusses the book You Are Not Your Brain and how he has benefited from this book. How Dan's Guru, Samir Chatterjee, teaches him by example. How Dan adapted to being a father and what he has learned from his daughter. If Dan ever thinks about the future state of the world. If we as adults lose the child-like "specialness" of life. Practicing in your mind vs on the drums. Why Should You Listen? I am usually very satisfied with these podcast episodes that I create. But sometimes when they are finished, I have an incredible feeling of connectivity to the work. It is remarkable how much Dan and I related to each other in this one. There was a great sense of honesty, openness and human rawness in this conversation. Dan and I cover a lot of deep topics that apply directly to the artist’s mind and heart. How do we know when our work is done or if it is any good? How do we obsess over detail, without it suffocating us in the process? These are some of the questions raised in this one. I recommend listening deeply and focused with this one to get the full effect.   Music used in this episode: Dan Weiss Trio - Timshel Prelude Always Be Closing Dan Weiss - Starebaby Veiled   Dan’s Socials Patreon Instagram Facebook YouTube Website   Drumeo Gab’s Socials Instagram Facebook

Peter Mazza is an exciting jazz guitarist recognized for his creative and virtuoso interpretations of jazz standards as well as his passionate and thoughtful compositions. Blending clean and fluent lines with colorful chord voicings and driving pulse, he creates imaginative ensemble arrangements as well as lush solo guitar pieces.Born and raised in New York City, he attended La Guardia High School of Music and the Arts, then went on to obtain a Bachelor of Music from the Manhattan School of Music and a Masters from The Juilliard School (his Masters on a full scholarship). He studied under guitarists- Allen Hanlon, Fred Fried, Jack Wilkins, Rodney Jones, Dennis Koster.His performing career began while still in school when he earned the leader’s role at a four-night-a week jam session at Augie's Jazz Bar, now called Smoke. He played there with Brad Mehldau, Roy Hargrove, Joel Frahm, Chris Potter, Donny McCaslin, Uri Cane, Christian McBride, Larry Grenadier, Dwayne Burno, Greg Hutchinson, Jeff Ballard and many others.Peter went on to gain acceptance to the prestigious Thelonius Monk Jazz Competition, where he was ranked semifinalist.He has performed guitar duos in NYC with Jonathan Kreisberg, Mike Moreno, Freddie Bryant, Pete Bernstein, Paul Bollenback, Kurt Rosenwinkel, Jack Wilkins, Gene Bertoncini, Barry Greene and many more.His groups have been featured at jazz venues such as Dizzy’s Club, Birdland, The Knitting Factory and the Cornelia Street Café and as part of special events held at the United Nations, Rainbow Room, Rialto Room, The Allen Room, The River Club, The Yacht Club, Tribeca Grill, Le Bernadin, Brigewater's, Saks Fifth Avenue, Bloomingdale's.12 years ago, Peter began a Sunday night trio residency at The Bar Next Door at La Lanterna that is still vital today. His trio has featured Hendrik Meurkens, Will Vinson, John Ellis, Donny McCaslin, Jon Irabagon, Patrick Cornelius, Jacam Manricks, Etienne Charles, Itai Kriss, Matt Penman, Matt Clohesy, Hans Glawischnig, Marco Panascia, Ben Williams, Haggai Cohen-Milo, Brian Charette, Ari Hoenig, Bruce Cox and many more.Over the course of his steady-Sunday-night, Peter has favored the use of 2 different instrumentations that have complimented intimate size of the BND and the club’s exclusive trio format. Those trios boldly explore texture and rhythm without the presence of drums. They include a guitar with bass and horn group, then a guitar with keys and bass group. His current trio with Misha Tsiganov on piano and Thomson Kneeland on Bass just recorded a debut release called “Circles and Lines" on Peter’s own Urban Flower Records.After successfully launching his residency-gig, early on Peter helped implement a 7-night-a-week schedule of jazz music at the Bar Next Door at La Lanterna that has featured an outstanding and diverse array of guitar and saxophone-led trios, from some of New York’s most seasoned musicians, to some of its most exciting new talent. In an effort to continue to expand the club’s offerings as its Musical Director, 3 years ago he designed and implemented an Emerging Artist Series that has featured the best college-aged musicians playing early sets that occur on 4 nights of every week.Peter has been invited to perform and guest speak at New York University, The Manhattan School of Music and at the Peabody Institute. In his presentations he discusses how he initiated jazz nights at various restaurants and bars throughout the city and how that effort culminated in the conversion of the BND from a restaurant with jazz into a notable full-on listening venue. He advises students on creative and professional ways to assimilate into the New York Jazz Club scene, particularly into the Emerging Artist Series.Peter has taught jazz guitar for over 20 years. He held long affiliations with The American Institute of Guitar/International Studio of Music, The National Guitar Workshop and The New School while retaining his active private studio. He has been featured in the pages of Just Jazz Guitar and Jazz Inside magazines where he has discussed his approach to arranging, writing and practicing.His solo guitar video of “Somewhere Over the Rainbow" on You Tube posses over 120,000 views.His first CD was in 2007, called Through My Eyes on the Japanese label Late Set Records. The disc presented 8 original compositions and 2 original arrangements. While the pieces drew from jazz, classical, rock, funk and ambient music, the evocative and personal nature of the music fused them. The release was supported with 2 tours of Japan.Peter’s most current CD - “Circles and Lines" is scheduled for release in October of 2014. He has a solo guitar recording “Blues for the Ineffable" is scheduled for release in 2015.Though Peter is well seasoned with his own clear and distinctive style, he remains one of the jazz guitar world’s best-kept secrets

Por Pachi Tapiz. “All The Things You Are”. Ari Hoenig Trio: Conner’s Days (Fresh Sound New Talent) Ari Hoenig, Nitai Hershkovits, Or Bareket © Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120

Known for his modern approach to jazz, technical mastery on the kit and high aptitude for rhythm and independence, Steve Lyman is emerging as one of the leading voices on the drums around the globe. Originally from Salt Lake City, Utah, Lyman moved to New York City in 2005 to study at the prestigious New School University. Lyman quickly began working with some of New York's finest musicians under the tutelage of his teacher and mentor, drummer Ari Hoenig. Lyman's first major opportunity was performing with vocalist José James (with whom Lyman was an active member from 2006-2008) performing on Mr. James's critically acclaimed album The Dreamer, which was voted #21 of the top 50 albums in 2008 (JazzTimes Magazine). As a performer, Lyman has enjoyed sharing the stage with some of the leading voices in jazz and contemporary music, including: Aaron Parks, Jon Batiste, Gilad Hekselman, Nir Felder, Julian Pollack, Chase Baird, José James, Ben van Gelder, Ben Street, Bill McHenry, George Garzone, Ralph Alessi, Logan Richardson, Jaleel Shaw, Thomas Morgan, Tyshawn Sorey, Madeline Eastman, Joe Martin, Dan Tepfer, Becca Stevens, Kris Johnson and Corey Christiansen to name a few. Lyman has also toured the world extensively as a performer. In Europe, Lyman has performed throughout the UK, France, Italy, Germany, the Netherlands, Spain, playing such venues as the BBC Studios London, The Blue Note Milan, and the New Morning Paris. In the United States, Lyman has performed at the renown Blue Note and Smalls jazz clubs regularly, both as a sideman and as a leader. As an educator, Lyman has led workshops and masterclasses throughout the US and is becoming a first-call international clinician. In 2018 Lyman led his first ever drum clinic tour in the UK—teaching to hundreds of drummers around the regions of London, Wales, Bristol and at Universities and music festivals throughout the greater UK. Upcoming clinics include: Argentina, Singapore as well as returning to the UK in 2020. Lyman released his debut record Revolver in 2013 which featured all original compositions and received 5 Stars from All About Jazz Magazine. Lyman is also the author of the book A New Approach to Odd-Times for Drumset published by Mel Bay Publications (2013). In 2019 Steve will be filming on online lesson for Drumeo and touring the US and EU with saxophonist Chase Baird. Endorsements: Craviotto Drum Company Drums, Istanbul Mehmet Cymbals, Remo Drumheads, Polynome Metronome App and Reflexx Practice Pads. Steve Lyman also serves as an Adjunct Associate Professor of Jazz Drumset Studies at the University of Utah and lives in Salt Lake City. https://www.stevelymandrums.com/

Jacques Schwarz-Bart says that he never fit neatly into any one category. He says, “I knew early on in my life that I could not go down a regular path. It would be hard for other human beings to totally accept me the way I am.”  From the very start, Jacques’ life was unusual. Born in the Caribbean island of Guadeloupe to a pair of writers (his mother the Guadeloupean novelist Simone Schwarz-Bart and his father, the French-Jewish writer and intellectual André Schwarz-Bart.)  The family traveled widely, living in Senegal, Switzerland, and Goyave, Guadeloupe. Young Jacques was an excellent student, and he was thought to be destined for greatness. In his universe, that meant a life in politics and, after studying at the prestigious Parisian school of Government, Sciences Po, he began a career as a Senator’s assistant in Paris. He was an inspiration: young, successful and smart - a beacon of hope and a shining representative of his multi cultural background in France.  So when he walked away from all that at age 27, moved to Boston and pursued a career in jazz saxophone at the Berklee College of Music, it was not a surprise to him that his family and friends thought he had literally lost his mind. People started to talk, and to invent all kinds of reasons to explain the choice. He says, “I admired them for finding a rational reason for my decision. Nobody could come to terms with the fact that I loved something and I just decided to pursue it despite that fact that I was new and not very good at it.”  It’s true, he was new. He had only picked up a saxophone for the first time a few years earlier. But as he tells it, there was an instant connection between the young Schwarz-Bart and the and horn. He was off and running.  Much like everything else in his life, Jacques musical path has not followed a straight line. His work with Roy Hargrove led him to the world of neo soul, where he worked as a session player with the likes of D’Angelo, Erykah Badu, Eric Benet, and Meshell N’degeocello.  But it was stints with Danilo Perez, Ari Hoenig, Bob Moses, and Giovanni Hidalgo that informed his search for authentic, coherent music that built bridges between his cultural and musical worlds. A series of exploratory projects ensued, including the Gwoka Jazz Project (exploring the music of Guadeloupe); Jazz Racine Haiti (bringing together Haitian Voodoo music and jazz); and most recently Hazzan, featuring his original arrangements of Jewish liturgical music.  We got together on a cold January afternoon following his performance at the Winter Jazz Festival in New York to talk about identity, authenticity, and how “the artist is first and foremost someone who has the guts to be himself”.  Thanks for listening. If you enjoyed it, please leave a review on iTunes and consider supporting the podcast on Patreon! And now you can also listen to the podcast on Spotify!

In January 2017, when Drum! Magazine published  “10 Drumming Educators Share Their Number One Piece Of Advice For Students,” they talked with a veritable who’s who of those at the very top of their field. Among them, today’s most honored guest, Ed Soph, whose work as a professional drummer, clinician, and ground-breaking college professor has made him one of the most respected people in drumming today. Soph enjoyed a career playing with such greats as Stan Kenton and the Woody Herman band. You may have even played along with him as the drummer on a number of the Jamey Abersold play-along records.  In 1987, after twenty years on the East coast, Ed and his wife returned to his alma mater, the University of North Texas, where he eventually became the first tenured professor of drumset at any public university in the US. Some of Ed’s students have become famous in their own right, including Jazz drummer Ari Hoenig, LA-based Jason Sutter, and the legendary Dave Weckyl. Born in California and raised in Houston, Ed—like so many of the drummers we’ve talked with in this series, began at age four or five, when his father, who enjoyed playing ragtime piano, came home with a wood block and encouraged Ed to play along.  Drum lessons soon followed with teacher Elder Mori.  Soon Ed was playing gigs and learning from the older, more experienced member of the band.   Recently retired from UNT, students still learn from his books and YouTube videos, including a series of Quick Tips he made for Evans.  A new series of videos is coming soon to The Drum Channel.

Steve Lyman is a jazz musician from Salt Lake, Utah who has studied under jazz giants Ari Hoenig, and John Riley. Steve is a professor, clinician, and artist who manages to keep a very full schedule with little time off it would seem.   In this episode, we explore some deep musical concepts, the importance of being a student whilst remaining as a teacher, how our society limits us due to the projection of shame and guilt for anyone who focuses on their own wellness, and many other deep subjects. Steve also had a close encounter with death recently and so we reflect on that as well and how that may have changed his perspective.   Steve has an online series that he calls "Drumset Mastery" that he launched back in February of this year that may be of interest to you. The link to check that out is HERE.   Steve's Socials Instagram | Website   DrumGAB's Socials Instagram | Facebook | Website

Tres grabaciones del sello Fresh Sound New Talent suenan en la entrega 418 de HDO. NY Standard es una grabación liderada por el baterista Ari Hoenig en la que está acompañado por Orlando le Fleming, el guitarrista Gilad Hekselman, los pianistas Tigran Hamasyan, Shai Maestro o Eden Ladin, y en tres temas por el saxo tenor Tivon Pennicott. El repertorio está compuesto por temas de Coltrane (“Bessie’s Blues”), Miles Davis – Gil Evans (“Boplicity”), Monk (“In Walked Bud”) o Wayne Shorter (“Fee Fi Fo Fum”). Four on the Road es el título de la grabación del David Ambrosio Trio, completado por el saxofonistas Loren Stillman y el el baterista Russ Meissner. Aunque la formación está liderada por el contrabajista, es una obra colectiva en la que cada uno de los dos integrantes del trío aportan sendas composiciones. El guitarrista Yuval Amihai publica I Ain’t Got Nothin’ But The Blues, combinación de temas de autores como Ellington, Keith Jarrett u Oliver Nelson, y temas propios. Con aromas clásicos, le acompañan el contrabajista Damien Varaillon y el baterista Gautier Garrigue, además de con la colaboración en tres temas de Hermon Mehari (trompeta), y Amir Friedman (saxo tenor). Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo @ tomajazz . com.

Tyler Blanton's Hornē Electric Band is a modern mix of funk, soul, electronic and jazz elements, presented in a unique way. Rising star vibraphonist Tyler Blanton has become known in recent years for his work with top NY musicians such Donny McCaslin, Ari Hoenig, and Nate Wood. He has received press and features in Downbeat magazine, JazzTimes, Hot House, and the NY Times. An extension of earlier genre melding work of figures like Mike Manieri and Roy Ayers, Blanton’s unique concept integrates dance-able grooves, rich jazz harmonies, and the use of modern electronic soundscapes. •••• The B-Side Podcast is produced by Charlie Hoxie, Kecia Cole, Ro Johnson and Sachar Mathias; recorded by Onel Mulet and Steve de Seve; and edited by Emily Boghossian and Khyriel Palmer. For more information on B-Side and all BRIC RADIO podcasts, visit www.bricartsmedia.org/radio

Y hoy… un estándar. Es el turno de “The Way You Look Tonight” con música de Jerome Kern y letra de Dorothy Fields, compuesto en 1936 para la película Swing TIme (en España En alas de la danza). Las interpretaciones están a cargo de Teddy Wilson & His Orchestra con Billie Holiday, Sonny Rollins, Ari Hoenig, Art Pepper, David Pastor Nu-Roots con la voz de Deborah J. Carter, Billy Bauer, Gwilym Simcock, Lionel Hampton & His All Stars, Keith Jarrett Standards Trio, Paul Gonsalves, Tal Farlow. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

I’ve been captivated by the massive and multifaceted YouTube videos that jazz bassist and educator Chris Fitzgerald has been putting out these past few years. Today we dig into the hows and whys of Chris’ considerable undertaking. More About Chris: Chris Fitzgerald has been a member of the Louisville jazz community as both a teacher and a performer since 1985. During that time, he has performed or toured with Jamey Aebersold, Lynne Arriale, Darius Brubeck, Sonny Fortune, Antonio Hart, Ari Hoenig, Java Men, Norah Jones, Lee Konitz, Dave Liebman, Ben Monder, Harry Pickens, Jean-Michel Pilc, and many others. Chris earned a Master of Music degree in Theory and Composition from the University of Louisville in 1992. Since then, he has become dedicated to jazz education, teaching at various universities in the area and serving as a faculty member at the Jamey Aebersold Summer Jazz Workshops since 1996. He is currently a music professor at the University of Louisville, where his teaching duties include jazz theory, traditional theory, improvisation, jazz bass, jazz piano, and jazz ensembles. He currently devotes much of his creative energy to performing in a number of local performing and recording groups, and to his role as bassist in the original music ensemble Liberation Prophecy. Links to Check Out: Chris's website Chris's album The Sparrow and The Bear Chris' YouTube Channel Right Hand Pizzicato Technique Perspectives Double Bass Posture Variations Contrabass Conversations is sponsored by: This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. The Upton Bass String Instrument Company.  Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr.  Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Check out this video of David Murray "auditioning" his Upton Bass! The Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

Phil has risen to become one of the premier European bassists of his generation. He tours with John Abercrombie, Marc Copland, Bill Stewart, Greg Osby, Kurt Rosenwinkel, Chris Speed, Ari Hoenig, Jonathan Kreisberg, Terrell Stafford, David Binney, Tyshawn Sorey and Nils Wogram's Root 70 to name a few. This show will surely take things to a whole new level. Support the show (http://www.prestomusic.com/jazz)

Video version: http://www.rulesfordrummers.com I asked Peter Erskine, Jeff Hamilton, Zoro, Johnny Rabb, Curt Bisquera, Ari Hoenig, Victor Indrizzo, Jonathan Mover, Walfredo Reyes Jr., Steve Fidyk, Bermuda Schwartz, Dan Needham, Bruce Becker, Bill Bachman, Jeff Queen, Pete Lockett, Andre Boyd, Nick Ruffini, Dave Kropf, Richie Gajate-Garcia, Tim Lefevbre, and many more to give their top piece of advice to drummers. The catch… THEY COULD ONLY USE THREE WORDS! I hope this video inspires YOU to think about what it means to be a drummer. As we get ready for 2017, if you were to truly focus on just ONE of these rules each week, you'd have almost 2 years worth of concepts to help improve your playing! Thank you to the following drummers/instrumentalists/vocalists/educators: == 100 Steve Bradley 99 Eugene McGhee 98 Max Marshall 97 Conrad Askland 96 John Marque 95 Reese 94 *** JEFF HAMILTON *** 93 Clint Dodson 92 Paul Westlake 91 Ian Shepherd 90 ***CURT BISQUERA*** 89 Francisco Dean 88 Jonathan Savage 87 ***ARI HOENIG*** 86 ***ZORO*** 85 Nikhi Korrula 84 Jay North 83 Joseph Luna 82 Kyle Acuncius 81 Seth Nordin 80 Eric Siereveld 79 Ariel Levine 78 ***BRUCE BECKER*** 77 Corey Christiansen 76 ***DAN NEEDHAM*** 75 Joel Brainard 74 Ed Gaus 73 Jacob Miranda 72 ***ANDRE BOYD*** 71 Andre “Virus” Karkos, Jemma Armstrong, Nina Schreckengost 70 Jeff McLaughlin 69 Mike Garza 68 Alan Frye 67 Greg Essig 66 Martin Plante 65 ***TIM LEFEVBRE*** 64 Kim McKewon 63 Tanya Rimwell 62 Ben Sturley 61 Richard Livoni 60 Paul Wandtke 59 Conrad Roach 58 Diego Rojas 57 ***PETE LOCKETT*** 56 Nick Stevens 55 ***PETER ERSKINE*** 54 Nick Lang 53 ***DAVE KROPF*** 52 Dustin Koester 51 Tom Haberman 50 Ed Kornhauser 49 ***WALFREDO REYES JR.*** 48 ***RICHIE GAJATE-GARCIA*** 47 Jeff Franca 46 Nick McLaren 45 Tom Berich 44 Jesse Gawlick, Brad Sweet, Chelsea Baker 43 Marc Aliana 42 Chris Singleton 41 Doug Cameron 40 ***VICTOR INDRIZZO*** 39 Broc Power 38 Mackenzie Leighton 37 ***JOHNNY RABB*** 36 Steve Pruitt 35 ***JEFF QUEEN*** 34 Jay Ware 33 Nick Ruffini 32 Justin Ramirez 31 Colin Campbell 30 Lizzie Shipton 29 Ryan Knudsen 28 Andy Bianco 27 Brian Blume 26 ***STEVE FIDYK*** 25 ***BERMUDA SCHWARTZ*** 24 ***JONATHAN MOVER*** 23 Nate Lee 22 Michael Tadeo 21 Colin Leske 20 Peter Schomburg 19 Johnny Mantra 18 ***BILL BACHMAN*** 17 Jim Bailey 16 Matt Black 15 Andy Smith 14 Brad Waits 13 Reuben Gingrich 12 CJ Young 11 Andrew Bache 10 Ben Matthews 9 Chad Kethcart 8 Matt Piet 7 Andrew Fowler 6 Shaan France 5 Gino Del Sole 4 Tommy Goddard 3 Aaron Smith 2 Ken Ge 1 Grant Thomas Download a PDF of all 100 rules here: http://www.rulesfordrummers.com

Los guitarristas Cameron Mizell, Ricardo Grilli y Andrés Thor son los protagonistas de HDO 176. En HDO 176 suenan 1954 (Tone Rogue Records, 2016) de Ricardo Grilli junto a Aaron Parks, Joe Martin y Eric Harland; Negative Spaces (Destiny Records, 2016) de Cameron Mizell con Brad Whiteley y Kenneth Salters; Ypsilon (Dimma, 2016) de Andrés Thor, a quien acompañan Ari Hoenig, Agnar Már Magnússon y Richard Andersson. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz. Toda la información de HDO 176 en http://www.tomajazz.com/web/?p=26842 Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

Ed Soph is internationally recognized as an author, teacher, and musician. As a performer and recording artist, Ed has played with the big bands of Stan Kenton, Woody Herman, Bill Watrous, and Clark Terry. Small group credits include Joe Henderson, Bobby Shew, Randy Brecker, David Liebman, Lee Konitz, Carl Fontana, Bill Evans, Clark Terry, Marvin Stamm, Bill Mays, and Eddie Gomez. Ed’s most recent publication, in both book and DVD format, is MUSICAL TIME, published by Carl Fischer. Other publications include THE BIG BAND PRIMER , and ESSENTIAL TECHNIQUES FOR DRUMSET (Meredith Music).Ed has been the recipient of lifetime achievement awards in education from the Yamaha Corporation and the Percussive Arts Society and was inducted into the Percussive Arts Society’s Hall of Fame in 2016. He was also recognized as a “LeJENd in Jazz Education” by the Jazz Education Network.In addition to recording and touring, Ed is a professor of jazz studies in the College of Music of the University of North Texas, and an Artist Clinician for Yamaha drums, Zildjian cymbals, Innovative Percussion, and Evans drumheads.Some of Ed’s students have literally changed the world! Here’s a short list…Jason Sutter, Jim Riley, Keith Carlock, Ari Hoenig, Matt Wilson, Blair Sinta, Rich Redmond, Earl Harvin, Peter Erskine, Brian Delaney, Ross Pederson and a youngster named John Robinson!For more information about Ed see www.music.unt.edu/percussion

Check out international jazz drummer Ari Hoenig on this episode. Ari talks about his new CD, the NYC jazz scene, and what it was like playing with Wayne Krantz, Mike Stern, and Kenny Werner. 

In this session I talked to Ari Hoenig, Philadelphia born and NYC based Jazz drumming heavyweight.  Ari has been recognized throughout the Jazz community as one of the best in the business, and won the 2013 BMW Welt Jazz Award. Additionally he has performed with a list of top Jazz musicians including Kenny Werner, Pat […] The post 018 – Ari Hoenig: The importance of failure and mistakes appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

This week's Contrabass Conversations podcast features the first part of our interview with double bassist Ranaan Meyer. John Grillo (a frequent guest and collaborator on the podcast) and I co-interviewed Ranaan, who is the bassist for the band Time for Three and has had a very interesting and multi-faceted career. In addition to hearing a few musical excerpts from Time for Three, this episode features music from German double bassist Guy Tuneh, Pittsburgh-based singer/songwriter Brad Yoder, Los Lonely Boys, and The Latin Soul Syndicate. Enjoy! Ranaan Meyer bio: Ranaan Meyer, double bassist and composer, began his musical studies at the piano at age 4; at age 11, he took up the double bass (once he was big enough to hold it). He attended the Manhattan School of Music and graduated from the Curtis Institute of Music in 2003. Beyond regular appearances with orchestras such as the Minnesota Symphony, Baltimore Symphony and The Philadelphia Orchestra, Mr. Meyer is also increasingly in demand as a composer, creating unique new works for his trio Time for Three as well as for solo bass and other ensembles. Most recently Mr. Meyer completed a commission, “My Zayda? (for Violin, Piano and Double Bass) for the Kingston Chamber Music Festival in Rhode Island. Other recently completed commissions include a solo double bass piece for the Network for New Music, a double bass and harp duet as well as a set of Time for Three pieces for Astral Artistic Services and a Time for Three composition for the City of Pittsburgh and the Pittsburgh Symphony, “Of time and three rivers?. All commissions have been expedited through the American Composer’s forum. Mr. Meyer, also an accomplished jazz musician, has performed with Jane Monheight, Victor Lewis, Jason Moran, Mark O’Connor, Ari Hoenig, Duane Eubanks, Mickey Roker and many more. Ranaan, at age 19 produced, directed and performed in the very first Washington Township Jazz Festival which was also broadcasted live on Philadelphia’s WRTI. Mr. Meyer, an avid teacher, has held adjunct Double Bass Professorships at both Princeton University and the University of Delaware. He has spent several Summers teaching alongside Hal Robinson (Principal Bass of The Philadelphia Orchestra) at the Strings International Music Festival in Bryn Mawr, Pennsylvania. He has also taught at the Intermountain Suzuki Camp in Sandy, Utah and Mark O’Connor’s String Camp in San Diego, California.

Jason Crane interviews pianist Misha Piatigorsky. Misha fled with his family from Russia during the height of the Cold War and ended up in New Jersey. A classically trained pianist, he discovered jazz and fell in love with the music, ending up at Rutgers studying with Kenny Barron. He won the 2004 Thelonious Monk Composers Competition. He's also the pianist and musical director for singing legend Mark Murphy. Misha’s new trio with bassist Hans Glawischnig and drummer Ari Hoenig is a fusion of hip-hop grooves with his non-traditional jazz compositions. Their new record is Uncommon Circumstance (MISHAMUSIC, 2007). Find out more at mishamusic.com.